(FTWMI) Repeating The Echo: The Cagey Truth About Nothing September 5, 2023
Posted by ajoyfulpractice in Art, Books, Buddhism, Changing Perspectives, Faith, Japa-Ajapa, Life, Meditation, Music, Mysticism, Philosophy, Wisdom, Writing, Yoga.Tags: I Ching, John Cage, Philosophy, Robert Rauschenberg, Zen Buddhism
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May you be safe, protected, and appreciated.
For Those Who Missed It: The following was originally posted as “The Cagey Truth About Nothing” on September 5, 2020, and reposted in 2021. Today’s class details (and some formatting) have been updated.
“Every moment is an echo of nothing.”
— John Cage
Listen. Do that 90-second thing. Just for a moment, be still and be quiet.
Notice what you hear.
Notice what you see.
Notice what you feel.
Because, as long as you are alive, these things are always happening.
“Everything we do is music.”
“The world is teeming; anything can happen.”
— John Cage
We refer to the absence of something as nothing; but, in actuality, there is always something. Our understanding of nothing or emptiness is based on our perception and awareness of the truth. Zen Buddhism, which John Cage practiced, focuses on self-restraint, meditation, insight into the nature of the mind and the nature of things, and the personal expression of this insight — especially as it benefits others. This, truly, parallels the focus of the yoga philosophy.
It’s tricky, cagey even. However, if we pay attention, we start to notice that the truth about nothing leads to the truth about everything — and Patanjali indicated that being dedicated to to the truth leads to everything.
Yoga Sūtra 2.36: satyapratişţhāyām kriyāphalāśrayatvam
— “When a yogi is established in truthfulness, actions begin to bear fruit. [Truth is the foundation for fruitful action.]”
Born today in 1912, John Cage was an artist and composer who’s most well-known work is often misinterpreted. Even as musicians — even heavy metal musicians — who understand the piece take it on, there is often a level of interpretation and improvisation that changes the tenure of the piece. Some say Mr. Cage would approve of such things. Others say otherwise, but the truth of the matter is that he was not only a student of art and music. He was also a student of Zen Buddhism, Indian philosophy, chance, and (yes) improvisation.
He turned more towards music than art, because more people commented on his music and, in some ways, music was harder for him. He combined his two art forms by composing music for “prepared piano”, a piano that had been altered with blocks, pins, and other objects — and essentially turned into a percussion instrument. He also collaborated with his partner Merce Cunningham, the choreographer, and spent years composing via the I Ching, a resource for divination.
Divination comes from the Latin word for “to foresee, to foretell, to predict, to prophesy” and, as it is related to the Latin word for “divine”, it can be translated as “to be inspired by God.” It is, like randomly opening a page in the Bible or your favorite book, a way to gain insight into a particular situation. The I Ching or Book of Changes (sometimes translated as Classic of Changes) is an ancient resource for Chinese divination and one of the oldest Chinese classics. It became one of the “Five Classics” in the 2nd Century B.C. and has influenced art, literature, philosophy, and religion around the world since the Western Zhou period (1000 – 750 B. C.).
The text is the primary reference for interpreting a sequence of hexagrams which can be formed with numbers or by throwing coins containing the symbols for “yin” (a broken line) or “yang” (an unbroken line). Just like other users of Chinese divination, John Cage would form a question, throw the coins, and then create a musical interpretation of the resulting hexagon sequence and its corresponding message. While he had previously composed “by chance”, using the I Ching became his standard method of composing music after one of his students gave him a copy of the sacred text in 1951. In a 1957 lecture, he described music as “purposeless play” and “a way of waking up to the very life we’re living.”
“If something is boring after 2 minutes, try it for 4. If still boring, then 8. Then 16. Then 38. Eventually one discovers that it is not boring at all.”
— John Cage
It was also in 1951 that Mr. Cage had two other highly influential experiences. His friend and colleague Robert Rauschenberg produced a series of white paintings which appeared to be “blank” canvases, but which actually changed based on lighting and the shadows of the people viewing them. Around this same time, Mr. Cage spent some time in an anechoic chamber at Harvard University. The chamber was designed so that every part of the room absorbed sound, rather than reflecting it. Since it was meant to be completely silent and externally sound-proof, he expected to hear silence. However, instead of silence, he heard a high pitched sound and a low pitched sound. The engineer in charge of the room told him the high pitch was his nervous system and the low pitch was his blood circulation. Instead of silence, he was treated to the music of his own existence.
“There is no such thing as an empty space or an empty time. There is always something to see, something to hear. In fact, try as we may to make a silence, we cannot.”
— John Cage
Please join me today (Tuesday, September 5th) at 12:00 PM or 7:15 PM for a yoga practice on Zoom. You can use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email myra (at) ajoyfulpractice.com.
Tuesday’s playlist is available on YouTube and Spotify. [Look for “09052020 The Cagey Truth About Nothing”]
(FAIR WARNING: The volume on these tracks is quite dynamic, more so on the Spotify list. I love this music, however, I know some folks hate it; so, feel free to “randomly” pick another list or…practice in “silence.”)
Pure Cage
“Get yourself out of whatever cage you find yourself.”
— John Cage
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)
Revised 2025.
### UNCAGED ###
Sitting in Grace & FTWMI: “A center of stillness surrounded by silence” July 29, 2023
Posted by ajoyfulpractice in Books, Buddhism, Changing Perspectives, Dharma, Faith, Hope, Life, Meditation, Music, One Hoop, Pain, Peace, Philosophy, Suffering, Tragedy, Vipassana, Wisdom, Writing, Yoga.Tags: 90 seconds, asana, Dag Hammerskjöld, Mahāsī Sayādaw, Markings, meditation, Nobel Peace Prize, Pauline Frederick, Philosophy, Religion, satipatthana, Theraveda Buddhism, United Nations, Värmärken, Vipassana, Waymarks, yoga
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Peace, blessings, and stay hydrated!!!
For Those Who Missed It: This “missing” post for Saturday, July 29th was originally posted in 2020. It includes some updated links. How ever you define “grace,” it can be found in the fact that you can do this practice anywhere…. including at the United Nations. You can request an audio recording of either practice via a comment below or (for a slightly faster reply) you can email myra (at) ajoyfulpractice.com.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.
Check out the “Class Schedules” calendar for upcoming classes.)
“The more faithfully you listen to the voices within you, the better you will hear what is sounding inside.”
– quoted from Markings by Dag Hammerskjöld
Come into a comfortable seated position. You can sit on the floor, your bed, a chair, or a cushion. You can sit on a bench, a stool, or a rock. You can kneel on the floor, a cushion, or a prie-dieu. You can lie down if you must, but make sure you are in a comfortable and stable position, with your back long and your jaw and shoulders relaxed. Let one or both hands rest so that your belly can soften into your hands. Close your eyes, if that is comfortable to you, and do that 90-second thing.
Today, really pay attention to how the soft belly rises and falls and the breath enters and leaves your body. Today, notice the temporal nature of things – how, like your breath, everything begins and ends; changes. Notice how the inhale causes the exhale and how the exhale causes the inhale. Notice any suffering, discomfort, or dis-ease you may be experiencing; and note or name your mental, physical, and emotional experiences, but without commenting or creating a story around the experiences.
Just breathe, with awareness.
This is a specific kind of meditation, meditation that arouses mindfulness.
Vipassanā literally means “to see in a special way” and is often translated into English as “insight.” It is a meditation style/technique, within Theraveda Buddhism, that has also become a tradition (meaning there are people who practice vipassanā, but no other aspects of Buddhism). The original practice, which includes the practice of satipaţţhāna (which is often translated as the “foundation of mindfulness”), was popularized by Mahāsī Sayādaw.
Born today in 1904, Mahāsī Sayādaw was a Burmese Theraveda Buddhist monk. He became a novice at 12 years old, was ordained at age twenty, and earned his degree as a teacher of dhamma in 1941. Upon his ordination, he assumed the name Mahāsī Sayādaw U Sobhana. In his mid-30s, he began teaching the technique of vipassanā in his home village, which was named for a massive drum (known as Mahāsī). He was eventually asked, by the Prime Minister of Burma (in what is now Myanmar), to be a resident teacher in the capital and then to help establish meditation centers throughout Burma (Myanmar), Sri Lanka, Indonesia, and Thailand. By his late 60’s, Mahāsī Sayādaw had trained over 700,000 meditators and by his mid-70’s he was traveling to the West to lead meditation retreats. One of the places where he led retreats was the Insight Meditation Society (IMS), which is now one of the leading meditation centers in the United States.
“We are not permitted to choose the frame of our destiny. But what we put into it is ours.”
– quoted from Markings by Dag Hammerskjöld
One of the great things about practicing vipassanā is that you can practice it anywhere. (You can even practice it standing or walking, even though I didn’t include those options at the beginning.) You can even practice at the United Nations Headquarters in “A Room of Quiet” that was established and designed by a team lead by Dag Hammerskjöld (b. 1905).
“Pray that your loneliness may spur you into finding something to live for, great enough to die for.”
– quoted from Markings by Dag Hammerskjöld
Born today in Sweden, exactly a year after Mahāsī Sayādaw, Hammerskjöld was the second Secretary General of the United Nations and the youngest person to ever hold the position. His second term was cut short when he was killed in an airplane as he traveled to the Congo to broker peace during the Congo Crisis. President John F. Kennedy called him “the greatest statesman of our century” and, he was posthumously awarded the Nobel Peace Prize. In fact, he is the only person to be posthumously awarded the Nobel Peace Prize. After his death, his journal was discovered and published as Värmärken (Markings, or Waymarks in English). The journal starts when Hammerskjöld was 20 years old and continues up until the month before his death.
Even though he thought the journalist who called him for a comment about his appointment to the UN was actually part of an April Fool’s joke, Hammerskjöld was pretty serious about peace. Peace on the inside and peace on the outside. That is why he was so dedicated to the UN’s Meditation Room being “a room of quiet” for all, without the trappings or outward appearance of any particular faith, creed, or religious belief. He led an interfaith group of Christians, Jews, and Muslims who combined their physical and mental efforts as well as financial resources – and he was very hands on. He not only had a hand in the painting, sculpture, and architecture of the room, but also in the fact that there are benches instead of chairs. He even, quite literally, had a hand in the carpet that was laid on the floor and the color that was painted on the walls. He wrote in letters and is quoted in interviews as saying that “This House” (which is how he referenced the UN) “should have one room dedicated to silence in the outward sense and stillness in the inner sense.” He indicated that this silence and stillness was something everyone carried within them and that his aim was “to create in this small room a place where the doors may be open to the infinite lands of thought and prayer.”
Go back to the beginning and do that 90-minute thing. This time, as you sit here and breathe here, noting your experience here, consider that all over the world there are people sitting and breathing, meditating and praying, opening to that same “center of stillness surrounded by silence” that you are opening to within yourself.
“The longest journey is the journey inwards.”
– quoted from Markings by Dag Hammerskjöld
“‘We want to bring back, in this room, the stillness which we have lost in our streets, and in our conference rooms, and to bring it back in a setting in which no noise would impinge on our imagination.’”
– Journalist Pauline Frederick quoting Dag Hammerskjöld (in an interview for the UN Oral History Collection dated June 20, 1986)
The 2023 playlist is available on YouTube and Spotify. [Look for “07292023 Still Breathing, Noting, Here & at the UN”]
The 2020 playlist is also available on YouTube and Spotify. [Look for “07292020 Breathing, Noting, Here & at the UN”]
“Thou who art over us,
Thou who art one of us,
Thou who art –
Also within us,
May all see Thee – in me also,
May I prepare the way for Thee,
May I thank Thee for all that shall fall to my lot,
May I also not forget the needs of others,
Keep me in Thy love
As Thou wouldst that all should be kept in mine.
May everything in this my being be directed to Thy glory
And may I never despair.
For I am under Thy hand,
And in Thee is all power and goodness.
Give me a pure heart – that I may see Thee,
A humble heart – that I may hear Thee,
A heart of love – that I may serve Thee,
A heart of faith – that I may abide in Thee. Amen”
– prayer/meditation/poem from Markings by Dag Hammerskjöld
### PEACE IN, PEACE OUT ###
Repeating The Echo: The Cagey Truth About Nothing September 5, 2021
Posted by ajoyfulpractice in Art, Books, Buddhism, Changing Perspectives, Faith, Japa-Ajapa, Life, Meditation, Music, Mysticism, Philosophy, Wisdom, Writing, Yoga.Tags: I Ching, John Cage, Philosophy, Robert Rauschenberg, Zen Buddhism
add a comment
This was originally posted as “The Cagey Truth About Nothing” on September 5, 2020. Today’s class details have been updated.
“Every moment is an echo of nothing.”
– John Cage
Listen. Do that 90-second thing. Just for a moment, be still and be quiet.
Notice what you hear.
Notice what you see.
Notice what you feel.
Because, as long as you are alive, these things are always happening.
“Everything we do is music.”
“The world is teeming; anything can happen.”
– John Cage
We refer to the absence of something as nothing, but in actuality there is always something. Our understanding of nothing or emptiness is based on our perception and awareness of the truth. Zen Buddhism, which John Cage practiced, focuses on self-restraint, meditation, insight into the nature of the mind and the nature of things, and the personal expression of this insight – especially as it benefits others. This, truly, parallels the focus of the yoga philosophy. It’s tricky, cagey even; however, if we pay attention we start to notice that the truth about nothing leads to the truth about everything – and Patanjali tells us that being dedicated to to the truth leads to everything.
Yoga Sūtra 2.36: satyapratişţhāyām kriyāphalāśrayatvam
– “When a yogi is established in truthfulness, actions begin to bear fruit. [Truth is the foundation for fruitful action.]”
Born today in 1912, John Cage was an artist and composer who’s most well-known work is often misinterpreted. Even as musicians – even heavy metal musicians – who understand the piece take it on, there is often a level of interpretation and improvisation that changes the tenure of the piece. Some say Mr. Cage would approve of such things. Others say otherwise, but the truth of the matter is that he was a student not only of art and music, but also of Zen Buddhism, Indian philosophy, chance, and (yes) improvisation. He turned more towards music than art because more people commented on his music and, in some ways, music was harder for him. He combined his two art forms by composing music for “prepared piano,” a piano that had been altered with blocks, pins, and other objects – and essentially turned into a percussion instrument. He also collaboration with his partner Merce Cunningham, the choreographer, and spent years composing via the I Ching, a resource for divination.
Divination comes from the Latin word for “to foresee, to foretell, to predict, to prophesy” and, it is related to the Latin word for “divine,” it can be translated as “to be inspired by God.” It is, like randomly opening a page in the Bible or your favorite book, a way to gain insight into a particular situation. The I Ching or Book of Changes (sometimes translated as Classic of Changes) is an ancient resource for Chinese divination and one of the oldest Chinese classics. It became one of the “Five Classics” in the 2nd Century B.C. and has provided influenced art, literature, philosophy, and religion around the world since the Western Zhou period (1000 – 750 B. C.).
The text is the primary reference for interpreting a sequence of hexagrams which can be formed with numbers or by throwing coins containing the symbols for “yin” (a broken line) or “yang” (an unbroken line). Just like other users of Chinese divination, John Cage would form a question, throw the coins, and then create a musical interpretation of the resulting hexagon sequence and its corresponding message. While he had previously composed “by chance,” using the I Ching became his standard method of composing music after one of his students gave him a copy of the sacred text in 1951. In a 1957 lecture, he described music as “purposeless play” and “a way of waking up to the very life we’re living.”
“If something is boring after 2 minutes, try it for 4. If still boring, then 8. Then 16. Then 38. Eventually one discovers that it is not boring at all.”
– John Cage
It was also in 1951 that Mr. Cage had two other highly influential experiences. His friend and colleague Robert Rauschenberg produced a series of white paintings which appeared to be “blank” canvases, but which actually changed based on lighting and the shadows of the people viewing them. Around this same time, Mr. Cage spent some time in an anechoic chamber at Harvard University. The chamber was designed so that every part of the room absorbed sound, rather than reflecting it, so that it was meant to be completely silent and externally sound-proof. He expected to hear silence but, instead, he heard a high pitched sound and a low pitched sound. The engineer in charge of the room told him the high pitch was his nervous system and the low pitch was his blood circulation. Instead of silence, he was treated to the music of his own existence.
“There is no such thing as an empty space or an empty time. There is always something to see, something to hear. In fact, try as we may to make a silence, we cannot.”
– John Cage
Please join me for a 65-minute virtual yoga practice on Zoom today (Sunday, September 5th) at 2:30 PM. You can use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.
Today’s playlist is available on YouTube and Spotify. (FAIR WARNING: The volume on these tracks is quite dynamic, more so on the Spotify list. I love this music, however, I know some folks hate it; so, feel free to “randomly” pick another list or…practice in “silence.”)
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)
Pure Cage
“Get yourself out of whatever cage you find yourself.”
– John Cage
### UNCAGED ###
.
Are You Happy Now? (What About Now?) October 5, 2020
Posted by ajoyfulpractice in Books, Buddhism, Changing Perspectives, Dharma, Faith, Gratitude, Hope, Life, One Hoop, Pema Chodron, Philosophy, Suffering, Sukkot, Vairagya, Wisdom, Yoga.Tags: avidyā, Bhante Henepola Gunaratana, Buddha, Buddhism, Happiness, ignorance, lojong, Pema Chödrön, Philosophy, Rabbi Marc Katz, Suffering, Sukkot, Theravada Buddhism, yoga, Yoga Sutra 2.42, Yoga Sutras 2.40-2.41
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“Skillful actions are those that create the causes for happiness, such as actions motivated by loving-friendliness and compassion. Any action that comes from a mind not currently filled with greed, hatred, or delusion brings happiness to the doer and to the receiver. Such an action is, therefore, skillful or right.”
— quoted from Eight Mindful Steps to Happiness by Bhante Henepola Gunaratana
I have heard Dharma teachers say that for all his lists, techniques, and stories, the Buddha only taught (about) two things: suffering and the end of suffering. Just like in the yoga philosophy, Buddhism focuses on the root causes of suffering in order to identify what thoughts, words, and deeds cause the end of suffering. And, in both philosophies, everything begins with understanding/knowledge. The bottom line (in both philosophies) is that avidyā (ignorance or false understanding) leads to desire/attachment which in turns causes suffering. If we can eliminate the ignorance, we can eliminate the suffering. So, ultimately, each philosophy is a path to understanding cause and effect in order to end suffering by eradicating ignorance.
The question is: What is the end of suffering?
Bhante Henepola Gunaratana is a Sri Lankan Theravada Buddhist who has lead retreats around the world and taught graduate level courses at American University, Georgetown University, Bucknell University, and the University of Maryland, College Park. In addition to writing about mindfulness “in plain English”, he identifies the end of suffering as “happiness”; thereby making the Buddha’s Noble Eightfold Path “Eight Mindful Steps to Happiness”.
“The Buddha pointed to ten actions that are always unskillful because they inevitably cause suffering. Three are actions of the body: killing, stealing, and sexual misconduct. Four are actions of speech: lying, malicious words, harsh language, and useless talk. The last three are actions of the mind: covetousness, ill will, and wrong view of the nature of reality….
Before we can begin to practice the Buddha’s path, however, we need enough basic understanding to see that these ten actions are unskillful because they inevitably bring deep suffering both to the doers and the recipients.”
— quoted from Eight Mindful Steps to Happiness by Bhante Henepola Gunaratana
Right at the beginning of Sukkot, which some refer to as the “Season of Happiness”, Rabbi Marc Katz asked his synagogue a question which really resonated with me. He asked, “What is something you are holding on to that, in fact, would be better understood as impermanent?” Now, this question really resonated with me for a number of reasons — with the primary reason being that it hones in on some key points related to avidyā. First, it highlights our attachment to ignorance/delusion. Second, it brought to mind the fact that in the philosophy of Yoga the very first example of avidyā is the belief that something impermanent is permanent.
It seems to me that Patanjali was just as fond of lists as the Buddha. So, I’ll point out here that mistaking the nature of things is only the first example of avidyā. The belief that something impure is pure, that something which causes suffering will cause happiness, and that the experience of something related to the self is the (whole essence) of the Self are all identified in yoga sūtra 2.5 as avidyā. And, don’t forget, that avidyā (ignorance) is not only the first afflicted/dysfunctional thought pattern (klişţa) which leads to suffering, it is the bedrock for the other four afflicted/dysfunctional thought patterns which lead to suffering: false sense of self, attachment, aversion, and fear of loss/death.
“Moreover, people engage in such misdeeds only when their understanding is faulty and their minds are polluted by greed, hatred, or delusion. In fact, any action that comes from a mind filled with greed, hatred, or delusion leads to suffering and is thus unskillful or wrong.”
— quoted from Eight Mindful Steps to Happiness by Bhante Henepola Gunaratana
Yoga Sūtra 2.40: śaucāt svāngajugupsā parairasamsargah
— “From purity/cleanliness arises sensitivity to the unclean nature of one’s own body and [physical] unmixing.”
Yoga Sūtra 2.41: sattvaśuddhisaumanasyaikāgreyendriyayātmadarśanayogyatvāni ca
— “[From purity/cleanliness arises] pure wisdom of the heart, cheerfulness of mind, the power of concentration, victory over the senses, and the ability to directly experience our Self.”
According to the Noble Eightfold Path, skillful (or right) understanding, leads to skillful thinking, skillful speech, skillful action, skillful livelihood, skillful effort, skillful mindfulness, and skillful concentration. In the Yoga Philosophy, practicing the 8-limbs will also lead to the ability to think, speak, and act in a way that alleviates suffering. In other words, both practices can be seen as paths to happiness.
Please join me on the virtual mat today (Monday, October 5th) at 5:30 PM for a 75-minute virtual yoga practice on Zoom.
This is a 75-minute Common Ground Meditation Center practice that, in the spirit of generosity (dana), is freely given and freely received. You can use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below.
If you are able to support the center and its teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” my other practices, or you can purchase class(es). Donations are tax deductible, class purchases are not necessarily.)
There is no playlist for the Common Ground practices.
Yoga Sūtra 2.42: santoşādanuttamah sukhalābhah
— “From contentment comes happiness without equal.”
“(21) Always maintain only a joyful mind.
Constantly apply cheerfulness, if for no other reason than because you are on this spiritual path. Have a sense of gratitude to everything, even difficult emotions, because of their potential to wake you up.”
— from Always Maintain A Joyful Mind: And Other Lojong Teachings on Awaking Compassion and Fearlessness by Pema Chödrön
Format updated, 10/07/2025.
### teachers of wisdom, teachings (of wisdom), community ###
The Cagey Truth About Nothing September 5, 2020
Posted by ajoyfulpractice in Art, Books, Buddhism, Changing Perspectives, Faith, Japa-Ajapa, Life, Meditation, Music, Mysticism, Philosophy, Wisdom, Writing, Yoga.Tags: I Ching, John Cage, Philosophy, Robert Rauschenberg, Zen Buddhism
add a comment
“Every moment is an echo of nothing.”
– John Cage
Listen. Do that 90-second thing. Just for a moment, be still and be quiet.
Notice what you hear.
Notice what you see.
Notice what you feel.
Because, as long as you are alive, these things are always happening.
“Everything we do is music.”
“The world is teeming; anything can happen.”
– John Cage
We refer to the absence of something as nothing, but in actuality there is always something. Our understanding of nothing or emptiness is based on our perception and awareness of the truth. Zen Buddhism, which John Cage practiced, focuses on self-restraint, meditation, insight into the nature of the mind and the nature of things, and the personal expression of this insight – especially as it benefits others. This, truly, parallels the focus of the yoga philosophy. It’s tricky, cagey even; however, if we pay attention we start to notice that the truth about nothing leads to the truth about everything – and Patanjali tells us that being dedicated to to the truth leads to everything.
Yoga Sūtra 2.36: satyapratişţhāyām kriyāphalāśrayatvam
– “When a yogi is established in truthfulness, actions begin to bear fruit. [Truth is the foundation for fruitful action.]”
Born today in 1912, John Cage was an artist and composer who’s most well-known work is often misinterpreted. Even as musicians – even heavy metal musicians – who understand the piece take it on, there is often a level of interpretation and improvisation that changes the tenure of the piece. Some say Mr. Cage would approve of such things. Others say otherwise, but the truth of the matter is that he was a student not only of art and music, but also of Zen Buddhism, Indian philosophy, chance, and (yes) improvisation. He turned more towards music than art because more people commented on his music and, in some ways, music was harder for him. He combined his two art forms by composing music for “prepared piano,” a piano that had been altered with blocks, pins, and other objects – and essentially turned into a percussion instrument. He also collaboration with his partner Merce Cunningham, the choreographer, and spent years composing via the I Ching, a resource for divination.
Divination comes from the Latin word for “to foresee, to foretell, to predict, to prophesy” and, it is related to the Latin word for “divine,” it can be translated as “to be inspired by God.” It is, like randomly opening a page in the Bible or your favorite book, a way to gain insight into a particular situation. The I Ching or Book of Changes (sometimes translated as Classic of Changes) is an ancient resource for Chinese divination and one of the oldest Chinese classics. It became one of the “Five Classics” in the 2nd Century B.C. and has provided influenced art, literature, philosophy, and religion around the world since the Western Zhou period (1000 – 750 B. C.).
The text is the primary reference for interpreting a sequence of hexagrams which can be formed with numbers or by throwing coins containing the symbols for “yin” (a broken line) or “yang” (an unbroken line). Just like other users of Chinese divination, John Cage would form a question, throw the coins, and then create a musical interpretation of the resulting hexagon sequence and its corresponding message. While he had previously composed “by chance,” using the I Ching became his standard method of composing music after one of his students gave him a copy of the sacred text in 1951. In a 1957 lecture, he described music as “purposeless play” and “a way of waking up to the very life we’re living.”
“If something is boring after 2 minutes, try it for 4. If still boring, then 8. Then 16. Then 38. Eventually one discovers that it is not boring at all.”
– John Cage
It was also in 1951 that Mr. Cage had two other highly influential experiences. His friend and colleague Robert Rauschenberg produced a series of white paintings which appeared to be “blank” canvases, but which actually changed based on lighting and the shadows of the people viewing them. Around this same time, Mr. Cage spent some time in an anechoic chamber at Harvard University. The chamber was designed so that every part of the room absorbed sound, rather than reflecting it, so that it was meant to be completely silent and externally sound-proof. He expected to hear silence but, instead, he heard a high pitched sound and a low pitched sound. The engineer in charge of the room told him the high pitch was his nervous system and the low pitch was his blood circulation. Instead of silence, he was treated to the music of his own existence.
“There is no such thing as an empty space or an empty time. There is always something to see, something to hear. In fact, try as we may to make a silence, we cannot.”
– John Cage
Please join me for a 90-minute virtual yoga practice on Zoom today (Saturday, September 5th) at 12:00 PM. You can use the link from the “Class Schedules” calendar if you run into any problems checking into the class. Give yourself extra time to log in if you have not upgraded to Zoom 5.0.
Today’s playlist is available on YouTube and Spotify. (FAIR WARNING: The volume on these tracks is quite dynamic, more so on the Spotify list. I love this music, however, I know some folks hate it; so, feel free to “randomly” pick another list or…practice in “silence.”)
You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.
Pure Cage
“Get yourself out of whatever cage you find yourself.”
– John Cage
### UNCAGED ###
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We Do What We Do September 1, 2020
Posted by ajoyfulpractice in Books, Buddhism, Changing Perspectives, Daoism, Dharma, Dr. Martin Luther King, Jr., Hope, Life, Meditation, Philosophy, Taoism, Vairagya, Wisdom, Writing, Yoga.Tags: chaos theory, chaotic motion, effortless effort, Mary and Richard Maddux, Meditation Oasis, Philosophy, Tao Te Ching, Theodore Parker, William Martin, Wu Wei
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“Beauty cannot exist without ugliness.
Virtue cannot exist without vice.
Living, we know death.
Struggling, we know ease.
Rising high, we know the depths.
Being quiet, we understand noise.
Everything gives rise to its opposite, therefore we work without conscious effort and teach without agenda.
We enjoy everything and possess nothing.
Our accomplishments do not emerge from our ego, so we do not cling to them.
Thus they benefit all beings.”
– (2) quoted from A Path and A Practice: Using Lao-tzu’s Tao Te Ching as a Guide to an Awakened Spiritual Life by William Martin
A few months back, I posted about chaos theory; and if you watch one of the pendulum models (see below it can seem like so much craziness. However, when faced with so much confusion, I have to remind myself of the following:
- we’ve seen this pattern before;
- it makes no sense if you get caught up in the momentum;
- all the movement is, in fact, moving towards stillness;
- and that, from the perspective of natural law, there is a moment when all of the movement is, in fact, “effortless effort.”
As someone with a type-A personality, I sometimes struggle with the idea of “effortless effort.” Don’t get me wrong; I can be still, I can relax. However, there are certain times where “doing nothing” feels like the wrong choice. I’ve been conditioned and socialized to believe this. Many in the Western world have been conditioned and socialized to believe this. But, not doing is still doing and “effortless effort” is not the same as doing nothing. In fact, sometimes, it takes a great deal of effort to let go.
In a 2009 blog post, Meditation Oasis (Mary and Richard Maddux) refers to a the Wikipedia description of “Wu Wei” – which literally means “not-doing doing” – as “’natural action’ giving the example of a tree growing. It is doing growing, and yet it is not doing.” This makes me think of Alan Watts meditation where he describes breathing as something that happens to us, but also something we can engage – and, once engaged, it is something we do deeply without effort. Meditation is like this. Life is like this too, and Taoist philosophy points to “Wu Wei” as a way to act and/or experience action in daily life. On Meditation Oasis’s blog, they describe meditation as “the art of allowing the mind to experience a natural state.” This too, is what Patanjali advocates in the Yoga Sūtras, “resting in your own true nature.” (YS 1.3)
“The most fluid and yielding substance will flow past the most rigid with the speed of a racehorse.
That which does not hold a particular form can enter even that which seems impenetrable.
This is why we practice “effortless effort.”
We act without ado.
We teach without arguments.
This is the way of true happiness, but because people prefer distractions and noise, it is not a popular way.”
– (43) quoted from A Path and A Practice: Using Lao-tzu’s Tao Te Ching as a Guide to an Awakened Spiritual Life by William Martin
In commentary on wu-wei, Dr. Martin says, “This phrase implies pure action in the present moment without any accompanying resistance, second-guessing, or worry. In the practice of wu-wei we just “do what we do.” The more awareness and acceptance we bring to the present moment, the more wu-wei is possible. This can take the form of either energetic activity or relaxed waiting. Like acceptance, wu-wei is not passive….” The sounds great, but I wonder how it works in situations where things are steadily spiraling out of control, where there is deadly chaos and we can’t seem to find the center point. I think of Dr. Martin Luther King paraphrasing the abolitionist minister Theodore Parker and am reminded that we have to bend the arc. But, how do we do that without more harm? How do we do that with ‘effortless effort?”
“I do not pretend to understand the moral universe. The arc is a long one. My eye reaches but little ways. I cannot calculate the curve and complete the figure by experience of sight. I can divine it by conscience. And from what I see I am sure it bends toward justice.”
– quoted from an 1853 sermon by Theodore Parker
Dr. William Martin wrote a book on the Tao and activism, which I have not read yet. However, Eastern philosophies like Taoism, Buddhism, and Yoga are philosophies that encourage experiencing the present moment – which requires stillness. So, today we are going to move into stillness.
Please join me today (Tuesday, September 1st) at 12 Noon or 7:15 PM for a virtual yoga practice on Zoom, where we will do what we do. Use the link from the “Class Schedules” calendar if you run into any problems checking into the class. Give yourself extra time to log in if you have not upgraded to Zoom 5.0. You can request an audio recording of this practice via a comment below.
Tuesday’s playlist is available on YouTube and Spotify. (Today’s playlist is dated March 29th or 03292020.)
A Joyful Practice 