TAKE A DEEP BREATH! April 3, 2009
Posted by ajoyfulpractice in Changing Perspectives, Fitness, Health, Minneapolis, Minnesota, Philosophy, Science, Twin Cities, Yoga.7 comments
Smile. You may not know it, but your life just changed.
Skeptical?
Take another deep breath. Now, deepen your expression.
Whether you are new to yoga, a dedicated practitioner, or just someone trying to sort out all of the hullabaloo (and not call it “yogart” in mixed company), a joyful practice can help you find things you didn’t know you needed – and explore gifts you didn’t know you had to offer.
Still skeptical? That’s cool. It doesn’t change the fact that somewhere between that first deep breath and this next one (Inhale….Exhale.) your brain chemistry changed!
And just think, you didn’t even have to step on a mat.
Namaste!
Take Another Look at Yourself (the “missing” Sunday post, which is a “renewed” post ) March 30, 2023
Posted by ajoyfulpractice in Art, Books, Buddhism, Changing Perspectives, Faith, Healing Stories, Hope, Lent, Life, Love, Music, Mysticism, One Hoop, Pain, Peace, Philosophy, Poetry, Ramadan, Religion, Robert Frost, Suffering, Tennessee Williams, Traditional Chinese Medicine, Wisdom, Writing, Yin Yoga, Yoga.Tags: B.K.S. Iyengar, Bramaviharas, Chaitra Navaratri, chakra, chesed, gevurah, Great Lent, heart, kabbalah, Lent, Maty Ezraty, parighasana, Patricia Clarkson, Ramadan, Ramadān, Robert Frost, Season for Nonviolence, Season of Non-violence, sefirot, Skandamata, Swami Rama, Tennessee Williams
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“Nine days and nine nights of blessings and happiness if you are celebrating Chaitra Navaratri!” “Ramadān Mubarak, Blessed Ramadān!” to anyone who is observing the holy month of Ramadān. Blessings to anyone observing Lent or Great Lent! Many blessings to all during this “Season for Non-violence” and all other seasons!
This is the “missing” post for Sunday, March 26th. It is also a revised (and expanded) from 2019, with an itty bit from 2020 – so, literally another look. Some links in the post connect to sites outside of the blog. You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.
Check out the “Class Schedules” calendar for upcoming classes.)
“Something there is that doesn’t love a wall,
That sends the frozen-ground-swell under it,
And spills the upper boulders in the sun;
And makes gaps even two can pass abreast.”
– quoted from the poem “Mending Wall” by Robert Frost
“The violets in the mountains have broken the rocks. The world thirsts after sympathy, compassion, love.”
– quoted from the play Camino Real by Tennessee Williams (The first sentence is also the epitaph on his grave.)
There are people in the world who will say you haven’t read poetry until you read Robert Frost, and Southerners in the world who will say you haven’t seen a play until you’ve seen Tennessee Williams. Born 37 years and over 2,000 miles apart, these two literary icons shared a birthday (3/26) and way with words. Although, some would say they used their words in different ways.
Born in 1874, in San Francisco, California, Robert Frost wrote about things like “a snowy evening,” “mending a wall,” and “the road not taken” – although, in the latter case, people often mistake it for “the road less traveled.” His poems are often as much about perspective as they are about the way we tell a story (and the fact that the way we tell a story can change the story). They also illustrate how the stories we tell (ourselves and the world) are not always about the truth so much as they about what we understand about the world and ourselves.
Born in 1911, in Columbus, Mississippi, Tennessee Williams wrote about emotionally volatile people in the South and from the South. He wrote about characters and circumstances that reflected the emotional turmoil he saw and felt inside himself and all around him. Then, so that the emotional states of the the people and situations could not be ignored (or missed) he reinforced them with the use of props, sound effects, and blocking. In other words, he used the physical to embody the emotional and energetic – and, in doing so, drew the audience into the hearts of the characters.
Even though their mediums and subjects were different, they both wrote in a way that can make you pause, look again…and again. Once or thrice you may even wonder how many ways you can see/interpret/understand what has been said, and how it applies to your life. A good story, regardless of the medium, will make you do that: consider how it applies to your life.
“Something we were withholding made us weak
Until we found out that it was ourselves
We were withholding from our land of living,
And forthwith found salvation in surrender.”
– quoted from the poem “The Gift Outright” by Robert Frost
Every once in a while (as I did last Wednesday and again on Sunday), I mention Maty Ezraty, who was a teacher of teachers and who said that every yoga practice should be like a good story. One of my takeaways from that suggestion has always been that, each part of the mind-body-spirit is like a character in a story. Just like each character has a different purpose and a different point of view, each pose/sequence can give each part of our bodies and minds an opportunity to tell their story. Another takeaway is that everything is leading to and from the heart of the story.
So, let’s start with the hearts.
“What is straight? A line can be straight, or a street, but the human heart, oh, no, it’s curved like a road through mountains.”
– quoted from the play “A Streetcar Named Desire” by Tennessee Williams
Yes, I said, “hearts” – plural. Swami Rama from the Himalayan tradition said that we have three hearts: a physical heart, which for most of us is on the left side; an emotional heart on the opposite side, which for most of us is on the right; and an energetic heart that connects the two. That energetic heart, which some consider a spiritual heart, connects our hearts with all the other hearts around us. Additionally, in yoga and other Eastern healing arts, energy for the heart flows through the arms.
The heart chakra, in yoga (as it comes to us from India) is symbolically and energetically associated with the upper torso, shoulders, arms, hands, and fingers. In Yin Yoga, which is based on Traditional Chinese Medicine, the heart median has three branches, one of which runs down the inner arms into the pinky fingers. According to the Kabbalah, Jewish mysticism, there are 10 Divine attributes (from the Tree of Life) through which G-d is revealed to the world – and 7 of these can be found in the body. Love/loving-kindness (chesed in Hebrew) is associated with the right arm and is balanced by strength (gevurah in Hebrew), which is associated with the left arm.
Just as people contemplate the Divine attributes when they are counting the Omer in some Jewish traditions, people in Buddhist traditions contemplate the Divine abodes (brahmavihārāḥ in Sanskrit), which are heart practices: loving-kindness or benevolence (mettā); compassion (karuṇā); empathetic joy (muditā); and equanimity (upekkhā). In some Indian philosophies (like Yoga), the ability to cultivate a good heart/make friends (suhrit-prapati) and generosity (dana) can also be considered heart practices. On (and off) the mat, we can contemplate these same emotional and energetic aspects of ourselves by bringing awareness to our arms and how we use our arms… to reach out, to embrace, to extend ourselves.
We may notice – as we move through our practice or through our day – how we are expressing our heart or how we are withholding our heart. But, there’s always the possibility that we don’t notice. We may not notice when we are off the mat, because we are distracted. We may not notice on the mat, because we are focused on other parts of the mind-body. This is why it’s important to notice how we move and why we move the way we move – because it all tells a story.
“Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;
Then took the other, as just as fair,”
– quoted from the poem “The Road Not Taken” by Robert Frost
There are hundreds of poses and hundreds, thousands – maybe even millions – of ways to move into and out of pose. And each one of those ways gives us another way of looking at the story. The tricky thing is that sometimes we keep coming back to the story the same way. But, what happens if we came at things a different way? What happens if we let a different part of our mind-body-spirit take the lead? What happens if our circumstances and understanding of the world changes? What happens if our understanding of ourselves changes?
Sometimes, the practice can be like a favorite story that we read again and again – or re-read, years after the initial reading – and we suddenly see everything from a different perspective. In fact, one of the things I like about the practice is the opportunity to revisit themes and/or sequences and suddenly discover something completely different. It’s also one of the things I love about reading (and watching) great works of art.
“We have to use a spell to make them balance:
“Stay where you are until our backs are turned!”
We wear our fingers rough with handling them.
Oh, just another kind of out-door game,
One on a side. It comes to little more:
There where it is we do not need the wall:
He is all pine and I am apple orchard.
My apple trees will never get across
And eat the cones under his pines, I tell him.
He only says, “Good fences make good neighbours.”
Spring is the mischief in me, and I wonder
If I could put a notion in his head:
“Why do they make good neighbours? Isn’t it
Where there are cows? But here there are no cows.
Before I built a wall I’d ask to know
What I was walling in or walling out,
And to whom I was like to give offence.”– quoted from the poem “Mending Wall” by Robert Frost
Parighāsana (Gate Pose) stretches the pelvic area and hamstrings, while also engaging the sides of the torso and abdomen eccentrically (up side) and concentrically (down side). According to B.K.S. Iyengar’s Light on Yoga, the pose “keeps the abdominal muscles and organs in condition and the skin around the abdomen will not sag but remain healthy. The sideways spinal movement will help persons suffering from stiff backs.” I find that it is a great way to get into the hips and the legs. Another aspect of the pose is what happens to the heart area – not only physically, but emotionally.
Parighāsana offers us the opportunity to open up the shoulders (physically) and open the gates on all sides of the heart (emotionally and energetically). It also offers some interesting insight into how we sometimes engage the different aspects of our heart. For instances, when I cue and describe the pose in a practice, many people have a tendency to lift the bottom hand up to meet the top hand – rather than extending the upper body down towards the lower hand. To be fair, many people do not have the strength and flexibility to kneel on one leg, stretch out the other leg, and then bend sideways until the top hand lowers down. But, what is interesting is how people deal with the resistance. Initially, they lift the bottom hand up – because it’s easy (and obvious). When I point out that it’s the top hand that needs to reach down, many people will fold in on themselves; essentially closing down and hiding the heart to make the connection. However, the “goal” is to open the gate and to stay open in the process.
“Lonely . . . When so many are lonely as seem to be lonely, it would be inexcusably selfish to be lonely alone.”
– Don Quixote in the Prologue to Camino Real by Tennessee Williams
We all build walls around our hearts. Sometimes we do it for protection, because we have perceived an actual threat. Other times, we build walls, because of fear associated with a perceived threat. That perceived threat might turn out to be an actual threat, but it could also simply be a possibility (or a misperception). Of course, we can also get in the habit of building walls – because it’s what others have done before us, what we’ve been taught, and/or because we have experienced harm in the past. But, even castle walls have gates and drawbridges, a way in and a way out.
When we really pay attention to the ways we engage our heart, on and off the mat, we may find it challenging to open the gate. We may find that we take the easy route – especially when there’s a little awkward balancing, as there is in parighāsana – and/or we may find that we are compromising ourselves (and our hearts) in order to make a connection. One suggestion I make, during the physical practice, is to bend the lifted elbow (so the hand is behind the head) and then use the whole body to rotate the elbow up. This changes the focus and reinforces the idea that we are opening the heart and the side-body. I often sequence a modified side plank after the “Gate Pose,” as a reminder that there can be more than one way to open a gate.
Take a moment to consider a time when you compromised yourself in order to make a connection. How could you have refocused your awareness, energy, and resources in order to reinforce what was important? Could you have made the connection (or a similar connection) in a different way?
In A Streetcar Named Desire, Blanche DuBois says, “I always depended on the kindness of strangers.” Remember, we are all Blanche…but we are also those strangers. Click here for the brief 2020 post about making loving-kind connections.
“It should be of the pleasure of a poem itself to tell how it can. The figure a poem makes. It begins in delight and ends in wisdom. The figure is the same as for love. No one can really hold that the ecstasy should be static and stand still in one place. It begins in delight, it inclines to the impulse, it assumes direction with the first line laid down, it runs a course of lucky events, and ends in a clarification of life–not necessarily a great clarification, such as sects and cults are founded on, but in a momentary stay against confusion.”
– quoted from the essay “The Figure a Poem Makes” by Robert Frost (which served as an introduction to his Collected Poems beginning with the 1939 edition)
Two of my favorite lines from Robert Frost speak of wisdom and delight, and the gift that comes from giving our whole selves. Every time I step on a yoga mat, I experience the wisdom and the delight. I also experience a plethora of gifts. One of those gifts is how the practice affects the mind. In Cat on a Hot Tin Roof, Tennessee Williams has Brick acknowledging that he is an alcoholic, but not seeming to want to give up his drinking because, “It’s like a switch, clickin’ off in my head. Turns the hot light off and the cool one on, and all of a sudden there’s peace.” But then, as his father points out to him, there is the morning.
One of the gifts of yoga is that it brings peace without the hangover. It can flip the switch. Another thing to consider is that the practice has a way of opening the heart so we can get to the violets.
“To me, its meaning is simple. The hard, the cold, the oppressive will—at long last—be broken apart by a force that is beautiful, natural, colorful, alive.”
– Patricia Clarkson explaining why she was quoting Tennessee Williams during a 2009 HRC New Orleans Dinner speech
Sunday’s playlist is available on YouTube and Spotify.
Errata: The Robert Frost poem is called “Mending Wall” and a link has been embedded for a Winter Solstice post.
### HEART-SUFFICIENT ###
Moving Into Stillness on a Wednesday (mostly the music w/ links) March 29, 2023
Posted by ajoyfulpractice in Art, Bhakti, Books, Faith, Healing Stories, Hope, Lent, Life, Music, Mysticism, One Hoop, Poetry, Ramadan, Religion, Wisdom, Writing, Yoga.Tags: Falstaff, Hilary Tann, Mahagauri, Martin Wroe, Navaratri, Poetry, R. S. Thomas
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“Nine days and nine nights of blessings and happiness if you are celebrating Chaitra Navaratri!” “Ramadān Mubarak, Blessed Ramadān!” to anyone who is observing the holy month of Ramadān. Blessings to anyone observing Lent or Great Lent! Many blessings to all during this “Season for Non-violence” and all other seasons!
“‘It’s like walking a trapeze. There are certain things I subscribe to. I believe in God, and that there is a will to good and beauty in the universe, rather than giving way to agnosticism or fatalism.’”
– R. S. Thomas quoted from the (21 July 1995) Church Times article by Martin Wroe, entitled “R. S. Thomas interview: ‘Waiting for the God to speak’”
Please join me today (Wednesday, March 29th) at 4:30 PM or 7:15 PM for a yoga practice on Zoom. Use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You will need to register for the 7:15 PM class if you have not already done so. You can request an audio recording of this practice via a comment below or by emailing myra (at) ajoyfulpractice.com.
Wednesday’s playlist is available on YouTube and Spotify. [Look for “03292020 Moving Into Stillness”]
“You have to imagine
a waiting that is not impatient
because it is timeless.”
– quoted from the poem “Waiting” by R. S. Thomas (b. 03/29/1913)
“To a Young Poet” is not one of the seven featured “stillness” poems, but (as a little something extra here’s a beautiful variation of it.)
Click here for the related 2019 Kiss My Asana post, which featured two poses to practice with the poems.
In the spirit of generosity (“dana”), the Zoom classes, playlists, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations to Common Ground are tax deductible; class purchases are not necessarily deductible.)
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Moving in (7) Mysterious Ways (mostly the music) March 28, 2023
Posted by ajoyfulpractice in Music.Tags: Mirabai Starr, Saint Teresa of Ávila
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“Nine days and nine nights of blessings and happiness if you are celebrating Chaitra Navaratri!” “Ramadān Mubarak, Blessed Ramadān!” to anyone who is observing the holy month of Ramadān. Blessings to anyone observing Lent or Great Lent! Many blessings to all during this “Season for Non-violence” and all other seasons!
“Remember: If you want to make progress on the path and ascend to the places you have longed for, the important thing is not to think much but to love much, and so to do whatever best awakens you to love.”
– quoted from “The Fourth Dwelling .1.” of The Interior Castle by Saint Teresa of Ávila (New Translation and Introduction by Mirabai Starr)
Please join me today (Tuesday, March 28th) at 12:00 PM or 7:15 PM for a yoga practice on Zoom. You can use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.
Tuesday’s playlist is available on YouTube and Spotify.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)
### BE MOVED & (ALSO) MOVE YOURSELF ###
Take Another Look at Yourself (mostly the music w/UPDATED link) March 26, 2023
Posted by ajoyfulpractice in Art, Books, Buddhism, Changing Perspectives, Faith, Healing Stories, Hope, Lent, Life, Love, Music, One Hoop, Pain, Peace, Philosophy, Poetry, Ramadan, Religion, Robert Frost, Suffering, Tennessee Williams, Wisdom, Yoga.Tags: Chaitra Navaratri, Great Lent, Lent, Ramadan, Ramadān, Robert Frost, Season for Nonviolence, Season of Non-violence, Skandamata, Tennessee Williams
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“Nine days and nine nights of blessings and happiness if you are celebrating Chaitra Navaratri!” “Ramadān Mubarak, Blessed Ramadān!” to anyone who is observing the holy month of Ramadān. Blessings to anyone observing Lent or Great Lent! Many blessings to all during this “Season for Non-violence” and all other seasons!
“Something there is that doesn’t love a wall,
That sends the frozen-ground-swell under it,
And spills the upper boulders in the sun;
And makes gaps even two can pass abreast.”
– excerpt from the poem “Mending Wall” by Robert Frost
“The violets in the mountains have broken the rocks. The world thirsts after sympathy, compassion, love.”
– excerpt from the play Camino Real by Tennessee Williams (The first sentence is also the epitaph on his grave.)
Please join me for a 65-minute virtual yoga practice on Zoom today (Sunday, March 26th) at 2:30 PM. Use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below or by emailing myra (at) ajoyfulpractice.com.
Sunday’s playlist is available on YouTube and Spotify.
Click here for the “missing” post related to this practice.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)
Errata: The Robert Frost poem is called “Mending Wall.” Some formatting has been updated.
### HEART-SUFFICIENT ###
The Grace of Responsibility & Doing What You Can (mostly) March 25, 2023
Posted by ajoyfulpractice in "Impossible" People, Changing Perspectives, Dharma, Dr. Martin Luther King, Jr., Faith, Gratitude, Healing Stories, Hope, Karma Yoga, Lent, Life, Music, One Hoop, Pain, Peace, Philosophy, Ramadan, Religion, Suffering, Tragedy, Wisdom, Yoga.Tags: Alabama, Chaitra Navaratri, Great Lent, Kushmanda, Lent, Ramadan, Ramadān, Season for Nonviolence, Season of Non-violence, Selma to Montgomery, Yoga Sutras 2.1-2.2
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“Nine days and nine nights of blessings and happiness if you are celebrating Chaitra Navaratri!” “Ramadān Mubarak, Blessed Ramadān!” to anyone who is observing the holy month of Ramadān. Blessings to anyone observing Lent or Great Lent! Many blessings to all during this “Season for Non-violence” and all other seasons!
“… to all of the freedom-loving people who have assembled here this afternoon from all over our nation and from all over the world: Last Sunday, more than eight thousand of us started on a mighty walk from Selma, Alabama. We have walked through desolate valleys and across the trying hills. We have walked on meandering highways and rested our bodies on rocky byways. Some of our faces are burned from the outpourings of the sweltering sun. Some have literally slept in the mud. We have been drenched by the rains. [Audience:] (Speak) Our bodies are tired and our feet are somewhat sore.
But today as I stand before you and think back over that great march, I can say, as Sister Pollard said—a seventy-year-old Negro woman who lived in this community during the bus boycott—and one day, she was asked while walking if she didn’t want to ride. And when she answered, ‘No,’ the person said, ‘Well, aren’t you tired?’ And with her ungrammatical profundity, she said, ‘My feets is tired, but my soul is rested.’ (Yes, sir. All right) And in a real sense this afternoon, we can say that our feet are tired, (Yes, sir) but our souls are rested.
They told us we wouldn’t get here. And there were those who said that we would get here only over their dead bodies, (Well. Yes, sir. Talk) but all the world today knows that we are here and we are standing before the forces of power in the state of Alabama saying, “We ain’t goin’ let nobody turn us around.” (Yes, sir. Speak) [Applause]”
– quoted from the “How Long? Not Long” speech* by the Reverend Dr. Martin Luther King Jr.
*NOTE: This speech is also known as the “Our God Is Marching On!” speech.
Please join me for a 90-minute virtual yoga practice on Zoom today (Saturday, March 25th) at 12:00 PM. Use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below or by emailing myra (at) ajoyfulpractice.com.
Saturday’s playlist is available on YouTube and Spotify. [Look for “03242021 Selma to Montgomery”]
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)
### GET CREATIVE & HELP THE ARC BEND ###
Auspicious and Holy Stories (the “missing” Wednesday post) March 22, 2023
Posted by ajoyfulpractice in 19-Day Fast, Abhyasa, Art, Baha'i, Bhakti, Books, Buddhism, Changing Perspectives, Faith, Healing Stories, Hope, Kirtan, Lent, Life, Music, Mysticism, New Year, One Hoop, Pain, Philosophy, Ramadan, Religion, Suffering, Vairagya, Wisdom, Women, Yoga.Tags: Anton Chekhov, Chaitra Navaratri, Durga, Goswami Tulsidas, kriya yoga, kriyā yoga, Lent, Maty Ezraty, Nandi, Nandini, nasheeds, Ramadan, Ramadān, Sami Yusuf, Season for Nonviolence, Season of Non-violence, Shailaputri, Stephen Sondheim, The Gospel According to Luke, The Gospel According to Matthew, Tom Robbins, Tony Vigorito, Ugadi, ummah
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Many blessings to all! “Happy Ugadi, Happy New Year!” to those who are celebrating! “Nine days and nine nights of blessings and happiness if you are celebrating Chaitra Navaratri!” “Ramadān Mubarak, Blessed Ramadān!” to anyone who is observing the holy month of Ramadān. Blessings to anyone observing Lent or Great Lent during this “Season for Non-violence” and all other seasons! Happy Spring to those in the Northern Hemisphere & Happy Fall to those in the Southern Hemisphere.
This is the “missing” post for Wednesday, March 22nd. You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.
Check out the “Class Schedules” calendar for upcoming classes.)
“A good sequence is like a good story. There is a beginning (an introduction), the middle (the heart of the story), and the end (the conclusion)”
– Maty Ezraty
People often tell me that one of the things they like about my classes are the stories, as well as the way the poses and the music tell the stories. They may even wonder why I tell such stories. Bottom line: I come from a long line of teachers who think the practice is a way to tell our stories and also a way to process our stories, every time we inhale, every time we exhale. It’s a way to go deeper into our stories.
But, since we all have different stories, we need to get on the same page – and I just happen to have the privilege of turning that page.
Today is a day when I normally tell the stories of four very famous storytellers born on March 22nd. These storytellers tell/told their stories in different ways; however, the storytellers themselves have something in common – other than the fact that they are all, as it turns out, the same gender and race and share the same profession and birthday. They all know/knew how to tell a good story. Regardless of if you read the adult novels or children’s books of one of my parents’ favorite authors; the poetry of one of my favorite poets; or listen to the brilliant lyrics and music of the two composers on the list, you will find that they follow a simple structure. It is the same structure we follow in the practice; a structure containing the three parts highlighted by Maty Ezraty and, also, a Chekhovian promise (which we’ll get to in the end).
As I said before, today is a day when I normally tell their stories. However, this year, I feel compelled to tell a few different stories. They are the stories being told, celebrated, and observed all over the world today. They are auspicious stories. They are holy stories. They are stories filled with their own promise: a promise of hope and renewal.
Some elements of the following were posted in 2020 and 2021, in a slightly different combination and context. You can click on the years to find the original posts. There are also some embedded links below, which connect to additional context.
“The truth, from my perspective, is that the world, indeed, is ending — and is also being reborn. It’s been doing that all day, every day, forever. Each time we exhale, the world ends; when we inhale, there can be, if we allow it, rebirth and spiritual renewal. It all transpires inside of us. In our consciousness, in our hearts. All the time.”
– Tom Robbins quoted in the Reality Sandwich article “The Syntax of Sorcery: An Interview with Tom Robbins” by Tony Vigorito (posted online June 6, 2012)
“Renewal” is a funny word, because I don’t think it is (technically) a homonym (i.e., a word that has multiple meanings), but it is a word that can conjure up very different sentiments. Simply stated, a “renewal” is the continuation or extension of something. Sometimes we think of it in the context of an activity or state that has been continuous, but had a set ending date – like when we borrow a book from a public library. Other times, we think of it in the context of continuing something that has been interrupted. Renewal can also be used to refer to something that has been repaired and/or restored to its original state… so that it can continue fulfilling its purpose.
Regardless of how you think of the word, “renewal” is a concept that we often associate with Spring. In fact, similar to how cultures all over the world celebrate light overcoming darkness during the darkest times of the year, cultures all over the world spend some portion of Spring celebrating renewal. In many cases, these celebrations mark a renewal of faith and a celebration of the continuation of a covenant with God.
Today, March 22, 2023, is a time when at least five different communities around the world are observing rituals related to renewal. While people within the Bahá’i Faith just finished observing the Bahá’i 19-Day Fast and celebrating the Nowruz (the New Year) – and have a few weeks before their most holy festival, Western Christian and Eastern Orthodox Christian communities are observing the last few weeks of Lent and Great Lent. At this same time, some people in India and the Indian diaspora are celebrating Ugadi, the Hindu (or Indian) New Year, which is also the beginning of Chaitra Navaratri. Finally, the holy month of Ramadān in Islām is scheduled to begin tonight at sunset. (In countries that do not have sightings of the crescent moon, the holy month will begin on Thursday or Friday). Some of these celebrations and observations will extend into April, overlapping even more auspicious and holy times for even more communities around the world. Each ritual has different customs, traditions, and significances; however, what is important to note is how each observation renews people’s connection with their faith, their community, and the deepest parts of themselves.
“Jesus, full of the Holy Spirit, left the Jordan and was led by the Spirit into the wilderness, where for forty days he was tempted by the devil. He ate nothing during those days, and at the end of them he was hungry.”
– quoted from The Gospel According to St. Luke (4:1-2, NIV)
NOTE: This is almost identical to The Gospel According to St. Matthew (4:1-2, NIV)
As I’ve mentioned before, the word “Lent” comes from the Old English word for “spring season” and is a period of 40 days meant to mirror the 40 days Jesus spent fasting in the wilderness prior to being betrayed, crucified, and resurrected. For Christians, it is seen as a period of preparation (for Easter) and involves fasting, prayer, reflection, redemption, and (yes) renewal. While the story is the same, the Roman Catholic and Western Christian traditions use a different calendar than the Eastern / Orthodox Christian traditions. The way the Sundays are counted is another difference in the way Lent and Great Lent are observed. In Roman Catholic and Protestant traditions, Sundays are considered “Feast Days” – anniversaries of Easter and the Resurrection – and, therefore, they are not counted as days of penance. In Orthodox traditions, Sundays are included in the count.
The holy month of Ramadān is another observation within an Abrahamic religion – and it also involves yet another different calendar; so, the overlap in holy times is not always the same. Ramadān is an Arabic word derived from a root word meaning “scorching heat” or “dryness.” In addition to being the name of the 9th month of the Islāmic calendar, which is a month of fasting, prayer, reflection, and community, it is also one of the 99 “Beautiful Names of Allah” (also known as “99 Attributes of Allah”). While the fasting from sunrise to sunset during the holy month is a holy obligation (for those who are physically able) and one of the Five Pillars of Faith in Islām, I normally don’t focus on this particular ritual and tradition until the end of the holy month – which includes a night that is considered the holiest night of the month, a night of revelation and destiny.
“I know I’m waiting
Waiting for something
Something to happen to me
But this waiting comes with
Trials and challenges
Nothing in life is free”
“My Lord, show me right from wrong
Give me light, make me strong
I know the road is long
Make me strong”
– quoted from the song “Make Me Strong” by Sami Yusuf
There are several calendars used in India and Southeast Asia which may be referred to as the Hindu calendar (or, in some cases the Buddhist calendar). For the most part, these are lunisolar calendars. Some, like those used in Nepal and certain regions of India, emphasize the lunar cycles and start with the (spring) harvest season. On the flip side, the Tamil calendar emphasizes the solar cycle and begins around the Vernal (Spring) Equinox. (In fact, I have seen the Tamil calendar described as a purely solar calendar.)
The Indian calendars tend to have twelve months, however, in some areas (particularly in the North) a month begins the day after a full moon and in other areas (often in the South) the month begins at sunrise after the “no moon” or new moon. The months are usually divided into the bright half (waxing, when the crescent appears after the new moon) and the darker half (waning, the day after the full moon). Because of the different starting points, the same lunar-oriented religious holidays may start at slightly different times throughout the continent. Either way you look at it, many people are beginning their observations and celebrations of Navaratri.
Navaratri (which means “nine nights” in Sanskrit) technically occurs four times on the Hindu calendar, although extra emphasis is put on the one beginning today and the one in the fall. Like the others, the fall celebration of Sharada Navaratri is a celebration of divine feminine energy – specifically of Durga, the divine mother, in various manifestations. It is considered the most celebrated. Magha Navaratri and Ashada Navaratri are the least celebrated, although they have special significance in certain regions. The second most celebrated Navaratri is Chaitra Navaratri, which begins today and is also Ugadi, the Hindu or Indian New Year.
Like the others, Chaitra Navaratri begins by celebrating Durga as Shailaputri (“Daughter of Mountain”). Shailputri is the daughter of Himavat, the Mountain King or Guardian God of Himalayan Mountains, and is recognized as a divine manifestation of Mahadevi and a reincarnation of Sati (the wife of Shiva), who then reincarnates as Parvati. In art, she holds a trishula or trident in her right hand and a lotus in her left hand, all while riding Shiva’s bull Nandi*, whose name means “happy, joy, and satisfaction.” In some regions, this spring celebration culminates on the final day with Rama Navami – a celebration of the birth of Lord Rama.
“Lord Ram gave Hanuman a quizzical look and said, ‘What are you, a monkey or a man?’ Hanuman bowed his head reverently, folded his hands and said, ‘When I do not know who I am, I serve You and when I do know who I am, You and I are One.’”
– quoted from the epic Sanskrit poem Ramacharitmanas (Lake of the Deeds of Rama) by Goswami Tulsidas
All of the rituals and traditions mentioned above could be considered vigils (or feature vigils at some point during the observation) – as they are periods of time when people are “keeping awake during the time usually spent asleep, especially to keep watch or pray.” Even when people are not literally staying up all night, they are required to be mindful (i.e., awake) to how they can fulfill the obligations of their faith on a day-to-day basis. All of these rituals and traditions are practiced in community. Finally, they all fit into the rubric of kriyā yoga, as described by Patanjali in Yoga Sūtra 2.1-2. They all involve a combination of tapah (“heat, austerity, or discipline” and the practices that cultivate heat, discipline, and austerity on a number of levels), svādhyāya (“self-study”), and īśvarapraņidhāna (“trustful surrender to [God]”). Furthermore, they all have the intention or goal of bringing about that ultimate “union” and the end of suffering – which is, on a certain level, a promise made by all the major religious, spiritual, and/or philosophical traditions.
Which brings us back to that Chekhovian promise.
Anton Chekov said that if there is a rifle (or a pistol) hanging on the wall in the first chapter/act, it must go off in the second or third. He told another playwright, “It’s wrong to make promises you don’t mean to keep.”
Whenever we step on the mat, there’s a part of us that is making a promise (to ourselves). We are also, on a certain level, keeping a promise. Whenever I put together a sequence, there’s a part of me that thinks about that promise and how I can honor it. I also think about a song by Stephen Sondheim (“Putting it together…bit by bit…piece by piece”), as well as about Maty Ezraty’s sequencing advice about the middle (the heart) of the story. I consider how I can build up to a big heart opener (and/or a big hip opener). I also think about how we each need to process our own personal story in order to not only lift and open our hearts, but also to support our lifted and open hearts – especially in times when it is so easy to close off. Then I think about what best moves us into stillness and a period of reflection, after all that we’ve done to get to the middle (the heart). Finally, I think about rituals and traditions.
I often indicate that traditions are rituals that have lost a little bit of their meaning. Saying that may, sometimes, take away from the fact that both rituals and traditions are powerful. They have powerful affects on our minds, our bodies, and our spirits. They are part of our stories – and, also part of the ways we tell and share our stories. They can also be the ways in which we process our stories. Similarly, our practice is full of rituals and traditions that – on and off the mat – renew our connections with our beliefs, our communities, and the deepest parts of ourselves.
“Practicing yoga is a privilege. And with this privilege comes a duty to be kind, to share a smile, and to offer yoga from the mat into the rest of your life.”
– Maty Ezraty
Wednesday’s playlist is available on YouTube and Spotify.
Two quick notes about the music: First, some of the songs on the playlist are, or could be considered, Nasheeds (meaning they are religiously moral songs) that, in some traditions, are meant to be sung without instrumentation or only with percussion. I have, however, included orchestrated versions of these songs, because this seems to have worked best in an in-studio setting. I mean no disrespect by this choice. As far as I know, percussion or voice only recordings of each song are available (if you want to build your own playlist). Alternatively, you can practice without the music. Second, I broke one of my personal rules and included a song (in Hindi) for which I only have a partial translation. I’m still searching and seeking.
*CORRECTION: During the 4:30 practice, I mixed up Nandi and Nandini, the cow of plenty in the Mahabharata. My apologies for the confusion.
### Unity yields Equity and Equality ###
Auspicious & Holy Stories (just the music) March 22, 2023
Posted by ajoyfulpractice in Music, Religion.add a comment
Many blessings to all! “Happy Ugadi, Happy New Year!” to those who are celebrating! “Nine days and nine nights of blessings and happiness if you are celebrating Chaitra Navaratri!” “Ramadān Mubarak, Blessed Ramadān!” to anyone who is observing the holy month of Ramadān. Blessings to anyone observing Lent or Great Lent during this “Season for Non-violence” and all other seasons! Happy Spring to those in the Northern Hemisphere & Happy Fall to those in the Southern Hemisphere.
Please join me today (Wednesday, March 22nd) at 4:30 PM or 7:15 PM for a yoga practice on Zoom. Use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You will need to register for the 7:15 PM class if you have not already done so. You can request an audio recording of this practice via a comment below or by emailing myra (at) ajoyfulpractice.com.
Wednesday’s playlist is available on YouTube and Spotify.
Two quick notes about the music: First, some of the songs on the playlist are, or could be considered, Nasheeds (meaning they are religiously moral songs) that, in some traditions, are meant to be sung without instrumentation or only with percussion. I have, however, included orchestrated versions of these songs, because this seems to have worked best in an in-studio setting. I mean no disrespect by this choice. As far as I know, percussion or voice only recordings of each song are available (if you want to build your own playlist). Alternatively, you can practice without the music. Second, I broke one of my personal rules and included a song (in Hindi) for which I only have a partial translation.
In the spirit of generosity (“dana”), the Zoom classes, playlists, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations to Common Ground are tax deductible; class purchases are not necessarily deductible.)
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EXCERPT (FTWMI): It’s Bach’s Day Too! March 21, 2023
Posted by ajoyfulpractice in Abhyasa, Art, Bhakti, Changing Perspectives, Faith, Fitness, Healing Stories, Hope, Lent, Life, Music, One Hoop, Peace, Philosophy, Religion, Vairagya, Wisdom, Yoga.Tags: Advocacy, Johann Sebastian Bach, memory, Pandit Rajmani Tigunait, Philosophy, samskaras, samskāras, Season for Nonviolence, Season of Non-violence, World Down Syndrome Day, Yoga Sutra 2.11, yoga sutras
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“Nowruz Mubarak!” Happy New Year to those who are celebrating! Happy Spring to those in the Northern Hemisphere & Happy Fall to those in the Southern Hemisphere. Many blessings to all, and especially to those observing Lent or Great Lent during this “Season for Non-violence” and all other seasons! & Don’t forget to rock your socks on World Down Syndrome Day!
For Those Who Missed It: This is an excerpt from March 21, 2020. There is a link at the end of the excerpt if you want more of the philosophy. Some embedded links below connect to sites outside of this blog. Class details and links have been added (as I was not yet teaching online three years ago today).
“[Music] should have no other end and aim than the glory of God and the re-creation of the soul, where this is not kept in mind, there is no true music, but only an infernal clamour and ranting.”
– Johann Sebastian Bach (b. 1685)
According to the Old Style / Julian calendar, March 21st, is the anniversary of the birth of the composer Johann Sebastian Bach. Born in 1685, Bach’s statement about music also works as a statement for yoga: ‘[Philosophically speaking, yoga] should have no other end and aim than the glory of God and the re-creation of the soul, where this is not kept in mind, there is no true [yoga], but only an infernal clamour and ranting.’ People who think of yoga only as a form of exercise are often surprised that there’s more. One can only imagine their surprise if they walk into one of my classes – especially on March 21st, when the playlist starts with Bach and then becomes a soundtrack for other events that correspond to this date in history.
Imagine their further surprise when all of that is just the background to a deeper practice.
Click here if you are interested in reading the complete 2020 post and going deeper into some of the ways we explore the Yoga Philosophy.
“Samskaras – the drivers of our mental tendencies – manifest in the form of memory. We are able to remember something because the subtle impressions related to the object have been stored in our mind. Because they are hidden beneath thick layers of the forces of time, the mind is not aware of their existence. But like a seed that lies dormant until spring brings moisture and warmth, samskaras awaken when the conditions inside and outside the mind are conducive.”
– quoted from the commentary on Yoga Sūtra 2.11 from The Practice of the Yoga Sūtra: Sadhana Pada by Pandit Rajmani Tigunait, PhD
Please join me today (Tuesday, March 21st) at 12:00 PM or 7:15 PM for a yoga practice on Zoom. You can use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.
Tuesday’s playlist is available on YouTube and Spotify. [Look for “03212020 Bach’s Day Too” or “03212021 Bach’s Day Too” ]
NOTE: Some tracks have slightly different timings on the different platforms.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)
### I’M ADVOCATING FOR MORE KINDNESS TO YOURSELF & TO OTHERS (& LOTS OF SOCKS)! ###
FTWMI: Another New Year, Another New Season (a “renewed” post) March 20, 2023
Posted by ajoyfulpractice in 19-Day Fast, Art, Baha'i, Books, Changing Perspectives, Faith, Healing Stories, Hope, Lent, Life, Loss, Meditation, Music, New Year, Philosophy, Religion, Suffering, Wisdom, Yoga.Tags: Abolqasem Ferdowsi, Abul-Qâsem Ferdowsi Tusione, Calendars, Dick Davis, Spring, Swami Jnaneshvara, Yoga Sutra
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“Nowruz Mubarak!” Happy New Year to those who are celebrating and Happy Spring to those in the Northern Hemisphere. Many blessings to all, and especially to those observing Lent, Great Lent, and/or completing the Baháʼí 19-Day Fast!
For Those Who Missed It: The following was originally posted in 2022. Dates and class details have been updated. Some links were updated after the 2023 posting. Since the “Season for Non-violence” word for today is “Choice,” consider what choices you want to make in this new year and new season.
“At a time of another crisis, ‘Abdu’l-Bahá offered these words of counsel: ‘In a day such as this, when the tempests of trials and tribulations have encompassed the world, and fear and trembling have agitated the planet, ye must rise above the horizon of firmness and steadfastness with illumined faces and radiant brows in such wise that, God willing, the gloom of fear and consternation may be entirely obliterated, and the light of assurance may dawn above the manifest horizon and shine resplendently.’ The world stands more and more in need of the hope and the strength of spirit that faith imparts. Beloved friends, you have of course long been occupied with the work of nurturing within groups of souls precisely the attributes that are required at this time: unity and fellow feeling, knowledge and understanding, a spirit of collective worship and common endeavour. Indeed, we have been struck by how efforts to reinforce these attributes have made communities especially resilient, even when faced with conditions that have necessarily limited their activities. Though having to adapt to new circumstances, the believers have used creative means to strengthen bonds of friendship, and to foster among themselves and those known to them spiritual consciousness and qualities of tranquillity, confidence, and reliance on God.”
– quoted from a rare “New Year” message from the Universal House of Justice “To the Bahá’is of the World,” dated Naw-Ruz 177 (March 20, 2020, in reference to COVID-19 recommendations)
I mentioned in my last a “9 Days” video that we all have patterns. One of my patterns seems to be falling behind at certain points in the year. Maybe you have noticed that same pattern in yourself. Maybe, like me, there are times when you can pinpoint reasons, explanations, stories about why your engagement in the world changes – e.g., those years when Februarys were extra challenging and the fact that my maternal grandparents and my mother all died during (different) summers. Then there are times when the pattern seems odd (i.e., when you forget that those extra challenging Februarys still have a hold on you). Either way, when you start noticing those patterns, you may also start noticing correlating patterns – like when you start catching back up.
The following is a revised, updated, and abridged version of a 2021 post. The original post included information about the March 6th and 13th practices.
Today, March 20th, is the Vernal (or Spring) Equinox in the Northern Hemisphere – which coincides with Nowruz, also known as the Persian New Year or Iranian New Year, which is also the Zoroastrian and the Bahá’i New Year. Nowruz is a compound of two Persian words and literally means “new day.” As this is a new beginning for so many around the world, it feels like an auspicious time to start catching back up on my blog posts!
The date of this New Year (and of the Vernal Equinox) is established every year through the astronomical observations that result in the Solar Hijri (Persian) calendar, which is the oldest and most accurate solar calendar. Technically, today is the end of the Bahá’i 19-Day Fast and the beginning of the Bahá’i New Year is at sunset this evening; but it is also a moveable based on the change in seasons.
In “the Most Holy Book” of the Bahá’i faith, the Kitáb-i-Agdas, the prophet Bahá’u’lláh explained that the equinox was a “Manifestation of God” and, therefore, would mark the new day/year. He also indicated that the actual date would be based on a “standard” place chosen by the Universal House of Justice (the nine-member ruling body of the worldwide community) in Haifa, Israel. In 2014 (which was year 171 in their community), the Universal House of Justice chose Tehran as the special place in the world that would serve as the observational standard. This is year 178 180.
People within the Bahá’i community spend the last month of the year preparing for the New Year by observing the 19-Day Fast. Throughout various parts of Asia, the Caucasus, the Black Sea Basin, and the Balkans people from a variety of faiths have traditions which sometimes include a month’s worth of (preparatory) celebrations. These celebrations include “spoon-banging” and costumed visitors in a practice similar to Halloween’s trick-or-treaters; rituals related to light; a celebration of the elements; a celebration of ancestors; and stories about how light (literally and symbolically) overcomes darkness.
“But his splendid son, Jamshid, his heart filled with his father’s precepts, then prepared to reign. He sat on his father’s throne, wearing a golden crown according to the royal custom. The imperial [divine glory] was his. The world submitted to him; quarrels were laid to rest, and all demons, birds and fairies obeyed Jamshid’s commands. The royal throne shone with luster, and the wealth of the world increased. He said, ‘God’s glory is with me; I am both prince and priest. I hold evildoers back from their evil, and I guide souls towards the light.’”
– quoted from “The First Kings” in Shanameh – The Persian Book of Kings by Abolqasem Ferdowsi (translated by Dick Davis)
One such story appears in the Shāhnāma (“The Book of Kings”), an epic Persian poem written by Abul-Qâsem Ferdowsi Tusione around the 10th and 11th centuries and one of the world’s longest poems attributed to a single author. According to the legend, there was a time when the world was plunged into darkness and a deadly winter that caused most people to lose hope. However, the mythical King Jamshid, who spent over 100 years building a great kingdom, saved the world and restored hope by building a throne out of gems and precious metals. He then sat on the throne and had “demons” lift him up to catch the dying light so that he became as bright as the sun. More gems were gathered around him and he became even brighter. This became the “New Day.”
I often mention that every day, every inhale, and every exhale is the beginning of a New Year. We don’t often think of it that way, and we certainly don’t (as a whole) view and celebrate life that way. But, the bottom line is that every moment of our lives is a “liminal” moment: a transitional or threshold moment that serves as a doorway between times. We may notice we have more daylight, more sunshine, and we call it “Spring!” But, in some ways, this moment is arbitrary because we have been getting more daylight since the Winter Solstice.
Sometimes, when the winter is really cold and really dark (or we’ve been cooped-up inside too much) we pay attention to the little incremental differences between one day and the next. We notice the lengthening shadows and the extra seconds. Most times, however, we don’t start noticing the changes until we are told to notice the changes. Even then, however, what we notice is the end result – the culmination of all the little changes; not the transitions themselves. In the Yoga Sūtras, however, Patanjali underscored the importance of paying attention to the transitions.
In fact, when detailing how the practice of “concentration” “progresses,” Patanjali highlighted the final three limbs of the Yoga Philosophy (dhāranā, dhyāna, and samādhi) and referred to them collectively as samyama. Once he explained how each one flows from the previous ones (all stemming from the earlier practices of prāņāyāma and pratyāhāra) – and cautioned against efforts to skip the stages of progression – he delineated the difference between external and internal experiences. We often think of these as being very obviously related to things that are happening outside of the body and/or separate from us versus things happening inside the body and/or directly related to us. We may even break things down as things we can touch/hold versus things that are not tangible. However, there is also an aspect of the practice that transcends these arbitrary delineations: outside becomes inside.
Endings become beginnings.
“The transition from one year to the next year happens in an infinitely short moment that is actually non-existent in time. So too, there are transitions in the moments of life and the moments of meditation. Mindfulness of transitions in daily life and during meditation time is extremely useful on the spiritual journey to enlightenment.”
– quoted from the commentary on “Yoga Sutras 3.9-3.16: Witnessing Subtle Transitions With Samyama” by Swami Jnaneshvara Bharati (“Swami J”)
Please join me on the virtual mat today (Monday, March 20th) at 5:30 PM for a 75-minute virtual yoga practice. You can use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below.
There is no playlist for the Common Ground Meditation Center practices.
The playlist for Sunday, March 20, 2022, is available on YouTube and Spotify. [Look for “032021 New Year, New Season”]
NOTE: Due to artist protests, one song may not play on Spotify. As I support artists in their efforts to bring about change, I am not re-mixing affected playlists.
This is a 75-minute Common Ground Meditation Center practice that, in the spirit of generosity (dana), is freely given and freely received. If you are able to support the center and its teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” my other practices. Donations are tax deductible)
### RIDE THESE WAVES ###
FTWMI:… some Powerball® thoughts March 19, 2023
Posted by ajoyfulpractice in Changing Perspectives, Dharma, Healing Stories, Minneapolis, Minnesota, Music, One Hoop, Poetry, Twin Cities, Wisdom, Writing, Yoga.Tags: Andy Greene, Bob Dylan, Bonnie Beecher, Dave Van Ronk, Elvis Presley, Jacques Levy, lottery, Mbube, Powerball®, Robert Allen Zimmerman, Rubin Carter, Season for Nonviolence, Season of Non-violence, Solomon Linda, Timothy Hampton, Tony Glover, twists
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Peace and blessings to all, and especially to those observing Lent, Great Lent, and the Baháʼí 19-Day Fast during this “Season for Non-violence” and all other seasons! Happy New Year, to those who are celebrating!
For Those Who Missed It: This is an abridged (and then revised and expanded) version of a 2022 post that primarily focused on “Winning the Lottery.” Some elements of this post also overlap with the 2023 Purim post. Some embedded links connect to websites outside of my blog.
“The problem with this answering line is that the world of the blues that seems to be evoked by the idiom and form of this song is generally not a world in which one’s baby goes off to a ‘foreign land.’ African American blues singers in the tradition that Dylan is building on here may sing about their baby going off to Chicago, or New Orleans, or Natchez. But not on a trip abroad: that’s an experience that, at this particular moment, is still mostly the province of a modern, educated, Caucasian upper middle class…. Dylan goes on to claim in good rural language that he’ll ‘get lucky’ or ‘die tryin’ ’ as he rambles to reach his beloved. ”
– quoted from “II. Ramblin’ Boy: ‘Protest’ and the Art of Adaptation” in Bob Dylan’s Poetics: How the Songs Work by Timothy Hampton
I recently heard a young, up-and-coming artist compare achieving a huge milestone to winning the lottery. For sure, I can see that. Especially when you consider how many people commented on the fact that this artist hit this much deserved milestone before his much lauded collaborator. (Don’t misunderstand me, I’m a big fan of both artists, but there’s something more than talent at play here.) I think having a hit song is also like that. Because while there is a lot of hard work that goes into creating a hit song, there’s also a lot of luck. It’s like that old adage: you can’t win if you don’t play. Of course, most people who play, don’t win – at least not really big – and it’s the same thing with being a big star in music.
The existence of streaming services and social media means that a lot of hustle and marketing on the part of the artist (and their community) can get an artist noticed today, in a way they couldn’t get noticed 20-plus years ago. That attention can really push a song up the charts. However, we’re still in a time time when songs are hits (in part) because they are played on the radio. And for all that hustle, many songs are played on the radio because of the way the musician looks. This is true across genres. This is even more so when it comes to music in and from certain countries and cultures. Being talented and having the “right” size, complexion, ethnicity, and (on a certain level) gender and sexuality, is like hitting the Powerball®.
“The Multi-State Lottery Association encourages all lottery players to be responsible in their amount of play.
For some people gambling can become a problem. If you or someone you know has a gambling problem, there are a number of helpful resources listed below.
National Council on Problem Gambling
24 Hour Confidential National Helpline
Call: 1-800-522-4700
Chat: ncpgambling.org/chat
Text: 1-800-522-4700
Association of Problem Gambling Service Administrators”
– quoted from the “Play Responsibly” tab on the Powerball® website
While I’ve been known to play bingo in a church basement (for charity and the chance to win a homemade quilt), I’m not really one to play the lottery. My limited understanding is that there’s a lot of different ways you can win with a Powerball®. However, just like with music and other things that could make you wealthy beyond your dreams, you have to be responsible and avoid the scams. You have to balance the temptation and your desire with reality. The reality, again, being that if you don’t play, you don’t win; but most people don’t win… big.
If you’re talented and have the aforementioned equivalent of the Powerball®, you can do things other people can’t do. You can write songs that make people re-think the world. You can sing songs other people not only wouldn’t think to sing, but might be afraid to sing. You can inspire people to sing your songs… even when they don’t always understand you. To me, Bob Dylan and his eponymous first album are a great example of a musical Powerball®.
“I walked down there and ended up
In one of them coffee-houses on the block
I get on the stage to sing and play
Man there said, ‘Come back some other day
You sound like a hillbilly
We want folksingers here’”
– quoted from the song “Talkin’ New York” by Bob Dylan
Bob Dylan’s debut studio album, Bob Dylan, was released today (March 19th) in 1962. I didn’t use it for the anniversary this last year – because I thought it would distract from [the] sūtra study – but, normally I use one of the playlists that I also use on Bob Dylan’s birthday (hint, hint). It’s a playlist that combines music from the original album – which only included two original Bob Dylan songs – with Bob Dylan songs covered and/or made famous by others. It’s a good way, I think, to highlight the fact that Dylan is as inspired as he is inspirational.
Bob Dylan, the album, was recorded on November 20th and 22nd of 1961. In addition to the two original Dylan songs (“Talkin’ New York” and “Song to Woody”), there were eleven covers or traditional folk songs (including Negro spirituals). While Bob Dylan did arrange some of the folk songs, there’s one arrangement that he famously, uhmm… “borrowed” (without permission) from folk singer Dave Van Ronk. Exactly a month after recording the album, Bob Dylan had an informal recording session in a Minneapolis, Minnesota hotel room with Bonnie Beecher and Tony Glover. Those bootleg recordings may or may not have been distributed out of someone’s trunk; but, they were the equivalent of modern-day artists streaming their music. They got people excited about Bob Dylan as a musician and may be considered a better glimpse (than the studio album) of what was to come from the artist.
The bootleg recordings did not, however, drum up enough attention to really sell Bob Dylan. The album has never been super popular (chart wise) in the US or the UK. Neither did it, initially, receive a lot of critical recognition or attention. Part of the lack of interest, at the time it was released, may have been because it sounded nothing like what was popular at the time. According to a Rolling Stone article by Andy Greene, “[The album came out at] the height of ‘The Twist’ dance craze, and 11 songs on the Billboard Hot 100 chart had the word ‘twist’ in the title, including “Dear Lady Twist” by Gary U.S. Bonds, “Twistin’ The Night Away’ by Sam Cooke, “Hey, Let’s Twist” by Joey Dee and the Starlighters, “Twistin’ Postman” by the Marvelettes and “Alvin Twist” by the Chipmunks.”
In addition to “Peppermint Twist,” also by Joey Dee and the Starlighters, which spent three weeks at number one on the Billboard Hot 100 chart, the airwaves at the time were filled with doowop artists like Gene Chandler; crooners like Ray Charles and Neil Sedaka; women like Connie Francis, Shelley Fabares, and Little Eva; Motown girl bands like The Shirelles; and boy bands like the Beach Boys and The Tokens (whose number one song at the beginning of 1962, “The Lion Sleeps Tonight,” is it’s own “lottery” cautionary tale). Of course, there was folk music; however, as Andy Greene pointed out, “To most of America, the Kingston Trio were the embodiment of folk music…. but [Dylan] sounded nothing like the Kingston Trio.” Then there was Elvis Presley… and some 1962 reviewers did compare Dylan – as well as his voice and his style – to Elvis Presley.
Which is weird to me.
Don’t get me wrong, I’m a Bob Dylan fan (on a lot of different levels). I even dig that first album. However, the comparison to Elvis is curious, when you really think about it. At the time, maybe they were both just seen as young, eager singers changing the “face” of music – and I get that. They were also young, white singers making popular (city) music out of traditions associated with Black, poor, and/or rural America – and I get that comparison, too. However, it’s hard for me to not view them through the lens of history.
Elvis was a singer, a performer, an actor, and a U. S. veteran; but, he was never recognized as a songwriter. Most say that he didn’t even pen the songs on which he is credited as a co-writer. Also, he didn’t have a ton of protest songs associated with the anti-war and Civil Rights movements. Finally, Elvis never won, as Bob Dylan did in 2016, a Nobel Prize in Literature. In fact, (to me) the only thing Bob Dylan and Elvis Presley had in common in 1962, especially when compared to other also talented musicians at the time, was that elusive Powerball® of talent, drive, and other people’s perceptions.
“How does it feel, how does it feel?
To be without a home
Like a complete unknown, like a rolling stone”
– quoted from the song “Like a Rolling Stone” by Bob Dylan
Please join me for a 65-minute virtual yoga practice on Zoom today (Sunday, March 19th) at 2:30 PM. Use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below or by emailing myra (at) ajoyfulpractice.com.
Sunday’s playlist is available on YouTube and Spotify. [Look for “05242022 ‘Bob’s Poems”]
“Here comes the story of the Hurricane
The man the authorities came to blame
For somethin’ that he never done
Put in a prison cell, but one time he coulda been
The champion of the world”
– quoted from the song “Hurricane” by Bob Dylan and Jacques Levy
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)
A Joyful Practice 