Posted by ajoyfulpractice in "Impossible" People, Art, Books, Changing Perspectives, Confessions, Healing Stories, Hope, James Baldwin, Life, Love, Maya Angelou, Men, Music, Pain, Science, Suffering, Super Heroes, Tragedy, Wisdom, Writing, Yoga.
Tags: Aimee Lehto, America, Beau Lotto, being present, Boyd Croyner, Civil Rights, Emily Dickinson, inspiration, James Baldwin, Justin Timberlake, Maria Mitchell, Maya Angelou, Muhammad Ali, PRIDE, samskāras, truth, vasanas, yoga
“This also, then, leads on to the idea of whether or not the brain ever does big jumps – or does it only ever do small steps? And the answer is that the brain only ever does small steps. I can only get from here to the other side of the room by passing through the space in between. I can’t teleport myself to the other side. Right? Similarly, your brain can only ever make small steps in its ideas. So, whenever you’re in a moment, it can only actually shift itself to the next most likely possible. And the next and most likely possible is determined by its assumptions. We call it ‘the space of possibility.’ Right. You can’t do just anything. Some things are just impossible for you in terms of your perception or in terms of your conception of the world. What’s possible is based on your history.”
– quoted from the 2017 Big Think video entitled, “The Neuroscience of Creativity, Perception, and Confirmation Bias by Beau Lotto
My idea to spend part of August focusing on “impossible people” – and by that I mean people who do things others believe to be impossible – started long before I had ever heard of neuroscientist Beau Lotto or his work with the Lab of Misfits. In some ways it started with an awareness of certain people’s lives and accomplishments and a curiosity about how they got from A (“impossible”) to Z (“possible”). I mean, on some level I knew about “the space of possibility” and I definitely understood the theory that we live in the past. It is, after all, the science of samskāras (“mental impressions”) and vasanas (the “dwelling places” of habits). I also understood the power of imagination and visualization; often referenced the idea that an epiphany (“striking appearance” or “manifestation”) happens because the mind-intellect is prepared for the revelation; and frequently highlighted how we can be like Emily Dickinson and “dwell in Possibility.”
All of that is backed up by Western science and the Yoga Philosophy. As Dr. Lotto pointed out in his book Deviate: The Science of Seeing Differently, and also in many of his talks and lectures, “We don’t see reality – we only see what was useful to see in the past. But the nature of the brain’s delusional past is this: The past that determines how you see isn’t just constituted by your lived perceptions but by your imagined ones as well. As such, you can influence what you see in the future just by thinking.” And that’s what I hadn’t really used as a point of focus: why some people’s imaginations allow them to think differently and know the baby steps that, to the rest of us, look like giant leaps.
If I were going to pinpoint a single starting point for my change in focus, it would be around July 31, 2016. It was the Feast Day of Saint Ignatius of Loyola and the eve of the anniversary of the birth of Miss Maria Mitchell (and Mr. Herman Melville), and while listening to Justin Timberlake (ostensibly) quote Muhammad Ali to a bunch of teens, I thought, “What combination of things in someone’s past makes their will and determination so strong? What makes someone recognize that “Impossible is just a word…?”
“Impossible is just a big word thrown around by small men who find it easier to live in the world they’ve been given than to explore the power they have to change it. Impossible is not a fact. It’s an opinion. Impossible is not a declaration. It’s a dare. Impossible is potential. Impossible is temporary.
Impossible is nothing.”
– quoted from a 2004 Adidas ad campaign written by Aimee Lehto (with final tag line credited to Boyd Croyner), often attributed to Muhammad Ali
A version of the following was originally posted as “A Brother’s Love” on August 2, 2020.
“Given the conditions in this country to be a black writer was impossible. When I was young, people thought you were not so much wicked as sick, they gave up on you. My father didn’t think it was possible—he thought I’d get killed, get murdered. He said I was contesting the white man’s definitions, which was quite right.”
– James Baldwin, quoted from the interview “James Baldwin, The Art of Fiction No. 78” by Jordan Elgrably (printed in The Paris Review, Issue 91, Spring 1984)
Born today in Harlem, New York, in 1924, the author James Baldwin was – by his own words – an impossible person. His life (and career) were, in so many ways, shaped by a combination of history and opinions. First, there was the history of the United States. Then there were the opinions of his stepfather David Baldwin (who he referred to as his father) about life in general plus his stepfather’s opinion of how the world would view him, how the world actually viewed him, and his own ideas about what was possible – or, what was necessary. He spent the ages of 14 – 17 following his father’s footsteps into the ministry and then, when his father died, he took a giant leap. He said, “Those were three years [preaching] which probably turned me to writing.”
Leaping into writing was not Mr. Baldwin’s only leap. He leapt across the pond to Paris, France, twice, even as his writing challenged Western society’s conceptions about race, class, gender, and sexuality. His essays, novels, and plays include Giovanni’s Room, Notes of a Native Son, The Fire Next Time, If Beale Street Could Talk (which was recently made into a movie) and the unfinished manuscript Remember This House (which was adapted to create the 2016 Academy Award-nominated documentary I Am Not Your Negro). Mr. Baldwin first went to Paris with $40 and not a lick of French. He was 24 years old, coming to grips with his sexuality, and escaping what he viewed – what he had witnessed – was a death sentence at the hands of American society.
“Not so metaphorically. Looking for a place to live. Looking for a job. You begin to doubt your judgment, you begin to doubt everything. You become imprecise. And that’s when you’re beginning to go under. You’ve been beaten, and it’s been deliberate. The whole society has decided to make you nothing. And they don’t even know they’re doing it.”
– James Baldwin, quoted from the interview “James Baldwin, The Art of Fiction No. 78” by Jordan Elgrably (printed in The Paris Review, Issue 91, Spring 1984)
From Paris, he was able to not only gain perspective about his experiences of being Black in America (and of being Black and Gay in America), but also to offer those experience back to the United States – in the form of a literary mirror. In words that very much echo Miss Maria Mitchell’s words, he said wanted to see himself, and be seen as, more than “merely a Negro; or, merely a Negro writer.”
In his late 30’s/early 40’s, Mr. Baldwin briefly returned to the United States and physically participated in the Civil Rights Movement and Gay Liberation Movement that he had (from Paris) helped to literally inspire. He became friends with Langston Hughes, Martin Luther King, Malcolm X, Medgar Evers, Lorraine Hansberry, Nikki Giovanni, and Nina Simone (who he and Mr. Hughes convinced to become active in the Civil Rights Movement). He worked with Drs. Kenneth and Mamie Clark, as well as Lena Horne and Miss Hansberry, to discuss the importance of civil rights legislation with President John F. Kennedy.
His friendships, however, were not only with Black artists and activists. He worked with his childhood friend Richard Avedon, marched with Marlon Brando and Charlton Heston, collaborated with Margaret Mead and Sol Stein, and also knew Rip Torn, Jean-Paul Sartre, and Dorothea Tanning. In fact, to read a biography or autobiography of James Baldwin is to read a Who’s Who of activism and artistry in the 20th century. But, you don’t have to settle for a reading a measly biography. If you can get your hands on the 1,884 pages of documents compiled by the FBI, you would be in for quite a treat.
Yes, you read that correctly. For a little over a decade, the FBI collected nearly two thousand pages worth of documents on a man that many Americans may not realize helped convince President Kennedy to send federal troops to defend the civil rights activists marching from Selma to Montgomery. True, it’s not the well-over 17,000 pages they compiled on Martin Luther King (not including the wire-tap documents). Here, however, is some perspective: the FBI only collected 276 pages on authors like Richard Wright (Native Son) and 110 pages on authors like Truman Capote (In Cold Blood) and Henry Miller (Tropic of Cancer). Additionally, FBI Director J. Edgar Hoover showed a particular interest in Mr. Baldwin and actually worked with agents to figure out ways they could ban Mr. Baldwin’s 1962 novel Another Country.
Perhaps Director Hoover was concerned about the fact that James Baldwin started the novel while living in Greenwich Village and continued as he moved back to Paris and then back to the States again, before ultimately finishing the book in Istanbul, Turkey. Perhaps he was concerned about the novels depictions of bisexuality, interracial relationships, and extramarital affairs. It’s just as likely that J. Edgar Hoover was concerned about James Baldwin’s persistent efforts to depict a deep, abiding, almost Divine, brotherly love; a universal experience of grace and growth that would make more things possible for more people. Whatever the FBI Director’s objections might have been, the report of the Justice Department’s General Crimes Section “concluded that the book contains literary merit and may be of value to students of psychology and social behavior.”
“The occurrence of an event is not the same thing as knowing what it is that one has lived through. Most people had not lived — nor could it, for that matter, be said that they had died– through any of their terrible events. They had simply been stunned by the hammer. They passed their lives thereafter in a kind of limbo of denied and unexamined pain. The great question that faced him this morning was whether or not had had ever, really, been present at his life.”
– quoted from Another Country by James Baldwin
“I imagine one of the reasons people cling to their hates so stubbornly is because they sense, once hate is gone, they will be forced to deal with pain.”
– quoted from The Fire Next Time by James Baldwin
When so many of his friends, who were also the leaders of the Civil Rights Movement, were killed, Mr. Baldwin made his second leap back to Paris. Again, it was a leap made out of fear and the basic desire to survive. His grief, anger, horror, and disappointment are all on full display in later works like If Beale Street Could Talk, Just Above My Head, and the 1985 non-fiction book Evidence of Things Not Seen (about the Atlanta child murders). Yet, until his dying day he wrote about love and hope – even using a portion of the Epistle to the Hebrews, from the Christian New Testament, as the title of his book about the Atlanta child murders.
Another place where you can see Mr. Baldwin’s devotion to love, life, and humanity is in the words of his friends; people, who actually knew him, were inspired by him, and some of whom called him Jim or Jimmy. When he died in 1987, Maya Angelou wrote a tribute for The New York Times, entitled “James Baldwin: His Voice Remembered; Life In His Language.” In addition to describing how Mr. Baldwin introduced her to his family as his mother’s newest daughter, she explained that he “opened the [unusual] door” and encouraged her to tell her story.
“Well, the season was always Christmas with you there and, like one aspect of that scenario, you did not neglect to bring at least three gifts. You gave me a language to dwell in, a gift so perfect it seems my own invention….
The second gift was your courage, which you let us share: the courage of one who would go as a stranger in the village and transform the distances between people into intimacy with the whole world; courage to understand that experience in ways that made it a personal revelation for each of us…. Yours was the courage to live life in and from its belly as well as beyond its edges, to see and say what was, to recognize and identify evil, but never fear or stand in awe of it….
The third gift was hard to fathom and even harder to accept. It was your tenderness – a tenderness so delicate that I thought it could not last, but last it did and envelop me it did. In the midst of anger it tapped me lightly like the child in Tish’s womb…. Yours was a tenderness, of vulnerability, that asked everything, expected everything and, like the world’s own Merlin, provided us with the ways and means to deliver. I suppose that was why I was always a bit better behaved around you, smarter, more capable, wanting to be worth the love you lavished, and wanting to be steady enough to bear while it broke your heart, wanting to be generous enough to join your smile with one of my own, and reckless enough to jump on in that laugh you laughed. Because our joy and our laughter were not only all right, they were necessary.”
– quoted from “James Baldwin: His Voice Remembered; Life In His Language” by Maya Angelou (printed in The New York Times Book Review December 20, 1987)
Please join me today (Tuesday, August 2nd) at 12:00 PM or 7:15 PM for a yoga practice on Zoom. You can use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.
Tuesday’s playlist is available on YouTube and Spotify. [Look for “Langston’s Theme for Jimmy 2022”]
NOTE: In 2020, I had to cancel some of this week’s practices and, therefore, did not post the variation of my “Langston Hughes” playlist that I normally use on this date. However, I did encouraged people to practice (with those aforementioned gifts and especially the second and third gifts – with courage and tenderness that has you lifting the corners of your mouth up to your ears and laughing out loud). Last year, today fell on a Monday and so, again, I did not post a playlist.
While I have now posted a variation of what I’ve used in the past, you are still welcome to use my “Selma to Montgomery” playlist, which is available on YouTube and Spotify or, as I mentioned in 2020, you could grab some Nina Simone, Lena Horne, Harry Belafonte (“Merci Bon Dieu” comes to mind, of course), Sammy Davis, Jr., and Joan Baez – and then mix in some of the jazz from today’s playlist.
“I love America more than any other country in this world, and, exactly for this reason, I insist on the right to criticize her perpetually.”
“Love takes off masks that we fear we cannot live without and know we cannot live within. I use the word love here not merely in the personal sense but as a state of being or a state of grace – not in the infantile American sense of being made happy but in the tough and universal sense of quest and daring and growth….Love is a growing up.”
– James Baldwin
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)
### OPEN THE DOOR, & LET ME IN (OR OUT)! ###
Posted by ajoyfulpractice in Buddhism, Changing Perspectives, Healing Stories, Life, One Hoop, Pain, Peace, Pema Chodron, Philosophy, Suffering, Wisdom, Writing, Yoga.
Tags: Alfred Dreyfus, Dreyfus Affair, Emile Zola, J'Accuse!, PRIDE, shenpa
“Shenpa thrives on the underlying insecurity of living in a world that is always changing.”
– quoted from “How We Get Hooked and How We Get Unhooked” by Pema Chödrön (published by Lion’s Roar, 12/26/2017)
A random short appeared in my YouTube queue. It was only about 60 seconds, from a channel I have never watched nor followed, and I’ll admit that I got “hooked” within a few seconds. Remember, “hook” is one way the American Tibetan Buddhist nun Pema Chödrön translates the Tibetan word shenpa. It can also be translated as “urge, impulse, charge, or attachment.” It is the first sign that someone has pushed your buttons and activated your sympathetic nervous system, which makes you want to fight, flee, or freeze/collapse. While her teachings related to shenpa and the four R’s (which are a way to get unhooked), are often connected to negative button-pushing, we would be mindful to note that the ability to be hooked is ego-related and, therefore, is also connected to positive things.
The lure is the pretty or shiny thing that draws us in so that we can get hooked. There’s nothing wrong in feeling a sense of pride in your work, your appearance, and/or your child. Part of the practice, however, is being mindful of the fact that that pride is a button that can be pushed. And this is where I first got hooked by the short video, because the content creator was highlighting their hard work. That hard work and (let’s call it) artistry was what caught my attention. But, that’s not the point of this post – neither, in some ways, was it the point of the video.
You see, the people in the video had been accused of something. They had been publicly accused, by someone who doesn’t know them, of something that, in some ways, is not inherently a bad thing. Although I personally think that not acknowledging the thing can be detrimental, I also understand that everyone is not in position to see the thing: privilege.
Yes, they had been accused of having privilege. It’s something we all have to a certain degree; however, it is also something that people are starting to understand in a different way than perhaps they understood it in the past. Hence it becoming a point of accusation. To be clear, being accused of having (and using your) privilege is not even close to the same thing as being accused of murder or treason or conspiracy to commit either, it is a hot button. It is something that results in shenpa and, therefore, creates some of the same feelings and reactions. So, it was interesting (but not surprising) that the content creators were quick to defend themselves. It was also interesting that the way they went about defending themselves, ultimately, proved the accusers’ point (to a lot of people). Equally interesting is that, for every person pointing out that their accusers were correct, there was someone vehemently defending the content creator. That’s the thing about public accusations; they lead to public shenpa. They can also lead to public awareness and public action.
Today’s practice highlights public accusations, as well as the resulting public shenpa and public awareness and action. While we can see the parallels to events happening today, these events took place in France in 1898.
As I noted in 2020: “We are living in a time when a lot of people are getting “hooked” by a large number of things. One thing in particular that stands out is people experiencing shenpa because of loud, public, and blunt accusations. The accusations are all related to what in the yoga philosophy would be called avidyā (ignorance) and all four of the other afflicted or dysfunctional thought patterns. The loudest of the accusations comes in the form of one of several words: racist, sexist, anti-Semitic, homophobic, Islamaphobic, or xenophobic. And, let’s be honest, if someone uses the right “mean” word, they don’t have to do it loudly (or publicly) for the accused to feel the bite of the hook. Furthermore, this shenpa-related reaction is so prevalent right now that we don’t have to turn on the news, read about it, or look online to see someone experiencing this particular form of suffering: all we have to do is look in the mirror.” Click here to read more about shenpa and Émile Zola, who fled France today in 1898.
Please join me today (Tuesday, July 19th) at 12:00 PM or 7:15 PM for a yoga practice on Zoom. You can use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.
Tuesday’s playlist is available on YouTube and Spotify. [Look for “07192020 Compassion & Peace, J’Accuse!”]
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)
“As they have dared, so shall I dare. Dare to tell the truth, as I have pledged to tell it, in full, since the normal channels of justice have failed to do so. My duty is to speak out; I do not wish to be an accomplice in this travesty. My nights would otherwise be haunted by the spectre of the innocent man, far away, suffering the most horrible of tortures for a crime he did not commit.”
– from “J’Accuse” by Emile Zola, published in L’Aurore on January 13, 1898
### RRRR(R) ###
Posted by ajoyfulpractice in "Impossible" People, Books, Changing Perspectives, Healing Stories, Life, Love, Men, One Hoop, Pain, Suffering, Super Heroes, Wisdom, Women, Yoga.
Tags: Craig Rodwell, Dave Van Ronk, Dick Leitsch, Fred Sargent, George Orwell, Gil Scott-Heron, Howard Smith, Jackie Hormona, John O'Brien, John O’ Brian, Josh Jones, Marsha P. Johnson, Martha Shelley, Marty Boyce, PRIDE, Raymond Castro, Stonewall Inn, Stormé DeLarverie, Sylvia Rivera, yoga, Yvonne “Maria” / “Butch” Ritter, Zazu Nova
The following was originally posted June 28, 2020. Class details and music links have been updated. Two extra quotes and additional 2021 post links (with statistics) have been added.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)
“[It was] a perfect event in my life because it let me live the kinds of dreams I had of seeing an equitable society. I was able to live my life, which I would have done anyway, but without Stonewall I would have had more opposition. So it turns out the times were on my side, which left me with a basically happy life.”
*
– Martin “Marty” Boyce
It started off like any other regular Friday. People got up, got dressed, went to work (on Wall Street) or to school. Some wrote poetry or songs in a café. Some gathered on a street corner hoping to score their next meal. It was a regular Friday, and people were looking forward to the weekend. They came home or went to a friend’s place. They changed clothes – that was the first spark of something special… but it was still just a regular Friday. People were going to go out, have a good time, sing, dance, gather with friends (maybe do it again on Saturday night), and then spend some time recovering so that, on Monday, they could go back to being regular.
It was a regular Friday… that became an extraordinary Saturday, because at around 1:20 AM on Saturday, June 28, 1969, four policeman dressed in dark suits, two patrol officers in uniform, a detective, and a deputy inspector from the New York Police Department walked into the Stonewall Inn and announced that they were “taking the place!” It was a raid.
“I was never afraid of the cops on the street, because I was not an obvious person. I was not flaunting my homosexuality to anyone. I wasn’t holding hands. It would never have occurred to me to try and have a confrontation with them [because] you don’t want to be arrested for any stupid reason. I never had any problems with the police. I never had problems with anyone anywhere, until that night…. I never ever gave it a thought of [Stonewall] being a turning point. All I know is enough was enough. You had to fight for your rights. And I’m happy to say whatever happened that night, I was part of it. Because [at a moment like that] you don’t think, you just act.”
*
– Raymond Castro
In some ways, there was still nothing special. The Stonewall Inn, located on Christopher Street in the Greenwich Village neighborhood of Lower Manhattan was a Mafia owned “private bottle bar” frequented by members of the GLBTQIA+ community. It was raided on a regular basis, usually at a standard time. Because the bar was Mafia owned, it would normal get a heads up (from someone who knew the raid was coming – wink, wink, nudge, nudge) and just before the raid was scheduled the lights would come up so people could stop holding hands or dancing (both of which were illegal for same sex partners) and any illegal alcohol could be hidden. The police would separate people based on clothing and then a female officer would take anyone wearing a dress into the bathroom in order to check their genitalia. Some people were arrested, but many would go back to the party once the police had taken their leave.
The raid that happened this morning in 1969 was different. There was no warning. No lights came up. No then-illegal activity was hidden. Unbeknownst to the patrons, four undercover officers (two men and two women) had previously been in the bar gathering visual evidence. The police started rounding people up and, also, letting some people go. They were planning to close the bar down. The only problem was…people didn’t leave. The people who were released stayed outside in the street, watching what was happening, and they were eventually joined by hundreds more.
“I changed into a black and white cocktail dress, which I borrowed from my mother’s closet. It was mostly black, empire-waisted, with a white collar. I used to dress with a bunch of older queens and one of them lent me black fishnet stockings and a pair of black velvet pumps…. The cop looked at me and said, ‘Hey, you!’ and I said, ‘Please, it’s my birthday, I’m just about to graduate from high school, I’m only 18,’ and he just let me go! [I was] scared to death that my father would see me on the television news in my mother’s dress.”
*
– Yvonne (also known as Maria) Ritter
At times the crowd was eerily quiet. But then, as Mafia members were brought out, they started to cheer. When employees were brought out, someone yelled, “Gay power,” and someone started to sing. An officer shoved a person in a dress and she started hitting him over the head with her purse. The crowd was becoming larger… and more restless. At some point people started throwing beer bottles and pennies (as a reference to the police being bribed by the Mafia.) This was becoming a problem, but an even bigger problem was when the police found out the second van was delayed. They were stuck.
Then, things went from bad to worse when some of the 13 people arrested (including employees and people not wearing what was considered “gender appropriate clothing”) resisted. One of the women, a lesbian of color, managed to struggle and escape multiple times. At some point there were four officers trying to contain her. When a police officer hit her over the head, she yelled at the crowd, “Why don’t you guys do something?” And they did.
Police officers barricaded themselves and several people they were arresting (some of whom were just in the neighborhood) inside of the bar for safety. The NYPD’s Tactical Patrol Force was called out to free the officers and detainees trapped inside the Stonewall Inn. One witness said that the police were humiliated…and out for blood. The police’s own escalation, in trying to contain the violence, was met with a Broadway chorus style kick-line… and more violence. The escalation continued. At times, people were chasing the police.
The ensuing protests/riots lasted through the weekend and, to a lesser degree, into the next week. The bar re-opened that next night and thousands lined up to get inside. There was more vandalism and more violence, but on Saturday night (June 28th) there were also public displays of affection: at that time, illegal same-sex public displays of affection. People were out.
“It was a rebellion, it was an uprising, it was a civil rights disobedience – it wasn’t no damn riot!”
*
– Stormé DeLarverie
The Stonewall Uprising, the riots and the ensuing protests and celebrations were not the first of their kind. Three years earlier, the Mattachine Society had organized “sip-ins” where people met at bars and openly declared themselves as gay. That kind of organized, peaceful civil disobedience was happening all over the country during the 60’s. It was a way to break unjust laws and it temporarily reduced the number of police raids. However, the raids started up again.
Stormé DeLarverie, Marsha P. Johnson, Zazu Nova, Jackie Hormona, Martin “Marty” Boyce, Sylvia Rivera, Raymond Castro, John O’ Brian, and Yvonne “Maria” / “Butch” Ritter were among the people involved in the Stonewall Uprising. The musician Dave Van Ronk (who famously arranged the version of “House of the Rising Sun” made famous by Bob Dylan) was not gay, but he was arrested. Alan Ginsberg, who was gay, would witness the riots and applaud the people who were taking a stand. Village Voice columnist Howard Smith was a straight man who had never been inside the Stonewall Inn until he grabbed his press credentials and made his way into the center of the uprising. Craig Rodwell (owner of the Oscar Wilde Memorial Bookshop) and Fred Sargent (the bookstores manager) started writing and distributing leaflets on behalf of the Mattachine Society. They also drummed up media interest. In addition to Rodwell and Sargent, Dick Leitsch (a member of the Mattachine Society), John O’Brien, and Martha Shelley (a member of the Daughters of Bilitis) would start organizing so that the protest that turned into a riot would come full circle as a protest that created change.
A year later, June 28, 1970, thousands of people returned to Stonewall Inn. They marched from the bar to Central Park in what was then called “Christopher Street Liberation Day.” The official chant was, “Say it loud, gay is proud.” And, I’m betting there was at least one kick line.
“But [Gil] Scott-Heron also had something else in mind—you can’t see the revolution on TV because you can’t see it at all. As he [said] in a 1990s interview:
*
‘The first change that takes place is in your mind. You have to change your mind before you change the way you live and the way you move. The thing that’s going to change people is something that nobody will ever be able to capture on film. It’s just something that you see and you’ll think, “Oh I’m on the wrong page,” or “I’m on I’m on the right page but the wrong note. And I’ve got to get in sync with everyone else to find out what’s happening in this country.”’
*
If we realize we’re out of sync with what’s really happening, we cannot find out more on television. The information is where the battles are being fought, at street level, and in the mechanisms of the legal process.”
*
– quoted from the Open Culture article “Gil Scott-Heron Spells Out Why ‘The Revolution Will Not Be Televised’” by Josh Jones (posted June 2nd, 2020)
Please join me today (Tuesday, June 28th) at 12:00 PM or 7:15 PM for a yoga practice on Zoom. You can use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.
Tuesday’s playlist is available on YouTube and Spotify. [Look for “06282020 Stonewall PRIDE”]
(NOTE: The YouTube playlist has been updated with the latest link to the “forbidden” music. The Spotify playlist may skip an instrumental track.)
“Unpopular ideas can be silenced, and inconvenient facts kept dark, without the need for any official ban. Anyone who has lived long in a foreign country will know of instances of sensational items of news — things which on their own merits would get the big headlines-being kept right out of the British press, not because the Government intervened but because of a general tacit agreement that ‘it wouldn’t do’ to mention that particular fact. So far as the daily newspapers go, this is easy to understand. The British press is extremely centralised, and most of it is owned by wealthy men who have every motive to be dishonest on certain important topics. But the same kind of veiled censorship also operates in books and periodicals, as well as in plays, films and radio. At any given moment there is an orthodoxy, a body of ideas which it is assumed that all right-thinking people will accept without question. It is not exactly forbidden to say this, that or the other, but it is ‘not done’ to say it, just as in mid-Victorian times it was ‘not done’ to mention trousers in the presence of a lady. Anyone who challenges the prevailing orthodoxy finds himself silenced with surprising effectiveness. A genuinely unfashionable opinion is almost never given a fair hearing, either in the popular press or in the highbrow periodicals.”
*
– quoted from an originally unpublished introduction to Animal Farm by George Orwell
Click here for a short note about Gil Scott-Heron, whose lived experience in 1969 New York City may not have been a specifically LGBTQIA+ experience, but did write words that speak to an intersectionality of experiences that existed 52 years ago today and still exist to this day. As I mentioned last year, “He was speaking from the experience of being part of a marginalized (and sometimes vilified) community in the world (in general) and in New York (specifically). And, therefore, it is not surprising that his words apply.” Click here for some contextualized stats.
If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can call 1-800-273-TALK (8255). You can also call the TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.
If you are a young person in crisis, feeling suicidal, or in need of a safe and judgement-free place to talk, call the TrevorLifeline (which is staffed 24/7 with trained counselors).
*
### SAY IT LOUD ###
Posted by ajoyfulpractice in "Impossible" People, Books, Changing Perspectives, Healing Stories, Hope, Life, Love, One Hoop, Pain, Philosophy, Suffering, Wisdom, Women, Yoga.
Tags: adoption, asana, Changing Perspectives, disability, family therapy, Pearl S Buck, PRIDE, Sai Zhenzhu, Swami Vivekananda, Virginia Satir, yoga philosophy, yoga practice, Yoga Sutra 2.26
Today is a tricky day, because we are going to celebrate. We are going to celebrate love and diversity even as some people seem to be on a mission to make it harder to show that love and harder to be a diverse society. Still, we are going to celebrate being human. The following is a revised excerpt from a 2020 post.
Making contact
I believe
The greatest gift
I can conceive of having
is
to be seen by them,
to be understood
and
touched by them.
The greatest gift
I can give
is
to see, hear, understand
and to touch
another person.
When this is done
I feel
contact has been made.
*
– from the poem “Making Contact” by Virginia Satir
For those of you who missed the memo: I am a huge fan of the work of therapist and author Virginia Satir. Born today in 1916, she is known as the “Mother of Family Therapy” and placed her work in “family reconstruction” and “family sculpting” under the umbrella of “Becoming More Fully Human.” She developed the Virginia Satir Change Process Model, which was adopted by corporations in the 1990’s and 2000s as a change management model, and the Human Validation Process Model. Similar to other existential therapist (although I’m not sure she ever used such a label), Satir found that when people came into therapy the presenting, or “surface,” problem was seldom the real problem. Instead, her work revolved around the idea that the real issue was how they coped with situations in their lives. Additionally, she documented that people’s self-esteem played a part in how they coped with conflict and challenges. So, here again, the issue comes down to functional versus dysfunctional thought patterns and how those thought patterns manifest into words and deeds that alleviate suffering or cause suffering.
When Satir worked with patients she would utilize role playing as well as meditations. The role playing was to get family members to consider each other’s perspectives and, in doing so, cultivate empathy and better understanding. The guided meditations were a way for people to recognize that they already had (inside of themselves) the tools/toolkit – or abilities – needed to overcome challenges and obstacles within their relationships. They also empowered people to use the tools that were inside of them, and to cultivate those tools. However, Satir did not see her work as being limited to “traditional” families; she believed that if her work could heal a family unit, it could also heal the world. They key, again, was offering people that “greatest gift” and figuring out what people really wanted and/or needed.
“It is now clear to me that the family is a microcosm of the world. To understand the world, we can study the family: issues such as power, intimacy, autonomy, trust, and communication skills are vital parts underlying how we live in the world. To change the world is to change the family.”
*
– from The New Peoplemaking by Virginia Satir
Satir was born on the anniversary of the birth of the award winning novelist Pearl S. Buck, who was also known as Sai Zhenzhu. Born in Hillsboro, West Virginia in 1892, Buck spent most of her life in China. Her experiences in China, both as a young child of missionaries and as an adult, resulted in a plethora of novels, short stories, children’s books, and biographies that exposed Western readers to the people, culture, and landscape of China. She won the Nobel Prize in Literature and was the first woman to win the Pulitzer Prize.
Buck was a humanitarian who wrote about everything from women’s rights and immigration to Communism, war and the atomic bomb. Her work was a form of activism, but she didn’t regulate her actions to the page alone. When it came to Asian, mixed-race, special needs, and international adoptions, Buck was more than a writer – she was a parent. In addition to advocating against racial and religious matching in adoptions, Buck adopted six children of various ethnicities and nationalities. (Previously, she had given birth to one special needs daughter. So, she was a mother of seven.)
“I was indignant, so I started my own damned agency!”
*
– Pearl S. Buck explaining why she started Welcome House in 1949 (after multiple agencies told she could not adopt Robbie, a mixed race 15-month old boy, because his skin was brown)
Pearl S. Buck co-founded Welcome House, Inc., the first international, inter-racial adoption agency (with author James Michener, lyricist and producer Oscar Hammerstein II, and interior designer and decorator Dorothy Hammerstein); established the Pearl S. Buck Foundation to support children who were not eligible for adoption, and opened Opportunity Center and Orphanage (aka Opportunity House) to advocate for the rights of orphans in South Korea, Thailand, Philippines, and Vietnam. Buck believed that families formed from love (as opposed to blood, race, religion, or nationality) and that they were living expressions of democracy – something she felt the United States could not unequivocally express during the Jim Crow era.
In 1991, Welcome House and the foundation merged to form Pearl S. Buck International to continue Buck’s legacy. However, like so many historical figures, that legacy is complicated. She was (and still can be) considered controversial when you think about her family history and some of her views. Buck was described as “a thorn in the side of the welfare establishment” and her award-winning novel The Good Earth is considered by some to be literary propaganda.*
“What lingers from the parent’s individual past, unresolved or incomplete, often becomes part of her or his irrational parenting.”
*
– from Peoplemaking by Virginia Satir
Take another look at the poem at the top of this post.
No, don’t read it… just look at it.
What do you see? More specifically, who do you see? Granted, your device, your eyes, or even your brain may not see what I see. But, consider what you might see. What if you saw yourself? What if you saw someone you loved? What if you saw someone you didn’t like? Even if you don’t see what I see, the underlying meaning is the same: Right in front of you, there is an individual, with open arms, wanting, needing, and waiting to be seen.
“We need 4 hugs a day for survival. We need 8 hugs a day for maintenance. We need 12 hugs a day for growth.”
*
– Virginia Satir
*
“We must not allow other people’s limited perceptions to define us.”
*
– from The New Peoplemaking by Virginia Satir
Please join me for a 65-minute virtual yoga practice on Zoom today (Sunday, June 26th) at 2:30 PM. You can use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.
Sunday’s playlist is available on YouTube and Spotify. [Look for “0626022 Satir & PRIDE”]
“After long searches here and there, in temples and in churches, in earths and in heavens, at last you come back, completing the circle from where you started, to your own soul and find that He for whom you have been seeking all over the world, for whom you have been weeping and praying in churches and temples, on whom you were looking as the mystery of all mysteries shrouded in the clouds, is nearest of the near, is your own Self, the reality of your life, body, and soul. That is your own nature. Assert it, manifest it.”
– from “ The Real Nature of Man” speech, delivered in London and published in The Complete Works of Swami Vivekananda (Volume 2, Jnana-Yoga) by Swami Vivekananda
Yoga Sutra 2.26: vivekakhyātiraviplavā hānopāyah
*
– “The clear, unshakeable awareness of discerning knowledge (insight) is the means to nullifying sorrow (created by ignorance).”
### STILL HUMAN ###
Posted by ajoyfulpractice in Books, Changing Perspectives, Depression, Faith, Healing Stories, Hope, Life, Loss, Love, Men, Minneapolis, Minnesota, Music, One Hoop, Pain, Suffering, Twin Cities, Wisdom, Women, Yoga.
Tags: Andrea Jenkins, Animal Farm, Changing Perspectives, humanity, Laverne Cox, PRIDE, yoga
[This is the “missing” post for Monday, June 28th. You can request an audio recording of Monday’s practice via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com. This post includes statistics that may be triggering for some.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.
Check out the “Class Schedules” calendar for upcoming classes. If you are using an Apple device/browser and the calendar is no longer loading, please email me at myra (at) ajoyfulpractice.com at least 20 minutes before the practice you would like to attend.]
“Unpopular ideas can be silenced, and inconvenient facts kept dark, without the need for any official ban. Anyone who has lived long in a foreign country will know of instances of sensational items of news — things which on their own merits would get the big headlines-being kept right out of the British press, not because the Government intervened but because of a general tacit agreement that ‘it wouldn’t do’ to mention that particular fact. So far as the daily newspapers go, this is easy to understand. The British press is extremely centralised, and most of it is owned by wealthy men who have every motive to be dishonest on certain important topics. But the same kind of veiled censorship also operates in books and periodicals, as well as in plays, films and radio. At any given moment there is an orthodoxy, a body of ideas which it is assumed that all right-thinking people will accept without question. It is not exactly forbidden to say this, that or the other, but it is ‘not done’ to say it, just as in mid-Victorian times it was ‘not done’ to mention trousers in the presence of a lady. Anyone who challenges the prevailing orthodoxy finds himself silenced with surprising effectiveness. A genuinely unfashionable opinion is almost never given a fair hearing, either in the popular press or in the highbrow periodicals.”
– quoted from an originally unpublished introduction to Animal Farm by George Orwell
The Civil Rights Movement started long before the events of Sunday, March 7, 1965 and the continued long after the other two “Selma to Montgomery” marches that followed. Some would even say that it continues to this day. Similarly, the movement to uphold the civil rights of the LGBTQIA+ community didn’t start (or end) with an unannounced raid in the wee hours of the morning on Saturday, June 28, 1969.
Unlike what happened in Selma, Alabama on “Sunday Bloody Sunday,” the events that took place in and around New York City’s Stonewall Inn 52 years ago today were not televised around the world. People did not see the brutality and, initially, they did not see the indomitable human spirit rising above the brutality. Bottom line, people did not see the humanity that some were trying to systematically erase and/or ignore. Therefore, it took a while for people to get it…. Although, some would say, there are still people who don’t get it. What people sometimes don’t get, is that regardless of which marginalized (or even non-marginalized) group you discuss, civil rights are human rights – and, last time I checked, we’re all human.
There are a lot of problems we could get into when it comes to how any one of us understands “humanity.” Like, what does the word even mean? I’m fond of Noah Webster’s 1828 American Dictionary of the English Language – because it’s so intentionally “American” and the Oxford English Dictionary (OED) – because it tends to be so comprehensive when it comes to the English language. That being said, Webster’s 1828 definition of “humanity” has religious overtones that could turn this into a very different conversation. It agrees with the OED, however, in the understanding that “humanity” relates to the human race and to “human beings collectively.” The OED (and other dictionaries) also point to “The fact or condition of being human; human nature.”
Think about that last bit for a moment. What are the conditions of being human? Are the conditions that you find acceptable for your existence being met for those around you? Who is around you?
According to the Williams Institute, a think tank at University of California, Los Angeles – Law, about 4.5% of American adults identified themselves as part of the LGBTQIA+ community. 29% of those within the general community are raising children. While the percentage of LGBTQIA+ people who identify as white (58%) is lower than the percentage of white Americans in general, other racial demographics are pretty much a mirror of the general population stats (21% Latino/a and 12% Black). While people under the alphabet umbrella reside all over the United States, Black LGBTQIA+ people are less likely to live in the South than the general Black populace.
When it comes to education, the statistics for LGBTQIA+ people are fairly close to those outside of the community. However, when it comes to people who have obtained a Bachelor’s degree or a post-graduate degree, the statistics flip and indicate a higher rate for people outside of the community. Prior to the pandemic, the percentages related to people who were unemployed, uninsured, food insecure, or earning an income below the poverty line were higher within the LGBTQIA+ community. This was especially true for Black and Asian and Pacific Islander (API) adults.
1.2M Black LGBTIA+ adults live in the United States, with 26% of them raising children and 56% having a low income household (which is, coincidentally, the same percentage of people who annually get tested for HIV). 26% of the Black LGBTQIA+ community have been diagnosed with depression; 79% reported experiencing verbal insults or abuse; and 60% reported being threatened with violence.
Additional studies conducted prior to the pandemic showed that people within the LGBTQIA+ community had as high or higher experiences of violence (in particular, intimate partner and/or sexual violence) than the general population. However, the “higher” statistics were related to women and People of Color – and, in most cases, people indicated that they did not always report the violence and/or assault. A higher percentage of transgender people (versus cis gender people, whose gender identity matches how they were designated at birth) indicated they had experienced intimate partner and/or sexual violence. That last statistic goes up again when specifically related to Black transgender women, who have an average life expectancy of 35.
According to a 2018 report from the Centers for Disease Control and Prevention (CDC), suicide was the 10th leading cause of death in the United States for the previous 10 years, but the 2nd leading cause of death for youth – and GLBTQIA+ youth were ten times more likely to attempt suicide than their peers. In fact, The Trevor Project (and this same report) indicated that almost half of the transgender population had attempted suicide, “many before age 25.”
Recent polls indicate that nearly 90% of Americans say they personally know someone who is lesbian, gay, or bisexual. However, GLADD, an American non-governmental media advocacy organization for the LGBTQIA+ community, published an online survey conducted by Harris Poll in 2015, which surveyed 2,000 U.S. adults (18 years and older) and pointed to a very different experience regarding transgender people. According to that survey, the number of people who said they knew (and/or worked with) someone who was transgender had doubled from 8% (in 2008) to 16%. More recent polls show that the numbers have gone up again – to 20%. What that means, however, is that the majority of Americans (polled), 80% only know about people who are trans because of something they see in the media. Additionally, what they see in the media (up until recently) was created by people who were not trans and who, given the statistics, may not have known anyone that was transgender when they started telling their story.
“The ways in which trans people have been represented have suggested that we’re mentally ill, that we’re that we won’t exist. And yet here we are. And we’ve always been here.”
– Laverne Cox, quoted in the trailer for her 2020 Netflix documentary Disclosure: Trans Lives on Screen
I’ve said it before (from a Black and female perspective) and I’ll say it again (here, as an LGBTQIA+ ally): If you don’t tell your story, someone else will. But, who knows how they will tell it or what they will tell. For a long time, People of Color (especially Black and Indigenous men), women, and people of living with disability have had their stories told and controlled by people who were not them. Furthermore, those stories were told to/for an audience that was not them. Thankfully, that is changing. But just as we can’t un-see what we’ve already seen, we can’t automatically stop thinking what we’ve been taught to think. We have to see what is right in front of our eyes. That’s why representation matters – and that’s why it still matters when a prominent figure, in the sports world or anywhere else, comes out.
“Living a full, vibrant and healthy life is a priority for [Vice President of the Minneapolis City Council Andrea] Jenkins, especially since some authorities estimate that the average life expectancy for a transgender woman of color is 35, primarily because of violence.
Her most recent volume of poetry is titled The T is Not Silent as a way to signify that the T (transgender) of LGBT can no longer be overlooked.
‘The only way we can change that horrifying statistic is through understanding. I have been able to live my life out, but not all transgender people have that opportunity,’ she said. ‘I realize that my age is a blessing, and I’m thrilled and grateful for my relative longevity. I try to advocate and lift up the narrative of my community every opportunity I get.’”
– quoted from the November 2, 2018 Minnesota Good Age article “Zen master – Andrea Jenkins talks poetry and politics – and shares why she never loses hope.” By Julie Kendrick
There is no playlist for the Common Ground practice (but there is a Stonewall PRIDE playlist, which we used on Sunday and I have updated it so the “forbidden” music should now play).
If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can call 1-800-273-TALK (8255). You can also call the TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.
If you are a young person in crisis, feeling suicidal, or in need of a safe and judgement-free place to talk, call the TrevorLifeline (which is staffed 24/7 with trained counselors).
*
Errata: Some typos have been updated and one link has been added.
### LOVE TO THOSE WHO ARE OUT & LOUD (and to those who are not so out and/or not so loud) ###
Posted by ajoyfulpractice in Uncategorized.
Tags: celebration, Gil Scott-Heron, inspiration, Laverne Cox, Love, PRIDE, Stonewall, Todrick Hall, truth, yoga philosophy
“But [Gil] Scott-Heron also had something else in mind—you can’t see the revolution on TV because you can’t see it at all. As he [said] in a 1990s interview:
‘The first change that takes place is in your mind. You have to change your mind before you change the way you live and the way you move. The thing that’s going to change people is something that nobody will ever be able to capture on film. It’s just something that you see and you’ll think, “Oh I’m on the wrong page,” or “I’m on I’m on the right page but the wrong note. And I’ve got to get in sync with everyone else to find out what’s happening in this country.”’
If we realize we’re out of sync with what’s really happening, we cannot find out more on television. The information is where the battles are being fought, at street level, and in the mechanisms of the legal process.”
– quoted from the Open Culture article “Gil Scott-Heron Spells Out Why ‘The Revolution Will Not Be Televised’” by Josh Jones (posted June 2nd, 2020)
For most, 52 years ago today was an ordinary Friday that became an extraordinary Saturday. The poet Gil Scott-Heron – who was born in Chicago, Illinois (April 1, 1949), spent some of his formative years being raised by his grandmother in Jackson, Tennessee, and then moved to be with his mother in New York City – attended college at Lincoln University (the alma mater of Langston Hughes and Supreme Court Justice Thurgood Marshall). However, at some point in 1969, he returned to New York City and wrote some of what would become his debut album, A New Black Poet – Small Talk at 125th and Lenox (released in 1970). “The Revolution Will Not Be Televised” was a Black Power movement motto in the 60’s and I’ve been thinking about it a lot recently.
The idea that true revolution begins in the hearts and minds of individuals and then moves out into the streets and into the courts was on my mind when I added Gil Scott-Heron’s poem to the end of my Juneteenth playlist and it was on my mind when I started thinking about this year’s PRIDE celebrations. Specifically, I was thinking about how the pandemic has caused some public celebrations to be canceled or rescheduled for the second year in a row – and yet, there is still celebration… and there is still movement; there is still revolution.
Gil Scott-Heron was writing from a specific lived experience. And, yes, it was not a specifically GLBTQIA+ experience. However, his words speak to an intersectionality of experiences that existed 52 years ago today and still exist to this day. He was speaking from the experience of being part of a marginalized (and sometimes vilified) community in the world (in general) and in New York (specifically). And, therefore, it is not surprising that his words apply.
The public festivities may be canceled or rescheduled, but the celebration – that is its own revolution – will not be televised or marginalized.
“Pride isn’t about the party. It’s about the people. It’s about the youth in our community, our seniors, transgender and non-conforming, friends and neighbors, People of Color, disabled, immunocompromised, the homeless, our veterans, and those raising families. We are all in this together.”
– Todrick Hall, during the 2020 Virtual Pride (24-hour) celebration
Please join me for a 65-minute virtual yoga practice on Zoom today (Sunday, June 27th) at 2:30 PM to celebrate Pride. You can use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You can always request an audio recording of this practice (or any practice) via email or a comment below.
Today’s playlist is available on YouTube and Spotify. [Look for “06282020 Stonewall PRIDE”]
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)
### “And yet here we are, and we’ve always been here.” ~ Laverne Cox ###
Posted by ajoyfulpractice in "Impossible" People, Art, Books, Changing Perspectives, Confessions, Healing Stories, James Baldwin, Life, Loss, Love, Maya Angelou, Men, Pain, Poetry, Suffering, Super Heroes, Writing, Yoga.
Tags: Aimee Lehto, America, being present, Boyd Croyner, Civil Rights, inspiration, James Baldwin, Justin Timberlake, Maria Mitchell, Maya Angelou, Muhammad Ali, PRIDE, truth, yoga
“Impossible is just a word thrown around by small men who find it easier to live in the world they’ve been given than to explore the power they have to change it. Impossible is not a fact. It’s an opinion. Impossible is potential. Impossible is temporary. Impossible is nothing.”
– quoted from a 2004 Adidas ad campaign written by Aimee Lehto (with final tag line credited to Boyd Croyner), often attributed to Muhammad Ali
Yesterday I referred to Maria Mitchell as an impossible woman. Back in 2016, thanks to Justin Timberlake quoting Muhammad Ali to a bunch of teens, I started thinking about what it meant to be an impossible person and spent the first week in August highlighting impossible people. Born today in Harlem, New York, in 1924, the author James Baldwin is – by his own words – my second impossible person.
“Given the conditions in this country to be a black writer was impossible. When I was young, people thought you were not so much wicked as sick, they gave up on you. My father didn’t think it was possible—he thought I’d get killed, get murdered. He said I was contesting the white man’s definitions, which was quite right.”
– James Baldwin, quoted from the interview “James Baldwin, The Art of Fiction No. 78” by Jordan Elgrably (printed in The Paris Review, Issue 91, Spring 1984)
Mr. Baldwin’s life (and career) were, in so many ways, shaped by a combination of opinions. There were the opinions of his stepfather David Baldwin (who he referred to as his father) about life in general plus his stepfather’s opinion of how the world would view him, how the world actually viewed him, and his own ideas about what was possible – or, what was necessary. He spent the ages of 14 – 17 following his father’s footsteps into the ministry and then, when his father died, he took a giant leap. He said, “Those were three years [preaching] which probably turned me to writing.”
Leaping into writing was not Mr. Baldwin’s only leap. He leapt across the pond to Paris, France, twice, even as his writing challenged Western society’s conceptions about race, class, gender, and sexuality. His essays, novels, and plays include Giovanni’s Room, Notes of a Native Son, The Fire Next Time, If Beale Street Could Talk (which was recently made into a movie) and the unfinished manuscript Remember This House (which was adapted to create the 2016 Academy Award-nominated documentary I Am Not Your Negro). Mr. Baldwin first went to Paris with $40 and not a lick of French. He was 24 years old, coming to grips with his sexuality, and escaping what he viewed – what he had witnessed – was a death sentence at the hands of American society.
“Not so metaphorically. Looking for a place to live. Looking for a job. You begin to doubt your judgment, you begin to doubt everything. You become imprecise. And that’s when you’re beginning to go under. You’ve been beaten, and it’s been deliberate. The whole society has decided to make you nothing. And they don’t even know they’re doing it.”
– James Baldwin, quoted from the interview “James Baldwin, The Art of Fiction No. 78” by Jordan Elgrably (printed in The Paris Review, Issue 91, Spring 1984)
From Paris, he was able to not only gain perspective about his experiences of being Black in America (and of being Black and Gay in America), but also to offer those experience back to the United States – in the form of a literary mirror. In words that very much echo Miss Maria Mitchell’s words, he said wanted to see himself, and be seen as, more than “merely a Negro; or, merely a Negro writer.”
In his late 30’s/early 40’s, Mr. Baldwin briefly returned to the United States and physically participated in the Civil Rights Movement and Gay Liberation Movement that he had (from Paris) helped to literally inspire. He became friends with Langston Hughes, Martin Luther King, Malcolm X, Medgar Evers, Lorraine Hansberry, Nikki Giovanni, and Nina Simone (who he and Mr. Hughes convinced to become active in the Civil Rights Movement). He worked with Drs. Kenneth and Mamie Clark, as well as Lena Horne and Miss Hansberry, to discuss the importance of civil rights legislation with President John F. Kennedy.
His friendships, however, were not only with Black artists and activists. He worked with his childhood friend Richard Avedon, marched with Marlon Brando and Charlton Heston, collaborated with Margaret Mead and Sol Stein, and also knew Rip Torn, Jean-Paul Sartre, and Dorothea Tanning. In fact, to read a biography or autobiography of James Baldwin is to read a Who’s Who of activism and artistry in the 20th century. But, you don’t have to settle for a reading a measly biography. If you can get your hands on the 1,884 pages of documents compiled by the FBI, you would be in for quite a treat.
Yes, you read that correctly. For a little over a decade, the FBI collected nearly two thousand pages worth of documents on a man that many Americans may not realize helped convince President Kennedy to send federal troops to defend the civil rights activists marching from Selma to Montgomery. True, it’s not the well-over 17,000 pages they compiled on Martin Luther King (not including the wire-tap documents). Here, however, is some perspective: the FBI only collected 276 pages on authors like Richard Wright (Native Son) and 110 pages on authors like Truman Capote (In Cold Blood) and Henry Miller (Tropic of Cancer). Additionally, FBI Director J. Edgar Hoover showed a particular interest in Mr. Baldwin and actually worked with agents to figure out ways they could ban Mr. Baldwin’s 1962 novel Another Country – despite the fact that the report of the Justice Department’s General Crimes Section “concluded that the book contains literary merit and may be of value to students of psychology and social behavior.”
“The occurrence of an event is not the same thing as knowing what it is that one has lived through. Most people had not lived — nor could it, for that matter, be said that they had died– through any of their terrible events. They had simply been stunned by the hammer. They passed their lives thereafter in a kind of limbo of denied and unexamined pain. The great question that faced him this morning was whether or not had had ever, really, been present at his life.”
– quoted from Another Country by James Baldwin
“I imagine one of the reasons people cling to their hates so stubbornly is because they sense, once hate is gone, they will be forced to deal with pain.”
– quoted from The Fire Next Time by James Baldwin
When so many of his friends, who were also the leaders of the Civil Rights Movement, were killed, Mr. Baldwin made his second leap back to Paris. Again, it was a leap made out of fear and the basic desire to survive. His grief, anger, horror, and disappointment are all on full display in later works like If Beale Street Could Talk, Just Above My Head, and the 1985 non-fiction book Evidence of Things Not Seen (about the Atlanta child murders). Yet, until his dying day he wrote about love and hope – even using a portion of the Epistle to the Hebrews, from the Christian New Testament, as the title of his book about the Atlanta child murders.
Another place where you can see Mr. Baldwin’s devotion to love, life, and humanity is in the words of his friends; people, who actually knew him, were inspired by him, and some of whom called him Jim or Jimmy. When he died in 1987, Maya Angelou wrote a tribute for The New York Times, entitled “James Baldwin: His Voice Remembered; Life In His Language.” In addition to describing how Mr. Baldwin introduced her to his family as his mother’s newest daughter, she explained that he “opened the [unusual] door” and encouraged her to tell her story.
“Well, the season was always Christmas with you there and, like one aspect of that scenario, you did not neglect to bring at least three gifts. You gave me a language to dwell in, a gift so perfect it seems my own invention….
The second gift was your courage, which you let us share: the courage of one who would go as a stranger in the village and transform the distances between people into intimacy with the whole world; courage to understand that experience in ways that made it a personal revelation for each of us…. Yours was the courage to live life in and from its belly as well as beyond its edges, to see and say what was, to recognize and identify evil, but never fear or stand in awe of it….
The third gift was hard to fathom and even harder to accept. It was your tenderness – a tenderness so delicate that I thought it could not last, but last it did and envelop me it did. In the midst of anger it tapped me lightly like the child in Tish’s womb…. Yours was a tenderness, of vulnerability, that asked everything, expected everything and, like the world’s own Merlin, provided us with the ways and means to deliver. I suppose that was why I was always a bit better behaved around you, smarter, more capable, wanting to be worth the love you lavished, and wanting to be steady enough to bear while it broke your heart, wanting to be generous enough to join your smile with one of my own, and reckless enough to jump on in that laugh you laughed. Because our joy and our laughter were not only all right, they were necessary.”
– quoted from “James Baldwin: His Voice Remembered; Life In His Language” by Maya Angelou (printed in The New York Times Book Review December 20, 1987)
I have cancelled class today and tomorrow night, but encourage you to practice. Practice with those aforementioned gifts and especially the second and third gifts – with courage and tenderness that has you lifting the corners of your mouth up to your ears and laughing out loud.
In the past, I have used a variation of my “Langston Hughes” playlist, which features Miles Davis, Charles Mingus, Charlie Parker, and a whole lot of Bach. You are welcome to use my “Selma to Montgomery” playlist, which is available on YouTube and Spotify. However, if you have time, I would encourage you to grab some Nina Simone, Lena Horne, Harry Belafonte (“Merci Bon Dieu” comes to mind, of course), Sammy Davis, Jr., and Joan Baez – and then mix in some of the aforementioned jazz.
“I love America more than any other country in this world, and, exactly for this reason, I insist on the right to criticize her perpetually.”
“Love takes off masks that we fear we cannot live without and know we cannot live within. I use the word love here not merely in the personal sense but as a state of being or a state of grace – not in the infantile American sense of being made happy but in the tough and universal sense of quest and daring and growth….Love is a growing up.”
– James Baldwin
2022 Errata: This post has been updated to correctly credit the Adidas ad associated with Muhammad Ali and to clarify that all references to James Baldwin’s “father” and “stepfather” refer to David Baldwin. Additionally, some syntax has been revised and music links have been update.
### OPEN THE DOOR, & LET ME IN (OR OUT)! ###
Posted by ajoyfulpractice in "Impossible" People, Books, Changing Perspectives, Healing Stories, Life, Love, Men, One Hoop, Pain, Suffering, Super Heroes, Wisdom, Women, Yoga.
Tags: Craig Rodwell, Dave Van Ronk, Dick Leitsch, Fred Sargent, Howard Smith, Jackie Hormona, John O'Brien, John O’ Brian, Marsha P. Johnson, Martha Shelley, Marty Boyce, PRIDE, Raymond Castro, Stonewall Inn, Stormé DeLarverie, Sylvia Rivera, yoga, Yvonne “Maria” / “Butch” Ritter, Zazu Nova
“[It was] a perfect event in my life because it let me live the kinds of dreams I had of seeing an equitable society. I was able to live my life, which I would have done anyway, but without Stonewall I would have had more opposition. So it turns out the times were on my side, which left me with a basically happy life.”
– Martin “Marty” Boyce
It started off like any other regular Friday. People got up, got dressed, went to work (on Wall Street) or to school. Some wrote poetry or songs in a café. Some gathered on a street corner hoping to score their next meal. It was a regular Friday, and people were looking forward to the weekend. They came home or went to a friend’s place. They changed clothes – that was the first spark of something special… but it was still just a regular Friday. People were going to go out, have a good time, sing, dance, gather with friends (maybe do it again on Saturday night), and then spend some time recovering so that, on Monday, they could go back to being regular.
It was a regular Friday… that became an extraordinary Saturday, because at around 1:20 AM on Saturday, June 28, 1969, four policeman dressed in dark suits, two patrol officers in uniform, a detective, and a deputy inspector from the New York Police Department walked into the Stonewall Inn and announced that they were “taking the place!” It was a raid.
“I was never afraid of the cops on the street, because I was not an obvious person. I was not flaunting my homosexuality to anyone. I wasn’t holding hands. It would never have occurred to me to try and have a confrontation with them [because] you don’t want to be arrested for any stupid reason. I never had any problems with the police. I never had problems with anyone anywhere, until that night…. I never ever gave it a thought of [Stonewall] being a turning point. All I know is enough was enough. You had to fight for your rights. And I’m happy to say whatever happened that night, I was part of it. Because [at a moment like that] you don’t think, you just act.”
– Raymond Castro
In some ways, there was still nothing special. The Stonewall Inn, located on Christopher Street in the Greenwich Village neighborhood of Lower Manhattan was a Mafia owned “private bottle bar” frequented by members of the GLBTQIA+ community. It was raided on a regular basis, usually at a standard time. Because the bar was Mafia owned, it would normal get a heads up (from someone who knew the raid was coming – wink, wink, nudge, nudge) and just before the raid was scheduled the lights would come up so people could stop holding hands or dancing (both of which were illegal for same sex partners) and any illegal alcohol could be hidden. The police would separate people based on clothing and then a female officer would take anyone wearing a dress into the bathroom in order to check their genitalia. Some people were arrested, but many would go back to the party once the police had taken their leave.
The raid that happened this morning in 1969 was different. There was no warning. No lights came up. No then-illegal activity was hidden. Unbeknownst to the patrons, four undercover officers (two men and two women) had previously been in the bar gathering visual evidence. The police started rounding people up and, also, letting some people go. They were planning to close the bar down. The only problem was…people didn’t leave. The people who were released stayed outside in the street, watching what was happening, and they were eventually joined by hundreds more.
“I changed into a black and white cocktail dress, which I borrowed from my mother’s closet. It was mostly black, empire-waisted, with a white collar. I used to dress with a bunch of older queens and one of them lent me black fishnet stockings and a pair of black velvet pumps…. The cop looked at me and said, ‘Hey, you!’ and I said, ‘Please, it’s my birthday, I’m just about to graduate from high school, I’m only 18,’ and he just let me go! [I was] scared to death that my father would see me on the television news in my mother’s dress.”
– Yvonne (also known as Maria) Ritter
At times the crowd was eerily quiet. But then, as Mafia members were brought out, they started to cheer. When employees were brought out, someone yelled, “Gay power,” and someone started to sing. An officer shoved a person in a dress and she started hitting him over the head with her purse. The crowd was becoming larger… and more restless. At some point people started throwing beer bottles and pennies (as a reference to the police being bribed by the Mafia.) This was becoming a problem, but an even bigger problem was when the police found out the second van was delayed. They were stuck.
Then, things went from bad to worse when some of the 13 people arrested (including employees and people not wearing what was considered “gender appropriate clothing”) resisted. One of the women, a lesbian of color, managed to struggle and escape multiple times. At some point there were four officers trying to contain her. When a police officer hit her over the head, she yelled at the crowd, “Why don’t you guys do something?” And they did.
Police officers barricaded themselves and several people they were arresting (some of whom were just in the neighborhood) inside of the bar for safety. The NYPD’s Tactical Patrol Force was called out to free the officers and detainees trapped inside the Stonewall Inn. One witness said that the police were humiliated…and out for blood. The police’s own escalation, in trying to contain the violence, was met with a Broadway chorus style kick-line… and more violence. The escalation continued. At times, people were chasing the police.
The ensuing protests/riots lasted through the weekend and, to a lesser degree, into the next week. The bar re-opened that next night and thousands lined up to get inside. There was more vandalism and more violence, but on Saturday night (June 28th) there were also public displays of affection: at that time, illegal same-sex public displays of affection. People were out.
“It was a rebellion, it was an uprising, it was a civil rights disobedience – it wasn’t no damn riot!”
– Stormé DeLarverie
The Stonewall Uprising, the riots and the ensuing protests and celebrations were not the first of their kind. Three years earlier, the Mattachine Society had organized “sip-ins” where people met at bars and openly declared themselves as gay. That kind of organized, peaceful civil disobedience was happening all over the country during the 60’s. It was a way to break unjust laws and it temporarily reduced the number of police raids. However, the raids started up again.
Stormé DeLarverie, Marsha P. Johnson, Zazu Nova, Jackie Hormona, Martin “Marty” Boyce, Sylvia Rivera, Raymond Castro, John O’ Brian, and Yvonne “Maria” / “Butch” Ritter were among the people involved in the Stonewall Uprising. The musician Dave Van Ronk (who famously arranged the version of “House of the Rising Sun” made famous by Bob Dylan) was not gay, but he was arrested. Alan Ginsberg, who was gay, would witness the riots and applaud the people who were taking a stand. Village Voice columnist Howard Smith was a straight man who had never been inside the Stonewall Inn until he grabbed his press credentials and made his way into the center of the uprising. Craig Rodwell (owner of the Oscar Wilde Memorial Bookshop) and Fred Sargent (the bookstores manager) started writing and distributing leaflets on behalf of the Mattachine Society. They also drummed up media interest. In addition to Rodwell and Sargent, Dick Leitsch (a member of the Mattachine Society), John O’Brien, and Martha Shelley (a member of the Daughters of Bilitis) would start organizing so that the protest that turned into a riot would come full circle as a protest that created change.
A year later, June 28, 1970, thousands of people returned to Stonewall Inn. They marched from the bar to Central Park in what was then called “Christopher Street Liberation Day.” The official chant was, “Say it loud, gay is proud.” And, I’m betting there was at least one kick line.
Please join me for a 65-minute virtual yoga practice on Zoom today (Sunday, June 28th) at 2:30 PM to celebrate Pride. You can use the link from the “Class Schedules” calendar if you run into any problems checking into the class. PLEASE NOTE: Zoom 5.0 is in effect. If you have not upgraded, you will need to give yourself extra time to log into Zoom. You can always request an audio recording of this practice (or any practice) via email or a comment below.
Today’s playlist is available on YouTube and Spotify.
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Errata: Categories have been added and a typo has been corrected.
### SAY IT LOUD ###
A Joyful Practice 