FTWMI: Introducing… You [and Your Style] (a mini-post with links & excerpts) July 11, 2026

Peace and many blessings to everyone!

For Those Who Missed It: The following was originally posted in 2023. The excerpt, class details, and some links have been updated/added.

“67. This species of composition which the law of effect points out as the perfect one, is the one which high genius tends naturally to produce. As we found that the kinds of sentences which are theoretically best, are those generally employed by superior minds, and by inferior minds when excitement has raised them; so, we shall find that the ideal form for a poem, essay, or fiction, is that which the ideal writer would evolve spontaneously. One in whom the powers of expression fully responded to the state of feeling, would unconsciously use that variety in the mode of presenting his thoughts, which Art demands….”

“68. That a perfectly endowed man must unconsciously write in all styles, we may infer from considering how styles originate. Why is Johnson pompous, Goldsmith simple? Why is one author abrupt, another rhythmical, another concise? Evidently in each case the habitual mode of utterance must depend upon the habitual balance of the nature. The predominant feelings have by use trained the intellect to represent them. But while long, though unconscious, discipline has made it do this efficiently, it remains from lack of practice, incapable of doing the same for the less active feelings; and when these are excited, the usual verbal forms undergo but slight modifications. Let the powers of speech be fully developed, however—let the ability of the intellect to utter the emotions be complete; and this fixity of style will disappear. The perfect writer will express himself as Junius, when in the Junius frame of mind; when he feels as Lamb felt, will use a like familiar speech; and will fall into the ruggedness of Carlyle when in a Carlylean mood. Now he will be rhythmical and now irregular; here his language will be plain and there ornate; sometimes his sentences will be balanced and at other times unsymmetrical; for a while there will be considerable sameness, and then again great variety. His mode of expression naturally responding to his state of feeling, there will flow from his pen a composition changing to the same degree that the aspects of his subject change….”

– quoted from the “iv. The Ideal Writer” in “PART II. CAUSES OF FORCE IN LANGUAGE WHICH DEPEND UPON ECONOMY OF THE MENTAL SENSIBILITIES” of  The Philosophy of Style by Herbert Spencer (pub. 1852)

At least two or three times a year, I mention Charles Darwin’s On the Origin of Species (or, more completely, On the Origin of Species by Means of Natural Selection, or the Preservation of Favoured Races in the Struggle for Life). When I do so, I include a footnote, a reference to The Philosophy of Style by Herbert Spencer, because some people believe that Spencer’s treatise on writing introduced Darwin to the idea of writing about science in a way that would appeal to the masses. There is no denying that the way Charles Darwin wrote On the Origin of Species caused the work to be debated in parlours and scholastic circles, as well as in courtrooms and on lawns.

The way he wrote – the style in which he wrote – that was the overcoat.

“Saepe est etiam sub pallĭolo sordĭdo sapientia.

[English translation: Wisdom often is under a filthy cloak.]”

– Latin proverb (associated with Socrates, Diogenes, and Cicero)

Click on the excerpt title below to learn about Elwyn Brooks White (born today in 1899) and Nilanjana Sudeshna Lahiri (born today in 1967) – and about why you probably know them by different names.

FTWMI: Introducing….You

Please join me today (Saturday, July 11^th) at 12:00 PM for a yoga practice on Zoom. You can use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email me at myra           (at) ajoyfulpractice.com.

Today’s playlist is available on YouTube and Spotify. [Look for “07112020 An Introduction”]

If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can dial 988 (in the US) or call 1-800-273-TALK (8255) for the Suicide and Crisis Lifeline. You can also call this TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.

White Flag is an app, which I have not researched, but which may be helpful if you need peer-to-peer (non-professional) support.

If you are a young person in crisis, feeling suicidal, or need a safe and judgement-free place to talk, you can also click here to contact the TrevorLifeline (which is staffed 24/7 with trained counselors).

In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es).

Donations are tax deductible; class purchases are not necessarily deductible.

Check out the “Class Schedules” calendar for upcoming classes.

You’re Invited to Bend… & To Take The Deepest Breath You’ve Taken — On Retreat!

September 25 — 27, 2026

### WHAT’S UNDERNEATH YOUR OVERCOAT? ###