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Out of This World Firsts (a “missing” & “long-lost” Sunday post for 1/14) March 10, 2024

Posted by ajoyfulpractice in "Impossible" People, Art, Books, Changing Perspectives, Healing Stories, Hope, Life, Music, Peace, Philosophy, Science, Suffering, Wisdom, Yoga.
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May you breathe deeply and savor the richness of doing something amazing for the first time!

Pardon me while I catch up. This is the “missing” post for Sunday, January 14th (which fell during Makar Sankranti in 2024). This post and practice pick up where the Saturday the 13thpost and practice left off. It contains some passing references to the American Civil War and World War II. You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email myra(at) ajoyfulpractice.com.

In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.

Check out the “Class Schedules” calendar for upcoming classes.

“I dwell in Possibility –
A fairer House than Prose –
More numerous of Windows –
Superior – for Doors –”

— quoted from the poem “I dwell in Possibility (466)” by Emily Dickinson

Take a moment to consider the very first time you thought, said, did, and/or experienced someone else thinking, saying, and/or doing something. That very first time was (and is) special for a number of reasons — not the least of which being that it created a neural pathway (if we’re using the terminology of Western science) and a saṃskāra (“mental impressions”), if we’re using the terminology of Yoga and Āyurveda (as they come to us from India). When that thought, word, deed, and/or experience is experienced, the neural pathway starts becoming hardwired and connected to other experiences. Repeating a thought, word, deed, and/or experience also creates another mental impression which, over time, could become vāsanā (“dwelling places” of our habits). Even though the terminology is different, the end result is the same: We view life through the lens/veils of previous experiences and, at some point, we establish a status quo that is directly (or indirectly) connected to the first time we did something. The more we do new things — i.e., experience more “firsts” we have — the more we cultivate a foundation for more possibilities.

This may seem really obvious — especially when you first think about it. However, take a moment to consider that “firsts” happen in every moment of every day (even when they are not all happening to us). If we dig deep enough, we could find a “first” that happened today… in any given year. We might even find multiple “firsts.”

Consider what happens, when a “first” is experienced by most of the world? Consider what happens when when we go a little deeper into something simply because it was a “first” — because that is what we typically do on January 14th. We go a little deeper into three “firsts” that include several other “firsts” — some of which were out of this world or, at the very least, above the earth.

FLYING HIGH

“At the concluding press conference on 24 January 1943, Roosevelt stated that General Ulysses S. Grant had been known as ‘Unconditional Surrender’ Grant, and that the Allies were also demanding unconditional surrender from the Germans and Japanese (but not the Italians) in the present struggle. It is often argued that this insistence led the Germans and Japanese to fight more fanatically than would otherwise have been the case, although it cannot be proven. What is plainly untrue, however, is that the policy merely sprang fully formed from Roosevelt’s mind without any consultation with [George C.] Marshall or Churchill.”

— quoted from “12 The Casablanca Conference: ‘We go bald-headed for Husky’ January 1943” in Masters and Commanders: The Military Geniuses who Led the West to Victory in World War II by Andrew Roberts

On Thursday, January 14, 1943, President Franklin Delano Roosevelt became the first sitting United States president to travel by airplane and the first to visit Africa. This was during World War II when the president and his advisors flew from Miami to Casablanca, French Morocco (now known as Morocco) in order to meet with British Prime Minister Winston Churchill and his advisors. They were meeting to discuss how the Allied forces would proceed in the War. Sultan Muhammad V, as well as French Generals Charles de Gaulle and Henri Giraud, also attended parts of The Casablanca Conference (sometimes called the Anfa Conference, since it was hosted at the Anfa Hotel). Although Joseph Stalin did not attend the conference at all and the other leaders did not attend the parts related to military strategy, one of the most critical things to come out of the conference was the Casablanca Declaration, a unified Allied statement calling for the “unconditional surrender” of Germany, Italy, and Japan.

The ways in which the call for unconditional surrender was announced — as well as the ways in which people understood the announcement — may have had some unintended consequences. Some historians have theorized that the announcements resulted in the war being extended (because some people in the Axis countries got their backs up and/or felt their backs were against the wall) and that this led to the dropping of the atomic bombs in Hiroshima and Nagasaki. Some have also speculated about how Europe might have been divided had the explanation been different and/or had Joseph Stalin been included in the conference. Another crucial and unfortunate element of the conference was anti-Semitic rhetoric expressed by many of the leaders, including President Roosevelt. Crown Prince Moulay Hassan, the then 14-year-old son of Sultan Muhammad V, grew up to become Hassan II, King of Morocco, whose reign was marked by authoritarianism, and human rights and civil rights abuses. One can only wonder what Hassan II’s reign would have been like had he not been exposed to such rhetoric by the most influential leaders of their time.

“Roosevelt loved the sea, but his ability to draw on the past to put the present into perspective allowed him to see the potentialities of naval and air power working in conjunction as Admiral [Harry E.] Yarnell had suggested. Soon, Roosevelt demonstrated his appreciation of air power as a military and naval defensive weapon.”

— quoted from “VI. The Wings of Democracy” in The Wings of Democracy: The Influence of Air Power on the Roosevelt Administration, 1933–1941 by Jeffrey S. Underwood

FDR’s historic 1943 flight was the beginning of several other presidential-aeronautic “firsts.” That first fight, as well as the return flight, were aboard the “Dixie Clipper,” a Boeing Model 314 long-range Clipper initially operated by Pan Am. The then-President Roosevelt was on board this luxurious flying boat, en route between Trinidad and Miami, when he turned 61 — making him the first sitting U. S. president to celebrate a birthday in an airplane, thousands of feet above the earth.

Some of this may be considered trivial. Consider the fact, however, that the president’s trip promoted the creation of the Douglas VC-54C Skymaster, the first U. S. presidential aircraft. Officially referred to as “the Flying White House,” the specially modified luxury aircraft was nicknamed “Sacred Cow,” because of the security features and designation. It featured modifications that produced increased fuel capacity; an unpressurized cabin with an executive conference room; rectangular bulletproof windows; a private bathroom; a fold down bed hidden behind the sofa; and an electric refrigerator. Although slower and less luxurious than its successor (Air Force One), the Sacred Cow did include a battery-powered elevator to accommodate the President Roosevelt’s wheelchair.

Alas, FDR would only fly on the new plane when he attended the Yalta Conference in February 1945. On the flip side, President Harry S. Truman used the plane quite a bit — including when he attended the Potsdam Conference in the summer of 1945. His frequent flying led then-President Truman to sign the National Security Act of 1947, which restructured the U. S. military in a variety of ways, including: creating a Secretary of Defense, the National Security Council, and the Central Intelligence Agency. The 1947 act, which the president signed on board the Sacred Cow, clarified the responsibilities of the Department of the Army (formerly the Department of War), the Department of the Navy, the Marine Corps, and the newly formed Department of the Air Force — making the Sacred Cow the “birthplace” of the United States Air Force.

Retired in 1961, the first plane officially produced specifically for presidential travel was moved to the National Museum of the U.S. Air Force (in Dayton, Ohio) in 1983 and has been on display since 1993.

SINGING HIGH

“To your arms someday
I’ll return to stay till then
I will remember too
Every bright star we made wishes upon
Love me always, promise always
Oh, you’ll remember too

I’ll remember you”

— quoted from the song “I’ll remember you” by Elvis Presley, written by Lee Kuiokalani

At 12:30 AM (local time) on Sunday, January 14, 1973, Elvis Presley started performing his “Aloha from Hawai’i” concert. It was not the first time the “King of Rock and Roll” had performed in Hawai’i. In addition to filming three (3) movies on the islands (and selling tickets to the dress rehearsal for the January 14th show), he performed concerts in 1957 (before he served in the U. S. Army) and in 1961 (after he was discharged from the army). Several of these were benefit concerts, as was this notable first in 1973. So, those things weren’t new elements. Neither was this the first time he and the TCB Band (“Taking Care of Business Band”) had recorded a concert live with an orchestra and/or used Richard Strauss’s “Also Sprach Zarathustra” as their into music. Although, this time, that particular song selection did underscore the fact that this 1973 concert was the “first” by a single performer* to be broadcast live, via satellite.

People in 40 countries (mostly in Asia and Oceana) watched the broadcast in real time and people in Europe watched it with a slightly delay (and a little editing). Most people in the United States, however, were not able to watch the concert until April 4th (due to the Super Bowl broadcast and the fact that the Metro-Goldwyn-Mayer documentary Elvis On Tour was playing on the mainland). Wearing an iconic white jumpsuit with rhinestones in patriotic designs, Elvis sang his classics and Kui Lee’s “I’ll Remember You.” He also announced that the proceeds from the pay-what-you-will concert were being donated to the Kui Lee Cancer Fund.

Kuiokalani Lee was a Chinese-born American singer-songwriter who served in the United States Coast Guard and penned popular hits by Don Ho during the Hawai’ian Renaissance. Diagnosed with cancer in 1965, he performed (as Kui Lee) until his death in 1966 (at the age of 34). He was posthumously awarded the Lifetime Achievement award by the Hawai’i Academy of Recording Arts and inducted into the Hawaiian Music Hall of Fame. Donations from Elvis’s “Aloha from Hawai’i, live via Satellite” concert totaled $75,000 (which would be almost $514,700 in 2024) for cancer research.

The songs performed for the audience at Honolulu International Center, plus some that Elvis recorded before the concert, were included on the live album and the U. S. broadcast. Four (out of five) additional songs recorded (directly) after the live concert were included in the U. S. special, but were not initially included on the live album. In fact, the five songs recorded after the concert were not issued on any album until the posthumous release of Mahalo From Elvis (in 1978) and were not available as part of the “live” album until it was reissued as a CD in 1998. Additionally, people listening to the album, and/or watching the April 1973 broadcast, did not hear the announcement about the Kui Lee Cancer Fund.

Aloha from Hawaii via Satellite, the live album, was originally released as a two-disc set in quadraphonic sound. Although most people did not listen to the album as it was initially released — because the technology was not in place for people to truly appreciate the “surround sound” — and RCA quickly re-issued the album in standard stereophonic version, it was the first album formatted in such a way to top the Billboard album chart.

LANDING HIGH

“If you want to lift a hundred pounds, you don’t expect to succeed the first time. You start with a lighter weight and work up little by little. You actually fail to lift a hundred pounds, every day, until the day you succeed. But it is in the days when you are exerting yourself that growth is occurring.”

— quoted from the “Notes and References [related to Chapter 6. Brain Lock Unlocked — Using Plasticity to Stop Worries, Obsessions, Compulsions, and Bad Habits]” in The Brain the Changes Itself: Stories of Personal Triumph from the Frontiers of Brain Science by Norman Doidge, M.D.

Every “first” has a back story. We may think, say, and even believe that something happened overnight, but the reality is that there’s always an idea and/or an innovation that precedes the next idea and innovation. For example, the president’s first flight and the king’s first concert broadcast via satellite required an idea and technology — a backstory, if you will — that started firmly on terra firma. The backstory for this final “first” also starts on the ground… with people looking up… in the mid to late 17th century.

Giovanni Domenico Cassini, also known as Jean-Dominique Cassini, was an Italian-French mathematician, astronomer, and engineer (born June 8, 1625) who experienced a lot of significant “firsts” in his lifetime. His contributions to science include determining the rotation periods of Jupiter and Mars; discovering four moons of Saturn, the reason one of those moons varies in brightness, and the Cassini Division (between the two outermost rings of Saturn); and beginning (towards the end of his life) what would become the first topographic map of France. He also published his observations regarding the topography of Mars. However, he was not the first to discover the surface markings on Mars — that distinction belongs to Christiaan Huygens (born April 14, 1629), a Dutch mathematician, physicist, engineer, astronomer, and inventor who was also a Dutch nobleman.

In addition to being the first Western scientist to observe the markings on Mars, Christiaan Huygens is considered a significant part of the Scientific Revolution. He discovered the largest of Saturn’s moons; was the first to describe Saturn’s rings as “a thin, flat, ring, nowhere touching [Saturn;]” and developed a system for calculating relative sizes and stellar distances within (and of) the solar system. He also advanced the designs of telescopes; identified and codified laws and/or formulas of elastic collision, centrifugal force, and the wave theory of light; and invented the pendulum clock.

“Cassini is a mission of firsts. Time and time again it has continued to surprise us. Astounding observations. It has changed our thinking irrevocably.”

— Jim Green, NASA Planetary Science Division Director, quoted from the video “Cassini’s First Dive Between Saturn and Its Rings” posted on NASA’s Jet Propulsion Laboratory, California Institute of Technology site

Since Giovanni Cassini and Christiaan Huygens contributed so much to Western scientists’ understanding of Saturn, it is not surprising that a major mission to Saturn bears their names. Known as Cassini–Huygens, the mission to study Saturn and its system was a collaboration between the National Aeronautics and Space Administration (NASA), the European Space Agency (ESA), and the Italian Space Agency (ASI). It brought together teams from 27 different countries and featured NASA’s Cassini space probe and ESA’s Huygens lander. The probe, launched on October 15, 1997, was the fourth to visit Saturn. It collected data en route and (on July 1, 2004) became the first to enter Saturn’s orbit. The lander separated from the probe on December 4, 2004, and landed on Saturn’s largest moon (Titan) on January 14, 2005 — becoming the first successful landing in the outer solar system and the first lunar landing on a moon other than Earth’s moon.

The Huygens lander transmitted data, via the probe, for about 90 minutes after landing. The overall Cassini–Huygens mission (also known simply as Cassini) was extended twice; with the first extension known as the Cassini Equinox Mission and the second known as the Cassini Solstice Mission. The extensions allowed the probe to continue collecting data (from Saturn’s orbit) until September 15, 2017, when it entered Saturn’s (upper) atmosphere. The data collected during the nineteen years and eleven months of observation is still being analyzed and will foster better understanding of Saturn, our solar system, and life in (and beyond) our solar system. It will also provide the foundation for the next round of cosmic “firsts.”

“… Don protested. ‘But that’s theoretically impossible— isn’t it?’

Dr. Jefferson brushed it aside. ‘Everything is theoretically impossible, until it’s done. One could write a history of science in reverse by assembling the solemn pronouncements of highest authority about what could not be done and could never happen. Studied any mathematical philosophy, Don? Familiar with infinite universe sheafs and open-ended postulate systems?’

‘Uh, I’m afraid not, sir.’

‘Simple idea and very tempting. The notion that everything is possible—and I mean everything—and everything has happened. Everything.’”

— quoted from “II: ‘Mene, Mene, Tekel,Upharsin’” in Between Planets by Robert A. Heinlein

So many “firsts.”

Sunday’s playlist is available on YouTube and Spotify.

*NOTE: The European Broadcasting Union (EBU) coordinated national broadcasters, performing artists, and other participants from fourteen different countries for a live variety show that was broadcast via satellite to 24 countries on Sunday, June 25, 1967. The “other participants” included fishermen, construction workers, and other laborers selected by individual countries.

### FIRST! ###

More Songs for the DJ’s Adventure (a remix*) March 10, 2024

Posted by ajoyfulpractice in 19-Day Fast, Art, Bhakti, Books, Changing Perspectives, Depression, Healing Stories, Hope, Kirtan, Lent / Great Lent, Life, Meditation, Music, One Hoop, Pain, Philosophy, Poetry, Suffering, Vairagya, Vipassana, Wisdom, Writing, Yoga.
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Many blessings to all, and especially to those observing Lent and/or the 19-Day Fast. May we all find unity throughout this “Season for Nonviolence” and all other seasons!

“Some ideas may resonate,
others may not.
A few may awaken an inner knowing
you forgot you had.
Use what’s helpful.
Let go of the rest.

Each of these moments
is an invitation
to further inquiry:
looking deeper,
zooming out, or in.
Opening possibilities
for a new way of being.”

— quoted from the prelude to The Creative Act: A Way of Being by Rick Rubin

What would happen if every practice — and, really, everything we did — started with the reminder above (which comes courtesy of a person who has been meditating for almost fifty years)? I think it would help us be more mindful and, perhaps, more intentional. I think, also, that it would make us a little more in tune to how we feel and to what changes the way we feel. Since a catalyst creates and/or increases a fundamental shift without itself undergoing a permanent change, we can use our heightened awareness to go back, again and again, to that catalyst; whether it is a person, place, or a thing… like a good piece of music.

“‘The right sound reaches its hand out and finds its way. So much of what I do is just being present and listening for that right sound.’”

— Rick Rubin, quoted from The New York Times article, “The Music Man,” by Lynn Hirschberg (Sept. 2, 2007)

A good piece of musical work can inspire you, touch you, and can express what you’re feeling even when you can’t put those feelings into words. A good piece of music can pump us up; hold us when we’re feeling down; and make sense of things that are twisted and upside down. Good music may start with the lyrics or the musical notes, but what ultimately sticks with us is the way it sounds… the way it feels… and when it comes to a recording, the way music sounds and feels has as much to do with the way it’s mixed and produced as it does with the way it’s written and composed.

Again, I don’t know the math, but I feel safe in saying that however you do the math, odds are that, on any given day, my playlist contains music in some way connected to producer who has been described as looking like a hippie Guru, a ZZ Top impersonator, and a medium-sized (teddy) bear. Known as “The Loudness King,” as well as “DJ Double R,” Frederick Jay “Rick” Rubin was born today in 1963. While my high school and college buddies were making mixed tapes, Rick Rubin, spent his senior year in college creating a record label: Def Jam Recordings.

“‘When I’m listening, I’m looking for a balance that you could see in anything. Whether it’s a great painting or a building or a sunset. There’s just a natural human element to a great song that feels immediately satisfying. I like the song to create a mood.’”

— Rick Rubin quoted in The New York Times article, “The Music Man,” by Lynn Hirschberg (Sept. 2, 2007)

You might associate Def Jam with rap music. In reality, however, DJ Double R has produced everything from rap to jazz to country to pop to opera to kirtan. He has won at least 8 Grammy Awards, including the Grammy Award for Album of the Year for his work with The Chicks (2007) and with that other famous chick, Adele (2012). He also won the Grammy Award for Producer of the Year, Non-Classical in 2007 and 2009, and, in 2007, he was named as one of the “100 Most Influential People in the World” by Time Magazine.

Rick Rubin once said, “‘I do not know how to work a board. I don’t turn knobs. I have no technical ability whatsoever….But I’m there when they need me to be there. My primary asset is I know when I like something or not. It always comes down to taste. I’m not there to hold their hands and baby-sit, but I’m there for any key creative decisions.’” I’m not sure that I 100% believe the first claim, but I absolutely see evidence of everything else. Music produced by Mr. Rubin often has extreme dynamics in sound, hence his “Loudness King” moniker — even though what often balances the loudness is extremes of quiet. It’s the dichotomy that works for our brains. In fact, since our brains crave that kind of stimuli, those extremes make songs like “Walk This Way” (his collaboration between Run-D.M.C. and Aerosmith) the adult version of a lullaby.

That collaboration, one of his most famous, is typical Rick Rubin: outside the box – in a way that no one else thinks of doing, but then wishes they had. He sees it as breaking down boundaries and part of that is pushing people out of their comfort zones, which often produces a sound that is uniquely an artist’s style and yet, simultaneously, different. Getting pushed out of his box was definitely the experience Ed Sheeran had when working with the legendary producer on x. At one point Mr. Sheeran was afraid that, as good as the songs sounded, they wouldn’t be playable on the radio. So, he wrote and recorded additional music that fit more in the “pop Top 40” paradigm.

“From the first hip-hop records he produced for L L Cool J and the Beastie Boys, he insisted on classic song structure. ‘Before Def Jam, hip-hop records were typically really long, and they rarely had a hook,’ [Rubin] continued. ‘Those songs didn’t deliver in the way the Beatles did. By making our rap records sound more like pop songs, we changed the form. And we sold a lot of records.’”

— quoted from The New York Times article, “The Music Man,” by Lynn Hirschberg (Sept. 2, 2007)  

When Rick Rubin left Def Jam Recordings, he planned to start a new label called “Def American Recordings.” While his focus had started to turn more and more toward rock and metal, DJ Double R was not leaving his roots behind. Remember, he started with punk and rap music — like that of the Beastie Boys. Yes, the Beastie Boys actually started with experimental hardcore punk music and evolved into hip-hop stylists. In fact, Rick Rubin was instrumental (a-ahem) in their transition. (Alas, as I noted during the practice, my favorite Beastie Boys album is more jazz than punk or hip-hop and is not produced by Mr. Rubin.) After he become friends with DJ Jazzy Jay and starting a partnership with Russell Simmons, his Def Jam Recordings took off — releasing their first full-length album (L. L. Cool J’s Radio) and signing groups like Public Enemy. When he started Def American Recordings, he continued his relationships with L. L. Cool J, Public Enemy, and Run-D.M.C. — but he quickly ended his relationship with “def.”

A decade after he brought the word to the awareness of the general public, Rick Rubin felt like “def” had lost its meaning. In 1993, when he learned “def” was in the dictionary, he decided to hold an actual funeral for the word — complete with a casket; a horse-drawn hearse; a grave and engraved headstone; a New Orleans-style first and second line (played by six-piece brass band); and a eulogy by Reverend Al Sharpton. Among the 1500+ in attendance were Black Panthers and celebrity “mourners” like The Amazing Kreskin, Tom Petty, Rosanna Arquette, Flea from the Red Hot Chili Peppers, Sir Mix-A-Lot, and pallbearer Mo Ostin (Warner Brothers Records chairman).

“Sharpton’s eulogy summarized the Death of Def in eloquent style, stating that def meant ‘more than excellent. Like, def-iantly excellent with a bang. Now the bang is out of def. It’s lost its exclusivity to the in, def-iant crowd. It died of terminal acceptance.’”

— quoted from the article “Loud End for Def Records” by Wimana (Imo Wimana Chadband), posted on the Raptology.com February 5, 2020

In many ways, the funeral (on August 27, 1993) was a spectacular way to launch his new labels new name: American Recordings. One of the other ways he decided to make a name for his new label was to “find” an artist who was also ready to be “reintroduced” to the world. He wanted someone legendary, but not in the same season they had been in when they first made a name for themselves. He wanted someone like Johnny Cash. Ultimately, Rick Rubin would produce six Johnny Cash “American Recordings,” two of which were released after Johnny Cash’s death. The albums were critical and commercial successes, earning the 2003 Grammy for Best Male Country Vocal (“Give My Love to Rose”); the 2003 Country Music Association award for Single of the Year (for a cover of Nine Inch Nails’ “Hurt” — the music video of which also won the 2004 Grammy Award for Best Short Form Music Video); the 2003 Grammy Nomination for Best Country Collaboration with Vocals (for a cover of Simon and Garfunkel’s “Bridge over Troubled Water, with Fiona Apple); and a plethora of other awards and nominations.

While Rick Rubin attributes a couple of his nicknames to the fact that he has a long beard, his work has contributed to this idea that he is a “teacher.” He often gives advice about the creative process and spent 8 years working on The Creative Act: A Way of Being (2023). Mr. Rubin said that the book was meant to be “… about what to do to make a great work of art. Instead, it revealed itself to be a book on how to be.”

“We’re making something with our hearts and souls, and then we’re sharing it with the world. And if people like it, it’s great, and if they don’t, we wouldn’t change it, because we’ve made it with our hearts and souls, and it’s true. It’s a true thing we’re doing.”

— Rick Rubin, quoted from an NPR, All Things Considered interview with Rachel Martin entitled “Rick Rubin on taking communion with Johnny Cash and not rushing creativity” (December 10, 2023)

Please join me for a 65-minute virtual yoga practice on Zoom today (Sunday, March 10th) at 2:30 PM. Use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below or by emailing myra (at) ajoyfulpractice.com.

Sunday’s playlist is available on YouTube and Spotify. [Look for “Songs for the DJ’s Adventure”]

Kirtan is a form of Bhakti Yoga (or union through devotion/love) and involves chanting with music. One of the Rick Rubin-produced songs on the March 10th playlist is a Krishna Das kirtan version of “Brindavan Hare Ram,” which appears on Breath of the Heart. In the album’s liner notes, Krishna Das noted that the melody appeared on a previous album and that when he mentioned missing the singer and his daughter (after they died), “…Ram Dass said, ‘You tell that story wrong.’ / He was right. / Aren’t they [here] in this music,/in this song of longing and unbearable / sweetness. Don’t they live in our lives and sing in our song, in the One Life which breathes in all of us?”

Rick Rubin expressed this same sentiment after Johnny Cash died. He said he “would close his eyes and hear Cash’s voice as he said the benediction. ‘It was like hearing a song that you love,’ Rubin said. ‘He was there with me.’” (ibid, Hirschberg)

 *NOTE: This is a remix of one part of a 2021 post. It includes new information and quotes.

### “CHANGIN’ ROCK ‘n’ ROLL AND MINDS” ###