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If only it was Taco Tuesday… July 22, 2020

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 “I like it when a man puts thought into the kind of restaurant we’re going to. That doesn’t mean it needs to be fancy – some of the best meals of my life have been having a taco on a street corner.”

– Meghan Markle (now, Duchess of Sussex) quoted in an Esquire Magazine article dated Dec. 15, 2016

 

“I like to take a day off and enjoy fast food for what it is. I have to say that in New York I’m really partial about taco trucks. I mean I really can’t handle it. There is something about catching all those ingredients piled on top of each other it puts me in a tizzy. I love it. I’m kind of a taco truck junkie.”

 

– Alex Guarnaschelli (when asked if she eats fast food, TooFab 03/01/2011)

Imagine the perfect taco. “‘What is “The perfect taco?” Alex.’” What makes it perfect? Is it the outside? I mean, I know people who will throw down over hard shells versus soft. (And, just for the record, there’s no such thing as an “open-faced taco” – that’s a chalupa or a tostado, for goodness sake!)

So, maybe, what makes your perfect taco is what’s on the inside. Hmmm… given that everyone has different tastes, different needs, and desires, it seems that there could be a different taco for every person in the world (and two tacos per person on Tuesdays). The poet Emma Lazarus was born today in 1849, so think about what “all your huddled masses” have been seeking over the years. I once heard Bryan Kest say that there’s at least one version of a pose for every person in the world; he estimated 8 billion ways to do every pose. And, it turns out that practicing yoga is a lot like searching for “the perfect taco.”

“Never underestimate how much assistance, how much satisfaction, how much comfort, how much soul and transcendence there might be in a well-made taco and a cold bottle of beer.”

– quoted from Jitterbug Perfume by Tom Robbins

I’m not much for beer, but I’m a huge fan of a well-made taco and I’m a huge fan of Tom Robbins’s fourth novel, Jitterbug Perfume. Born today in 1932, in Blowing Rock, North Carolina, Robbins is a self-described “hillbilly” who grew up in a Baptist household, went to a military college prep school, studied journalism in college, enlisted in the Air Force, and spent a year as a meteorologist in Korea and two years in Nebraska before being discharged. He returned to Richmond, Virginia (where his family had moved during his early childhood) and started reading poetry in a coffee shop.

Robbins returned to school and also put his journalism degree to good use, while (occasionally) hitchhiking, researching a book on Jackson Pollack, and (eventually) hosting a weekly alternative radio show for KRAB-FM, Seattle. All the while, Tom Robbins was writing – searching for his perfect writing style, his voice. He found it and used it to write Another Roadside Attraction, a novel that you could theoretically say is “just” about a kind of wacky couple who open a hot dog stand. His first novel had all the elements you will find in most of his novels: wacky, bohemian characters; strong-willed women; animals; religion; existential philosophical musings; science; food (always food); and the occasional mythical character.

Jitterbug Perfume definitely has all of the elements described above and, to me, it is one the most visceral novels by Robbins. They say a picture is worth a thousand words and yet, when I look at “Nighthawks” by Edward Hooper (who was born today in 1882), I may feel a lot, but I smell very little. On the flip side, I can’t even think about Jitterbug Perfume without smelling it. I know, I know, you’re thinking well, of course, the word “perfume” is in the title and it’s all about perfumers trying to capture this magical essence. That’s the way the brain works.

Yeah, no. When I think of this particular novel, I’m thinking about another element that shows up in all of Tom Robbins’s work: s-e-x. And Pan.

“The word desire suggests that there is something we do not have. If we have everything already, then there can be no desire, for there is nothing left to want. I think that what the Buddha may have been trying to tell us is that we have it all, each of us, all the time; therefore, desire is simply unnecessary.”

– quoted from Jitterbug Perfume by Tom Robbins

As we’ve discussed before, suffering is a part of the human condition. We can say, as the Buddhist and Yoga philosophies instruct us, that suffering comes from attachment; however, what we are really saying is that suffering comes from desires. There are lots of different kind of desire, and they can lead to all different kinds of attachment (rooted in pleasure or rooted in pain); but Robbins suggests in Jitterbug Perfume that the desire itself isn’t the problem. Robbins suggests that maybe we suffer because “we do not desire wisely.” It’s an interesting thought – especially if you consider that we are psychologically and physiologically wired to desire, to want certain things and to not want other things.

Considering that there may be a better way to desire, makes me think of certain Buddhist and/or Yoga practices. For instance, shoshin is the Zen Buddhist practice of “beginners mind” and I often liken it to the niyama (internal observation in Yoga) santosha, which is the practice of contentment. Just as Robbins says (above) the practice focuses not on the idea that we are missing out on something but focuses instead on the fact that in this moment there is something, something extraordinary, something… perfect. In Zen Mind, Beginner’s Mind, Shunryu Suzuki explains that “in the beginner’s mind there are many possibilities, in the experts mind there are few.” When we show up and practice shoshin and/or santosha we open ourselves up to find something perfect in the moment, be it the perfect scent, the perfect quantum physics equation, the perfect taco… or the perfect pose.

“If you lack the iron and the fuzz to take control of your own life, if you insist on leaving your fate to the gods, then the gods will repay your weakness by having a grin or two at your expense. Should you fail to pilot your own ship, don’t be surprised at what inappropriate port you find yourself docked. The dull and prosaic will be granted adventures that will dice their central nervous systems like an onion, romantic dreamers will end up in the rope yard. You may protest that it is too much to ask of an uneducated fifteen-year-old girl that she defy her family, her society, her weighty cultural and religious heritage in order to pursue a dream that she doesn’t really understand. Of course it is asking too much. The price of self-destiny is never cheap, and in certain situations it is unthinkable. But to achieve the marvelous, it is precisely the unthinkable that must be thought.”

– quoted from Jitterbug Perfume by Tom Robbins

Go back to the questions at the beginning of this post and think about them in terms of the “perfect” yoga pose. Even better, think about your pursuit of the perfect expression. Do you think about the inside first, or is your primary focus on the outside? Do you recognize that there are hundreds of thousands of elements, which translate into millions and billions of expressions? Do you recognize that there is no one way to do something and so, therefore, there can be billions of perfect poses? There is, however, an even more important question (inspired by one of my yoga teachers). Seane Corn said, “It’s not about the pose. It’s about the purpose. Be In Yours.” So, the better question as you seek your so-called perfect pose, is “What’s the purpose?”

When we get around to asking that question, we find that sometimes the perfect pose isn’t a taco at all… It’s a chalupa (or a tostado).

“When we accept small wonders, we qualify ourselves to imagine great wonders.”

– quoted from Jitterbug Perfume by Tom Robbins

As a former meteorologist, Tom Robbins would be familiar with chaos theory (the idea that small changes in initial conditions can translate into big outcomes) and it’s those little things that make a difference, unexpected differences, in his stories. Those little changes can also make a difference in your yoga practice…and in your meal preparation.

In the TV show Ugly Delicious, David Chang says, “The dishes that we’re making… it’s about telling a story.” The practicing yoga is also about telling stories, it’s about your body and mind telling your story. It’s about finding your voice, your themes your ingredients, as Tom Robbins has done all his life, and then putting it out there. It is, also, about listening – really, truly, deeply listening to your own heart, your own soul, and your own story. If you really listen, you can also hear the stories around you. And, it is delicious (even when it smells a little ripe).

“He was becoming unstuck, he was sure of that – his bones were no longer wrapped in flesh but in clouds of dust, in hummingbirds, dragonflies, and luminous moths – but so perfect was his equilibrium that he felt no fear. He was vast, he was many, he was dynamic, he was eternal.”

– quoted from Jitterbug Perfume by Tom Robbins

Please join me today (Wednesday, July 22nd) at 4:30 PM or 7:15 PM for a yoga practice on Zoom, where will find your “breathe properly,  stay curious, and [afterwards] eat your beets.” Use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You will need to register for the 7:15 PM class if you have not already done so. Give yourself extra time to log in if you have not upgraded to Zoom 5.0. You can request an audio recording of this practice via a comment below.

Wednesday’s playlist is available on YouTube and Spotify.

In case you were confused or missed it (above), only one of the Alex’s mentioned above is celebrating an 80th birthday today!

 

 

### WHAT’S YOUR PERFECT TACO? ###

What Are You Doing (or Not Doing)? March 31, 2020

Posted by ajoyfulpractice in Abhyasa, Books, Changing Perspectives, Confessions, Dharma, Faith, Fitness, Gratitude, Healing Stories, Life, Meditation, One Hoop, Peace, Philosophy, Vairagya, Wisdom, Yoga.
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“In the beginner’s mind there are many possibilities, in the expert’s mind there are few.”

– from Zen Mind, Beginner’s Mind by Shunryū Suzuki

At some point, we are all beginners, doing something for the first time… or the 51st time. That’s why, on a good day, I love beginners – and I’m always a fan of the wonder that comes with beginner’s mind. Ironically (to some), I am not a fan of beginner’s classes when it comes to yoga. Unless, of course, you consider every class a beginner class, and remember that there’s a reason it’s called a practice. That said, I believe beginners should respect the fact that if someone says a class or a pose is advanced then it is not something you do on your first day…or your 51st day. But, just because a particular class or pose is not intended for someone, doesn’t mean that person can’t practice yoga.

During a practice Bryan Kest said that if there are 60 million people on the planet doing yoga then there are at least 60 million different ways to do a pose. That’s the reason there are different styles and traditions.

“Every age.
Every race & ethnicity.
Every class & socioeconomic status.
Every gender identity & sexual orientation.
Every size, shape, height, weight & dis/ability.

Every body is a yoga body.”

– statement from the Yoga and Body Image Coalition

One of my favorite t-shirts (“This is what a yogi looks like”) came from the Yoga and Body Image Coalition, which “is committed to dismantling stereotypes about who practices yoga, who should practice yoga, + what a “yoga body” looks like.” Bottom line: the coalition was established to create awareness so that (a) yoga teachers like me do not have to constantly deal with people walking in the studio and playing some version of the “Oh, you’re the teacher?” game; (b) people can practice yoga anywhere without judgment (or expensive yoga pants that let other people see your expensive underwear); and (c) so that more people recognize that they too can practice – and even teach – yoga.

Historically, yoga was primarily a practice taught for and by men. That’s not to say that women didn’t practice, secretly and quietly, but in the public sphere it was a practice taught for and by men…brown-skinned men, who (early on) often engaged in an ascetic lifestyle. Indra Devi started to change that, but the idea that someone who practices yoga is a thin, very flexible, light-skinned woman with “shampoo commercial” hair and a disposable income is very much a modern stereotype. Not only is it a modern stereotype – it’s a Western stereotype – one around which a whole industry has grown. And that underlying concept is one of the things that can make it challenging for new people to get started in the practice; that, plus the idea that you have to be flexible to practice yoga.

I tell people all the time: most people don’t practice yoga because they are flexible; they are flexible because they practice yoga. Focusing on physical flexibility, however, ignores the fact that the physical practice is also a way to cultivate strength and balance (even flexibility) – in the mind as well as in the body. But, sticking with the body for a moment, consider for a moment that while every pose may not be for each and every body, there is a practice for everybody and a way to practice that allows you to experience the benefits of every pose (even if you have to modify).

Late in 1983, Sri Dharma Mittra, a master yoga teacher based in New York City, started a deep dive into his practice and then started photographing himself every morning. Those 72 photos-a-day eventually became an amazingly iconic illustration of 908 yoga asanas. If you look closely, you can tell that the pictures were not taken at the same time, because in some pictures he is a completely different weight than in others. Like a method actor preparing for a major role, Dharma Mittra reportedly gained, lost, or maintained weight in order to practice certain poses. Because, again, each and every pose is not for each and every body. To force yourself into a position for which the body is not prepared to go isn’t yoga, its torture (and detrimental to your well-being). It is also detrimental to ignore what your body is feeling. One of the big problems with our modern practice, however, is that we are not always reminded to trust what we are feeling.

There is a lot of reasons we don’t trust the way we feel, on and off the mat. On the mat, one of the big reasons we don’t trust ourselves is because we are often faced with the idea that there are beginner, intermediate, and advanced poses. It’s all a matter ratings and perceptions. Grab practice manuals from a variety of different styles, however, and you will find huge differences in how a single pose is ranked according to difficulty. If you want to add a layer of awareness to that, compare those ratings to your own perception of the pose.

For example, in the United States, a common way to test or think about flexibility resides in a person’s ability to touch their toes. Uttānāsana (a standing forward bend) and Paschimottānāsana (a seated forward bend) are often featured in a beginners’ class. In Light on Yoga (Iyengar), however, the standing forward fold is considered an 8, the seated version is considered a 6, and the supine version (which I often suggest as a modification for people with certain back issues) is considered a 10. In Jivamukti Yoga, which is a form of vinayasa, the standing variation is considered a 1, while the seated is considered a 2. On the flip side, in Ashtanga, which is a progressive practice and one of the first vinyasa poses introduced to the West, the standing variation appears at the very beginning of the practice (it is part of the warm-up), while the seated variation is considered part of the finishing sequence (ergo, practiced after the body is significantly warmed up). Now compare those ratings to your own perception, and maybe even your own experience.

What’s the difference? How you practice – and part of how you practice is what you do and what you don’t do as you practice.

Today in 1930, the Motion Picture Code, also known as the Hays Code, was adopted by Hollywood. Inspired by a document created by a lay Catholic and Jesuit priest, Hollywood censor Will Hays initially came up with a list of 36 “Don’ts” and “Be Carefuls.” The code was officially enforced from1934 until 1968, when it was replaced by the Motion Picture Association of America rating system that is still in place today. Today’s practice is inspired by this concept of ratings. While today’s playlist (available on Spotify and YouTube) is not full of soundtracks, it is cinematic.

My advice to beginners is my same advice to people who have been away from their practice for a while and/or people who have to come up with a new practice schedule:

  1. Respect yourself and the space. Again, if someone refers to their class as advanced, believe them. (To paraphrase Maya Angelou, if someone tells you what they are about, believe them the first time.)
  2. Find a time and place (when we are able to go out and about again) that is convenient so that you commit to your practice.
  3. Don’t worry about what we call the poses; pretend like you’re playing Simon Says, but…
  4. Listen to your body!!!! If your body says don’t do it, then Simon didn’t say it. Some things will be uncomfortable, but don’t ignore pain. Pain is your body telling you something is not right.
  5. If you can breathe, even with a machine, you can practice yoga.
  6. Ask questions. Question everything. If you can’t do it during the practice, talk to the teacher before or after the practice. There’s no shame in not knowing something you don’t know.
  7. Trust your practice. Even if it’s your first day, take a moment to breathe and remember the words of Saint Teresa of Avila…

“If you want to make progress on the path and ascend to the places you have longed for, the important thing is not to think much but to love much, and so to do whatever best awakens you to love.”

 – from The Interior Castle by Saint Teresa of Avila  

I’m offering two (2) classes on Tuesdays. These are open-level vinyasa practices using vinyasa karma, which means we will move with the breath and progress in intensity as we make our way to a final and/or peak pose. All are welcome!

You can access either of today’s practices live via the ZOOM app, your internet browser, or your telephone.  (For additional details, check the “class schedule” tab.)

The Meeting ID for Tuesdays, 12 Noon – 1:00 PM CST is 610-189-542, https://zoom.us/j/610-189-542  ONE TAP: +13126266799,,610-189-542# US (Chicago).

The Meeting ID for Tuesdays, 7:15 PM – 8:30 PM CST is 216-720-410, https://zoom.us/j/216-720-410 ONE TAP: +13126266799,,216720410# US (Chicago)

Also, Wednesday is the beginning of April, which means Kiss My Asana is coming to you! Keep an eye out for how this year’s yogathon has changed, and how it’s still all about keeping the practice accessible.

### INHALE, EXHALE ###