“Chag Sameach!” to everyone celebrating Passover and/or Counting the Omer! Happy Riḍván!” to those celebrating “the Most Great Festival.” Many blessings to everyone, and especially to anyone observing Great Lent! Happy National Poetry Month!
“Everybody knows a hundred stories, you know, a thousand stories — the question is: Why does this story pick on you? Why this story and not that story? My guess is now this: the story or poem you find to write is the story or poem that has some meaning that you haven’t solved in it, that you haven’t quite laid hands on. So your writing—it is a way of understanding it, what its meaning, the potential meaning, is. And the story that you understand perfectly, you don’t write. You know what the meaning is; there’s nothing there to nag your mind about it. A story that’s one for you is the one you have to work to understand.”
— quoted from “A Conversation” (with John Baker, 1989) in Talking with Robert Penn Warren, edited by Floyd C. Watkins, John T. Hiers, and Mary Louise Weeks
A portion of the following is a revised and updated version of a 2023 post:
Today, April 24th, is a day when I always tell a story…or two (or three). Or, sometimes, I tell an old favorite in a slightly different way. For instance, in 2020, I focused on telling the story of the Library of Congress, which was established today 1800, and preserves by (and about) people like including Anthony Trollope (b. 1815), Carl Spitteler (b. 1845), Robert Penn Warren (b. 1905), Sue Grafton (b. 1940), Eric Bogosian (b. 1953), and Kelly Clarkson (b. 1982). In 2021, I focused on telling the story of Robert Penn Warren. I sometimes reference holy and auspicious stories (as I did in 2022 — and will today). I have been known to tell the story about telling stories (as I did in 2023).
In every case, however, the practice is an opportunity for svādyāya (“self-study”) and is all about how our minds and bodies tell stories.
Whether we realize it or not, we are constantly telling stories. We tell stories verbally, visually, and viscerally. We tell stories in the ways we move and, also, in the ways we don’t move. We tell stories about where we’ve been, where we are, and where we’re going — and we do this on and off the mat. Whether we realize it or not. On the mat, the storytelling is done through the poses and sequences. Since our bodies are different, we can each tell (and understand) the same “story” in different ways. Since our bodies change over time, we can learn different things about ourselves each time we tell the “story.”
“Social tensions have a parallel in the personal world. The individual is an embodiment of external circumstances, so that a personal story is a social story.”
— Robert Penn Warren quoted from “A Conversation with Robert Penn Warren [with] Frank Gado / 1966 (From First Person: Conversations on Writers and Writing, by Frank Gado” as printed in Conversations with Robert Penn Warren, edited by Gloria L. Cronin and Ben Siegel
Today, I am sharing some auspicious and holy stories, stories that are sacred in one or more religious tradition. They are stories about suffering and the desire for one’s suffering to be alleviated. For some people they are simply that and nothing more: just some of the over 168 million items, in over 460 languages, that can be found in the Library of Congress. For some people, however, these stories are very personal stories. They are they stories that give people hope. They are the stories that give people strength and inspire them to work for a kinder, more peaceful, loving, and cohesive world.
“The asking and the answering which history provides may help us to understand, even to frame, the logic of experience to which we shall submit. History cannot give us a program for the future, but it can give us a fuller understanding of ourselves, and of our common humanity, so that we can better face the future.”
— quoted from The Legacy of the Civil War by Robert Penn Warren
Please join me today (Wednesday, April 24th) at 4:30 PM or 7:15 PM for a yoga practice on Zoom.You can use the link from the “Class Schedules”calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email myra(at) ajoyfulpractice.com.
Wednesday’s playlist is available on YouTube and Spotify. [Look for “04242024 PRGL Stories”] Music Notes: One track in the before/after music is different on each platform, because I was unable to find the track below on Spotify.
“Happy Riḍván!” to those celebrating “the Most Great Festival.” Many blessings to everyone, and especially to anyone Counting the Omer!
This is a post-practice note related to Monday, April 24th. Some embedded links will take you outside of the blog. You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.
“Everybody knows a thousand stories. But only one cocklebur catches in your fur and that subject is your question. You live with that question. You may not even know what that question is. It hangs around a long time. I’ve carried a novel as long as twenty years, and some poems longer than that.”
– Robert Penn Warren quoted from a 1981 interview
Looking back at some old blog posts related to April 24th, it took me a second to realize why the 2021 post wasn’t just a copy or and expanded version of the 2020 post. Then I remembered. In 2020, I focused on telling the story of the Library of Congress, which was established today 1800, and preserves by (and about) people like including Anthony Trollope (b. 1815), Carl Spitteler (b. 1845), Robert Penn Warren (b. 1905), Sue Grafton (b. 1940), Eric Bogosian (b. 1953), and Kelly Clarkson (b. 1982). In 2021, I focused on telling the story of Robert Penn Warren.
In both cases, however, the practice was all about how our minds and bodies tell stories.
Whether we realize it or not, we are constantly telling stories. We tell stories verbally, visually, and viscerally. We tell stories in the ways we move and, also, in the ways we don’t move. We tell stories about where we’ve been, where we are, and where we’re going – and we do this on and off the mat. Whether we realize it or not. On the mat, the storytelling is done through the poses and sequences. Since our bodies are different, we can each tell (and understand) the same “story” in different ways. Since our bodies change over time, we can learn different things about ourselves each time we tell the “story.”
“Social tensions have a parallel in the personal world. The individual is an embodiment of external circumstances, so that a personal story is a social story.”
– Robert Penn Warren quoted from “A Conversation with Robert Penn Warren [with] Frank Gado / 1966 (From First Person: Conversations on Writers and Writing, by Frank Gado” as printed in Conversations with Robert Penn Warren, edited by Gloria L. Cronin and Ben Siegel
Just as literal and physical storytelling is a big part of my practice, it is a big part of what happens at Mind Body Solutions (MBS). Matthew Sanford, the founding teacher of MBS, calls the stories we tell “healing stories.” If you click on the link above for the 2021, you will find the healing stories of people who have directly benefited from practicing adaptive yoga and who directly benefit from the Kiss My Asana yogathon. If you click on the link above for 2020, you will find a “piece” of a healing story that is still being told.
If you’re interested in my previous Kiss My Asana (KMA) offerings, check out the following (some links only take you to the beginning of a series ad/or to YouTube):
“Ramadān Mubarak, Blessed Ramadān!” to anyone who is observing the month of Ramadan. “Happy Ridván!” to those celebrating the “the Most Great Festival.” Many blessings, also, to those who are Counting the Omer.
[This is the “missing” post is related to Saturday, April 24th. You can request a substitute audio recording via a comment belowor (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)
“Everybody knows a hundred stories, you know, a thousand stories – the question is: Why does this story pick on you? Why this story and not that story? My guess is now this: the story or poem you find to write is the story or poem that has some meaning that you haven’t solved in it, that you haven’t quite laid hands on. So your writing—it is a way of understanding it, what its meaning, the potential meaning, is. And the story that you understand perfectly, you don’t write. You know what the meaning is; there’s nothing there to nag your mind about it. A story that’s one for you is the one you have to work to understand.”
– quoted from “A Conversation” (with John Baker, 1989) in Talking with Robert Penn Warren, edited by Floyd C. Watkins, John T. Hiers, and Mary Louise Weeks
Established April 24, 1800, the Library of Congress houses over 168 million items, in over 460 languages. These materials, housed in four buildings, as well as online, include millions of books and printed materials, recordings, photographs, maps, sheet music, manuscripts, “incunabula,” rare books, legal items, and other items designated as non-classified or special. While the Library of Congress was opened to the public in 1897 and is the de facto library of the United States and “the library of last resort” for all US citizens, the general public cannot randomly and at will check out books from the Library of Congress. However, if you find your way into its stacks – virtually or in real life, you will find stories by a number of authors, artists, composers, and cartographers who share the library’s birthday, including Anthony Trollope (b. 1815), Carl Spitteler (b. 1845), Robert Penn Warren (b. 1905), Sue Grafton (b. 1940), Eric Bogosian (b. 1953), and Kelly Clarkson (b. 1982. You will also find within those annals, the stores of those same authors, artists, composers, and cartographers.
Take Robert Penn Warren, for instance. A Southern Gentleman, if ever there was a Southern Gentleman, Robert Penn Warren was born in Guthrie, Kentucky, close to the Tennessee-Kentucky border. He spent his high school and undergraduate years in Tennessee, where he was a member of the poetry group known as “The Fugitives.” Some members of that group, including Mr. Warren, formed a group known as the “Southern Agrarians” (as well as the “Twelve Southerners” and a variety of other combinations of the same), which produced a “pro-Southern agrarian” collection of essays called I’ll Take My Stand: The South and the Agrarian Tradition (1930). Robert Penn Warren’s contribution to the “manifesto” was “The Briar Patch” – a pro-segregation essay that was considered so “progressive” by some of the others in the group that it was almost excluded from the collection.
Now, right about here is the point where someone who knows that I’m Black and from the South might wonder why exactly I would highlight, even seem to celebrate, a man (albeit a poet) whose views are so antithetical to my own. I would wonder too, if that were the whole story. But it’s not, it’s not even close.
And, if you know anything about me, you know I’m going to suggest going deeper. Getting more of the story and, as Patanjali suggests, really focusing-concentrating-meditating on the various ways the story (and the subject of the story) changes in terms of form, time, and condition, allows us to see cause-and-effect at work/play.
– “By making Samyama on the three sorts of changes comes the knowledge of past and future.”
After graduating summa cum laude from Vanderbilt University, Robert Penn Warren earned a Masters at the University of California, Berkeley; studied at Yale University for a bit; and obtaining a B. Litt as a Rhodes Scholar at New College, Oxford in England. He even received a Guggenheim Fellowship for Creative Arts which allowed him to study in Italy while the country was under the control of Benito Mussolini.
He held all the national poet titles designated by the Library of Congress: serving as “Consultant in Poetry” 1944 – 1945 and then “Poet Laureate Consultant” 1986 – 1987. He won the 1947 Pulitzer Prize for Fiction (for All the King’s Men, perhaps his best known work) and both the 1958 and 1979 Pulitzer Prize for Poetry – making him the only person to win a Pulitzer in both Poetry and “Fiction.” (Last week, I slightly erroneously, identified Thornton Wilder as a winner a Pulitzer in both Drama and “Fiction;” however the latter prize was technically known as the “Pulitzer Prize for the Novel” when Mr. Wilder won it.) He also won the National Book Award for Poetry (for the collection that won the 1958 Pulitzer); was selected by the National Endowment of the Humanities to give the “Jefferson Lecture” in 1974; and was awarded the Presidential Medal of Freedom in 1980, a MacArthur Fellow in 1981, and the National Medal of Arts in 1987.
And that’s not only a small portion of his accolades; it’s only part of his story….
As if devoting a whole novel to a “controversial,” “radical” politician with “progressive” ideology wasn’t enough, Robert Penn Warren’s essay “Divided South Searches Its Soul” was published in the July 9, 1956 issue of Life magazine and an expanded version of the essay became the booklet Segregation: The Inner Conflict in the South. He would write another Life essay, in 1961, that became a book entitled The Legacy of the Civil War. As if his words alone were not enough to walk back his previous words, Mr. Warren started sharing his (very Southern and very prominent) platform with Black Civil Rights activists through a series of interviews published as Who Speaks for the Negro? (1965).
“The asking and the answering which history provides may help us to understand, even to frame, the logic of experience to which we shall submit. History cannot give us a program for the future, but it can give us a fuller understanding of ourselves, and of our common humanity, so that we can better face the future.”
– quoted from The Legacy of the Civil War by Robert Penn Warren
Before publishing the collection, Robert Penn Warren traveled around the country and recorded interviews with leaders like United States Representative Adam Clayton Powell, Jr. (the first African-American elected to Congress from New York); Whitney Young (of the National Urban League); Dr. Kenneth Clark (the husband half of the husband-wife team of psychologists whose work was cited in the landmark Supreme Court trial “Brown v. Board of Education”); Bayard Rustin (one of the organizers of the “March on Washington for Jobs and Freedom”); the Reverend Dr. Martin Luther King Jr.; and Malcolm X. He also interviewed authors like James Baldwin and Ralph Ellison; as well as (then) students like Ezell A. Blair, Jr., Stokely Carmichael, Lucy Thornton, Jean Wheeler, and Ruth Turner; and additional college students at Jackson State University and Tougaloo College (both of which are historically black colleges and universities (HBCUs) in Mississippi, although the latter is private and Christian-affiliated).
For a variety of reasons, about some of which we can only speculate, a lot of interviews were conducted but not included in the book. These include interviews with educator Septima Poinsetta Clark (who became known as “the Queen Mother” and “Grandmother” of the Civil Rights movement); the businessman Vernon Jordan; Gloria Richardson (one of the five women who were recognized as Civil Rights leaders – but not allowed to speak – during the “March on Washington for Jobs and Freedom”); and Andrew Young (who would go on to serve in the United States Congress, as well as the 14th U. S. Ambassador to the United Nations and the 55th Mayor of Atlanta).
Just to be clear, neither Robert Penn Warren nor those he interviewed seemed to (as far as I can tell) steer clear of controversial subjects – including violence with the Civil Rights Movement; social/cultural versus public/political segregation; cultural assimilation; the difference between the North and the South, as well as the difference between the different classes in the United States and the importance of history, education, and wealth in the United States. Mr. Warren has been quoted as stating, “The individual is an embodiment of external circumstances, so that a personal story is a social story.” In keeping with this idea, he not only asked people to define what it meant to be “a Negro;” he also asked their opinions about the works of people like W. E. B. Dubois, the Swedish economist and sociologist Dr. Gunnar Myrdal, Abraham Lincoln, and Thomas Jefferson. Additionally, he asked people to share their thoughts on abolitionists like William Lloyd Garrison and John Brown – not to mention Confederate heroes like Robert E. Lee.
“‘It is easy,’ I said, ‘I can change that picture of the world he carries around in his head.’
‘How?’
‘I can give him a history lesson.’
‘A history lesson?’
‘Yes, I am a student of history, don’t you remember? And what we students of history always learn is that the human being is a very complicated contraption and that they are not good or bad but are good-and-bad and the good comes out of the bad and the bad out of the good, and the devil take the hindmost.’”
– (Jack and Anne) quoted from All the King’s Men by Robert Penn Warren
Saturday’s playlist is available on YouTube and Spotify.
“Everybody knows a thousand stories. But only one cocklebur catches in your fur and that subject is your question. You live with that question. You may not even know what that question is. It hangs around a long time. I’ve carried a novel as long as twenty years, and some poems longer than that.”
– Robert Penn Warren quoted from a 1981 interview
Let’s Share Some Kiss My Asana Stories!!
Last year during Kiss My Asana, I shared a few people’s yoga stories; however, to kick off the 8th Annual Kiss My Asana yogathon, Mind Body Solutions, shared bits of stories (see links below) from people who directly benefit from the yoga practices offered by MBS.
This annual yogathon benefits Mind Body Solutions, which was founded by Matthew Sanford to help those who have experienced trauma, loss, and disability find new ways to live by integrating both mind and body. Known for their adaptive yoga classes, MBS provides “traditional yoga” classes, workshops, and outreach programs. They also train yoga teachers and offer highly specialized training for health care professionals. This year’s yogathon is only a week long! Seven days, starting yesterday (Saturday), to do yoga, share yoga, and help others. By participating in the Kiss My Asana yogathon you join a global movement, but in a personal way. In other words, you practice yoga… for 7 days. And you can start today!!
The yogathon raises resources and awareness. So, my goal this year is to post some extended prāņāyāma practices and to raise $400 for Mind Body Solutions. You can do yoga starting today. You can share yoga be inviting a friend to one of my classes or by forwarding one of the blog posts. You can help others by donating or, if you are not able to donate, come to class Saturday – Wednesday (or request a class you can do on your own) and practice the story poses on Thursday and Friday so that I can make a donation on your behalf.
You can add 5 minutes of yoga (or meditation) to your day; you can learn something new about your practice; or even teach a pose to someone close to you – or even to one of your Master Teachers/Precious Jewels. If you want to combine this practice with your Kiss My Asana practice, ask someone to tell you their yoga story!!!
(“Ramadan Mubarak, Blessed Ramadan!” to anyone who is observing Ramadan. I typically talk about Ramadan at the end of the season, so keep your eyes open.)
“[B]
Tell me a story.
In this century, and moment, of mania, Tell me a story.
Make it a story of great distances, and starlight.
The name of the story will be Time, But you must not pronounce its name.
Tell me a story of deep delight.”
– Robert Penn Warren (born 4/24/1905)
Today, the anniversary of the birth of the winner of the 1947 Pulitzer Prize for Fiction and the winner of the 1958 and 1979 Pulitzer Prize for Poetry, is also the anniversary of the Library of Congress. Established in 1800 and opened to the public in 1897, the Library of Congress is the official research library for members of the United States Congress and is currently the second largest library in the world. It contains over 168 million items, in over 460 languages. These materials, housed in four buildings, as well as online, include millions of books and printed materials, recordings, photographs, maps, sheet music, manuscripts, “incunabula,” rare books, legal items, and other items designated as non-classified or special. The general public cannot randomly and at will check out books from the Library of Congress, however, it is the de facto library of the United States and “the library of last resort” for all US citizens.
One of the purposes of the Library of Congress is to promote literacy and preserve culture. To that end, it is a patron of the arts, houses a concert hall and collection of instruments, and has established chairs, consultancies, and honorariums. One of the most well-known of those consultancies is the position of Poet Laureate, a position Robert Penn Warren held twice.
Most commonly known as the United States Poet Laureate, the position was officially established in 1937 as the Consultant in Poetry to the Library of Congress and is now officially designated as Poet Laureate Consultant in Poetry to the Library of Congress. Technically speaking, RPW has held all the titles as he was designated “Consultant in Poetry” 1944 – 1945 and then “Poet Laureate Consultant” 1986 – 1987. He was the author of sixteen volumes of poetry, ten novels, a collection of short stories, a number of biographies, essays, and other works. He is (to my knowledge) the only person to win Pulitzer Prizes for Fiction and Poetry. In the poem quoted above, he tells a bit of his story as a Southern writer and then invites the reader to tell him a story.”
“Everybody knows a thousand stories. But only one cocklebur catches in your fur and that subject is your question. You live with that question. You may not even know what that question is. It hangs around a long time. I’ve carried a novel as long as twenty years, and some poems longer than that.”
– Robert Penn Warren in a 1981 interview
The Library of Congress contains all the cockleburs RPW managed to work out of his fur, as well as all those worked out by Anthony Trollope (b. 1815), Carl Spitteler (b. 1845), Sue Grafton (b. 1940), Eric Bogosian (b. 1953), Kelly Clarkson (b. 1982), and a number of other authors, artists, composers, and cartographers born today. It may even now, or in the future, contain your story.
This year, for Kiss My Asana, the yogathon that benefits Mind Body Solutions, I am asking you to tell me a story. It’s a natural request, not only because I tell you stories all the time, but also because our mind-bodies are like the Library of Congress – holding and preserving all of our stories.
Founded by Matthew Sanford, Mind Body Solutions helps those who have experienced trauma, loss, and disability find new ways to live by integrating both mind and body. Known for their adaptive yoga classes, MBS provides “traditional yoga” classes, workshops, and outreach programs. They also train yoga teachers and offer highly specialized training for health care professionals. This year’s yogathon, the 7th annual yogathon, is only a week long. Seven days, starting tomorrow (Saturday), to do yoga, share yoga, and help others. By participating in the Kiss My Asana yogathon you join a global movement, but in a personal way. In other words, you practice yoga… for 7 days.
Come On, Kiss My Asana!!!
The livestream, all-humanity, Kick-Off gathering is (tomorrow) Saturday, April 25th at 10 AM on YouTube (in The Hub). MBS founder Matthew Sanford will share his insights into the practice, plus there will be live conversation with MBS students and mind-body practices for all. Get a glimpse into the work, the people, and the humanity of the adaptive yoga program and help raise $50K of essential support.
The yogathon raises resources and awareness. So, my goal this year is to tell 7 stories in 7 days and raise $600 for Mind Body Solutions. You can do yoga starting Saturday. (I will still host my Zoom classes on Saturday and Sunday, so consider doing all three!) You can share yoga be inviting a friend to one of my classes or by forwarding one of the blog posts. You can help others by donating or, if you are not able to donate, come to class Saturday – Wednesday (or request a class you can do on your own) and practice the story poses on Thursday and Friday so that I can make a donation on your behalf.
You can add 5 minutes of yoga (or meditation) to your day; you can learn something new about your practice; or even teach a pose to someone close to you – or even to one of your Master Teachers/Precious Jewels.
To give you some ideas about how you can spend this week, consider that in past years my KMA offerings have included donation-based classes and (sometimes) daily postings. Check out one of my previous offerings dated April 24th (or thereabouts):
A Joyful Practice 