Posted by ajoyfulpractice in "Impossible" People, Books, Changing Perspectives, Healing Stories, Life, Love, Men, One Hoop, Pain, Suffering, Super Heroes, Wisdom, Women, Yoga.
Tags: Craig Rodwell, Dave Van Ronk, Dick Leitsch, Fred Sargent, gay, George Orwell, Gil Scott-Heron, Howard Smith, Jackie Hormona, John O'Brien, John O’ Brian, Josh Jones, lgbtq, Marsha P. Johnson, Martha Shelley, Marty Boyce, PRIDE, pride-month, queer, Raymond Castro, Stonewall Inn, Stormé DeLarverie, Sylvia Rivera, yoga, Yvonne “Maria” / “Butch” Ritter, Zazu Nova
Happy Pride! Many blessings to everyone!!
For Those Who Missed It: The following was originally posted June 28, 2020 (and reposted, as below, in 2022 with additional information and quotes). Class details, music links, and some formatting have been updated.
“[It was] a perfect event in my life because it let me live the kinds of dreams I had of seeing an equitable society. I was able to live my life, which I would have done anyway, but without Stonewall I would have had more opposition. So it turns out the times were on my side, which left me with a basically happy life.”
— Martin “Marty” Boyce
It started off like any other regular Friday. People got up, got dressed, went to work (on Wall Street) or to school. Some wrote poetry or songs in a café. Some gathered on a street corner hoping to score their next meal. It was a regular Friday, and people were looking forward to the weekend. They came home or went to a friend’s place. They changed clothes – that was the first spark of something special… but it was still just a regular Friday. People were going to go out, have a good time, sing, dance, gather with friends (maybe do it again on Saturday night), and then spend some time recovering so that, on Monday, they could go back to being regular.
It was a regular Friday… that became an extraordinary Saturday, because at around 1:20 AM on Saturday, June 28, 1969, four policeman dressed in dark suits, two patrol officers in uniform, a detective, and a deputy inspector from the New York Police Department walked into the Stonewall Inn and announced that they were “taking the place!” It was a raid.
“I was never afraid of the cops on the street, because I was not an obvious person. I was not flaunting my homosexuality to anyone. I wasn’t holding hands. It would never have occurred to me to try and have a confrontation with them [because] you don’t want to be arrested for any stupid reason. I never had any problems with the police. I never had problems with anyone anywhere, until that night…. I never ever gave it a thought of [Stonewall] being a turning point. All I know is enough was enough. You had to fight for your rights. And I’m happy to say whatever happened that night, I was part of it. Because [at a moment like that] you don’t think, you just act.”
— Raymond Castro
In some ways, there was still nothing special. The Stonewall Inn, located on Christopher Street in the Greenwich Village neighborhood of Lower Manhattan was a Mafia owned “private bottle bar” frequented by members of the GLBTQIA+ community. It was raided on a regular basis, usually at a standard time. Because the bar was Mafia owned, it would normal get a heads up (from someone who knew the raid was coming – wink, wink, nudge, nudge) and just before the raid was scheduled the lights would come up so people could stop holding hands or dancing (both of which were illegal for same sex partners) and any illegal alcohol could be hidden. The police would separate people based on clothing and then a female officer would take anyone wearing a dress into the bathroom in order to check their genitalia. Some people were arrested, but many would go back to the party once the police had taken their leave.
The raid that happened this morning in 1969 was different. There was no warning. No lights came up. No then-illegal activity was hidden. Unbeknownst to the patrons, four undercover officers (two men and two women) had previously been in the bar gathering visual evidence. The police started rounding people up and, also, letting some people go. They were planning to close the bar down. The only problem was…people didn’t leave. The people who were released stayed outside in the street, watching what was happening, and they were eventually joined by hundreds more.
“I changed into a black and white cocktail dress, which I borrowed from my mother’s closet. It was mostly black, empire-waisted, with a white collar. I used to dress with a bunch of older queens and one of them lent me black fishnet stockings and a pair of black velvet pumps…. The cop looked at me and said, ‘Hey, you!’ and I said, ‘Please, it’s my birthday, I’m just about to graduate from high school, I’m only 18,’ and he just let me go! [I was] scared to death that my father would see me on the television news in my mother’s dress.”
— Yvonne (also known as Maria) Ritter
At times the crowd was eerily quiet. But then, as Mafia members were brought out, they started to cheer. When employees were brought out, someone yelled, “Gay power”, and someone started to sing. An officer shoved a person in a dress and she started hitting him over the head with her purse. The crowd was becoming larger… and more restless. At some point people started throwing beer bottles and pennies (as a reference to the police being bribed by the Mafia.) This was becoming a problem, but an even bigger problem was when the police found out the second van was delayed. They were stuck.
Then, things went from bad to worse when some of the 13 people arrested (including employees and people not wearing what was considered “gender appropriate clothing”) resisted. One of the women, a lesbian of color, managed to struggle and escape multiple times. At some point there were four officers trying to contain her. When a police officer hit her over the head, she yelled at the crowd, “Why don’t you guys do something?” And they did.
Police officers barricaded themselves and several people they were arresting (some of whom were just in the neighborhood) inside of the bar for safety. The NYPD’s Tactical Patrol Force was called out to free the officers and detainees trapped inside the Stonewall Inn. One witness said that the police were humiliated…and out for blood. The police’s own escalation, in trying to contain the violence, was met with a Broadway chorus style kick-line… and more violence. The escalation continued. At times, people were chasing the police.
The ensuing protests/riots lasted through the weekend and, to a lesser degree, into the next week. The bar re-opened that next night and thousands lined up to get inside. There was more vandalism and more violence, but on Saturday night (June 28th) there were also public displays of affection: at that time, illegal same-sex public displays of affection. People were out.
“It was a rebellion, it was an uprising, it was a civil rights disobedience – it wasn’t no damn riot!”
— Stormé DeLarverie
The Stonewall Uprising, the riots and the ensuing protests and celebrations were not the first of their kind. Three years earlier, the Mattachine Society had organized “sip-ins” where people met at bars and openly declared themselves as gay. That kind of organized, peaceful civil disobedience was happening all over the country during the 60’s. It was a way to break unjust laws and it temporarily reduced the number of police raids. However, the raids started up again.
Stormé DeLarverie, Marsha P. Johnson, Zazu Nova, Jackie Hormona, Martin “Marty” Boyce, Sylvia Rivera, Raymond Castro, John O’ Brian, and Yvonne “Maria” / “Butch” Ritter were among the people involved in the Stonewall Uprising. The musician Dave Van Ronk (who famously arranged the version of “House of the Rising Sun” made famous by Bob Dylan) was not gay, but he was arrested. Alan Ginsberg, who was gay, would witness the riots and applaud the people who were taking a stand. Village Voice columnist Howard Smith was a straight man who had never been inside the Stonewall Inn until he grabbed his press credentials and made his way into the center of the uprising. Craig Rodwell (owner of the Oscar Wilde Memorial Bookshop) and Fred Sargent (the bookstores manager) started writing and distributing leaflets on behalf of the Mattachine Society. They also drummed up media interest. In addition to Rodwell and Sargent, Dick Leitsch (a member of the Mattachine Society), John O’Brien, and Martha Shelley (a member of the Daughters of Bilitis) would start organizing so that the protest that turned into a riot would come full circle as a protest that created change.
A year later, June 28, 1970, thousands of people returned to Stonewall Inn. They marched from the bar to Central Park in what was then called “Christopher Street Liberation Day”. The official chant was, “Say it loud, gay is proud.” And, I’m betting there was at least one kick line.
“But [Gil] Scott-Heron also had something else in mind—you can’t see the revolution on TV because you can’t see it at all. As he [said] in a 1990s interview:
‘The first change that takes place is in your mind. You have to change your mind before you change the way you live and the way you move. The thing that’s going to change people is something that nobody will ever be able to capture on film. It’s just something that you see and you’ll think, “Oh I’m on the wrong page,” or “I’m on I’m on the right page but the wrong note. And I’ve got to get in sync with everyone else to find out what’s happening in this country.”’
If we realize we’re out of sync with what’s really happening, we cannot find out more on television. The information is where the battles are being fought, at street level, and in the mechanisms of the legal process.”
— quoted from the Open Culture article “Gil Scott-Heron Spells Out Why ‘The Revolution Will Not Be Televised’” by Josh Jones (posted June 2nd, 2020)
Please join me today (Saturday, June 28th) at 12:00 PM for a yoga practice on Zoom. You can use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email myra (at) ajoyfulpractice.com.
Saturday’s playlist is available on YouTube and Spotify. [Look for “06302024 PRIDE, redux”]
NOTE: The Spotify playlist includes an extra interlude track (since this message Sunday is not part of the studio recording.
If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can dial 988 (in the US) or call 1-800-273-TALK (8255) for the Suicide and Crisis Lifeline. You can also call this TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.
White Flag is an app, which I have not yet researched, but which may be helpful if you need peer-to-peer (non-professional) support.
If you are a young person in crisis, feeling suicidal, or in need of a safe and judgement-free place to talk, you can also click here to contact the TrevorLifeline (which is staffed 24/7 with trained counselors).
“Unpopular ideas can be silenced, and inconvenient facts kept dark, without the need for any official ban. Anyone who has lived long in a foreign country will know of instances of sensational items of news — things which on their own merits would get the big headlines-being kept right out of the British press, not because the Government intervened but because of a general tacit agreement that ‘it wouldn’t do’ to mention that particular fact. So far as the daily newspapers go, this is easy to understand. The British press is extremely centralised, and most of it is owned by wealthy men who have every motive to be dishonest on certain important topics. But the same kind of veiled censorship also operates in books and periodicals, as well as in plays, films and radio. At any given moment there is an orthodoxy, a body of ideas which it is assumed that all right-thinking people will accept without question. It is not exactly forbidden to say this, that or the other, but it is ‘not done’ to say it, just as in mid-Victorian times it was ‘not done’ to mention trousers in the presence of a lady. Anyone who challenges the prevailing orthodoxy finds himself silenced with surprising effectiveness. A genuinely unfashionable opinion is almost never given a fair hearing, either in the popular press or in the highbrow periodicals.”
— quoted from an originally unpublished introduction to Animal Farm by George Orwell
Click here for a short note about Gil Scott-Heron, whose lived experience in 1969 New York City may not have been a specifically LGBTQIA+ experience, but did write words that speak to an intersectionality of experiences that existed 52 years ago today and still exist to this day. As I mentioned last year, “He was speaking from the experience of being part of a marginalized (and sometimes vilified) community in the world (in general) and in New York (specifically). And, therefore, it is not surprising that his words apply.” Click here for some contextualized stats.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.
Check out the “Class Schedules” calendar for upcoming classes.)
### SAY IT LOUD ###
Posted by ajoyfulpractice in 19-Day Fast, Changing Perspectives, Healing Stories, Hope, Lent / Great Lent, Life, Love, Minneapolis, Minnesota, Music, New Year, Nowruz, One Hoop, Poetry, Ramadan, Twin Cities, Writing, Yoga.
Tags: Andy Greene, Bob Dylan, Bonnie Beecher, Dave Van Ronk, Ecology, Feast Day of Saint Joseph, Nowruz, Season for Nonviolence, Season of Non-violence, Spring, Tony Glover
“Ramaḍān Mubarak, Blessed Ramaḍān!” to anyone observing the holy month of Ramaḍān. (Keep your eyes open!) Many blessings also to all, and especially to those who were celebrating and/or observing the Baháʼí 19-Day Fast, Great Lent, Lent, and/or the Feast Day of Saint Joseph!
“Nowruz Mubarak!” Happy New Year to those who are celebrating (tonight and tomorrow) and Happy Vernal (Spring) Equinox (tomorrow) to those in the Northern Hemisphere.
Peace, ease, and (the best) ecology to all, throughout this “Season for Nonviolence” and all other seasons!
“When Bob Dylan‘s self-titled debut LP hit shelves on March 19th, 1962, it didn’t sound anything like the popular music of the time. It was the height of ‘The Twist’ dance craze, and 11 songs on the Billboard Hot 100 chart had the word ‘twist’ in the title, including ‘Dear Lady Twist’ by Gary U.S. Bonds, ‘Twistin’ The Night Away’ by Sam Cooke, ‘Hey, Let’s Twist’ by Joey Dee and the Starlighters, ‘Twistin’ Postman’ by the Marvelettes and ‘Alvin Twist’ by the Chipmunks.”
— quoted from the 2012 Rolling Stone article “50 Years Ago Today: Bob Dylan Released His Debut Album – Album was recorded in six hours for $402” by Andy Greene
The following is an excerpt from a 2023 post:
“[Bob Dylan’s debut studio album, Bob Dylan,] was recorded on November 20th and 22nd of 1961. In addition to the two original Dylan songs (‘Talkin’ New York’ and ‘Song to Woody’), there were eleven covers or traditional folk songs (including Negro spirituals). While Bob Dylan did arrange some of the folk songs, there’s one arrangement that he famously, uhmm… ‘borrowed’ (without permission) from folk singer Dave Van Ronk. Exactly a month after recording the album, Bob Dylan had an informal recording session in a Minneapolis, Minnesota hotel room with Bonnie Beecher and Tony Glover. Those bootleg recordings may or may not have been distributed out of someone’s trunk; but, they were the equivalent of modern-day artists streaming their music. They got people excited about Bob Dylan as a musician and may be considered a better glimpse (than the studio album) of what was to come from the artist.
The bootleg recordings did not, however, drum up enough attention to really sell Bob Dylan. The album has never been super popular (chart wise) in the US or the UK. Neither did it, initially, receive a lot of critical recognition or attention. Part of the lack of interest, at the time it was released, may have been because it sounded nothing like what was popular at the time….
In addition to ‘Peppermint Twist,’ also by Joey Dee and the Starlighters, which spent three weeks at number one on the Billboard Hot 100 chart, the airwaves at the time were filled with doowop artists like Gene Chandler; crooners like Ray Charles and Neil Sedaka; women like Connie Francis, Shelley Fabares, and Little Eva; Motown girl bands like The Shirelles; and boy bands like the Beach Boys and The Tokens (whose number one song at the beginning of 1962, ‘The Lion Sleeps Tonight,’ is its own ‘lottery’ cautionary tale). Of course, there was folk music; however, as Andy Greene pointed out, ‘To most of America, the Kingston Trio were the embodiment of folk music…. but [Dylan] sounded nothing like the Kingston Trio.’ Then there was Elvis Presley… and some 1962 reviewers did compare Dylan — as well as his voice and his style — to Elvis Presley.
Which is weird to me.”
Click on the excerpt title below for the entire post about how Bob Dylan hit the metaphorical lottery (and why I think it was weird that some people compared him to Elvis).
FTWMI:… some Powerball® thoughts
“I walked down there and ended up
In one of them coffee-houses on the block
I get on the stage to sing and play
Man there said, ‘Come back some other day
You sound like a hillbilly
We want folksingers here’”
— quoted from the song “Talkin’ New York” by Bob Dylan
Please join me today (Wednesday, March 19th) at 4:30 PM or 7:15 PM for a yoga practice on Zoom. You can use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email myra (at) ajoyfulpractice.com.
Wednesday’s playlist is available on YouTube and Spotify. [Look for “05242022 Bob’s Poems”]
CLICK ON THE EXCERPT TITLE BELOW FOR CELEBRATIONS RELATED TO TONIGHT & TOMORROW!
FTWMI: Another New Year, Another New Season (a “renewed” post)
If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can dial 988 (in the US) or call 1-800-273-TALK (8255) for the Suicide and Crisis Lifeline. You can also call this TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.
White Flag is a new app, which I have not yet researched, but which may be helpful if you need peer-to-peer (non-professional) support.
If you are a young person in crisis, feeling suicidal, or in need of a safe and judgement-free place to talk, you can also click here to contact the TrevorLifeline (which is staffed 24/7 with trained counselors).
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)
### “How does it feel?” ~Bob Dylan ###
Posted by ajoyfulpractice in 19-Day Fast, Changing Perspectives, Healing Stories, Hope, Lent / Great Lent, Life, Love, Minneapolis, Minnesota, Music, New Year, One Hoop, Poetry, Ramadan, Twin Cities, Writing, Yoga.
Tags: Andy Greene, Bob Dylan, Bonnie Beecher, Dave Van Ronk, Feast Day of Saint Joseph, Season for Nonviolence, Season of Non-violence, Tony Glover
Happy Vernal (Spring) Equinox (tonight)! Happy New Year, to those who are getting ready for the new year! “Ramadān Mubarak, Blessed Ramadān!” to anyone observing the holy month of Ramadān. Many blessings to all, and especially to those observing the Feast Day of Saint Joseph, Lent, Great Lent, and/or the 19-Day Fast throughout this “Season for Nonviolence” and all other seasons!
“When Bob Dylan‘s self-titled debut LP hit shelves on March 19th, 1962, it didn’t sound anything like the popular music of the time. It was the height of ‘The Twist’ dance craze, and 11 songs on the Billboard Hot 100 chart had the word ‘twist’ in the title, including ‘Dear Lady Twist’ by Gary U.S. Bonds, ‘Twistin’ The Night Away’ by Sam Cooke, ‘Hey, Let’s Twist’ by Joey Dee and the Starlighters, ‘Twistin’ Postman’ by the Marvelettes and ‘Alvin Twist’ by the Chipmunks.”
— quoted from the 2012 Rolling Stone article “50 Years Ago Today: Bob Dylan Released His Debut Album – Album was recorded in six hours for $402” by Andy Greene
The following is an excerpt from a 2023 post:
“[Bob Dylan’s debut studio album, Bob Dylan,] was recorded on November 20th and 22nd of 1961. In addition to the two original Dylan songs (‘Talkin’ New York’ and ‘Song to Woody’), there were eleven covers or traditional folk songs (including Negro spirituals). While Bob Dylan did arrange some of the folk songs, there’s one arrangement that he famously, uhmm… ‘borrowed’ (without permission) from folk singer Dave Van Ronk. Exactly a month after recording the album, Bob Dylan had an informal recording session in a Minneapolis, Minnesota hotel room with Bonnie Beecher and Tony Glover. Those bootleg recordings may or may not have been distributed out of someone’s trunk; but, they were the equivalent of modern-day artists streaming their music. They got people excited about Bob Dylan as a musician and may be considered a better glimpse (than the studio album) of what was to come from the artist.
The bootleg recordings did not, however, drum up enough attention to really sell Bob Dylan. The album has never been super popular (chart wise) in the US or the UK. Neither did it, initially, receive a lot of critical recognition or attention. Part of the lack of interest, at the time it was released, may have been because it sounded nothing like what was popular at the time….
In addition to ‘Peppermint Twist,’ also by Joey Dee and the Starlighters, which spent three weeks at number one on the Billboard Hot 100 chart, the airwaves at the time were filled with doowop artists like Gene Chandler; crooners like Ray Charles and Neil Sedaka; women like Connie Francis, Shelley Fabares, and Little Eva; Motown girl bands like The Shirelles; and boy bands like the Beach Boys and The Tokens (whose number one song at the beginning of 1962, ‘The Lion Sleeps Tonight,’ is its own ‘lottery’ cautionary tale). Of course, there was folk music; however, as Andy Greene pointed out, ‘To most of America, the Kingston Trio were the embodiment of folk music…. but [Dylan] sounded nothing like the Kingston Trio.’ Then there was Elvis Presley… and some 1962 reviewers did compare Dylan — as well as his voice and his style — to Elvis Presley.
Which is weird to me.”
“I walked down there and ended up
In one of them coffee-houses on the block
I get on the stage to sing and play
Man there said, ‘Come back some other day
You sound like a hillbilly
We want folksingers here’”
— quoted from the song “Talkin’ New York” by Bob Dylan
Please join me today (Tuesday, March 19th) at 12:00 PM or 7:15 PM for a yoga practice on Zoom. You can use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below or by emailing myra (at) ajoyfulpractice.com.
Tuesday’s playlist is available on YouTube and Spotify. [Look for “05242022 Bob’s Poems”]
CLICK HERE for a preview of the events related to tonight and tomorrow.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)
### “How does it feel?” ~Bob Dylan ###
Posted by ajoyfulpractice in Changing Perspectives, Dharma, Healing Stories, Minneapolis, Minnesota, Music, One Hoop, Poetry, Twin Cities, Wisdom, Writing, Yoga.
Tags: Andy Greene, Bob Dylan, Bonnie Beecher, Dave Van Ronk, Elvis Presley, Jacques Levy, lottery, Mbube, Powerball®, Robert Allen Zimmerman, Rubin Carter, Season for Nonviolence, Season of Non-violence, Solomon Linda, Timothy Hampton, Tony Glover, twists
Peace and blessings to all, and especially to those observing Lent, Great Lent, and the Baháʼí 19-Day Fast during this “Season for Non-violence” and all other seasons! Happy New Year, to those who are celebrating!
For Those Who Missed It: This is an abridged (and then revised and expanded) version of a 2022 post that primarily focused on “Winning the Lottery.” Some elements of this post also overlap with the 2023 Purim post. Some embedded links connect to websites outside of my blog.
“The problem with this answering line is that the world of the blues that seems to be evoked by the idiom and form of this song is generally not a world in which one’s baby goes off to a ‘foreign land.’ African American blues singers in the tradition that Dylan is building on here may sing about their baby going off to Chicago, or New Orleans, or Natchez. But not on a trip abroad: that’s an experience that, at this particular moment, is still mostly the province of a modern, educated, Caucasian upper middle class…. Dylan goes on to claim in good rural language that he’ll ‘get lucky’ or ‘die tryin’ ’ as he rambles to reach his beloved. ”
– quoted from “II. Ramblin’ Boy: ‘Protest’ and the Art of Adaptation” in Bob Dylan’s Poetics: How the Songs Work by Timothy Hampton
I recently heard a young, up-and-coming artist compare achieving a huge milestone to winning the lottery. For sure, I can see that. Especially when you consider how many people commented on the fact that this artist hit this much deserved milestone before his much lauded collaborator. (Don’t misunderstand me, I’m a big fan of both artists, but there’s something more than talent at play here.) I think having a hit song is also like that. Because while there is a lot of hard work that goes into creating a hit song, there’s also a lot of luck. It’s like that old adage: you can’t win if you don’t play. Of course, most people who play, don’t win – at least not really big – and it’s the same thing with being a big star in music.
The existence of streaming services and social media means that a lot of hustle and marketing on the part of the artist (and their community) can get an artist noticed today, in a way they couldn’t get noticed 20-plus years ago. That attention can really push a song up the charts. However, we’re still in a time time when songs are hits (in part) because they are played on the radio. And for all that hustle, many songs are played on the radio because of the way the musician looks. This is true across genres. This is even more so when it comes to music in and from certain countries and cultures. Being talented and having the “right” size, complexion, ethnicity, and (on a certain level) gender and sexuality, is like hitting the Powerball®.
“The Multi-State Lottery Association encourages all lottery players to be responsible in their amount of play.
For some people gambling can become a problem. If you or someone you know has a gambling problem, there are a number of helpful resources listed below.
National Council on Problem Gambling
24 Hour Confidential National Helpline
Call: 1-800-522-4700
Chat: ncpgambling.org/chat
Text: 1-800-522-4700
– quoted from the “Play Responsibly” tab on the Powerball® website
While I’ve been known to play bingo in a church basement (for charity and the chance to win a homemade quilt), I’m not really one to play the lottery. My limited understanding is that there’s a lot of different ways you can win with a Powerball®. However, just like with music and other things that could make you wealthy beyond your dreams, you have to be responsible and avoid the scams. You have to balance the temptation and your desire with reality. The reality, again, being that if you don’t play, you don’t win; but most people don’t win… big.
If you’re talented and have the aforementioned equivalent of the Powerball®, you can do things other people can’t do. You can write songs that make people re-think the world. You can sing songs other people not only wouldn’t think to sing, but might be afraid to sing. You can inspire people to sing your songs… even when they don’t always understand you. To me, Bob Dylan and his eponymous first album are a great example of a musical Powerball®.
“I walked down there and ended up
In one of them coffee-houses on the block
I get on the stage to sing and play
Man there said, ‘Come back some other day
You sound like a hillbilly
We want folksingers here’”
– quoted from the song “Talkin’ New York” by Bob Dylan
Bob Dylan’s debut studio album, Bob Dylan, was released today (March 19th) in 1962. I didn’t use it for the anniversary this last year – because I thought it would distract from [the] sūtra study – but, normally I use one of the playlists that I also use on Bob Dylan’s birthday (hint, hint). It’s a playlist that combines music from the original album – which only included two original Bob Dylan songs – with Bob Dylan songs covered and/or made famous by others. It’s a good way, I think, to highlight the fact that Dylan is as inspired as he is inspirational.
Bob Dylan, the album, was recorded on November 20th and 22nd of 1961. In addition to the two original Dylan songs (“Talkin’ New York” and “Song to Woody”), there were eleven covers or traditional folk songs (including Negro spirituals). While Bob Dylan did arrange some of the folk songs, there’s one arrangement that he famously, uhmm… “borrowed” (without permission) from folk singer Dave Van Ronk. Exactly a month after recording the album, Bob Dylan had an informal recording session in a Minneapolis, Minnesota hotel room with Bonnie Beecher and Tony Glover. Those bootleg recordings may or may not have been distributed out of someone’s trunk; but, they were the equivalent of modern-day artists streaming their music. They got people excited about Bob Dylan as a musician and may be considered a better glimpse (than the studio album) of what was to come from the artist.
The bootleg recordings did not, however, drum up enough attention to really sell Bob Dylan. The album has never been super popular (chart wise) in the US or the UK. Neither did it, initially, receive a lot of critical recognition or attention. Part of the lack of interest, at the time it was released, may have been because it sounded nothing like what was popular at the time. According to a Rolling Stone article by Andy Greene, “[The album came out at] the height of ‘The Twist’ dance craze, and 11 songs on the Billboard Hot 100 chart had the word ‘twist’ in the title, including “Dear Lady Twist” by Gary U.S. Bonds, “Twistin’ The Night Away’ by Sam Cooke, “Hey, Let’s Twist” by Joey Dee and the Starlighters, “Twistin’ Postman” by the Marvelettes and “Alvin Twist” by the Chipmunks.”
In addition to “Peppermint Twist,” also by Joey Dee and the Starlighters, which spent three weeks at number one on the Billboard Hot 100 chart, the airwaves at the time were filled with doowop artists like Gene Chandler; crooners like Ray Charles and Neil Sedaka; women like Connie Francis, Shelley Fabares, and Little Eva; Motown girl bands like The Shirelles; and boy bands like the Beach Boys and The Tokens (whose number one song at the beginning of 1962, “The Lion Sleeps Tonight,” is it’s own “lottery” cautionary tale). Of course, there was folk music; however, as Andy Greene pointed out, “To most of America, the Kingston Trio were the embodiment of folk music…. but [Dylan] sounded nothing like the Kingston Trio.” Then there was Elvis Presley… and some 1962 reviewers did compare Dylan – as well as his voice and his style – to Elvis Presley.
Which is weird to me.
Don’t get me wrong, I’m a Bob Dylan fan (on a lot of different levels). I even dig that first album. However, the comparison to Elvis is curious, when you really think about it. At the time, maybe they were both just seen as young, eager singers changing the “face” of music – and I get that. They were also young, white singers making popular (city) music out of traditions associated with Black, poor, and/or rural America – and I get that comparison, too. However, it’s hard for me to not view them through the lens of history.
Elvis was a singer, a performer, an actor, and a U. S. veteran; but, he was never recognized as a songwriter. Most say that he didn’t even pen the songs on which he is credited as a co-writer. Also, he didn’t have a ton of protest songs associated with the anti-war and Civil Rights movements. Finally, Elvis never won, as Bob Dylan did in 2016, a Nobel Prize in Literature. In fact, (to me) the only thing Bob Dylan and Elvis Presley had in common in 1962, especially when compared to other also talented musicians at the time, was that elusive Powerball® of talent, drive, and other people’s perceptions.
“How does it feel, how does it feel?
To be without a home
Like a complete unknown, like a rolling stone”
– quoted from the song “Like a Rolling Stone” by Bob Dylan
Please join me for a 65-minute virtual yoga practice on Zoom today (Sunday, March 19th) at 2:30 PM. Use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below or by emailing myra (at) ajoyfulpractice.com.
Sunday’s playlist is available on YouTube and Spotify. [Look for “05242022 ‘Bob’s Poems”]
“Here comes the story of the Hurricane
The man the authorities came to blame
For somethin’ that he never done
Put in a prison cell, but one time he coulda been
The champion of the world”
– quoted from the song “Hurricane” by Bob Dylan and Jacques Levy
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)
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Posted by ajoyfulpractice in "Impossible" People, Books, Changing Perspectives, Healing Stories, Life, Love, Men, One Hoop, Pain, Suffering, Super Heroes, Wisdom, Women, Yoga.
Tags: Craig Rodwell, Dave Van Ronk, Dick Leitsch, Fred Sargent, George Orwell, Gil Scott-Heron, Howard Smith, Jackie Hormona, John O'Brien, John O’ Brian, Josh Jones, Marsha P. Johnson, Martha Shelley, Marty Boyce, PRIDE, Raymond Castro, Stonewall Inn, Stormé DeLarverie, Sylvia Rivera, yoga, Yvonne “Maria” / “Butch” Ritter, Zazu Nova
The following was originally posted June 28, 2020. Class details and music links have been updated. Two extra quotes and additional 2021 post links (with statistics) have been added.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)
“[It was] a perfect event in my life because it let me live the kinds of dreams I had of seeing an equitable society. I was able to live my life, which I would have done anyway, but without Stonewall I would have had more opposition. So it turns out the times were on my side, which left me with a basically happy life.”
*
– Martin “Marty” Boyce
It started off like any other regular Friday. People got up, got dressed, went to work (on Wall Street) or to school. Some wrote poetry or songs in a café. Some gathered on a street corner hoping to score their next meal. It was a regular Friday, and people were looking forward to the weekend. They came home or went to a friend’s place. They changed clothes – that was the first spark of something special… but it was still just a regular Friday. People were going to go out, have a good time, sing, dance, gather with friends (maybe do it again on Saturday night), and then spend some time recovering so that, on Monday, they could go back to being regular.
It was a regular Friday… that became an extraordinary Saturday, because at around 1:20 AM on Saturday, June 28, 1969, four policeman dressed in dark suits, two patrol officers in uniform, a detective, and a deputy inspector from the New York Police Department walked into the Stonewall Inn and announced that they were “taking the place!” It was a raid.
“I was never afraid of the cops on the street, because I was not an obvious person. I was not flaunting my homosexuality to anyone. I wasn’t holding hands. It would never have occurred to me to try and have a confrontation with them [because] you don’t want to be arrested for any stupid reason. I never had any problems with the police. I never had problems with anyone anywhere, until that night…. I never ever gave it a thought of [Stonewall] being a turning point. All I know is enough was enough. You had to fight for your rights. And I’m happy to say whatever happened that night, I was part of it. Because [at a moment like that] you don’t think, you just act.”
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– Raymond Castro
In some ways, there was still nothing special. The Stonewall Inn, located on Christopher Street in the Greenwich Village neighborhood of Lower Manhattan was a Mafia owned “private bottle bar” frequented by members of the GLBTQIA+ community. It was raided on a regular basis, usually at a standard time. Because the bar was Mafia owned, it would normal get a heads up (from someone who knew the raid was coming – wink, wink, nudge, nudge) and just before the raid was scheduled the lights would come up so people could stop holding hands or dancing (both of which were illegal for same sex partners) and any illegal alcohol could be hidden. The police would separate people based on clothing and then a female officer would take anyone wearing a dress into the bathroom in order to check their genitalia. Some people were arrested, but many would go back to the party once the police had taken their leave.
The raid that happened this morning in 1969 was different. There was no warning. No lights came up. No then-illegal activity was hidden. Unbeknownst to the patrons, four undercover officers (two men and two women) had previously been in the bar gathering visual evidence. The police started rounding people up and, also, letting some people go. They were planning to close the bar down. The only problem was…people didn’t leave. The people who were released stayed outside in the street, watching what was happening, and they were eventually joined by hundreds more.
“I changed into a black and white cocktail dress, which I borrowed from my mother’s closet. It was mostly black, empire-waisted, with a white collar. I used to dress with a bunch of older queens and one of them lent me black fishnet stockings and a pair of black velvet pumps…. The cop looked at me and said, ‘Hey, you!’ and I said, ‘Please, it’s my birthday, I’m just about to graduate from high school, I’m only 18,’ and he just let me go! [I was] scared to death that my father would see me on the television news in my mother’s dress.”
*
– Yvonne (also known as Maria) Ritter
At times the crowd was eerily quiet. But then, as Mafia members were brought out, they started to cheer. When employees were brought out, someone yelled, “Gay power,” and someone started to sing. An officer shoved a person in a dress and she started hitting him over the head with her purse. The crowd was becoming larger… and more restless. At some point people started throwing beer bottles and pennies (as a reference to the police being bribed by the Mafia.) This was becoming a problem, but an even bigger problem was when the police found out the second van was delayed. They were stuck.
Then, things went from bad to worse when some of the 13 people arrested (including employees and people not wearing what was considered “gender appropriate clothing”) resisted. One of the women, a lesbian of color, managed to struggle and escape multiple times. At some point there were four officers trying to contain her. When a police officer hit her over the head, she yelled at the crowd, “Why don’t you guys do something?” And they did.
Police officers barricaded themselves and several people they were arresting (some of whom were just in the neighborhood) inside of the bar for safety. The NYPD’s Tactical Patrol Force was called out to free the officers and detainees trapped inside the Stonewall Inn. One witness said that the police were humiliated…and out for blood. The police’s own escalation, in trying to contain the violence, was met with a Broadway chorus style kick-line… and more violence. The escalation continued. At times, people were chasing the police.
The ensuing protests/riots lasted through the weekend and, to a lesser degree, into the next week. The bar re-opened that next night and thousands lined up to get inside. There was more vandalism and more violence, but on Saturday night (June 28th) there were also public displays of affection: at that time, illegal same-sex public displays of affection. People were out.
“It was a rebellion, it was an uprising, it was a civil rights disobedience – it wasn’t no damn riot!”
*
– Stormé DeLarverie
The Stonewall Uprising, the riots and the ensuing protests and celebrations were not the first of their kind. Three years earlier, the Mattachine Society had organized “sip-ins” where people met at bars and openly declared themselves as gay. That kind of organized, peaceful civil disobedience was happening all over the country during the 60’s. It was a way to break unjust laws and it temporarily reduced the number of police raids. However, the raids started up again.
Stormé DeLarverie, Marsha P. Johnson, Zazu Nova, Jackie Hormona, Martin “Marty” Boyce, Sylvia Rivera, Raymond Castro, John O’ Brian, and Yvonne “Maria” / “Butch” Ritter were among the people involved in the Stonewall Uprising. The musician Dave Van Ronk (who famously arranged the version of “House of the Rising Sun” made famous by Bob Dylan) was not gay, but he was arrested. Alan Ginsberg, who was gay, would witness the riots and applaud the people who were taking a stand. Village Voice columnist Howard Smith was a straight man who had never been inside the Stonewall Inn until he grabbed his press credentials and made his way into the center of the uprising. Craig Rodwell (owner of the Oscar Wilde Memorial Bookshop) and Fred Sargent (the bookstores manager) started writing and distributing leaflets on behalf of the Mattachine Society. They also drummed up media interest. In addition to Rodwell and Sargent, Dick Leitsch (a member of the Mattachine Society), John O’Brien, and Martha Shelley (a member of the Daughters of Bilitis) would start organizing so that the protest that turned into a riot would come full circle as a protest that created change.
A year later, June 28, 1970, thousands of people returned to Stonewall Inn. They marched from the bar to Central Park in what was then called “Christopher Street Liberation Day.” The official chant was, “Say it loud, gay is proud.” And, I’m betting there was at least one kick line.
“But [Gil] Scott-Heron also had something else in mind—you can’t see the revolution on TV because you can’t see it at all. As he [said] in a 1990s interview:
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‘The first change that takes place is in your mind. You have to change your mind before you change the way you live and the way you move. The thing that’s going to change people is something that nobody will ever be able to capture on film. It’s just something that you see and you’ll think, “Oh I’m on the wrong page,” or “I’m on I’m on the right page but the wrong note. And I’ve got to get in sync with everyone else to find out what’s happening in this country.”’
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If we realize we’re out of sync with what’s really happening, we cannot find out more on television. The information is where the battles are being fought, at street level, and in the mechanisms of the legal process.”
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– quoted from the Open Culture article “Gil Scott-Heron Spells Out Why ‘The Revolution Will Not Be Televised’” by Josh Jones (posted June 2nd, 2020)
Please join me today (Tuesday, June 28th) at 12:00 PM or 7:15 PM for a yoga practice on Zoom. You can use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.
Tuesday’s playlist is available on YouTube and Spotify. [Look for “06282020 Stonewall PRIDE”]
(NOTE: The YouTube playlist has been updated with the latest link to the “forbidden” music. The Spotify playlist may skip an instrumental track.)
“Unpopular ideas can be silenced, and inconvenient facts kept dark, without the need for any official ban. Anyone who has lived long in a foreign country will know of instances of sensational items of news — things which on their own merits would get the big headlines-being kept right out of the British press, not because the Government intervened but because of a general tacit agreement that ‘it wouldn’t do’ to mention that particular fact. So far as the daily newspapers go, this is easy to understand. The British press is extremely centralised, and most of it is owned by wealthy men who have every motive to be dishonest on certain important topics. But the same kind of veiled censorship also operates in books and periodicals, as well as in plays, films and radio. At any given moment there is an orthodoxy, a body of ideas which it is assumed that all right-thinking people will accept without question. It is not exactly forbidden to say this, that or the other, but it is ‘not done’ to say it, just as in mid-Victorian times it was ‘not done’ to mention trousers in the presence of a lady. Anyone who challenges the prevailing orthodoxy finds himself silenced with surprising effectiveness. A genuinely unfashionable opinion is almost never given a fair hearing, either in the popular press or in the highbrow periodicals.”
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– quoted from an originally unpublished introduction to Animal Farm by George Orwell
Click here for a short note about Gil Scott-Heron, whose lived experience in 1969 New York City may not have been a specifically LGBTQIA+ experience, but did write words that speak to an intersectionality of experiences that existed 52 years ago today and still exist to this day. As I mentioned last year, “He was speaking from the experience of being part of a marginalized (and sometimes vilified) community in the world (in general) and in New York (specifically). And, therefore, it is not surprising that his words apply.” Click here for some contextualized stats.
If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can call 1-800-273-TALK (8255). You can also call the TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.
If you are a young person in crisis, feeling suicidal, or in need of a safe and judgement-free place to talk, call the TrevorLifeline (which is staffed 24/7 with trained counselors).
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### SAY IT LOUD ###
Posted by ajoyfulpractice in "Impossible" People, Books, Changing Perspectives, Healing Stories, Life, Love, Men, One Hoop, Pain, Suffering, Super Heroes, Wisdom, Women, Yoga.
Tags: Craig Rodwell, Dave Van Ronk, Dick Leitsch, Fred Sargent, Howard Smith, Jackie Hormona, John O'Brien, John O’ Brian, Marsha P. Johnson, Martha Shelley, Marty Boyce, PRIDE, Raymond Castro, Stonewall Inn, Stormé DeLarverie, Sylvia Rivera, yoga, Yvonne “Maria” / “Butch” Ritter, Zazu Nova
“[It was] a perfect event in my life because it let me live the kinds of dreams I had of seeing an equitable society. I was able to live my life, which I would have done anyway, but without Stonewall I would have had more opposition. So it turns out the times were on my side, which left me with a basically happy life.”
– Martin “Marty” Boyce
It started off like any other regular Friday. People got up, got dressed, went to work (on Wall Street) or to school. Some wrote poetry or songs in a café. Some gathered on a street corner hoping to score their next meal. It was a regular Friday, and people were looking forward to the weekend. They came home or went to a friend’s place. They changed clothes – that was the first spark of something special… but it was still just a regular Friday. People were going to go out, have a good time, sing, dance, gather with friends (maybe do it again on Saturday night), and then spend some time recovering so that, on Monday, they could go back to being regular.
It was a regular Friday… that became an extraordinary Saturday, because at around 1:20 AM on Saturday, June 28, 1969, four policeman dressed in dark suits, two patrol officers in uniform, a detective, and a deputy inspector from the New York Police Department walked into the Stonewall Inn and announced that they were “taking the place!” It was a raid.
“I was never afraid of the cops on the street, because I was not an obvious person. I was not flaunting my homosexuality to anyone. I wasn’t holding hands. It would never have occurred to me to try and have a confrontation with them [because] you don’t want to be arrested for any stupid reason. I never had any problems with the police. I never had problems with anyone anywhere, until that night…. I never ever gave it a thought of [Stonewall] being a turning point. All I know is enough was enough. You had to fight for your rights. And I’m happy to say whatever happened that night, I was part of it. Because [at a moment like that] you don’t think, you just act.”
– Raymond Castro
In some ways, there was still nothing special. The Stonewall Inn, located on Christopher Street in the Greenwich Village neighborhood of Lower Manhattan was a Mafia owned “private bottle bar” frequented by members of the GLBTQIA+ community. It was raided on a regular basis, usually at a standard time. Because the bar was Mafia owned, it would normal get a heads up (from someone who knew the raid was coming – wink, wink, nudge, nudge) and just before the raid was scheduled the lights would come up so people could stop holding hands or dancing (both of which were illegal for same sex partners) and any illegal alcohol could be hidden. The police would separate people based on clothing and then a female officer would take anyone wearing a dress into the bathroom in order to check their genitalia. Some people were arrested, but many would go back to the party once the police had taken their leave.
The raid that happened this morning in 1969 was different. There was no warning. No lights came up. No then-illegal activity was hidden. Unbeknownst to the patrons, four undercover officers (two men and two women) had previously been in the bar gathering visual evidence. The police started rounding people up and, also, letting some people go. They were planning to close the bar down. The only problem was…people didn’t leave. The people who were released stayed outside in the street, watching what was happening, and they were eventually joined by hundreds more.
“I changed into a black and white cocktail dress, which I borrowed from my mother’s closet. It was mostly black, empire-waisted, with a white collar. I used to dress with a bunch of older queens and one of them lent me black fishnet stockings and a pair of black velvet pumps…. The cop looked at me and said, ‘Hey, you!’ and I said, ‘Please, it’s my birthday, I’m just about to graduate from high school, I’m only 18,’ and he just let me go! [I was] scared to death that my father would see me on the television news in my mother’s dress.”
– Yvonne (also known as Maria) Ritter
At times the crowd was eerily quiet. But then, as Mafia members were brought out, they started to cheer. When employees were brought out, someone yelled, “Gay power,” and someone started to sing. An officer shoved a person in a dress and she started hitting him over the head with her purse. The crowd was becoming larger… and more restless. At some point people started throwing beer bottles and pennies (as a reference to the police being bribed by the Mafia.) This was becoming a problem, but an even bigger problem was when the police found out the second van was delayed. They were stuck.
Then, things went from bad to worse when some of the 13 people arrested (including employees and people not wearing what was considered “gender appropriate clothing”) resisted. One of the women, a lesbian of color, managed to struggle and escape multiple times. At some point there were four officers trying to contain her. When a police officer hit her over the head, she yelled at the crowd, “Why don’t you guys do something?” And they did.
Police officers barricaded themselves and several people they were arresting (some of whom were just in the neighborhood) inside of the bar for safety. The NYPD’s Tactical Patrol Force was called out to free the officers and detainees trapped inside the Stonewall Inn. One witness said that the police were humiliated…and out for blood. The police’s own escalation, in trying to contain the violence, was met with a Broadway chorus style kick-line… and more violence. The escalation continued. At times, people were chasing the police.
The ensuing protests/riots lasted through the weekend and, to a lesser degree, into the next week. The bar re-opened that next night and thousands lined up to get inside. There was more vandalism and more violence, but on Saturday night (June 28th) there were also public displays of affection: at that time, illegal same-sex public displays of affection. People were out.
“It was a rebellion, it was an uprising, it was a civil rights disobedience – it wasn’t no damn riot!”
– Stormé DeLarverie
The Stonewall Uprising, the riots and the ensuing protests and celebrations were not the first of their kind. Three years earlier, the Mattachine Society had organized “sip-ins” where people met at bars and openly declared themselves as gay. That kind of organized, peaceful civil disobedience was happening all over the country during the 60’s. It was a way to break unjust laws and it temporarily reduced the number of police raids. However, the raids started up again.
Stormé DeLarverie, Marsha P. Johnson, Zazu Nova, Jackie Hormona, Martin “Marty” Boyce, Sylvia Rivera, Raymond Castro, John O’ Brian, and Yvonne “Maria” / “Butch” Ritter were among the people involved in the Stonewall Uprising. The musician Dave Van Ronk (who famously arranged the version of “House of the Rising Sun” made famous by Bob Dylan) was not gay, but he was arrested. Alan Ginsberg, who was gay, would witness the riots and applaud the people who were taking a stand. Village Voice columnist Howard Smith was a straight man who had never been inside the Stonewall Inn until he grabbed his press credentials and made his way into the center of the uprising. Craig Rodwell (owner of the Oscar Wilde Memorial Bookshop) and Fred Sargent (the bookstores manager) started writing and distributing leaflets on behalf of the Mattachine Society. They also drummed up media interest. In addition to Rodwell and Sargent, Dick Leitsch (a member of the Mattachine Society), John O’Brien, and Martha Shelley (a member of the Daughters of Bilitis) would start organizing so that the protest that turned into a riot would come full circle as a protest that created change.
A year later, June 28, 1970, thousands of people returned to Stonewall Inn. They marched from the bar to Central Park in what was then called “Christopher Street Liberation Day.” The official chant was, “Say it loud, gay is proud.” And, I’m betting there was at least one kick line.
Please join me for a 65-minute virtual yoga practice on Zoom today (Sunday, June 28th) at 2:30 PM to celebrate Pride. You can use the link from the “Class Schedules” calendar if you run into any problems checking into the class. PLEASE NOTE: Zoom 5.0 is in effect. If you have not upgraded, you will need to give yourself extra time to log into Zoom. You can always request an audio recording of this practice (or any practice) via email or a comment below.
Today’s playlist is available on YouTube and Spotify.
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Errata: Categories have been added and a typo has been corrected.
### SAY IT LOUD ###
A Joyful Practice 