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Imagining Paradise w/EXCERPTS (the “missing” compilation post for Wednesday) April 22, 2026

Posted by ajoyfulpractice in "Impossible" People, Baha'i, Books, Buddhism, Changing Perspectives, Depression, Faith, Healing Stories, Health, Hope, Life, Music, One Hoop, Philosophy, Poetry, Religion, Riḍván, Science, Suffering, Tragedy, Wisdom, Writing, Yoga.
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Happy Earth Day! “Happy Riḍván!” to those celebrating “the Most Great Festival”. Peace and many blessings to everyone and especially to anyone Counting the Omer and/or celebrating and/or observing the Second Week of Pascha!

Happy Poetry Month!!

This is the “missing” (and backdated) compilation post for Wednesday, April 22nd. It includes new content, some “renewed” content, and excerpts. This post contains passing references to violence. My apologies for not posting before the practice. You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email myra        (at) ajoyfulpractice.com.

In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es).

Donations are tax deductible; class purchases are not necessarily deductible.

Check out the “Class Schedules” calendar for upcoming classes.

“The mind is its own place, and in it self
Can make a Heav’n of Hell, a Hell of Heav’n.
What matter where, if I be still the same,”

— quoted from Book I of Paradise Lost: A Poem Written in Ten Books by John Milton (published 1667)

Imagine paradise. Not paradise in a religious, spiritual, or philosophical sense; no, imagine paradise here on earth. How does it look? How does it smell? What does it sound like? Is there jazz and/or classical music? Who is in paradise with you? Are you having conversations with different people about one thing or a lot of things? What does paradise taste like?

Finally, how did this place become paradise? Sure, you just conceived it just now in your imagination. And, as the old saying goes, “What man can conceive, man can achieve”. But, how do you make it reality?

Speaking of which: A week or so ago, I was listening to a podcast where someone was talking about the difference between optimism and hope, from a clinical, scientific lens. They were saying that, psychologically, people who are hopeful act very different from people who are optimistic in that people who are optimistic believe that things will just work out in the best way possible. In this way, optimistic people are like pessimistic people in that both groups believe things will work out in a certain way with no extra effort on their part. Hopeful people, on the other hand, put in the work. Today, we are very much focused on people putting in the work.

“Those who contemplate the beauty of the earth find reserves of strength that will endure as long as life lasts. There is something infinitely healing in the repeated refrains of nature — the assurance that dawn comes after night, and spring after winter.”

— quoted from Silent Spring by Rachel Carson (published 1962)

Today (Wednesday) was Earth Day, the second day of Riḍván (“the Most Great Festival” in the Bahá’i Faith); the second week of Pascha (in Orthodox Christian communities); and “two weeks and six days” (for people who are Counting the Omer). After so many stories about suffering (and the end of suffering), these observations are very much related to the hopeful parts of the stories. In fact, this is the time of year when the Universal House of Justice issues a Riḍván message that is simultaneously encouraging people to continue with their grassroots efforts and highlighting how those efforts reflect the messages and declarations that the founder of the Bahá’i Faith, Bahá’u’lláh, waited in the original garden of Riḍván prior to being exiled to Constantinople.

Click on the excerpt title below for a little more of this year’s Riḍván message and an excerpt/link to a description of “the Most Great Festival”.

More Reflections in the Garden (the “missing” Tuesday blessings, music, & excerpt)

“[Alexander Gottlieb] Baumgarten speaks of duties towards beings which are beneath us and beings which are above us. But so far as animals are concerned, we have no direct duties. Animals are not self-conscious and are there merely as a means to an end. That end is man.”

— quoted from “Duties Towards Animals and Spirits” in Lectures on Ethics by Immanuel Kant (Translated from the German by Infield Lewis, B.A., O.B.E., with an introduction by J. Macmurray, M.A.)

Born in Königsberg in the Kingdom of Prussia on April 22, 1724, Immanuel (or Emanuel) Kant was one of the most influential philosophers of the Age of Enlightenment (also known as the Age of Reason). He wrote and lectured about the theory of knowledge (epistemology), metaphysics, logic, ethics, aesthetics, political theory, the philosophy of religion, anthropology, mathematics, physics, and natural law. While it may seem like he focused on a lot of things, he never really strayed away from his primary focus: humankind and how knowledge and reason lead to morality.

Long before Rachel Carson was born (let alone wrote a little book that would inspire a great movement), Kant talked about how the ways in which we interact with Nature (and all the creatures on Earth) reflect how we interact with each other and vice versa. He also made the connection between a child’s behavior with animals and their propensity towards violence as an adult long before it was being tracked by modern scientist.

“If a man shoots his dog because the animal is no longer capable of service, he does not fail in his duty to the dog, for the dog cannot judge, but his act is inhuman and damages in himself that humanity which it is his duty to show towards mankind. If he is not to stifle his human feelings, he must practise kindness towards animals, for he who is cruel to animals becomes hard also in his dealings with men. We can judge the heart of a man by his treatment of animals. [William] Hogarth depicts this in his engravings. He shows how cruelty grows and develops. He shows the child’s cruelty to animals, pinching the tail of a dog or a cat; he then depicts the grown man in his cart running over a child ; and lastly, the culmination of cruelty in murder. He thus brings home to us in a terrible fashion the rewards of cruelty, and this should be an impressive lesson to children. The more we come in contact with animals and observe their behaviour, the more we love them, for we see how great is their care for their young. It is then difficult for us to be cruel in thought even to a wolf. [Gottfried Wilhelm]Leibnitz used a tiny worm for purposes of observation, and then carefully replaced it with its leaf on the tree so that it should not come to harm through any act of his. He would have been sorry—a natural feeling for a humane man—to destroy such a creature for no reason. Tender feelings towards dumb animals develop humane feelings towards mankind. ”

— quoted from “Duties Towards Animals and Spirits” in Lectures on Ethics by Immanuel Kant (Infield Lewis, B.A., O.B.E., with an introduction by J. Macmurray, M.A.)

“But it seems reasonable to believe — and I do believe — that the more clearly we can focus our attention on the wonders and realities of the universe about us the less taste we shall have for the destruction of our race. Wonder and humility are wholesome emotions, and they do not exist side by side with a lust for destruction.”

— Rachel Carson accepting the John Burroughs Medal (April 1952) and printed in Lost Woods: The Discovered Writing of Rachel Carson

The following Earth Day excerpt was previously posted.

While the roots of Earth Day can be found in the 1962 publication of Rachel Carson’s Silent Spring, an actual day dedicated to Earth and peace was initially proposed by John McConnell during a 1969 conference hosted by the United Nations Educational, Scientific and Cultural Organization (UNESCO). The very first Earth Day, as he proposed it, was held in San Francisco on March 21, 1970, to coincide with the first day of spring in the northern hemisphere. Gaylord Nelson, a United States Senator from Wisconsin, proposed a nationwide environmental teach-in and hired a young activist named Denis Hayes to organize the first national Earth Day, which was held on April 22, 1970. More than 20 million people, including then-President Richard Nixon and First Lady Pat Nixon, participated in the events on April 22, 1970, making that day one of the largest protests in the United States. (The 1970 Earth Day teach-in was the largest recorded protest until the 2020 protest after the murder of George Floyd.)

Click on the excerpt title below for more Earth Day reflections.

What You Notice About the Earth (on April 22nd) *REVISED*

You can also click here for the 2023 post, which also includes a Riḍván description and message (plus a Kiss My Asana offering).

“It seems so hard for some of us to grow up mentally just enough to realize there are other persons of flesh and bone, just like us, on this great, big earth. And if they don’t ever stand still, move, or ‘swing,’ they are as right as we are, even if they are as wrong as hell by our standards. Yes, Miles, I am apologizing for my stupid ‘Blindfold Test.’ I can do it gladly because I’m learning a little something. No matter how much they try to say that [Dave] Brubeck doesn’t swing—or whatever else they’re stewing or whoever else they’re brewing—it’s factually unimportant.

Not because Dave made Time magazine—and a dollar—but mainly because Dave honestly thinks he’s swinging. He feels a certain pulse and plays a certain pulse which gives him pleasure and a sense of exaltation because he’s sincerely doing something the way he, Dave Brubeck, feels like doing it. And as you said in your story, Miles, ‘if a guy makes you pat your foot, and if you feel it down your back, etc.,’ then Dave is the swingingest by your definition, Miles, because at Newport and elsewhere Dave had the whole house patting its feet and even clapping its hands….”

— quoted from “An Open Letter to Miles Davis” by Charles Mingus (published in Down Beat Magazine, November 30, 1955)

I have said before that apologizing can be like hitting a reset button. It can be healing. However, when I originally read the quote above, I read it out of context and didn’t realize that it wasn’t as healing as it sounded (out of context). When I first read it, I knew nothing about Leonard Feather and his “Blindfold Test”, a series of interviews during which he played musical selections for jazz musicians without them knowing anything about the selection. For the Blindfold Test, musicians were asked to guess who was playing, offer some commentary, and give each selection a (quality) rank from one to five. The musicians would also talk about their own work as a jazz musician.

Even though I read the open letter by Charles Mingus Jr. I didn’t know the full context. I still don’t; because, even though I found Miles Davis’s 1955 Blindfold Test (and a bunch of others), I couldn’t find the 1955 Charles Mingus interview that both men referenced as a bone of contention.

The fact that I couldn’t find the aforementioned interview is a little odd considering that, fourteen years after Charles Mingus died, his collected papers — including scores, sound recordings, correspondence, and photos — were acquired by the Library of Congress. They called it “the most important acquisition of a manuscript collection relating to jazz in the Library’s history”. Maybe the interview is there. Maybe not. What is clear, with a little more context, however, is that the letter is not a complete act of contrition. Quite the opposite, in fact, It is a desafinado (“slightly out of tune”) note between two musical geniuses who were known for the volatile temperaments.

“What you don’t know, you don’st even sense
Is that those [who sing] out of tune do also have a heart”

— quoted from the song “Desafinado” by Antônio Carlos Jobim (composed by Antônio Carlos Jobim, Portuguese lyrics by Newton Mendonça) 

Born April 22, 1922, in Nogales, Arizona, Charles Mingus Jr. was musician, composer, bandleader, and author who promoted the concept of collective improvisation. While he became famous as an upright bassist, he also played piano, trombone, and cello. He started fusing jazz and classical music when he was a teenager and gospel music and blues also influenced his style. He eventually played and composed everything from advanced bebop and avant-garde jazz (with small and midsize ensembles) to post-bop and progressive big band.

For over 30 years, he played and collaborated with jazz giants like Duke Ellington (who was one of his childhood inspirations), Charlie Parker, Louis Armstrong, Max Roach, and Eric Dolphy, Russell Jacquet, Teddy Edwards, Maurice James Simon, Wild Bill Davis, Chico Hamilton, Howard McGhee, Lionel Hampton, and many many others.  Just before he died, Charles Mingus collaborated with Joni Mitchell on a studio album featuring Ms. Mitchell, Jaco Pastorius, Wayne Shorter, Herbie Hancock, Peter Erskine, Don Alias, Emil Richards, and actual wolves (howling). When they were composing the album, they Mr. Mingus and Ms. Mitchell held “experimental sessions” with Eddie Gómez, John Guerin, Phil Woods, Gerry Mulligan, Dannie Richmond (doing narration), Tony Williams, John McLaughlin, Jan Hammer, and Stanley Clarke.

“You, with your music, forgot the main thing
That in the chest of those out of tune
Deep in the chest it beats quietly
In the chest of those out of tune
A heart also beats”

— quoted from the song “Desafinado” by Antônio Carlos Jobim (composed by Antônio Carlos Jobim, Portuguese lyrics by Newton Mendonça)

Charles Mingus Jr., who was of mixed race heritage, married four (maybe five) times and had such an explosive temper that he was known as “the Angry Man of Jazz” . In addition to times when he would cast members of his band off stage, he once got fired by Duke Ellington because he couldn’t control his temper. In January 1963, he received a suspended sentence for punching the jazz trombonist Jimmy Knepper. His injury left Mr. Knepper unable to play as he had before the assault and temporarily ended the two men’s collaborations. (Although they would work together again in 1977, and Mr. Knepper would be an active member of the Mingus Dynasty, the ensemble formed in 1979, after Mr. Mingus’s death.)

In addition to having anger issues that affected (and probably influenced) his work. Charles Mingus dealt with clinical depression and suffered from Amyotrophic lateral sclerosis (ALS). After Eric Dolphy unexpectedly and tragically died (after falling into an undiagnosed diabetic coma) in West Berlin, Mr. Mingus was unproductive for five years. His ALS eventually led to him not being able to play. He spent the last years of his life composing and supervising recordings — including (perhaps) the one where the wolves howling in the background remind us that nature is still there/here.

“Of the darkness in men’s minds
What can you say
That wasn’t marked by history
Or the TV news today
He gets away with murder
The blizzards come and go
The stab and glare and buckshot
Of the heavy heavy snow
It comes and goes
It comes and goes”

— quoted from the song “The Wolf That Lives in Lindsey” by Joni Mitchell 

Wednesday’s playlist is available on YouTube and Spotify[Look for “0422020 Earth Day”]

If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can dial 988 (in the US) or call 1-800-273-TALK (8255) for the Suicide and Crisis Lifeline. You can also call this TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.

White Flag is an app, which I have not yet researched, but which may be helpful if you need peer-to-peer (non-professional) support.

If you are a young person in crisis, feeling suicidal, or in need of a safe and judgement-free place to talk, you can also click here to contact the TrevorLifeline (which is staffed 24/7 with trained counselors).

You’re Invited to Bend… & To Take The Deepest Breath You’ve Taken — On Retreat!

September 25 — 27, 2026

“In these troubled times it is a wholesome and necessary thing for us to turn again to the earth and in the contemplation of her beauties to know the sense of wonder and humility. There is modern truth to the ancient wisdom of the psalmist: ‘I will lift up mine eyes unto the hills, from whence cometh my help.’”

— quoted from Rachel Carson’s original submission to “Words to Live By” for This Week Magazine (1951)

Click here to read my (very short) 2025 Earth Day post about looking up.

### Gaia / Terra / Bhūmi /Pṛthvī Pachamama / Papatūānuku / Ìyá Nlá / Mother Earth ###

How is This Story Different From All The Other Stories (a “renewed” post w/links) April 24, 2024

Posted by ajoyfulpractice in Baha'i, Books, Changing Perspectives, Donate, Faith, Healing Stories, Hope, Karma Yoga, Lent / Great Lent, Life, Music, Mysticism, One Hoop, Pain, Passover, Peace, Philosophy, Religion, Riḍván, Suffering, Volunteer, Wisdom, Writing, Yoga.
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“Chag Sameach!” to everyone celebrating Passover and/or Counting the Omer! Happy Riḍván!” to those celebrating “the Most Great Festival.” Many blessings to everyone, and especially to anyone observing Great Lent! Happy National Poetry Month!

“Everybody knows a hundred stories, you know, a thousand stories — the question is: Why does this story pick on you? Why this story and not that story? My guess is now this: the story or poem you find to write is the story or poem that has some meaning that you haven’t solved in it, that you haven’t quite laid hands on. So your writing—it is a way of understanding it, what its meaning, the potential meaning, is. And the story that you understand perfectly, you don’t write. You know what the meaning is; there’s nothing there to nag your mind about it. A story that’s one for you is the one you have to work to understand.”

— quoted from “A Conversation” (with John Baker, 1989) in Talking with Robert Penn Warren, edited by Floyd C. Watkins, John T. Hiers, and Mary Louise Weeks

A portion of the following is a revised and updated version of a 2023 post:

Today, April 24th, is a day when I always tell a story…or two (or three). Or, sometimes, I tell an old favorite in a slightly different way. For instance, in 2020, I focused on telling the story of the Library of Congress, which was established today 1800, and preserves by (and about) people like including Anthony Trollope (b. 1815), Carl Spitteler (b. 1845), Robert Penn Warren (b. 1905), Sue Grafton (b. 1940), Eric Bogosian (b. 1953), and Kelly Clarkson (b. 1982).  In 2021, I focused on telling the story of Robert Penn Warren. I sometimes reference holy and auspicious stories (as I did in 2022 — and will today). I have been known to tell the story about telling stories (as I did in 2023).

In every case, however, the practice is an opportunity for svādyāya (“self-study”) and is all about how our minds and bodies tell stories.

Whether we realize it or not, we are constantly telling stories. We tell stories verbally, visually, and viscerally. We tell stories in the ways we move and, also, in the ways we don’t move. We tell stories about where we’ve been, where we are, and where we’re going — and we do this on and off the mat. Whether we realize it or not. On the mat, the storytelling is done through the poses and sequences. Since our bodies are different, we can each tell (and understand) the same “story” in different ways. Since our bodies change over time, we can learn different things about ourselves each time we tell the “story.”

CLICK HERE for the 2023 Kiss My Asana post related to “healing stories.”

“Social tensions have a parallel in the personal world. The individual is an embodiment of external circumstances, so that a personal story is a social story.”

— Robert Penn Warren quoted from “A Conversation with Robert Penn Warren [with] Frank Gado / 1966 (From First Person: Conversations on Writers and Writing, by Frank Gado” as printed in Conversations with Robert Penn Warren, edited by Gloria L. Cronin and Ben Siegel  

Today, I am sharing some auspicious and holy stories, stories that are sacred in one or more religious tradition. They are stories about suffering and the desire for one’s suffering to be alleviated. For some people they are simply that and nothing more: just some of the over 168 million items, in over 460 languages, that can be found in the Library of Congress. For some people, however, these stories are very personal stories. They are they stories that give people hope. They are the stories that give people strength and inspire them to work for a kinder, more peaceful, loving, and cohesive world.

“The asking and the answering which history provides may help us to understand, even to frame, the logic of experience to which we shall submit. History cannot give us a program for the future, but it can give us a fuller understanding of ourselves, and of our common humanity, so that we can better face the future.”

— quoted from The Legacy of the Civil War by Robert Penn Warren

Please join me today (Wednesday, April 24th) at 4:30 PM or 7:15 PM for a yoga practice on Zoom. You can use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email myra (at) ajoyfulpractice.com.

Wednesday’s playlist is available on YouTube and Spotify. [Look for “04242024 PRGL Stories”]
Music Notes: One track in the before/after music is different on each platform, because I was unable to find the track below on Spotify.

Oneness

Check out the links below for the stories referenced during this practice.

Suffering & Hope (the “missing” Tuesday compilation)

EXCERPT: “But What About Earth…and Space (and Grace)?” (a post-practice post for Monday)

Reflections in the Garden (the “missing” Sunday blessings, music, & links)

Accepting Rachel’s Challenge & Entering the Garden (a Saturday post-practice compilation)

In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es)You can still click here to Kiss My Asana Now! (Or, you can also click here to join my team and get people to kiss [your] asana!

Donations are tax deductible; class purchases are not necessarily deductible.

Check out the “Class Schedules” calendar for upcoming classes.

### Tell Me Your Story ###

What’s [Today’s] Story? (a Monday post-practice note) April 24, 2023

Posted by ajoyfulpractice in Baha'i, Books, Changing Perspectives, Donate, Healing Stories, Karma Yoga, Life, Music, One Hoop, Riḍván, Volunteer, Wisdom, Writing, Yoga.
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“Happy Riḍván!” to those celebrating “the Most Great Festival.” Many blessings to everyone, and especially to anyone Counting the Omer!

This is a post-practice note related to Monday, April 24th. Some embedded links will take you outside of the blog. You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.

In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es).
This week you can also click here to Kiss My Asana Now! (Or, you can also click here to join my team and get people to kiss [your] asana!)
Donations are tax deductible; class purchases are not necessarily deductible.

Check out the “Class Schedules” calendar for upcoming classes.)

“Everybody knows a thousand stories. But only one cocklebur catches in your fur and that subject is your question. You live with that question. You may not even know what that question is. It hangs around a long time. I’ve carried a novel as long as twenty years, and some poems longer than that.”

Robert Penn Warren quoted from a 1981 interview

Looking back at some old blog posts related to April 24th, it took me a second to realize why the 2021 post wasn’t just a copy or and expanded version of the 2020 post. Then I remembered. In 2020, I focused on telling the story of the Library of Congress, which was established today 1800, and preserves by (and about) people like including Anthony Trollope (b. 1815), Carl Spitteler (b. 1845), Robert Penn Warren (b. 1905), Sue Grafton (b. 1940), Eric Bogosian (b. 1953), and Kelly Clarkson (b. 1982). In 2021, I focused on telling the story of Robert Penn Warren.

In both cases, however, the practice was all about how our minds and bodies tell stories.

Whether we realize it or not, we are constantly telling stories. We tell stories verbally, visually, and viscerally. We tell stories in the ways we move and, also, in the ways we don’t move. We tell stories about where we’ve been, where we are, and where we’re going – and we do this on and off the mat. Whether we realize it or not. On the mat, the storytelling is done through the poses and sequences. Since our bodies are different, we can each tell (and understand) the same “story” in different ways. Since our bodies change over time, we can learn different things about ourselves each time we tell the “story.”

“Social tensions have a parallel in the personal world. The individual is an embodiment of external circumstances, so that a personal story is a social story.”

Robert Penn Warren quoted from “A Conversation with Robert Penn Warren [with] Frank Gado / 1966 (From First Person: Conversations on Writers and Writing, by Frank Gado” as printed in Conversations with Robert Penn Warren, edited by Gloria L. Cronin and Ben Siegel   

Just as literal and physical storytelling is a big part of my practice, it is a big part of what happens at Mind Body Solutions (MBS). Matthew Sanford, the founding teacher of MBS, calls the stories we tell “healing stories.” If you click on the link above for the 2021, you will find the healing stories of people who have directly benefited from practicing adaptive yoga and who directly benefit from the Kiss My Asana yogathon. If you click on the link above for 2020, you will find a “piece” of a healing story that is still being told.

Then there’s this….

PXL_20230425_002629640~2

What’s the story here? Check out the Community Page on my YouTube channel to find out.

There is no playlist for the Common Ground Meditation Center practices.

A 2021 playlist is available on YouTube and Spotify. [Look for “04242021 All Sides of the Story”]

You can click here to Kiss My Asana Now! (Or, you can also click here to join my team and get people to kiss [your] asana!) 

If you’re interested in my previous Kiss My Asana (KMA) offerings, check out the following (some links only take you to the beginning of a series ad/or to YouTube):

### YOU COULD KISS MY ASANA… RIGHT NOW! ###

Seeing All the Sides of the Story (the “missing” Saturday post) April 25, 2021

Posted by ajoyfulpractice in Books, Changing Perspectives, Healing Stories, Life, Music, Philosophy, Wisdom, Writing, Yoga.
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“Ramadān Mubarak, Blessed Ramadān!” to anyone who is observing the month of Ramadan. “Happy Ridván!” to those celebrating the “the Most Great Festival.” Many blessings, also, to those who are Counting the Omer.

 

[This is the “missing” post is related to Saturday, April 24th. You can request a substitute audio recording via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.

In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)

Check out the “Class Schedules” calendar for upcoming classes.]

 

“Everybody knows a hundred stories, you know, a thousand stories – the question is: Why does this story pick on you? Why this story and not that story? My guess is now this: the story or poem you find to write is the story or poem that has some meaning that you haven’t solved in it, that you haven’t quite laid hands on. So your writing—it is a way of understanding it, what its meaning, the potential meaning, is. And the story that you understand perfectly, you don’t write. You know what the meaning is; there’s nothing there to nag your mind about it. A story that’s one for you is the one you have to work to understand.”

 

– quoted from “A Conversation” (with John Baker, 1989) in Talking with Robert Penn Warren, edited by Floyd C. Watkins, John T. Hiers, and Mary Louise Weeks

 

Established April 24, 1800, the Library of Congress houses over 168 million items, in over 460 languages. These materials, housed in four buildings, as well as online, include millions of books and printed materials, recordings, photographs, maps, sheet music, manuscripts, “incunabula,” rare books, legal items, and other items designated as non-classified or special. While the Library of Congress was opened to the public in 1897 and is the de facto library of the United States and “the library of last resort” for all US citizens, the general public cannot randomly and at will check out books from the Library of Congress. However, if you find your way into its stacks – virtually or in real life, you will find stories by a number of authors, artists, composers, and cartographers who share the library’s birthday, including Anthony Trollope (b. 1815), Carl Spitteler (b. 1845), Robert Penn Warren (b. 1905), Sue Grafton (b. 1940), Eric Bogosian (b. 1953), and Kelly Clarkson (b. 1982. You will also find within those annals, the stores of those same authors, artists, composers, and cartographers.

Take Robert Penn Warren, for instance. A Southern Gentleman, if ever there was a Southern Gentleman, Robert Penn Warren was born in Guthrie, Kentucky, close to the Tennessee-Kentucky border. He spent his high school and undergraduate years in Tennessee, where he was a member of the poetry group known as “The Fugitives.” Some members of that group, including Mr. Warren, formed a group known as the “Southern Agrarians” (as well as the “Twelve Southerners” and a variety of other combinations of the same), which produced a “pro-Southern agrarian” collection of essays called I’ll Take My Stand: The South and the Agrarian Tradition (1930). Robert Penn Warren’s contribution to the “manifesto” was “The Briar Patch” – a pro-segregation essay that was considered so “progressive” by some of the others in the group that it was almost excluded from the collection.

Now, right about here is the point where someone who knows that I’m Black and from the South might wonder why exactly I would highlight, even seem to celebrate, a man (albeit a poet) whose views are so antithetical to my own. I would wonder too, if that were the whole story. But it’s not, it’s not even close.

And, if you know anything about me, you know I’m going to suggest going deeper. Getting more of the story and, as Patanjali suggests, really focusing-concentrating-meditating on the various ways the story (and the subject of the story) changes in terms of form, time, and condition, allows us to see cause-and-effect at work/play.

Yoga Sūtra 3.16: pariņāmah-traya-samyamāt-atīta-anāgata-jñānam

 

– “By making Samyama on the three sorts of changes comes the knowledge of past and future.”

After graduating summa cum laude from Vanderbilt University, Robert Penn Warren earned a Masters at the University of California, Berkeley; studied at Yale University for a bit; and obtaining a B. Litt as a Rhodes Scholar at New College, Oxford in England. He even received a Guggenheim Fellowship for Creative Arts which allowed him to study in Italy while the country was under the control of Benito Mussolini.

He held all the national poet titles designated by the Library of Congress: serving as “Consultant in Poetry” 1944 – 1945 and then “Poet Laureate Consultant” 1986 – 1987.  He won the 1947 Pulitzer Prize for Fiction (for All the King’s Men, perhaps his best known work) and both the 1958 and 1979 Pulitzer Prize for Poetry – making him the only person to win a Pulitzer in both Poetry and “Fiction.” (Last week, I slightly erroneously, identified Thornton Wilder as a winner a Pulitzer in both Drama and “Fiction;” however the latter prize was technically known as the “Pulitzer Prize for the Novel” when Mr. Wilder won it.) He also won the National Book Award for Poetry (for the collection that won the 1958 Pulitzer); was selected by the National Endowment of the Humanities to give the “Jefferson Lecture” in 1974; and was awarded the Presidential Medal of Freedom in 1980, a MacArthur Fellow in 1981, and the National Medal of Arts in 1987.

And that’s not only a small portion of his accolades; it’s only part of his story….

As if devoting a whole novel to a “controversial,” “radical” politician with “progressive” ideology wasn’t enough, Robert Penn Warren’s essay “Divided South Searches Its Soul” was published in the July 9, 1956 issue of Life magazine and an expanded version of the essay became the booklet Segregation: The Inner Conflict in the South. He would write another Life essay, in 1961, that became a book entitled The Legacy of the Civil War. As if his words alone were not enough to walk back his previous words, Mr. Warren started sharing his (very Southern and very prominent) platform with Black Civil Rights activists through a series of interviews published as Who Speaks for the Negro? (1965).

“The asking and the answering which history provides may help us to understand, even to frame, the logic of experience to which we shall submit. History cannot give us a program for the future, but it can give us a fuller understanding of ourselves, and of our common humanity, so that we can better face the future.”

 

– quoted from The Legacy of the Civil War by Robert Penn Warren

Before publishing the collection, Robert Penn Warren traveled around the country and recorded interviews with leaders like United States Representative Adam Clayton Powell, Jr. (the first African-American elected to Congress from New York); Whitney Young (of the National Urban League); Dr. Kenneth Clark (the husband half of the husband-wife team of psychologists whose work was cited in the landmark Supreme Court trial “Brown v. Board of Education”); Bayard Rustin (one of the organizers of the “March on Washington for Jobs and Freedom”); the Reverend Dr. Martin Luther King Jr.; and Malcolm X. He also interviewed authors like James Baldwin and Ralph Ellison; as well as (then) students like Ezell A. Blair, Jr., Stokely Carmichael, Lucy Thornton, Jean Wheeler, and Ruth Turner; and additional college students at Jackson State University and Tougaloo College (both of which are historically black colleges and universities (HBCUs) in Mississippi, although the latter is private and Christian-affiliated).

For a variety of reasons, about some of which we can only speculate, a lot of interviews were conducted but not included in the book. These include interviews with educator Septima Poinsetta Clark (who became known as “the Queen Mother” and “Grandmother” of the Civil Rights movement); the businessman Vernon Jordan; Gloria Richardson (one of the five women who were recognized as Civil Rights leaders – but not allowed to speak – during the “March on Washington for Jobs and Freedom”); and Andrew Young (who would go on to serve in the United States Congress, as well as the 14th U. S. Ambassador to the United Nations and the 55th Mayor of Atlanta).

The published collection (which was reissued in 2014), additional correspondence and notes, and copies of the recordings – which include interviews that were not published in the book – can be found at the Louie B. Nunn Center for Oral History (“The Nunn Center”) at the University of Kentucky, at the Yale University Library archives, and (naturally) at the Library of Congress. Additionally, the Nunn Center provides digital (and searchable) archives and there is also a digital exhibit hosted by the Robert Penn Warren Center for the Humanities and the Jean and Alexander Heard Libraries at Vanderbilt University.

Just to be clear, neither Robert Penn Warren nor those he interviewed seemed to (as far as I can tell) steer clear of controversial subjects – including violence with the Civil Rights Movement; social/cultural versus public/political segregation; cultural assimilation; the difference between the North and the South, as well as the difference between the different classes in the United States and the importance of history, education, and wealth in the United States. Mr. Warren has been quoted as stating, “The individual is an embodiment of external circumstances, so that a personal story is a social story.” In keeping with this idea, he not only asked people to define what it meant to be “a Negro;” he also asked their opinions about the works of people like W. E. B. Dubois, the Swedish economist and sociologist Dr. Gunnar Myrdal, Abraham Lincoln, and Thomas Jefferson. Additionally, he asked people to share their thoughts on abolitionists like William Lloyd Garrison and John Brown – not to mention Confederate heroes like Robert E. Lee.

“‘It is easy,’ I said, ‘I can change that picture of the world he carries around in his head.’

‘How?’

‘I can give him a history lesson.’

‘A history lesson?’

‘Yes, I am a student of history, don’t you remember? And what we students of history always learn is that the human being is a very complicated contraption and that they are not good or bad but are good-and-bad and the good comes out of the bad and the bad out of the good, and the devil take the hindmost.’”

 

 – (Jack and Anne) quoted from All the King’s Men by Robert Penn Warren

 

Saturday’s playlist is available on YouTube and Spotify.

 

“Everybody knows a thousand stories. But only one cocklebur catches in your fur and that subject is your question. You live with that question. You may not even know what that question is. It hangs around a long time. I’ve carried a novel as long as twenty years, and some poems longer than that.”

 

– Robert Penn Warren quoted from a 1981 interview

 

Let’s Share Some Kiss My Asana Stories!!

Last year during Kiss My Asana, I shared a few people’s yoga stories; however, to kick off the 8th Annual Kiss My Asana yogathon, Mind Body Solutions, shared bits of stories (see links below) from people who directly benefit from the yoga practices offered by MBS.

This annual yogathon benefits Mind Body Solutions, which was founded by Matthew Sanford to help those who have experienced trauma, loss, and disability find new ways to live by integrating both mind and body. Known for their adaptive yoga classes, MBS provides “traditional yoga” classes, workshops, and outreach programs. They also train yoga teachers and offer highly specialized training for health care professionals. This year’s yogathon is only a week long! Seven days, starting yesterday (Saturday), to do yoga, share yoga, and help others. By participating in the Kiss My Asana yogathon you join a global movement, but in a personal way. In other words, you practice yoga… for 7 days. And you can start today!!

The yogathon raises resources and awareness. So, my goal this year is to post some extended prāņāyāma practices and to raise $400 for Mind Body Solutions. You can do yoga starting today. You can share yoga be inviting a friend to one of my classes or by forwarding one of the blog posts. You can help others by donating or, if you are not able to donate, come to class Saturday – Wednesday (or request a class you can do on your own) and practice the story poses on Thursday and Friday so that I can make a donation on your behalf.

You can add 5 minutes of yoga (or meditation) to your day; you can learn something new about your practice; or even teach a pose to someone close to you – or even to one of your Master Teachers/Precious Jewels. If you want to combine this practice with your Kiss My Asana practice, ask someone to tell you their yoga story!!!

 

A little bit of Rodrigo Souza’s story…

 

A little bit about Mary Peterson’s story…

 

“[B]

Tell me a story.

In this century, and moment, of mania,
Tell me a story.

Make it a story of great distances, and starlight.

The name of the story will be Time,
But you must not pronounce its name.

Tell me a story of deep delight.”

 

– quoted from the poem “Tell Me a Story” by Robert Penn Warren

 

 

 

### YES, YES, TELL ME A STORY! ###

Tell Me A Story April 24, 2020

Posted by ajoyfulpractice in Books, Healing Stories, Life, Writing, Yoga.
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(“Ramadan Mubarak, Blessed Ramadan!” to anyone who is observing Ramadan. I typically talk about Ramadan at the end of the season, so keep your eyes open.)

“[B]

Tell me a story.

In this century, and moment, of mania,
Tell me a story.

Make it a story of great distances, and starlight.

The name of the story will be Time,
But you must not pronounce its name.

Tell me a story of deep delight.”

– Robert Penn Warren (born 4/24/1905)

Today, the anniversary of the birth of the winner of the 1947 Pulitzer Prize for Fiction and the winner of the 1958 and 1979 Pulitzer Prize for Poetry, is also the anniversary of the Library of Congress. Established in 1800 and opened to the public in 1897, the Library of Congress is the official research library for members of the United States Congress and is currently the second largest library in the world. It contains over 168 million items, in over 460 languages. These materials, housed in four buildings, as well as online, include millions of books and printed materials, recordings, photographs, maps, sheet music, manuscripts, “incunabula,” rare books, legal items, and other items designated as non-classified or special. The general public cannot randomly and at will check out books from the Library of Congress, however, it is the de facto library of the United States and “the library of last resort” for all US citizens.

One of the purposes of the Library of Congress is to promote literacy and preserve culture. To that end, it is a patron of the arts, houses a concert hall and collection of instruments, and has established chairs, consultancies, and honorariums. One of the most well-known of those consultancies is the position of Poet Laureate, a position Robert Penn Warren held twice.

Most commonly known as the United States Poet Laureate, the position was officially established in 1937 as the Consultant in Poetry to the Library of Congress and is now officially designated as Poet Laureate Consultant in Poetry to the Library of Congress. Technically speaking, RPW has held all the titles as he was designated “Consultant in Poetry” 1944 – 1945 and then “Poet Laureate Consultant” 1986 – 1987. He was the author of sixteen volumes of poetry, ten novels, a collection of short stories, a number of biographies, essays, and other works. He is (to my knowledge) the only person to win Pulitzer Prizes for Fiction and Poetry. In the poem quoted above, he tells a bit of his story as a Southern writer and then invites the reader to tell him a story.”

“Everybody knows a thousand stories. But only one cocklebur catches in your fur and that subject is your question. You live with that question. You may not even know what that question is. It hangs around a long time. I’ve carried a novel as long as twenty years, and some poems longer than that.”

– Robert Penn Warren in a 1981 interview

The Library of Congress contains all the cockleburs RPW managed to work out of his fur, as well as all those worked out by Anthony Trollope (b. 1815), Carl Spitteler (b. 1845), Sue Grafton (b. 1940), Eric Bogosian (b. 1953), Kelly Clarkson (b. 1982), and a number of other authors, artists, composers, and cartographers born today. It may even now, or in the future, contain your story.

This year, for Kiss My Asana, the yogathon that benefits Mind Body Solutions, I am asking you to tell me a story. It’s a natural request, not only because I tell you stories all the time, but also because our mind-bodies are like the Library of Congress – holding and preserving all of our stories.

Founded by Matthew Sanford, Mind Body Solutions helps those who have experienced trauma, loss, and disability find new ways to live by integrating both mind and body. Known for their adaptive yoga classes, MBS provides “traditional yoga” classes, workshops, and outreach programs. They also train yoga teachers and offer highly specialized training for health care professionals. This year’s yogathon, the 7th annual yogathon, is only a week long. Seven days, starting tomorrow (Saturday), to do yoga, share yoga, and help others.  By participating in the Kiss My Asana yogathon you join a global movement, but in a personal way. In other words, you practice yoga… for 7 days.

Come On, Kiss My Asana!!!

The livestream, all-humanity, Kick-Off gathering is (tomorrow) Saturday, April 25th at 10 AM on YouTube (in The Hub). MBS founder Matthew Sanford will share his insights into the practice, plus there will be live conversation with MBS students and mind-body practices for all. Get a glimpse into the work, the people, and the humanity of the adaptive yoga program and help raise $50K of essential support.

The yogathon raises resources and awareness. So, my goal this year is to tell 7 stories in 7 days and raise $600 for Mind Body Solutions. You can do yoga starting Saturday. (I will still host my Zoom classes on Saturday and Sunday, so consider doing all three!) You can share yoga be inviting a friend to one of my classes or by forwarding one of the blog posts. You can help others by donating or, if you are not able to donate, come to class Saturday – Wednesday (or request a class you can do on your own) and practice the story poses on Thursday and Friday so that I can make a donation on your behalf.

You can add 5 minutes of yoga (or meditation) to your day; you can learn something new about your practice; or even teach a pose to someone close to you – or even to one of your Master Teachers/Precious Jewels.

To give you some ideas about how you can spend this week, consider that in past years my KMA offerings have included donation-based classes and (sometimes) daily postings. Check out one of my previous offerings dated April 24th (or thereabouts):

30 Poses in 30 Days (scroll down to see April 24th)

A Musical Preview (scroll down to see March 24th)

A 5-Minute Practice

5 Questions Answered by Yogis

Answers to Yogis Questions

A Poetry Practice

A Preview of the April 22nd Practice (see “Poetry Practice” link above)

 

Another way to tell a story…

 

### MWAH ###