Perception, Commitment, & Grace (mostly the music w/a link) April 1, 2023
Posted by ajoyfulpractice in "Impossible" People, Art, Baseball, Changing Perspectives, Confessions, Dharma, Faith, Lent / Great Lent, Music, Ramadan, Religion, Wisdom, Writing, Yoga.Tags: George Plimpton, Season for Nonviolence, Season of Non-violence, Sidd Finch, Siddhartha, Yoga Sutra 2.20, Yoga Sutra 2.36, Yoga Sutras 2.30-2.31
add a comment
“Ramadān Mubarak, Blessed Ramadān!” to anyone who is observing the holy month of Ramadān. Blessings to anyone observing Lent or Great Lent! Many blessings to all during this “Season for Non-violence” and all other seasons!
“‘He told me his name was Hayden Finch, but he wanted to be called Sidd Finch. I said that most of the Sids we had in baseball came from Brooklyn. Or the Bronx. He said his Sidd came from “Siddhartha,” which means “Aim Attained” or “The Perfect Pitch.” That’s what he had learned, how to throw the perfect pitch. O.K. by me, I told him, and that’s what I put on the scouting report, “Sidd Finch.” And I mailed it in to the front office.’”
– quoted from the Sports Illustrated article (originally in the April 1, 1985 issue) entitled “The Curious Case Of Sidd Finch: He’s a pitcher, part yogi and part recluse. Impressively liberated from our opulent life-style, Sidd’s deciding about yoga—and his future in baseball.” by George Plimpton
During a conversation with one of my yoga-buddies this week, I mentioned that “context matters.” That statement can be taken in several different ways, but consider that – like kids during a spelling be – our understanding of a situation is based on context. Another way to say that is that our perception is based on context. Our perception is also based on expectation, which is based on our past experiences. This comes up in Yoga Sūtra 2.20, where Patanjali explained that we “see only what the mind-intellect shows [us].” This is also connected to what neuroscientists, like Dr. Beau Lotto, call our “space of possibility.” Politically (and socially), we can even think in terms of the Overton window (also known as the window of discourse) – just on a personal, individual level. How ever you look at it, it all boils down to one of the reasons why we humans make “bad” witnesses: We don’t always perceive The Truth; we perceive a truth (our truth).
In some ways, it’s like a Venn Diagram for “art,” where art is not an object, but, rather, the overlap between the artist’s intention and the audience’s perception. Similarly, if you have a subset of Facts in one circle and two other circles containing the understanding and/or awareness of two different people, there will be some overlap – which we will call the truth. But very rarely (if ever) will there just be one big, giant circle duplicated three times – which we can call The Truth. Yet, one of the yamas (external “restraints” or universal “commandments”), is a commitment / dedication to The Truth. (YS 2.30 – 31, YS 2.36)
Is that even possible? Especially today, in this day and age?
Yes, it is possible with awareness and grace.
I’m Thinking Several Aphorisms / Prose Really Illustrate Life For Our Overton Lookout Subsets. Click here for the 2019 post related to this practice.
Please join me for a 90-minute virtual yoga practice on Zoom today (Saturday, April 1st) at 12:00 PM. Use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below or by emailing myra (at) ajoyfulpractice.com.
Saturday’s playlist is available on YouTube and Spotify. [Look for “04012022 An “Important” Story”]
Yoga Sūtra 2.36: satyapratişţhāyām kriyāphalāśrayatvam
– “When a yogi is established in truthfulness, actions begin to bear fruit. [Truth is the foundation for fruitful action.]”
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)
### As far as I know, everything I’ve stated above is true ###
Take Another Look at Yourself (the “missing” Sunday post, which is a “renewed” post ) March 30, 2023
Posted by ajoyfulpractice in Art, Books, Buddhism, Changing Perspectives, Faith, Healing Stories, Hope, Lent / Great Lent, Life, Love, Music, Mysticism, One Hoop, Pain, Peace, Philosophy, Poetry, Ramadan, Religion, Robert Frost, Suffering, Tennessee Williams, Traditional Chinese Medicine, Wisdom, Writing, Yin Yoga, Yoga.Tags: B.K.S. Iyengar, Bramaviharas, Chaitra Navaratri, chakra, chesed, gevurah, Great Lent, heart, kabbalah, Lent / Great Lent, Maty Ezraty, parighasana, Patricia Clarkson, Ramadan, Ramadān, Robert Frost, Season for Nonviolence, Season of Non-violence, sefirot, Skandamata, Swami Rama, Tennessee Williams
add a comment
“Nine days and nine nights of blessings and happiness if you are celebrating Chaitra Navaratri!” “Ramadān Mubarak, Blessed Ramadān!” to anyone who is observing the holy month of Ramadān. Blessings to anyone observing Lent or Great Lent! Many blessings to all during this “Season for Non-violence” and all other seasons!
This is the “missing” post for Sunday, March 26th. It is also a revised (and expanded) from 2019, with an itty bit from 2020 – so, literally another look. Some links in the post connect to sites outside of the blog. You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.
Check out the “Class Schedules” calendar for upcoming classes.)
“Something there is that doesn’t love a wall,
That sends the frozen-ground-swell under it,
And spills the upper boulders in the sun;
And makes gaps even two can pass abreast.”
– quoted from the poem “Mending Wall” by Robert Frost
“The violets in the mountains have broken the rocks. The world thirsts after sympathy, compassion, love.”
– quoted from the play Camino Real by Tennessee Williams (The first sentence is also the epitaph on his grave.)
There are people in the world who will say you haven’t read poetry until you read Robert Frost, and Southerners in the world who will say you haven’t seen a play until you’ve seen Tennessee Williams. Born 37 years and over 2,000 miles apart, these two literary icons shared a birthday (3/26) and way with words. Although, some would say they used their words in different ways.
Born in 1874, in San Francisco, California, Robert Frost wrote about things like “a snowy evening,” “mending a wall,” and “the road not taken” – although, in the latter case, people often mistake it for “the road less traveled.” His poems are often as much about perspective as they are about the way we tell a story (and the fact that the way we tell a story can change the story). They also illustrate how the stories we tell (ourselves and the world) are not always about the truth so much as they about what we understand about the world and ourselves.
Born in 1911, in Columbus, Mississippi, Tennessee Williams wrote about emotionally volatile people in the South and from the South. He wrote about characters and circumstances that reflected the emotional turmoil he saw and felt inside himself and all around him. Then, so that the emotional states of the the people and situations could not be ignored (or missed) he reinforced them with the use of props, sound effects, and blocking. In other words, he used the physical to embody the emotional and energetic – and, in doing so, drew the audience into the hearts of the characters.
Even though their mediums and subjects were different, they both wrote in a way that can make you pause, look again…and again. Once or thrice you may even wonder how many ways you can see/interpret/understand what has been said, and how it applies to your life. A good story, regardless of the medium, will make you do that: consider how it applies to your life.
“Something we were withholding made us weak
Until we found out that it was ourselves
We were withholding from our land of living,
And forthwith found salvation in surrender.”
– quoted from the poem “The Gift Outright” by Robert Frost
Every once in a while (as I did last Wednesday and again on Sunday), I mention Maty Ezraty, who was a teacher of teachers and who said that every yoga practice should be like a good story. One of my takeaways from that suggestion has always been that, each part of the mind-body-spirit is like a character in a story. Just like each character has a different purpose and a different point of view, each pose/sequence can give each part of our bodies and minds an opportunity to tell their story. Another takeaway is that everything is leading to and from the heart of the story.
So, let’s start with the hearts.
“What is straight? A line can be straight, or a street, but the human heart, oh, no, it’s curved like a road through mountains.”
– quoted from the play “A Streetcar Named Desire” by Tennessee Williams
Yes, I said, “hearts” – plural. Swami Rama from the Himalayan tradition said that we have three hearts: a physical heart, which for most of us is on the left side; an emotional heart on the opposite side, which for most of us is on the right; and an energetic heart that connects the two. That energetic heart, which some consider a spiritual heart, connects our hearts with all the other hearts around us. Additionally, in yoga and other Eastern healing arts, energy for the heart flows through the arms.
The heart chakra, in yoga (as it comes to us from India) is symbolically and energetically associated with the upper torso, shoulders, arms, hands, and fingers. In Yin Yoga, which is based on Traditional Chinese Medicine, the heart median has three branches, one of which runs down the inner arms into the pinky fingers. According to the Kabbalah, Jewish mysticism, there are 10 Divine attributes (from the Tree of Life) through which G-d is revealed to the world – and 7 of these can be found in the body. Love/loving-kindness (chesed in Hebrew) is associated with the right arm and is balanced by strength (gevurah in Hebrew), which is associated with the left arm.
Just as people contemplate the Divine attributes when they are counting the Omer in some Jewish traditions, people in Buddhist traditions contemplate the Divine abodes (brahmavihārāḥ in Sanskrit), which are heart practices: loving-kindness or benevolence (mettā); compassion (karuṇā); empathetic joy (muditā); and equanimity (upekkhā). In some Indian philosophies (like Yoga), the ability to cultivate a good heart/make friends (suhrit-prapati) and generosity (dana) can also be considered heart practices. On (and off) the mat, we can contemplate these same emotional and energetic aspects of ourselves by bringing awareness to our arms and how we use our arms… to reach out, to embrace, to extend ourselves.
We may notice – as we move through our practice or through our day – how we are expressing our heart or how we are withholding our heart. But, there’s always the possibility that we don’t notice. We may not notice when we are off the mat, because we are distracted. We may not notice on the mat, because we are focused on other parts of the mind-body. This is why it’s important to notice how we move and why we move the way we move – because it all tells a story.
“Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;
Then took the other, as just as fair,”
– quoted from the poem “The Road Not Taken” by Robert Frost
There are hundreds of poses and hundreds, thousands – maybe even millions – of ways to move into and out of pose. And each one of those ways gives us another way of looking at the story. The tricky thing is that sometimes we keep coming back to the story the same way. But, what happens if we came at things a different way? What happens if we let a different part of our mind-body-spirit take the lead? What happens if our circumstances and understanding of the world changes? What happens if our understanding of ourselves changes?
Sometimes, the practice can be like a favorite story that we read again and again – or re-read, years after the initial reading – and we suddenly see everything from a different perspective. In fact, one of the things I like about the practice is the opportunity to revisit themes and/or sequences and suddenly discover something completely different. It’s also one of the things I love about reading (and watching) great works of art.
“We have to use a spell to make them balance:
“Stay where you are until our backs are turned!”
We wear our fingers rough with handling them.
Oh, just another kind of out-door game,
One on a side. It comes to little more:
There where it is we do not need the wall:
He is all pine and I am apple orchard.
My apple trees will never get across
And eat the cones under his pines, I tell him.
He only says, “Good fences make good neighbours.”
Spring is the mischief in me, and I wonder
If I could put a notion in his head:
“Why do they make good neighbours? Isn’t it
Where there are cows? But here there are no cows.
Before I built a wall I’d ask to know
What I was walling in or walling out,
And to whom I was like to give offence.”– quoted from the poem “Mending Wall” by Robert Frost
Parighāsana (Gate Pose) stretches the pelvic area and hamstrings, while also engaging the sides of the torso and abdomen eccentrically (up side) and concentrically (down side). According to B.K.S. Iyengar’s Light on Yoga, the pose “keeps the abdominal muscles and organs in condition and the skin around the abdomen will not sag but remain healthy. The sideways spinal movement will help persons suffering from stiff backs.” I find that it is a great way to get into the hips and the legs. Another aspect of the pose is what happens to the heart area – not only physically, but emotionally.
Parighāsana offers us the opportunity to open up the shoulders (physically) and open the gates on all sides of the heart (emotionally and energetically). It also offers some interesting insight into how we sometimes engage the different aspects of our heart. For instances, when I cue and describe the pose in a practice, many people have a tendency to lift the bottom hand up to meet the top hand – rather than extending the upper body down towards the lower hand. To be fair, many people do not have the strength and flexibility to kneel on one leg, stretch out the other leg, and then bend sideways until the top hand lowers down. But, what is interesting is how people deal with the resistance. Initially, they lift the bottom hand up – because it’s easy (and obvious). When I point out that it’s the top hand that needs to reach down, many people will fold in on themselves; essentially closing down and hiding the heart to make the connection. However, the “goal” is to open the gate and to stay open in the process.
“Lonely . . . When so many are lonely as seem to be lonely, it would be inexcusably selfish to be lonely alone.”
– Don Quixote in the Prologue to Camino Real by Tennessee Williams
We all build walls around our hearts. Sometimes we do it for protection, because we have perceived an actual threat. Other times, we build walls, because of fear associated with a perceived threat. That perceived threat might turn out to be an actual threat, but it could also simply be a possibility (or a misperception). Of course, we can also get in the habit of building walls – because it’s what others have done before us, what we’ve been taught, and/or because we have experienced harm in the past. But, even castle walls have gates and drawbridges, a way in and a way out.
When we really pay attention to the ways we engage our heart, on and off the mat, we may find it challenging to open the gate. We may find that we take the easy route – especially when there’s a little awkward balancing, as there is in parighāsana – and/or we may find that we are compromising ourselves (and our hearts) in order to make a connection. One suggestion I make, during the physical practice, is to bend the lifted elbow (so the hand is behind the head) and then use the whole body to rotate the elbow up. This changes the focus and reinforces the idea that we are opening the heart and the side-body. I often sequence a modified side plank after the “Gate Pose,” as a reminder that there can be more than one way to open a gate.
Take a moment to consider a time when you compromised yourself in order to make a connection. How could you have refocused your awareness, energy, and resources in order to reinforce what was important? Could you have made the connection (or a similar connection) in a different way?
In A Streetcar Named Desire, Blanche DuBois says, “I always depended on the kindness of strangers.” Remember, we are all Blanche…but we are also those strangers. Click here for the brief 2020 post about making loving-kind connections.
“It should be of the pleasure of a poem itself to tell how it can. The figure a poem makes. It begins in delight and ends in wisdom. The figure is the same as for love. No one can really hold that the ecstasy should be static and stand still in one place. It begins in delight, it inclines to the impulse, it assumes direction with the first line laid down, it runs a course of lucky events, and ends in a clarification of life–not necessarily a great clarification, such as sects and cults are founded on, but in a momentary stay against confusion.”
– quoted from the essay “The Figure a Poem Makes” by Robert Frost (which served as an introduction to his Collected Poems beginning with the 1939 edition)
Two of my favorite lines from Robert Frost speak of wisdom and delight, and the gift that comes from giving our whole selves. Every time I step on a yoga mat, I experience the wisdom and the delight. I also experience a plethora of gifts. One of those gifts is how the practice affects the mind. In Cat on a Hot Tin Roof, Tennessee Williams has Brick acknowledging that he is an alcoholic, but not seeming to want to give up his drinking because, “It’s like a switch, clickin’ off in my head. Turns the hot light off and the cool one on, and all of a sudden there’s peace.” But then, as his father points out to him, there is the morning.
One of the gifts of yoga is that it brings peace without the hangover. It can flip the switch. Another thing to consider is that the practice has a way of opening the heart so we can get to the violets.
“To me, its meaning is simple. The hard, the cold, the oppressive will—at long last—be broken apart by a force that is beautiful, natural, colorful, alive.”
– Patricia Clarkson explaining why she was quoting Tennessee Williams during a 2009 HRC New Orleans Dinner speech
Sunday’s playlist is available on YouTube and Spotify.
Errata: The Robert Frost poem is called “Mending Wall” and a link has been embedded for a Winter Solstice post.
### HEART-SUFFICIENT ###
Moving Into Stillness on a Wednesday (mostly the music w/ links) March 29, 2023
Posted by ajoyfulpractice in Art, Bhakti, Books, Faith, Healing Stories, Hope, Lent / Great Lent, Life, Music, Mysticism, One Hoop, Poetry, Ramadan, Religion, Wisdom, Writing, Yoga.Tags: Falstaff, Hilary Tann, Mahagauri, Martin Wroe, Navaratri, Poetry, R. S. Thomas
add a comment
“Nine days and nine nights of blessings and happiness if you are celebrating Chaitra Navaratri!” “Ramadān Mubarak, Blessed Ramadān!” to anyone who is observing the holy month of Ramadān. Blessings to anyone observing Lent or Great Lent! Many blessings to all during this “Season for Non-violence” and all other seasons!
“‘It’s like walking a trapeze. There are certain things I subscribe to. I believe in God, and that there is a will to good and beauty in the universe, rather than giving way to agnosticism or fatalism.’”
– R. S. Thomas quoted from the (21 July 1995) Church Times article by Martin Wroe, entitled “R. S. Thomas interview: ‘Waiting for the God to speak’”
Please join me today (Wednesday, March 29th) at 4:30 PM or 7:15 PM for a yoga practice on Zoom. Use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You will need to register for the 7:15 PM class if you have not already done so. You can request an audio recording of this practice via a comment below or by emailing myra (at) ajoyfulpractice.com.
Wednesday’s playlist is available on YouTube and Spotify. [Look for “03292020 Moving Into Stillness”]
“You have to imagine
a waiting that is not impatient
because it is timeless.”
– quoted from the poem “Waiting” by R. S. Thomas (b. 03/29/1913)
“To a Young Poet” is not one of the seven featured “stillness” poems, but (as a little something extra here’s a beautiful variation of it.)
Click here for the related 2019 Kiss My Asana post, which featured two poses to practice with the poems.
In the spirit of generosity (“dana”), the Zoom classes, playlists, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations to Common Ground are tax deductible; class purchases are not necessarily deductible.)
###
###
Take Another Look at Yourself (mostly the music w/UPDATED link) March 26, 2023
Posted by ajoyfulpractice in Art, Books, Buddhism, Changing Perspectives, Faith, Healing Stories, Hope, Lent / Great Lent, Life, Love, Music, One Hoop, Pain, Peace, Philosophy, Poetry, Ramadan, Religion, Robert Frost, Suffering, Tennessee Williams, Wisdom, Yoga.Tags: Chaitra Navaratri, Great Lent, Lent / Great Lent, Ramadan, Ramadān, Robert Frost, Season for Nonviolence, Season of Non-violence, Skandamata, Tennessee Williams
add a comment
“Nine days and nine nights of blessings and happiness if you are celebrating Chaitra Navaratri!” “Ramadān Mubarak, Blessed Ramadān!” to anyone who is observing the holy month of Ramadān. Blessings to anyone observing Lent or Great Lent! Many blessings to all during this “Season for Non-violence” and all other seasons!
“Something there is that doesn’t love a wall,
That sends the frozen-ground-swell under it,
And spills the upper boulders in the sun;
And makes gaps even two can pass abreast.”
– excerpt from the poem “Mending Wall” by Robert Frost
“The violets in the mountains have broken the rocks. The world thirsts after sympathy, compassion, love.”
– excerpt from the play Camino Real by Tennessee Williams (The first sentence is also the epitaph on his grave.)
Please join me for a 65-minute virtual yoga practice on Zoom today (Sunday, March 26th) at 2:30 PM. Use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below or by emailing myra (at) ajoyfulpractice.com.
Sunday’s playlist is available on YouTube and Spotify.
Click here for the “missing” post related to this practice.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)
Errata: The Robert Frost poem is called “Mending Wall.” Some formatting has been updated.
### HEART-SUFFICIENT ###
FTWMI:… some Powerball® thoughts March 19, 2023
Posted by ajoyfulpractice in Changing Perspectives, Dharma, Healing Stories, Minneapolis, Minnesota, Music, One Hoop, Poetry, Twin Cities, Wisdom, Writing, Yoga.Tags: Andy Greene, Bob Dylan, Bonnie Beecher, Dave Van Ronk, Elvis Presley, Jacques Levy, lottery, Mbube, Powerball®, Robert Allen Zimmerman, Rubin Carter, Season for Nonviolence, Season of Non-violence, Solomon Linda, Timothy Hampton, Tony Glover, twists
add a comment
Peace and blessings to all, and especially to those observing Lent, Great Lent, and the Baháʼí 19-Day Fast during this “Season for Non-violence” and all other seasons! Happy New Year, to those who are celebrating!
For Those Who Missed It: This is an abridged (and then revised and expanded) version of a 2022 post that primarily focused on “Winning the Lottery.” Some elements of this post also overlap with the 2023 Purim post. Some embedded links connect to websites outside of my blog.
“The problem with this answering line is that the world of the blues that seems to be evoked by the idiom and form of this song is generally not a world in which one’s baby goes off to a ‘foreign land.’ African American blues singers in the tradition that Dylan is building on here may sing about their baby going off to Chicago, or New Orleans, or Natchez. But not on a trip abroad: that’s an experience that, at this particular moment, is still mostly the province of a modern, educated, Caucasian upper middle class…. Dylan goes on to claim in good rural language that he’ll ‘get lucky’ or ‘die tryin’ ’ as he rambles to reach his beloved. ”
– quoted from “II. Ramblin’ Boy: ‘Protest’ and the Art of Adaptation” in Bob Dylan’s Poetics: How the Songs Work by Timothy Hampton
I recently heard a young, up-and-coming artist compare achieving a huge milestone to winning the lottery. For sure, I can see that. Especially when you consider how many people commented on the fact that this artist hit this much deserved milestone before his much lauded collaborator. (Don’t misunderstand me, I’m a big fan of both artists, but there’s something more than talent at play here.) I think having a hit song is also like that. Because while there is a lot of hard work that goes into creating a hit song, there’s also a lot of luck. It’s like that old adage: you can’t win if you don’t play. Of course, most people who play, don’t win – at least not really big – and it’s the same thing with being a big star in music.
The existence of streaming services and social media means that a lot of hustle and marketing on the part of the artist (and their community) can get an artist noticed today, in a way they couldn’t get noticed 20-plus years ago. That attention can really push a song up the charts. However, we’re still in a time time when songs are hits (in part) because they are played on the radio. And for all that hustle, many songs are played on the radio because of the way the musician looks. This is true across genres. This is even more so when it comes to music in and from certain countries and cultures. Being talented and having the “right” size, complexion, ethnicity, and (on a certain level) gender and sexuality, is like hitting the Powerball®.
“The Multi-State Lottery Association encourages all lottery players to be responsible in their amount of play.
For some people gambling can become a problem. If you or someone you know has a gambling problem, there are a number of helpful resources listed below.
National Council on Problem Gambling
24 Hour Confidential National Helpline
Call: 1-800-522-4700
Chat: ncpgambling.org/chat
Text: 1-800-522-4700
Association of Problem Gambling Service Administrators”
– quoted from the “Play Responsibly” tab on the Powerball® website
While I’ve been known to play bingo in a church basement (for charity and the chance to win a homemade quilt), I’m not really one to play the lottery. My limited understanding is that there’s a lot of different ways you can win with a Powerball®. However, just like with music and other things that could make you wealthy beyond your dreams, you have to be responsible and avoid the scams. You have to balance the temptation and your desire with reality. The reality, again, being that if you don’t play, you don’t win; but most people don’t win… big.
If you’re talented and have the aforementioned equivalent of the Powerball®, you can do things other people can’t do. You can write songs that make people re-think the world. You can sing songs other people not only wouldn’t think to sing, but might be afraid to sing. You can inspire people to sing your songs… even when they don’t always understand you. To me, Bob Dylan and his eponymous first album are a great example of a musical Powerball®.
“I walked down there and ended up
In one of them coffee-houses on the block
I get on the stage to sing and play
Man there said, ‘Come back some other day
You sound like a hillbilly
We want folksingers here’”
– quoted from the song “Talkin’ New York” by Bob Dylan
Bob Dylan’s debut studio album, Bob Dylan, was released today (March 19th) in 1962. I didn’t use it for the anniversary this last year – because I thought it would distract from [the] sūtra study – but, normally I use one of the playlists that I also use on Bob Dylan’s birthday (hint, hint). It’s a playlist that combines music from the original album – which only included two original Bob Dylan songs – with Bob Dylan songs covered and/or made famous by others. It’s a good way, I think, to highlight the fact that Dylan is as inspired as he is inspirational.
Bob Dylan, the album, was recorded on November 20th and 22nd of 1961. In addition to the two original Dylan songs (“Talkin’ New York” and “Song to Woody”), there were eleven covers or traditional folk songs (including Negro spirituals). While Bob Dylan did arrange some of the folk songs, there’s one arrangement that he famously, uhmm… “borrowed” (without permission) from folk singer Dave Van Ronk. Exactly a month after recording the album, Bob Dylan had an informal recording session in a Minneapolis, Minnesota hotel room with Bonnie Beecher and Tony Glover. Those bootleg recordings may or may not have been distributed out of someone’s trunk; but, they were the equivalent of modern-day artists streaming their music. They got people excited about Bob Dylan as a musician and may be considered a better glimpse (than the studio album) of what was to come from the artist.
The bootleg recordings did not, however, drum up enough attention to really sell Bob Dylan. The album has never been super popular (chart wise) in the US or the UK. Neither did it, initially, receive a lot of critical recognition or attention. Part of the lack of interest, at the time it was released, may have been because it sounded nothing like what was popular at the time. According to a Rolling Stone article by Andy Greene, “[The album came out at] the height of ‘The Twist’ dance craze, and 11 songs on the Billboard Hot 100 chart had the word ‘twist’ in the title, including “Dear Lady Twist” by Gary U.S. Bonds, “Twistin’ The Night Away’ by Sam Cooke, “Hey, Let’s Twist” by Joey Dee and the Starlighters, “Twistin’ Postman” by the Marvelettes and “Alvin Twist” by the Chipmunks.”
In addition to “Peppermint Twist,” also by Joey Dee and the Starlighters, which spent three weeks at number one on the Billboard Hot 100 chart, the airwaves at the time were filled with doowop artists like Gene Chandler; crooners like Ray Charles and Neil Sedaka; women like Connie Francis, Shelley Fabares, and Little Eva; Motown girl bands like The Shirelles; and boy bands like the Beach Boys and The Tokens (whose number one song at the beginning of 1962, “The Lion Sleeps Tonight,” is it’s own “lottery” cautionary tale). Of course, there was folk music; however, as Andy Greene pointed out, “To most of America, the Kingston Trio were the embodiment of folk music…. but [Dylan] sounded nothing like the Kingston Trio.” Then there was Elvis Presley… and some 1962 reviewers did compare Dylan – as well as his voice and his style – to Elvis Presley.
Which is weird to me.
Don’t get me wrong, I’m a Bob Dylan fan (on a lot of different levels). I even dig that first album. However, the comparison to Elvis is curious, when you really think about it. At the time, maybe they were both just seen as young, eager singers changing the “face” of music – and I get that. They were also young, white singers making popular (city) music out of traditions associated with Black, poor, and/or rural America – and I get that comparison, too. However, it’s hard for me to not view them through the lens of history.
Elvis was a singer, a performer, an actor, and a U. S. veteran; but, he was never recognized as a songwriter. Most say that he didn’t even pen the songs on which he is credited as a co-writer. Also, he didn’t have a ton of protest songs associated with the anti-war and Civil Rights movements. Finally, Elvis never won, as Bob Dylan did in 2016, a Nobel Prize in Literature. In fact, (to me) the only thing Bob Dylan and Elvis Presley had in common in 1962, especially when compared to other also talented musicians at the time, was that elusive Powerball® of talent, drive, and other people’s perceptions.
“How does it feel, how does it feel?
To be without a home
Like a complete unknown, like a rolling stone”
– quoted from the song “Like a Rolling Stone” by Bob Dylan
Please join me for a 65-minute virtual yoga practice on Zoom today (Sunday, March 19th) at 2:30 PM. Use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below or by emailing myra (at) ajoyfulpractice.com.
Sunday’s playlist is available on YouTube and Spotify. [Look for “05242022 ‘Bob’s Poems”]
“Here comes the story of the Hurricane
The man the authorities came to blame
For somethin’ that he never done
Put in a prison cell, but one time he coulda been
The champion of the world”
– quoted from the song “Hurricane” by Bob Dylan and Jacques Levy
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)
### + ###
The Grace of Kindness & God’s Silence March 18, 2023
Posted by ajoyfulpractice in 19-Day Fast, Baha'i, Books, Changing Perspectives, Faith, Healing Stories, Health, Hope, Lent / Great Lent, Life, Love, Minnesota, Movies, Music, One Hoop, Pain, Peace, Poetry, Religion, Suffering, Twin Cities, Wisdom, Writing, Yoga.Tags: 2 Corinthians, Alison McGhee, Carry app, Clem Snide, Denis Johnson, Elizabeth Oehlkers Wright, Franz Wright, James Wright, Julia Keller, pandemic, Pulitzer Prize, Season for Nonviolence, Season of Nonviolence
add a comment
Peace and blessings to all, and especially to those observing Lent, Great Lent, and the Baháʼí 19-Day Fast during this “Season for Non-violence” and all other seasons!
“You could call someone
where it’s still early.
Go out and look at the stars
shining
in the past
Or open the Joachim Jeremias to the densely printed
page, it’s corner folded
for some reason
not yet remembered
before you set the clock.
You have to set the clock—
for a moment that doesn’t exist yet”
– quoted from the poem “Home Remedy” in God’s Silence by Franz Wright
Do you remember this week, three years ago? Do you remember today?
I know, I know, some parts of the last three years are a blur; but, three years ago today, I was putting together a full-length practice video, to post on YouTube. It was a Wednesday, everything was shutting down, and I was posting the video so people could keep up their practice. I had no real plans to do anything else… other than post on the blog for two weeks and maybe post a couple of more videos. Goodness. Do you remember when…?
It’s a little surreal to realize that – not counting my videos on the Carry prenatal yoga and meditation app – my first full-length (physical) practice video, with all it’s flaws, is still my only full-length (physical) practice video. What is super surreal is to think about the hundreds of full-length audio recordings I’ve made in the meantime and, also, to realize that 2019 was the last time I taught a live class on the anniversary of the birth of Franz Wright.
“I am here to learn
to bear
the beams of love,
what else
Bells
through the leaves, I am here to endure the
bells tolling
underground”
– quoted from the poem “Introduction” in God’s Silence by Franz Wright
Born in Vienna, today in 1953, Franz Wright spent portions of his childhood in Washington (state), California, and the Midwestern United States (in particular, Minnesota). In addition to sharing similar poetic themes, he and his father, James Wright, are the only parent and child to win a Pulitzer Prize in the same category. The elder Wright suffered from depression, bipolar disorders, and alcoholism and focused on the emotional suffering he saw around him, especially that suffering experienced by the disenfranchised in America. The younger Wright wrote about isolation, loneliness, longing, insomnia, and death intersecting with kindness, love, faith, hope, and peace. Three years ago today, I thought it oddly and serendipitously appropriate that my first virtual offering focused on Franz Wright’s work.
Three years later, I find his words still ring true and, oddly, still fit our current circumstances.
Versions of the following were original posted on March 18th and 20th of 2020. You can click on the dates (to the left) to view the original posts. Some links (below) will take you away from my blog.
Chicago Tribune critic Julia Keller once described one of Franz Wright’s collections as being “ultimately about joy and grace and the possibility of redemption, about coming out whole on the other side of emotional catastrophe,” while Denis Johnson supposedly compared his poems to “tiny jewels shaped by blunt, ruined fingers – miraculous gifts.” I know, that’s a lot to take in (and you might need to read that Va. Woolf-like sentence again). The thing is; I think we are (still) in the middle of a Franz Wright poem. So, brace yourself.
I first came across Franz Wright’s poem “Solution” in a 2015 blog post written by Alison McGhee, a New York Times bestselling author and Pulitzer Prize-nominee, who writes and teaches up the street from where I was in March of 2020. In the post (which I strongly recommend), Professor McGhee wrote about an encounter she had with someone best described as her exterior opposite. Yet the interior movements of the heart, all of our hearts, are ultimately the same – something both Alison McGhee’s short post and Franz Wright’s poem illustrate bluntly, beautifully, and miraculously.
Both the post and the poem contain reminders we could all use right now.
“What is the meaning of kindness?
Speak and listen to others, from now on,
as if they had recently died.
At the core the seen and unseen worlds are one.”
– “Solution” by Franz Wright
Franz Wright’s poems are full of natural spirituality and that oftentimes “heartbreaking human conflict between religion and spirit.” The final line of the poem “Solution” reminds me of 2 Corinthians 4:18 where Saint Paul and Saint Timothy wrote, “So we fix our eyes not on what is seen, but on what is unseen, since what is seen is temporary, but what is unseen is eternal.” NOTE: The New Living Translation translates this passage as “So we don’t look at the troubles we can see now; rather, we fix our gaze on things that cannot be seen. For the things we see now will soon be gone, but the things we cannot see will last forever.” In 2020, I suggested focusing on what is unseen (during the practice). Today, I suggest focusing on the unseen as grace (how ever that resonates for you).
“II
The long silences need to be loved, perhaps
more than the words
which arrive
to describe them
in time.”
– quoted from the poem “Home Remedy” in God’s Silence by Franz Wright
Franz Wright won two National Endowment for the Arts grants (1985 and 1992), a Guggenheim Fellowship (1989), a Whiting Award (1991), the PEN/Voelcker Award for Poetry, (1996), and the aforementioned Pulitzer Prize for Poetry. His first collection after winning the 2004 Pulitzer Prize was entitled God’s Silence. I haven’t read all of it (yet), but I am still fascinated by the idea of 144 pages worth of Franz Wright poetry curated around the idea of “God’s Silence.” Notice, that it’s 144 pages – not 144 poems. (Poets everywhere are now doing the math.) This is the kind of the thing that gets me oddly excited, because there is so much I want to know!
I want to know if he was referring to silence that is the response to a prayer or a request (or even a curse); the silence that precedes an answer; the silence that follows the answer (when the questioner is dumbfounded or in awe of the response); the silence when one is pondering the best way to phrase something and therefore measuring their words; the silence of shock (can we shock God?); the silence of disappointment; the silence of wonder; the silence when no one is around; the silence of sleeping children; the silence between one breath and the next; the silence of meditation; the silence of peace; the silence honoring the dead; the silence just before a newborn declares itself alive; or….The list goes on.
He could have been talking about all of the above. Or none of the above. There are so many possibilities – and they are all full of grace (whatever that means to you in this moment)!
“I
Armed Conflict
Snowy light fills the room
pronouncing itself
softly. The telephone ringing
in the deserted city— ”
– the poem “Armed Conflict” quoted from God’s Silence by Franz Wright
The first section of God’s Silence is entitled “East Boston, 1996” and the first poem in that section, “Armed Conflict,” sets the stage for the other poems, including “Solitary Play: Minnesota, 1961” – which is a dark and twisted coming of age poem. The latter feels even darker and more twisted given so many current events related to children and our conflicts about the 2nd Amendment. And that’s the thing, again, about Franz Wright’s poetry: We don’t have to go through the things he went through to feel, deep inside of our own hearts, the gut-wrenching things he felt.
We don’t have to be the son of James Wright to understand what it is like to stand in the shadow and the light of a parent who struggled every day with their own darkness and light. Neither do we have to be abandoned by said parent to see the poignant irony of living (and dying) in much the same ways. Nor do we have to spend our finally days, dealing with terminal lung cancer and writing what are essentially love poems to our spouse*, to understand why a collection of memories is named Kindertotenwald (essentially, a forest of ones who will never age). We all get it, can get it; especially, if we read (or listen to) Franz Wright’s poetry.
Maybe, possibly, we can also get the grace that was his kindness, love, faith, hope, and peace.
“After all, it was only a blizzard in Minneapolis in 1959. How are you supposed to describe something like me? And when you think about it, why should you try, why should you even care?”
– quoted from the prose poem “Wintersleep” in Kindertotenwald by Franz Wright
I not only care about poetry that gets you through hard times, I love it. In part, because it makes you realize that someone has been through harder – or, as hard of a time as you. Additionally, I think one of the reasons I was/am so fascinated with the idea of God’s Silence is that part of my practice involves silence, moving into silence and stillness. The kind of silence and stillness that can make people uncomfortable, because it is so powerful. Yet, it is simultaneously the kind of silence and stillness that is the epitome of peace. When Patanjali codified the philosophy of yoga in the Yoga Sūtras, he wrote, “yogash citta vritti nirodah.” (YS 1.2) Yoga ceases the fluctuations of the mind.
Silence.
Perhaps, God’s silence.
“Like you a guest, a ghost here
Everything will be forgotten
And either I am too alone
or I am not
alone enough
to make each moment
holy
(no one bats 1,000 friend
no one
bats 500)
And I have heard God’s silence like the sun
and sought to change
Now
I’m just going to listen to the silence
till the Silence.”
– quoted from the poem “Introduction” in God’s Silence by Franz Wright
Please join me for a 90-minute virtual yoga practice on Zoom today (Saturday, March 18th) at 12:00 PM. Use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below or by emailing myra (at) ajoyfulpractice.com.
Saturday’s playlist is available on YouTube and Spotify. [Look for “07082020 On Death & Dying”]
*NOTE: Franz Wright was married to the translator Elizabeth Oehlkers Wright. In addition to writing and recording some of his poems (including the Clem Snide song “Encounter at 3AM,”) Mr. Wright recorded some of his final thoughts and conversations before he died in 2015. Last Words, is a documentary featuring those final recordings.
“All of this is for your benefit. And as God’s grace reaches more and more people, there will be great thanksgiving, and God will receive more and more glory.
That is why we never give up. Though our bodies are dying, our spirits are being renewed every day.
For our present troubles are small and won’t last very long. Yet they produce for us a glory that vastly outweighs them and will last forever!
So we don’t look at the troubles we can see now; rather, we fix our gaze on things that cannot be seen. For the things we see now will soon be gone, but the things we cannot see will last forever.”
– The Second Epistle of Paul the Apostle to the Corinthians 4:15 – 18 (NLT)
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)
### Ecology ###
Understanding, as a tool (a “missing” Sunday post) March 13, 2023
Posted by ajoyfulpractice in 19-Day Fast, Baha'i, Books, Buddhism, Changing Perspectives, Dr. Martin Luther King, Jr., Faith, Gandhi, Healing Stories, Hope, Lent / Great Lent, Life, Love, Music, One Hoop, Pain, Peace, Pema Chodron, Philosophy, Poetry, Religion, Suffering, Wisdom, Yoga.Tags: Albert Einstein, Brennan Lee Mulligan, e e cummings, Eknath Easwaran, Jane Goodall, Louis Fischer, Mahatma Gandhi Canadian Foundation for World Peace, Mark Kurlansky, Mayumi Oda, niyamas, niyamās, samskaras, samskāras, Season for Nonviolence, Season of Non-violence, shenpa, siddhis, Swami J, Swami Jnaneshvara, Thich Nhat Hanh, Thomas Merton, understanding, vasanas, vāsanās, Yoga Sutra 2.1, Yoga Sutra 3.17
add a comment
Many blessings to all, and especially to those observing Lent, Great Lent, and the Baháʼí 19-Day Fast during this “Season for Non-violence” and all other seasons!
This is the “missing” post for Sunday, March 5th (which includes some quotes used on March 12th). There was no Saturday class last week; however, I secretly snuck in a bit of what would have been Saturday’s theme. You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.
Check out the “Class Schedules” calendar for upcoming classes.)
“People who are good at understanding others are usually good listeners. We can fall into the trap of so earnestly wanting to get our point across, we forget to listen to the person we are speaking to. During your conversations today, instead of letting words go in one ear and out the other, take time to hear what the other person is saying.”
– quoted from the “Action for Teens” section of “ Day 35 ~ March 5th ~ Understanding” of the “Season for Non-violence,” provided by the Mahatma Gandhi Canadian Foundation for World Peace
How well do you understand yourself? For that matter, how well do you understand the people around you – especially those you love? Additionally, how much time and effort do you put into understanding yourself and/or the people around you (every time you inhale, every time you exhale)?
As I mentioned in the “ First Friday Night Special” post, I didn’t immediately click (literally or figuratively) on the fact that each of the themes provided by the Mahatma Gandhi Canadian Foundation for World Peace during the “Season for Non-violence” is connected to a resource page full of quotes, reflections, meditations, and thought-exercises. Although the themes are inspired by the lives and work of Mohandas Gandhi and Martin Luther King Jr. (whose assassination dates mark the beginning and end of the “Season for Non-violence”), the resource pages reference many others and can be used by individuals and/or groups.
I love that the resources help people better understand how each nonviolent principle can be “…a powerful way to heal, transform, and empower our lives and communities.” Last week, after I had to cancel Saturday’s Zoom practice, I also really appreciated how closely the March 4th theme (“love”) aligned with the March 5th theme (“understanding”) – especially when considered in the context of the lives and work of Mahatma Gandhi and Reverend King. They also can be closely aligned when viewed through a Yoga lens, which reinforces the fact that the process of gaining understanding about oneself is already a big part of the Yoga Philosophy.
Gaining understanding about oneself is, quite obviously, the point of svādhyāya (“self-study”), which is the fourth niyamā (internal “observation”) and the second key element of kriyā yoga (“union in action”), as defined by Patanjali in Yoga Sūtra 2.1. The very first siddhi (“power”) described as “unique to being human” is uha, which is “knowledge without doubt, clear understanding, intuitive knowledge.” That ability is inextricably connected to several of the other five – including adhyayana (“study, analyze, and comprehend”). Furthermore, in the third section of the Yoga Sūtras, Patanjali described what sometimes sounds like “Jedi Knight tricks” – including the ability to understand all sounds uttered by any creature (i.e., all languages) (YS 3.17). Finally, towards the end of the sūtras, the culmination of all the powers is described as “the cloud of virtue” or the “cloud of clarity.”
Yet, throughout the sūtras, there are reminders that the achievements and abilities found in the practice can be obstacles to the ultimate objective of the practice. They become obstacles when we forget that they are part of the practice, steps along the way; and not the ultimate goals in-and-of-themselves. Some of the commentary surrounding the siddhis (“powers”) also reinforces the fact that every part of the practice is connected to self awareness. In other words, that part of the practice is training ourselves to be more aware of ourselves and more conscious of what informs our thoughts, words, and deeds.
“The point here is not to manipulate other people through some sort of mind control. The value is in seeing the way that your own mind is affected by the presented thoughts from others, along with the insights about the other mind from which they are being projected. From that we can deal with our own mental conditioning in response to that which might otherwise control our own actions, speech, and thoughts.”
– quoted from the commentary on Yoga Sūtra 3.19 by Swami Jnaneshvara Bharati (as posted on SwamiJ.com)
When we cultivate the skills needed to understand why we act, react, and respond the way we do; we are also opening up to the possibility of understanding why others act, react, and respond the way they do. I say that we open up to that possibility, because (as one of my sister-in-laws has reminded me on more than one occasion) “there are some things that may not be for us to understand.” So, the question becomes: Are you willing to make the effort?
Just making the effort to open up can give us insight into ourselves and can also change the way we interact with people whose behavior seems unfathomable to us. Being open to considering where someone is coming from – and how it is similar or different from where we are coming from – means that we show up with a little more empathy, maybe even a little more compassion. It may mean that we can have a conversation with someone, rather than an argument. It does not mean that we condone bad behavior, nor does it mean that we change someone’s opinion – because, again, it is not about manipulation. However, it can mean that there is just a little less (violent) conflict in a world that is already overflowing with conflict. That moment with less (violent) conflict means there is a little more peace in the world…. It can also mean there is a little more love – especially if we use our power of “understanding” as a tool of nonviolence and a tool of love.
“Love is creative, understanding goodwill for all men. It is the refusal to defeat any individual. When you rise to the level of love, of its great beauty and power, you seek only to defeat evil systems. Individuals who happen to be caught up in that system, you love, but you seek to defeat the system.”
– quoted from “Loving Your Enemies” sermon at Dexter Avenue Baptist Church by Rev. Martin Luther King, Jr. (11/17/1957)
As a simple thought-exercise, take a moment to put yourself in someone else’s shoes. Imagine their heart and their scars; imagine their loves and their losses, their triumphs and their pains. When we do this thought-exercise, we may fall into the trap of thinking, “Well, I would never do what they did.” But, that’s a trap for two reasons. First, we don’t always know how we would react or respond to a situation until we are actually in it. Second, when we initial do this though-exercise we may only do it from our own perspective – which is a great first step in practicing svādhyāya. Then, however, we have to strip away our “whys” and consider that what we would do (or not do) is based on our past experiences – our saṃskāras (mental “impressions”) and our vāsanās (the “dwelling places” of our habits).
Our past experiences have informed our hearts and hard-wired our brains to react and respond in a certain way. That other person, has different experiences, different mental impressions, different habits, different heart information, and different neural pathways (mentally speaking). We can grow up with someone, live in the same home, go to the same schools, share similar likes and dislikes – and still see/understand a shared experience in different ways; which means we have different takeaways. So, to really do the work, we have to be willing to let go of what we know and step into the unknown. We have to acknowledge the things that make us who we are and, therefore, make us see and comprehend (or not) the way we do. Then we have to be willing to not just consider what our view would be if we were sitting on the other side of the divide, but also what our view would be if we were actually the other person sitting on the side of the divide.
Again, this is a basic thought-exercise. It is relatively simple and easy to do when we are considering the viewpoint of a stranger. How willing are you, however, to engage in the same philosophical query when it comes to someone who has hurt you? Maybe the injury was physical; maybe it was a mental and emotional insult. Maybe it was all of the above. The hurt could come from disappointment – and, maybe it was unintentional on their part; just negligent. Or, the hurt could come from a very deliberate and malicious intentional action. Then there’s everything in between. Additionally, it’s possible that the hurt we feel makes it harder to put ourselves in their shoes. Then things get a little more complicated (and interesting) when we consider that the people we love the most (and that we believe are supposed to love us the most) are the ones that can hurt us the most.
Then, we have to go a little deeper into our understanding of love.
“The Greek language comes out with another word for love. It is the word agape, and agape is more than eros. Agape is more than philia. Agape is something of the understanding, creative, redemptive goodwill for all men. It is a love that seeks nothing in return. It is an overflowing love; it’s what theologians would call the love of God working in the lives of men. And when you rise to love on this level, you begin to love men, not because they are likeable, but because God loves them. You look at every man, and you love him because you know God loves him. And he might be the worst person you’ve ever seen.”
– quoted from “Loving Your Enemies” sermon at Dexter Avenue Baptist Church by Rev. Martin Luther King, Jr. (11/17/1957)
Love is energy. Some people even see it as a currency. We can also look at love as tool (or a map) that leads to understanding – just as we can look at understanding as a tool we can use to express (or invest) love. Viewing “love” and “understanding” as synonyms, and/or as tools and the work of those tools, gives us the ability to turn every potential conflict into a moment of nonviolence. One of the first steps in this endeavor is remember that our human tendency to segment and label love-energy can diminish our experience of it, while simultaneously increasing our experience of suffering. This labeling can also cause us to forget (or not realize) that everyone wants and deserves to be loved. Remembering the very human desire to love and be loved – to belong – can help us understand that sometimes people make bad decisions in an effort to make a connection.
For example, depending on our individual experiences, we may not understand why someone joins a gang or a group that seems to continuously spew hatred. If, however, we consider that desire to love and be loved – and the accompanying desires to belong and be accepted – we may find that an individual who is not being accepted by one part of their community will seek that acceptance elsewhere. They may find it in a group that essentially says, “Hey, we will accept you… as long as you believe what we believe (or say you do) and do the things we want you to do.” And while those conditions may seem abhorrent and unacceptable to some, consider this: Unconditional love is very rare in modern society; we just don’t always know the conditions. Gangs, cults, and hate groups have very specific (known) conditions. They’re just not always viewed as conditions. Neither are they initially recognized as the causes and conditions of suffering.
“Everyone you ever knew who told you that they would keep you safe as long as you behaved were already hurting you.”
– Brennan Lee Mulligan (as the Beast) in College Humor’s “Dimension 20: Neverafter” campaign
People’s bad decisions, just like their good decisions, are based on previous experiences. We can look at this on a very personal, individual level and also on a community level. Either consideration gives us an opportunity to step back and gain some insight (i.e., understanding) about our sore spots.
We all have sore spots. When someone pokes them – or when we think someone is going to poke them – it is natural to go on the defensive. We may experience anger, fear, sadness, or all of the above. In certain situations we may feel the need/desire to fight, flee, or freeze/collapse. What we seldom feel when someone is poking our sore spot(s) is tolerance. Even if we start off being patient and searching for understanding, enough pokes will make most of us want to poke back. Then we are off to the races… the “let’s see who can hurt whom the most” races.
“Anger and intolerance are the enemies of correct understanding.”
– attributed to Mahatma Gandhi
Despite what we may think in the moment, there is almost never a winner in situations where everyone is pushing everyone else’s buttons. Everybody loses… and walks away with more sore spots. We also walk away with more reasons to react to situations without thinking through why we are reacting the way we are and the ramifications of our thoughts, words, and deeds. If, however, we take a step back and turn inward, we engage the opportunity to overcome our sore spots and our egos. We take advantage of the opportunity to engage loving-kindness and understanding.
There are several practices that help us turn inward during challenging times. I often recommend the “4 R’s” (Recognize, Refrain, Relax, Resolve) as taught by Ani Pema Chödrön – and often throw in an extra R or two: specifically, to Remember why you are doing what you are doing. Other, similar, practices all provide the opportunity to gain more understanding of oneself and can also help us to better understand the people and the situations around us. These practices can also help us understand how our actions can contribute to peace in the world. This is the understanding Mahatma Gandhi had when he first experienced racism in South Africa – and that understanding led to his life’s work.
“He was not just a separate, physical creature; he saw that he – and, crucially, every other human being – was essentially spiritual, with ‘strength [that] does not come from physical capacity [but] from an indomitable will.’
After this first instinctive ‘holding on to Truth,’ Gandhi turned inward. He had met injustice; it degraded everyone, but everyone accepted it: How could he change himself to help everyone involved see more clearly? Somehow, dimly at first, but with increasing sureness, he had already grasped that a person can be an ‘instrument of peace,’ a catalyst of understanding, by getting himself out of the way.”
– quoted from “The Transformation” section of “Preface to the Vintage Spiritual Classics Edition” as published in The Essential Gandhi: An Anthology of his Writings on his Life, Work, and Ideas, edited by Louis Fischer, preface by Eknath Easwaran
“This, then, is the second crucially important principle that we discover in Gandhi. Contrary to what has been thought in recent centuries in the West, the spiritual or interior life is not an exclusively private affair. (In reality, the deepest and most authentic Western traditions are at one with those of the East on this point.) The spiritual life of one person is simply the life of all manifesting itself in him. While it is very necessary to emphasize the truth that as the person deepens his own thought in silence he enters into a deeper understanding of and communion with the spirit of his people (or of his Church), it is also important to remember that as he becomes engaged in the crucial struggles of his people in seeking justice and truth in himself by seeking justice and truth together with his brother, he tends to liberate the truth in himself by seeking true liberty for all.”
– quoted from “II. Introduction: Gandhi and the One-Eyed Giant” by Thomas Merton as published in Gandhi on Non-Violence: Selected Texts from Mohandas K. Gandhi’s Non-Violence in Peace and War, Edited by Thomas Merton, Preface by Mark Kurlansky
We are all connected in multiple ways. To paraphrase e e cummings, we carry each other inside of ourselves. Ironically, sometimes we need to take a step back in order to truly recognize and honor our connections. The example I often use in the practice is to recognize that even if we don’t take a physical bind (on the outside) our arms and hands are still connected. They are connected through our hearts and through our minds. Similarly, if we have a pain on one side of our body, we may be so focused on the presenting pain that we fail to notice how the hurting part is connected to the other parts. When we understand the connections, however, we may be able to reduce (or even eliminate) future harm and suffering.
“When you understand, you cannot help but love. You cannot get angry. To develop understanding, you have to practice looking at all living beings with the eyes of compassion. When you understand, you love. And when you love, you naturally act in a way that can relieve the suffering of people.”
– quoted from “2. The Three Gems” in Being Peace by Thich Nhat Hanh, forward by Jane Goodall, illustrated by Mayumi Oda
The physical example above can also be applied to interpersonal situations. When we understand how we work (physically, mentally, emotionally, spiritually, and energetically) we can be more present and more intentional/mindful. This is true on an individual level and also on a community level. Ultimately, it also brings us back to one of the original questions: How much time and effort do you put into understanding yourself and/or the people around you?
Would you be willing to put in the same amount of time that professional trapeze artists put into their art?
There is beauty, athleticism, and risk involved every time people fly through the air. There also must be some level of understanding about how everyone and everything works. Finally, there must be trust/faith. There must be trust/faith between the artists and also between the artists and all of the technicians and support crew. Then, too, there is trust between everyone and the audience – because we are all connected. We may not always be consciously aware of the connections and we may not always (consciously) understand how those connections work. However, the beauty is magnified when we respect and honor those connections. Our esteem rises when we understand all that it takes to put on the show.
Life is very much the same.
“mortals)
climbi
ng i
nto eachness begi
n
dizzily
swingthings
of speeds of
trapeze gush somersaults
open ing
hes shes”
– quoted from the poem “[‘mortals…’]” by e e cummings
Sunday’s playlist is available on YouTube and Spotify. [Look for “10142020 ‘I carry you in my heart’”]
“i carry your heart with me(i carry it in
my heart)i am never without it(anywhere
i go you go,my dear;and whatever is done
by only me is your doing,my darling)”
– quoted from the poem “[i carry your heart with me(i carry it in]” by e e cummings
Corrections: During the practice, I accidently attributed the Eknath Easwaran quote to Thomas Merton. I also used a quote often attributed to Albert Einstein (“Peace cannot be kept by force. It can only be achieved by understanding.”); however, I could not confirm an original source.
### UNDERSTAND LOVE ###
Open to the Grace That Has Been Given (mostly the music) March 11, 2023
Posted by ajoyfulpractice in 19-Day Fast, Baha'i, Bhakti, Changing Perspectives, Faith, Gratitude, Healing Stories, Hope, Lent / Great Lent, Lorraine Hansberry, Meditation, Music, One Hoop, Pain, Philosophy, Religion, Suffering, Wisdom, Yoga.Tags: Aretha Franklin, Broadway, Jennifer Hudson, Langston Hughes, Sam Cooke, Season for Nonviolence, Season of Non-violence, theatre, Yoga Sutra 1.38
add a comment
Many blessings to all, and especially to those observing Lent, Great Lent, and/or the Baháʼí 19-Day Fast during this “Season for Non-violence” and all other seasons!
“MAMA [YOUNGER]: Crazy ’bout his children! God knows there was plenty wrong with Walter Younger hard-headed, mean, kind of wild with women – plenty wrong with him. But he sure loved his children. Always wanted them to have something be something. That’s where Brother gets all these notions, I reckon. Big Walter used to say, he’d get right wet in the eyes sometimes, lean his head back with the water standing in his eyes and say, ‘Seem like God didn’t see fit to give the black man nothing but dreams – but He did give us children to make them dreams seem worth while.’”
– quoted from Act I, Scene One of A Raisin in the Sun by Lorraine Hansberry
Lorraine Hansberry’s award-winning play A Raisin in the Sun premiered on Broadway, at the Ethel Barrymore Theatre, today in 1959. The play’s title came from the poem “Harlem” by Langston Hughes. The plot of the play was inspired by Lorraine Hansberry’s life. Dreams (and the possibility of dreams coming true – or not) are at the the heart of both the poem and the play. Click on the embedded links above to read more about the back stories.
Please join me for a 90-minute virtual yoga practice on Zoom today (Saturday, March 11th) at 12:00 PM. Use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below or by emailing myra (at) ajoyfulpractice.com.
Saturday’s playlist is available on YouTube and Spotify. [Look for “05192021 Being in The Middle”]
NOTE: The before/after music includes different artists performing Sam Cooke’s “A Change is Gonna Come” (with an intro I don’t think I had ever heard): on YouTube it’s Jennifer Hudson; on Spotify it’s Aretha Franklin.
“To Mama:
in gratitude for the dream”
– quoted from the dedication of A Raisin in the Sun by Lorraine Hansberry
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)
### Openness ###
FTWMI: Winning the Lottery, with some Powerball® thoughts (the “missing” Monday post) March 6, 2023
Posted by ajoyfulpractice in "Impossible" People, 19-Day Fast, Art, Baha'i, Bhakti, Books, Changing Perspectives, Confessions, Dharma, Faith, Food, Healing Stories, Hope, Kirtan, Lent / Great Lent, Life, Minneapolis, Movies, Music, Mysticism, Peace, Philosophy, Purim, Religion, Suffering, Wisdom, Women, Writing, Yoga.Tags: Aaron Koller, Bob Dylan, Hebrew, lottery, Maccabeats, Nissim Black, Powerball®, R'Shua, Søren Kierkegaard, Star Wars, Sting, Susanna Barkataki
add a comment
Happy Purim! Many blessings to all, and especially to those observing Lent, Great Lent, the Baháʼí 19-Day Fast, and/or Purim during this “Season for Non-violence” and all other seasons!
For Those Who Missed It: This “missing” post for Monday, March 6th, is an abridged version of a 2022 post about Purim. (But this is not the story you think it is!) A link to the original post is embedded below (at the point where I shortened it. There is also a lottery link that connects to an outside source. You can request an audio recording of any of these practices via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.
Check out the “Class Schedules” calendar for upcoming classes.)
“It is perfectly true, as the philosophers say, that life must be understood backwards. But they forget the other proposition, that it must be lived forwards.”
– quoted from Journals (IV A 164), 1843 by Søren Kierkegaard
You know how there are some stories, like the Star Wars movies, that begin as one thing and then over time and generations become something else? That question can be answered as it relates to the story, but here I am specifically talking about the sequence.* When the original movie came out in May of 1977, it was just Star Wars. When the next movies came out – in May of 1980 and May of 1983 – they had their own titles. However, if someone referred to them numerically, they would be first, second, and third (or 1, 2, and 3). Fast forward over two decades from the originally released movie and there were prequels, which (while I am loath to admit they exist) changed the order of things. Fast forward another decade (going on two) and there were (pretty amazing) sequels to the originally released movies. The story continues… and I love that.
I love of stories and storytelling. I think it’s fascinating that we meet each other in the middle of our stories and simultaneously work forwards and back. We don’t always think about it, but the way the Star Wars movies were released is actually how we meet and how most of the stories we read, hear, and watch work too. It’s very rare that we meet characters at the beginning of creation. A story usually begins in the middle or at the end. So, part of what I love about storytelling is how the storyteller (or the story) chooses to unfold the tale. In fact, part of the beauty of the story is watching it unfold.
One of my favorite stories – in part, because the way the story unfolds is part of the story – is the story people tell on Purim. It is the story in and around The Megillah or The Megillat Esther.
In case you are unfamiliar with the holiday and the story, Purim [פּוּרִים] is a Hebrew word meaning “lots” – as in “casting lots” or “lottery.” It is a Jewish holiday that commemorates the story told in the Megillah (“scroll”) of Esther, which is the story of how Queen Esther saved the Jewish people from the evil plot of a man whose actions are good examples of someone who was narcissistic, power hungry, and also anti-Semitic. The “Book of Esther” is not only found in the Hebrew Bible it is also one of the five megillot (“scrolls”) that make up part of the Christian Old Testament. Some people think of it as a great story about the power of a woman – and while it is that, it is also something more; because the story has a lot of “hidden” elements.
The story is quite literally about things that “someone” decided to “hide and hide” [הַסְתֵּ֨ר אַסְתִּ֤יר].
“Another approach, found already in rabbinic literature, takes the absence of God as a positive statement made by the author. The Rabbis, and numerous other readers since, understood the literary absence of God to be merely a surface-level fact, and in fact to be a subtle argument for the hiddenness of God, rather than his absence. A Talmudic comment (in B. Hullin 139b) playfully asks, ‘What is the source for Esther in the Torah?’ The answer given is that Esther was foretold in Deuteronomy 31:18: ‘I will indeed hide (haster astir) my face on that day.’ In part this is a pun, linking the name Esther to the Hebrew phrase ‘I will indeed hide’ (haster astir), but in part it is a serious theological claim: where did the Torah foretell a story with no God?”
– quoted from “8. Diaspora revisions: rethinking Exodus and rethinking God – Entering the fray: Esther as a political book” in Esther in Ancient Jewish Thought by Aaron Koller
People celebrate Purim by dressing up in costume – hiding one’s true identity – and having a party or feast. People may also have a parade and a pageant. The costuming and the party (even the parades and pageants) are all, symbolically, part of the story. To add yet another symbol from the story, the feasting includes hamantaschen, a yummy triangular shaped pastry that I always think of as Haman’s hat, but which literally means “Haman’s pockets.” In some Jewish communities they are referred to as “Haman’s ears.”
The story is symbolically reinforced in many different ways during the celebration of Purim, because the biggest part of the holiday is the story itself. In fact, listening to a public reading of the Book of Esther, in the evening (since the holiday starts at sunset) and in the morning, is one of four mitzvoh (“commandments”) related to Purim. The other three take place during the day and are sending food gifts to friends; giving charity to the poor; and eating a festive meal.
While I don’t read the actual text** to people during the practice, I do tell the story. And for years, I have used the music to help me tell the story – just like I do with all the other stories. Up until this year 2022, however, my Purim playlist was a little… shall we say, problematic. Because there was something hidden in my playlist – and not in a good way.
“This desert rose
Whose shadow bears the secret promise
This desert flower
No sweet perfume ever tortured me more than this
And now she turns
This way she moves in the logic of all my dreams
This fire burns
I realize that nothing’s as it seems”
– quoted from the song “Desert Rose” by Sting
Some of my playlists have always reflected the culture behind the story or theme of the day. For instance, my Saint Patrick’s Day playlist is full of Irish musicians and musicians with Irish heritage, just like my Cinco de Mayo playlist is full of musicians with Mexican heritage. As I’ve previously mentioned on the blog, I’ve very deliberately made some playlists multi-cultural to highlight the fact that so many cultures celebrate things like light overcoming darkness. Then, years ago, a friend’s comment really made me consider why my playlists mostly featured men. Despite all that, I never really considered that there was something off about my Purim playlist.
And, that takes us back to why certain songs were popular, while other also very good songs were not as popular.
“It’s so not an accident that most of the kirtan and ‘yoga music artists’ on our playlists are NOT from within the tradition. (It is called erasure and happens to people of color in our own traditions ALL THE TIME.)”
– quoted from a January 2022 message entitled “What Are You Listening to? On Decolonizing Your Yoga Playlists” by Susanna Barkataki
Susanna Barkataki is a yoga advocate, a teacher, a public speaker, and the author of Embrace Yoga’s Roots: Courageous Ways to Deepen Your Yoga Practice. In her book, her articles, and her classes, she encourages students and teachers to (re)connect to yoga’s ancient roots. She strongly recommends that teachers consider why they do the things they do (and say the things they say) when teaching. She also suggests that teachers take a look at how some of the things we say and do are the result of colonization and cultural erasure. However, she does not simply point to how elements of our modern, Western-centric practice are problematic. She also offers tools and solutions. For instance, she specifically points to music and highlights the fact that those of us using kirtan – which is a form of bhakti or devotional yoga – are almost always using non-traditional musicians. Sometimes, even using musicians that mispronounce the Sanskrit words.
To be clear, Ms. Barkataki uses the words “cultural erasure,” but it’s a concept I’ve always known as whitewashing. And, above and beyond anything else, she encourages us all to be mindful about the choices we make. Being mindful meant that when I was getting ready for Purim this last year, I realized that in most of the ways that counted, my culturally-specific playlist was specifically the wrong culture.
In my effort to pick songs that told the story, I neglected to pick Jewish musicians. Even worse, given the context of the story, my original playlist included several songs with Arabic lyrics and/or Arabic-related references that had nothing to do with Jewish heritage. To be clear about my own hubris, I knew this… I just leaped over the issue. In some ways, my mental gymnastics included the fact that those songs could be about a Jewish woman like Esther. They could very easily have been songs written by people who didn’t know their beautiful “Persian” queen was born Hadassah. Anything is possible.
However, the reality was that they were just popular songs that were also really good, worked with the practice, and could fit the story. They were songs that I knew, because I had heard them on the radio.
“Erasure is when the originators of a particular tradition are surpassed, replaced or ignored. Why? Because it makes it easier to colonize and exploit our cultural and spiritual wisdom and wealth.”
– quoted from a January 2022 message entitled “What Are You Listening to? On Decolonizing Your Yoga Playlists” by Susanna Barkataki
I recently heard a young, up-and-coming artist compare achieving a huge milestone to winning the lottery. For sure, I can see that. Especially when you consider how many people commented on the fact that this artist hit this much deserved milestone before his much lauded collaborator. (Don’t misunderstand me, I’m a big fan of both artists, but there’s something more than talent at play here.) I think having a hit song is also like that. Because while there is a lot of hard work that goes into creating a hit song, there’s also a lot of luck. It’s like that old adage: you can’t win if you don’t play. Of course, most people who play, don’t win – at least not really big – and it’s the same thing with being a big star in music.
The existence of streaming services and social media means that a lot of hustle and marketing on the part of the artist (and their community) can get an artist noticed today, in a way they couldn’t get noticed 20-plus years ago. That attention can really push a song up the charts. However, we’re still in a time time when songs are hits (in part) because they are played on the radio. And for all that hustle, many songs are played on the radio because of the way the musician looks. This is true across genres. This is even more so when it comes to music in and from certain countries and cultures. Being talented and having the “right” size, complexion, ethnicity, and (on a certain level) gender and sexuality, is like hitting the Powerball®.
““The Multi-State Lottery Association encourages all lottery players to be responsible in their amount of play.
For some people gambling can become a problem. If you or someone you know has a gambling problem, there are a number of helpful resources listed below.
National Council on Problem Gambling
24 Hour Confidential National Helpline
Call: 1-800-522-4700
Chat: ncpgambling.org/chat
Text: 1-800-522-4700
Association of Problem Gambling Service Administrators”
– quoted from the “Play Responsibly” tab on the Powerball® website
While I’ve been known to play bingo in a church basement (for charity and the chance to win a homemade quilt), I’m not really one to play the lottery. My limited understanding is that there’s a lot of different ways you can win with a Powerball®. However, just like with music and other things that could make you wealthy beyond your dreams, you have to be responsible and avoid the scams. You have to balance the temptation and your desire with reality. The reality, again, being that if you don’t play, you don’t win; but most people don’t win… big.
If you’re talented and have the aforementioned equivalent of the Powerball®, you can do things other people can’t do. You can write songs that make people re-think the world. You can sing songs other people not only wouldn’t think to sing, but might be afraid to sing. You can inspire people to sing your songs… even when they don’t always understand you. To me, Bob Dylan and his eponymous first album are a great example of a musical Powerball®.
Click here to read the remainder of the musical Powerball® notes.
There is no playlist for the Common Ground Meditation practice.
The 2022 playlist is available on YouTube and Spotify. [Look for “Purim 2022”]
*NOTE: Here’s a funny aside (related to the original 2022 post). In 2020, just as we started locking down for the pandemic, I blogged and posted a playlist about stories and music. That would have been Part I, except that it was for March 22nd – which means that if I ever get everything posted in sequential order it would be Part III (after the Purim or Saint Patrick’s Day post and the Bob Dylan post).
**NOTE: Since I don’t actually read the Purim text during the practice, I almost always leave out the part where Haman is begging for his life and the King misreads the situation. In some ways, it is an important part of the cause-and-effect of the narrative – and it definitely brings up another aspect of how our perceptions affect our stories – but it’s comes at the end so I often overlook it.
Here’s something fun that’s on the YouTube playlist, but is not (yet) available on Spotify.
### Are You Lucky or Are You Blessed? ###
Liminal, Lofty, & Rare Days – Redux (the “missing” Friday post) March 6, 2023
Posted by ajoyfulpractice in 19-Day Fast, Baha'i, Bhakti, Books, Changing Perspectives, Confessions, Dharma, Faith, First Nations, Healing Stories, Helen Keller, Hope, Lent / Great Lent, Life, Loss, Music, One Hoop, Pain, Philosophy, Religion, Suffering, Tragedy, Wisdom, Women, Writing, Yoga.Tags: Alexander Graham Bell, Alexander Melville Bell, Anne Sullivan, Bramcharya, Catherine Drexel, Dhyāna, Dhāraṇā, Feast Day of Saint Katharine, Jack Hawley, Jacqueline Kennedy, James H. Platt, James Kubicki, Kanienʼkéha, Mahatma Gandhi Canadian Foundation for World Peace, Mohawk, Orison Swett Marden, Saint Katharine, Samyama, Samādhi, Shannen Dee Williams, Soma Yoga, Somatic Yoga, Susan Moon, Visible Speech, World Hearing Day, yama, Yoga Sutra 2.38
2 comments
Many blessings to all, and especially to those observing Lent, Great Lent, the Baháʼí 19-Day Fast, and/or Purim during this “Season for Non-violence” and all other seasons!
This is the “missing” post for the “First Friday Night Special” on March 3rd. It includes an excerpt from 2021 that has been expanded and placed in a different context. You can request an audio recording of this Somatic Yoga Experience (SYE) practice via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.
Friday’s playlist is available on YouTube and Spotify.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)
“We are all made of the ancestors who came before us, those who bore us and those who bore the ones who bore us, all the way back through the generations to Great-Grandmother and Great-Grandfather Amoeba. Some of our ancestors may not have been admirable people, but we came from them, too, whether we like them or not.”
– quoted from “We Will Be Ancestors Too” in Alive Until You’re Dead: Notes on the Home Stretch by Susan Moon
Don’t laugh; but, I was yesterday years old when I realized that each of the “Season for Non-violence” themes provided (online) by the Mahatma Gandhi Canadian Foundation for World Peace actually contains an embedded link that provides practice tips for each day and theme. In my defense, each daily theme is inspired by the work of Mohandas Gandhi and Martin Luther King Jr. – and, up until March 3rd, I could fairly easily recall speeches, talks, and sermons from each leader that connected to to the theme. Also, what I considered (in my practice) fit the declared objective: “…to create an awareness of nonviolent principles and practice as a powerful way to heal, transform, and empower our lives and communities.” Had I paid more attention to the last part of the statement (“It is, therefore, the purpose of the Season and the following 64 Daily Practices to educate and inspire individuals and organizations alike to actively seek out nonviolent means by which to empower themselves and others to co-exist in peace and prosper together in community.”) I would have gotten more curious about the “educate” aspect; but, alas, I was just cruising along until the March 3rd theme: Acknowledgement.
If you follow the “Acknowledgement” link (which I am including here), you will find quotes, discussion topics, and exercises related to the oneness of life, the sacredness of life, and how our interconnectedness enables us to achieve the things we achieve in life. Acknowledgement here is directly tied to gratitude. In particular, it is tied to gratitude for those whose efforts contribute to our existence and way of moving through the world. This is very much a theme that shows up in the work and words of both Mahatma Gandhi and Dr. King, and it makes sense that contemplation along these lines “elevates our awareness of nonviolence.” Additionally, I think it is important to recognize and acknowledge when someone has the best intentions and yet causes harm. I think, too, that it is important to acknowledge how someone can make great contributions to the world – contributions that benefit most of our lives – and, yet, they can be not so great people (and/or have really horrendous ideas).
If you wonder how such contemplation can also meet the season’s objectives and elevate our awareness of nonviolence, consider that (a) we all make mistakes; (b) individually and collectively, we are all better off when we can learn from past mistakes (and other people’s mistakes); and (c) healing and empowerment can begin/continue with an acknowledgement that people (individually and collectively) were wronged.
Please keep all that in mind as you soak up the following; because, March 3rd is a day when I sometimes reference people who are venerated (socially and, in one case, religiously) even though their actions caused harm.
“‘The ideal, Arjuna, is to be intensely active and at the same time have no selfish motives, no thoughts of personal gain or loss. duty uncontaminated by desire leads to inner peacefulness and increased effectiveness. This is the secret art of living a life of real achievement!’”
– Krishna speaking to Arjuna (2.47 excerpt) in The Bhagavad Gita: A Walkthrough for Westerners by Jack Hawley
When we are going about our every day, busy, mundane/profane lives, we may find ourselves measuring success in very different ways than we do when we step into the sacred and mystical. Stepping into the sacred for a week or two, or several months, requires changing the business (and the busy-ness) of our days and, also, changing the focus of our days – which is exactly what people are currently doing as they observe the Lenten season and/or the Baháʼí 19-Day Fast. During these times, some may look at success as successfully giving something up or doing something positive for a predetermined period of time. That kind of success, however, is still rooted in the physical. Spiritual success, on the internal level, is not measured in the same way. Remember, people in different traditions are spending this time (i.e., these “liminal days”) focused on a higher, deeper, more resilient (i.e., “lofty”) and lasting connection with the Divine (whatever that means to you at this moment). So, if their success could be measured, it would be measured by that deeply personal and sacred relationship. I emphasized “if” and “could,” because what I am suggesting is similar to what happens when we look at the practice of Brahmacharya.
Brahmacharya is the fourth yama (external “restraint” or universal “commandment”) in the Yoga Philosophy. The first part of the word refers to one of the name’s of God and also to an individual’s highest Self. The second part of the word can be translated into English in several ways, including as “occupation with, engaging, proceeding, behavior, conduct, to follow, moving in, going after.” It was first explained to me as conducting oneself as if you are “chasing God” or “following in the footsteps of God.” In Yoga Sūtra 2.38, Patanjali explained that it is a practice through which one gains “vigor and vitality.”
So, what is the practice, you ask?
There is an actually practice, which is different in different traditions; however, most people (in the West) talk about the practice of the concept of brahmacharya, based on the way Yoga Sūtra 2.38 is translated. Some English translations use the words “continence” or “abstention from incontinence” – both of which are related to passions/desires and bodily functions (like elimination). Some English translations, however, just focus on celibacy (and refraining from sexual relations on a physical, mental, and verbal level). These are all things that can, mostly, be seen and measured on the outside. They are, on some level, identifiable and obvious. I would argue, however, that this most obvious part of the practice misses the fact that brahmacharya is an internal practice. Like the other yamas, it just shows up in external ways.
But, just because we can easily see how something like sex can be distracting and how it can pull our focus, does not mean that we don’t go deeper. Since we often measure profane success financially, one way to go deeper is to look at the life of someone who had a lot of money and yet successfully devoted their life to the sacred.
“‘To work without desire may seem impossible, but the way to do it is to substitute thoughts of Divinity for thoughts of desire. Do your work in this world with your heart fixed on the Divine instead of on outcomes. Do not worry about results. Be even tempered in success or failure. This mental evenness is what is mean by yoga…. Indeed, equanimity is yoga!’”
– Krishna speaking to Arjuna (2.48) in The Bhagavad Gita: A Walkthrough for Westerners by Jack Hawley
Full disclosure: I do not detail egregious behavior and/or opinions; however, the remainder of this post does include passing references to eugenics, racism, and cultural genocide.
In the past, I have compared the path of Saint David to the path of Saint Katharine (Drexel), whose feast day is March 3rd. Born Catherine Mary Drexel on November 26, 1858, Saint Katharine was a Philadelphia-born heiress who, along with her two sisters, inherited several millions when her father and step-mother died. That’s several million USD, even after the $1.5 million USD that was subtracted for charitable donations stipulated in their father’s will. The will also ensured that the sisters maintained control of their own finances.
In many ways, the Drexel sisters (Elizabeth, Catherine, and Louise) were American royalty. Their grandfather, Francis Martin Drexel, was an Austrian-born banker, whose American-born sons followed in his footsteps. Francis Anthony Drexel, the girls’ father, was a wealthy banker whose younger brothers were Anthony Joseph Drexel Sr. and and Joseph William Drexel. Anthony Joseph Drexel Sr. was one of the senior partners of Drexel, Morgan & Company (now J.P. Morgan & Co.); the founder of Drexel Institute of Art, Science and Industry (now Drexel University); and was deeply committed to integrating art and urban planning. Joseph William Drexel worked as a banker at Drexel, Morgan & Company until he decided to give up the business world in order to focus on collecting books and art and other philanthropic endeavors. Elizabeth and Catherine’s mother, Hannah Langstroth Drexel, died several weeks after Catherine was born and, in 1860, their father married Emma Bouvier – the great, great aunt of Jacqueline (née Bouvier) Kennedy Onassis.
The girls grew up with luxury, privilege, and a devout Roman Catholicism that emphasized good works. Their father, Francis Anthony Drexel, prayed 30-minutes a day. When their mother died, the eldest girls spent some time living with their uncle Joseph, who owned a farm where he provided room and board and agricultural training for people who were out of work. When Francis married Emma, the girls returned home and saw how their father supported and encouraged Emma to open their home in order to provide food, clothing, and medicine to the less fortunate. At some point they would have also been aware that Francis and Emma regularly paid the rents of approximately 150 other families – and they would have learned the importance of doing what one could and looking out for others in the world.
“At her canonization in 2000, Saint John Paul II said, ‘From her parents [Blessed Katharine Drexel] learned that her family’s possessions were not for them alone but were meant to be shared with the less fortunate. She began to devote her fortune to missionary and educational work among the poorest members of society. Later, she understood that more was needed. With great courage and confidence in God’s grace, she chose to give not just her fortune but her whole life totally to the Lord.’”
– quoted from “March 3” in 2016 edition of A Year of Daily Offerings by James Kubicki S. J.
In 1887, several years after their parents died and they became multi-millionaires, the sisters received a private audience with Pope Leo XIII. Katharine wanted to know why the pope wasn’t doing more to alleviate the suffering of Indigenous Americans. The pope suggested that Katharine become a missionary and undertake the task. Ultimately, she decided to take on the suggestion. She took holy vows in 1891. Then, joined by 13 other women, she founded Sisters of the Blessed Sacrament for Indians and Colored People (now known as Sisters of the Blessed Sacrament [SBS]), a religious congregation for women that specifically served Indigenous and African American people. She dedicated her time, energy, and considerable resources to the Church, financing over 60 missions and schools around the United States, including founding Xavier University of Louisiana – the only historically Black and Catholic university in the United States.
Of course, the unfortunate and tragic part of this story is that the students at the Indian schools were (more often than not) stolen from their homes and families, in order to make them less-Indian – something Pope Francis has recently acknowledged and apologized for on behalf of the Roman Catholic Church (at least in Canada). Also documented, though less publicized, has been cases of racism experienced by African American students (who were often treated as an afterthought) and African American nuns who took vows through SBS.
Of course, none of this injury to marginalized communities was seriously considered when Katharine died on March 3, 1955. I’m not even sure how much it would be considered if she died today; because, her life’s work would be (and was) measured by the perceived good that she did for the Church and in God’s name. It was those metrics (and a series of miracles) that led the way for her to eventually become the second U S. citizen to be canonized, and the first Roman Catholic saint actually born a United States citizen.
“African American Catholics who supported Drexel’s sainthood were seemingly unaware of the order’s 1893 segregationist vote and SBS leaders seemingly did not inform them….. Finally, knowledge of SBS’s segregationist practices may not have disqualified Drexel for sainthood. White female congregational leaders Elizabeth Seton and Rose Philippine Duchesne, who exploited enslaved labor and practiced segregation, were canonized in 1975 and 1988 respectively. Cornelia Connelly, another enslaver and the US-born foundress of the Sisters of the Holy Child of Jesus (SHCJ), was declared venerable in 1992.”
– quoted from the note “72” of “Notes to Introduction” in Subversive Habits: Black Catholic Nuns in the Long African American Freedom Struggle by Shannen Dee Williams
Katharine Drexel is considered the patron saint of philanthropy and (ironically) of racial justice; however, the miracles that led to her beatification and canonization are not related to the racial justice. They are related to the senses. She was beatified in 1988, after the Vatican concluded that her intercession resulted in a boy (Robert Gutherman of Bensalem, PA) being cured of deafness in 1974. She was canonized in 2000 after the Vatican announced that a young girl (Amy Wall of Bucks County, PA) had been cured of her deafness after her 7-year old brother (Jack, who believed in miracles) insisted that the family prayer to “Mother Drexel.” Her feast day (which is the anniversary of her death) is also the anniversary of the he birth of Alexander Graham Bell (b. 1847), whose interest in hearing and speech and all things acoustic stemmed from his mother’s deafness and his father’s work in linguistics.
Like Katharine Drexel, Alexander Bell (the “Graham” was added when he was ten years old) was a middle child whose early life was touched by death and loss. His mother, Eliza Grace Bell (née Symonds), started losing her hearing when he was around twelve years old and his brothers (Melville James Bell and Edward Charles Bell) died of tuberculosis when he was in his early twenties. His father, Alexander Melville Bell, followed in the footsteps of his father (Alexander Bell) and older brother (David Charles Bell) and became a phonetician and elocutionist. Young Aleck’s father, specialized in speech disorders and developed “Visible Speech” – a system of symbols specifically designed to teach deaf people how to position and move their throat, tongue, and lips in order to speak – and wrote books about how to teach deaf people to speak and to read lips. Alexander Melville Bell was also his sons’ first teacher and, so, the three Bell brothers learned all the tricks of the linguistics trade.
“The question arose, ‘“How are you going to describe a constriction?”’ It was observed that the principal organs concerned with speech group themselves into two classes, namely, active and passive. Generally, the lower organs fall in the active group and the upper ones fall in the passive group. For instance: ‘“In forming the sound (t), the point of the tongue is the active agent involved, and the upper gum is the passive.”’ It must also be understood that in this case the two organs under discussion approximate together so as to completely close the intervening passageway.”
– quoted from the Journal of Speech Disorders (1947, 12, 377-380) article entitled “The Method of Alexander Graham Bell and A. Melville Bell for Studying the Mechanism of Speech” by James H. Platt
Alexander Graham Bell had a special affinity for music and art, as well as a special talent when it came to language, elocution, mimicry, and even a form of ventriloquism. He learned different ways to communicate with his mother, including using a version of Sign Language, and was so adept at “Visible Speech” and his father’s principles of elocution that Alexander Melville Bell used Aleck during public demonstrations, to show how they techniques could be used with a variety of languages. All of this led Aleck to study elocution and acoustics at the university-level. It also led him to experiment with sound-producing mechanisms and, when he was a teenager, he and his brother Melville even created a machine that could “talk” – inspired him to experiment with ways to make his dog speak English.
Aleck was pursuing a career as an elocution teacher, specifically working with deaf students, when his brothers died and his parents thought it would be best if the remaining family relocated to North America. In Canada, he continued working with elocution, experimenting with electricity and mechanical devices, and eventually used “Visible Speech” to create a written version of Mohawk (Kanienʼkéha, “[language] of the Flint Place”). In 1871, he started working with deaf schools in New England (training teachers to use his father’s “Visible Speech System”) and continued working on a device that would be able to transmit and receive sound. A little over a year later, in October 1872, he opened the “School of Vocal Physiology and Mechanics of Speech” where he worked directly with deaf students. During this time, he was also working as a professor of Vocal Physiology and Elocution at the Boston University School of Oratory and continuing his experiments.
When his workload started to affect his health, he gave up all but two of his private students: six-year old George “Georgie” Sanders (who was born deaf) and 15-year old Mabel Hubbard (who lost her hearing after contracting scarlet fever). He was particular inspired by Mabel, who he would marry in 1877. Another student whose life he would greatly inspire was Helen Keller, who lost both her hearing and sight after experiencing a severe illness as a baby. He recommended that Arthur Henley Keller and Catherine Everett (née Adams) Keller contact the Perkins Institution to find a teacher for young Helen. The recommended teacher was Anne Sullivan (the “Miracle Worker”), who started working with the young girl, Helen Keller, in March of 1887.
“Doubtless the work of the past few months does seem like a triumphal march to him; but then people seldom see the halting and painful steps by which the most insignificant success is achieved.”
– quoted from a letter written by Anne Sullivan, dated October 30, 1887
Thomas Sanders and Gardiner Greene Hubbard (the fathers of “Georgie” and Mabel) became A. G. Bell’s benefactors, providing him with financial support and a place to conduct his experiments. That support enabled Alexander Graham Bell to apply for patents; hire Thomas A. Watson, an electrical designer and mechanic, as his assistant; and organize what would become the American Telephone and Telegraph Company (established in 1877). Mr. Bell and Mr. Watson successfully transmitted sound in June 1875 and, on March 10, 1876, successfully made a “telephone” call. Over the next few months, they extended the range for one-way calls and then were able to make two-way calls. Ten years later, over 150,000 people in the United States owned landlines and the inventors were continuously improving on their device and on the infrastructure needed to make them work.
Again, however, there was/is controversy – and some of it is quite unfortunate, tragic even. First, there is the controversy around the patents and the device that ended up working. Many people said (and say) that Elisha Gray should be credited as the inventor of the telephone (because of a discrepancy in the patent process and the fact that A. G. Bell’s success required the use of Mr. Gray’s liquid transmitter). Then there is the controversy surrounding Alexander Graham Bell’s opinions of people with disabilities – and this part is a controversy wrapped in a controversy.
Alexander Graham Bell believed in deaf people and people with impaired hearing (essentially) masking their deafness by learning to speak and read lips. This is an undisputed fact – meaning, his belief in this idea is undisputed. Neither is it disputed that he wrote about and participated in eugenics studies that advocated for people’s civil rights and liberties to be diminished. Nor is it disputed that some of his peers and students, like Helen Keller, supported eugenic philosophies. What is disputed is whether or not he actually believed the nonsense. He made a point of stating and writing, on more than one occasion, that he did not believe deaf people should be limited in who the could marry. When asked if the thought “‘environment and heredity count in success,’” he said, “‘Environment, certainly; heredity, not so distinctly.’” But, people saw the next part of his statement as open to interpretation. Similarly, he made a point of distancing himself from certain organizations; however, his actions did not stop said organizations from using his name and his words to support their very damaging theories and world views.
Both Saint Katharine Drexel and Alexander Graham Bell wanted to help people that, on a certain level, they saw as less fortunate than them – and that’s commendable. The fact that they were “successful,” according to certain parameters, makes their stories inspirational. However, their good intentions and good work also caused harm; possibly because they didn’t just think they were helping people that were less fortunate than them. It is possible that they believed they were successfully helping people who were “less than” them – and that is a mindset that is always problematic and always leads to suffering.
While I say all of this, I don’t want to discount the fact that people continue to be inspired by both Saint Katharine and Alexander Graham Bell. March 3rd was even designated by the World Health Organization (WHO) as World Hearing Day.* (Although I can find no reference to A. G. Bell in WHO materials, it seems a little too coincidental to not be related.) People are inspired for a lot of different reasons; but, one of those reasons is that both were famously focused – and our ability to focus was the main point of Friday’s practice.
“Peacefully do at each moment what at that moment ought to be done. If we do what each moment requires, we will eventually complete God’s plan, whatever it is. We can trust God to take care of the master plan when we take care of the details.”
– St. Katharine Drexel (d. 03/03/1955)
Doing what ought to be done, requires focusing on the moment and the task at hand. To varying degrees and for varying lengths of time, we all have the ability to focus. Sometimes we do it intentionally; sometimes our mind is just drawn in a certain direction. Either way, focus leads to concentration; concentration leads to meditation – maybe, even, that perfect meditation, which can be considered “Union with Divine” (whatever that means to you at this moment). These are the last three limbs in the Yoga Philosophy: Dhāraṇā, Dhyāna, and Samādhi. (which can also be translated as concentration, meditation, and absorption). They combine to form the powerful tool of Samyama, which leads to powerful insight, the highest wisdom, and more siddhis (“powers”) than one can imagine. However, before we can focus/concentrate on a single thing, we have to draw all of our senses towards that single point. In other words, we have to withdraw our senses from everything else – this is Pratyāhāra, the fifth limb of the 8-Limbed Yoga Philosophy.
“‘Next must come concentration of purpose and study. That is another thing I mean to emphasize. Concentrate all your thought upon the work in hand. The sun’s rays do not burn until brought to a focus.’”
– quoted in the section entitled “Concentration of Purpose” in “Chapter II – Bell Telephone Talk: Hints on Success by Alexander G. Bell” in How They succeeded: Life Stories of Successful Men Told by Themselves by Orison Swett Marden
*NOTE: The 2023 World Hearing Day theme is “Ear and hearing care for all! Let’s make it a reality.”