Where We Begin… & Understanding How Things Work, Redux (the “missing” compilation post for Sunday) April 12, 2026

Happy Pascha, to those who are celebrating Bright Week!! Peace and many blessings to everyone and especially to anyone Counting the Omer and/or celebrating and/or observing Eastertide and the Octave of Easter or Bright Week.

Happy Poetry Month!!

This “missing” compilation post for Sunday, April 12^th , contains new and “renewed” content. Links to the related Kiss My Asana offerings can be found at the of this post. Poetry links in the final notes section will direct you to sites outside of this blog. NOTE: There is a passing reference to an accidental death.  

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“Beneath my steps, my breath”

— quoted from the poem “Oranges” by Gary Soto

(for my twin and her best friend)

This is how we begin. On the mat (and, ideally, off the mat), we build from the ground up. We establish a foundation by placing some part(s) of our body on the floor, on the mat, on a prop, or even on a chair. Everything else stacks up from there.

We find the balance between effort and relaxation that allows us to focus on the breath — and not be distracted by the possibility of falling over and/or by some random pain, discomfort, and/or disease.

Then we breathe… and pay attention to the breath. We also pay attention to how it feels to breath in the pose, the asana, the seat.

Then, we do it all over again.

In the process, we start to notice cause and effect. We start to notice that where — and how — we begin determines how things unfold.

We start to notice how things work.

“Today it’s going to cost us twenty dollars
To live….”

— quoted from the poem “How Things Work” by Gary Soto 

For Those Who Missed It: Variations of the following have been previously posted.

“As far as I can tell, daughter, it works like this:
You buy bread from a grocery, a bag of apples
From a fruit stand, and what coins
Are passed on helps others buy pencils, glue,
Tickets to a movie in which laughter
Is thrown into their faces.
If we buy a goldfish, someone tries on a hat.
If we buy crayons, someone walks home with a broom.
A tip, a small purchase here and there,
And things just keep going. I guess.”

— quoted from the poem “How Things Work” by Gary Soto

Born April 12, 1952, in Fresno, California, Gary Soto is a poet, novelist, playwright, essayist, memoirist, and film director/producer, who also writes literature for children and young adults. He was the first Mexican-American to earn a Master of Fine Arts (MFA, 1976), at the University of California, Irvine, and taught at both the University of California, Berkeley, and at the University of California, Riverside. In addition to being a finalist for the Pulitzer Prize and the National Book Award, he won Before Columbus Foundation’s American Book Award for his memoir Living Up the Street (1985); the 2014 Phoenix Award for his children’s book Jesse (1994); and a Nation/Discovery Award and the Levinson Award from Poetry.

Mr. Soto is a two time recipient of both the California Library Association’s John and Patricia Award and fellowships from the National Endowment for the Arts and was once named NBC Person of The Week (1995). Eight of his books have been translated into French, Hindi, Italian, Japanese, Korean, and Spanish. Additional accolades have come from his work on movies like The No-Guitar Blues, based on the story of the same name in his collection Baseball in April and other stories (1990) and the movie based on his book The Pool Party (1993, illustrated by Robert Casilla). He wrote the libretto to the Los Angeles Opera’s Nerdlandia and has also collaborated with the illustrator Susan Guevara on the bilingual Chato series (about “the coolest low-riding cat in East L.A… and his best friend, Novio Boy”).

“Ellen Lesser, writing in Voice Literary Supplement, was charmed by Soto’s poetic tone, ‘the quality of the voice, the immediate, human presence that breathes through the lines.’”

— quoted from the Poetry Foundation profile “Gary Soto”

Gary Soto’s work mirrors the Mexican-American communities of his youth (and his adulthood) as well as his early fascination with English (Western canon) literature, which did not reflect his lived experience. His parents were immigrants and day labors. When his father died, when Mr. Soto was five years old, the future award-winning author worked in the fields in San Joaquin and had little time for school. Later, he worked in factories of Fresno to help support his family. By high school, however, he had discovered his love of fiction and poetry and wanted to create literary worlds that felt like home. He mixed dirt with philosophy; English with Spanish; reality with fantasy. His fiction and poetry have the feel and texture of real life being lived in the moment or, they are, as he puts it, “portraits of people in the rush of life.”

In answering a question about what inspires him, he wrote, “I’m also a listener. I hear lines of poetry issue from the mouths of seemingly ordinary people. And, as a writer, my duty is not to make people perfect, particularly Mexican Americans. I’m not a cheerleader. I’m one who provides portraits of people in the rush of life.” And, in writing about people’s day-to-day experiences, he writes about cause and effect, and about “how things work”.

Gary Soto’s portraits also illustrate how we are all connected, how our stories are all interconnected, and how it all comes back to what we believe.

“How strange that we can begin at any time.
With two feet we get down the street.
With a hand we undo the rose.
With an eye we lift up the peach tree
And hold it up to the wind – white blossoms
At our feet. Like today. I started”

— quoted from the poem “Looking Around, Believing” by Gary Soto

As someone who loves stories and loves yoga, I often quote Maty Ezraty who said, “A good sequence is like a good story. There is a beginning (an introduction), the middle (the heart of the story), and the end (the conclusion).” However, as I have pointed out before, life is a little different in that we meet each other in the middle of our stories and simultaneously progress forward and back (as we learn about each other’s back stories). We are also, simultaneously, living the middle, beginning, and end of some part of our stories — while also telling the beginning, middle, and end of some part of our stories — every time we inhale and every time we exhale. As Gary Soto put it, “We’re here in the day. One step, / A simple hello, and we’re involved.”

When we are sharing our stories with each other, we pick where we begin. Where we begin, when we tell a story, is based on what we know/understand about the story and may change the way the story is understood (by ourselves and others).

“Light in her eyes, a smile
Starting at the corners
Of her mouth. I fingered
A nickle in my pocket,
And when she lifted a chocolate
That cost a dime,
I didn’t say anything.
I took the nickel from
My pocket, then an orange,
And set them quietly on
The counter. When I looked up,
The lady’s eyes met mine,
And held them, knowing
Very well what it was all
About.”

— quoted from the poem “Oranges” by Gary Soto

Gary Soto’s birthday often overlaps with one or more religious holidays. Although April 12, 2026, was the Great and Holy Pascha in Orthodox Christian communities; the Second Sunday of Easter / the Octave of Easter in some Western Christian traditions; and the Counting of the Omer in some Jewish traditions, no holiday-related stories were central to this year’s practice. I stayed focused on Gary Soto, the poems, and the physical aspects of the poetry-inspired practice. At the end, however, I shared a little snippet of a story about my encounters with the poem “Oranges”.

For context, I should mention that (back in 2021) I used the first line of the poem “How Things Work” (quoted above) to illustrate how our experiences (re)frame understanding. I should also mention that I hadn’t read Gary Soto’s poem “Oranges” in years. So, when I was getting ready for the (2026) class and I went back to the 2019 post, where I originally quoted the line about steps and breath, I was not surprised that those were the words that jumped out at me. However, I couldn’t remember why I dedicated the line to “my twin and her best friend”.

What was I thinking? What was the story?

Re-reading the poem about a first date, I thought about how much has changed. My twin and her best friend got married several months after I wrote that post and now they have a little girl. At the end of practice, I said I didn’t know if the little girl likes oranges and/or chocolate. But, if I hadn’t gotten choked up by the memories, I would have mentioned that she had s’mores for the first time this week — and she seemed to enjoy that well enough.

“Love,
The moon is between clouds,
And we’re between words
That could deepen
But never arrive.”

— quoted from the poem “Between Words” by Gary Soto

Sunday’s playlist is available on YouTube and Spotify. [Look for “10202020 Pratyahara”]

If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can dial 988 (in the US) or call 1-800-273-TALK (8255) for the Suicide and Crisis Lifeline. You can also call this TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.

White Flag is an app, which I have not yet researched, but which may be helpful if you need peer-to-peer (non-professional) support.

If you are a young person in crisis, feeling suicidal, or in need of a safe and judgement-free place to talk, you can also click here to contact the TrevorLifeline (which is staffed 24/7 with trained counselors).

PRACTICE & POETRY NOTES:

If you are interested, click on the year for the Kiss My Asana offerings in 2018 and 2019, which feature practices inspired by Gary Soto’s poems. You can also click here (or above) for the aforementioned 2021 post.

I also encourage you to click on the titles below to read the highlighted poems:

• “How Things Work”

• “Looking Around, Believing”

• “Between Words”

• “Oranges”

You’re Invited to Bend… & To Take The Deepest Breath You’ve Taken — On Retreat!

September 25 — 27, 2026

### A LITTLE MORE KINDNESS, PLEASE ###