Peace and blessings to all, and especially to those observing Lent, Great Lent, and the Baháʼí 19-Day Fast during this “Season for Non-violence” and all other seasons! Happy New Year, to those who are celebrating!
For Those Who Missed It: This is an abridged (and then revised and expanded) version of a 2022 post that primarily focused on “Winning the Lottery.” Some elements of this post also overlap with the 2023 Purim post. Some embedded links connect to websites outside of my blog.
“The problem with this answering line is that the world of the blues that seems to be evoked by the idiom and form of this song is generally not a world in which one’s baby goes off to a ‘foreign land.’ African American blues singers in the tradition that Dylan is building on here may sing about their baby going off to Chicago, or New Orleans, or Natchez. But not on a trip abroad: that’s an experience that, at this particular moment, is still mostly the province of a modern, educated, Caucasian upper middle class…. Dylan goes on to claim in good rural language that he’ll ‘get lucky’ or ‘die tryin’ ’ as he rambles to reach his beloved.”
– quoted from “II. Ramblin’ Boy: ‘Protest’ and the Art of Adaptation” in Bob Dylan’s Poetics: How the Songs Work by Timothy Hampton
I recently heard a young, up-and-coming artist compare achieving a huge milestone to winning the lottery. For sure, I can see that. Especially when you consider how many people commented on the fact that this artist hit this much deserved milestone before his much lauded collaborator. (Don’t misunderstand me, I’m a big fan of both artists, but there’s something more than talent at play here.) I think having a hit song is also like that. Because while there is a lot of hard work that goes into creating a hit song, there’s also a lot of luck. It’s like that old adage: you can’t win if you don’t play. Of course, most people who play, don’t win – at least not really big – and it’s the same thing with being a big star in music.
The existence of streaming services and social media means that a lot of hustle and marketing on the part of the artist (and their community) can get an artist noticed today, in a way they couldn’t get noticed 20-plus years ago. That attention can really push a song up the charts. However, we’re still in a time time when songs are hits (in part) because they are played on the radio. And for all that hustle, many songs are played on the radio because of the way the musician looks. This is true across genres. This is even more so when it comes to music in and from certain countries and cultures. Being talented and having the “right” size, complexion, ethnicity, and (on a certain level) gender and sexuality, is like hitting the Powerball®.
“The Multi-State Lottery Association encourages all lottery players to be responsible in their amount of play.
For some people gambling can become a problem. If you or someone you know has a gambling problem, there are a number of helpful resources listed below.
National Council on Problem Gambling 24 Hour Confidential National Helpline Call: 1-800-522-4700 Chat: ncpgambling.org/chat Text: 1-800-522-4700
– quoted from the “Play Responsibly” tab on the Powerball® website
While I’ve been known to play bingo in a church basement (for charity and the chance to win a homemade quilt), I’m not really one to play the lottery. My limited understanding is that there’s a lot of different ways you can win with a Powerball®. However, just like with music and other things that could make you wealthy beyond your dreams, you have to be responsible and avoid the scams. You have to balance the temptation and your desire with reality. The reality, again, being that if you don’t play, you don’t win; but most people don’t win… big.
If you’re talented and have the aforementioned equivalent of the Powerball®, you can do things other people can’t do. You can write songs that make people re-think the world. You can sing songs other people not only wouldn’t think to sing, but might be afraid to sing. You can inspire people to sing your songs… even when they don’t always understand you. To me, Bob Dylan and his eponymous first album are a great example of a musical Powerball®.
“I walked down there and ended up
In one of them coffee-houses on the block
I get on the stage to sing and play
Man there said, ‘Come back some other day
You sound like a hillbilly
We want folksingers here’”
– quoted from the song “Talkin’ New York” by Bob Dylan
Bob Dylan’s debut studio album, Bob Dylan, was released today (March 19th) in 1962. I didn’t use it for the anniversary this last year – because I thought it would distract from [the] sūtra study – but, normally I use one of the playlists that I also use on Bob Dylan’s birthday (hint, hint). It’s a playlist that combines music from the original album – which only included two original Bob Dylan songs – with Bob Dylan songs covered and/or made famous by others. It’s a good way, I think, to highlight the fact that Dylan is as inspired as he is inspirational.
Bob Dylan, the album, was recorded on November 20th and 22nd of 1961. In addition to the two original Dylan songs (“Talkin’ New York” and “Song to Woody”), there were eleven covers or traditional folk songs (including Negro spirituals). While Bob Dylan did arrange some of the folk songs, there’s one arrangement that he famously, uhmm… “borrowed” (without permission) from folk singer Dave Van Ronk. Exactly a month after recording the album, Bob Dylan had an informal recording session in a Minneapolis, Minnesota hotel room with Bonnie Beecher and Tony Glover. Those bootleg recordings may or may not have been distributed out of someone’s trunk; but, they were the equivalent of modern-day artists streaming their music. They got people excited about Bob Dylan as a musician and may be considered a better glimpse (than the studio album) of what was to come from the artist.
The bootleg recordings did not, however, drum up enough attention to really sell Bob Dylan. The album has never been super popular (chart wise) in the US or the UK. Neither did it, initially, receive a lot of critical recognition or attention. Part of the lack of interest, at the time it was released, may have been because it sounded nothing like what was popular at the time. According to a Rolling Stone article by Andy Greene, “[The album came out at] the height of ‘The Twist’ dance craze, and 11 songs on the Billboard Hot 100 chart had the word ‘twist’ in the title, including “Dear Lady Twist” by Gary U.S. Bonds, “Twistin’ The Night Away’ by Sam Cooke, “Hey, Let’s Twist” by Joey Dee and the Starlighters, “Twistin’ Postman” by the Marvelettes and “Alvin Twist” by the Chipmunks.”
In addition to “Peppermint Twist,” also by Joey Dee and the Starlighters, which spent three weeks at number one on the Billboard Hot 100 chart, the airwaves at the time were filled with doowop artists like Gene Chandler; crooners like Ray Charles and Neil Sedaka; women like Connie Francis, Shelley Fabares, and Little Eva; Motown girl bands like The Shirelles; and boy bands like the Beach Boys and The Tokens (whose number one song at the beginning of 1962, “The Lion Sleeps Tonight,” is it’s own “lottery” cautionary tale). Of course, there was folk music; however, as Andy Greene pointed out, “To most of America, the Kingston Trio were the embodiment of folk music…. but [Dylan] sounded nothing like the Kingston Trio.”Then there was Elvis Presley… and some 1962 reviewers did compare Dylan – as well as his voice and his style – to Elvis Presley.
Which is weird to me.
Don’t get me wrong, I’m a Bob Dylan fan (on a lot of different levels). I even dig that first album. However, the comparison to Elvis is curious, when you really think about it. At the time, maybe they were both just seen as young, eager singers changing the “face” of music – and I get that. They were also young, white singers making popular (city) music out of traditions associated with Black, poor, and/or rural America – and I get that comparison, too. However, it’s hard for me to not view them through the lens of history.
Elvis was a singer, a performer, an actor, and a U. S. veteran; but, he was never recognized as a songwriter. Most say that he didn’t even pen the songs on which he is credited as a co-writer. Also, he didn’t have a ton of protest songs associated with the anti-war and Civil Rights movements. Finally, Elvis never won, as Bob Dylan did in 2016, a Nobel Prize in Literature. In fact, (to me) the only thing Bob Dylan and Elvis Presley had in common in 1962, especially when compared to other also talented musicians at the time, was that elusive Powerball® of talent, drive, and other people’s perceptions.
“How does it feel, how does it feel? To be without a home Like a complete unknown, like a rolling stone”
– quoted from the song “Like a Rolling Stone” by Bob Dylan
Please join me for a 65-minute virtual yoga practice on Zoom today (Sunday, March 19th) at 2:30 PM. Use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below or by emailing myra (at) ajoyfulpractice.com.
Sunday’s playlist is available on YouTube and Spotify. [Look for “05242022 ‘Bob’s Poems”]
“Here comes the story of the Hurricane
The man the authorities came to blame
For somethin’ that he never done
Put in a prison cell, but one time he coulda been
The champion of the world”
– quoted from the song “Hurricane” by Bob Dylan and Jacques Levy
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. Ifyou are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)
Happy Purim! Many blessings to all, and especially to those observing Lent, Great Lent, the Baháʼí 19-Day Fast, and/or Purim during this “Season for Non-violence” and all other seasons!
For Those Who Missed It: This “missing” post for Monday, March 6th, is an abridged version of a 2022 post about Purim. (But this is not the story you think it is!) A link to the original post is embedded below (at the point where I shortened it. There is also a lottery link that connects to an outside source. You can request an audio recording of any of these practices via a comment belowor (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.
“It is perfectly true, as the philosophers say, that life must be understood backwards. But they forget the other proposition, that it must be lived forwards.”
– quoted from Journals (IV A 164), 1843 by Søren Kierkegaard
You know how there are some stories, like the Star Wars movies, that begin as one thing and then over time and generations become something else? That question can be answered as it relates to the story, but here I am specifically talking about the sequence.* When the original movie came out in May of 1977, it was just Star Wars. When the next movies came out – in May of 1980 and May of 1983 – they had their own titles. However, if someone referred to them numerically, they would be first, second, and third (or 1, 2, and 3). Fast forward over two decades from the originally released movie and there were prequels, which (while I am loath to admit they exist) changed the order of things. Fast forward another decade (going on two) and there were (pretty amazing) sequels to the originally released movies. The story continues… and I love that.
I love of stories and storytelling. I think it’s fascinating that we meet each other in the middle of our stories and simultaneously work forwards and back. We don’t always think about it, but the way the Star Wars movies were released is actually how we meet and how most of the stories we read, hear, and watch work too. It’s very rare that we meet characters at the beginning of creation. A story usually begins in the middle or at the end. So, part of what I love about storytelling is how the storyteller (or the story) chooses to unfold the tale. In fact, part of the beauty of the story is watching it unfold.
One of my favorite stories – in part, because the way the story unfolds is part of the story – is the story people tell on Purim. It is the story in and around The Megillah or The Megillat Esther.
In case you are unfamiliar with the holiday and the story, Purim [פּוּרִים] is a Hebrew word meaning “lots” – as in “casting lots” or “lottery.” It is a Jewish holiday that commemorates the story told in the Megillah (“scroll”) of Esther, which is the story of how Queen Esther saved the Jewish people from the evil plot of a man whose actions are good examples of someone who was narcissistic, power hungry, and also anti-Semitic. The “Book of Esther” is not only found in the Hebrew Bible it is also one of the five megillot (“scrolls”) that make up part of the Christian Old Testament. Some people think of it as a great story about the power of a woman – and while it is that, it is also something more; because the story has a lot of “hidden” elements.
The story is quite literally about things that “someone” decided to “hide and hide” [הַסְתֵּ֨ר אַסְתִּ֤יר].
“Another approach, found already in rabbinic literature, takes the absence of God as a positive statement made by the author. The Rabbis, and numerous other readers since, understood the literary absence of God to be merely a surface-level fact, and in fact to be a subtle argument for the hiddenness of God, rather than his absence. A Talmudic comment (in B. Hullin 139b) playfully asks, ‘What is the source for Esther in the Torah?’ The answer given is that Esther was foretold in Deuteronomy 31:18: ‘I will indeed hide (haster astir) my face on that day.’ In part this is a pun, linking the name Esther to the Hebrew phrase ‘I will indeed hide’ (haster astir), but in part it is a serious theological claim: where did the Torah foretell a story with no God?”
– quoted from “8. Diaspora revisions: rethinking Exodus and rethinking God – Entering the fray: Esther as a political book” in Esther in Ancient Jewish Thought by Aaron Koller
People celebrate Purim by dressing up in costume – hiding one’s true identity – and having a party or feast. People may also have a parade and a pageant. The costuming and the party (even the parades and pageants) are all, symbolically, part of the story. To add yet another symbol from the story, the feasting includes hamantaschen, a yummy triangular shaped pastry that I always think of as Haman’s hat, but which literally means “Haman’s pockets.” In some Jewish communities they are referred to as “Haman’s ears.”
The story is symbolically reinforced in many different ways during the celebration of Purim, because the biggest part of the holiday is the story itself. In fact, listening to a public reading of the Book of Esther, in the evening (since the holiday starts at sunset) and in the morning, is one of four mitzvoh (“commandments”) related to Purim. The other three take place during the day and are sending food gifts to friends; giving charity to the poor; and eating a festive meal.
While I don’t read the actual text** to people during the practice, I do tell the story. And for years, I have used the music to help me tell the story – just like I do with all the other stories. Up until this year 2022, however, my Purim playlist was a little… shall we say, problematic. Because there was something hidden in my playlist – and not in a good way.
“This desert rose Whose shadow bears the secret promise This desert flower No sweet perfume ever tortured me more than this And now she turns This way she moves in the logic of all my dreams This fire burns I realize that nothing’s as it seems”
– quoted from the song “Desert Rose” by Sting
Some of my playlists have always reflected the culture behind the story or theme of the day. For instance, my Saint Patrick’s Day playlist is full of Irish musicians and musicians with Irish heritage, just like my Cinco de Mayo playlist is full of musicians with Mexican heritage. As I’ve previously mentioned on the blog, I’ve very deliberately made some playlists multi-cultural to highlight the fact that so many cultures celebrate things like light overcoming darkness. Then, years ago, a friend’s comment really made me consider why my playlists mostly featured men. Despite all that, I never really considered that there was something off about my Purim playlist.
And, that takes us back to why certain songs were popular, while other also very good songs were not as popular.
“It’s so not an accident that most of the kirtan and ‘yoga music artists’ on our playlists are NOT from within the tradition. (It is called erasure and happens to people of color in our own traditions ALL THE TIME.)”
– quoted from a January 2022 message entitled “What Are You Listening to? On Decolonizing Your Yoga Playlists” by Susanna Barkataki
Susanna Barkataki is a yoga advocate, a teacher, a public speaker, and the author of Embrace Yoga’s Roots: Courageous Ways to Deepen Your Yoga Practice. In her book, her articles, and her classes, she encourages students and teachers to (re)connect to yoga’s ancient roots. She strongly recommends that teachers consider why they do the things they do (and say the things they say) when teaching. She also suggests that teachers take a look at how some of the things we say and do are the result of colonization and cultural erasure. However, she does not simply point to how elements of our modern, Western-centric practice are problematic. She also offers tools and solutions. For instance, she specifically points to music and highlights the fact that those of us using kirtan – which is a form of bhakti or devotional yoga – are almost always using non-traditional musicians. Sometimes, even using musicians that mispronounce the Sanskrit words.
To be clear, Ms. Barkataki uses the words “cultural erasure,” but it’s a concept I’ve always known as whitewashing. And, above and beyond anything else, she encourages us all to be mindful about the choices we make. Being mindful meant that when I was getting ready for Purim this last year, I realized that in most of the ways that counted, my culturally-specific playlist was specifically the wrong culture.
In my effort to pick songs that told the story, I neglected to pick Jewish musicians. Even worse, given the context of the story, my original playlist included several songs with Arabic lyrics and/or Arabic-related references that had nothing to do with Jewish heritage. To be clear about my own hubris, I knew this… I just leaped over the issue. In some ways, my mental gymnastics included the fact that those songs could be about a Jewish woman like Esther. They could very easily have been songs written by people who didn’t know their beautiful “Persian” queen was born Hadassah. Anything is possible.
However, the reality was that they were just popular songs that were also really good, worked with the practice, and could fit the story. They were songs that I knew, because I had heard them on the radio.
“Erasure is when the originators of a particular tradition are surpassed, replaced or ignored. Why? Because it makes it easier to colonize and exploit our cultural and spiritual wisdom and wealth.”
– quoted from a January 2022 message entitled “What Are You Listening to? On Decolonizing Your Yoga Playlists” by Susanna Barkataki
I recently heard a young, up-and-coming artist compare achieving a huge milestone to winning the lottery. For sure, I can see that. Especially when you consider how many people commented on the fact that this artist hit this much deserved milestone before his much lauded collaborator. (Don’t misunderstand me, I’m a big fan of both artists, but there’s something more than talent at play here.) I think having a hit song is also like that. Because while there is a lot of hard work that goes into creating a hit song, there’s also a lot of luck. It’s like that old adage: you can’t win if you don’t play. Of course, most people who play, don’t win – at least not really big – and it’s the same thing with being a big star in music.
The existence of streaming services and social media means that a lot of hustle and marketing on the part of the artist (and their community) can get an artist noticed today, in a way they couldn’t get noticed 20-plus years ago. That attention can really push a song up the charts. However, we’re still in a time time when songs are hits (in part) because they are played on the radio. And for all that hustle, many songs are played on the radio because of the way the musician looks. This is true across genres. This is even more so when it comes to music in and from certain countries and cultures. Being talented and having the “right” size, complexion, ethnicity, and (on a certain level) gender and sexuality, is like hitting the Powerball®.
““The Multi-State Lottery Association encourages all lottery players to be responsible in their amount of play.
For some people gambling can become a problem. If you or someone you know has a gambling problem, there are a number of helpful resources listed below.
National Council on Problem Gambling 24 Hour Confidential National Helpline Call: 1-800-522-4700 Chat: ncpgambling.org/chat Text: 1-800-522-4700
– quoted from the “Play Responsibly” tab on the Powerball® website
While I’ve been known to play bingo in a church basement (for charity and the chance to win a homemade quilt), I’m not really one to play the lottery. My limited understanding is that there’s a lot of different ways you can win with a Powerball®. However, just like with music and other things that could make you wealthy beyond your dreams, you have to be responsible and avoid the scams. You have to balance the temptation and your desire with reality. The reality, again, being that if you don’t play, you don’t win; but most people don’t win… big.
If you’re talented and have the aforementioned equivalent of the Powerball®, you can do things other people can’t do. You can write songs that make people re-think the world. You can sing songs other people not only wouldn’t think to sing, but might be afraid to sing. You can inspire people to sing your songs… even when they don’t always understand you. To me, Bob Dylan and his eponymous first album are a great example of a musical Powerball®.
There is no playlist for the Common Ground Meditation practice.
The 2022 playlist is available on YouTube and Spotify. [Look for “Purim 2022”]
*NOTE: Here’s a funny aside (related to the original 2022 post). In 2020, just as we started locking down for the pandemic, I blogged and posted a playlist about stories and music. That would have been Part I, except that it was for March 22nd – which means that if I ever get everything posted in sequential order it would be Part III (after the Purim or Saint Patrick’s Day post and the Bob Dylan post).
**NOTE: Since I don’t actually read the Purim text during the practice, I almost always leave out the part where Haman is begging for his life and the King misreads the situation. In some ways, it is an important part of the cause-and-effect of the narrative – and it definitely brings up another aspect of how our perceptions affect our stories – but it’s comes at the end so I often overlook it.
[For Those Who Missed It: The following was originally posted in 2021. This is an abridged version with updated class details. ]
“Start with a dream. Chase after it. Run with it. Hold FAST to Your Dreams. (Your dream is worth chasing.)”
– A little inspiration from Run Like Rel
The old Downtown Minneapolis YMCA was always full of people working to maximize their time. Some thought about how they could spend their time and, always seeming to come up short; they ultimately sacrificed what they wanted to do for themselves or what they could do for others. Then there were people who really inspired me, in part because they figured out ways to help others while they did what they loved. Some of those inspirational people were people who run, like Chris Scotch and Deb B, who found established organizations (and people) who could benefit from their running. Also on my inspirational leader board: twin sisters Jessica and Ariel Kendall.
To be honest, I probably wouldn’t have been able to tell the twins apart in the beginning except for the fact that one came to yoga regularly and one loved to run. They both were interested in inspiring kids and helping kids bridge achievement gaps while developing confidence and leadership skills. The runner, “Rel” had an idea – a dream, really – that they could help others through running. So, she started a blog, created some coaching and mentoring opportunities, and partnered with some already established corporations, races, and non-profits. Then off she went, running – on and off the trails. Things look really different today than they did in five, going on six, years ago, but the sisters are still encouraging young people to “Run like Rel.” There are several lessons in that little story; lessons you can run with; lessons about how life is more like a marathon than a sprint.
Speaking of marathons…
The Battle of Marathon was notable for a number of reasons. It marked the end of King Darius I of Persia’s attempt to invade Greece and allowed classical Greek civilization to be firmly established. Although Darius the Great’s son, Xerxes I, would be more successful than his father, the battle in 490 BCE was a turning point in history that lead to the beginning of “Western Civilization” as we know it. One might even argue that the modern concept of democracy might be very different were it not for the Battle of Marathon.
Ancient Greece was made up of city-states or “polis” consisting of an urban area protected by walls and/or geographic barriers and a high point or “acropolis” (city-top) which contained the religious and municipal buildings. At one point there were thousands of city-states, including Corinth (Kórinthos), Thebes (Thíva), Syracuse (Siracusa), Aegina (Égina), Rhodes (Ródos), Árgos, Erétria, and Elis. Each one had its own form of government and culture. For example, Sparta (Spárti) had two hereditary kings with equal power and a “council of elders,” plus a strong army. Athens (Athína), on the other hand, operated under a form of democracy whereby all adult male citizens (living within the city walls) had an assembly in order to a vote. While each city-state had its own governing philosophy and would sometimes battle against one another, they were invested in this socio-political structure and would, therefore, fight together against tyrannical powers like the kings of ancient Persia.
King Darius was particularly angry when citizens of Athens (Athína) and Erétria came together in 498 BCE to support the Ionian Revolt (499 to 493 BCE). But, once his forces regrouped and squashed the revolt, he set his eyes on the Greek city-states. He eventually destroyed ancient Erétria, but – despite outnumbering the Athenians (and the thousand or so Plataeans that joined them) by over two to one – his army was once again thwarted.
“He cometh from the purple hills, Where the fight has been to-day; He bears the standard in his hand— Shout round the victor’s way. The sun-set of a battle won, Is round his steps from Marathon.”
– quoted from the poem “Eucles Announcing the Victory of Marathon.” by L. E. L. (Letitia Elizabeth Landon)
The Battle of Marathon makes for a good story. It’s one of those inspiring stories of the underdogs prevailing and it’s one of the stories that bolstered the ancient Greeks morale. In fact, the story of how the Athenians, with the assistance of a relatively small group of Plataeans, conquered the enormous Persian army is also notable because it is one of the earliest recorded battles. There are, however, some discrepancies in what’s recorded. For instance, depending on who you ask (and how they track time), the Battle of Marathon either happened on August 12th or it happened today, on September 12th, 490 BEC. Then there’s the story of an Athenian who either saw a Persian ship turn in the direction of Athens and ran for miles in order to make sure the city’s defenses were raised or was sent from Athens to Sparta to ask for reinforcements and then ran back to let the assembly know that the Spartans were in the middle of a religious festival and would not be joining the battle. Then there’s the fact that no one can agree on said hero’s name: was it Pheidippides or was it Philippides? Or, wait; was it Thersipus of Erchius or Eucles?
For the record, Herodotus (“The Father of History”) – who was born shortly after the war and in an area ruled by Persia – wrote about a professional messenger named Pheidippides or Philippides who ran from Athens to Sparta and then back again. Said messenger would have run 240 kilometers (150 miles) each way – which today would be considered an (ultra) ultra-marathon. Herodotus made no mention of a messenger running from Marathon to Athens. Instead, he wrote about the messenger’s encounter with Pan – which fed into the idea that the Athenians won because Pan caused panic in the hearts and minds of the Persian military and also explained the relatively ornate shrine to Pan under the Acropolis. Herodotus concluded that the Athenians quick marched back home to prevent a coastal attack – which makes sense since the Greeks were outnumbered ten to one by the Persian navy, which was basically just guarding their ships.
The story of someone running from Marathon to Athens appeared around the 1st century AD in an essay by Plutarch that referenced an earlier work that would have appeared about a hundred years after the time of Herodotus. This was serious commentary. However, around the 2nd century AD, Lucian of Samasota wrote a satirical piece about the same story. Only the messenger’s name was different: in the earlier works he was Thersipus of Erchius or Eucles; in Lucian’s satire he was back to Philippides. Regardless of his name, this particular messenger would have somehow had to run around Mount Pentelicus (also known as Mount Pentelikon). The longer of the two routes would have been approximately 40 kilometers (25 miles) and would have taken him up some foothills before a final descent into Athens. The other route, of 35 kilometers (22 miles), was shorter, but would have included a steep climb (of over 5 kilometers or 3.1 miles) right at the beginning.
The runner announcing victory with his last breath has been the inspiration for a lot of art, including an 1834 sculpture by Jean-Pierre Cortot (entitled “The Soldier of Marathon announcing the Victory”) and a painting by Benjamin Haydon, which was published as an engraving by S. Sangster in 1836. The engraving and the accompanying poem by Letitia Elizabeth Landon (L. E. L.) referred to the messenger as Eucles. However, when Luc-Olivier Merson painted the messenger in 1869 – in what I consider a halfway decent, one-armed variation of “Cobra Pose” – he is back to being “The Soldier of Marathon.” Ten years later, in 1879, Robert Browning wrote the (relatively short) poem “Pheidippides” and not only changed the name of the runner, but also his path (alas, he did not change the hero’s ultimate demise). According to Browning, Pheidippides ran from Athens to Sparta to Athens, then ran to Marathon and then back to Athens. For anyone keeping count: that would be about 550 – 560 kilometers (344.2 – 350 miles) in a matter of days.
As astounding and impossible as those distances might seem, the more modern accounts depicted the messenger as a professional runner – someone who had trained to run distances – and became an inspiration for the organizers of the first Olympic Games. From 1896 until 1920, the Olympics hosted a race that was approximately 40-kilometer (25-mile). In 1921, the “marathon” was standardized as 42.195 kilometers (or 26 miles, 385 yards).
Today there are over 800 marathons held around the world, many of which have wheelchair divisions, and millions of people training to go the distance. There are couch-to-marathon training programs designed to prepare people in 12 weeks or 24 weeks. There are even “Zombie” training programs, because (let’s be real), if being chased by brain-eating Zombies won’t get you running, then nothing will. One big lesson from these training programs is that every day can get you closer to your goal – even the rest day – and that’s one of the key elements to pacing yourself.
“—at least I can breathe, Fear in thee no fraud from the blind, no lie from the mute!
Such my cry as, rapid, I ran over Parnes’ ridge; Gully and gap I clambered and cleared till, sudden, a bar Jutted, a stoppage of stone against me, blocking the way. Right! for I minded the hollow to traverse, the fissure across: ‘Where I could enter, there I depart by! Night in the fosse?; Athens to aid? Tho’ the dive were thro’ Erebos, deg. thus I obey– Out of the day dive, into the day as bravely arise! No bridge Better!’–when–ha! what was it I came on, of wonders that are?”
– quoted from the poem “Pheidippides” by Robert Browning
If you’ve run a little or a lot, you know it’s important to pace yourself – and the key elements to pacing yourself as you run can also be important elements to pacing yourself on and off the mat. Now matter who you are or what you do, it’s also nice to have some tips on pacing yourself. The first list is inspired by runners and the idea of preparing for a marathon. The second list (further down) is a method of self-care called P.A.C.E.
Take it day by day. One of the lessons we can take from Pheidippides (or Philippides, or Thersipus of Erchius, or Eucles) is that we are only guaranteed this present moment. So, consider how you want to spend the time you’ve been given. Remember, every breath you take is the beginning of a new moment, a new day, a new week, a new month, a new year. How do you want to spend your time? Also, with whom do you want to spend your time? Finally, how does your time (and how you use it) serve you and the people around you?
Keep breathing. In a vinyāsa practice, where we move as we practice, our pace is set by the breath. Breathing is also critical in a foot race (of any duration). So, you have to figure out a way to keep breathing in different positions. Patanjali’s Yoga Sūtras tells us that the “secret” to breathing deeply is a steady and stable, easy and comfortable – even joyful – foundation. Throughout most of our practice, we are on our feet; so, it’s good to check in with how your feet feel. (This is also a reminder to all runners and potential runners: If your feet/shoes don’t feel steady and stable, easy and comfortable – maybe even joyful – before you get moving, you might be headed towards an injury or some plantar fasciitis.)
Keep your goal in mind and keep moving step by step. If you are anything like me, once you envision a possibility and decide where you want to go in life, you want things to hurry up and happen. You may not mind the work, you may even enjoy it, but you can still be impatient – and that’s when it’s important to remember why you’re doing what you’re doing and that every step counts just like every day matters. When thinking about your “goal,” consider if you’re all about the journey or if you’re in it for the destination. One caveat, however, is to not focus so much on the medal or physical prize you may receive in the end. Think, instead, about how the goal serves you (how it brings you peace, balance, maybe even joy) and how it will feel to accomplish your goal. Finally, map out your steps!
There’s a mountain, there’s always a mountain. It doesn’t matter which version of the story you use, the runner always has to get around the mountain (and it’s a forest filled mountain). The mountain is a reminder that every one of us is going to run into an obstacle at some point in our journey. Like the Athenian, there are some “mountains” we know are coming (when we map out our steps) and, therefore, we can consider different paths. One obvious obstacle, on and off the mat, is that we’re going to get tired and run out of steam. Another is that you could injure or strain something. What’s your plan for those possibilities? How do you encourage yourself to keep going? Who else encourages you and cheers you on?
The stoic Emperor Marcus Aurelius said that the obstacle is the way. So, if you are prepared to dig down deep inside of yourself in order to get around (or over) the obstacles you know are coming, then you can also dig down deep when you run into the obstacle you didn’t expect.
Stay positive and keep breathing (again), even if you have to let something go. In truth, there are a lot of other tips that runner’s use when training and when racing, but a positive attitude is always helpful and I keep coming back to the breath because it is one of our primary sources of fuel. We can’t get where we are going if we’re not breathing. Also, poor breathing can cause the body to tighten up and not function properly. So, if you want to stay loose and keep moving, you have to keep breathing. Finally, many of the stories (and pictures) of the “Marathon runner” indicate that he dropped all of his belongings so that he could run faster. Take a moment to consider what’s weighing you down and holding you back. Take a moment to consider that there’s a fine balance between a healthy ego that helps you get things done and an overblown (or defeated) ego that becomes yet another obstacle.
“Next, bring your awareness to your present moment experience. Notice any areas of tension or tightness in the body. Many of you have been donning PPE on shift and this may have left some residual constriction in your body. Observe any physical sensations you have, along with your thoughts and thought patterns in the here and now. If any unpleasant emotions arise as you are doing this, I invite you to anchor in the breath, breathing fully and deeply as you stay with your experience.”
– quoted from the article “P.A.C.E. Yourself: A Practice Honoring Healthcare Workers” by Reena Kotecha, MBBS, BSc Hons (posted March 30, 2021 on mindful.org)
Dr. Reena Kotecha is the London-based founder of the “Mindful Medics” Programme. She holds dual degrees in Medicine and Neuroscience & Mental from Imperial College London and, as a result of her own experiences with work-related stress and burnout, has studied Āyurvedic medicine, prāṇāyāma, and mindfulness meditation. Last March, as countries around the world were locking down because of the pandemic, Dr. Reena Kotecha offered healthcare workers a self-care practice called “P.A.C.E. Yourself.” Here’s a condensed version of the P. A. C. E. steps, which I think could be helpful to anyone. (NOTE: The descriptions below are my explanations. You can find Dr. Kotecha’s brief explanations here and her recorded meditation below.)
Permission. Give yourself permission to be who you are, as you are, in this moment – and give yourself permission to take care of yourself. Dr. Kotecha suggests using a phrase (like “I offer myself this opportunity for well-being.’’) to encourage yourself to pay attention to your own health and wellness.
Awareness and Anchor.Be present and breathe into what is. (See quote above for Dr. Kotecha’s explanation.)
Compassion. Just as we do on the mat, once you’ve noticed how you feel – and “express a little gratitude for the sensation, the information that informs your practice” – offer yourself a little kindness and self-compassion. What would feel good in this moment? What would allow you to move into the next moment with a little more peace and ease?
Envision. Just as we do in other practices, visualize yourself moving forward with peace and ease. Dr. Kotecha’s instruction includes space for visualizing how your feelings might change as you move out of the “practice space” and into the action place. Like the previous list’s steps 4 and 5, this is an opportunity to consider how you breathe through the challenges ahead.
“‘Remember to enjoy it’ says [running coach Tom] Craggs, ‘sometimes take the headphones out, suck the crowd in, when you get to those last few miles dedicate each one to someone important in your life. You’ll bring it home and have a fantastic race.’”
– quoted from the Runner’s World article entitled “Last-minute pacing tips for your best half-marathon: You’ve put in all the hard work in training, but here’s how to make sure you stick to race pace.” by Jane McGuire
Please join me on the virtual mat today (Monday, September 12th) at 5:30 PM for a 75-minute virtual yoga practice.
This is a 75-minute Common Ground Meditation Center practice that, in the spirit of generosity (dana), is freely given and freely received. You can use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below.
For Those Who Missed It: A version of the following was originally posted in 2020. Links and class details have been added or updated.
“If something is boring after 2 minutes, try it for 4. If still boring, then 8. Then 16. Then 38. Eventually one discovers that it is not boring at all.”
It’s funny to think of it that way, but it is also true – not only of a Zen practice, but of all meditation practices. When we sit, or even when we practice a moving meditation, the mind focuses on something again and again and again; meaning, it keeps coming back to the object of focus. Similar to japa-ajapa, we repeat and repeat, repeat and remember, repeat and understand – in other words, we gain insight. Not coincidentally, the Sanskrit word dyana (“thought, meditation”), which is the source word for zen, comes from the Greek root meaning “to see, look.” So, when we look at something again, and again, and again – even looking, as Paulo Coehlo suggested, from different perspectives – we see things “in a special way” (which is just another way to say “insight”). Our understanding of the moment (and movement) is a matter of perspective.
“The truth knocks on the door and you say, “Go away, I’m looking for the truth,” and so it goes away. Puzzling.”
– quoted from Zen and the Art of Motorcycle Maintenance: An Inquiry into Values by Robert Pirsig
It’s like a road trip. The vehicle is moving but we are still inside the vehicle; the scenery is still, but appears to be moving. Everything merges and converges while we are still. Do you see where we’re going?
It’s OK if you don’t. This is kind of like that old joke where someone says, “I’m not lost. I know exactly where we are. We’re in the car.” Now, consider what happens if we could get out of the box or cage we’re in and become part of the scenery. Not walking necessarily, but riding. So that the scenery is simultaneously still and moving… but so are we. And, just like with a moving meditation, there is some part of us that always stays still.
“Get yourself out of whatever cage you find yourself.”
– John Cage
“In a car you’re always in a compartment, and because you’re used to it you don’t realize that through that car window everything you see is just more TV. You’re a passive observer and it is all moving by you boringly in a frame.
On a cycle the frame is gone. You’re completely in contact with it all. You’re in the scene, not just watching it anymore, and the sense of presence is overwhelming.”
– quoted from Zen and the Art of Motorcycle Maintenance: An Inquiry into Values by Robert Pirsig
Born today in 1928, in Minneapolis, Minnesota, Robert Pirsig was a writer and philosopher whose way above average IQ was identified at an early age. While he ultimately served in the United States Army and became a professor of creative writing, he is most well-known as the author of a fictionalized autobiography that centers around a road trip Pirsig took with his son Chris. The trip took them from Minneapolis to San Francisco. The book takes the reader along for the ride and also on a philosophical road trip, moving readers through a history of philosophy and an exploration of “quality” (an object of contemplation). While Zen and the Art of Motorcycle Maintenance: An Inquiry into Values received over one hundred rejection letters and no one expected it to have much of a shelf life, the book initially sold at least 5 million copies worldwide and has consistently appeared on best seller lists.
Pirsig served as vice-President of the Minnesota Zen Mediation Center and spent two additional years on its board of directors. But while he was familiar with motorcycles and Zen Buddhism (as well as electroshock therapy, which is also chronicled in the book), Robert Pirsig said that his seminal book shouldn’t be considered “factual” about either. The same can be said about his follow-up book, Lila: An Inquiry into Morals, which recounts a sailboat trip down the Hudson River. Lila picks up where the philosophical road trip left off and explores “quality” as Static or Dynamic and divides everything in the universe into four “static values” (inorganic, biological, social, and intellectual). His exploration about morals is also an exploration of perspective, and how perspectives change over time. Even though biographies indicate that a 1974 Guggenheim Fellowship “allowed” him to write the second book and the philosophical discourse into metaphysics is continuous, there is a seventeen-year gap between the books.
In the 17 years between his books, Pirsig divorced his first wife, married his second wife, lost his oldest son (who had been featured in the first book), and had a daughter. His son Christopher was killed in a mugging outside the San Francisco Zen Meditation Center. Pirsig would eventually explain that one of the reasons he and his second wife had their daughter Nell was because they believed she was a continuation of Chris’s “life pattern.” In other words, Nell was part of the same trip (metaphysically speaking, of course.)
“You look at where you’re going and where you are and it never makes sense, but then you look back at where you’ve been and a pattern seems to emerge. And if you project forward from that pattern, then sometimes you can come up with something.”
– quoted from Zen and the Art of Motorcycle Maintenance: An Inquiry into Values by Robert Pirsig
Please join me today (Tuesday, September 6th) at 12:00 PM or 7:15 PM for a yoga practice on Zoom. You can use the link from the “Class Schedules”calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment belowor (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.
Tuesday’s playlist is available on YouTube and Spotify. [Look for “09062020 The Art of Moving Meditation”]
“The thing to understand is that if you are going to reform society you don’t start with cops. And if you are going to reform intellect you don’t start with psychiatrists. If you don’t like our present social system or intellectual system the best thing you can do with either cops or psychiatrists is stay out of their way. You leave them till last.”
– quoted from Lila: An Inquiry into Morals by Robert Pirsig
“The place to improve the world is first in one’s own heart and head and hands, and then work outward from there.”
– quoted from Zen and the Art of Motorcycle Maintenance: An Inquiry into Values by Robert Pirsig
Many blessings to all, and especially to those celebrating or observing Holy Week, Great Lent, or Passover! “Ramadān Mubarak, Blessed Ramadān!” to anyone who was observing the holy month of Ramadān.
This chapter-length post, related to the last few days of Holy Week or Passion Week and the beginning of Passover, is a combination of several revised posts from previous years, with some additional context. In addition to the quotes, there are additional section headings (in color) you can use to break up your reading time. You can request an audio recording of any of the pre-recorded practices via a comment belowor (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.
– Words that appear 7 times in the Creation Story found in Bereish’t – Genesis
Tov is a Hebrew word that means “good.” At the beginning of the Torah (also the Christian Old Testament), God defines something as “good” when it is useful and serving its purpose. In our physical practice of yoga, regardless of the style or tradition, we want every pose to be “good” in this way. However, in a modern context – when we think of the word “good” as something that as desired, approved, right, pleasing, and welcome – we can find ourselves in a bit of a quandary, when we don’t know what we’re doing. On the mat, that quandary may mean we’re doing poses without understanding how they serve or benefit us – and then doing them in a way that means we’re not getting all the benefits. It could also mean doing poses and sequences for the wrong reasons. Off the mat, that quandary can result in us doing things that have lost their meaning.
I often point to the fact that there was a time when everything people did had meaning. Over time, as people got further away from the meaning, rituals became traditions – things people did just because their ancestors did them. When those traditions lose meaning, they just become things people say. There are some rituals and traditions that have their meanings baked into the practice; however, even then, people sometimes don’t really understand the meaning. Then, too, things can get even more confusing when cultures overlap and suddenly people are witnessing practices they don’t understand – because they don’t know the meaning.
These kinds of perplexing situations happen a lot in the Spring, when all the major religions and philosophies have significant observations and celebrations that overlap. This can get ever more confusing when, for instance, people outside of Judaism wonder why there’s a celebration associated with a time of so much suffering and non-Christians have a hard time understanding how the Friday of Holy Week / Passion Week can be simultaneously associated with the trial, persecution, crucifixion, and death of Jesus and also good. It’s a bit of a conundrum… until you go a little deeper.
DOWN THE RABBIT HOLE…
PLEASE NOTE: This next portion, revised from April 2020, involves a theoretical discussion on non-COVID related death.
“People ask me how I find hope. I answer that I don’t believe in hope, and I don’t believe in hopelessness. I believe in compassion and pragmatism, in doing what is right for its own sake. Hope can be lethal when you are fighting an autocracy because hope is inextricable from time. An enduring strategy of autocrats is to simply run out the clock.”
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– quoted from Hiding in Plain Sight by Sarah Kendzior
Serendipitously, I received two texts from the same Austin suburb (on April 11, 2020). One was from a friend, sharing the Sarah Kendzior quote (above). The other was from my brother, asking why people were celebrating the same thing at different times. The quote sharpened my focus. The question brings me to you.
Even though he didn’t ask the question in an all encompassing way, I am going to answer his question here in a broader sense, and in a pretty basic way.
On Friday 15, 2022, people all over the the world will be beginning the third week of the holy month of Ramadān; celebrating Good Friday (in the Western Christian traditions); getting ready for Holy Saturday (on April 16th, in the Eastern Orthodox Christian traditions); and, at sunset, beginning Passover. Then, there’s Easter Sunday (in the Western Christian traditions), which this year is also Palm Sunday (the Sunday before Easter) in the Eastern Orthodox Christian traditions. It is also the time, in the Jewish traditions, that people begin Counting the Omer. Oh, and then there are people who will celebrate Easter and Passover, and maybe even start Counting the Omer. Plus, outside of the Abrahamic religions, there are millions more who will celebrate Hanuman Jayanti, also on the 16th. When you consider that these observations and celebrations are occurring all over the world – and keeping in mind different time zone – it can get really confusing. Hence my brothers question.
If we just stick with the Abrahamic religions for a moment, remember that Passover is a commemoration of the Exodus story, which is the story of the Jewish people being freed from slavery in Egypt. The Jewish liturgical calendar is lunar-based and, therefore, Passover happens at a slightly different time each year on the Gregorian (i.e., secular) calendar. According to all four canonical Gospels of the New Testament, Jesus spent the last week of his life preparing for Passover (and what he knew was coming in terms of the Crucifixion and Resurrection). Three of the four gospels indicate that what Christians (and artists) refer to as the “Last Supper” was actually a Passover Seder – so we are back to a lunar calendar, although it’s a different lunar calendar. Orthodox Christians operate under the old-school Julian calendar, so now we have a third timeline.
Just to add a little spice to the mix, consider that, dogmatically speaking, the concept of a Messiah originated within Judaism and includes specific qualifications for how the Messiah would be identified. According to the Christian paradigm, Jesus met the qualifications. According to most Jews, he did not. Most modern Christians focus exclusively on the New Testament and observe holy times accordingly. Some Christians, however, also follow the observations commanded in Deuteronomy and Leviticus.
Got it? Be honest. If you need a scorecard, I’m happy to provide one – especially since I’m about to go down the (metaphorical) rabbit hole.
“As spring is nature’s season of hope, so Easter is the Church’s season of hope. Hope is an active virtue. It’s more than wishful thinking….. My hope in the Resurrection is not an idle hope like wishing for good weather but an active hope. It requires something on my part – work. Salvation is a gift from God for which I hope, but Saint Paul told the Philippians to ‘work out your salvation with fear and trembling’ (2:12). My hope in the resurrection and eternal life in heaven requires work on my part.”
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– quoted from A Year of Daily Offerings by Rev. James Kubicki
Whenever I think about Easter, the waiting that happens on the Saturday between Good Friday and Easter, and the moment when the rock is rolled away to reveal the empty tomb, I think of one thing: Wigner’s friend taking care of Schrödinger’s Cat.
For those of you not familiar with physicist Erwin Schrödinger’s thought experiment (or paradox), it goes like this: The (imaginary) cat is closed up in a box with an unstable radioactive element that has a 50-50 chance of killing the cat before the box is opened. According to quantum mechanics, there is a moment when the cat is simultaneously alive and dead. This is called superposition and it could be considered the scientific equivalent of non-duality. When the box is opened, revealing the state of the cat, the superposition collapses into a single reality. (There is also the possibility that opening the box changes the percentage, but that’s a whole different tunnel.)
Physicist Eugene Wigner took things a bit farther by adding a friend. According to the Wigner’s thought experiment, instead of doing the experiment, the scientist leaves it all in the hands of a friend and waits for a report. Now, there is the superposition inside of the box and there is a separate superposition inside the lab, which means the wave (or superposition) collapses into a single reality when the box is opened (creating reality as the friend knows it) and collapses again when the (imaginary) friend reports to the scientist (establishing the original scientist’s reality). Let’s not even get into what happens if the friend opens the box and leaves the lab without reporting back to the original scientist, but has a certain expectation – i.e., understanding of reality – about what the scientist will find in the lab. Through it all, the cat exists (and ceases to exist) within its own reality. It never experiences the superposition others experience. It just is.
That state of being, existing, takes us back to Passover, and eventually to the Resurrection of Jesus.
“And He said, ‘For I will be with you, and this is the sign for you that it was I Who sent you. When you take the people out of Egypt, you will worship God on this mountain.’”
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– quoted from Shemot – Exodus (3:12)
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“God said to Moses, ‘Ehyeh asher ehyeh (I will be what I will be),’ and He said, ‘So shall you say to the children of Israel, “Ehyeh (I will be) has sent me to you.’””
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– quoted from Shemot – Exodus (3:14)
In the Exodus story, while the Jewish people were slaves in Egypt, G-d commanded Moses to go to Pharaoh and demand the Jews be released. Moses had an interesting backstory and was, in some ways, the perfect person to be the (human) hero of the story. However, he was humble to the point of lacking confidence and ended up asking his brother Aaron to come along on the mission. When their show of power didn’t convince Pharaoh of the authority of G-d, everyone was subject to nine plagues: blood, frogs, lice, wild beasts in the streets, pestilence, boils, hail, locusts, and day(s) of darkness. Remember it was not only Pharaoh and the Egyptians who suffered. The Jews, who were already suffering the hardship of slavery, also had to endure the additional hardships. On the evening of the tenth plague, the death of the first born male child, the Jewish families were told to smear lambs blood on their doors – so their households will be passed over. They were also commanded to celebrate and give thanks for their freedom – even though they are still slaves.
Yes, it is a little mind boggling, but what passes as the first Passover Seder happened in Egypt and during a time of slavery. Considering Pharaoh had changed his mind before, they had no way of knowing (with any certainty) that they would be freed immediately after the tenth plague. See where this is going? In that moment, the Jewish people are simultaneously free and not free.
Furthermore, Rabbi David Fohrman, quoting Shlomo Yitzchaki, the medieval French rabbi known as Rashi, points out that when G-d initial spoke to Moses and Moses asked for G-d’s identity, Moses was told three times that the One who spoke was the One who would always be with Moses and the Jewish people. Regardless of what they experience, Rashi explained, G-d will be with them. This is the very definition of compassion, which literally means “to suffer with.”
“’Whenever goodness and “dharma” (right action) weaken and evil grows stronger, I make Myself a body. I do this to uplift and transform society, reestablish the balance of goodness over wickedness, explain the sublime plan and purpose of life, and serve as the model for others to follow. I come age after age in times of spiritual and moral crisis for this purpose.’”
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– Krishna speaking to Arjuna (4.7 – 8) in The Bhagavad Gita: A Walkthrough for Westerners by Jack Hawley
Jesus (during his time) was, and future Christians are, kind of in the same boat. In the last week of his life, he was betrayed, crucified, dead, buried, and resurrected – and he simultaneously was not. However, most of that is semantics. What is critical is the dead/buried, and resurrected part. In those moments, even right after the tomb was opened and there was some confusion about what had happened, Jesus was essentially Schrödinger’s Cat – and Christians, as well as non-believers, were either the original scientist or the friend.
Yet, when everything is said and done (stay with me here), this is all head stuff. What people are observing, commemorating, and/or celebrating right now, isn’t really about the head. Faith never is. It’s all about the heart. It’s all about love. Specifically, in these examples, it all comes back to G-d’s love expressed as compassion.
“For God so loved the world that he gave his one and only Son, that whoever believes in him shall not perish but have eternal life.”
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– quoted from The Gospel According to John (3:16, NIV)
The rituals related to the aforementioned observations emphasize a specific order of events and how a story is told through the order of events. In the case of Passover, the story of Exodus is told through the symbolic elements of the Passover Seder. The Seder (which means “order” or “arrangement”) moves through 15 steps, including “The Four Questions” that lead to the telling of the story. It’s a ritual pilgrimage wrapped in a dinner party wrapped in a children’s bedtime story disguised as a tradition.
For Good Friday, many Christians move through the Stations of the Cross, a visual pilgrimage of Jesus’ last moments. The earliest “Way of the Cross” or “Way of Sorrows” artwork and the Scriptural Way of the Cross (introduced by Pope John Paul II on Good Friday 1991, and approved by Pope Benedict in 2007) depict 14 scenes or “steps,” ending with Jesus being laid in the tomb. The Resurrection is often considered to be the 15th Station of the Cross. (NOTE: The Resurrection is the 14th Station according to the “New Way of the Cross” in the Philippines; however, this version is different from the previous mentioned versions.) The art is meant to mirror Via Dolorosa (the “Way of Sorrow/Pain”) in Jerusalem, the actual path Jesus would have taken to Mount Calvary. So, when people “move through the Stations of the Cross” it is a ritual pilgrimage wrapped in a walking tour wrapped in a children’s picture book disguised as traditional art.
Within the Jewish community, the sacred ritual of Counting the Omer begins on the second day of Passover. This is a period of 49 days, a total of 7 weeks, leading up to Shavuot (also known as the “Festival of Weeks”) – which itself is a commemoration of the Jewish people receiving the Torah. Commonly associated with Jewish mysticism (Kabbalism), the practice of Counting the Omer involves 7 of the 10 attributes of the Divine that are found on the Tree of Life. Each day is associated with a different attribute, as is each week – which means that for 49 days people are focusing-concentrating-meditating on the interrelation of two attributes. Since each attribute is associated with a different part of the body, and some people combine a physical component, it’s a ritual exercise wrapped in a mystical meditation disguised as a 49-day perspective changing challenge.
Coincidentally – or, perhaps, divinely intentionally – this year’s celebrations of Easter (in Western Christianity) and Palm Sunday (in Eastern Orthodox Christianity) – which, again, are all about the power of G-d’s love – overlap the second night and day of Passover, which is also the beginning of Counting the Omer, when people focus on “Love/Lovingkindness in Love/Lovingkindness.”
All of the religious rituals above traditionally involve prayers, which I do not include in the practices. However, if you are religious and observing there’s always an opportunity to pray as you feel is appropriate. If you are not religious and/or are not familiar with the stories, you can think of what I offer as a history lesson wrapped in a little svādhyāya (“self-study) disguised as a physical yoga practice… or you could ignore what comes up for you and just decide I’m stepping out of my lane.
“You ain’t got no kind of feeling inside I got something that will sho’ ’nuff set your stuff on fire You refuse to put anything before your pride What I got will knock all your pride aside”
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– quoted from the song “Tell Me Something Good” by Chaka Khan and Rufus
2020 was the first time in 11 years that I did not teaching on Good Friday. It was also the first time in 11 years, that I taught on Easter. It was (and still is) a little surreal and bittersweet. While I know some people appreciate a yoga practice that essentially mirrors the Via Dolorosa and walks through the Stations of the Cross; I also know it’s a little much for some folks. Every year, someone asks me if I’m going to do the Good Friday theme and, every year, someone thanks me and says that it’s meaningful, which is good.
Getting back to that idea of the Friday of Holy Week / Passion Week being good, remember that in Christian traditions Jesus is recognized as the Messiah, the Christ, the one who heralds and ushers in an era of peace and salvation. He serves his purpose, because he lives, suffers, is crucified, dies, is buried, and rises – in order for sins to be forgiven. There is no passion, no crucifixion, no death, no burial, nor resurrection, however, without the betrayal. Implying that the betrayal and Judas, by extension, are good, because they are meaningful (and have a purpose) is one of the things that gets me into trouble.
“’Strange? Yes. It is difficult for most people to comprehend that the Supreme Divinity is actually moving about in human form. But for those few who dare to learn the secret that is I, Divinity, who is the Operator within them, their own Self, My coming in human form is a rare opportunity to free themselves from the erroneous belief that they are their bodies.’”
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– Krishna speaking to Arjuna (4.9) in The Bhagavad Gita: A Walkthrough for Westerners (4:9) by Jack Hawley
Every year that I taught at the YMCA, with the exception of 2019, someone complained to the YMCA management about one of my Passion Week classes. It didn’t matter that the complaint often came up in a class where I also told the Passover story. It didn’t matter that throughout the year, I talk about a variety of religions and religious observations. It was always Passion Week that caused someone to say that what I teach and the way I teach are not appropriate.
Keep in mind, it’s still very common for people to tell me that I made them uncomfortable (or even touched them) because of something that was personal only to them. Yoga can be very healing, but in the process it can bring up a lot of trauma. Religion, specifically religious fanaticism, has caused a lot of harm in the history of the world; so, it is not surprising that hearing me talking about a religious practice during a yoga practice is upsetting to some. It’s especially not surprising or unexpected if they are not familiar with the history and original intention of the philosophy. On the religious front, though, the complaint always goes went through management and it always involved Christianity and Passion Week. The irony is not lost on me that these classes were always at the Young Men’s Christian Association. (As a side note, outside of the YMCA, I have had someone complain that Judaism came up a lot throughout the year.)
“That they all may be one. (John 17:21)”
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– YMCA motto adopted, along with the “Paris Basis,” by international delegates at the First World Conference of the YMCA, 1855
I would like to think that I’ve become a little wiser and a little more conscious as a teacher. I definitely appreciate feedback and take it into consideration. That said, I still teach the themes I teach. I still teach with the understanding that everyone doesn’t believe what I believe. I still teach with the understanding that even when I teach from a historical, philosophical, and conceptual perspective, some people will think I am of a certain faith and have a religious agenda.
I hate breaking it to y’all, but I’m neither Jewish, Christian, Muslim, Buddhist, Sikh, Baha’i, Daoist, Hindu, Wiccan, Pagan, nor any number of things you might have considered. But, I do have an agenda.
“Yoga” means union. Throughout the 8-Limb philosophy there is a recognition of and belief in something Divine – G-d. Whatever that means to you at this moment, it is simultaneously that and not that (neti, neti). The end goal of the philosophy is sometimes referred to as “union with the Divine.” That, however, does not mean – or does not only mean – union with an anthropomorphic being. It does, however, mean a state of awareness and existence that understands how everything and everyone is connected. Being connected, working together, that is yoga. Being intentional about our thoughts, words, and deeds, because what we think, say, and do affects everything and everyone around us, that is part of the practice. As someone who practices the philosophy, that’s my agenda: yoga.
“We talk of becoming one with God and many seekers are looking to reach higher spiritual levels, but first we must unify the different parts of ourselves. To see that we are complex beings, often with apparent internal contradictions, but this too is also a form of oneness. Understanding the Divine begins by first understanding ourselves.”
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– quoted from the introduction to The Kabbalah Sutras: 49 Steps to Enlightenment, by Marcus J. Freed
This year, 2022, I am not teaching on Good Friday or Easter Sunday (which is Easter in the Roman Catholic and Western Christian traditions, Palm Sunday in the Eastern Orthodox Christian traditions, and Hanuman Jayanti). However, I am teaching on what is considered Lazarus Saturday in Eastern Orthodox Christianity. I will also send out pre-recorded practices to anyone on the Friday or Sunday lists.
If you are following the Orthodox Christian calendar and would like a recording of last week’s classes, please comment or email me.
Meanwhile, I offer you a little taste of my personal practice (see meditation below) followed by Meghan G’s Good Friday message, which was part of my 202 Kiss My Asana offering. Yes, yes, the annual yogathon where we “do yoga, share yoga, and help others” is coming next week.
METTA MEDITATION (with relationships):
Prior to the quarantine, Metta Meditation was part of my daily commute. Part I gives you a little background and a partially guided meditation. Part II (coming soon) includes guided meditation for the cardinal and intercardinal directions. These meditations were recorded in the Spring of 2019.
In my Good Friday post, I alluded to some people who would miss my Good Friday class. One of those people that immediately came to mind was Meghan G (who some of you will remember as Yogi #12: The Fixer during Kiss My Asana 2016). When I requested stories for Kiss My Asana 2020, Meghan G sent me the following Good Friday story:
“My story has happened quite recently. On Good Friday, just last week, I was feeling so disconnected from my faith community of Saint Joan of Arc, my yoga community Downtown YMCA Friday night yogis and really the whole human community. Every tradition or ritual that I/we have grounds me in the meaning of Holy Week was uprooted. Holy Week, and Good Friday contemporary stations of the cross in particular, is one of the most sacred times of the year. It almost felt to me that day as though it was being ignored.
In an effort to stop the downward spiral of disconnectedness, I sought out Saint Joan of Arc’s Good Friday celebration on video, posted on the website. I had tried to worship this way on Holy Thursday, but found myself distracted, multi-tasking and unfulfilled by the experience. So this Friday I decided to stop the swirling in my mind I would lead myself through a series of poses to calm and focus my mind. Myra had prepared me well for this. As I listened to the Stations of the Cross and the familiar music and stories from my faith community I progressed through a series of poses that were also as familiar and soothing as the service. I was able to connect Jesus’s suffering on the cross with the greater suffering in our world right now (and always) and feel again a part of the human community.
Thank you, Myra, for teaching me over the years to do yoga as you do life…with intention and love. Happy Easter, Meghan”
Thanks, again, Meghan!
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“’And know also, Arjuna, that as the Divinity in all creatures and all nature, I am birthless and deathless. And yet, from time to time I manifest Myself in worldly form and live what seems an earthly life. I may appear human but that is only my “mya” (power of illusion), because in truth I am beyond humankind; I just consort with nature, which is Mine.’”
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– Krishna speaking to Arjuna (4.6) in The Bhagavad Gita: A Walkthrough for Westerners by Jack Hawley
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[NOTE: As much as I am able, I like to highlight the quotes with a good color, i.e., a meaningful color. Today that color is black, for those who know.]
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### “et lux in tenebris lucet et tenebrae eam non comprehenderunt” (John 1:5) ###
“Ramadān Mubarak, Blessed Ramadān!” to anyone who was observing the holy month of Ramadān. Many blessings to all, and especially to those celebrating or observing Holy Week or Great Lent!
This post-practice post for Monday, April 11th.Some of the following appeared in posts from 2019 and 2020, but there are quite a few new bits for some fresh context. You can request an audio recording of Monday’s practice via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)
“One’s personal duty in life (one’s sva-dharma) should be viewed as one’s highest responsibility to his or her highest Self, the Atma. This ultrahigh level of duty carries with it the requirement that one never does anything that is contrary to this True Self Within. And even if you consider your sva-dharma more narrowly from the standpoint of being true to your profession, you should not hesitate to fight. For a warrior, war against evil, greed, cruelty, hate, and jealousy is the highest duty.”
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– Krishna speaking to Arjuna (2.31) in The Bhagavad Gita: A Walkthrough for Westerners by Jack Hawley
Sacred texts from a variety of different cultures, tell us that everyone has a purpose. However, even if you don’t believe the old adage, science has shown that people who live a purpose driven life have better physical and mental health and stronger resilience than their peers. It’s a bit of a cycle: we need our mind-body-spirit to fulfill a purpose and fulfilling the purpose strengthens our mind-body-spirit so that we are better equipped to fulfill the purpose.
Sometimes, however, we do things – or don’t do things – that sap our energy and drag us down. Sometimes other people’s opinions about what we’re doing (or not doing) can also be like those things we do – or don’t do – that sap our energy and drag us down. If our mind-bodies are temples, then the things that sap our energy are like thieves in the temple. Thieves can be eating the wrong foods; drinking too much of the wrong beverages and/or not drinking enough water; not resting; not exercising; partaking in illicit drugs; not managing stress; and/or being surrounded by negative opinions. Doesn’t matter what they are though; at some point we have to throw the thieves out of the temple in order to restore the temple to its original purpose.
“Don’t drink, don’t smoke, what do you do? Don’t drink, don’t smoke, what do you do? Subtle innuendos follow There must be something inside”
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– quoted from the song “Goody Two Shoes” by Adam Ant (or Adam and the Ants)
Some of y’all may be thinking, “Aren’t you like the embodiment of that Adam Ant song?” Well, sometimes I do feel like that. And, yes, I do a lot of yoga and meditation with an emphasis on letting things go that no longer serve me. That doesn’t mean, however, that other people’s opinions never affect me. It doesn’t mean that I don’t ever internalize external judgement or spend way too much time and energy justifying my existence and/or presence in certain spaces.
Neither does it mean that I don’t have my vices. I have a bit of a sweet tooth (cue the laughter from my friends) and while I endeavor to stick to really good quality chocolate, or pastries without a lot of preservatives, I have been known – not often, but occasionally – to grab what’s handy. And then, the suffering ensues. Because, as much as I love it, processed sugar is not our friend and when you mix it with a bunch of additives it might as well be one of the deadlier vices.
Years ago, on one of my busiest days, I was feeling lethargic, hungry, and a little spacey, but I still had one more class to teach. Rather than choose wisely and do something I knew would be helpful, but would take a bit of time, I went for the quick fix: chocolate, but not the good kind. One of the lifeguards at the Blaisdell Y saw me pull my poor choice out of the vending machine and asked if my students knew I ate stuff like that. I shrugged and said I was only going to eat half. Needless to say, I ate it all. While I felt “better” in the short term, the next morning I woke up feeling awful. I felt like I had thieves in my personal temple.
“And Jesus went into the temple of God, and cast out all them that sold and bought in the temple, and overthrew the tables of the moneychangers, and the seats of them that sold doves,”
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“And said unto them, It is written, My house shall be called the house of prayer; but ye have made it a den of thieves.”
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– quoted from The Gospel According to Matthew (21:12 – 13, KJV)
This week is Passion Week or Holy Week in the Roman Catholic and Western Christian traditions. Some say the significant stuff begins with Saturday, although I’ll save the story for another day; others consider Palm Sunday as the beginning of one of the holiest weeks in the Western Christian tradition. Either way, Passion Monday, or Holy Monday, is the last Monday of Lent, which is a period of fasting and prayer within the aforementioned traditions. Part of the Passion Week or Holy Week observation is remembering the stories and parables associated with the last week of Jesus’ life. The story I most closely associate with this day is the story of Jesus throwing the thieves out of the temple and then having his authority questioned.
According to the New Testament Gospels, Jesus was very clear about his purpose as he entered the last week of his life. He understood that there would be suffering (hence, the passion), trials, tribulation, and betrayal, and joy. He knew he would be tested and tempted (yet another passion/suffering). It is unclear if he knew how quickly the suffering will begin, but suffice it to say, it was immediate. When he returned to Jerusalem for Passover, he found the Temple of Jerusalem had been turned into a defacto market place. All four (4) canonical gospels (Matthew, Mark, Luke, and John) state that Jesus ran the livestock and the merchants out, and overturned the tables of the money changers and the dove sellers. He then began to heal the sick and to teach, thus restoring the temple to its original purpose.
“‘People who eat too much or too little or who sleep too much or too little will not succeed in meditation. Eat only food that does not heat up the body or excite the mind. When you balance and regulate your habits of eating, sleeping, working, and playing, then meditation dissolves sorrow and destroys mental pain.’”
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– Krishna speaking to Arjuna (6.16 – 6.17) in The Bhagavad Gita: A Walkthrough for Westerners by Jack Hawley
When we don’t treat our mind-bodies as respected temples, we suffer and are sometimes not able to do the things we need and want to do. Even if you’re getting some exercise, resting, and drinking a lot of water, the very nature of the last two years – extra sitting around, lack of routine, poor eating choices, stress, and isolation – means that all (or most) of us are out of balance. When we get out of balance, we need more of something to get back into balance. Sometimes we need more rest, sometimes more water, sometimes more movement. Sometimes we need someone, like that Blaisdell lifeguard, to gently and kindly remind us what we’re doing – or not doing – is going to throw us out of balance. Other times, we just need them to quietly be present and we sort ourselves out. (Just for the record, that lifeguard did that for me too – and on the very next day no less!)
I will often refer to the fact that our bodies are mostly water as a reason why movement feels good. We are meant to flow and slosh all that salty water around a little. It’s a great visual, and it’s true on a certain level. However, there are even more scientific reasons why it’s good to stay active. One of those reasons is our lymphatic system, which is a vital part of our immune system.
Our lymphatic system helps keep us healthy by providing proteins and other nutrients to healthy cells, while simultaneously brushing away dead, damaged, and infected cells. It also maintains the balance of fluid between the blood and tissues, as well as aiding in the absorption of fats and fat-soluble nutrients. Unlike the cardiovascular system, however, the lymphatic system does not have its own pump. If we want lymph to bring nutrients to healthy cells and also brush/rinse away dead or damaged cells, we have to move our bodies. Any kind of movement is helpful, especially if it engages the whole body. Most physical practices of yoga engage and move your whole body in a very systematic way. So, you could say that the physical practice of yoga almost always has an element of detoxification. There are, however, certain poses and sequences that are considered detoxifying in nature.
Holy Monday, or Passion Monday, is one of the days when I suggest a “detox flow” that involves good amount of muscle engagement – to get the lymph flowing – and a fair amount of twists. In some ancient medicines and philosophies, discomfort and disease is associated with blocked or stagnate energy and so the movement is also a way to unblock the energy. The twists, like many of the other poses in the sequence, have the additional benefit of creating space by helping us loosen up tension we may not even realize we are holding and also offering a gentle massage to the abdominal cavity and low back. But, there’s another twist to the twists. Energetically speaking, with regard to yoga, the twists engage our third chakra (or “wheel’), which is related to our sense of self, our self-esteem, our personality, and how we see ourselves in the world. This is the exact area you want strengthened (or opened) when someone is questioning your authority to do what you do.
“And Jesus answered and said unto them, I also will ask you one thing, which if ye tell me, I in like wise will tell you by what authority I do these things.”
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“The baptism of John, whence was it? from heaven, or of men? And they reasoned with themselves, saying, If we shall say, From heaven; he will say unto us, Why did ye not then believe him?”
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“And they answered Jesus, and said, We cannot tell. And he said unto them, Neither tell I you by what authority I do these things.”
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– quoted from The Gospel According to Matthew (21:24 – 26, KJV)
According to the gospels, children praised Jesus and this, along with everything else, riled up the establishment. In three (3) of the New Testament Gospels (Matthew, Mark, and Luke) several groups of the establishment questioned Jesus’ authority and his views on taxes. First he was asked, “By what authority are you doing these things?” To which, Jesus asked his own question (see above) regarding the authority of the then wildly popular John the Baptist. Of course, this was a tricky question for the elders; because, if they said that John the Baptist’s authority came from God, well then so did Jesus’s and therefore he was unquestionable. If, however, they said that Jesus’s cousin was empowered only by the people, well, the people might revolt. In that moment, they could not answer.
Later, in another attempt to trap Jesus, the elders asked him if the Jewish people should pay taxes to the Roman Empire. He asked them to show him a coin suitable for payment and, when they presented a coin with a Roman face on the front – specifically, Caesar’s face – Jesus said, “’Render therefore unto Caesar the things which are Caesar’s; and unto God the things that are God’s’.” (Matthew 22:21)
“Excuse me, do you work here?”
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– a person who thought I worked at a garden story because “you’re wearing a fanny pack,” even though none of the employees (wearing branded clothing) wore a fanny pack
In his book Deviate: The Science of Seeing Differently, and also in many of his talks and lectures, the neuroscientist Beau Lotto points out that “We don’t see reality – we only see what was useful to see in the past. But the nature of the brain’s delusional past is this: The past that determines how you see isn’t just constituted by your lived perceptions but by your imagined ones as well. As such, you can influence what you see in the future just by thinking.” This idea is very much in keeping with what Patanjali outlined in the Yoga Sūtras and is why someone in a garden shop thought I worked there. It’s also why so many people in Minnesota were surprised when they walked in a studio (or a rooftop) and discovered the yoga teacher of the day looked like me. Sometimes such reactions were funny to me, but they were also exhausting. Even more ironic, exhausting, and heartbreaking, when you know the historical roots of yoga, was when people would question the authority of a brown-skinned man who was teaching yoga. After all, yoga – like Buddhism – started in a time and place where all (official) teachers were male and brown-skinned.
Of course, the world changes. It’s constantly changing. The lived reality of these ancient practices is not, necessarily, the modern experience. So, we are in the habit – in this country, at least – of questioning anything we perceive as different from the status quo. This questioning, however, extends beyond expectations around gender roles and how we understand someone’s role based on race; it also bumps us up against are own biases (unconscious or otherwise) about weight, height, class, age, and ability.
All of the aforementioned biases (and even those I did not mention) are why practices like meditation, self-study, and discernment are so instrumental to our individual and collective progression and evolution. They are also part of the reason I offer biographic stories as well as religious stories as a focal point for self-study – even to people who may not know about or believe in a particular system. By learning about the world, we learn about ourselves. By turning inward, we confront our biases and open up to the possibility of seeing things differently. We start to think differently. Changing our perceptions and our understanding of our past means that we open up to the possibility of seeing a different future – maybe, even, a more inclusive reality.
Lent and Great Lent are based on Easter, which is a moveable feast in all Christian traditions and, therefore, occurs on different dates on the Gregorian calendar. I did not really incorporate the birthdays (or poetry) of Misuzo Kaneko (b. 04/11/1903) and Mark Strand (b. 04/11/1934) into this years practice. You can click here for the 2018 post and here for the 2019 post, if you are interested in their lives and poetry.
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“I had come to understand that yoga has never been about the stretch; it’s always been about the reach. And if I could use my reach to bring yoga’s healing powers to people everywhere and my influence to raise awareness and funds for social causes that alleviate suffering and separation, then I was all in.”
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– quoted from Revolution of the Soul: Awaken to Love Through Raw Truth, Radical Healing, and Conscious Action by Seane Corn
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### Get Your Mind Clean, And The Rest Will Follow (to paraphrase En Vogue) ###
Many blessings to all, and especially to those observing Lent, Great Lent, and/or starting a new year!
This is the “missing” post for Wednesday, March 16th, which was when I talked about Purim, with a little note related to Thursday, March 17th and Saturday, March 19th! (But this is not the story you think it is.)You can request an audio recording of any of these practices via a comment belowor (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.
“It is perfectly true, as the philosophers say, that life must be understood backwards. But they forget the other proposition, that it must be lived forwards.”
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– quoted from Journals (IV A 164), 1843 by Søren Kierkegaard
You know how there are some stories, like the Star Wars movies, that begin as one thing and then over time and generations become something else? That question can be answered as it relates to the story, but here I am specifically talking about the sequence.* When the original movie came out in May of 1977, it was just Star Wars. When the next movies came out – in May of 1980 and May of 1983 – they had their own titles. However, if someone referred to them numerically, they would be first, second, and third (or 1, 2, and 3). Fast forward over two decades from the originally released movie and there were prequels, which (while I am loath to admit they exist) changed the order of things. Fast forward another decade (going on two) and there were (pretty amazing) sequels to the originally released movies. The story continues… and I love that.
I love of stories and storytelling. I think it’s fascinating that we meet each other in the middle of our stories and simultaneously work forwards and back. We don’t always think about it, but the way the Star Wars movies were released is actually how we meet and how most of the stories we read, hear, and watch work too. It’s very rare that we meet characters at the beginning of creation. A story usually begins in the middle or at the end. So, part of what I love about storytelling is how the storyteller (or the story) chooses to unfold the tale. In fact, part of the beauty of the story is watching it unfold.
One of my favorite stories – in part, because the way the story unfolds is part of the story – is the story people tell on Purim. It is the story in and around The Megillah or The Megillat Esther.
In case you are unfamiliar with the holiday and the story, Purim [פּוּרִים] is a Hebrew word meaning “lots” – as in “casting lots” or “lottery.” It is a Jewish holiday that commemorates the story told in the Megillah (“scroll”) of Esther, which is the story of how Queen Esther saved the Jewish people from the evil plot of a man whose actions are good examples of someone who was narcissistic, power hungry, and also anti-Semitic. The “Book of Esther” is not only found in the Hebrew Bible it is also one of the five megillot (“scrolls”) that make up part of the Christian Old Testament. Some people think of it as a great story about the power of a woman – and while it is that, it is also something more; because the story has a lot of “hidden” elements.
The story is quite literally about things that “someone” decided to “hide and hide” [הַסְתֵּ֨ר אַסְתִּ֤יר].
“Another approach, found already in rabbinic literature, takes the absence of God as a positive statement made by the author. The Rabbis, and numerous other readers since, understood the literary absence of God to be merely a surface-level fact, and in fact to be a subtle argument for the hiddenness of God, rather than his absence. A Talmudic comment (in B. Hullin 139b) playfully asks, ‘What is the source for Esther in the Torah?’ The answer given is that Esther was foretold in Deuteronomy 31:18: ‘I will indeed hide (haster astir) my face on that day.’ In part this is a pun, linking the name Esther to the Hebrew phrase ‘I will indeed hide’ (haster astir), but in part it is a serious theological claim: where did the Torah foretell a story with no God?”
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– quoted from “8. Diaspora revisions: rethinking Exodus and rethinking God – Entering the fray: Esther as a political book” in Esther in Ancient Jewish Thought by Aaron Koller
People celebrate Purim by dressing up in costume – hiding one’s true identity – and having a party or feast. People may also have a parade and a pageant. The costuming and the party (even the parades and pageants) are all, symbolically, part of the story. To add yet another symbol from the story, the feasting includes hamantaschen, a yummy triangular shaped pastry that I always think of as Haman’s hat, but which literally means “Haman’s pockets.” In some Jewish communities they are referred to as “Haman’s ears.”
The story is symbolically reinforced in many different ways during the celebration of Purim, because the biggest part of the holiday is the story itself. In fact, listening to a public reading of the Book of Esther, in the evening (since the holiday starts at sunset) and in the morning, is one of four mitzvoh (“commandments”) related to Purim. The other three take place during the day and are sending food gifts to friends; giving charity to the poor; and eating a festive meal.
While I don’t read the actual text** to people during the practice, I do tell the story. And for years, I have used the music to help me tell the story – just like I do with all the other stories. Up until this year, however, my Purim playlist was a little… shall we say, problematic. Because there was something hidden in my playlist – and not in a good way.
“This desert rose Whose shadow bears the secret promise This desert flower No sweet perfume ever tortured me more than this And now she turns This way she moves in the logic of all my dreams This fire burns I realize that nothing’s as it seems”
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– quoted from the song “Desert Rose” by Sting
Some of my playlists have always reflected the culture behind the story or theme of the day. For instance, my Saint Patrick’s Day playlist is full of Irish musicians and musicians with Irish heritage, just like my Cinco de Mayo playlist is full of musicians with Mexican heritage. As I’ve previously mentioned on the blog, I’ve very deliberately made some playlists multi-cultural to highlight the fact that so many cultures celebrate things like light overcoming darkness. Then, years ago, a friend’s comment really made me consider why my playlists mostly featured men. Despite all that, I never really considered that there was something off about my Purim playlist.
And, that takes us back to why certain songs were popular, while other also very good songs were not as popular.
“It’s so not an accident that most of the kirtan and ‘yoga music artists’ on our playlists are NOT from within the tradition. (It is called erasure and happens to people of color in our own traditions ALL THE TIME.)”
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– quoted from a January 2022 message entitled “What Are You Listening to? On Decolonizing Your Yoga Playlists” by Susanna Barkataki
Susanna Barkataki is a yoga advocate, a teacher, a public speaker, and the author of Embrace Yoga’s Roots: Courageous Ways to Deepen Your Yoga Practice. In her book, her articles, and her classes, she encourages students and teachers to (re)connect to yoga’s ancient roots. She strongly recommends that teachers consider why they do the things they do (and say the things they say) when teaching. She also suggests that teachers take a look at how some of the things we say and do are the result of colonization and cultural erasure. However, she does not simply point to how elements of our modern, Western-centric practice are problematic. She also offers tools and solutions. For instance, she specifically points to music and highlights the fact that those of us using kirtan – which is a form of bhakti or devotional yoga – are almost always using non-traditional musicians. Sometimes, even using musicians that mispronounce the Sanskrit words.
To be clear, Ms. Barkataki uses the words “cultural erasure,” but it’s a concept I’ve always known as whitewashing. And, above and beyond anything else, she encourages us all to be mindful about the choices we make. Being mindful meant that when I was getting ready for Purim this year, I realized that in most of the ways that counted, my culturally-specific playlist was specifically the wrong culture.
In my effort to pick songs that told the story, I neglected to pick Jewish musicians. Even worse, given the context of the story, my original playlist included several songs with Arabic lyrics and/or Arabic-related references that had nothing to do with Jewish heritage. To be clear about my own hubris, I knew this… I just leaped over the issue. In some ways, my mental gymnastics included the fact that those songs could be about a Jewish woman like Esther. They could very easily have been songs written by people who didn’t know their beautiful “Persian” queen was born Hadassah. Anything is possible.
However, the reality was that they were just popular songs that were also really good, worked with the practice, and could fit the story. They were songs that I knew, because I had heard them on the radio.
“Erasure is when the originators of a particular tradition are surpassed, replaced or ignored. Why? Because it makes it easier to colonize and exploit our cultural and spiritual wisdom and wealth.”
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– quoted from a January 2022 message entitled “What Are You Listening to? On Decolonizing Your Yoga Playlists” by Susanna Barkataki
I recently heard a young, up-and-coming artist compare achieving a huge milestone to winning the lottery. For sure, I can see that. Especially when you consider how many people commented on the fact that this artist hit this much deserved milestone before his much lauded collaborator. (Don’t misunderstand me, I’m a big fan of both artists, but there’s something more than talent at play here.) I think having a hit song is also like that. Because while there is a lot of hard work that goes into creating a hit song, there’s also a lot of luck. It’s like that old adage: you can’t win if you don’t play. Of course, most people who play, don’t win – at least not really big – and it’s the same thing with being a big star in music.
The existence of streaming services and social media means that a lot of hustle and marketing on the part of the artist (and their community) can get an artist noticed today, in a way they couldn’t get noticed 20-plus years ago. That attention can really push a song up the charts. However, we’re still in a time time when songs are hits (in part) because they are played on the radio. And for all that hustle, many songs are played on the radio because of the way the musician looks. This is true across genres. This is even more so when it comes to music in and from certain countries and cultures. Being talented and having the “right” size, complexion, ethnicity, and (on a certain level) gender and sexuality, is like hitting the Powerball®.
““The Multi-State Lottery Association encourages all lottery players to be responsible in their amount of play.
For some people gambling can become a problem. If you or someone you know has a gambling problem, there are a number of helpful resources listed below.
National Council on Problem Gambling 24 Hour Confidential National Helpline Call: 1-800-522-4700 Chat: ncpgambling.org/chat Text: 1-800-522-4700
– quoted from the “Play Responsibly” tab on the Powerball® website
While I’ve been known to play bingo in a church basement (for charity and the chance to win a homemade quilt), I’m not really one to play the lottery. My limited understanding is that there’s a lot of different ways you can win with a Powerball®. However, just like with music and other things that could make you wealthy beyond your dreams, you have to be responsible and avoid the scams. You have to balance the temptation and your desire with reality. The reality, again, being that if you don’t play, you don’t win; but most people don’t win… big.
If you’re talented and have the aforementioned equivalent of the Powerball®, you can do things other people can’t do. You can write songs that make people re-think the world. You can sing songs other people not only wouldn’t think to sing, but might be afraid to sing. You can inspire people to sing your songs… even when they don’t always understand you. To me, Bob Dylan and his eponymous first album are a great example of a musical Powerball®.
Bob Dylan’s debut studio album, Bob Dylan, was released March 19, 1962. I didn’t use it for the anniversary this year – because I thought it would distract from this past Saturday’s sūtra study – but, normally I use one of the playlists that I also use on Bob Dylan’s birthday (hint, hint). It’s a playlist that combines music from the original album, which only included two original Bob Dylan songs, with Bob Dylan songs covered and/or made famous by others. It’s good way, I think, to highlight the fact that Dylan is as inspired as he is inspirational.
Bob Dylan, the album, was actually recorded November 20th and 22nd of 1961, and only featured two original Dylan songs. The other eleven tracks were covers or traditional folk songs (including Negro spirituals). While Bob Dylan did arrange some of the folk songs, there’s one arrangement that he famously, uhmm… “borrowed” (without permission) from folk singer Dave Van Ronk. Exactly a month after recording the album, Bob Dylan had an informal recording session in a Minneapolis, Minnesota hotel room with Bonnie Beecher and Tony Glover. Those bootleg recordings may or may not have been distributed out of someone’s trunk, but they were the equivalent of modern-day artists streaming their music. They got people excited about Bob Dylan as a musician and may be considered a better glimpse (than the studio album) of what was to come from the artist.
The bootleg recordings did not, however, drum up enough attention to really sell Bob Dylan. The album has never been super popular (chart wise) in the US or the UK. Neither did it, initially, receive a lot of critical recognition or attention. However, some reviewers did compare Dylan – as well as his voice and his style – to Elvis Presley.
Which is weird to me.
Don’t get me wrong, I’m a Bob Dylan fan (on a lot of different levels). I even dig that first album. However, the comparison to Elvis is curious, when you really think about it. Because (to me) the only thing Bob Dylan and Elvis Presley had in common, especially when compared to other also talented musicians at the time, was that elusive Powerball® of talent, drive, and other people’s perceptions.
“How does it feel, how does it feel? To be without a home Like a complete unknown, like a rolling stone”
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– quoted from the song “Like a Rolling Stone” by Bob Dylan
The playlist for Wednesday (March 16th) is available on YouTube and Spotify. [Look for “Purim 2022”]
I plan to post the Bob Dylan playlist for Tuesday, May 24th.
*NOTE: Here’s a funny aside. In 2020, just as we started locking down for the pandemic, I blogged and posted a playlist about stories and music. That would have been Part I, except that it was for March 22nd – which means that if I ever get everything posted in sequential order it would be Part III (after the Purim or Saint Patrick’s Day post and the Bob Dylan post).
**NOTE: Since I don’t actually read the Purim text during the practice, I almost always leave out the part where Haman is begging for his life and the King misreads the situation. In some ways, it is an important part of the cause-and-effect of the narrative – and it definitely brings up another aspect of how our perceptions affect our stories – but it’s comes at the end so I often overlook it.
This is the “missing” post for Sunday, Movember 28th. There are mental health references, but nothing graphic.You can request an audio recording of either practice via a comment belowor (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.
“Anyhow, Mr. Coolidge – I am going to tell you about the people over the radio. You can’t talk over the radio and use the same type of stuff that you do on the stage, because you haven’t got that kind of audience. Everybody listening in over the radio wouldn’t laugh like this. A radio audience – and I’m not saying this to flatter you, but everybody, you all wouldn’t have come in if you hadn’t had a sense of humor. There has to be something the matter with you or you wouldn’t have come in. They don’t have that over the radio. I am sure you all had to have a sense of humor; it is certain that sex appeal drew nobody in here, and I’m positive that nobody come in to whet their intellect. No, you come in here to get just a laugh, but over the radio you have people listening in there with no sense of humor at all. Anybody can tune in on that.”
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– quoted from The Papers of Will Rogers: From the Broadway Stage to the National Stage, Volume Four, September 1915 – July 1928 by Will Rogers, edited by Steven K. Gragert and M. Jane Johansson
It may have been on his lecture tour, maybe even on April 16, 1928, that Will Rogers said, “There has to be something the matter with you or you wouldn’t have come in.” I think that statement could be applied to yoga – as can the rest of that discussion about having a sense of humor and about the difference between sharing space live and in-person versus sharing virtual or recorded space. There’s no denying that there’s a difference. And while it is may also true that people are not drawn in by the sex appeal or to “whet their intellect,” it doesn’t change the fact yoga can be sexy and intellectual, as well as funny – just like vaudeville.
Vaudeville, an upscale version of your garden variety variety show, was a 19th century French invention that experienced a great deal of popularity in North America beginning in the 1880’s. A large part of that popularity can be traced to the “Orpheum Circuit,” which was started when the German producer and American immigrant Gustav Walter built the first Orpheum Opera House in San Francisco. With financial backing from another German-American, Morris Meyerfeld Jr (born November 17, 1855 as Moses Meyerfeld), the impresario opened a second and third Orpheum in a pre-existing theatres in Los Angeles and Kansas City, Missouri, respectively. All three theatres opened to sold out houses and experienced great success. Part of that success was due to the fact that the duo could book entertainers to go from one house to the other and use the publicity in one city to push ticket sales in the other cities.
Their plan was to expand through the Midwest. However, Gustav Walter died unexpectedly (after suffering with appendicitis for four days) on May 9, 1898, just three months after the Kansas City theatre opened). Morris (née Moses) Meyerfeld became the circuit’s president and, in order to carry out the original plan, paired up with Martin Lehman. After opening five more theatres, the pair joined forces with the Western Circuit of Vaudeville Theaters (WCVT); hired Hungarian immigrant Martin Beck as a booking agent (the same booking agent that would give Harry Houdini his big break); and eventually created the Vaudeville Managers Association (VMA) with leaders of the Eastern Vaudeville Circuit, like Benjamin Franklin Keith and Edward Franklin Albee II.
Eventually, the big circuits merged to form the Keith-Albee-Orpheum (KAO) circuit – which, after more mergers and acquisitions became Radio-Keith-Orpheum (RKO), which included the movie studio RKO Radio Pictures, Inc. (later known as RKO Pictures). But that’s jumping way ahead in the story. Not to mention the fact that by the time RKO Pictures formed in 1928, Will Rogers had already filmed almost 50 silent films produced by a Polish-American immigrant named Samuel Goldwyn (born August 27, 1882 as Szmuel Gelbfisz, and also known as Samuel Goldfish). So, let’s step back a minute…
According to The Papers of Will Rogers: From Vaudeville to Broadway, Volume Three, September 1908 – 1915, (by Will Rogers, edited by Arthur Frank Wertheim and Barbara Bair) the first Orpheum opened June 20, 1887 and Gustav Walter was booking vaudeville-only bills by 1897. Meaning that when Will Rogers was seven some of the seeds for his success had been planted and by the time he was 18 those seeds had taken root.
After working at his family’s ranch (Dog Iron Ranch), spending some time in Argentina and the Pampas, and working at a ranch in South Africa, “Oklahoma’s Favorite Son” started doing his rope tricks in the circus. First he performed in South Africa with Texas Jack Wild West Circus and then he performed in Australia with the Wirth Brothers Circus. He was about twenty-five when he returned to the United States, roping and riding at the Saint Louis World’s Fair, rodeos, and the vaudeville circuits that were just starting to come together. He was twenty-five when his rope “tricks” saved the day at Madison Square Garden and caught the attention of William Hammerstein (see “Will Rogers” link above), who kept him consistently employed, performing on a New York rooftop, for years.
In many ways, however, that rooftop gig was a bit of a fluke and the success that followed was, again, in large part because of the infrastructure that had been established by the vaudeville producers. Those previously mentioned partnerships, collaborations, and organizations connected audiences that previously had been targeted by niche entertainers and created a circuit that relied on entertainers who could appeal to people in urban as well as rural areas. The circuit would eventually guarantee performers anywhere from 20 weeks to several years worth of performances – something that had previously been unheard of for entertainers like the cowboy philosopher or a certain “handcuff king.”
“Will Rogers, billed as the Oklahoma Cowboy, in a rope act is a feature at the Orpheum this week. He does wonders in rope spinning but you get so much interested in his ‘patter’ that you forget to watch the tricks, as he calls them. He is a monolinguist disguised in chaps, and one of the best ever….
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PD. Printed in Kansas City Post and Journal, ca. 26 October 1914. Scrapbook 1914, CPpR”
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– quoted from The Papers of Will Rogers: From Vaudeville to Broadway: Volume Three, September 1908 – August 1915 by Will Rogers, edited by Arthur Frank Wertheim and Barbara Bair
NOTE: The scrapbook cited above, containing a printed copy of the Kansas City Post and Journal, is part of the collection at the Will Rogers State Historic Park, Pacific Palisades, California (CPpR).
Will Rogers signed a major Orpheum Circuit contract in December 1908, soon after he married Betty Blake (and only days after she saw him perform for the first time). The newlyweds spent the first four months of 1909 traveling the circuit together – something they would continue off and on throughout their marriage. By 1910, Will Rogers was so popular that he was being booked by all the major vaudeville producers and even mounted his own “Wild West” show. For many years, including in 1913 and 1914, he spent the end of summer through the beginning of winter on the Orpheum Circuit. In fact, in August 1914, he started in San Francisco (performing five days at the very first Orpheum theatre); then performed at six California Orpheum theatres plus a non “Orpheum” theatre in California and eight Orpheum theatres from Salt Lake City, Utah to Minneapolis (November 8-14) and Duluth (November 16-21). From November 22-28, he performed at the Orpheum Theatre in Winnipeg, Manitoba, Canada. Ten years later, on November 28, 1925, he would be performing in Washington, D. C. and visiting with President Calvin Coolidge.
While I normally reference “the Will Rogers phenomenon” (as it relates to prostate health) at the beginning of Movember, I decided to use that last little bit of trivia to bring awareness to the fact that stage migration also occurs in relation to mental health. Remember, “the Will Rogers phenomenon” is a situation where moving something from one category to another increases the average value of both categories. In medical stage migration this can occur when awareness, testing, and/or overall medical understanding changes diagnosis so that previously undetected illness is detected – which can increase the average life expectancy of people who are considered “healthy” as well as those who are considered “unhealthy.”
Note, the “Will Rogers” links above all go to the same post about prostate cancer diagnosis, but this situation also holds true for other health issues where early detection is the key to survival. It holds true for different kinds of cancer, and also applies to heart and lung issues, diabetes, and mental health issues.
We all know that the last few years have been rough – on every one – and the challenges in life include increased physical, mental, and emotional stress. If we consider these akin to the three-fold sorrows, then we (humans) have the power to eliminate this dis-ease. Eliminating our own suffering, however, requires awareness and communication. In the last few years there has been an increase in people reporting mental health issues and while that can be daunting, consider that every year people have mental health crisis that “no one saw coming,” in part because people didn’t share what they were experience and/or seek help. Some of the discrepancies between men and women’s health, including the fact that 4 in 5 people affected by suicide are men, may come down to socialization.
It sucks that so many people are struggling, but – believe it or not – an increase in reporting is actually good news. The fact that people are sharing their experiences and seeking guidance, even treatment, is actually a good thing. It’s also the smart thing.
“When the Oakies left Oklahoma and moved to California, it raised the I.Q. of both states.”
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– Will Rogers
Sunday’s playlist is is available on YouTube and Spotify. [“Look for “Mov 4th & Will Rogers 2020”]
“I realized, over time, that when I actually began to talk about what I was going through, it actually began to heal me.”
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– Eric Bigger, quoted on the (US) Movember website
If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can call 1-800-273-TALK (8255). You can also call the TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.
If you are a young person in crisis, feeling suicidal, or in need of a safe and judgement-free place to talk, call the TrevorLifeline (which is staffed 24/7 with trained counselors).
“‘Breathing lessons – really,’ [Fiona] said, dropping to the floor with a thud. ‘Don’t they reckon I must know how to breathe by now?’”
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– quoted from Breathing Lessons by Anne Tyler
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“‘Oh honey, you’re just lucky they offer such things,’ Maggie told her…. ‘I mean you’re given all these lessons for the unimportant things–piano-playing, typing. You’re given years and years of lessons in how to balance equations, which Lord knows you will never have to do in normal life. But how about parenthood? Or marriage, either, come to think of it. Before you can drive a car you need a state-approved course of instruction, but driving a car is nothing, nothing, compared to living day in and day out with a husband and raising up a new human being.’”
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– quoted from Breathing Lessons by Anne Tyler
Please join me today (Monday, October 25th) at 5:30 PM for a 75-minute virtual yoga practice on Zoom. Use the link from the “Class Schedules” calendar if you run into any problems checking into the class. Give yourself extra time to log in if you have not upgraded to Zoom 5.0.You can request an audio recording of this practice via a comment below.
There is no playlist for the Common Ground practice.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)
“Chag sameach!” to those observing the High Holidays. “Many blessings,” to everyone and especially those celebrating Ganesh Chaturthi!
[This is the “missing” post for Sunday, September 12th, which featured poses for runner’s (or walkers… or people who sit a lot).You can request an audio recording of either practice via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.
“Start with a dream. Chase after it. Run with it. Hold FAST to Your Dreams. (Your dream is worth chasing.)”
– A little inspiration from Run Like Rel
The old Downtown Minneapolis YMCA was always full of people working to maximize their time. Some thought about how they could spend their time and, always seeming to come up short; they ultimately sacrificed what they wanted to do for themselves or what they could do for others. Then there were people who really inspired me, in part because they figured out ways to help others while they did what they loved. Some of those inspirational people were people who run, like Chris Scotch and Deb B, who found established organizations (and people) who could benefit from their running. Also on my inspirational leader board: twin sisters Jessica and Ariel Kendall.
To be honest, I probably wouldn’t have been able to tell the twins apart in the beginning except for the fact that one came to yoga regularly and one loved to run. They both were interested in inspiring kids and helping kids bridge achievement gaps while developing confidence and leadership skills. The runner, “Rel” had an idea – a dream, really – that they could help others through running. So, she started a blog, created some coaching and mentoring opportunities, and partnered with some already established corporations, races, and non-profits. Then off she went, running – on and off the trails. Things look really different today than they did in five, going on six, years ago, but the sisters are still encouraging young people to “Run like Rel.” There are several lessons in that little story; lessons you can run with; lessons about how life is more like a marathon than a sprint.
Speaking of marathons…
The Battle of Marathon was notable for a number of reasons. It marked the end of King Darius I of Persia’s attempt to invade Greece and allowed classical Greek civilization to be firmly established. Although Darius the Great’s son, Xerxes I, would be more successful than his father, the battle in 490 BCE was a turning point in history that lead to the beginning of “Western Civilization” as we know it. One might even argue that the modern concept of democracy might be very different were it not for the Battle of Marathon.
Ancient Greece was made up of city-states or “polis” consisting of an urban area protected by walls and/or geographic barriers and a high point or “acropolis” (city-top) which contained the religious and municipal buildings. At one point there were thousands of city-states, including Corinth (Kórinthos), Thebes (Thíva), Syracuse (Siracusa), Aegina (Égina), Rhodes (Ródos), Árgos, Erétria, and Elis. Each one had its own form of government and culture. For example, Sparta (Spárti) had two hereditary kings with equal power and a “council of elders,” plus a strong army. Athens (Athína), on the other hand, operated under a form of democracy whereby all adult male citizens (living within the city walls) had an assembly in order to a vote. While each city-state had its own governing philosophy and would sometimes battle against one another, they were invested in this socio-political structure and would, therefore, fight together against tyrannical powers like the kings of ancient Persia.
King Darius was particularly angry when citizens of Athens (Athína) and Erétria came together in 498 BCE to support the Ionian Revolt (499 to 493 BCE). But, once his forces regrouped and squashed the revolt, he set his eyes on the Greek city-states. He eventually destroyed ancient Erétria, but – despite outnumbering the Athenians (and the thousand or so Plataeans that joined them) by over two to one – his army was once again thwarted.
“He cometh from the purple hills, Where the fight has been to-day; He bears the standard in his hand— Shout round the victor’s way. The sun-set of a battle won, Is round his steps from Marathon.”
– quoted from the poem “Eucles Announcing the Victory of Marathon.” by L. E. L. (Letitia Elizabeth Landon)
The Battle of Marathon makes for a good story. It’s one of those inspiring stories of the underdogs prevailing and it’s one of the stories that bolstered the ancient Greeks morale. In fact, the story of how the Athenians, with the assistance of a relatively small group of Plataeans, conquered the enormous Persian army is also notable because it is one of the earliest recorded battles. There are, however, some discrepancies in what’s recorded. For instance, depending on who you ask (and how they track time), the Battle of Marathon either happened on August 12th or it happened today, on September 12th, 490 BEC. Then there’s the story of an Athenian who either saw a Persian ship turn in the direction of Athens and ran for miles in order to make sure the city’s defenses were raised or was sent from Athens to Sparta to ask for reinforcements and then ran back to let the assembly know that the Spartans were in the middle of a religious festival and would not be joining the battle. Then there’s the fact that no one can agree on said hero’s name: was it Pheidippides or was it Philippides? Or, wait; was it Thersipus of Erchius or Eucles?
For the record, Herodotus (“The Father of History”) – who was born shortly after the war and in an area ruled by Persia – wrote about a professional messenger named Pheidippides or Philippides who ran from Athens to Sparta and then back again. Said messenger would have run 240 kilometers (150 miles) each way – which today would be considered an (ultra) ultra-marathon. Herodotus made no mention of a messenger running from Marathon to Athens. Instead, he wrote about the messenger’s encounter with Pan – which fed into the idea that the Athenians won because Pan caused panic in the hearts and minds of the Persian military and also explained the relatively ornate shrine to Pan under the Acropolis. Herodotus concluded that the Athenians quick marched back home to prevent a coastal attack – which makes sense since the Greeks were outnumbered ten to one by the Persian navy, which was basically just guarding their ships.
The story of someone running from Marathon to Athens appeared around the 1st century AD in an essay by Plutarch that referenced an earlier work that would have appeared about a hundred years after the time of Herodotus. This was serious commentary. However, around the 2nd century AD, Lucian of Samasota wrote a satirical piece about the same story. Only the messenger’s name was different: in the earlier works he was Thersipus of Erchius or Eucles; in Lucian’s satire he was back to Philippides. Regardless of his name, this particular messenger would have somehow had to run around Mount Pentelicus (also known as Mount Pentelikon). The longer of the two routes would have been approximately 40 kilometers (25 miles) and would have taken him up some foothills before a final descent into Athens. The other route, of 35 kilometers (22 miles), was shorter, but would have included a steep climb (of over 5 kilometers or 3.1 miles) right at the beginning.
The runner announcing victory with his last breath has been the inspiration for a lot of art, including an 1834 sculpture by Jean-Pierre Cortot (entitled “The Soldier of Marathon announcing the Victory”) and a painting by Benjamin Haydon, which was published as an engraving by S. Sangster in 1836. The engraving and the accompanying poem by Letitia Elizabeth Landon (L. E. L.) referred to the messenger as Eucles. However, when Luc-Olivier Merson painted the messenger in 1869 – in what I consider a halfway decent, one-armed variation of “Cobra Pose” – he is back to being “The Soldier of Marathon.” Ten years later, in 1879, Robert Browning wrote the (relatively short) poem “Pheidippides” and not only changed the name of the runner, but also his path (alas, he did not change the hero’s ultimate demise). According to Browning, Pheidippides ran from Athens to Sparta to Athens, then ran to Marathon and then back to Athens. For anyone keeping count: that would be about 550 – 560 kilometers (344.2 – 350 miles) in a matter of days.
As astounding and impossible as those distances might seem, the more modern accounts depicted the messenger as a professional runner – someone who had trained to run distances – and became an inspiration for the organizers of the first Olympic Games. From 1896 until 1920, the Olympics hosted a race that was approximately 40-kilometer (25-mile). In 1921, the “marathon” was standardized as 42.195 kilometers (or 26 miles, 385 yards).
Today there are over 800 marathons held around the world, many of which have wheelchair divisions, and millions of people training to go the distance. There are couch-to-marathon training programs designed to prepare people in 12 weeks or 24 weeks. There are even “Zombie” training programs, because (let’s be real), if being chased by brain-eating Zombies won’t get you running, then nothing will. One big lesson from these training programs is that every day can get you closer to your goal – even the rest day – and that’s one of the key elements to pacing yourself.
“—at least I can breathe, Fear in thee no fraud from the blind, no lie from the mute!
Such my cry as, rapid, I ran over Parnes’ ridge; Gully and gap I clambered and cleared till, sudden, a bar Jutted, a stoppage of stone against me, blocking the way. Right! for I minded the hollow to traverse, the fissure across: ‘Where I could enter, there I depart by! Night in the fosse?; Athens to aid? Tho’ the dive were thro’ Erebos, deg. thus I obey– Out of the day dive, into the day as bravely arise! No bridge Better!’–when–ha! what was it I came on, of wonders that are?”
– quoted from the poem “Pheidippides” by Robert Browning
If you’ve run a little or a lot, you know it’s important to pace yourself – and the key elements to pacing yourself as you run can also be important elements to pacing yourself on and off the mat. As people within the Jewish community head into the last five days of the High Holidays, which are part of the preparation for this New Year, I thought I’d offer some tips on pacing yourself. The first list is inspired by runners and the idea of preparing for a marathon. The second list (further down) is a method of self-care called P.A.C.E.
Take it day by day. One of the lessons we can take from Pheidippides (or Philippides, or Thersipus of Erchius, or Eucles) is that we are only guaranteed this present moment. So, consider how you want to spend the time you’ve been given. Remember, every breath you take is the beginning of a new moment, a new day, a new week, a new month, a new year. How do you want to spend your time? Also, with whom do you want to spend your time? Finally, how does your time (and how you use it) serve you and the people around you?
Keep breathing. In a vinyāsa practice, where we move as we practice, our pace is set by the breath. Breathing is also critical in a foot race (of any duration). So, you have to figure out a way to keep breathing in different positions. Patanjali’s Yoga Sūtras tells us that the “secret” to breathing deeply is a steady and stable, easy and comfortable – even joyful – foundation. Throughout most of our practice, we are on our feet; so, it’s good to check in with how your feet feel. (This is also a reminder to all runners and potential runners: If your feet/shoes don’t feel steady and stable, easy and comfortable – maybe even joyful – before you get moving, you might be headed towards an injury or some plantar fasciitis.)
Keep your goal in mind and keep moving step by step. If you are anything like me, once you envision a possibility and decide where you want to go in life, you want things to hurry up and happen. You may not mind the work, you may even enjoy it, but you can still be impatient – and that’s when it’s important to remember why you’re doing what you’re doing and that every step counts just like every day matters. When thinking about your “goal,” consider if you’re all about the journey or if you’re in it for the destination. One caveat, however, is to not focus so much on the medal or physical prize you may receive in the end. Think, instead, about how the goal serves you (how it brings you peace, balance, maybe even joy) and how it will feel to accomplish your goal. Finally, map out your steps!
There’s a mountain, there’s always a mountain. It doesn’t matter which version of the story you use, the runner always has to get around the mountain (and it’s a forest filled mountain). The mountain is a reminder that every one of us is going to run into an obstacle at some point in our journey. Like the Athenian, there are some “mountains” we know are coming (when we map out our steps) and, therefore, we can consider different paths. One obvious obstacle, on and off the mat, is that we’re going to get tired and run out of steam. Another is that you could injure or strain something. What’s your plan for those possibilities? How do you encourage yourself to keep going? Who else encourages you and cheers you on?
The stoic Emperor Marcus Aurelius said that the obstacle is the way. So, if you are prepared to dig down deep inside of yourself in order to get around (or over) the obstacles you know are coming, then you can also dig down deep when you run into the obstacle you didn’t expect.
Stay positive and keep breathing (again), even if you have to let something go. In truth, there are a lot of other tips that runner’s use when training and when racing, but a positive attitude is always helpful and I keep coming back to the breath because it is one of our primary sources of fuel. We can’t get where we are going if we’re not breathing. Also, poor breathing can cause the body to tighten up and not function properly. So, if you want to stay loose and keep moving, you have to keep breathing. Finally, many of the stories (and pictures) of the “Marathon runner” indicate that he dropped all of his belongings so that he could run faster. Take a moment to consider what’s weighing you down and holding you back. Take a moment to consider that there’s a fine balance between a healthy ego that helps you get things done and an overblown (or defeated) ego that becomes yet another obstacle.
“Next, bring your awareness to your present moment experience. Notice any areas of tension or tightness in the body. Many of you have been donning PPE on shift and this may have left some residual constriction in your body. Observe any physical sensations you have, along with your thoughts and thought patterns in the here and now. If any unpleasant emotions arise as you are doing this, I invite you to anchor in the breath, breathing fully and deeply as you stay with your experience.”
– quoted from the article “P.A.C.E. Yourself: A Practice Honoring Healthcare Workers” by Reena Kotecha, MBBS, BSc Hons (posted March 30, 2021 on mindful.org)
Dr. Reena Kotecha is the London-based founder of the “Mindful Medics” Programme. She holds dual degrees in Medicine and Neuroscience & Mental from Imperial College London and, as a result of her own experiences with work-related stress and burnout, has studied Āyurvedic medicine, prāṇāyāma, and mindfulness meditation. Last March, as countries around the world were locking down because of the pandemic, Dr. Reena Kotecha offered healthcare workers a self-care practice called “P.A.C.E. Yourself.” Here’s a condensed version of the P. A. C. E. steps, which I think could be helpful to anyone. (NOTE: The descriptions below are my explanations. You can find Dr. Kotecha’s brief explanations here and her recorded meditation below.)
Permission. Give yourself permission to be who you are, as you are, in this moment – and give yourself permission to take care of yourself. Dr. Kotecha suggests using a phrase (like “I offer myself this opportunity for well-being.’’) to encourage yourself to pay attention to your own health and wellness.
Awareness and Anchor.Be present and breathe into what is. (See quote above for Dr. Kotecha’s explanation.)
Compassion. Just as we do on the mat, once you’ve noticed how you feel – and “express a little gratitude for the sensation, the information that informs your practice” – offer yourself a little kindness and self-compassion. What would feel good in this moment? What would allow you to move into the next moment with a little more peace and ease?
Envision. Just as we do in other practices, visualize yourself moving forward with peace and ease. Dr. Kotecha’s instruction includes space for visualizing how your feelings might change as you move out of the “practice space” and into the action place. Like the previous list’s steps 4 and 5, this is an opportunity to consider how you breathe through the challenges ahead.
“‘Remember to enjoy it’ says [running coach Tom] Craggs, ‘sometimes take the headphones out, suck the crowd in, when you get to those last few miles dedicate each one to someone important in your life. You’ll bring it home and have a fantastic race.’”
– quoted from the Runner’s World article entitled “Last-minute pacing tips for your best half-marathon: You’ve put in all the hard work in training, but here’s how to make sure you stick to race pace.” by Jane McGuire
A Joyful Practice 