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Mo Betta Asana November 21, 2020

Posted by ajoyfulpractice in Abhyasa, Changing Perspectives, Healing Stories, Philosophy, Science, Vairagya, Wisdom, Yoga.
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“According to Krishnamacharya, practice and knowledge must always go together. He used to say, practice without right knowledge of theory is blind. This is also because without right knowledge, one can mindfully do a wrong practice.”

– A. G. Mohan

A couple of my early yoga teachers (and my substitute Gaelic teacher) really got me thinking about what we’re “practicing” in any given moment. To break down several different encounters, let me just boil the ideas down to this: If you have anger issues and someone tells you to hit a pillow, you are practicing violence. You may argue that hitting the pillow is better than hitting a wall (which might result in damage to you and/or the wall) and that hitting a pillow or a wall is preferable to hitting a person. But, the bottom line is that you are still channeling your anger towards a violent, potentially harmful act. So, according to this premise, there is really nothing, in any given moment, that prevents you from accidentally or intentionally hitting someone – because you are preparing yourself for the moment.

In some ways, this is the whole idea behind self defense classes. You want to practice and integrate, integrate and practice, until your reaction to a dangerous situation is automatic and almost instinctual. Keep in mind, in self defense classes, you are taught defense: how to escape, evade, and defend yourself. The offense actions you are taught during a self defense class are related to awareness; because, ultimately, you are not practicing how to engage, pick a fight, and beat someone up – you are practicing and integrating how to stay safe: which is also what you’re practicing in yoga.

Yoga Sūtra 2.48: tato dvandvānabhighātāh

– “From that (perfected posture) comes lack of injury (or suffering) caused by the pairs of opposites.”

Vinyāsa is a Sanskrit word that means “to place in a special way.” It is a technique that has also become a style in yoga. But, one of the tricky things about practicing the style is that many people don’t understand the underlying theory or concept that is the technique. They think vinyāsa is what happens when they move from “high to low plank, Up’dog, Downward Facing Dog” – and that, is, in fact, one example of a vinyāsa. The reason why it is an example, however, is two-fold. First, you are linking your movement with your breath. Second, instead of moving randomly, you are moving in a way that mimics your body’s natural reaction to the breath: extending (and rising up) on the inhale, flexing (and getting closer to the earth) on the exhale.

Sometimes, like with the inclined series described above, it’s really easy to see the special way things are placed. In other examples, however, it can get a little trickier. What does “one breath, one motion” really mean? What do you do when you’re standing still, i.e., holding a pose? What do you do when some movements are big and some small? Where is my focus when different parts of my body are doing different things? What if it doesn’t make sense for my body to move like that? Can I take an extra breath?

Let’s start with the last two questions and work backwards. Yes, yes, take an extra breath if you need it, but be mindful of why you need it. Do you need an extra breath because you’re not actually breathing fully and deeply or is it because the move is too big? Bringing awareness to how you are breathing brings your awareness to the important parts of your practice. Once you focus on those important parts, you start mastering those parts. Part of that mastery is knowing when something is not an appropriate move or not an appropriate move for your body.

“Teach what is appropriate for an individual.”

– Sri T. Krishnamacharya

The physical practice of yoga (haţha yoga, regardless of style or tradition) is sometimes described as a practice of the spine and one of the foundations of vinyāsa is the idea that the spine naturally reacts to the breath in a very specific way (see above) unless something gets in the way. So, first and foremost, consider how each transition is reflected in the movement of the spine and hips. Next, consider how the movement is reflected in the movement of your big joints. Once you get an understanding of how the body moves, you bring more awareness to what is appropriate (in general and for you specifically).

Note: there are times, when you may find that a sequence moves around a joint you weren’t expecting. For instance, there are some lunging sequences where the front knee bends on the exhale and extends on the inhale – which brings focus to stretching the back of the front leg. Other times, the same sequence of poses is performed with the front knee bending on the inhale and flexing on the exhale – which brings more awareness to the spine and the hips. Keep in mind, the same parts are being affected, but in a slightly different way – and that way can make all the difference.

When you are matching the movement to the breath, with an awareness of how the body moves, then you start to mindfully and intentionally engage the muscles and the joints so that you are following the pace of the breath. This means that while an inhale from a forward fold to Mountain Pose will take the same amount of time as an inhale from forward fold to a “Half Lift,” you have to change the way you move your body by slowing down or speeding up the movement (while keeping the breath long and fine and deep). Similarly, when you are holding a pose, there is an opportunity notice how you are creating space (with the inhale) and engaging space (with the exhale). Early in your practice you may actually “do” things while holding a pose. Once you’ve mastered a pose, you may find that your awareness is drawn to what happens as you relax into the pose; letting gravity and your breath take you deeper.

Yoga Sūtra 2.46: sthirasukham āsanam

– “Cultivate a steady [or stable], easy [comfortable or joyful] seat [or pose].”

Yoga Sūtra 2.47: prayatnaśaithilyānantasamāpattibhyām

– “[The way to perfect the seat or pose] is by relaxing [or loosening] effort and by merging with the infinite.”

Ashtanga Yoga was one of the first vinyāsa practices introduced to the Western world and it’s where most people get the idea “one breath, one motion.” The Primary, Intermediate, and Advanced sequences feature vigorous continuous movement which can be incredibly therapeutic or incredibly dangerous – depending on how you practice. The sequences were set with an awareness of vinyāsa krama (which is a step-by-step progression towards a goal) and, therefore, even when one practices a “short form” your body is prepared for each subsequent pose until you reach the end. Each sequence is often taught in the West as a whole, but traditionally each sequence was taught piecemeal – meaning a teacher would give a student the beginning and the end of the sequence and only introduce new elements once the original elements were mastered.

Practicing Ashtanga in the traditional way can create an opportunity for great strength and flexibility. However, if enough attention isn’t paid to alignment and an individual’s needs, it becomes a recipe for injury. Additionally, if you study alignment and study the Ashtanga sequences, you start to understand that no matter how vigorous and challenging the sequence gets, the body really isn’t making big moves. This is why Seane Corn advises that if you are going to practice any kind of vinyāsa you should also practice an alignment-based style of yoga, like Iyengar. Combining the awareness of alignment with the awareness of breath also allows you to actually practice āsana, as opposed to just posing.

“Stability and comfort go hand in hand, allowing us to remain relaxed during the peak moments of the posture.”

– commentary on Yoga Sūtra 2.47 from The Practice of the Yoga Sūtra: Sadhana Pada by Pandit Rajmani Tigunait, PhD

Please join me for a 90-minute virtual yoga practice on Zoom today (Saturday, November 21st) at 12:00 PM. You can use the link from the “Class Schedules” calendar if you run into any problems checking into the class. Give yourself extra time to log in if you have not upgraded to Zoom 5.0.

You can request an audio recording of Saturday’s practice via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.

In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)

Today’s playlist is available on YouTube and Spotify. [Look for 07112020 An Introduction”]

“I had come to understand that yoga has never been about the stretch; it’s always been about the reach. And if I could use my reach to bring yoga’s healing powers to people everywhere and my influence to raise awareness and funds for social causes that alleviate suffering and separation, then I was all in.”

– quoted from Revolution of the Soul: Awaken to Love Through Raw Truth, Radical Healing, and Conscious Action by Seane Corn


### INHALE, EXHALE ###

To Have Peace In the World… November 7, 2020

Posted by ajoyfulpractice in Art, Books, Buddhism, Changing Perspectives, Healing Stories, Hope, Life, Music, One Hoop, Pain, Peace, Philosophy, Poetry, Suffering, Tragedy, Wisdom, Writing, Yoga.
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[My apologies for not sorting out today’s technical difficulties in time to post before the class. I believe I’ve worked some of it out so that tomorrow is better.

You can request an audio recording of Saturday’s practice via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.

In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible, class purchases are not necessarily deductible.)

Check out the “Class Schedules” calendar for upcoming classes .]

“History says, Don’t hope
On this side of the grave,
But then, once in a lifetime
The longed-for tidal wave
Of justice can rise up
And hope and history rhyme.”

– The Greek Chorus in The Cure at Troy by Seamus Heaney

Like some of you – and like the Irish poet, playwright, translator, and 1995 Nobel Laureate in Literature Seamus Heaney – I like to know the origins of things. We can call them the beginnings, the foundations, the roots… But, for the sake of today’s practice, let’s call them the seats of words.

As some of you know, I’ve studied bits and pieces of a variety of languages, including a little Irish Gaelic years and years and years ago. However, my teacher Sean was from Galway (nowhere near the province of Ulster) and I can’t honestly say that I ever had anything close to the wealth of knowledge and vocabulary contained inside of his self’s own head (meaning the brain of either Sean or Seamus Heaney). So, I have to give credit to Darach Ó Séaghdha for pointing out that in Ulster Irish (which has more common threads with several Scottish dialects than what I learned), the words “hope” and “trust” can be translated to dóchas “(pronounced duh, hass…),” while the word for “heritage” or ancestral claim (i.e., history) is dúchas “(pronounced doo, hass….).” Even if you only speak one language and can’t tell an Irish accent from an Australian accent (or a Brooklyn accent from a New Orleans accent), you can see how the words of the Greek Chorus in Heaney’s play The Cure At Troy (a translation of Philoctetes by Sophocles) rhyme… in Ulster Irish.

dóchas / dúchas / dúchas / dóchas

But, in English… not so much.

True story, as if they are in a twisted version of the Buddha’s poisoned arrow parable, the Greek Chorus in the play is giving advice to an archer (Philoctetes) who has been bitten by a poisoned snake. Philoctetes must decide if he will use his skill (not to mention his magic bow) to help Odysseus win the Trojan War – or if he’s going to continue suffering, caterwauling, and blaming other people for his state. Just like the person in the Buddha’s story, Philoctetes is firmly established in his pain, suffering, and righteous indignation. Included in his deliberations, however, is the knowledge that he will be healed if he goes to Troy. The message from the Greek Chorus is clear: When you are given the means and opportunity to do something that will make a difference, do it!

“I do not pretend to understand the moral universe. The arc is a long one. My eye reaches but little ways. I cannot calculate the curve and complete the figure by experience of sight. I can divine it by conscience. And from what I see I am sure it bends toward justice.”

– quoted from an 1853 sermon by Theodore Parker

Seamus Heaney’s translation includes allusion to political problems around 1990 and is often quoted by politicians and other leaders faced with troubling times. It’s a reminder that, to paraphrase Dr. Martin Luther King Jr. (who was paraphrasing Theodore Parker), we have to do something to keep the arc of the moral universe bending towards justice.

Similarly, U2’s song “Peace on Earth,” which includes a reference to the Greek Chorus message, is a reminder of what happens when we do nothing – or do the wrong thing. The song is about a bombing that took place August 15, 1998 in Omagh, Northern Ireland (in Ulster province). The bombing injured 220 people and killed 29 (including children – some of whom are mentioned in the song, a couple of Spanish tourists, and a 30-year old woman, Avril Monaghan, who was pregnant with twins). Part of the reason Bono sings, “But hope and history won’t rhyme” is because of what people didn’t do when given the chance. Despite telephone warnings intended to alert officials about the bombing – with the appropriate code words for authentication, cause that’s a thing they did/do in Northern Ireland – no one took immediate action. Even worse, once officials did start evacuating, people were moved toward the assault area rather than away from it.

Yoga Sūtra 2.46: sthirasukham āsanam

– “Cultivate a steady [or stable], easy [comfortable or joyful] seat [or pose].”

If the last few years (not to mention thousands of years of world history) have taught us nothing, it’s that we have to be careful where we stand. This is true politically, socially, religiously, and spiritually; because our support of something (or someone) can create divisiveness or can be healing. Note, in this case I’m not talking about whether the thing (or person) itself creates suffering or healing – that’s a different philosophical conversation. (See one of my posts on āvidya, “ignorance.”) No, what I’m talking about here is that the way we carry ourselves, and the way we move through the world, provides both the means and the opportunity for healing or suffering – or, as Patanjali puts it, fulfillment and freedom.

This is also true physically. On and off the mat, how we sit – or stand or lie down or kneel or walk or talk or think – contributes to whether or not thoughts, words, and deeds create suffering or alleviate suffering. We can do “poses” all day, every day, and for every moment of our lives – but that, in and of itself, does not guarantee that we find peace and freedom from suffering. Getting on the mat regularly does not necessarily mean we are engaged in a healing practice. To access that healing, which the sūtras tells us is already in us, requires effort. To this point, Patanjali’s instruction on the fourth limb of the Yoga Philosophy, āsana, is succinct and points to continuous action. We don’t just plop into a position and find peace and joy, or even some of the healing benefits described in sacred and modern text. No, we have to “cultivate” – which is an ongoing experience.

“We are living in a body imbued with vast potential, and yet our mental faculty is so dull and dense that we are only dimly aware of its internal dynamics.

We have become disconnected from our body’s intrinsic intelligence. This dims our recognition of our inherent beauty, charm, vigor and vitality, and healing power, and eventually blocks their flow completely. As a result, our ability to be happy with what we are and what we have, our ability to embrace all and exclude none, our ability to cultivate and retain a robust and energetic body, and our ability to heal ourselves and each other plummet. This disconnection also disrupts the incessant flow of information among the body’s various systems and organs, and so they begin to function chaotically. This is how we become unhealthy and succumb to disease.”

– commentary on Yoga Sūtra 2.46 from The Practice of the Yoga Sūtra: Sadhana Pada by Pandit Rajmani Tigunait, PhD

The Spanish Infanta Maria Teresa (also known as Marie-Thérèse) was born heir to the Spanish and Portugal throne, Archduchess of Austria, a member of the Spanish branch of the House of Habsburg, and would eventually (by marriage) become Queen of France. Before you get the idea that she lived an easy life in the lap of luxury, I will point out that 5 of her six (known) children died before she did, she endured a lot a suffering during her lifetime, and she died a painful death. She is, however, an example of someone who, once given the means and opportunity to make a difference, had to adapt to changes in order to continue making a difference.

Her marriage to her double first cousin, Louis XIV (also known as “The Sun King” and “Louis the Great”), was stipulated as part of the “Peace of the Pyrenees,” which was signed today, November 7th, in 1659, Isle of Pheasants. The peace treaty ended 24 years of warfare between France and Spain and was part of the 30 Years War, which started as a religious conflict between Catholic and Protestants (similar to the situation in Northern Ireland). Unfortunately, neither the marriage nor the treaty was perfect.

Perhaps it wasn’t much of a hardship for Maria Teresa at first, since the 21-year old royals were supposedly in love. However, about a year into their marriage, Louis was clearly cheating. Yet, the marriage was still considered “necessary” to the treaty. In fact, previously, talks had stalled because Maria Teresa was (at one time) first in line to the Spanish throne. When she renounced her claim to the Spanish throne, and her younger brother was born, she was suppose to receive a settlement – which was never paid, and led to another war.

The treaty fixed a new border between France and Spain at the Pyrenees; but, it also gave most of Catalonia and any “villages” north of the Pyrenees to France. Spain got everything else north of the border and also kept Llívia (because it was considered a “town” not a “village”). In exchange for Spain’s loss of territory, France agreed to stop supporting Portugal and also renounced its claim to the county of Barcelona. The treaty also gave Dunkirk to England, which sold it to France.

Overall, the Treaty of the Pyrenees, combined with the “Peace of Westphalia” provided stability to France and a significant period of peace throughout Europe. That did not mean, however, that there was no “internal” conflict. For example, some of the people directly affected by the treaty, the Catalans, were excluded from the negotiations and lost the autonomy they might have had with Spain. Some of the ensuing culture conflicts continue to this day – and the Catalan language was not recognized as “valid” until 2007.

“A diseased body demands constant attention – we busy ourselves caring for it and have no time or energy to enjoy living in it. But as soon as we restore our connection with our body, our inner balance and harmony return. We become healthier, and we have ample time and energy to discover the purpose of having a human birth.

Restoring the natural connection with our body and reestablishing inner balance and harmony begin with the practice of asana.”

– commentary on Yoga Sūtra 2.46 from The Practice of the Yoga Sūtra: Sadhana Pada by Pandit Rajmani Tigunait, PhD

Saturday’s playlist is available on YouTube and Spotify

Here’s a groovy version of the strangest dream that’s on YouTube, but not Spotify.

### …THERE MOUST’ BE PEACE IN THE SEAT ###