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The Power That Fuels Your Purpose (the expanded and “renewed” Tuesday post) April 12, 2022

Posted by ajoyfulpractice in Abhyasa, Bhakti, Books, Dharma, Faith, Gratitude, Healing Stories, Hope, Lent, Life, Men, Music, Mysticism, One Hoop, Peace, Philosophy, Poetry, Religion, Suffering, Super Heroes, Vairagya, Wisdom, Women, Writing, Yoga.
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Many blessings to all, and especially to those celebrating or observing Holy Week or Great Lent! “Ramadān Mubarak, Blessed Ramadān!” to anyone who was observing the holy month of Ramadān. 

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As promised, here is the expanded and “renewed” post for Tuesday, April 12th, which focuses on Holy Tuesday or Passion Tuesday. You can request an audio recording of any of these practices via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.

In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.

Check out the “Class Schedules” calendar for upcoming classes.)

“As Jesus was sitting on the Mount of Olives, the disciples came to him privately. ‘Tell us,’ they said, ‘when will this happen, and what will be the sign of your coming and of the end of the age?’”

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– quoted from The Gospel According to Matthew (24:3, NIV)

Some of you have heard me mention that I’ve started listening to podcasts when I’m tooling around in my truck. I have my favorite production companies, of course, and I tend to stick with podcasts from those companies; however, I also take recommendations from friends, family, and the omnipresent algorithm. That last one is how I came across a podcast called “Was I In A Cult?” The episodes are way funnier than one might expect, given the subject matter, but not in a way that’s inappropriate. Also, fair warning: It gets real dark real quick. The darkness is one of the reasons I have skipped multiple episodes after reading the summary. There are some things I just don’t need to hear about ever, but especially when I’m sitting in traffic, about to go in the grocery store; and/or about to walk in the woods. I mention all of this particular podcast today, because the hosts (Tyler Measom and Liz Iacuzzi) often point out that there are some reoccurring themes associated with cults. These are concepts and ideas that are everywhere in the world, but cults use these things against humanity. One of these things is the concept of “end times” or the end of time.

Now, don’t get it twisted; I’m not saying that if you believe in the “end times” or the end of time, then you are in a cult. That’s a false equivalency. It also would mean that every one who believes in climate change is in a cult – which would be a ludicrous statement. Also, every major religion and philosophy, has teachings and sacred text related to eschatology, “the study or science of the last” – or, as the Oxford English Dictionary defines it, “the part of theology concerned with death, judgment, and the final destiny of the soul and of humankind.” The teachings and texts can be related to the end of the world, the end of the world as we know it, as well as to the end of our individual selves and/or a change in the nature of our mind-body systems. So, technically speaking, every poem about a chrysalis or literature about a phoenix is a form of eschatology.

This isn’t a new conversation to me. It’s a fascination that seems to be part of what makes us human. No, what made me pause wasn’t the conversation itself. What stopped me in my metaphorical tracks was how the hosts and one of the guests pointed out that cults can be so busy focusing on preparation for what (and when) they think the end of days may be, that they neglect to prepare themselves or their children for the possibility that their wrong. They’re not prepared to live in this world and/or to make this world a better place. Given the fact that we’re still here, despite all the “end” dates that have come and gone, I can’t help but wonder if it’s not just some people’s calculations that are off. Perhaps they are also wrong about what it is they are preparing and how they are meant to prepare.

A portion of the following was excerpted from a 2019 post, when Passion Tuesday coincided with the anniversary of the date U. S. President Abraham Lincoln signed the District of Columbia Compensated Emancipation Act (also known as the Compensated Emancipation Act). I’ve made some revisions; the dates and links have been updated; and there are some extra bits for 2022. You can click here for the original 2019 post in it’s entirety.

 “’Be dressed ready for service and keep your lamps burning,’”

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– quoted from the “Parable of the Faithful Servant” as it appears in The Gospel According to Luke (12:35, NIV)

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“’It will be good for those servants whose master finds them ready, even if he comes in the middle of the night or toward daybreak. But understand this: If the owner of the house had known at what hour the thief was coming, he would not have let his house be broken into. You also must be ready, because the Son of Man will come at an hour when you do not expect him.’”

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– quoted from the “Parable of the Faithful Servant” as it appears in The Gospel According to Luke (12:38 – 40, NIV)

After throwing the “thieves” out of the temple and between the authorities, elders, and “spies” questioning him, Jesus taught. Remember, in the historically context – and as far as many would have been concerned at the time – Jesus was simply a renegade Rabbi, a teacher, who was focused on showing his people how to have a closer relationship with G-d. More often than not, he taught in stories or parables. Several of the stories associated with Passion Tuesday or Holy Tuesday involved people waiting for something amazing and transformative to happen. What is important to note is that each story requires action from the characters.

Each story requires action in the here and now.

The Gospels of Matthew, Mark, and Luke all mention “The Parable of the Faithful Servant,” which is the story of a doorkeeper who is instructed to be at the ready for the arrival of the owner of the home (returning from the “marriage feast”) and/or for the arrival of a thief who might take advantage of the night. Maybe because they had previously, and privately, questioned Jesus about events that he said were forthcoming, Luke specifically mentioned Peter asking if the message was for the disciples or for everyone. The answer may seem vague to some, but it reinforced what an honor it would be to be given the purpose of guarding the door and that a good and faithful servant would be rewarded, while someone who falls down on their job would be punished. Then there’s that part in that modern readers might think of as a Spiderman moment:

“‘From everyone who has been given much, much will be demanded; and from the one who has been entrusted with much, much more will be asked.'”

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– quoted from The Gospel According to Luke (12:48, NIV)

The Gospel According to Matthew provides a continuous narrative by placing the faithful servant’s story directly before “The Parable of the Ten Virgins” (sometimes referred to as “The Parable of the Wise and Foolish Virgins” or “The Parable of the Ten Bridesmaids”). Just like the story of the faithful servant, this second story involves a wedding, light, and being ready. According to the parable, ten women are waiting for the possibility of being attendants (another word for servant) at a wedding, but it gets dark and they fall asleep. When they are awakened by the pronouncement that the bridegroom is coming, they trim and light their lamps. The only problem is that five (5) of the bridesmaids have run out of oil and failed to bring more. When the bridegroom comes, he can’t see the ones whose lamps are not lit and, according to Matthew, Jesus repeats, “Therefore keep watch, because you do not know the day or the hour.” (Matthew 25:13, NIV)

The details that reoccur in each story reinforce the message. First, there is a wedding – a momentous celebration that marks a union, a joining together. Second, the people who are waiting to join the wedding party are somehow in service to the bridegroom. Third, everyone has a purpose – although that purpose is not always explicitly explained. Fourth, everyone has a light and that light must shine in order for someone to be recognized. Fifth, there is no telling when one’s services or presence will be required, so (sixth) everyone must be ready at all times.

“Again, it will be like a man going on a journey, who called his servants and entrusted his wealth to them.”

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– quoted from the “Parable of the Faithful Servant” as it appears in The Gospel According to Matthew (25:14, NIV)

The Gospels According to Matthew and Luke also detail a parable about a landowner (or master) who leaves his servants in charge of some goods. Luke associated the story with a different narrative, but Matthew placed “The Parable of The Talents” directly after the one about the virgins and uses the segue (above) to indicate that while the details of the story are different, the message is the same. This time there are three (3) servants and, instead of light, they are given talents, a form of currency: one servant receives five (5) talents, another two (2) talents, and another one (1) talent – “’each according to his ability.’” (Matthew 25:15)

Now, who knows where the landowner is going – perhaps to the aforementioned wedding. What is known is that the first and second servant put their talents to work and increases the wealth, while the third servant buries his talent. (There is also a non-canonical gospel that says one of the servants squanders his talents.) When the landowner/master returns he praises and rewards the servant(s) who increased the wealth, but chastises the one who literally buried his talent for safe-keeping. In Matthew 25:27 the landowner/master points out that if the talent had been put in the bank for safe-keeping, it would have earned interest – thereby increasing the wealth.

Again, the message is clear: it is not enough to sit on one’s laurels and wait for salvation – one must exert effort in some way in order to be prepared. It’s not enough to repeat a mantra, a chant, or a prayer like it’s a magical spell. One has to engage what they have been give – all that they have been given: experiences, perspectives, skills, and all the other resources that could count as blessings and/or talents. We have to let our light shine… which can be really challenging when things seem so dark and also when we may not feel that our skills are as valued as, say, oil.

“As far as I can tell, daughter, it works like this:
You buy bread from a grocery, a bag of apples
From a fruit stand, and what coins
Are passed on helps others buy pencils, glue,
Tickets to a movie in which laughter
Is thrown into their faces.
If we buy a goldfish, someone tries on a hat.
If we buy crayons, someone walks home with a broom.
A tip, a small purchase here and there,
And things just keep going. I guess.”

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– quoted from the poem “How Things Work” by Gary Soto (b. 04/12/1952)

Another motif in the parables, and one that plays out in the last days of Jesus’ life, is the importance of oil and currency. Some commentary indicates that while Jesus was considered an agitator and a renegade, what pushed the elite to get rid of him (rather than to just tolerate him) was when he threw the money lenders out of the temple (see Passion Monday). Eventually, Judas decided to betray Jesus, not only because he was promised “a few pieces of silver” as payment, but also because of he was angered when expensive oil was used to wash Jesus’ feet (see Passion Wednesday). And here, in between the historical events, are the parables about oil and money – which might seem coincidental until you remember that Jesus knew how things worked; he knew what was coming.

According to Arland J. Hultgren – a New Testament professor at Luther Seminary in St. Paul, MN – a talent was a unit of weight and, when used as a unit of money, it would be valued as that specific weight in silver. A talent would be worth about 6,000 denarii, or six thousand times a day’s wages. I’ve seen estimates that translate this into U. S. dollars and indicate that one servant received $300,000 USD, one servant received $600,000 USD, and one servant received $1.5 million USD.

Can you imagine, literally, burying $300,000 USD. If you didn’t bury it, how would you put it to work? How would you put $1.5 million USD to work? Keep in mind: it’s not your money. Would you change what you do with the money if you knew you could “earn” $300,000?

Now, flip it around, and consider that you’ve been given a talent…or five: How are you using your talents? How are you using your resources? How are you letting your little light shine? How does your wealth increase because you invest in your talents? What happens when you don’t use your talents?

It is interesting to notice what one values, how one attributes value, and how one uses what they value. Not just on a personal level, it’s also interesting to notice it on a national and/or global level. As a modern society, we have a history of undervaluing the most essential and fundamental services – and the people that provide those services. When it comes to this, the pandemic has shown us at our best and at our worst. The thing is, we can fix that last part. We can be better. But it’s tricky, because to be better we have to value and appreciate each other – and our natural resources – more than we value a piece of paper or, in the cases of people like me, an actual piece of sheepskin. We have to understand that whenever and however our individual and collective ends come, it’s highly unlikely that we will be remembered (or rewarded) for the talents we buried – on behalf of ourselves or others.

In the Bhagavad Gita, Krishna makes it very clear that we will be remembered by how (and/or if) we fulfill our purpose. Of course, before we can fulfill our purpose, we have to see our purpose and truly see ourselves. In order to see ourselves and our purpose, we need a little light. Patanjali says that light is inside of us. So, the next obvious question is, what fuels the light? It turns out that that power is also inside of us, just waiting for us get charged up.

“Contrary to what many think or feel, Lent is a time of joy. It is a time when we come back to life. It is a time when we shake off what is bad and dead in us in order to become able to live, to live with all the vastness, all the depth, and all the intensity to which we are called. Unless we understand this quality of joy in Lent, we will make of it a monstrous caricature, a time when in God’s own name we make our life a misery.

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This notion of joy connected with effort, with ascetical endeavour, with strenuous effort may indeed seem strange, and yet it runs through the whole of our spiritual life, through the life of the Church and the life of the Gospel. The Kingdom of God is something to be conquered. It is not simply given to those who leisurely, lazily wait for it to come. To those who wait for it in that spirit, it will come indeed: it will come at midnight; it will come like the Judgement of God, like the thief who enters when he is not expected, like the bridegroom, who arrives while the foolish virgins are asleep.”

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– quoted from “An Introduction to Lent” (dated February 17, 1968) by Metropolitan Anthony of Sourozh

Tuesday’s playlist is available on on YouTube and Spotify. [Look for “Passion Tuesday April 7, 2020” or “04072020 Passion Tuesday.”]

“How strange that we can begin at any time.
With two feet we get down the street.
With a hand we undo the rose.
With an eye we lift up the peach tree
And hold it up to the wind – white blossoms
At our feet. Like today. I started”

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 – quoted from the poem “Looking Around, Believing” by Gary Soto (born 04/12/1952)

If you’re interested in Gary Soto and his insightful poetry, you can click on the year for posts (and poses) from 2018, 2019, and 2021.

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### “Where do we go? Nobody knows / Don’t ever say you’re on your way down / God gave you style and gave you grace / And put a smile upon your face” ~Coldplay ###

Using the “hook” to get unhooked (the “missing” Tuesday post) July 21, 2021

Posted by ajoyfulpractice in Changing Perspectives, Depression, Faith, Fitness, Gratitude, Healing Stories, Health, Hope, Life, Loss, Love, Mantra, Meditation, Men, Music, Mysticism, One Hoop, Pain, Peace, Pema Chodron, Philosophy, Poetry, Suffering, Tragedy, Wisdom, Yoga.
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[This is a “missing” post for Tuesday, July 20th. You can request an audio recording of either practice via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.

In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.

Check out the “Class Schedules” calendar for upcoming classes. If you are using an Apple device/browser and the calendar is no longer loading, please email me at myra (at) ajoyfulpractice.com at least 20 minutes before the practice you would like to attend.]

“You’re the only one knows me
And who doesn’t ignore
That my soul is weeping

 

I know I know I know
Part of me says let it go
Everything must have it seasons
Round and round it goes
And every day’s a one before
But this time this time

 

I’m gonna try anything that just feels better”

– quoted from the song “Just Feel Better” by Santana, featuring Steven Tyler

In my last “missing” post, I rifted on vedanā (“feeling,” “sensation,” “vibration”) – especially as it relates to music – for a variety of different reasons. First, “there’s a message in the music” and music is a great way to tell a story. Looking at South African President Nelson Mandela’s story through a musical lens, gives additional insight into the person who inspired so many people around the world. It gives insight into how a man burdened with so much found a way to “just feel better” than his circumstances and to keep moving/pushing forward. Additionally, putting ourselves in his shoes (or the shoes of someone like Émile Zola or Captain Alfred Dreyfus) is an opportunity for svādyāya (“self-study”).

The second reason is that I’ve always loved music and, even before I started practicing yoga and meditation, I had some understanding of the power of music on a physical-mental-emotional level. I have used music to get myself motivated, to shake myself out of funk, to stay focused, and even to settle into (and even savor) a particular kind of mood. So, I’ve always been fascinated by research into the benefits of music. Finally, I love a good “hook” and have found (as a teacher), that music can be a good tool to getting unhooked.

In musical terminology, a “hook” is a musical phrase that grabs the audience on every level – mind, body, and spirit. Sometimes it’s the lyrics (like “Free Nelson Mandela”); other times it’s an instrumental riff that may change the rhythm and/or the intensity of the chords. Phil Collins’s drum solo in the middle of “In the Air Tonight” is a classic example of an instrumental hook. The hook in Coldplay’s “Fix You” combines an instrumental hook (when the music swells and the electric guitar kicks in with an escalating riff) with a lyrical hook that the audience has been primed to sing-a-long.

Take a moment to notice something. Notice that if you know any of the three songs I just mentioned, it doesn’t matter how long ago you last heard them, your mind immediately conjured up the hook(s) and you quite possibly felt a sensation that you associate with the song(s). Maybe, you even felt transported to an experience you had in the past related to the song. All of that is the power of the “hook” – which harnesses the power of the mind – and all of that is vedanā.

“Tears stream down your face
When you lose something, you cannot replace
Tears stream down your face and I
Tears stream down your face
I promise you, I will learn from my mistakes
Tears stream down your face and I

 

Lights will guide you home
And ignite your bones
And I will try to fix you”

– quoted from the song “Fix You” by Coldplay

Born in Autlán (de Navarro), Jaslisco, Mexico today in 1947, Carlos Santana is definitely someone who understands the power of music. You could even call him “hook” royalty, because he most definitely understands the power of how a single moment in a song can keep people coming back again and again. He started busking in his teens and, along with other buskers, formed Carlos Santana’s Blues Band around 1966. The band, which originally included Santana plus David Brown (on bass guitar), Bob Livingston (on drums), Marcus Malone (on percussion), and Gregg Rolie (as lead vocalist and electric organist), was signed by Columbia Records after a few years on the San Francisco club circuit. By the time their first album was released in 1969, the band’s name had been shortened to “Santana;” there had been some personnel changes (Bob Livingston for artistic reasons and Marcus “the Magnificent” Malone* for legal reasons were out, replaced by Mike Shrieve and Michael Carabello, respectively); and the instrumentation had expanded (with the addition of Nicaraguan percussionist José Chepito Areas, guitarist and vocalist Neal Schon).

While the lineup has changed multiple times over the years, Santana and his band are known for psychedelic musical fusion that combines rock and jazz with blues and African and Latin orchestration. He has been listed as number 20 on Rolling Stone magazine’s list of top 100 guitarists of all times and has received 10 Grammy awards, three Latin American Grammy awards, and has had 43.5 million certified albums sold in the United States and an estimated 100 million sold worldwide. He and the original band were inducted into the Rock and Roll Hall of Fame in 1998 – right around the time a whole new generation was discovering the “black magic” that is Santana.

Released in 1999, Santana’s eighteenth studio album, Supernatural, is a chart-topping, record-breaking album of collaborations. The album reached number 1 in eleven countries (including multiple weeks on the United States – where it is a certified multi-platinum album); produced several hit singles; and won eight Grammy Awards – including Album of the Year and Best Rock Album; and three Latin American Grammy Awards (including Record of the Year). In fact, the album won so much in one night that when Sheryl Crow won for Best Female Rock Vocalist, she thanked Santana “for not being in this category.” The album has sold an estimated 30 million copies worldwide and features some incredible musical hooks – hooks that reinforce why vedanā is sometimes translated as “supernatural touch.”

“‘Some songs are just like tattoos for your brain…  you hear them and they’re affixed to you.’

 

The image of the tattoo is telling…. But looking beyond the literal change in the ubiquity of tattoos across generations, the metaphor Carlos chose, songs equaling ‘tattoos for your brain’ is telling. It reinforces the status of Carlos as a master of formulaic and “hooky” pop songs with highly memorable melodies.”

 

– quoted from “Chapter 9: Carlos Speaks: Interpretations and Rebounding Questions” in Carlos Santana: A Biography by Norman Weinstein

Like so many other people in the 60’s and 70’s, Carlos Santana practiced meditation under the guidance of a guru. He became a disciple of Sri Chinmoy in 1973, and received the name “Devadip” – which means “the lamp, light and eye of God.” That same year, Santana and the band collaborated with John McLaughlin and the Mahavishnu Orchestra to produce an album of devotional (jazz fusion) music called Love, Devotion, Surrender. The album not only honored the teachings of Sri Chinmoy, it was also a tribute to John Coltrane. Later, Carlos Santana collaborated with Coltrane’s widow, the Alice Coltrane, who was herself a practitioner of yoga and meditation. Their album, Illuminations, mixed classic jazz with “free jazz” (an experimental type of improvisation) and East Indian music. By the early 1980’s Carlos Santana and his wife Deborah had ended their formal relationship with Sri Chinmoy, but the band’s music still reflects a focus on spirituality. Additionally, when he accepted his Grammy Awards in 2000, he spoke about using his platform to promote joy and said, “For me, that’s the most important thing, is to utilize music to bring harmony, equality, justice, beauty and grace upon this planet.” He also said, “The most valuable possession you can own is an open heart. The most powerful weapon you can be is an instrument of peace.”

“Live your life and just be yourself cause you’re somebody special cause somebody loves ya
Your life so just be yourself cause you’re somebody special cause somebody loves ya
Someone loves your life, life, hey hey I can see you shining shining I can see you shining With light light hey hey I can see you shining shining I can see you shining bright”

– quoted from the song “I Am Somebody” by Santana, featuring WILL.I.AM

There was a time (not too long ago) and a place (pretty much every place in the world) when people who did not fit certain standards were considered “less than.” Sometimes such people hidden away from society; sometimes they were subjected to medical experiments; and sometimes they were ostracized and institutionalized. And, if we’re being completely honest, there are places in the world, including countries in the “First World,” where those kinds of things still happen. The people who have historically been in danger of such foul treatment fall into a lot of different categories. However, the bottom line is that in mistreating them – even by just ignoring them and pretending like they were a “problem” that would go away – society negated their humanity and the fact that they were somebody, somebody special.

When we (as individuals and/or as a society) negate someone’s humanity – for any reason, we not only forget that that someone is somebody, we forget that they are “somebody special cause someone loves [their] life.” We also forget that they have the ability to shine and to make the world a better place.

I mentioned that a lot of different people have been subjected to such foul behavior over the years. However, today my focus often turns to a very specific group, a special group of athletes, and the member of American “royalty” who had had “enough” – and who made it her personal mission to change the way certain members of our community were treated. Today, July 20th, is the anniversary of the Special Olympic Games. First held in 1968, in Soldiers Field in Chicago, Illinois, the Special Olympics organization sprang from the initiative of Eunice Kennedy Shriver, who’s older sister Rosemary had an intellectual disability.

“But there’s been a change in the flight plan. They’ve landed in Holland and there you must stay.”

– quoted from “Welcome to Holland” by Emily Perl Kingsley ©1987

Normally, I reference both Santana and the history and mission of Special Olympics on July 20th. I also typically share a piece written by Emily Perl Kinglsey that some people appreciate, but that pushes some people’s buttons. I share Kingsley’s essay-poem, called “Welcome to Holland,” because I think it eloquently illustrates a person getting hooked and then getting unhooked. Furthermore, I think it brilliantly underscores the fact that when we get unhooked we can be more present, more fully present with ourselves and those we love.

Since this class date fell on a Monday last year (and there was no playlist), I didn’t mention Santana – nor did I mention that the eldest Kennedy daughter was born during a pandemic or any of the other really tragic elements of her story. Neither did I mention that other Kennedy family members created laws, policies, and organizations that support the humanity and dignity of people with disabilities. I did mention, however, that Rosemary Kennedy’s favorite things included music and dancing. I don’t know who her favorite musicians were or what kind of dance she liked, but we can guess – based on the time period and the fact her older brothers often “waltzed her around the ballrooms.” That said, I can’t help but think that a girl who loved music and who loved to dance would have gotten “hooked” by the music of Santana.

“First of all, the music that people call Latin or Spanish is really African. So Black people need to get the credit for that.”

– Carlos Santana

Tuesday’s playlist is available on YouTube and Spotify.

Click here (or above) for the 2020 blog post about Special Olympics.

As mentioned above, Marcus “The Magnificent” Malone was replaced just as Santana and the band were beginning to experience extreme success. Malone was convicted of manslaughter, served time in San Quentin State Prison and then ended up homeless. During the summer of 2016, he was involved in a bizarre accident that has left him in a care facility. In some ways, his life has been tragic. In other ways, he has experienced some immense beauty and magic. Twice in his life, those moments of immense beauty and magic involved Carlos Santana.

Reunited

 

### “Let there be light / Let there be joy / Let there be love /And understanding / Let there be peace / Throughout the land // Let’s work together” ~ Santana ###