What Are You Doing (or Not Doing)? March 31, 2020
Posted by ajoyfulpractice in Abhyasa, Books, Changing Perspectives, Confessions, Dharma, Faith, Fitness, Gratitude, Healing Stories, Life, Meditation, One Hoop, Peace, Philosophy, Vairagya, Wisdom, Yoga.Tags: asana, Ashtanga, B.K.S. Iyengar, Beginner's Mind, beginners, Bryan Kest, Dharma Mittra, yoga
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“In the beginner’s mind there are many possibilities, in the expert’s mind there are few.”
– from Zen Mind, Beginner’s Mind by Shunryū Suzuki
At some point, we are all beginners, doing something for the first time… or the 51st time. That’s why, on a good day, I love beginners – and I’m always a fan of the wonder that comes with beginner’s mind. Ironically (to some), I am not a fan of beginner’s classes when it comes to yoga. Unless, of course, you consider every class a beginner class, and remember that there’s a reason it’s called a practice. That said, I believe beginners should respect the fact that if someone says a class or a pose is advanced then it is not something you do on your first day…or your 51st day. But, just because a particular class or pose is not intended for someone, doesn’t mean that person can’t practice yoga.
During a practice Bryan Kest said that if there are 60 million people on the planet doing yoga then there are at least 60 million different ways to do a pose. That’s the reason there are different styles and traditions.
“Every age.
Every race & ethnicity.
Every class & socioeconomic status.
Every gender identity & sexual orientation.
Every size, shape, height, weight & dis/ability.Every body is a yoga body.”
– statement from the Yoga and Body Image Coalition
One of my favorite t-shirts (“This is what a yogi looks like”) came from the Yoga and Body Image Coalition, which “is committed to dismantling stereotypes about who practices yoga, who should practice yoga, + what a “yoga body” looks like.” Bottom line: the coalition was established to create awareness so that (a) yoga teachers like me do not have to constantly deal with people walking in the studio and playing some version of the “Oh, you’re the teacher?” game; (b) people can practice yoga anywhere without judgment (or expensive yoga pants that let other people see your expensive underwear); and (c) so that more people recognize that they too can practice – and even teach – yoga.
Historically, yoga was primarily a practice taught for and by men. That’s not to say that women didn’t practice, secretly and quietly, but in the public sphere it was a practice taught for and by men…brown-skinned men, who (early on) often engaged in an ascetic lifestyle. Indra Devi started to change that, but the idea that someone who practices yoga is a thin, very flexible, light-skinned woman with “shampoo commercial” hair and a disposable income is very much a modern stereotype. Not only is it a modern stereotype – it’s a Western stereotype – one around which a whole industry has grown. And that underlying concept is one of the things that can make it challenging for new people to get started in the practice; that, plus the idea that you have to be flexible to practice yoga.
I tell people all the time: most people don’t practice yoga because they are flexible; they are flexible because they practice yoga. Focusing on physical flexibility, however, ignores the fact that the physical practice is also a way to cultivate strength and balance (even flexibility) – in the mind as well as in the body. But, sticking with the body for a moment, consider for a moment that while every pose may not be for each and every body, there is a practice for everybody and a way to practice that allows you to experience the benefits of every pose (even if you have to modify).
Late in 1983, Sri Dharma Mittra, a master yoga teacher based in New York City, started a deep dive into his practice and then started photographing himself every morning. Those 72 photos-a-day eventually became an amazingly iconic illustration of 908 yoga asanas. If you look closely, you can tell that the pictures were not taken at the same time, because in some pictures he is a completely different weight than in others. Like a method actor preparing for a major role, Dharma Mittra reportedly gained, lost, or maintained weight in order to practice certain poses. Because, again, each and every pose is not for each and every body. To force yourself into a position for which the body is not prepared to go isn’t yoga, its torture (and detrimental to your well-being). It is also detrimental to ignore what your body is feeling. One of the big problems with our modern practice, however, is that we are not always reminded to trust what we are feeling.
There is a lot of reasons we don’t trust the way we feel, on and off the mat. On the mat, one of the big reasons we don’t trust ourselves is because we are often faced with the idea that there are beginner, intermediate, and advanced poses. It’s all a matter ratings and perceptions. Grab practice manuals from a variety of different styles, however, and you will find huge differences in how a single pose is ranked according to difficulty. If you want to add a layer of awareness to that, compare those ratings to your own perception of the pose.
For example, in the United States, a common way to test or think about flexibility resides in a person’s ability to touch their toes. Uttānāsana (a standing forward bend) and Paschimottānāsana (a seated forward bend) are often featured in a beginners’ class. In Light on Yoga (Iyengar), however, the standing forward fold is considered an 8, the seated version is considered a 6, and the supine version (which I often suggest as a modification for people with certain back issues) is considered a 10. In Jivamukti Yoga, which is a form of vinayasa, the standing variation is considered a 1, while the seated is considered a 2. On the flip side, in Ashtanga, which is a progressive practice and one of the first vinyasa poses introduced to the West, the standing variation appears at the very beginning of the practice (it is part of the warm-up), while the seated variation is considered part of the finishing sequence (ergo, practiced after the body is significantly warmed up). Now compare those ratings to your own perception, and maybe even your own experience.
What’s the difference? How you practice – and part of how you practice is what you do and what you don’t do as you practice.
Today in 1930, the Motion Picture Code, also known as the Hays Code, was adopted by Hollywood. Inspired by a document created by a lay Catholic and Jesuit priest, Hollywood censor Will Hays initially came up with a list of 36 “Don’ts” and “Be Carefuls.” The code was officially enforced from1934 until 1968, when it was replaced by the Motion Picture Association of America rating system that is still in place today. Today’s practice is inspired by this concept of ratings. While today’s playlist (available on Spotify and YouTube) is not full of soundtracks, it is cinematic.
My advice to beginners is my same advice to people who have been away from their practice for a while and/or people who have to come up with a new practice schedule:
- Respect yourself and the space. Again, if someone refers to their class as advanced, believe them. (To paraphrase Maya Angelou, if someone tells you what they are about, believe them the first time.)
- Find a time and place (when we are able to go out and about again) that is convenient so that you commit to your practice.
- Don’t worry about what we call the poses; pretend like you’re playing Simon Says, but…
- Listen to your body!!!! If your body says don’t do it, then Simon didn’t say it. Some things will be uncomfortable, but don’t ignore pain. Pain is your body telling you something is not right.
- If you can breathe, even with a machine, you can practice yoga.
- Ask questions. Question everything. If you can’t do it during the practice, talk to the teacher before or after the practice. There’s no shame in not knowing something you don’t know.
- Trust your practice. Even if it’s your first day, take a moment to breathe and remember the words of Saint Teresa of Avila…
“If you want to make progress on the path and ascend to the places you have longed for, the important thing is not to think much but to love much, and so to do whatever best awakens you to love.”
– from The Interior Castle by Saint Teresa of Avila
I’m offering two (2) classes on Tuesdays. These are open-level vinyasa practices using vinyasa karma, which means we will move with the breath and progress in intensity as we make our way to a final and/or peak pose. All are welcome!
You can access either of today’s practices live via the ZOOM app, your internet browser, or your telephone. (For additional details, check the “class schedule” tab.)
The Meeting ID for Tuesdays, 12 Noon – 1:00 PM CST is 610-189-542, https://zoom.us/j/610-189-542 ONE TAP: +13126266799,,610-189-542# US (Chicago).
The Meeting ID for Tuesdays, 7:15 PM – 8:30 PM CST is 216-720-410, https://zoom.us/j/216-720-410 ONE TAP: +13126266799,,216720410# US (Chicago)
Also, Wednesday is the beginning of April, which means Kiss My Asana is coming to you! Keep an eye out for how this year’s yogathon has changed, and how it’s still all about keeping the practice accessible.
### INHALE, EXHALE ###
Love much!❤️❤️