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What Are You Doing (or Not Doing)? March 31, 2020

Posted by ajoyfulpractice in Abhyasa, Books, Changing Perspectives, Confessions, Dharma, Faith, Fitness, Gratitude, Healing Stories, Life, Meditation, One Hoop, Peace, Philosophy, Vairagya, Wisdom, Yoga.
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“In the beginner’s mind there are many possibilities, in the expert’s mind there are few.”

– from Zen Mind, Beginner’s Mind by Shunryū Suzuki

At some point, we are all beginners, doing something for the first time… or the 51st time. That’s why, on a good day, I love beginners – and I’m always a fan of the wonder that comes with beginner’s mind. Ironically (to some), I am not a fan of beginner’s classes when it comes to yoga. Unless, of course, you consider every class a beginner class, and remember that there’s a reason it’s called a practice. That said, I believe beginners should respect the fact that if someone says a class or a pose is advanced then it is not something you do on your first day…or your 51st day. But, just because a particular class or pose is not intended for someone, doesn’t mean that person can’t practice yoga.

During a practice Bryan Kest said that if there are 60 million people on the planet doing yoga then there are at least 60 million different ways to do a pose. That’s the reason there are different styles and traditions.

“Every age.
Every race & ethnicity.
Every class & socioeconomic status.
Every gender identity & sexual orientation.
Every size, shape, height, weight & dis/ability.

Every body is a yoga body.”

– statement from the Yoga and Body Image Coalition

One of my favorite t-shirts (“This is what a yogi looks like”) came from the Yoga and Body Image Coalition, which “is committed to dismantling stereotypes about who practices yoga, who should practice yoga, + what a “yoga body” looks like.” Bottom line: the coalition was established to create awareness so that (a) yoga teachers like me do not have to constantly deal with people walking in the studio and playing some version of the “Oh, you’re the teacher?” game; (b) people can practice yoga anywhere without judgment (or expensive yoga pants that let other people see your expensive underwear); and (c) so that more people recognize that they too can practice – and even teach – yoga.

Historically, yoga was primarily a practice taught for and by men. That’s not to say that women didn’t practice, secretly and quietly, but in the public sphere it was a practice taught for and by men…brown-skinned men, who (early on) often engaged in an ascetic lifestyle. Indra Devi started to change that, but the idea that someone who practices yoga is a thin, very flexible, light-skinned woman with “shampoo commercial” hair and a disposable income is very much a modern stereotype. Not only is it a modern stereotype – it’s a Western stereotype – one around which a whole industry has grown. And that underlying concept is one of the things that can make it challenging for new people to get started in the practice; that, plus the idea that you have to be flexible to practice yoga.

I tell people all the time: most people don’t practice yoga because they are flexible; they are flexible because they practice yoga. Focusing on physical flexibility, however, ignores the fact that the physical practice is also a way to cultivate strength and balance (even flexibility) – in the mind as well as in the body. But, sticking with the body for a moment, consider for a moment that while every pose may not be for each and every body, there is a practice for everybody and a way to practice that allows you to experience the benefits of every pose (even if you have to modify).

Late in 1983, Sri Dharma Mittra, a master yoga teacher based in New York City, started a deep dive into his practice and then started photographing himself every morning. Those 72 photos-a-day eventually became an amazingly iconic illustration of 908 yoga asanas. If you look closely, you can tell that the pictures were not taken at the same time, because in some pictures he is a completely different weight than in others. Like a method actor preparing for a major role, Dharma Mittra reportedly gained, lost, or maintained weight in order to practice certain poses. Because, again, each and every pose is not for each and every body. To force yourself into a position for which the body is not prepared to go isn’t yoga, its torture (and detrimental to your well-being). It is also detrimental to ignore what your body is feeling. One of the big problems with our modern practice, however, is that we are not always reminded to trust what we are feeling.

There is a lot of reasons we don’t trust the way we feel, on and off the mat. On the mat, one of the big reasons we don’t trust ourselves is because we are often faced with the idea that there are beginner, intermediate, and advanced poses. It’s all a matter ratings and perceptions. Grab practice manuals from a variety of different styles, however, and you will find huge differences in how a single pose is ranked according to difficulty. If you want to add a layer of awareness to that, compare those ratings to your own perception of the pose.

For example, in the United States, a common way to test or think about flexibility resides in a person’s ability to touch their toes. Uttānāsana (a standing forward bend) and Paschimottānāsana (a seated forward bend) are often featured in a beginners’ class. In Light on Yoga (Iyengar), however, the standing forward fold is considered an 8, the seated version is considered a 6, and the supine version (which I often suggest as a modification for people with certain back issues) is considered a 10. In Jivamukti Yoga, which is a form of vinayasa, the standing variation is considered a 1, while the seated is considered a 2. On the flip side, in Ashtanga, which is a progressive practice and one of the first vinyasa poses introduced to the West, the standing variation appears at the very beginning of the practice (it is part of the warm-up), while the seated variation is considered part of the finishing sequence (ergo, practiced after the body is significantly warmed up). Now compare those ratings to your own perception, and maybe even your own experience.

What’s the difference? How you practice – and part of how you practice is what you do and what you don’t do as you practice.

Today in 1930, the Motion Picture Code, also known as the Hays Code, was adopted by Hollywood. Inspired by a document created by a lay Catholic and Jesuit priest, Hollywood censor Will Hays initially came up with a list of 36 “Don’ts” and “Be Carefuls.” The code was officially enforced from1934 until 1968, when it was replaced by the Motion Picture Association of America rating system that is still in place today. Today’s practice is inspired by this concept of ratings. While today’s playlist (available on Spotify and YouTube) is not full of soundtracks, it is cinematic.

My advice to beginners is my same advice to people who have been away from their practice for a while and/or people who have to come up with a new practice schedule:

  1. Respect yourself and the space. Again, if someone refers to their class as advanced, believe them. (To paraphrase Maya Angelou, if someone tells you what they are about, believe them the first time.)
  2. Find a time and place (when we are able to go out and about again) that is convenient so that you commit to your practice.
  3. Don’t worry about what we call the poses; pretend like you’re playing Simon Says, but…
  4. Listen to your body!!!! If your body says don’t do it, then Simon didn’t say it. Some things will be uncomfortable, but don’t ignore pain. Pain is your body telling you something is not right.
  5. If you can breathe, even with a machine, you can practice yoga.
  6. Ask questions. Question everything. If you can’t do it during the practice, talk to the teacher before or after the practice. There’s no shame in not knowing something you don’t know.
  7. Trust your practice. Even if it’s your first day, take a moment to breathe and remember the words of Saint Teresa of Avila…

“If you want to make progress on the path and ascend to the places you have longed for, the important thing is not to think much but to love much, and so to do whatever best awakens you to love.”

 – from The Interior Castle by Saint Teresa of Avila  

I’m offering two (2) classes on Tuesdays. These are open-level vinyasa practices using vinyasa karma, which means we will move with the breath and progress in intensity as we make our way to a final and/or peak pose. All are welcome!

You can access either of today’s practices live via the ZOOM app, your internet browser, or your telephone.  (For additional details, check the “class schedule” tab.)

The Meeting ID for Tuesdays, 12 Noon – 1:00 PM CST is 610-189-542, https://zoom.us/j/610-189-542  ONE TAP: +13126266799,,610-189-542# US (Chicago).

The Meeting ID for Tuesdays, 7:15 PM – 8:30 PM CST is 216-720-410, https://zoom.us/j/216-720-410 ONE TAP: +13126266799,,216720410# US (Chicago)

Also, Wednesday is the beginning of April, which means Kiss My Asana is coming to you! Keep an eye out for how this year’s yogathon has changed, and how it’s still all about keeping the practice accessible.

### INHALE, EXHALE ###

 

Meditation Monday March 30, 2020

Posted by ajoyfulpractice in Books, Buddhism, Changing Perspectives, Depression, Dharma, Faith, Fitness, Gratitude, Healing Stories, Health, Hope, Karma, Life, Loss, Love, Meditation, Minneapolis, Minnesota, Movies, Music, Mysticism, Pain, Peace, Philosophy, Poetry, Suffering, Texas, Traditional Chinese Medicine, Tragedy, Twin Cities, Wisdom, Writing.
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“Musick has Charms to sooth a savage Breast,
To soften Rocks, or bend a knotted Oak.
I’ve read, that things inanimate have mov’d,
And, as with living Souls, have been inform’d,
By Magick Numbers and persuasive Sound.
What then am I? Am I more senseless grown
Than Trees, or Flint? O force of constant Woe!
‘Tis not in Harmony to calm my Griefs.”

 

– the opening line of The Mourning Bride (Act I, scene i), by William Congreve

Right about now, one of the most misquoted (and misattributed) lines in the history of live theatre*, has several people thinking I am not getting enough sleep (because clearly I didn’t type that quote correctly). But, when Almeria (daughter of the King of Granada) spoke the opening line of The Mourning Bride back in February or March 1697, no one anticipated confusion about the first line – they were anticipating laughter. Playwright and poet William Congreve was known for brilliantly engaging, high-brow, sexual comedy of manners with satirical dialogue (and sometimes mistaken identities).  The idea that inanimate objects could be moved (or animated) by music while a woman in grief would be stuck with her emotions, could be played for laughs – and Congreve even follows the idea up with the suggestion that Almeria is being melodramatic – then, however, there is a turn in events and the audience is made aware that her emotions are very real, very valid, and very hard to endure (because she can’t change the events that led to the emotions).

We’ve all been there. In times like these, we find ourselves there again and again: stricken by very real, very valid, and very hard to endure emotions. We may have the desire to run from those emotions, maybe even to keep busy so that we don’t have to feel much or deal with the emotions. However, escapism only works for so long. And, it can be nearly impossible as people all over the world are social distancing and self quarantining. Rather than making it harder, consider settling in for a moment – just a moment – and breathe. You can do that 90-second thing. Notice how you’re feeling, how the emotion feels in your body. Notice what happens if instead of building a story around it – or running from it – you stay still, breathe, notice what changes and how it changes.

Yoga Sutra 1.2: yogaścittavŗttinirodaha

– “Yoga (or union) ceases the fluctuations of the mind”

I think of Mondays as Meditation Monday, because for several years now, I have led a YIN Yoga practice (which is very meditative in quality) followed by a vinyasa practice at Common Ground Meditation Center. The vinyasa practice is followed by Buddhist Studies and so I am constantly aware that many people in the group are using their physical practice (hatha yoga) as it was classically intended: as preparation for deep seated meditation. The movement in the physical practice not only helps to strengthen and relax the body, it also helps to strengthen and relax the mind, thereby enabling the mind to do one of the things it is made to do: focus-concentrate-meditate.

Patanjali begins the Yoga Sutras with the Chapter (or Foundation) on Concentration, in which he outlines several different concentration/mediation techniques. These include (but are not limited to):

  • focusing on the breath {YS 1.35};
  • focusing on the sensations being experienced by the body-mind (smell, taste, form, touch, and sound) {YS 1.35};
  • focusing on any sense of lightness or joy one may be experiencing {YS 1.36};
  • focusing on whatever “well-considered object” brings peace and ease {YS 1.39}

All of these techniques are intended to cultivate transparency in the mind, as well as clarity and ease in the body.

The second chapter of the Yoga Sutras in some ways acknowledges that not everyone can just drop down into a seated meditation for hours on end. Many people – most people even – need a little preparation. So, Patanjali then focuses on preparation (this is the practice). Along the way, he explains that when there is no clarity, peace, joy, and kindness in the mind-body we create more suffering, for ourselves and others – in this lifetime, and the next.

Yoga Sutra 2.13:  sati mūle tadvipāko jātyāyurbhogāh

– “As long as the root cause exists [ignorance/lack of knowledge, false sense of self,-identity, attachment, aversion, and fear of loss/death]karma must bear fruit, such as birth in a particular species, life span, and life experience. ”

“Yes, thou shalt know, spite of thy past Distress,
And all those Ills which thou so long hast mourn’d;
Heav’n has no Rage, like Love to Hatred turn’d,
Nor Hell a Fury, like a Woman scorn’d.”

 

– Zara (the Moor princess or queen) in The Mourning Bride (Act III, scene ii), by William Congreve

While The Mourning Bride was very popular back in 1697, and even featured some of the things for which William Congreve was famous, it was the playwright’s only dramatic tragedy and has pretty much faded into obscurity…except for those two misquoted (and often misattributed) lines.

The practice for today (Monday, March 30th), is inspired by an altogether different way of soothing the body and the mind – a way that can come with some significant side effects. Today in 1842, Dr. Crawford W Long used sulphuric ether as he removed a tumor from the neck of James M. Venable. This became the first successful surgical procedure using general ether anesthetic.

In honor of this anesthesia anniversary, March 30th became National Doctors Day back in 1933. Today, more than ever, is a great day to thank a doctor for their dedication, perseverance, and contributions to society. As we all are dealing with our emotions over the current pandemic, take a moment to also say thank you to the nurses, technicians, first responders, and personal caretakers, as well as to the administrators, cooks, servers, and  medical custodial staff that are enduring so much right now. Notice how that gratitude feels in your mind-body.

If you are directly encountering any of the people listed above as you go about your day, one very small act of kindness (that has a huge impact) is to take three deep breaths before you engage in conversation.

  1. Inhale love, exhale kindness.
  2. Inhale patience, exhale compassion.
  3. Inhale peace, exhale peace.

You can access tonight’s practice live (5:30 – 6:45 PM CST) via the ZOOM app, your internet browser, or your telephone. The ID for tonight is 111-660-355. (For additional details, check out the calendar.)

Ironically, there’s no playlist for today (because I rarely play music for the Common Ground practice). When, however, March 30th falls on a day other than Monday, I play “music to soothe the savage beast,” by some musicians who celebrate their birthdays on my anesthesia day. As you listen, wish them well too!

Eric Clapton (b.1945) & Tracy Chapman (b. 1964)

 

Celine Dion (b. 1968)

 

Norah Jones (b. 1979)

 

*NOTE: I’m making a definite distinction (above) between live theatre and cinematic theatre, because clearly this is one of the most misquoted lines in the history of film.

 

### OM SHANTI SHANTI SHANTIHI OM ###

Sunday Stillness March 29, 2020

Posted by ajoyfulpractice in Bhakti, Changing Perspectives, Depression, Dharma, Faith, Gratitude, Healing Stories, Hope, Life, Loss, Love, Meditation, Mysticism, Pain, Peace, Poetry, Suffering, Tragedy, Wisdom, Writing, Yoga.
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person kneeling inside building

Photo by Ekrulila on Pexels.com

“Moments of great calm,
Kneeling before an alter
Of wood in a stone church”

– from “Kneeling” by R. S. Thomas, with accompanying music composed by Hilary Tann, featuring Guy Johnston

From the very moment we are born, we are moving towards stillness. Since the practice is a reflection of life (and “how we do yoga is how we do life”), it makes sense that the moment we hit the mat…we are moving towards stillness. Savasana, the seat of the corpse or Dead Man’s Pose, is the peak pose for almost every practice – even when it is not advertised as such – and despite the t-shirts, it is the pose that most often gets skipped (or shorted).

So, what are we missing?

To find out what we’re missing, let’s very intentionally and very deliberately move towards stillness. Join me on the Zoom mat, Sunday at 2:30 PM for a 65-minute practice featuring the poetry of R. S. Thomas (b. 3/29/1913), a man once described as ” a poet of…the unanswered prayer, the bleak trek through darkness….”

Sunday’s playlist is already posted on Spotify and will be available on my YouTube channel. If you’re interested in the inspiration behind the music, check out this Kiss My Asana post from 2019.

### OM SHANTI SHANTI SHANTIHI OM ###

 

FLASHBACK FRIDAY!! March 27, 2020

Posted by ajoyfulpractice in Art, Bhakti, Changing Perspectives, Daoism, Dharma, Donate, Faith, Gratitude, Healing Stories, Hope, Life, Meditation, Minneapolis, Minnesota, Movies, Music, Mysticism, One Hoop, Suffering, Taoism, Texas, Twin Cities, Vairagya, Wisdom, Writing.
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“We gather to weep and to remember; to laugh and to contemplate; to learn and to affirm and to imagine”

– Brett Bailey, Stage Director from South Africa, World Theatre Day Message Author 2014

In As You Like It, William Shakespeare famously wrote, “All the world’s a stage, And all the men and women merely players; They have their exits and their entrances; And one man in his time plays many parts.” Art imitates life, which sometimes imitates art (because art can inform our lives). That overlap between inspiration, those being inspired, and those creating the inspiration is one of the beautiful things about art. It’s what makes art alive.

Today, however, the theatres are dark. The front of house is empty. There are no children, über-fans, or well-heeled patrons waiting in the green room, the wings, or at the stage door. On the big stages, there is only a single “ghost light” in place to make sure no one falls in the pit . . . and yet, social distancing means there is no one in danger of falling in the pit. It’s heartbreaking for so many artists and dedicated audience members, and people like me. For most of my adult life, before I started teaching yoga, my professional life was spent behind the scenes – quite literally keeping track of exits and entrances. I worked on legit theatre, musical theatre, dinner theatre, classical and modern dance, as well as opera and musical revues. I worked in different parts of the world; with artists from all of the world, and Friday night was always a big night.

Even if one company was in rehearsals or in a layoff period on Friday, another theatre was performing. Theatres are usually dark on Monday nights. Not Friday nights. Especially not this particular Friday night, as it happens to be World Theatre Day. Since it was initiated in 1961 by the International Theatre Institute, World Theatre Day has been celebrated on March 27th by performing artists all over the world. Today, many theatres will not celebrate. Others have moved their celebration online.

Each year, an artist is selected from a different host country to write a message about theatre’s enduring role in the world community. This year’s message was written by Shahid Nadeem, Pakistan’s leading playwright and the head of the renowned Ajoka Theatre, who partially focused on the spiritual and transcendental power of theatre.

“Our planet is plunging deeper and deeper into a climatic and climactic catastrophe and one can hear the hoof-beats of the horses of the Four Horsemen of the Apocalypse. We need to replenish our spiritual strength; we need to fight apathy, lethargy, pessimism, greed and disregard for the world we live in, the Planet we live on. Theatre has a role, a noble role, in energizing and mobilizing humanity to lift itself from its descent into the abyss. It can uplift the stage, the performance space, into something sacred.”

– Shahid Nadeem, Playwright from Pakistan, World Theatre Day Message Author 2020

 

It’s weird (and heartbreaking) to think no one in my former role will be asking people to turn off their cellular devices – unless someone jokes about the fact that so many tonight will be watching their “theatre” on their cellular devices. It’s weird (and heartbreaking) to think something I have always taken for granted is suddenly not existing as it did.

And yet, if I learned nothing else from doing live theatre, I definitely learned about the temporal nature of things. Everything changes. That’s one of the beautiful – and also one of the most challenging – things about live theatre. It is always changing. You can have the best, most exhilarating performance of your life, followed by one where everything is just a little off. You can have a horrible final dress rehearsal, followed by a standing ovation on opening night. As a professional – onstage and backstage, as well as front of house – part of the job is to stay in the moment.

Staying in the moment requires being fully present with everyone and everything in the moment. We can look back later and work on fixing what went wrong. We can marvel at the unscripted audience reaction we want to figure out how to cultivate again and again. But, right here and right now it is time to turn up the music, turn down the lights, and breathe. The curtain is going up on this day in our lives, and what happens next can be (will be) simultaneously beautiful and heartbreaking. Like the cherry blossoms (sakura).

Flashback Friday: Today in 1912, First Lady Helen Herron Taft and Viscountess Chinda Iwa, wife of the Japanese ambassador to the United States, each planted a cherry blossom tree on the north bank of the Tidal Basin in West Potomac Park. These trees were part of a larger shipment of cherry blossoms meant to replace the ones initially given as a gift of friendship between the two countries. Normally, at this time of year, thousands of people can be found in D. C. celebrating the brilliance of these trees, just as thousands normally celebrate in parts of Japan and China. Normally….But, today the cherry blossoms are in bloom, while most people are inside, watching the beauty on their screens.

In Japan the fact that blossoms peak at one end of the island at the same time the blossom season is ending on another part of the island is a great illustration of mono no aware (literally “the pathos of things” of “sadness of things”). The fact that we can see this beauty even as we are socially distancing might also be considered the “sadness of things.” However, that very literally translation doesn’t quite work in English because it almost precludes appreciation of the beauty. The Japanese phrase is about simultaneously holding/celebrating/appreciating the beauty and the pain of the change that brings loss. Please check out the following links if you are interested in reading my take on mono no aware as it relates to YIN Yoga (April 5, 2017) or the physical practice of yoga and meditation (April 8, 2019). NOTE: While both posts include a bit of practice, only the 2017 includes a complete (YIN Yoga) practice.

Right now, I am appreciating the beauty of being able to share this practice online. I am also very much aware that this too shall change; however, I endeavor to stay in the moment. With that said, I am currently planning to host 7 online classes as follows:

MONDAY 5:30 – 6:45 PM for Common Ground

TUESDAY 12:00 – 1:00 PM & 7:15 – 8:30 PM (both) for Nokomis Yoga

WEDNESDAY 4:30 – 5:30 PM for Nokomis Yoga & 7:15 – 8:15 PM for Flourish

SATURDAY 12:00 – 1:30 PM (Nokomis)

SUNDAY 2:30 – 3:30 PM (Nokomis)

Everyone is welcome to join any class (although you will need to register in advance for the Flourish class). All online classes will currently be on ZOOM and I will post the meeting IDs on my “class schedule” late Friday afternoon. Each class will have a different ID, but that ID will be the same each week.

If you are new to yoga or new to vinyasa, please send me a message (myra at ajoyfulpractice.com) before joining the group. I apologize to my YIN Yoga folks, but at this time I am not streaming any full YIN practices, I will, however, continue to post or link you to the practice.

Those who are able may purchase or renew a package on my online store. Anyone can also make a donation (in lieu of a package) to Common Ground Meditation Center. (Donations are tax deductible.) If you plan to purchase a Nokomis Package please  note that there is a discounted package for students, seniors, Healthcare Providers, and First Responders.

I want you to practice; so don’t let any financial issues be an obstacle you can’t get over! If you need it, I got you.

 

### AS WE SAY IN BALLET, MERDE ###

 

THROWBACK THURSDAY! March 26, 2020

Posted by ajoyfulpractice in Books, Buddhism, Changing Perspectives, Depression, Dharma, Faith, Fitness, Gratitude, Healing Stories, Hope, Karma Yoga, Life, Loss, Love, Minneapolis, Music, Mysticism, One Hoop, Pain, Passover, Philosophy, Poetry, Religion, Robert Frost, Suffering, Tantra, Tennessee Williams, Texas, Traditional Chinese Medicine, Tragedy, Twin Cities, Wisdom, Writing, Yoga.
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“Lonely . . . When so many are lonely as seem to be lonely, it would be inexcusably selfish to be lonely alone.”

– Don Quixote in the Prologue to Camino Real by Tennessee Williams (b. 3/26/1911)

Just because we are alone – and in some cases lonely – is not a reason to go it alone. Tennessee Williams wrote, “For time is the longest distance between places.” “Throwback Thursday” is a way to look back, but we can’t actually go back in time, we can’t bridge that distance of which Williams speaks. We can, however, bridge the physical distance of social isolation by reaching out (virtually speaking, of course).

Call, text, email, write a letter, make a chalk drawing, or use any of a variety of technological advances to connect to a stranger or a friend. Remember, we are all in this together – and we will succeed or fail based on how we are together, even when we are apart. Remember, in A Streetcar Named Desire, Blanche DuBois says, “I always depended on the kindness of strangers.” Right now, we are all Blanche…but we are also those strangers.

Love/ loving-kindness (chesed in Hebrew) is an aspect of the Divine. In fact, not only is it one of the ten ways (according to Jewish mysticism) that G-d is revealed to the world, it is one of the 7 aspects people contemplate if they are counting the Omer during Passover. Just like in Eastern philosophies, like yoga, Kabbalism associates loving-kindness with the arms (specifically, the right arm). As you go through your practice – or through your day – bring awareness to how you use your right arm. Are you using it to express your heart or withhold your heart?

“(1) If I could speak all the languages of earth and of angels, but didn’t love others, I would only be a noisy gong or a clanging cymbal. (2) If I had the gift of prophecy, and if I understood all of God’s secret plans and possessed all knowledge, and if I had such faith that I could move mountains, but didn’t love others, I would be nothing. (3) If I gave everything I have to the poor and even sacrificed my body, I could boast about it; but if I didn’t love others, I would have gained nothing.”

– 1st Corinthians 13:1 – 3 (the part just before all the “famous parts” people use in weddings, movies, and songs)

Consider, for a moment, that when Saint Paul and Sosthenes wrote their letter to the church in Corinth, before they spoke of what love was, they spoke of what love was not. This is very similar to passages which appear in the Upanishads, ancient Sanskrit texts, where a teacher – and then his spouse – point out that the Divine is not this or that (neti, neti) thing that is so obvious. The Divine is not (just) what is obviously seen, but what is unseen, what is felt. (Yes, yes, but neti,neti: this is not the throwback you’re looking for.)

We can never really know how much it means to someone when we do something nice for them simply out of the kindness of our hearts. They can say thank you a million times – and we may even feel the sincerity of their gratitude – and yet that feeling pales in comparison to the love they felt from the kindness.

“Something we were withholding made us weak
Until we found out that it was ourselves
We were withholding from our land of living,
And forthwith found salvation in surrender.”

– excerpt from the poem “The Gift Outright” by Robert Frost (b. 3/26/1874)

For Throwback Thursday, here’s last year’s post about the birthday authors I typically include in today’s practice.

While I am not teaching today (Thursday), I am going to spend part of today and Friday updating my schedule to reflect streaming classes I will start offering Saturday – Wednesday.

Right now I am planning to offer seven (7) classes on Zoom. These are (mostly) during times when I had studio classes and they will be (mostly) open for anyone to attend. You can purchase or renew a package on my online store or you can make a donation to Common Ground. (Donations are tax deductible and I will receive the bulk of the donation.)

I want you to practice; so don’t let any financial issues be an obstacle you can’t get over! If you need it, I got you. Yoga means union.

 

### BETTER & BETTER ###

Walk with me…a mile, or 54. March 24, 2020

Posted by ajoyfulpractice in Buddhism, Changing Perspectives, Dharma, Dr. Martin Luther King, Jr., Faith, Gandhi, Gratitude, Healing Stories, Hope, One Hoop, Pain, Rabbi Abraham Joshua Heschel, Suffering, Tragedy, Uncategorized, Yoga.
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Thank you to everyone who helped me beta test Zoom on Sunday! More streaming classes are coming and I will post a recording of the class later this week.

In the meantime, remember this: 55 years ago today, Tuesday, March 24th, Civil Rights protesters stepped into Montgomery County (Alabama). The next morning they would stand in front of (but not on) the steps of the Alabama State Capital Building. It had been a long journey…even longer than the 5 days and 54 miles it took them to arrive from Selma, Alabama. And as he stood in front of (but not on) the steps of the capital, Martin Luther King, Jr. spoke of how much longer the journey would be.

For anyone who is interested, here are two (2) posts I wrote (in January 2019 and January 2016)about the experience of some of those marchers, and how it works out on the mat.

 

### NAMASTE ###

It’s Bach’s Day Too! March 21, 2020

Posted by ajoyfulpractice in Abhyasa, Bhakti, Books, Buddhism, Changing Perspectives, Dharma, Faith, Fitness, Gratitude, Healing Stories, Hope, Karma, Life, Meditation, Minneapolis, Minnesota, Music, Mysticism, One Hoop, Pain, Peace, Philosophy, Suffering, Tragedy, Twin Cities, Vairagya, Wisdom.
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“[Music] should have no other end and aim than the glory of God and the re-creation of the soul, where this is not kept in mind, there is no true music, but only an infernal clamour and ranting.”

– Johann Sebastian Bach (b. 1685)

According to the Old Style / Julian calendar, March 21st, is the anniversary of the birth of the composer Johann Sebastian Bach. Born in 1685, Bach’s statement about music also works as a statement for yoga: [Philosophically speaking, yoga] should have no other end and aim than the glory of God and the re-creation of the soul, where this is not kept in mind, there is no true [yoga], but only an infernal clamour and ranting. People who think of yoga only as a form of exercise are often surprised that there’s more. One can only imagine their surprise if the walk into one of my classes – especially on My March 21st, when the playlist starts with Bach and then becomes a soundtrack for other events that correspond to this date in history. Imagine their further surprise when all of that is just the background to a deeper practice.

On Saturdays I typically teach a 90-minute practice at that is primarily attended by a dedicated group who are interested in the yoga philosophy as well as asana and asana philosophy. For the past few years, we start in January and “build a practice from the ground up” physically as well as philosophically. Physically, we start with the beginning of a specific practice or sequence and either explore it for about 30-weeks before continuing to a new practice built on the original or, as we did this year, we start with a basic set of poses and start building around it. Philosophically, in years past, we have explored the 8-limbs of yoga, as well as how the 7 chakras correspond with 7 yoga paths (hatha, tantra, karma, bhakti, mantra, yantra, and jnana). Last year, we started moving through the Yoga Sutras – which worked perfectly as there are 51 sutras in the first chapter.

This year, we started physically moving through the warm-up and asanas that Ram Dass illustrated in Be Here Now, and just recently started using that sequence as a “finishing sequence.” (If you’ve been attending the Saturday practices and/or are familiar with the sequence, that’s your practice today.)

Philosophically, we decided to continue last years work and make our way through the second chapter of the Yoga Sutras. Today, March 21st, is the 12th Saturday of 2020. I am including a bit of background for those who are just now joining this journey and a bit of last week’s commentary since so many had to miss the class. For more on the sutras, you can check out Swami J’s website or purchase the series of books by Pandit Rajmani Tigunait, PhD – both associated with the traditions of the Himalayan Masters.

Yoga Sutra 1.1:  atha yogānuśānam

– “Right here, right now (in this auspicious moment), yoga (or union) instruction begins”

Yoga Sutra 1.2: yogaścittavŗttinirodaha

– “Yoga (or union) ceases the fluctuations of the mind”

The first chapter of the Yoga Sutras is the “Chapter (or, more literally, Foundation) on Concentration” and Patanjali begins by explaining how the mind works; atha, right here, right now. In this present moment each of our minds is processing multi-bazillion bits of information/sensation – which results in a constant fluctuation of the mind (cittavŗtti). This restlessness and agitation of the mind, in turn becomes restlessness and agitation in the body – and this becomes obstacles to the practice (or to our goals). At the same time, he explains that our thoughts fall into two (2) categories: afflicted thoughts (i.e., thoughts which cause pain) and not afflicted thoughts (which may ease pain, or at least not cause pain). Finally, Patanjali explains how to work the mind – using the mind’s own ability to concentration/meditate – in order to rest the mind and, therefore, the body.

This is why, I often say, “What happens in the mind happens in the body. What happens in the body happens in the mind. And both affect the breath.” If you take a deep breath in (right here, right now) and a deeper breath out (right here, right now). You not only bring your awareness to the present moment (right here, right now; every time you consciously inhale and every time you consciously exhale) – you also, affect the body and the mind. In fact, that is one of ten practices Patanjali describes in the first chapter: focus on your breath.

Yoga Sutra 2.11: dhyānaheyāstadvŗttayah

– “Meditation destroys the mental tendencies (associated with affliction/pain)”

The second chapter of the Yoga Sutras is (the “Chapter (or, more literally, Foundation) on Practice. It is basically Patanjali – way back in the 2nd, 3rd, or 4th BCE – recognizing and acknowledging that everyone on the planet can’t just drop into a deep-seated meditative state. So he starts explaining the elements of kriya yoga (“yoga in action”) and how the practice of training the senses, exploring within, and letting go of aversions and attractions attenuates the effect of afflicted/pain-producing thoughts. To do this, however, he first gives us a deeper understanding of how afflicted thoughts produce pain.

“Samskaras – the drivers of our mental tendencies – manifest in the form of memory. We are able to remember something because the subtle impressions related to the object have been store in or mind. Because they are hidden beneath thick layers of the forces of time, the mind is not aware of their existence. But like a seed that lies dormant until spring brings moisture and warmth, samskaras awaken when the conditions inside and outside the mind are conducive.”

– Pandit Rajmani Tigunait’s commentary on sutra 2.11

 

Using seeds as a metaphor or a simile for our thoughts, words, and deeds is a very common teaching tool. In previous weeks, the metaphor I used was a backpack containing a still soft, but sculpted, piece of clay. Let’s say you’ve molded a little figurine (whatever comes to mind) or a tiny cup; but, something causes you to place the molded clay into your backpack. For some reason, the clay stays in your backpack, getting tossed around, even a little mushed, as you go about your days. Every once in awhile you brush your finger across it when you’re looking for something and you think, “What’s that? Oh, yeah….” And whatever emotions you were feeling in relation to making the piece, or having to toss it in your bag before it was finished, flash up.

Later, you might even pull the piece of clay out, notice that it’s smashed and decide to completely smash it and start again or restore it to some close proximity of what you did before. Someone else could feel it or see it or see you remolding it and have a completely different experience, but this is your experience – and now this new layer of experience is attached to the clay, just like the oils from your skin. Even if you “buy a new backpack,” a piece of the clay finds its way inside. (YS 2.10) Unless, of course, you have “trained your senses, explored within, and given up your aversions and attractions – in which case you can discard the clay when you switch backpacks or you can recognize what it was and decide to treat it as a fresh piece of clay ready for a new project. (YS 2.11)

 

Yoga Sutra 2.12: kleśamūlah karmāśayo dŗşţādŗşţjanmavedanīyah

– “The reservoir of our actions is rooted in affliction/pain that is experienced in seen and unseen lives”

For anyone wondering: Nope, I had no idea this week’s sutra was going to keep us firmly grounded in the “seen and unseen.” Previous translations I’ve used for comparative analysis talk about “current life and future life,” “this life and the lives to come,” and “at the time of the action or (another time).” The bottom line, though, is still the same.

All of our experiences, thoughts, words, and deeds have consequences. Some consequences occur “immediately” and we easily see the connection between cause and effect. Other times, there is the distance of time, space, memory, and/or ignorance (or lack of awareness), which causes the connection to be “unseen” by us. Yet, cause and effect is still there, and so it becomes even more important to recognize that, as Pandit Tigunait points out, “Impure karmic impressions cloud our mind with desire, greed, confusion, and anger, and become the drivers of negative, destructive actions. Pure karmic impressions create a positive mental atmosphere, awakening virtues such as love, compassion, kindness, and selflessness, which then become drivers of positive, constructive actions…. Causing intense pain to someone who is fearful, diseased, or stingy engenders a highly, negatively charged karmic reality. Betraying someone who trusts you or harming a high-caliber soul committed to intense austerity also engenders a highly potent negative karmic reality. This potent negative karma ripens quickly.”

We don’t always have control over our circumstances, but we always have control over our actions (thoughts, words, and deed). We don’t, however, make decisions in a vacuum. Part of the practice is recognizing that are current actions are informed by our previous experiences, thoughts, words, and deeds – and what we do in this moment, is going to inform what happens to us (and what we do) in our next moments… even if that moments are years away.

 

### BE KIND TO YOURSELF & TO OTHERS ###

ENDLESS POSSIBILITIES: 2019 Kiss My Asana Offering #17 (on Day 28) April 29, 2019

Posted by ajoyfulpractice in 31-Day Challenge, Books, Buddhism, Changing Perspectives, Dharma, Healing Stories, Karma Yoga, Love, Meditation, Minneapolis, Minnesota, Music, Poetry, Twin Cities, Writing, Yoga.
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The (slightly belated) “practice preview” below is part of my offering for the 2019 Kiss My Asana yogathon. I encourage you to set aside at least 5 minutes a day during April, to practice with today’s theme or concept as inspiration. You can practice in a class or on your own, but since the Kiss My Asana yogathon raises resources as well as awareness, I invite you to join me at a donation-based class on May 4th.

I also challenge you to set aside a certain amount every day that you practice with this concept/theme in mind. It doesn’t matter if you set aside one dollar per practice or $25 – set aside that amount each time you practice and donate it by April 30th.

Founded by Matthew Sanford, Mind Body Solutions helps those who have experienced trauma, loss, and disability find new ways to live by integrating both mind and body. They provide classes, workshops, and outreach programs. They also train yoga teachers and offer highly specialized training for health care professionals. By participating in the Kiss My Asana yogathon you join a global movement, but in a personal way. In other words, you practice yoga. Or, as this year’s tag line states….

do yoga. share yoga. help others.

***

What I’ve seen in my lifetime –

and in the last few days, weeks, years

is that us human beings:

                                                We’re capable of anything.

We are full

                                                   of possibilities.

BIG possibilities…and little possibilities

Great acts of LOVE / great acts of hate

We can CREATE. Or destroy.

It’s all the same energy – I think /

it’s all about how we CHANNEL it.

It’s a choice. &

                                           To choose PEACE requires WISDOM.

– MKR, April 2019

 

April is one of my favorite months – not because of the weather, the coming flowers, or even because of the opportunity to Kiss My Asana. (Although, let’s be real, Kiss My Asana in April does make April rock!) No, I love April because ever since 1996, April is National Poetry Month. Organized by the Academy of American Poets, National Poetry Month is a celebration of poetry…all poetry…every kind of poetry, and every kind of poet. The organizers say, “[I]t has become largest literary celebration in the world with schools, publishers, libraries, booksellers, and poets celebrating poetry’s vital place in our culture.”

If you go to poets.org (see link above), you will find official events, poems, and opportunities to read, write, and share poems. They actually have a list of “30 more ways to celebrate” – which means you could celebrate poetry every day, possibly in more than one way.

Over the years, I’ve celebrated poetry month in different ways. One of my favorite ways to celebrate combines my love of poetry with my love of music and yoga: a poetry-themed yoga class featuring music inspired by poems. Depending on when Easter and Passover fall, I can sometimes offer (at least) one poetry celebration for all of the classes I teach. Sometimes it’s an “April is Poetry Month” class, featuring a playlist of different music and poets. Other times, if a poet’s birthday falls in April, the class only features music related to the birthday poet and/or their poetry. (But, let’s be real, I do birthday poets all year long!)

As we finish out the 6th Annual Kiss My Asana yogathon and another April full of poetry, I’m going to finish up my online offerings with some of my poetry playlists. First up: “April is Poetry Month.” (This is an extend playlist featuring poems set to music and songs that sample poems. Psalm 23 as the music for Savasana.)

FEATURED POSE for April 16th: Cobra Pose (Bhujangasana)

Spend a moment in stillness. You can be in any pose; however, you want to make sure you are comfortable and that your spine is extended and that you feel balanced on the left and right side of your spine. Notice how the vertebrae of the spine stack one on top of the other. Check in with your breath. Begin to extend as you inhale and engage your core and pelvic floor as you exhale. So that your inhale creates space and your exhale supports that created space. Make sure you’re not slumping on the exhale. No matter your position, roll the shoulders down and back – squeezing the shoulder blades together – and notice how that affects the front of your chest. Let your mind settle into your heart, knowing that wisdom is a heart practice.

You can warm-up the spine with Cat/Cow or Cat/Puppy. Moving one-breath-one-movement, the heart lifts on the inhale and the spine rounds (flexes) on the exhale for Cat/Cow. For Cat/Puppy, the heart lifts on the inhale and the spine stays long as you flex at your hips and sink the hips to the heels on the exhale. This warm-up can be done in a seated position, a standing position, or on hands and knees.

To move into Cobra Pose (literally “seat of the snake”), you need to lie down flat on your belly. This is not a prenatal friendly position. If you are pregnant, you could modify Cobra Pose by placing a bolster or blankets underneath the thighs (ensuring that your baby-belly is not compressed). Other options include standing and using the wall as you would use the floor (again, not compressing the baby-belly) or picking a different back bend (like Camel or Cow). Whichever choice you make, you always want to be mindful with back bends so that you do not hyper-extend the belly.

Once you are on your belly (or have arranged props for a prenatal variation), straighten out the legs and point the toes behind you. Place the hands directly under the shoulders – so the elbows bend back and squeeze in like grasshopper legs. Make sure the elbows are behind the back, not squeezing into the ribs. (NOTE: There is a “Baby Cobra” variation in some styles of yoga where the hands are in front of the shoulders. However, that is not the variation I am describing.) From toes to hips, squeeze the legs together as you inhale. Engage your core and pelvic floor as you exhale. Next time you inhale, press the feet, the pubic bone, and the hands down in order to lift the heart and ribs off the mat. Look up, but do not over extend your neck. Make this pose a poem about your foundation and your core – not a poem about the strength of your arms.

Roll the shoulders down and back to push the heart forward. Make sure you are not compressing your low back. Keep breathing. After about 6 breaths, exhale and lower down to your prep position.

Once you have the basic shape and engagement, there are lots of possibilities. You can practice Cobra Pose with your arms hovering off the mat or you could isometrically engage the arms and pull your heart forward by engaging your arms as if you are lying on a skateboard and propelling your body forward. This will be isometric engagement, because the arms engage as if you are moving, but your arms don’t move. Another option is to extend your cobra: Press down and lift up until the arms straighten. Again, shoulders are down and back, hands are under the shoulders even when you extend. Keep the front hip bones on the mat even if you extend your Cobra Pose.

If you want to practice Cobra with some movement, “Bowing Cobra” can be done with the nose and forehead lowering straight down on the exhale (and then inhale to lift back up) or turn your head to one side when you exhale. If you turn your head on the exhale, lift back up to center on the inhale and then turn the opposite cheek to the mat on the exhale. A “Writhing Cobra” is similar to a “Bowing Cobra” except that you start with your head turned so that right cheek is on the mat and as you inhale you look up and lift up on the left, move your head/eyes from left to right during the same inhale so that you lower down on the right side when you exhale. During the exhale, your head/eyes complete the circle so that you end up lifting up on the left when you inhale. After 3 – 5 circles, reverse the circles and writhe in the other direction.

Once you finish practicing Cobra Pose, move into Child’s Pose or Puppy Dog. If you want to stay off of your knees, you can lie on your back with legs stretched out of knees hugging into your chest.  After a few breaths, finish with Corpse Pose (Savasana) or return to your starting pose – sitting, kneeling, standing, or lying on your back or belly. Scan your body and settle into your breath.

 

### NAMASTE: The poem in me honors and appreciates the poem that is also inside you. ###

NEVERTHELESS, SHE SANG: 2019 Kiss My Asana Offering #9 April 9, 2019

Posted by ajoyfulpractice in 31-Day Challenge, Abhyasa, Books, Buddhism, Changing Perspectives, Dharma, Donate, Faith, Food, Gratitude, Healing Stories, Hope, Karma Yoga, Life, Marian Anderson, Meditation, Men, Minneapolis, Minnesota, Music, Pain, Peace, Philosophy, Suffering, Twin Cities, Vairagya, Wisdom, Women, Writing, Yoga.
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The “practice preview” below is part of my offering for the 2019 Kiss My Asana yogathon. I encourage you to set aside at least 5 minutes a day during April, to practice with today’s theme or concept as inspiration. You can practice in a class or on your own, but since the Kiss My Asana yogathon raises resources as well as awareness, I invite you to join me at a donation-based class on April 27th or May 4th.

I also challenge you to set aside a certain amount every day that you practice with this concept/theme in mind. It doesn’t matter if you set aside one dollar per practice or $25 – set aside that amount each time you practice and donate it by April 30th.

Founded by Matthew Sanford, Mind Body Solutions helps those who have experienced trauma, loss, and disability find new ways to live by integrating both mind and body. They provide classes, workshops, and outreach programs. They also train yoga teachers and offer highly specialized training for health care professionals. By participating in the Kiss My Asana yogathon you join a global movement, but in a personal way. In other words, you practice yoga. Or, as this year’s tag line states….

do yoga. share yoga. help others.

***

“Nevertheless, she persisted.”

– Senate Majority Leader Mitch McConnell (2/7/2017)

 

“[I’m] surprised that the words of Coretta Scott King are not suitable for debate in the United States Senate….”

– Senator Elizabeth Warren (2/7/2017)

 

Sometimes triumph comes because someone surrenders; sometimes it comes because someone persisted. If you go back in history you will find examples of both happening on any given day – including this day.

For all intensive purposes, the American Civil War ended today in 1865. Contrary to what some might say or believe, the war effectively ended when Confederate General Robert E Lee surrendered 28,000 rag-tagged and starving troops to Union General Ulysses S. Grant in Appomattox, Virginia. Sure, some resistance continued then (and now), but Lee really didn’t have a choice.

Being out-manned and outgunned was nothing new for the Confederate army. Previously, however, they had food, supplies, reinforcements, and spirit – so they could rally. This time was different. Lee had been forced to abandon the Confederate capital of Richmond and the Union army stood between him and Confederate reinforcements in North Carolina. They were surrounded. They were starving. They were weary. 6,000 troops had been captured at Sailor’s (or Saylers) Creek just a few days before (on April 6th). And, if we’re being honest, the Confederate troops had fought longer, harder, and more strategically than anyone had expected. But, they had also gotten really lucky – and it looked like their luck had run out.

Lee and Grant were the highest ranking officers in their respective armies and they were acquaintances (having both fought during the Mexican War). After arranging a time and a place to meet, Lee showed up in full dress and attire, complete with sash and sword; while Grant showed up in his muddy field uniform. Grant’s actions throughout the exchange (not to mention his overall personality and tendencies) may indicate that he meant no disrespect in the way that he dressed. It’s entirely possible that it never occurred to him to dress up – or that it didn’t occur to him that Lee could dress up. Either way, Grant stated that he remembered everything about Lee from the last time they had met (and been on the same side of a battle). Lee, on the other hand, said he didn’t remember a single thing about Grant. Lee asked for the terms for his surrender and Grant wrote them out: all officers and enlisted men would be pardoned and allowed to return home with their private property (basically their horse, if they had one), officers could keep their side arms, and all troops would receive Union rations. Grant stated, “The war is over. The Rebels are our countrymen again.”

The end of the American Civil War led to the end of legal slavery in the United States, but there was/is still a battle for equality. Throughout the decades, the most obvious battle has been that of civil rights and the most obvious battlefield has been segregation and equal access. One of those battles was won today in 1866 when Congress enacted the Civil Rights Act of 1866 (defining citizenship and rights therein), despite President Andrew Johnson’s double veto. Another of those battles was won today in 1939. This time, because someone persisted.

April 9, 1939 was a Sunday – Easter Sunday to be precise – and over 75,000 people gathered on the mall of the Lincoln Memorial to hear a woman sing. But, this wasn’t just any crowd – it was an integrated crowd in a segregated city. And, Marian Anderson wasn’t just any woman. Even though the legendary Italian conductor Arturo Toscanini said she had “a voice such as one hears once in a hundred years [,]” she also wasn’t just any singer. Marian Anderson was the descendant of slaves: an African-American contralto whose talent would eventually earn her the Presidential Medal of Freedom (1963), the Congressional Gold Medal (1977), the Kennedy Center Honors (1978), the National Medal of Arts (1986), a Grammy Lifetime Achievement Award (1991), and recognition as an international diplomat. Anderson had been scheduled to perform at Constitution Hall in Washington, D. C., but then told, by the Daughters of the American Revolution, that she could not sing in “their” venue because of her race. Additionally, Constitution Hall did not have the segregated public bathrooms that were required by law. The D. C. Board of Education also withheld a venue for the event. Thus, the battle had begun.

Charles Edward Russell, co-founder of the NAACP and the chair of the D.C. Inter-Racial Committee rallied church leaders, activist, and organizations such as the Brotherhood of Sleeping Car Porters, the Washington Industrial Council CIO, American Federation of Labor, and the National Negro Congress to form the Marian Anderson Citizens Committee (MACC). Led by Charles Hamilton Houston (whose legal prowess would later earn him the title “The Man Who Killed Jim Crow”), the MACC picketed the board of education, collected signatures on petitions, and planned mass protests. This grassroots effort led several DAR members, including First Lady Eleanor Roosevelt, to resign from the DAR.

“You had an opportunity to lead in an enlightened way and it seems to me that your organization has failed.”

–excerpt from DAR resignation letter written by First Lady Eleanor Roosevelt

The First Lady went on to enlist her husband, then President Franklin Delano Roosevelt; members of his cabinet; Walter White of the NAACP; and Anderson’s manager, impresario Sol Hurok in order to organize a free, open-air concert. The concert, held today in 1939, attracted more than 75,000 people of various races, ethnicities, ages, genders, sexualities, and political affiliations. Additionally, the concert was broadcast live to millions. (Here’s a picture, just in case you’re one of those people interested in crowd sizes on the D. C. mall.)

 FEATURED POSE for April 9th: Equal Standing / Mountain Pose (Samastithi  / Tadasana)

Equal Standing (Samstithi), also known as Mountain Pose (Tadasana) is one of the foundational poses in the physical practice of yoga. It is the first pose highlighted in B. K. S. Iyengar’s Light on Yoga. And, as I often say, there is an element of Samastithi/Tadasana in every pose. Whether you are seated, standing, kneeling, or lying down, start to notice where elements of this pose reoccur throughout your practice.

Begin by noticing how you carry your weight. Rock all your weight onto your toes and then rock it all onto your heels. Sway side to side. Play with being out of balance and then stand or sit so that weight is balanced on either side of your spine. If you are standing or sitting with your feet flat on a surface, spread the big toes and little toes away from each other and then down into the ground. Press both sides of the heels down. If you are seated with legs crossed, or kneeling, get grounded though your base.

Now that the arches are starting to activate and the ankles are starting to stabilize, bring awareness to the knees. If you are standing upright (or if seated with legs stretched out in front of you), engage the quadriceps in order to lift the kneecaps up. Thighs will be firm. In all variations of Mountain Pose, press your sit bones away from your ribs, and vice versa. Lift your pelvic floor (squeezing your perineum muscles as if you are trying not to go to the bathroom) and draw your belly button up and back.

As you extend your spine, as your heart and sternum lift up, be mindful about your low back. Make sure you are not bending over backwards. While keeping the heart open and lifted, soften the lower ribs and draw them down into the belly – so that the core becomes more engaged.

Relax the shoulders and jaw. Spread your collarbones wide so that palms either turn forward or rest by your sides facing the body. If the hands face the body, make sure the collarbones, shoulders, and chest are still spreading left to right. Keep the chin parallel to your toes.

Note, this is a great stance for singing or speaking to large groups of people.

Breathe here for a couple of minutes, extending the spine as you inhale and making sure you’re all zipped up as you exhale. Repeat this same sequence while lying on your back.

(Click here if you don’t see the sound bar below, featuring Marian Anderson’s 1939 concert on the steps of the Lincoln Memorial.)

{SIDE NOTE: Marian Anderson’s mother was a Rucker; so I’m claiming her as my own. SAD NOTE: Martin Luther King Jr. was buried today in 1968. CURIOUS NOTE: Marian Anderson died at the age of 96. Having performed on this date (4-9-39), I found it curious to note that she died on 4-8-93.}

### NAMASTE ###

 

CH-CH-CHANGES, LIKE A RIVER: 2019 Kiss My Asana Offering #8 April 8, 2019

Posted by ajoyfulpractice in 31-Day Challenge, Abhyasa, Books, Buddhism, Changing Perspectives, Confessions, Daoism, Depression, Dharma, Donate, Faith, Food, Gratitude, Healing Stories, Health, Hope, Karma, Karma Yoga, Life, Loss, Love, Meditation, Men, Minneapolis, Minnesota, Music, Mysticism, One Hoop, Pain, Peace, Philosophy, Religion, Suffering, Uncategorized, Vairagya, Vipassana, Yoga.
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The “practice preview” below is part of my offering for the 2019 Kiss My Asana yogathon. I encourage you to set aside at least 5 minutes a day during April, to practice with today’s theme or concept as inspiration. You can practice in a class or on your own, but since the Kiss My Asana yogathon raises resources as well as awareness, I invite you to join me at a donation-based class on April 27th or May 4th.

I also challenge you to set aside a certain amount every day that you practice with this concept/theme in mind. It doesn’t matter if you set aside one dollar per practice or $25 – set aside that amount each time you practice and donate it by April 30th.

Founded by Matthew Sanford, Mind Body Solutions helps those who have experienced trauma, loss, and disability find new ways to live by integrating both mind and body. They provide classes, workshops, and outreach programs. They also train yoga teachers and offer highly specialized training for health care professionals. By participating in the Kiss My Asana yogathon you join a global movement, but in a personal way. In other words, you practice yoga. Or, as this year’s tag line states….

do yoga. share yoga. help others.

***

πάντα ρε “  (“panta rhei “ everything flows or everything to the stream)

 – Greek philosopher Heraclitus of Ephesos (c. 535 BCE – c.475 BCE)

 

“Earth to earth, ashes to ashes, dust to dust”

 – excerpt from funeral service in The Book of Common Prayer

 

Shift happens…all the time. Or, as the Greek philosopher Heraclitus once put it, “Everything changes and nothing remains still…you cannot step twice into the same stream.” Recognizing the temporal nature of everything, including ourselves and our experiences, can be very helpful.  However, it seems to be human nature to resist change and, in doing so, deny that change is happening – which, as the Buddha pointed out, creates suffering.

(Thus) have I heard that Prince Siddhartha Guatama of India was born into a family of great wealth and great privilege.  As pointed out at the beginning of this series, Siddartha means “one who has accomplished his goal” or “one who has achieved his aim” and – as far as his family was concerned his dharma (or goal) was to one day take over as ruler of his father’s lands. (The title “Buddha,” which means “Awakened One,” would come later in his life.)

Siddhartha knew nothing of pain and nothing of suffering, having been shielded from the existence of sickness and death, until the age of 29. Upon seeing the suffering of others, his life trajectory changed and he renounced the life he knew in order to find a path that would alleviate suffering. At the age of 35, tradition tells us, he articulated The Four Noble Truths:

  1. Suffering exists
  2. Suffering is caused by attachment, clinging, craving
  3. There is an end to suffering
  4. The Noble Eightfold Path is the way to end suffering

In some traditions of Buddhism, understanding and accepting these four noble truths is the key to waking up and there are a number of practices specifically designed to bring awareness to change happening every time you inhale, every time you exhale. In fact, the very act of sitting and watching the breath can illuminate the Four Noble Truths and the temporal nature of our existence.

The history of Japan and Japanese culture is full of change. Depending on where you look you may find an acute juxtaposition between accepting change, keeping a tradition (without change), and actually celebrating change. For example, most of the Buddhist world celebrates the Buddha’s birthday on May 8th or a day determined by a lunar calendar. Many temples in Japan, however, started celebrating on April 8th every year, when the country switched over to the Gregorian calendar in 1873.  During the Flower Festival, which is the birthday celebration, people will pour a sweet tea made from fermented hydrangea leaves over where small statues of the Buddha.

For an example of people celebrating change, look no further than the sakura (cherry blossom) season that is beginning. The Cherry Blossom Festivals that are currently kicking off (or ending, depending on the region) is completely separate from the Flower Festival associated with the Buddha’s birthday.

Sakura usually begin blossoming in the southern part of Japan and, over a matter of weeks, eventually blossom across the whole island. However, by the time the blossoms peak in the North they are already out of season in the South. The delicate flowers literally blow away like dust in the wind. For the heart and mind to hold the beauty of the moment when the flowers peak, with the awareness (and sadness) that the moment is already passing, is known as mono no aware (literally, “the pathos of things”). Mono no aware may be translated as “empathy towards things,” but there’s really no set words in English to express the feeling of wonder (“the ahhness”) inextricably tied to the longing and deep sadness that accompanies loss. This is what is – and yet, without some kind of mindfulness practice it is easy to separate the two sensations or to be so overwhelmed by the twin emotions that we focus on one to the complete exclusion of the other. Focusing on what feels good and appealing, while avoiding what doesn’t feel good results in more suffering. It also creates suffering when our longing for what has passed causes us to miss what is. (Not to mention, it causes us to continuously confront the illusion that we can go back to a moment in time, in the same way we think we can cross the same river twice.)

If you look at the history of sitting in Japan, you will also find lots of change – and sometimes a resistance to change. What is now commonly considered the proper way to sit in Zen Buddhism, as well as in day-to-day life, is seiza (which literally means “proper sitting”). Seiza is kneeling so that the big toes overlap (right over left) and then sitting on the heels. Women are taught to sit with the knees together, while men may be taught to spread the knees a little. In the modern times, this type of sitting is ubiquitous and considered respectful; however, prior to the mid 14th century and up to the late 16th century it was consider proper and respectful to either sit with legs to the side or cross-legged. Cross-legged was, in fact, the preference for many warriors as it was believed that a cross-legged position would not hinder a samurai if they needed to draw their sword.

“The way up and the way down are one and the same. Living and dead, waking and sleeping, young and old, are the same.”

 – Greek philosopher Heraclitus of Ephesos (DK22A1)

 

In the physical practice of yoga, the “proper way to sit” is in way that is stable and comfortable enough for you to focus on your breath. Notice that in Yoga Sutra II.46 (broken down in yesterday’s post) Patanjali uses the words sukham asanam which can be translated as “dwelling in a good space.” The flip side of a good space is dukha “a bad space” – or, more acutely, “a space of suffering.” As you move into this next pose, make sure you are not dwelling in a space of suffering.

 

FEATURED POSE for April 8th: Auspicious or Gracious Pose (Bhadrasana)

Auspicious Pose or Gracious Pose (Bhadrasana) appears in classical texts like Gheranda Samhita (c. 17th century) as a pose similar to seiza. In more modern texts it is depicted as a Bound Angle Pose (Baddha Konasana). Either variation can be in the beginning, middle, and/or the end of a practice. In fact, if you are doing a variety of poses today, you can return to your Auspicious pose the way your return to Downward Facing Dog, or Equal Standing, and notice was changed or shifted.

For the classical variation, be mindful of the knees and hips as you come to your hands and knees and bring the tips of the big toes to touch. Spread the knees as wide as you are able and then sit back on your heels. If there is a lot of pressure on the knees, sit on a block or blanket. You may also need a blanket or towel under the feet for this variation.

For the second variation, bring your feet together, like a prayer, in front of your hips (rather than behind). This variation is easier on the knees and feet. You may still need to sit up on a blanket or block. Especially if the hips are tight, you slump into the low back, and/or the knees are up higher than the hips. In this variation you can also adjust the feet (bring them closer in or further out) to bring more ease to the knees.

You can sit up tall with the hands resting on the thighs. Another option, which is very nice for the shoulders, is to lift your heart up (into the beginning of a backbend) and cross the hands behind the back so that you can grab the toes, the heels, or (if your feet are in front) the opposite hip. Make sure you are not leaning back, but instead are arching your chest up. Be mindful that you are not straining or compressing the low back.

If you have unregulated blood pressure issues, let your breath flow naturally in and ebb naturally out. If you find you are holding your breath or panting, ease out of the pose. If you are in overall good health, and they are in your practice, you can add your bandhas.

Dwell in this good space (sukha asama) until you have to move out of it (because it has become the “bad space” ( dukkha asanam). Be mindful that you ease out of the pose with the same awareness you used to get into it. Find some gentle, micro-movements to release the joints.

 

(Click here if you do not see the video.)

### NAMASTE ###