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THROWBACK THURSDAY! March 26, 2020

Posted by ajoyfulpractice in Books, Buddhism, Changing Perspectives, Depression, Dharma, Faith, Fitness, Gratitude, Healing Stories, Hope, Karma Yoga, Life, Loss, Love, Minneapolis, Music, Mysticism, One Hoop, Pain, Passover, Philosophy, Poetry, Religion, Robert Frost, Suffering, Tantra, Tennessee Williams, Texas, Traditional Chinese Medicine, Tragedy, Twin Cities, Wisdom, Writing, Yoga.
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“Lonely . . . When so many are lonely as seem to be lonely, it would be inexcusably selfish to be lonely alone.”

– Don Quixote in the Prologue to Camino Real by Tennessee Williams (b. 3/26/1911)

Just because we are alone – and in some cases lonely – is not a reason to go it alone. Tennessee Williams wrote, “For time is the longest distance between places.” “Throwback Thursday” is a way to look back, but we can’t actually go back in time, we can’t bridge that distance of which Williams speaks. We can, however, bridge the physical distance of social isolation by reaching out (virtually speaking, of course).

Call, text, email, write a letter, make a chalk drawing, or use any of a variety of technological advances to connect to a stranger or a friend. Remember, we are all in this together – and we will succeed or fail based on how we are together, even when we are apart. Remember, in A Streetcar Named Desire, Blanche DuBois says, “I always depended on the kindness of strangers.” Right now, we are all Blanche…but we are also those strangers.

Love/ loving-kindness (chesed in Hebrew) is an aspect of the Divine. In fact, not only is it one of the ten ways (according to Jewish mysticism) that G-d is revealed to the world, it is one of the 7 aspects people contemplate if they are counting the Omer during Passover. Just like in Eastern philosophies, like yoga, Kabbalism associates loving-kindness with the arms (specifically, the right arm). As you go through your practice – or through your day – bring awareness to how you use your right arm. Are you using it to express your heart or withhold your heart?

“(1) If I could speak all the languages of earth and of angels, but didn’t love others, I would only be a noisy gong or a clanging cymbal. (2) If I had the gift of prophecy, and if I understood all of God’s secret plans and possessed all knowledge, and if I had such faith that I could move mountains, but didn’t love others, I would be nothing. (3) If I gave everything I have to the poor and even sacrificed my body, I could boast about it; but if I didn’t love others, I would have gained nothing.”

– 1st Corinthians 13:1 – 3 (the part just before all the “famous parts” people use in weddings, movies, and songs)

Consider, for a moment, that when Saint Paul and Sosthenes wrote their letter to the church in Corinth, before they spoke of what love was, they spoke of what love was not. This is very similar to passages which appear in the Upanishads, ancient Sanskrit texts, where a teacher – and then his spouse – point out that the Divine is not this or that (neti, neti) thing that is so obvious. The Divine is not (just) what is obviously seen, but what is unseen, what is felt. (Yes, yes, but neti,neti: this is not the throwback you’re looking for.)

We can never really know how much it means to someone when we do something nice for them simply out of the kindness of our hearts. They can say thank you a million times – and we may even feel the sincerity of their gratitude – and yet that feeling pales in comparison to the love they felt from the kindness.

“Something we were withholding made us weak
Until we found out that it was ourselves
We were withholding from our land of living,
And forthwith found salvation in surrender.”

– excerpt from the poem “The Gift Outright” by Robert Frost (b. 3/26/1874)

For Throwback Thursday, here’s last year’s post about the birthday authors I typically include in today’s practice.

While I am not teaching today (Thursday), I am going to spend part of today and Friday updating my schedule to reflect streaming classes I will start offering Saturday – Wednesday.

Right now I am planning to offer seven (7) classes on Zoom. These are (mostly) during times when I had studio classes and they will be (mostly) open for anyone to attend. You can purchase or renew a package on my online store or you can make a donation to Common Ground. (Donations are tax deductible and I will receive the bulk of the donation.)

I want you to practice; so don’t let any financial issues be an obstacle you can’t get over! If you need it, I got you. Yoga means union.

 

### BETTER & BETTER ###

Walk with me…a mile, or 54. March 24, 2020

Posted by ajoyfulpractice in Buddhism, Changing Perspectives, Dharma, Dr. Martin Luther King, Jr., Faith, Gandhi, Gratitude, Healing Stories, Hope, One Hoop, Pain, Rabbi Abraham Joshua Heschel, Suffering, Tragedy, Uncategorized, Yoga.
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Thank you to everyone who helped me beta test Zoom on Sunday! More streaming classes are coming and I will post a recording of the class later this week.

In the meantime, remember this: 55 years ago today, Tuesday, March 24th, Civil Rights protesters stepped into Montgomery County (Alabama). The next morning they would stand in front of (but not on) the steps of the Alabama State Capital Building. It had been a long journey…even longer than the 5 days and 54 miles it took them to arrive from Selma, Alabama. And as he stood in front of (but not on) the steps of the capital, Martin Luther King, Jr. spoke of how much longer the journey would be.

For anyone who is interested, here are two (2) posts I wrote (in January 2019 and January 2016)about the experience of some of those marchers, and how it works out on the mat.

 

### NAMASTE ###

It’s Bach’s Day Too! March 21, 2020

Posted by ajoyfulpractice in Abhyasa, Bhakti, Books, Buddhism, Changing Perspectives, Dharma, Faith, Fitness, Gratitude, Healing Stories, Hope, Karma, Life, Meditation, Minneapolis, Minnesota, Music, Mysticism, One Hoop, Pain, Peace, Philosophy, Suffering, Tragedy, Twin Cities, Vairagya, Wisdom.
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“[Music] should have no other end and aim than the glory of God and the re-creation of the soul, where this is not kept in mind, there is no true music, but only an infernal clamour and ranting.”

– Johann Sebastian Bach (b. 1685)

According to the Old Style / Julian calendar, March 21st, is the anniversary of the birth of the composer Johann Sebastian Bach. Born in 1685, Bach’s statement about music also works as a statement for yoga: [Philosophically speaking, yoga] should have no other end and aim than the glory of God and the re-creation of the soul, where this is not kept in mind, there is no true [yoga], but only an infernal clamour and ranting. People who think of yoga only as a form of exercise are often surprised that there’s more. One can only imagine their surprise if the walk into one of my classes – especially on My March 21st, when the playlist starts with Bach and then becomes a soundtrack for other events that correspond to this date in history. Imagine their further surprise when all of that is just the background to a deeper practice.

On Saturdays I typically teach a 90-minute practice at that is primarily attended by a dedicated group who are interested in the yoga philosophy as well as asana and asana philosophy. For the past few years, we start in January and “build a practice from the ground up” physically as well as philosophically. Physically, we start with the beginning of a specific practice or sequence and either explore it for about 30-weeks before continuing to a new practice built on the original or, as we did this year, we start with a basic set of poses and start building around it. Philosophically, in years past, we have explored the 8-limbs of yoga, as well as how the 7 chakras correspond with 7 yoga paths (hatha, tantra, karma, bhakti, mantra, yantra, and jnana). Last year, we started moving through the Yoga Sutras – which worked perfectly as there are 51 sutras in the first chapter.

This year, we started physically moving through the warm-up and asanas that Ram Dass illustrated in Be Here Now, and just recently started using that sequence as a “finishing sequence.” (If you’ve been attending the Saturday practices and/or are familiar with the sequence, that’s your practice today.)

Philosophically, we decided to continue last years work and make our way through the second chapter of the Yoga Sutras. Today, March 21st, is the 12th Saturday of 2020. I am including a bit of background for those who are just now joining this journey and a bit of last week’s commentary since so many had to miss the class. For more on the sutras, you can check out Swami J’s website or purchase the series of books by Pandit Rajmani Tigunait, PhD – both associated with the traditions of the Himalayan Masters.

Yoga Sutra 1.1:  atha yogānuśānam

– “Right here, right now (in this auspicious moment), yoga (or union) instruction begins”

Yoga Sutra 1.2: yogaścittavŗttinirodaha

– “Yoga (or union) ceases the fluctuations of the mind”

The first chapter of the Yoga Sutras is the “Chapter (or, more literally, Foundation) on Concentration” and Patanjali begins by explaining how the mind works; atha, right here, right now. In this present moment each of our minds is processing multi-bazillion bits of information/sensation – which results in a constant fluctuation of the mind (cittavŗtti). This restlessness and agitation of the mind, in turn becomes restlessness and agitation in the body – and this becomes obstacles to the practice (or to our goals). At the same time, he explains that our thoughts fall into two (2) categories: afflicted thoughts (i.e., thoughts which cause pain) and not afflicted thoughts (which may ease pain, or at least not cause pain). Finally, Patanjali explains how to work the mind – using the mind’s own ability to concentration/meditate – in order to rest the mind and, therefore, the body.

This is why, I often say, “What happens in the mind happens in the body. What happens in the body happens in the mind. And both affect the breath.” If you take a deep breath in (right here, right now) and a deeper breath out (right here, right now). You not only bring your awareness to the present moment (right here, right now; every time you consciously inhale and every time you consciously exhale) – you also, affect the body and the mind. In fact, that is one of ten practices Patanjali describes in the first chapter: focus on your breath.

Yoga Sutra 2.11: dhyānaheyāstadvŗttayah

– “Meditation destroys the mental tendencies (associated with affliction/pain)”

The second chapter of the Yoga Sutras is (the “Chapter (or, more literally, Foundation) on Practice. It is basically Patanjali – way back in the 2nd, 3rd, or 4th BCE – recognizing and acknowledging that everyone on the planet can’t just drop into a deep-seated meditative state. So he starts explaining the elements of kriya yoga (“yoga in action”) and how the practice of training the senses, exploring within, and letting go of aversions and attractions attenuates the effect of afflicted/pain-producing thoughts. To do this, however, he first gives us a deeper understanding of how afflicted thoughts produce pain.

“Samskaras – the drivers of our mental tendencies – manifest in the form of memory. We are able to remember something because the subtle impressions related to the object have been store in or mind. Because they are hidden beneath thick layers of the forces of time, the mind is not aware of their existence. But like a seed that lies dormant until spring brings moisture and warmth, samskaras awaken when the conditions inside and outside the mind are conducive.”

– Pandit Rajmani Tigunait’s commentary on sutra 2.11

 

Using seeds as a metaphor or a simile for our thoughts, words, and deeds is a very common teaching tool. In previous weeks, the metaphor I used was a backpack containing a still soft, but sculpted, piece of clay. Let’s say you’ve molded a little figurine (whatever comes to mind) or a tiny cup; but, something causes you to place the molded clay into your backpack. For some reason, the clay stays in your backpack, getting tossed around, even a little mushed, as you go about your days. Every once in awhile you brush your finger across it when you’re looking for something and you think, “What’s that? Oh, yeah….” And whatever emotions you were feeling in relation to making the piece, or having to toss it in your bag before it was finished, flash up.

Later, you might even pull the piece of clay out, notice that it’s smashed and decide to completely smash it and start again or restore it to some close proximity of what you did before. Someone else could feel it or see it or see you remolding it and have a completely different experience, but this is your experience – and now this new layer of experience is attached to the clay, just like the oils from your skin. Even if you “buy a new backpack,” a piece of the clay finds its way inside. (YS 2.10) Unless, of course, you have “trained your senses, explored within, and given up your aversions and attractions – in which case you can discard the clay when you switch backpacks or you can recognize what it was and decide to treat it as a fresh piece of clay ready for a new project. (YS 2.11)

 

Yoga Sutra 2.12: kleśamūlah karmāśayo dŗşţādŗşţjanmavedanīyah

– “The reservoir of our actions is rooted in affliction/pain that is experienced in seen and unseen lives”

For anyone wondering: Nope, I had no idea this week’s sutra was going to keep us firmly grounded in the “seen and unseen.” Previous translations I’ve used for comparative analysis talk about “current life and future life,” “this life and the lives to come,” and “at the time of the action or (another time).” The bottom line, though, is still the same.

All of our experiences, thoughts, words, and deeds have consequences. Some consequences occur “immediately” and we easily see the connection between cause and effect. Other times, there is the distance of time, space, memory, and/or ignorance (or lack of awareness), which causes the connection to be “unseen” by us. Yet, cause and effect is still there, and so it becomes even more important to recognize that, as Pandit Tigunait points out, “Impure karmic impressions cloud our mind with desire, greed, confusion, and anger, and become the drivers of negative, destructive actions. Pure karmic impressions create a positive mental atmosphere, awakening virtues such as love, compassion, kindness, and selflessness, which then become drivers of positive, constructive actions…. Causing intense pain to someone who is fearful, diseased, or stingy engenders a highly, negatively charged karmic reality. Betraying someone who trusts you or harming a high-caliber soul committed to intense austerity also engenders a highly potent negative karmic reality. This potent negative karma ripens quickly.”

We don’t always have control over our circumstances, but we always have control over our actions (thoughts, words, and deed). We don’t, however, make decisions in a vacuum. Part of the practice is recognizing that are current actions are informed by our previous experiences, thoughts, words, and deeds – and what we do in this moment, is going to inform what happens to us (and what we do) in our next moments… even if that moments are years away.

 

### BE KIND TO YOURSELF & TO OTHERS ###

Happy First Friday of Spring! March 20, 2020

Posted by ajoyfulpractice in Books, Buddhism, Changing Perspectives, Depression, Faith, Healing Stories, Hope, James Baldwin, Life, Loss, Meditation, Men, Minneapolis, Minnesota, One Hoop, Pain, Peace, Poetry, Religion, Suffering, Tragedy, Uncategorized, Vairagya, Yoga.
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“The long silences need to be loved, perhaps more than the words which arrive to describe them in time.”

– from God’s Silence by Franz Wright

Yes, it is hard to believe: Yesterday was gray, rainy, cold – even snow for some – and it was the first day of Spring in the Northern Hemisphere. I know, hard to believe. Some folks had forgotten all about Spring, it seems. Still others were expecting it to bring some great change… And maybe it did. But, like the old saying (April showers bring May flowers) implies, we have to wait for the beauty.

In waiting for the beauty of being able to offer a video practice inspired by Franz Wright, I was reminded that Wright’s collection after winning the 2004 Pulitzer Prize was entitled God’s Silence. I haven’t read it (yet), but I am suddenly fascinated by the idea of 144 pages worth of Franz Wright poetry curated around the idea of “God’s Silence.” Notice, that’s 144 pages – not 144 poems. (Poets everywhere are now doing the math.) This is the kind of the thing that gets me oddly excited, especially right now, because there is so much I want to know!

I want to know if he is referring to silence that is the response to a prayer or a request (or even a curse); the silence that precedes an answer; the silence that follows the answer (when the questioner is dumbfounded or in awe of the response); the silence when one is pondering the best way to phrase something and therefore measuring their words; the silence of shock (can we shock God?); the silence of disappointment; the silence of wonder; the silence when no one is around; the silence of sleeping children; the silence between one breath and the next; the silence of meditation; the silence of peace; the silence honoring the dead; the silence just before a newborn declares itself alive; or….The list goes on. He could be talking about all of the above. Or none of the above. There are so many possibilities!

What I know is that he starts off with “The telephone ringing / in the deserted city ––– ” and and that one of the poems is called “Solitary Play: Minnesota, 1961.” I feel like this is where we are at, and I’m here for it.

“You survive this and in some terrible way, which I suppose no one can ever describe, you are compelled, you are corralled, you are bullwhipped into dealing with whatever it is that hurt you. And what is crucial here is that if it hurt you, that is not what’s important. Everybody’s hurt. What is important, what corrals you, what bullwhips you, what drives you, torments you, is that you must find some way of using this to connect you with everyone else alive. This is all you have to do it with. You must understand that your pain is trivial except insofar as you can use it to connect with other people’s pain; and insofar as you can do that with your pain, you can be released from it, and then hopefully it works the other way around too; insofar as I can tell you what it is to suffer, perhaps I can help you to suffer less.”

– James Baldwin speaking at Community Church in NYC on Nov. 29, 1962

Besides an ultimate love for poetry that gets you through hard times (because you realize someone has been through harder – or, as hard of a time), maybe one of the reasons I’m here for it is because part of my practice involves silence. The kind of silence and stillness that can make people uncomfortable, because it is so powerful. But, simultaneously, the kind of silence and stillness that is the epitome of peace. When Patanjali codified the philosophy of yoga in the Yoga Sutras, he wrote, “yogash citta vritti nirodah.” Yoga ceases the fluctuations of the mind.

Silence.

Perhaps, God’s silence.

It’s 2 days late and $2 dollars short, but I offer you a video of Wednesday’s practice (inspired by Franz Wright). It’s nowhere near perfect, but I hope it brings you a moment of peace, a moment of ease. I hope it brings you stillness and yes, silence.

 

###

A Prize-Winning Solution March 18, 2020

Posted by ajoyfulpractice in Books, Buddhism, Changing Perspectives, Depression, Faith, Gratitude, Healing Stories, Hope, Life, Loss, Love, Meditation, Men, Minneapolis, Minnesota, Music, One Hoop, Pain, Poetry, Religion, Suffering, Tragedy, Uncategorized, Vipassana, Yoga.
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“I am in no way different from anyone else, that my predicament, my sense of aloneness or isolation may be precisely what unites me with everyone.”

– Franz Wright

 

It seems very fitting to me, somehow, that what we sometimes think of as one of the hardest days of the week – Hump Day – during this first week of major league social distancing coincides with the anniversary of the birth of a man who wrote about isolation, loneliness, longing, and death intersecting with kindness, love, faith, and hope. If you are not familiar with Franz Wright, born today (3/18) in 1953, then you might be interested to know that he is the son-half of (I believe) the only father and son to win Pulitzer Prizes in the same category and that Chicago Tribune critic Julia Keller once described one of his collections as being “ultimately about joy and grace and the possibility of redemption, about coming out whole on the other side of emotional catastrophe,” while Denis Johnson supposedly compared his poems to “tiny jewels shaped by blunt, ruined fingers – miraculous gifts.” I know, that’s a lot to take in (and you might need to read that Va. Woolf-like sentence again). The thing is; I think we are in the middle of a Franz Wright poem. So, brace yourself.

I first came across Wright’s poem “Solution” in a 2015 blog post written by Alison McGhee, a New York Times bestselling author who writes and teaches up the street from me. In the post (which I strongly recommend), McGhee wrote about an encounter she had with someone best described as her exterior opposite. Yet the interior movements of the heart, all of our hearts, are ultimately the same – something both McGhee’s short post and Wright’s poem illustrate bluntly, beautifully, and miraculously.

Franz Wright’s “Solution” is something we could all use right now.

“What is the meaning of kindness?
Speak and listen to others, from now on,
as if they had recently died.
At the core the seen and unseen worlds are one.”

Wright’s poems are full of natural spirituality and that oftentimes “heartbreaking human conflict between religion and spirit. The final line of the poem reminds me of 2 Corinthians 4:18 where Saint Paul wrote, “So we fix our eyes not on what is seen, but on what is unseen, since what is seen is temporary, but what is unseen is eternal.” NOTE: The New Living Translation translates this passage as “So we don’t look at the troubles we can see now; rather, we fix our gaze on things that cannot be seen. For the things we see now will soon be gone, but the things we cannot see will last forever.”

PRACTICE NOTES:

Start seated or lying on your back. As your move through your practice today, focus on what is unseen. What are you feeling in your heart, in your mind, in your body? How does what you feel move, shift, and change as you inhale – and, especially, as you exhale? Is what distracts you from this present moment seen or unseen, temporary or eternal? At one point in your body (or mind) does everything – including your breath – overlap and become one?

Prior to this week, Wednesdays were one of my busy days, because I would teach three (3) classes in three (3) different locations: a 60-minute YIN Yoga practice, a 60-minute open-level vinyasa practice, and a 60-minute “slow flow” vinyasa practice. My “Franz Wright inspired” sequences would be heart, lung (as Wright died of lung cancer), and core focused, with some emphasis on arm movements and position since arms are an extension of the heart chakra and also contain the heart and lung meridians.

As I am not currently able to post three (3) different practices, the YIN Yoga link above directs you to a Bernie Clark playlist on YouTube. I have posted a 60-minute vinyasa playlist (see here or below) for anyone who wants it and will email a Soma Yoga/Vinyasa practice to people who normally attend the studio classes.

(This is freely given and freely received. I do not own the rights to these songs, but highly encourage you to buy them!)

“Soon, soon, between one instant and the next, you will be well.”

 

– from “Nude with Handgun and Rosary by Franz Wright

 

 

### OM SHANTI SHANTI SHANTIHI OM ###

 

 

We Interrupt Your Regularly Scheduled Life…. March 13, 2020

Posted by ajoyfulpractice in Books, Buddhism, Faith, Fitness, Food, Healing Stories, Health, Hope, Life, Mantra, Minneapolis, Minnesota, Pain, Peace, Science, Suffering, Tragedy, Twin Cities, Wisdom, Yoga.
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“Life is like stepping into a boat that is about to sail out to sea and sink.”

– Shunryu Suzuki Roshi

 

Right now, in this moment, I am prepared to do what I can do, but also accepting that there is a lot I cannot do. However, all of that can change in the next moment – because that’s life; as long as we are alive everything changes.

(Say that first part with me: Right now, in this moment, I am prepared to do what I can do, but also accepting that there is a lot I cannot do.)

Right now, we are all on a sinking boat. There’s a chance we’re close to shore and can touch bottom and there’s also a chance we are way out to sea, but no one knows for sure. Some folks are screaming and jumping into what might be shark infested waters. Some folks are sitting back pretending like nothing is happening. There are folks frantically trying to bail out the water. Still others are putting on their life jackets and preservers and inflating their life boats. Bottom line: The boat is still sinking.

“The transcripts of our conversation also show how Patrick’s choice of phrasing was helpful to me. Rather than telling me what airport I had to aim for, he asked me what airport I wanted. His words let me know that he understood that these hard choices were mine to make, and it wasn’t going to help if he tried to dictate a plan to me.”

– from Highest Duty: My Search for What Really Matters by Chelsey B.”Sully” Sullenberger

Some people, most people, will survive and it is up to each and every one of us to do what we can do to increase the possibility of survival. In accordance with the U.S. Centers for Disease Control (CDC), World Health Organization (WHO), and Yoga Alliance, consider doing the following:

  1. Wash your hands with soap and water for 20 seconds (or use appropriate hand sanitizer for 20 seconds).
  2. Clean mats, props, and gym equipment (as well as desks, phones, and door handles) frequently.
    1. If you’re using a studio/gym mat or other equipment, clean it before and after usage.
    2. If you don’t already own and use one, consider buying your own mat and/or purchasing a skidless yoga “towel” you can place over a studio mat.
    3. Cover props with a towel, bring your own props, or (when appropriate) reduce your props.
  3. Space and stagger your mats if you are coming to a group class. Take a deep breath if a class is cancelled or you are turned away because class size is limited.
  4. Practice good health and wellness habits by getting plenty of sleep, staying physically active, managing your stress, drinking plenty of (hydrating) fluids, and eating heart healthy foods.
  5. If you have been traveling (especially internationally), practice at home and avoid large groups of people for at least a week. (WHO and CDC are recommending 14 day self-isolation for people who have traveled internationally or been in contact with someone who may be ill.)
  6. If you are sick (and/or coming down with or getting over a respiratory illness), practice at home. There are lots of online resources for various types of yoga and other physical activities. (I will add links and post some sequences.)
  7. Monitor daily reports from WHO or the CDC only as much as you are able without increasing your anxiety.
  8. Practice compassion. Acknowledge that there are a lot of people suffering, in a lot of different ways. If you can help someone, without undue risk to yourself, do so.
  9. Avoid touching your face and practice coughing/sneezing etiquette.
  10. Be mindful. Be patient. Be kind. Breathe.

As I post this, my classes at the YMCA, Nokomis Yoga, and Flourish are continuing as scheduled. If, however, you purchased a Flourish package and elect not to attend classes in the next few weeks, you will be given a studio credit. Common Ground Meditation Center has cancelled all programming through March 29th. I will update my calendar as things change.

I will continue to give people the option (at the beginning of class) to opt out of hands-on assists, but the reality is that I am extremely limiting assists for the foreseeable future.

(Let’s say it again: Right now, in this moment, I am prepared to do what I can do, but also accepting that there is a lot I cannot do.)

### OM SHANTI SHANTI SHANTIHI ###

 

PRACTICE, PRACTICE, PRACTICE; SOMETHING’S COMING: 2019 Kiss My Asana Offering #6 April 6, 2019

Posted by ajoyfulpractice in 31-Day Challenge, Abhyasa, Bhakti, Books, Buddhism, Dharma, Donate, Faith, Fitness, Food, Gandhi, Gratitude, Healing Stories, Health, Hope, Karma, Karma Yoga, Life, Loss, Love, Mantra, Maya Angelou, Meditation, Men, Minneapolis, Minnesota, Music, One Hoop, Pain, Peace, Philosophy, Suffering, Tragedy, Uncategorized, Vairagya, Yoga.
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The “practice preview” below is part of my offering for the 2019 Kiss My Asana yogathon. I encourage you to set aside at least 5 minutes a day during April, to practice with today’s theme or concept as inspiration. You can practice in a class or on your own, but since the Kiss My Asana yogathon raises resources as well as awareness, I invite you to join me at a donation-based class on April 27th or May 4th.

I also challenge you to set aside a certain amount every day that you practice with this concept/theme in mind. It doesn’t matter if you set aside one dollar per practice or $25 – set aside that amount each time you practice and donate it by April 30th.

Founded by Matthew Sanford, Mind Body Solutions helps those who have experienced trauma, loss, and disability find new ways to live by integrating both mind and body. They provide classes, workshops, and outreach programs. They also train yoga teachers and offer highly specialized training for health care professionals. By participating in the Kiss My Asana yogathon you join a global movement, but in a personal way. In other words, you practice yoga. Or, as this year’s tag line states….

do yoga. share yoga. help others.

***

“Practice, practice, practice; all is coming.”

– Sri Pattabhi Jois

 

“sa tu dīrgha kala nairantairya satkārā asevito dŗdha bhūmih ” (YS 1.14)

sa                                    that (practice)

tu                                    and, but, definitely

dīrgha kala                  long time

nairantairya                continuously, without interruption

satkārā                         with devotion, sincerity, respect, reverence,positivity

asevito                         cultivated, attended to

dŗdha-bhūmih           with stable , solid foundation, rooted, firmly-grounded

One of the most succinct and brilliant commentaries on Yoga Sutra 1.14 came from Sri Pattabhi Jois, who introduced one of the first vinyasa practices to the West. The Primary, Intermediate, and Advanced forms of the Ashtanga practice are an established set of sequences intended to be practiced consistently and in a way that allows the practitioner to build a practice from the ground up.

Since the beginning of the year, we have been building a practice from the ground up (On Saturdays) using Course I of B. K. S. Iyengar’s Light on Yoga as physical inspiration. During the last part of the summer, I usually spend a few Saturdays breaking down and exploring the Ashtanga Primary Series. Anyone familiar with the two forms will notice, as I hope people will this summer, that what Iyengar refers to as “Important Poses in Course I” looks a lot like the Primary Series. This is no coincidence. Even though they were coming to the practice from different perspectives – Iyengar was a sickly child when he started; Jois was a robust teenager – they practiced with the same teacher and at the same time. Given that biographical context, it makes sense that certain poses consistently practiced result in a mastery of those poses.

However, in the Yoga Sutras, Patanjali barely mentions the physical practice of yoga. Additionally, he doesn’t just suggest consistent practice. He explicitly states that results come from practicing consistently, without interruption, and with devotion /respect/reverence for the practice. But, if he’s not talking about (or not only talking about) being able to do challenging poses on the mat, what is coming?

 

“[The world] is a wonderful place only when we have a positive mind. For someone with a confused, negative mind, the world is chaotic and ugly….

What is more important than understanding the dynamics of this powerful mind and keeping it healthy, organized, and sharp? What is more urgent than protecting it from inner unrest and stupor? What should take precedence over preventing our mind from being consumed by fear, anger, jealousy, greed, and endless cravings?”

– from The Secret of the Yoga Sutra: Samadhi Pada by Pandit Rajmani Tugunait, PhD

 

In the mid-1880s, the British East India Company (and then the British government) enacted a series of salt taxes, which made it illegal to produce or possess salt without paying a tax. By 1930, that tax represented 8.2% of the British Raj tax revenue – and it meant that even if you lived in a coastal town like Dandi, you had to pay the tax, or suffer the consequences. Mohandas Karamchanda Gandhi decided salt would be the focus of one of a direct action, non-violent mass protest. When questioned about using salt as the focal point of his satyagraha, Gandhi said, “Next to air and water, salt is perhaps the greatest necessity of life. It is the only condiment of the poor. Through this injustice, the British exploit the starving millions, the sick, the maimed, and the utterly helpless. The salt tax constitutes the most inhuman poll tax that the ingenuity of man can devise.”

From Wednesday, March 12th until Saturday, April 5th, 1930, Gandhi walked over 240 miles so that he could reach the sea shore in Dandi in order to break an unjust law. He woke up in Dandi, on Sunday, April 6th, prayed and illegal made salt at 6:30 AM. The satyagraha against the salt tax would continue for almost a year. It would, ultimately, be one of the inspirations for Civil Rights Movement in the United States and would be one of the first times that women were actively involved in a protest in India.

Over 60,000 Indians (including Gandhi) would be jailed before it was all said and done. But, when Gandhi began the march he was only accompanied by 79 men devoted to truth (satya).

“Truth (satya) implies love, and firmness (agraha) engenders and therefore serves as a synonym for force. I thus began to call the Indian Movement satyagraha, that is to say, the Force which is born of Truth and Love or non-violence, and gave up the use of the phrase “passive resistance” in connection with it, so much so that even in English writing we often avoided it and used instead the word “satyagraha.”

Even though thousands would join them, the 80 men who started the march with Gandhi (and many who would join in along the way) were people who practiced a dedication to ahimsa (non-violence/non-harming) and satya (truth). Since Gandhi once said, “God is Truth” and another time said “Truth is God,” there was also a commitment to recognizing a day-to-day awareness of a higher purpose, meaning in life, and supreme consciousness. This is one way to look at bramacharya. Finally, along with the business and logistics of the campaign, people participating in the march had to sleep outside, often wore a single white garment, and were dependent on villagers along the way to provide food and water for them to wash up. This means they practiced aparagraha (non-attachment), saucha (cleanliness), santosha (contentment), and tapas (discipline/austerity). They chanted and sang devotionals to keep their spirits up, which can also be a way of practicing isvarapranidhana (releasing one’s efforts back to the source).  All told, the satyagrahis actively practiced all five (5) of the yamas (external restraints/universal commandments) and four (4) of the five (5) niyamas (internal observations) which make up the ethical component of the philosophy of yoga.

One could argue that, since people had to consider their feelings on the subject and make the decision to join the movement, they were also practicing svadyaya (self-study), which is the niyama I did not include above. Either way, the practice of Gandhi and the first 79 men set the tone for the movement. They were steeped in a way of life and a way of thinking that enabled them to respond rather than to react and to work towards change without being attached to the results. More than anything, the legacy of the salt satyagraha was, according to Jawaharalal Nehru (who would go on to become India’s first Prime Minister) how it changed the mindset of the Indian populace.

“But the real importance, to my mind, lay in the effect they had on our own people, and especially the village masses…Non-cooperation dragged them out of the mire and gave them self-respect and self-reliance…They acted courageously and did not submit so easily to unjust oppression; their outlook widened and they began to think a little in terms of India as a whole.”

– Jawaharal Nehru

 

Fast forward to the United States in the 1960’s and you, again, see the agency given to the people through a faith-driven, grassroots movement. Fast forward to today and we see lots of grassroots efforts and lots of agency being given to the people. But, very little of it is firmly-grounded in a practice.

 

“How you do yoga is how you do life.” – my first yoga teachers

I sometimes parrot my first yoga teachers because I see the value of what they taught – forward and back; because, how we do life is also how we do yoga. If we show up without reverence and discipline we become careless and we may hurt ourselves or we hurt others. If we practice from a point of being selfish, we become more selfish. If we are attached to a certain outcome, we may miss opportunities to learn and grow – and we are more likely to give up on the practice (and ourselves) at the first setback or struggle.

On the flip side, if we practice with an understanding of how we are connected to the universe (and all beings in the universe), if we understand that there is a purpose to every inhale and every exhale, and if we are focused, then we see the practice building up. If we are honest with ourselves about where we are physically and mentally, on any given day, we can be mindful and honor our limitations with grace. If always do our best and always let go our efforts, we find that we are also letting go of the struggle. Peace is coming.

 

FEATURED POSE for April 6th: Corpse Pose, (Savasana)

Savasana is, quite possibly, the most important part of a physical practice. Literally “Seat of the Corpse,” it marks the end, or the death, of the practice. It is more than an opportunity to relax, release, and rest. It is also an opportunity to integrate the efforts of the mind-body-spirit and, in doing so, maintain integration of the mind-body-spirit. It is an opportunity to let go of our efforts and let our bodies and minds absorb the work we’ve done. It is an opportunity to trust that – having planted, watered, fertilized, and otherwise nourished our seeds – something bountiful and pleasant will come to fruition. Both the Hebrew Bible and the Christian New Testament indicate that [we] shall reap what [we] sow; however, what is often overlooked is that in this context, “sow” is what we will be given or what we have earned. There is, absolutely, benefit to resting when you need to rest and if the body is so relaxed that you fall asleep well then…your body and mind are telling you that you need more sleep. The thing to keep in mind is that savasana, like all the other poses, is a seat and gives you an opportunity to focus, concentrate, and even mediate on a single point of focus.

To reach the point where you can turn inward and withdraw your senses from the external is a large part of the practice. A large part of that sense withdrawal (pratyahara), which is the fifth limb of yoga, is the ability to keep bring your mind back to your point of focus whenever it drifts away (or, whenever you start drifting off). This is the practice.

Set a timer for 5 – 15 minutes, depending on what else you’ve done as part of this practice.

Lie down on your back with arms by your sides and legs stretch out. If the low back (or anything else) is not comfortable with the legs extended flat on the floor, place something under the thighs so that the back relaxes. Place the arms by the hips, palms up. If this is not comfortable you can, again, place something under the arms or place the hands palm down on your hips. Make whatever micro-movements you need to make in order to be still and find balance on either side of your spine. Close your eyes, if that is comfortable for you, and gaze at something that’s not moving (e.g., your third eye, your heart center, or the tips of your nose).

Allow the back of the head and the shoulders to be heavy. Allow the elbows and the hands to be heavy. Allow the hips and the hills to be heavy.  As the heavy parts sink down and become grounded, let your eyes and your checks soften. Relax your jaw and shoulders. Swallow so that you can relax your throat. Starting with 10, count backwards on the exhales and let every exhale be an opportunity to relax, release, rest. Once you reach 1, let the breath naturally flow in and ebb out. Mentally watch the breath as if you are a guard at a castle gate: watch the breath come in through the nose; know how it feels. Watch the breath come out of the nose; know how it feels.

When your times goes off, take your time move out of the pose and then to make your way to a seated position.

 

Click here if you can’t see the video.

 

 

### Dr. Maya Angelou said, “When you learn, teach. When you get, give.” If you are getting something from this practice/offering, please consider what you can give. ###

 

STILL RISING, STILL SINGING: 2019 Kiss My Asana Offering #4 April 4, 2019

Posted by ajoyfulpractice in 31-Day Challenge, Books, Buddhism, Changing Perspectives, Confessions, Depression, Donate, Faith, Fitness, Gratitude, Healing Stories, Hope, Karma Yoga, Life, Loss, Love, Mantra, Maya Angelou, Minneapolis, Minnesota, Music, Pain, Peace, Philosophy, Poetry, Suffering, Tragedy, Uncategorized, Vipassana, Yoga.
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The “practice preview” below is part of my offering for the 2019 Kiss My Asana yogathon. I encourage you to set aside at least 5 minutes a day during April, to practice with today’s theme or concept as inspiration. You can practice in a class or on your own, but since the Kiss My Asana yogathon raises resources as well as awareness, I invite you to join me at a donation-based class on April 27th or May 4th.

I also challenge you to set aside a certain amount every day that you practice with this concept/theme in mind. It doesn’t matter if you set aside one dollar per practice or $25 – set aside that amount each time you practice and donate it by April 30th.

Founded by Matthew Sanford, Mind Body Solutions helps those who have experienced trauma, loss, and disability find new ways to live by integrating both mind and body. They provide classes, workshops, and outreach programs. They also train yoga teachers and offer highly specialized training for health care professionals. By participating in the Kiss My Asana yogathon you join a global movement, but in a personal way. In other words, you practice yoga. Or, as this year’s tag line states….

do yoga. share yoga. help others.

***

April is not only the standard month for Kiss My Asana, it’s also National Poetry Month. Every year I figure out a way to treat each class that I teach to at least one “April is Poetry Month” practice, full of poems set to music. For my 2018 Kiss My Asana blog offering, I profiled poets, featured poems, and offered a practice inspired by the poet and their poetry. Since I don’t always teach on Thursdays, this year’s offering will include “Throwback Thursday” links and, at least once, a profile and poems that didn’t get posted last year.

As it happens, I am subbing today ( Thursday, April 4th) – which also happens to be the anniversary of the birth one of our greatest poets, Maya Angelou. Dr. Angelou would have turned 91 today.

You may write me down in history
With your bitter, twisted lies,
You may trod me in the very dirt
But still, like dust, I’ll rise.

– from “Still I Rise,” by Maya Angelou

The more I see people suffering, fearing, and living in confusion, the more I am amazed by the heart’s ability to be loving, kind, compassionate, and even playful. I have heard it said, on more than one occasion, that we have a limited capacity for pain – there is only so much anyone of us can handle before we pass out – but an unlimited capacity to experience love and joy. The heart rises up, always.

In Buddhism, there are four (4) Bhramaviharas (Divine Abodes, meaning that they are the “special dwelling places of the Divine”). I call them the heart practices, even though (technically) there are more than 4 “heart practices” in Buddhism. The bramaviharas are the unlimited capacity for loving-kindness or goodwill (metta), an unlimited capacity for compassion (karuna), an unlimited capacity for empathetic joy (mudita), and an unlimited capacity for equanimity (upekkah) – which serves as a checks and balance for the others. While these are attitudes believed to be inherent to the human spirit – something found deep within each heart – these are also attitudes to cultivate. And, you find techniques to cultivate these attitudes in various Buddhist traditions, but also in other major philosophies and religions.

In Tibetan Buddhism, there are Lojong or “mind training” techniques, which consist of approximately 59 aphorisms or slogans that can be used as meditation points. The first states, “First, train in the preliminaries.” There are four (4) preliminaries: maintaining an awareness of the preciousness of life; be aware of the reality that life ends…; recall that whatever you do, whether virtuous or not has a result…; contemplate on how ego driven pursuits result in suffering.”

The other statements are also simple. One such slogan is “In all activities, train with slogans.” Another is, “Begin the sequence of sending and taking with yourself.”

As you move through your practice, take a moment to offer yourself loving-kindness, compassion, joy, and equanimity awareness that all beings suffer and all beings deserve an end to that suffering). As Dr. Angelou said, “Hate, it has caused a lot of problems in the world, but has not solved one yet.” Try a little tenderness.

FEATURED POSE for April 4rd: Camel Pose, hands on floor variation (Ustrasana)

Begin in table top (hands and knees to the mat), in a seated position, or in a standing position with knees bent and hands braced on the thighs. Inhale love, exhale kindness. Move though a few cycles of breath until the mantra (“love” on the inhale and “kindness” on the exhale becomes seamless.) Continuing the mantra, inhale and lift the heart and hips into cow pose. With an exhale, shift into a Halloween cat pose. Move one-breath-one motion, waking up the spine and engage the spirit of metta.

After 5 – 10 full cycles, sit back on the floor or a block with the knees and feet two (2) fists width apart or stand up straight on your feet. Make sure your knees are comfortable. Offer yourself some compassion. Scan your body and as you notice the places where you are holding discomfort and disease, think to yourself, “I see your suffering/I care about your suffering/May you be free of suffering/May the causes and conditions of your suffering end.”

Adjust your body so that it becomes more comfortable. If needed move through a series of sun salutations changing the back bend with each one so that the back bends are progressive (e.g. cow the first time, sphinx the second time, any cobra the third time, extended cobra or Upward Facing Dog the fourth time.) If needed add a twist before the first set or after the last set. Return to the earlier kneeling position with hips between the knees. Notice how you feel physically, mentally, and energetically.

“I’ve learned that people will forget what you said, people will forget what you did, but people will never forget how you made them feel.”

– Maya Angelou

The standard way to start Camel Pose is to stand up on the knees, giving yourself a little cushion (again with the thighs apart about 2 fists width apart) and bracing the hands at the waist or behind the back. If you are practicing this pose while standing on your feet, start with the standard variation. However, if you are kneeling or seated try the variation with knees and feet 2 fists width apart, but sit back (so hips are grounded on the floor, the chair, or a block) and place the hands on the floor, your feet, or a block. For all variations, gaze is right in front of your eyebrows.

If you are standing on your feet, inhale and lift your heart up and out towards your focal point. As you exhale, move your gaze a little higher up or, once you’re gazing at the ceiling, a little further back. The heart keeps rising as you inhale, opening as you exhale – until you reach a physical limit with your hands still at your back or (if it’s accessible to you) you can walk your hands down a wall into an extreme variation of full wheel (Urdhva Dhanuarasana).

If you are seated and leaning back, take an extra round of breath to extend your spine and then begin lifting your hips towards your focal point as you inhale, ensuring your core is engaged as you exhale. Once you’ve lifted the hips almost over the knees you may hold where you are or start lifting the heart on the inhale and moving the gaze on the exhale (as described above). The hands can stay grounded or move to the low back for support if the hips are stacked over the knees.

In all variations, make sure the neck is long. There is a tendency to drop the head back, over extending the neck, in order to go deeper. This actually compromises the integrity of the pose. Make sure, also, that the hips stay in line with the knees. This pose is prenatal-approved and can be practiced with a wall to support the front of the hips and also with a combination of props behind the hips.

After a few rounds of breath, come into any pose where you can relax and release without strain. Close your eyes and breathe. Notice how you feel physically, mentally, and emotionally.

One lojang statement says, “Always maintain only a joyful mind.” When you feel joy in your experience, cultivate that attitude so that you can feel it for others when they experience good fortune.

Round out your practice with a forward fold that matches the intensity of your back bend. For example, if you felt comfortable in the pose and did not feel you were overexerting, you might take Child’s Pose. If you felt like you were working very hard – but still not overexerting – you might take Child’s Pose or a forward fold with your legs stretched out in front (Paschimottanasana) or a standing forward fold (Uttanasana). If your back feels strained even after you release the back bend, come into a supine forward fold: either lay on your back with legs lifted up in the air or practice Legs-Up-the-Wall (or on a chair). Remind yourself that each part of your body, and each part of your mind, deserves to be free from suffering.

The caged bird sings

with a fearful trill

of things unknown

but longed for still

and his tune is heard

on the distant hill

for the caged bird

sings of freedom.

– from “Caged Bird” by Maya Angelou

Allow your body to relax, release, rest – and breathe. As you settle into Savasana or the final pose of your choice, remember all beings everywhere deserve to be free from suffering.

Want more? Here’s the “Throwback Thursday” link to last year’s profile and practice.

### Dr. Angelou said, “When you learn, teach. When you get, give.” If you are getting something from this practice/offering, please consider what you can give. ###

THE TRUTH IS IN THE PRACTICE: 2019 Kiss My Asana Offering #1 April 1, 2019

Posted by ajoyfulpractice in 31-Day Challenge, Baseball, Changing Perspectives, Donate, Faith, Fitness, Gratitude, Healing Stories, Health, Hope, Karma Yoga, Minneapolis, One Hoop, Pain, Philosophy, Suffering, Tragedy, Uncategorized, Yoga.
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The “practice preview” below is part of my offering for the 2019 Kiss My Asana yogathon. I encourage you to set aside at least 5 minutes a day during April, to practice with today’s theme or concept as inspiration. You can practice in a class or on your own, but since the Kiss My Asana yogathon raises resources as well as awareness, I invite you to join me at a donation-based class on April 27th or May 4th(details to follow).

I also challenge you to set aside a certain amount every day that you practice with a poem in mind. It doesn’t matter if you set aside one dollar per practice or $25 – set aside that amount each time you practice and donate it by April 30th.

Founded by Matthew Sanford, Mind Body Solutions helps those who have experienced trauma, loss, and disability find new ways to live by integrating both mind and body. They provide classes, workshops, and outreach programs. They also train yoga teachers and offer highly specialized training for health care professionals. By participating in the Kiss My Asana yogathon you join a global movement, but in a personal way. In other words, you practice yoga. Or, as this year’s tag line states….

do yoga. share yoga. help others.

***

The 8-limbed philosophy of yoga begins not with the physical practice, but with an ethical component consisting of 10 elements. Many people practicing the physical practice today have never heard of the yamas and niyamas – and yet they come to the mat with a set of core values (even commandments and precepts which are very similar – sometimes even identical – in content).

The yamas (external restraints or universal commandments) are ahimsa (non-violence), satya (truth), asteya (non-stealing), bramcharya (walking in the awareness of the highest reality or the divine), and aparagraha (non-hording or non-grasping). The niyamas (internal observations) are saucha (cleanliness), santosha (contentment), tapas (heat, discipline, and austerity), svadyaya (self study), and ishvarapranidhana (letting go of one’s efforts back to the source). Since these ethical precepts precede the elements of the physical practice (asana + pranayama = seat or pose + awareness of breath or extension of breath), it makes sense to practice these ethics on the mat. It even makes sense that the more you practice these elements on the mat, the more they start to creep into your life off the mat.

Consider the yamas and their connection to the physical practice from the view of not practicing ethically. When we engage a pose that might cause us harm, specifically because we engage it without considering the truth of our physical, mental, and emotional state, we are not actually practicing yoga. When we are watching what someone else is doing, instead of focusing all of our energy on what we are meant to do, we are coveting their practice and possibly their mind-body. When we step onto the mat without self awareness and/or with the attention of attracting attention, we’re not actually practicing yoga. In fact, when our egos and aspirations are working harder than our awareness, we’re not actually practicing yoga – unless, we bringing our awareness to that imbalance in order to create balance.

Now, just for a moment, consider the last time you practiced “yoga” off the mat – and the last time you didn’t. How did you feel in each situation? Which sensations/feelings were the most lasting? Which remembered experiences bring you a sense of peace, balance, maybe even joy? Almost anytime we accomplish something, there is a sense of power. However, sometimes the power is tainted and sometimes it’s more fleeting than other times. In the Yoga Sutras, Patanjali directs us towards an experience that is pure, powerful, and lasting.

In its April 1, 1985 issue, Sports Illustrated published a profile of Hayden Siddhartha “Sidd” Finch, a rookie baseball player in training with the New York Mets. According to the article, Sidd could accurately pitch a fastball at 168 miles per hour (270 km/h) – compared to the record at that time of 103 mph (166 km/h) and today’s record of 105.1 mph (169.1 km/h) held by New York Yankees pitcher Aroldis “the Cuban Missle” Chapman. Above and beyond his extraordinary pitching ability (not to mention his French horn playing abilities), one of the things that made Sidd noteworthy and newsworthy, according to the article, was that he had learned “yogic mastery of mind-body” – and this, Sidd claimed, was the source of his pitching prowess.

Just for a moment, step onto your mat as No. 21 Sidd Finch would step onto the mound, one shoe on and one shoe off. How do you find balance within the imbalance? How do you stay true to your core values, even as you strive to go deeper? At what point in the practice do you realize: It’s not about what you could be doing; the practice is all about what you are doing.

KEY POSE for April 1st: One-Legged Mountain Pose (Eka Pada Tadasana).

Come to Samisthiti/Tadasana (Equal Standing/Mountain Pose), either standing on your feet or sitting in a chair. Bring awareness to how you balance your weight, left to right, on whatever is supporting you – feet, legs, knees, etc. Play around with shifting your weight forward and back, left and right. Rock, sway, shift, explore, play. Then find stillness within all the motion: press down into all four corners of your seat. (If you are standing or sitting with feet flat, big toes and little toes spread as wide as they are able and press down; then press into all four corners of both feet). Find engagement in the thighs so that they are firm. Sits bones drop down (and back if you are seated) so that pelvic bones tilt up. Engage the pelvic floor (perineum muscles squeeze together like you’re trying not to go to the bathroom); belly button lifts up and back (or, you can think of it as zipping a zipper up from your bottom up to your belly button). Spine is long, breath is deep. Changing as little as possible, step or shift your weight to the left as you inhale. Exhale as you left the right knee and toes up toward the chest (ankle is flexed as much as you’re able). Hold the knee and toes up, as high as possible, for at least three (3) breaths. Set the right foot down and repeat the balance on the opposite side. Play around with lifting the knee on the inhale; keeping the arms by your sides or lifting them up in the air or spreading them out like wings; and moving one-breath-one motion.

Explore what happens if you squeeze the knee with both hands or hold the big toe of the lifted leg and extend the lifted leg forward or out to the side. Explore what happens if you tip your body towards the standing leg. If you have warmed-up with sun salutations or some other activity, consider what happens if you extend your lifted leg straight back and orient yourself so that lifted-leg side is in Mountain Pose on the wall behind you. Consider what happens if you throw an imaginary pitch, or add a twist.

Add a little music as you like.

Come back to Samisthiti/Tadasana (Equal Standing/Mountain Pose) and consider what your mind-body need in order to ease into a final pose, where you can breathe and be still for 2 – 5 minutes. Do whatever poses allow you to get comfortable, and then get comfortable.

 

* As far as I know, everything I’ve stated above is true. *

### do yoga. share yoga. help others. ###

 

 

SINGING BOUT MY STUFF – 2018 Kiss My Asana Offering #21 April 27, 2018

Posted by ajoyfulpractice in 31-Day Challenge, Art, Bhakti, Books, Buddhism, California, Changing Perspectives, Confessions, Dharma, Donate, Faith, Gratitude, Healing Stories, Hope, Karma Yoga, Langston Hughes, Life, Lorraine Hansberry, Loss, Love, Men, Minneapolis, Minnesota, Movies, Music, Mysticism, Ntozake Shange, One Hoop, Pain, Philosophy, Poetry, Religion, Suffering, Surya Namaskar, Texas, Tragedy, Twin Cities, Volunteer, Wisdom, Women, Writing, Yoga.
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Please join me tomorrow (Saturday, April 28th) for a donation-based class at Flourish! Click this link for details.

“somebody/anybody
sing a black girl’s song
bring her out
to know herself
to know you
but sing her rhythms
carin/struggle/hard times”

The Lady in Brown with all the other Ladies from for colored girls who have considered suicide/when the rainbow is enuf by Ntozake Shange

“somebody almost walked off wid alla my stuff
not my poems or a dance i gave up in the street
but somebody almost walked off wid alla my stuff
like a kleptomaniac workin hard & forgettin while stealin
this is mine!
this aint yr stuff
now why don’t you put me back
& let me hang out in my own
Self”

The Lady in Green from for colored girls who have considered suicide/when the rainbow is enuf by Ntozake Shange

I said it before, and I’ll say it again: The danger in not telling your story isn’t only that it might not be told, it’s also that someone else might tell your story. Someone else might, to quote the choreopoem, run off with all of your stuff. And, if someone else tells your story, they may (at best) leave out your rhythm, your tone, and what is most important to you. At worse, however, someone else telling your story can objectify you or turn you into a caricature, a living breathing stereotype come to life on the page – or on the stage.

Up until recently, certain individuals had a hard time telling their own stories in a way that they could be heard, seen, and validated. They didn’t have the money, the prestige, or the influence. I say this knowing full well that certain marginalized groups (people of color, women – of almost any color, GLBTQI, people who practice certain faiths, people who have been abused by people with power, the physically disabled, and the mentally disabled…just to name a few) still have a harder time getting their stories told, heard, seen, and validated than people who identify in a way that is not marginalized. Slowly but surely, that is changing. Still, as hard as it is, it would be harder were it not for people like Lorraine Hansberry and Ntozake Shange and works like Hansberry’s A Raisin in the Sun and Shange’s choreopoem for colored girls who have considered suicide/when the rainbow is enuf.

“Write if you will: but write about the world as it is and as you think it ought to be and must be—if there is to be a world. Write about all the things that men have written about since the beginning of writing and talking—but write to a point. Work hard at it, care about it. Write about our people: tell their story. You have something glorious to draw on begging for attention. Don’t pass it up. Don’t pass it up. Use it. Good luck to you. The Nation needs your gifts.”

– from a speech to Readers Digest/United Negro Fund creative writing contest winners (May 1, 1964) by Lorraine Hansberry

Lorraine Hansberry’s A Raisin in the Sun was inspired by real life events. It was also the first play written by a Black woman (and directed by a Black person) to appear on Broadway (1959). At some point during high school, I read excerpts from Lorraine Hansberry’s play What Use Are Flowers? and her autobiography To Be Young, Gifted and Black: Lorraine Hansberry in Her Own Words. Reading her words, I thought, “I could be that. I could write, I could act, and I could represent the world…as I see it.” I can only imagine where I would be if that idea – of being on stage while putting my work on stage – hadn’t been cemented in my mind. But, there it was, an inspiration not unlike the Langston Hughes poem that inspired the title of Hansberry’s most famous play. And, like a raisin in the sun, my dream kinda got deferred.

I auditioned for The Sunshine Boys during my first semester of college. The directors kept asking me to read with different people who were auditioning, which I took as a good sign. Unbeknownst to me, they weren’t considering me for a role on stage. Instead, the directors asked if I would be their assistant. I said yes and then found myself in the role of their stage manager… and their producer and their publicist. Fast forward 7 years and I was working as a professional stage manager for the writer/director who’s most famous play was the second Broadway play written by a Black woman: Ntozake Shange.

“hey man
where are you goin wid alla my stuff?!
this is a woman’s trip & i need my stuff”

– The Lady in Green from for colored girls who have considered suicide/when the rainbow is enuf by Ntozake Shange

 

In 1974, Shange and four other women started performing the choreopoems that would become for colored girls…. Seventeen years after Hansberry’s Broadway premiere, Shange’s work found its way to the Great White Way. (I say, [It] found its way,” but in truth, Ntozake is (to this day) a force of creative nature and moving across the country was the least of the things she did to shepherd her work.) Twenty years after she wrote and first started to perform the poems, Shange was in Houston directing a revival.

Ntozake Shange was not the first arts and entertainment legend with whom I worked – and she would not be the last – but holy cow did she leave an indelible impression. I worked with her twice and both times I was struck by her unwavering commitment to her own vision. While it is not unusual for a director to be strong, fierce, and artistically determined, she was one of the first woman (not to mention one of the first women of color) with whom I worked who was unapologetic about who she was and what she wanted. Also notable, she saw the world and, therefore, presented the world in a very different way from the mainstream. She was (and is) defiantly herself, singing her songs, dancing to her own rhythms, and – in doing so – giving us permission to do the same.

Everybody has a rhythm, a cadence, a pace of life and one big part of the physical practice of yoga is to find your rhythm and to move to it. Your breath sets your pace, but even within the pace there is room to (physically) harmonize. Find your pace, find you rhythm, and let the movement tell your story.

for colored girls who have considered suicide/when the rainbow is enuf by Ntozake Shange

(Practice Time ~40 – 45 minutes)

Standing on your hands and knees, bring your big toes to touch and spread your knee as wide as feels comfortable. Play with the position of the knees and then sink the hips to the heels and lower the forehead and nose to the mat. This is Child’s Pose (Balasana). Notice the sensation of being supported – how the body rests between or on the legs, how the breath deepens. Make sure your knees are comfortable. You can always place a cushion under the knees, under the hips, or under the chest. Make sure your shoulders and elbows are comfortable. Bring awareness to your hands and feet. Now, reach the hands and feet further away from each other (without changing the overall position of the body).

Start to engage your locks (bandhas) on the exhale: spread the toes and press the feet down (in this case tops of the feet down) for the Foot Lock (Pada Bandha); squeeze the perineum muscles together, lifting the pelvic floor for the Root Lock (Mula Bandha) – which engages your lower abdominal cavity; belly button up and back for abdominal core lock (Uddiyana Bandha) – which engages your upper abdominal cavity; draw the chin towards the throat and chest, lengthening the neck, for the Throat Lock (Jalandhara Bandha). Notice your awareness of your body when the locks (bandhas) are engaged versus when they are released.

Once you’ve engaged your mind-body-spirit, move into Table Top: stack shoulders over elbows, elbows over wrists, hips over knees. Press down to lift up – as if you are going to spring off the mat, activating the arms, the legs, and the lower three (3) locks. Notice the length of the spine, and how you support it. Notice the air shifting around you. As you inhale, lift your heart and hips up for Cow Pose and, on an exhale, round your spine like a Halloween Cat. “Un-Cow” is another option – especially if you work hunched over a computer all day or have a lot of curve in your upper back. For the “Un-Cat,” inhale to Cow (as described above) and then sink the hips to the heels (keeping the feet apart). Move through the sequence precisely matching the movement to the breath. Move from your core so that the gaze is the last thing to come up and the last thing to turn down.

Once your mind, body, and spirit are synchronized, curl your toes under and lift your hips up in the air as you exhale. This is Downward Facing Dog (Adho Mukha Svanasana). Check your engagement of the pose. Make sure all your fingers are spread wide, with the majority of the weight/pressure in your hands moving into the thumb and first finger. (So that, there is less weight/pressure applied to your outer wrists.) When you relax your head and shoulders, make sure your big toes are parallel to each other and at least a foot apart. Big toes can be behind the thumbs or behind the middle fingers. Hips are high, heels are low (reaching, but not necessarily touching the mat); and neck is long. With the arms straight (but not hyper-extended) rotate the elbows towards the nose. Even if you have to bend your knees, find Cow Pose in this position (so that you have a straight line from your middle fingers all the way up to your hips and then a second straight line from your hips to the back of your knees). Eyes are on your nose, your belly button, or the space between your toes. Engage your locks (bandhas) as you are able. Engage the air between your arms, between your legs, and in the space beneath your body. Notice your joints and how the angle of your body changes the sensations of your joints.

Notice the feeling of your entire back body (including legs and feet). Push through your hands and feet to stretch the full body in this position. Spread your legs a little wider (finding similar alignment as described above) and notice how the energy changes. Again, adjust the legs bring them closer and notice where you feel the pressure of the body. Notice, also, where and how you are working the hardest to keep the spine aligned. Separating the legs wider again, adjust the alignment of the spine. Notice where and how the body works in order to maintain length in the spine. Bring the big toes back behind the thumbs or the middle fingers. Align the spine with new awareness.

NOTE: you can skip the arm balancing, by sitting down with legs stretched out in front of you for Staff Pose (Dandasana). In Staff Pose, position the arms over the head as if you are in Downward Facing Dog. Other options include “Dolphin Dog” (forearms on the mat, with elbows right under the shoulders, and hands clasped.) or you can do the pose on the wall. Either way, strongly engage your legs and your core. Notice the feeling of your entire back body (including legs and feet).

Stretch back (meaning, push your spine towards your thighs) and on an exhale walk your hands to your feet or bring your hands and feet together. Once hands are in line with the toes and heels are flat to the mat, inhale to a Half Lift/Flat Back or Extended Forward Bend. (This pose may be called Ardha Uttanasana or Urdhva Uttanasana.) Place your hands on your thighs and use the hands on the thighs to press the shoulders into the metaphorical back pockets. Remember, you want to engage in a similar fashion to Cow Pose, Staff Pose, and Downward Facing Dog. In fact, inhale and find a little bit of Cow Pose (even if you have to bend your knees). Now, press the heels down and – as much as you are able without losing the extension of the spine – engage the quadriceps to extend through the knees and press the thigh bones into the wall behind you. Engage your locks (bandhas) as you are able. Again, notice the sensations in your entire back body (including legs and feet).

If you have unregulated blood pressure, low back issues, eye issues like glaucoma, or if this is already challenging, remember to stay here with knees bent. Otherwise, if it is not contraindicated, bend the knees and flex from the hips to prep Forward Bend (Uttanasana). Keeping the upper back extended, place the hands on the floor or a block and begin to extend through the legs while pressing the thigh bones into the backs of your legs. Do not force the extension. Use the exhales to settle the heart on the thighs (as much as you are able without losing the extension of the spine.) If your legs are completely straight, make sure the knee caps are lifted and that you are not hyper-extending the knees. Also double check to ensure that if the knees are straight the hips are over the knees, not behind the ankles. Remember to engage your locks (bandhas). Notice the length of the spine. Again, notice the sensations in your entire back body (including legs and feet). If you have lost some of the sensation/information in the back of the legs, return to the Half Lift/Flat Back. Let something roll off your back – and appreciate the process of releasing what no longer serves you.

Inhale to Half Lift / Flat Back and use the exhale to engage your core. With hands on the hips, maintain the length of the spine and press up to standing. Relax your arms by your sides. Balance the weight between all four corners of both feet. Feel free to move side-to-side or back and forth on the feet until you feel you are centered. Spread the toes, press big toes and little toes down, as well as both sides of the heels. (This establishes “all four corners of both feet.”) Engage the quadriceps in order to lift the knee caps and firm up the thighs. Sit bones point down so that the pelvic bones lift up. Engage your locks (bandhas). As you press down in order to lift the sternum up, use the core abdominal muscles to draw the lower rib cage down. Relax the shoulders and gaze straight ahead. This is Equal Standing / Mountain Pose (Samasthiti/Tadasana).

Change as little as possible when you stretch the arms out like the letter T. Once your arms are wide, root down through your feet and extend out of the center of your chest. Make sure shoulders, lower rib cage, and sits bones are reaching down. Notice the air above and below your arms. Embrace yourself on an exhale, inhale stretch the arms wide and then embrace yourself again (alternating the arms with each exhale).

Now, turn the palms up and inhale your arms overhead. (Many traditions refer to this as Arms Reaching Overhead (Urdhva Hastasana), but I tend to call this Tadasana). Make sure the lower rib cage drops down as the sternum lifts up and notice how that helps you engage your core. After several breaths, lower the arms to your sides on an exhale.

While maintaining the previously established alignment and awareness of breath, use the whole inhale to lift the arms overhead and the whole exhale to press the hands together through heart center. On the exhale of the third centering breath, walk to the front of the mat with hands through heart center.

Equal Standing is like a soldier in the “Ready” position. Appreciate the fact that you are prepared for the next sequence. Moving through half of a Sun Salutation (Surya Namaskar), inhale arms over head into Arms Reaching Overhead; exhale and stretch the arms out wide as you dive between the hands into a Forward Bend; inhale to a Half Lift / Flat Back; exhale back to Forward Bend. Keeping the knees bent and the core engaged, inhale to reverse swan dive and then exhale hands back to your sides. Repeat the sequence until you feel your movement and breath are seamlessly fluid.

After the final exhale into Forward Bend, inhale into a Half Lift/ Flat Back and then step your left leg way back into a Low Lunge. Now is the time to really appreciate this moment and this pose. Make sure the feet are in two separate lanes. Inhale and extend the spine as if you are in Cow Pose of Half Lift / Flat Back. Press the right hip towards the left heel, so that the hips and sacrum are as neutral as possible. As you inhale, isometrically engage the adductors by squeezing the thighs towards each other for external stability and then engage the locks (bandhas) for internal stability. Appreciate the effect of the effort: Allow the weight to come out of the hands. Make sure your back thigh is firmly engaged and lifting away from the floor (unless, you are modifying for stability). Appreciate that you are building strength and preparing your lower body for what’s to come.

Inhale to lengthen the spine and then exhale the back knee to the mat. Give yourself cushion under the back knee, as needed. Pressing down evenly into both feet, lift your torso up and place hands on your right thigh for a variation of Crescent Lunge (Anjaneyasana). This pose is sometimes referred to as “Anointed Warrior,” indicating the warrior is blessed, prepared, and ready. Consider how it feels to be chosen.

Use an exhale to slide the hips over the back knee and then place the back of the right hand on your sacrum (the flat part of your bum/hips) and place your left hand on the front of your pelvic bones. Your hands are now bracketing your hips. Slide the back hand down in order to direct the sit bones down. You may feel the front hand lifting as the pelvic bones lift. Notice the length of your spine, especially your low back. You may also feel engagement in your left hip and thigh. Stay here or bend the front knee deeper into the lunge – remembering to maintain the space in your low back. Hands can come to your front thigh or reach the hands over head. Again, engage your locks (bandhas). Focus on the stability of the feet, legs, and hips. Focus, also, on the extension of the front of the back hip and thigh. This is the beginning of a backbend

When you are ready to move on, place the hands on the mat and step back to Child’s Pose. From Child’s Pose, you may inhale to Cow Pose or, first time through, slide your body forward so that the legs stretch out behind you. Press the tops of the feet down, push the hands into the floor beneath your shoulders and inhale into Cobra Pose (Bhujangasana). Elbows should be bent behind the back like grasshopper legs (unless you are working on a baby cobra.) Thighs are strongly engaged and pushing into the floor. Hips stay on the ground. Keep the shoulders down the back and either isometrically engage the arms – by pushing the hands down and engaging the arms as if you’re going to pull your body forward – or let your hands hover (breathing into the space between your hands and the mat). Notice how your support your heart with your feet. After a few breaths, consider extending your Cobra by pressing the hands and feet down and lifting the body up until the arms straighten. Once the arms are straight, become aware of the isometric engagement of resisting the mat. Shoulders and hips are still pressing down. Notice the difference between how the front of your lift hip and thigh feel versus the right hip and thigh.

On an exhale, curl your toes under and press back to Downward Facing Dog. Repeat the sequence of standing poses (starting with the first Forward Bend after Downward Facing Dog, substituting left for right). After the Child’s Pose, you may inhale to Cow Pose, Cobra Pose, or, second time through, glide your body up and forward so that the legs stretch out behind you with the arms straight and the hips lifted away from the mat. Press the tops of the feet down, push the hands into the floor beneath your shoulders and inhale into Upward Facing Dog (Urdhva Mukha Svanasana). Thighs are strongly engaged and lifting up towards the ceiling. Kneecaps lift up towards the hips – again, so that the thighs are firm. Again, compare the feeling at the front of the hips and thighs. Again, notice how the engagement of the feet supports your heart. Notice the isometric engagement of your hands and arms.

After the second side of standing poses and backbends, move into Downward Facing Dog. While in Downward Facing Dog, point the right toes behind you so that the tops of the toes are on the mat. Lift the leg just enough to flex the ankle so that the toes point down instead of backwards. Now, balancing the weight with both arms and the left leg) making sure you do not dump on the left side) start to mindfully lift the right heel up – as if you are drawing a line up the space behind you. Keep the outer thighs rotated in towards the space beneath the body so that the right knee and toes point down. Pause when you notice the right hip rotating the knee and the toes out to the right; then adjust to find that internal rotation and make sure weight is still balanced in all 3 standing limbs. (Note: If the left elbow starts to bend or the right hand wants to lift up, you are probably dumping the weight on the left.) Continue to lift the heel, pausing as needed, until you can no longer balance the weight and/or control the alignment of the hip. Once you reach your edge, push the hands and left foot into the earth to create more space. Then push through the hips and both heels so that you create more space between the right hip and heel and more space between the left hip and heel. After a few breaths in Three-Legged Dog, consider exhaling into Tinkling Dog by bending the right knee and externally rotating the right hip. Still, keep the weight balanced. Play, explore, investigate how gravity pulls on the lifted leg and then extend the knee and rotate the hip down to return to Three-Legged Dog.

If you move into Staff Pose, the leg lifts up in front of you and your awareness is focused on keeping the hips grounded and the back straight. Cues for lifting the leg in “Dolphin Dog” or when on the wall are basically the same as in the original cues above.

Exhale and step the right foot in between your hands for Low Lunge. If the foot needs help reaching the space between the hands, lower the back knee so that you can use your hand to scoop the leg forward. (NOTE: Never go back with the hands, as this will cause you to crawl off the mat as you move through the practice.) Take a deep breath in to extend the spine and then use the exhale to heel-toe the right foot towards the right. At the same time you are creating space for the hips, lower the back heel down to the mat (even if that means you have to step the back foot up). Remember, the hips will go where the toes point them; so, place your feet in the position that allows the hips to be parallel to the short/front edge of your mat. One your feet are flat on the floor, inhale your arms and heart up for Warrior I (Virabhadrasana I). Let your hands melt down if you are manually adjusting your hips. As you inhale, isometrically squeeze the thighs towards each other. As you exhale, use the front foot and leg to push the front hip back. Use the back foot and leg to push the back hip forward. Press down to inhale arms and heart up. Make sure the sits bones are pointed down. You can even repeat the earlier hip adjustment from Crescent Lunge/Anointed Warrior. Engage your locks (bandhas). Notice how it feels to be a Warrior chosen and ready to answer the call to action.

After several breaths, exhale hands to the mat and adjust the feet so that the right foot is more centered and the left foot is parallel to the short edge of the mat. You may need to heel-toe the left foot further away (front to back) from the right foot, but once your right heel lines up perpendicular to your left arch, inhale blossom or cartwheel your arms and heart up for Warrior II (Virabhdrasana II). Arms will end up in the letter “T” position, with the hips and heart open to the long edge of the mat. Bend the right knee as close to 90 degrees as you are able to get it, but keep the weight balanced between both feet, both legs, and both hips. You may feel a tendency to put all the weight and effort into the front foot and leg; but find the place where you feel balance. Make sure your sits bones are pointed down between the ankles. Engage your locks (bandhas). Notice how this Warrior balances the perspectives of the past (the left arm and leg), the present (the heart), and the future (the right arm and leg).

After a few breaths, step back to Downward Facing Dog or step forward into a Forward Fold. From Downward Facing Dog, firmly push your hands and feet into the ground, glide your body forward until the shoulders are over the wrists and the arms are perpendicular to the ground. Lengthen your neck so that your cervical spine continues the line of the rest of your spine and your head is lifted, eyes forward. This is the beginning of Plank Pose. You can always bring your knees down for extra support, but keep the thighs firm. If you are skipping the arm balances, repeat Half Lift / Flat Back or Extended Forward Bend with arms reaching forward and wrists flexed so that palms face away from the body. This can also be done seated in Staff Pose.

Lengthen the spine so that it is parallel to the mat and you have similar engagement to Half Lift/Flat Back or Extended Forward Bend. Spread your fingers and toes, push into your thumb and first finger. Resist the earth and use that resistance to push the shoulders into your metaphorical back pockets. Rotate your elbows towards your belly button and broaden across the collar bones. Find Equal Standing/Mountain pose in this position. Resist the urge to lift your hips away from the mat or let them flop down. Engage your locks (bandhas). After several breaths, exhale to Child’s Pose, inhale to the backbend of your choice, and exhale to Downward Facing Dog and repeat the sequence on the left side, starting with the Three-Legged Dog.

After the second set of Warriors I+II and Dog poses, inhale to Plank Pose or Cow Pose, lower all the way to the floor on the exhale, and then rollover. Take a full body stretch; reach through your fingers and toes. On an exhale bend your knees so that your feet are flat on the floor. Consider the story of being fully supported. As you exhale, hug your right knee into your chest. Move the right ankle and/or knee as needed. Find stillness and then inhale to extend the right leg up towards the ceiling, with the ankle flexed so that the toes point down. Give the right leg support, first by pressing the left foot down and then by interlacing the hands behind the thigh or shin. Focus on pressing the heels away from each other as you inhale (right heel up, left heel down). This is the beginning of Supine Big Toe Pose I (Supta Padangustansana I). Consider how each foot and each leg has a different perspective as you stretch (don’t pull) the right leg towards the crown of the head. If you can maintain the extension of the right leg – without bending the right knee or losing the engagement of the left heel – feel free to extend the left leg out on the ground.

After about a minute, bind the right leg with the right hand. If you can grab the big toe with the peace fingers without bending the knee, feel free to do so. Otherwise, if you need to bend the knee, use some kind of strap (on the heel) so that the right arm and leg are as extended as possible. Left hand moves to the left hip/thigh or stretches out like a “T” to serve as a stabilizer. Making sure the left hip (and heel) stay connected to the ground, exhale and lower the extended right leg over to the right. Again, only go as far as you’re able to go without the left hip lifting up and without the left knee and toes collapsing to the left or to the right. Once you find you your edge, use the inhales to press the right hip and heel away from each other; use the exhales to flex the ankles and stabilize through the left hip and heel. This is the Supine Big Toe Pose II (Supta Padangustasana II).

After about a minute, use your core to lift the right leg back up to center and then let it float down to the floor. Place the left leg next to the right and notice how each side of the body feels. As you inhale, take a full body stretch and repeat the Supine Big Toe Poses I & II sequences on the left side.

After the second side of Supine Big Toe Poses I & II, rollover to your belly. Point the toes behind you and, with hands by your hips, reach the fingertips in the same direction as the toes. As you inhale, lift your gaze, lift your heart, and lift your arms. As you exhale, lift your legs. This is a variation of Locust Pose (Salabhasana). If there is pain or discomfort in the low back, bring the feet back to the ground and actively press them down to support the heart lifting up. Consider stretching the arms out wide.

After several breaths in Locust, exhale to release the pose. Inhale to Table Top and then exhale to Downward Facing Dog. Use an inhale to lift your gaze and hips (by standing on your tip toes if you are in Downward Facing Dog). Exhale to bend your knees deeply and quietly step or “float” your feet to the outside of your hands. Turn your toes out to a 45 degree angle so that toes are down and out and heels are down and in for a squat. Knees bend deeply so that you are in a Yogi Pray Squat (hips close to the ground – or even on a block) or you can stay up high for Horse/Goddess Pose. Notice that the upper body and lower body have similar construction. Spread your fingers and press the hands together. Do the same with the toes. Push the hands together and the feet down to create more space between the elbows and the wrists, as well as with the hips and the knees. Elbows and knees are pressed back. Drop the sits bones down toward the Earth, and simultaneously lift the pubic bone and heart. This could be the beginning of several other poses: Empty your mind of those poses and focus on the current inhale and the current exhale.

Staff Pose (Dandasana). As gracefully as possible, sit down sitting down with legs stretched out in front of you. This pose is not disposable. Consider the length of your spine and how you use your locks (bandhas) to maintain it. Eyes are on your nose.

Keep the left leg extended and bend the right knee in order to set up the Sage Twist. Remember to keep the left heel and the right foot flat on the floor. You can place the right foot next to the inside or the outside of the left leg, as long as the knees are comfortable and the right foot is flat on the floor.

On an inhale, lift your right arm up and, as you watch it, reach the right arm back to the floor behind your hips. As you settle into the twist, adjust your left arm to provide additional support wherever you need it. You can always sit on a block and/or place a block under your hand if you’re hips and low back are really tight. If you don’t have a block, substitute a book.

Watch how you engage your base, your core, and your breath in order to lengthen your spine. Remember to start the twist in your base (not in your neck). Do not allow your body to collapse or untwist until you complete 3 – 5 complete breaths. Notice how the air moves within you and all around you. Pay particular attention to how you isometrically engage the feet and legs, pressing down and squeezing into your center.

After the third or fifth exhale, inhale to center, give the lifted knee a squeeze, and return to Staff Pose. Repeat the Sage Twist instructions for the Sage Twist (replacing right with left).

After the third or fifth exhale on the left, inhale to center and give the lifted knee a squeeze. Bend both knees, placing the feet flat on the floor. (NOTE: If you’d rather not balance on your sits bones, lie down on your back and follow the cues.) Reach the arms forward with elbows next to the knees. Press down as if you are going to jump forward – and notice that gravity keeps you grounded, but allows more engagement. Spread your toes, squeeze your perineum muscles together, belly button is up and back, press your shoulders down, and draw the chin towards the neck. Look up and press down to lift the ribs up on the inhale. As you exhale, lean back until the feet are off the ground and you are balancing on your tail bone. Bring legs up parallel to the ground. Check in with your locks (bandhas) – maybe even lifting the corners of your mouth up towards your ears for a smiling bandha. Begin to extend the legs by engaging the quadriceps and pushing through the heels. Keep your nose up and your eyes on your nose. This is Boat Pose (Navasana). Find your edge, making sure your core works harder than your jaw or your arms, and offer yourself some compassion by bending your knees as needed.

Now, lower down onto your back (with gratitude) for Corpse Pose (Savasana). Find a place where your body and mind can be still. Breathe into the space between your soles, your heart, and your soul. Follow the breath into your heart and follow the breath out of your heart. Feel what is in your heart.

At the end of the choreopoem for colored girls who have considered suicide/when the rainbow is enuf, the women repeat the words, “I found god in myself / & I loved her/I loved her fiercely.” Regardless of the production, this powerful moment brings all the women – and all the colors of the rainbow – together. When I worked on that anniversary production in 1994, I was (as I think everyone is) on a path to/with God, but I hadn’t started on the yoga path. And, even though I had heard of yoga, I had no idea it was an eight-limb philosophy culminating in Samadhi, which is sometimes translated as “perfect meditation” and sometimes as “union with Divine.” So, I never considered why the rainbow might be enuf. Nor did I previously wonder if each woman’s personality is reflected in the color of her costume as well as in her poems.

Even if you’ve never practiced yoga, you may still have heard or seen the colors of the rainbow associated with seven points along the center of the body. In yoga and Ayurveda (yoga’s sister science), the energy of the body flows through energy channels or rivers (nadis) which overlap to create energy wheels (chakras). There are more than seven chakras in the body, but the three primary nadis overlap at seven points and these are associated with the colors of the rainbow, starting with red. The lower chakras are associated with tangible or physical elements of being, while the last three (sometimes four) are associated with the metaphysical.

The term metaphysics was first applied to the work of Aristotle in reference to topics sequentially appearing beyond discussions on the physical or “natural” world. It has come to mean anything beyond the physical or beyond our understanding of the physical. Even if you are only interested in hatha yoga (the physical practice regardless of style or tradition) stepping on the mat is a first step towards transcending the physical. It doesn’t matter if we practicing standing on our feet or sitting in a wheel chair, at some point the practice takes us beyond what is easily explained. At some point we may even stop trying to explain and just be, just breath…and feel what we feel – even when we’ve been told/taught that there’s nothing to feel.

The opportunity to feel something, anything, is why I keep asking you to Kiss My Asana! If you Kiss My Asana this weekend, your donation will be doubled thanks to the generosity of the Calmenson Family Foundation.

This opportunity to explore a poem is part of my offering for the 2018 Kiss My Asana yogathon. It is freely given. I encourage you to set aside at least 5 minutes a day during April, to practice with the poem as inspiration. You can practice in a class or on your own, but since the Kiss My Asana yogathon raises resources as well as awareness, I invite you to join me at the donation-based class on April 28th.

I also challenge you to set aside a certain amount every day that you practice with a poem in mind. It doesn’t matter if you set aside one dollar per practice or $25 – set aside that amount each time you practice and donate it by April 30th.

Founded by Matthew Sanford, Mind Body Solutions helps those who have experienced trauma, loss, and disability find new ways to live by integrating both mind and body. They provide classes, workshops, and outreach programs. They also train yoga teachers and offer highly specialized training for health care professionals. By participating in the Kiss My Asana yogathon you join a global movement, but in a personal way. In other words, you practice yoga. Or, as this year’s tag line states….

### do yoga. share yoga. help others. ###