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Magic? No. Magical? Yes, yes! (*Updated) September 2, 2020

Posted by ajoyfulpractice in "Impossible" People, Art, Books, Changing Perspectives, Donate, Healing Stories, Hope, Karma, Karma Yoga, Life, Movies, Music, One Hoop, Pain, Philosophy, Suffering, Tragedy, TV, Volunteer, Wisdom, Women, Yoga.
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“The idea came from the idea of escaping the world, actually. For me, there’s definitely days where I feel like I’ve been overwhelmed by people, and I need to get away. So Bob Peterson, who is the lead writer and co-director, he and I were just sitting in a room thinking of ideas. And we were experimenting with this visual idea of a guy in floating house, and it just seemed really intriguing.”

– Pete Docter (b. 10/09/1968), quoted from an AV Club interview (dated 05/28/2009)

Today started with something that wasn’t magic, but it was magical. For reasons unknown to me, David Blaine and his team picked today for his YouTubes Original special Ascension. The stunt, to soar up thousands of feet with helium balloons and then parachute down, took years and planning and even more years of dreaming. Blaine kept saying he was doing it for his 9-year old daughter Dessa, but he was also doing it for everyone who has ever dreamed of flying, soaring, and floating above it all. He said it was amazing. I say that despite all the technology, and maybe because of it, it was magical – and it couldn’t have happened on a better day. Because, to me, September 2nd is all about magical dreams and the inspiring people who make them come true.

“I want to see how life can triumph.”

– Romare Bearden, Artist and Activist

The artist, author, and song writer Romare Bearden was born today in 1911. Perhaps best known for his collages, photomontages, and abstract and Cubist paintings, he originally aspired to be a cartoonist (and even supported himself, for a brief period, as a political cartoonist).  While serving in the United States Army during World War II, Sergeant Bearden was part of the all-Black 372nd Infantry Division of the 15th Regiment. While I have read accounts that spent his service in the United States and other accounts saying that he served on the Western Front, one thing is not disputed: during the war, he saw mankind at its worst and he wanted, through his art, to express the humanity he felt was lacking in his wartime experiences.

“There are roads out of the secret place within us which we must all move as we go to touch others.”

– Romare Bearden, Artist and Activist

Of course, it is easy to imagine the atrocities one might have witnessed on the Western Front, but what would an all-Black infantry member experience if they served in the United States? Segregation, prejudice, racism – and this was experienced more by the domestic soldiers than those on the battlefield. While the enlisted men were Black, the officers were primarily white. In addition to the things we normally think of as being segregated during the 1940’s (housing, transportation, food service, church), especially in the South, parades and other ways people in the service were honored were also done separately. The separation and hostility included people who were part of the Officer’s Candidate School in North Carolina (like Sergeant Bearden) and meant that the Black soldiers were sometimes restricted to their bases even when they had time off.

When his service ended, Romare Bearden spent time in New York City and in Paris, where he studied philosophy and the history behind the art he had, primarily, taught himself to create. His work didn’t just depict African-American people; it showed the unity, cooperation, and collaboration within the African-American community. Along with his cousin, Private Charles H. Alston (with whom he also served in the U. S. Army), Emma Amos, Hale Woodruff, and 11 other artists of color, Sergeant Bearden founded the “Spiral” group, which discussed the responsibility of African-American artists to the Civil Rights Movement and “to consider common aesthetic problems.” It was during this same period that he began his collage work and started experiencing great success and recognition through exhibitions in major galleries and museums.

In 1984, four years before his bone cancer-related death, he was paid $90,000 for a 60×13-foot mural, entitled “Pittsburgh Recollections,” which was installed in a Pittsburgh subway station. In 2008, the mural’s value was estimated at $15 million. Two years after his death, the Romare Bearden Foundation was founded “to preserve and perpetuate the legacy of this preeminent American artist.” The non-profit foundation serves as the artist’s estate and has developed grants supporting children, young (emerging) artists, and scholars.

“If you’re offered a seat on a rocket ship, don’t ask what seat. JUST GET ON!”

– Teacher and Astronaut S Christa McAuliffe

Born today in 1948, S Christa McAuliffe was a teacher who became an astronaut – because she was a teacher. At an early age, she was inspired by the “Space Age” astronauts like John Glen. As an adult, she was chosen from over 11,000 applicants to participate in NASA’s 1985 “Teacher in Space” project. She trained to become the first teacher in space and planned to conduct experiments and teach two lesson plans on her first mission aboard the Space Shuttle Challenger. Tragically, the shuttle broke apart 73 seconds after launch killing all seven crew members on January 28, 1986. This American of Irish and Lebanese descent, who was also a mother and wife, was posthumously awarded the Congressional Space Medal of Honor (in 2004). Schools and scholarships have been named in her honor; however, her students remember her for her advice on life:

 “Reach for the stars. Reach for it! Push yourself as far as you can.”

– Teacher and Astronaut S Christa McAuliffe

Canada’s first “space tourist” was born today in 1959. Known for reaching for a different kind of stars and pushing himself (and others), Cirque du Soleil co-founder and former CEO Guy Laliberté turned 61 today. He believes in having a greater purpose and in taking risks, which probably explains his penchant for poker playing, but also his success as an entertainer and producer. While he is now billionaire and one of the wealthiest Canadians in the world, he started off as just another kid inspired by the circus. He started off as a busker, a stiltwalker, and a fire-eater, but eventually became a producer.

In addition to curating one of the most innovative and entertaining performing arts companies in the world, he is one of the founders of the non-profit One Drop Foundation, which aims “to ensure sustainable access to safe water and sanitation for the most vulnerable communities through innovative partnerships, creativity and the power of art.” He called his venture into space a “poetic social mission” designed to raise awareness about water issues addressed by One Drop. The foundation’s values are respect, integrity, collaboration, innovation, and fun – the same elements you need for a good circus. Mr.  Laliberté said, “Inside every adult there’s still a child that lingers. We’re happiness merchants giving people the opportunity to dream like children.” Of course, to encourage others to dream, one has to dream big; always, always, always, believe in the dream; and have the resources to make it so.

“I am blessed for what I have, but I believed in it from the beginning. Today the dream is the same: I still want to travel, I still want to entertain, and I most certainly want to have fun.”

– Guy Laliberté, Cirque du Soleil co-founder, polker player, and Activist

“Life is tough, and if you have the ability to laugh at it, you have the ability to enjoy it.”

– Salma Hayek, Actor, Director, Producer, and Activist

If I didn’t have all the other birthday people to honor, but I wanted to get across the same advice and inspiration, I would defer to a Mexican-American woman who stands not quite two inches taller than me.  Born today in 1966, Salma Valgarma Hayek Jiménez, now Salma Hayak Pinault began her career in the award-winning telenovela Teresa. By 25, she had won an Ariel Award (the Mexican equivalent of an Academy Award) and was ready to take on Hollywood, where she would receive more accolades and critical acclaim. She has appeared in sitcoms, children’s specials, and every imaginable genre of movies.

In 2002, Salma Hayek produced and starred in Frida, a biography of Mexican artist Frida Kahlo, which was directed by Julie Taymor. In addition to paying tribute to her Mexican heritage with Frida, honored her Lebanese heritage by producing (and voicing the character Kamila) the animated movie Kahlil Gibran’s The Prophet. As she continuously racks up awards and nominations for her work as an actor and producer, she has also modeled; worked as an official spokeswoman for Avon and Revlon cosmetics; and worked with Proctor & Gamble Company, in collaboration with UNICEF, to promote the funding of maternal and neonatal tetanus vaccines.  She practices yoga and has developed a juice delivery program and her own brand of cosmetics.

In addition to all this and more, Ms. Hayek has had overcome dyslexia, navigated America’s immigration system to become a naturalized citizen, and overcame sexual assault and harassment during one of the high points of her career. Her personal experiences are part of the reason she works to increase awareness about violence against women (even testifying before the United States Senate to support the Violence Against Women Act), donates to anti-domestic abuse shelters and groups (in the United States and Mexico), and is a breastfeeding advocate who once breastfeed a newborn in Sierra Leone when the baby’s mother could not produce milk. She once said, “What is important is to believe in something so strongly that you’re not discouraged.” Inspiring words, for sure! However, I always follow another bit of her advice….

“I act tall!”

– Salma Hayek, Actor, Director, Producer, and Activist

Please join me today (Wednesday, September 2nd) at 4:30 PM or 7:15 PM for a magical-birthday inspired yoga practice on Zoom. Use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You will need to register for the 7:15 PM class if you have not already done so. Give yourself extra time to log in if you have not upgraded to Zoom 5.0. You can request an audio recording of this practice via a comment below.

Wednesday’s playlist is available is available on YouTube and Spotify. (The practice music is the same, but one playlist includes David Blaine’s Ascension and the other includes Romare Bearden’s “Sea Breeze.”)

Romare Bearden’s “Sea Breeze”

David Blaine

“People often say that ‘beauty is in the eye of the beholder,’ and I say that the most liberating thing about beauty is realizing that you are the beholder. This empowers us to find beauty in places where others have not dared to look, including inside ourselves.”

– Salma Hayek, Actor, Director, Producer, and Activist

Format updated and quote added 09/2023.

### REACH FOR THE STARS! HAVE FUN. ACT TALL. BEHOLD… & LIFE WILL TRIUMPH ###

STILL CLIMBIN’ – 2018 Kiss My Asana Offering #10 April 10, 2018

Posted by ajoyfulpractice in 31-Day Challenge, Abhyasa, Books, Buddhism, Changing Perspectives, Depression, Dharma, Donate, Faith, Fitness, Gratitude, Healing Stories, Hope, Karma Yoga, Langston Hughes, Life, Loss, Mantra, Meditation, Men, Minneapolis, Minnesota, One Hoop, Pain, Peace, Philosophy, Suffering, Surya Namaskar, Texas, Tragedy, Twin Cities, Vairagya, Volunteer, Wisdom, Women, Writing, Yoga.
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Don’t you set down on the steps
’Cause you finds it’s kinder hard.
Don’t you fall now—
For I’se still goin’, honey,
I’se still climbin’,
And life for me ain’t been no crystal stair.

– from Mother to Son by Langston Hughes

 

“The only easy day was yesterday.”

– from Navy Seals

My early yoga teachers often said, “How you do yoga is how you do life.” I sometimes repeat this statement to myself and to people who come to my class, because I find it’s true. We humans only have so many reactions and responses. Our reactions on the mat are pretty consistent with our reactions off the mat, whether we are dealing with things we enjoy, things we dislike, things that challenge us, things we do well, things we fear, and/or things we don’t understand. (Substitute the word “people” for the word “things” and you see how we end up with some of our current problems.)

We delay gratification or we rush in to quickly experience the things we enjoy. We procrastinate or we push through that which we do not enjoy. We appreciate what we have or we focus on what we don’t have.

When something blocks our progression, we stop and turn back – or, as Marcus Aurelius encouraged, we pause and figure out a way to keep going. When we fall down, we either pick ourselves up – rising above the challenge – or we fall down and stay down. We either, as Thomas Edison did when his warehouse caught fire, learn from past mistakes and enjoy the unexpected – even when it seems catastrophic – or we curl up in a fetal position and watch the world go by. We pick up the pieces and re-build (again, like Edison) or we sweep the debris under the rug and step over the bulge, pretending it’s not there.

We are capable of putting blame behind us and focusing on what is, but (more often than not) blame occupies our minds when something goes wrong. We blame ourselves, we blame others, and/or we blame God and the fates. We live in the past (which is no longer), the future (which is not yet), or we live the present to its fullest.

The details change, but the overall responses are the same: We fight, we flee, or we freeze/collapse. Note that in this case, fighting is not always arguing or coming to fisticuffs; fighting is engaging, which in life can sometimes bring us to a compromise. This all happens in the present moment and, if we experience trauma, we can experience it in the present even after the original situation is in the past.

Benjamin Franklin said, “By failing to prepare, you are preparing to fail.” In life, as in yoga, there are challenges. Some challenges are expected and we mindfully prepare for them. On the flip side, some challenges are expected, but we don’t prepare for them. Finally, there are those challenges we didn’t see coming. When life (or a yoga teacher) throws us a curve ball, we swing or we don’t. In this analogy, it’s not whether or not we hit the ball that matters. What matters is that we are prepared to swing.

This brings us back to Marcus Aurelius, Thomas Edison, and those Navy Seals.

Ryan Holiday’s The Obstacle Is the Way: The Timeless Art of Turning Trials into Triumph, highlights successful people at their most resilient moments. One of the things that stood out to me when I read Holiday’s book, was that many of the people he referenced spent their whole lives preparing for what became a defining moment. It wasn’t that they anticipated the challenge; instead, they lived life to the fullest and it turned out the causes and conditions that caused them to “fall down” also gave them the tools to get back up.

Consider the Navy Seals. An elite combat unit, the Seals only accepts the best of the best. To determine who makes the cut, qualified applicants must successfully complete one of the hardest and toughest 10-day training programs in the world. Because there is no telling what a Navy Seal might encounter in real life, the training is a way to practice scenarios which test their mental, physical, emotional, and spiritual endurance. They are taught to Survive, Evade, Resist, and Escape if confronted with capture. The skills tests become more challenging in and of themselves, but they also become more challenging because applicants are moving closer and closer to their personal edge. Each second, each minute, each hour, each day creates an opportunity for growth. Seals get better, so that the challenges of yesterday seem easier once mastered. Ultimately, though, basic training pushes Navy Seals to engage, escape, evade – or get the heck out of the way for someone who is willing to swing when the curve ball is thrown.

“Life is difficult. This is a great truth, one of the greatest truths. It is a great truth because once we truly see this truth, we transcend it. Once we truly know that life is difficult-once we truly understand and accept it-then life is no longer difficult. Because once it is accepted, the fact that life is difficult no longer matters.”

 

– from The Road Less Traveled: A New Psychology of Love, Traditional Values and Spiritual Growth by M. Scott Peck

Life, for some, is like basic training in that it can be dangerous, full of pitfalls, and something that must be survived. But, for all of us, life is full of the causes and conditions that result in people to falling down and also full of the tools that help people get back up.

Yoga isn’t intended to be as hard (or as dangerous) as life or basic training. However, the yoga mat is a safe place to notice how you engage challenges, setbacks, and desires. It’s a safe place to explore different ways of being in the world. Every moment, every breath, every pose, every sequence prepares us for the next moment, the next breath, the next pose, and the next sequence. Sometimes we are very aware of how things are put together “in a special way.” Sometimes we are full engaged in the moment and are surprised when we meet a challenge with grace, wisdom, courage, and strength. Other times, we fall flat. Either way, the process starts all over again every time we inhale, every time we exhale.

MOTHER TO SON – by Langston Hughes

Very deliberately, move into Child’s Pose (Balasana). Notice the extension of the spine. Notice the softness of the belly. Notice the deep breath in and the deeper breath out. Allow your breath to move through the spine. Allow your soft belly to rise and fall with the breath. Allow your mind to follow the breath and the body’s reaction the breath. Start to engage your locks (bandhas) on the exhale: spread the toes and press the feet down (in this case tops of the feet down) for the Foot Lock (Pada Bandha); squeeze the perineum muscles together, lifting the pelvic floor for the Root Lock (Mula Bandha) – which engages your lower abdominal cavity; belly button up and back for abdominal core lock (Uddiyana Bandha) – which engages your upper abdominal cavity; draw the chin towards the throat and chest, lengthening the neck, for the Throat Lock (Jalandhara Bandha).

Once you’ve engaged your mind-body-spirit, move into Table Top: stack shoulders over elbows, elbows over wrists, hips over knees. Press down to lift up, activating the arms, the legs, and the lower three (3) locks. Notice the length of the spine, and how you support it. Move through Cat/Cow or the “Un-Cat” sequence precisely matching the movement to the breath. Move from your core so that the gaze is the last thing to come up and the last thing to turn down.

Find the place where your movements are strong, but not forced, and then curl your toes under and exhale into Downward Facing Dog (Adho Mukha Svanasana). Double check your engagement of the pose. Make sure all your fingers are spread wide, with the majority of the weight/pressure in your hands moving into the thumb and first finger. (So that, there is less weight/pressure applied to your outer wrists.) When you relax your head and shoulders, make sure your big toes are parallel to each other and at least a foot apart. Big toes can be behind the thumbs or behind the middle fingers. Hips are high, heels are low (reaching, but not necessarily touching the mat); and neck is long. Even if you have to bend your knees, find Cow Pose in this position (so that you have a straight line from your middle fingers all the way up to your hips and then a second straight line from your hips to the back of your knees). Eyes are on your nose, your belly button, or the space between your toes. Engage your locks (bandhas) as you are able. Notice the length of the spine and how you support it.

Remember your can skip the arm balancing, by moving into Staff Pose (Dandasana) and positioning the arms accordingly or using “Dolphin Dog.” Another modification would be to do the pose on the wall. Either way, strongly engage your legs and your core.

Stretch back (meaning, push your spine towards your thighs) and on an exhale walk your hands to your feet or bring your hands and feet together. Once hands are in line with the toes and heels are flat to the mat, inhale to a Half Lift/Flat Back or Extended Forward Bend. (This pose may be called Ardha Uttanasana or Urdhva Uttanasana.) Place your hands on your thighs and press the shoulders into the metaphorical back pockets. Remember, you want to engage in a similar fashion to Cow Pose, Staff Pose, and Downward Facing Dog. In fact, inhale and find a little bit of Cow Pose (even if you have to bend your knees). Now, press the heels down and – as much as you are able without losing the extension of the spine – engage the quadriceps to extend through the knees and press the thigh bones into the wall behind you. Engage your locks (bandhas) as you are able.

If you have unregulated blood pressure, low back issues, eye issues like glaucoma, or if this is already challenging, remember to stay here with knees bent. Otherwise, if it is not contraindicated, bend the knees and flex from the hips to prep Forward Bend (Uttanasana). Keeping the upper back extended, place the hands on the floor or a block and begin to extend through the legs while pressing the thigh bones into the backs of your legs. Do not force the extension. Use the exhales to settle the heart on the thighs (as much as you are able without losing the extension of the spine.) If your legs are completely straight, make sure the knee caps are lifted and that you are not hyper-extending the knees. Also double check to ensure that if the knees are straight the hips are over the knees, not behind the ankles. Remember to engage your locks (bandhas). Notice the length of the spine. Soften into yourself and into the stillness of the moment.

Inhale to Half Lift / Flat Back and use the exhale to engage your core. With hands on the hips, maintain the length of the spine and lift up to standing. Relax your arms by your sides. Balance the weight between all four corners of both feet. Feel free to move side-to-side or back and forth on the feet until you feel you are centered. Spread the toes, press big toes and little toes down, as well as both sides of the heels. (This establishes “all four corners of both feet.”) Engage the quadriceps in order to lift the knee caps and firm up the thighs. Sit bones point down so that the pelvic bones lift up. Engage your locks (bandhas). As you press down in order to lift the sternum up, use the core abdominal to draw the lower rib cage down. Relax the shoulders and gaze straight ahead. This is Equal Standing / Mountain Pose (Samasthiti/Tadasana). Notice the length of your spine.

Changing as little as possible, stretch the arms out like the letter T. Once your arms are wide, extend out of the center of your chest. Make sure shoulders, lower rib cage, and sits bones are reaching down. Now, turn the palms up and inhale your arms overhead. (Many traditions refer to this as Arms Reaching Overhead (Urdhva Hastasana), but I tend to call this Tadasana.) Double check to ensure you have maintained balance and alignment. Notice the length of your spine. After several breaths, lower the arms to your sides on an exhale.

Now, use the whole inhale to lift the arms overhead and the whole exhale to press the hands together through heart center. On the exhale of the third centering breath, walk to the front of the mat with hands through heart center.

Equal Standing is like a soldier in the “Ready” position. Moving through half of a Sun Salutation (Surya Namaskar), inhale arms over head into Arms Reaching Overhead; exhale and stretch the arms out wide as you dive between the hands into a Forward Bend; inhale to a Half Lift / Flat Back; exhale back to Forward Bend. Keeping the knees bent and the core engaged, inhale to reverse swan dive and then exhale hands back to your sides. Repeat the sequence until you feel you are alignment is strong and your mind is focused (on the breath), and your movement is fluid.

After the final exhale into Forward Bend, inhale into a Half Lift/ Flat Back and then step your left leg way back into a low lunge. Make sure the feet are in two separate lanes. Inhale to lengthen the spine and then exhale the back knee to the mat. Give yourself cushion under the back knee, as needed. Pressing down evenly into both feet, lift your torso up and place hands on your right thigh for a variation of Crescent Lunge (Anjaneyasana).

Use an exhale to slide the hips over the back knee and then place the back of the right hand on your sacrum (the flat part of your bum/hips) and place your left hand on the front of your pelvic bones. Your hands are now bracketing your hips. Slide the back hand down in order to direct the sit bones down. You may feel the front hand lifting as the pelvic bones lift. Notice the length of your spine, especially your low back. You may also feel engagement in your left hip and thigh. Stay here or bend the front knee deeper into the lunge – remembering to maintain the space in your low back. Hands can come to your front thigh or reach the hands over head. Again, engage your locks (bandhas). If you have Hot Half Moon (Ardha Chandrasana) in your practice, feel free to add it by lifting the left arm up and reaching it towards the right.

When you are ready to move on, place the hands on the mat and step back to Child’s Pose. From Child’s Pose, inhale to Cow Pose and exhale to Downward Facing Dog. Repeat the sequence of standing poses (starting with the first Forward Bend after Downward Facing Dog, substituting left for right).

After the second side of standing poses, move into Staff Pose (Dandasana). Remember, this pose is not disposable. Consider the length of your spine and how you use your locks (bandhas) to maintain it.

Keep the left leg extended and bend the right knee in order to set up the Sage Twist. Remember to keep the left heel and the right foot flat on the floor. You can place the right foot next to the inside or the outside of the left leg, as long as the knees are comfortable and the right foot is flat on the floor.

On an inhale, lift your right arm up and, as you watch it, reach the right arm back to the floor behind your hips. As you settle into the twist, adjust your left arm to provide additional support wherever you need it. You can always sit on a block and/or place a block under your hand if you’re hips and low back are really tight. If you don’t have a block, substitute a book.

Watch how you engage your base, your core, and your breath in order to lengthen your spine. Remember to start the twist in your base (not in your neck). Do not allow your body to collapse or untwist until you complete 3 – 5 complete breaths. After the third or fifth exhale, inhale to center, give the lifted knee a squeeze, and return to Staff Pose. Repeat the Sage Twist instructions for the Sage Twist (replacing right with left).

After the third or fifth exhale on the left, inhale to center and give the lifted knee a squeeze. Bend both knees, placing the feet flat on the floor. (NOTE: If you’d rather not balance on your sits bones, lie down on your back and follow the cues.)

Reach the arms forward with elbows next to the knees. Press down as if you are going to jump forward. Spread your toes, squeeze your perineum muscles together, belly button is up and back, press your shoulders down, and draw the chin towards the neck. Look up and press down to lift the ribs up on the inhale. As you exhale, lean back until the feet are off the ground and you are balancing on your tail bone. Bring legs up parallel to the ground. Check in with your locks (bandhas) – maybe even lifting the corners of your mouth up towards your ears for a smiling bandha. Begin to extend the legs by engaging the quadriceps and pushing through the heels. Keep your nose up and your eyes on your nose.

Find your edge, making sure your core works harder than your jaw or your arms. And then, lower down onto your back for Corpse Pose (Savasana). Find a place where your body and mind are still. Let the breath natural ebb and flow. Notice the strength of the body, all it is capable of doing. Give thanks. Notice the strength of the spirit, all it endures. Give thanks. Breathe peace in, breathe peace out. Give thanks.

In addition to being National Poetry Month and the month of when I ask you to Kiss My Asana, April is also Parkinson’s Awareness Month, National Child Abuse Prevention Month, Sexual Assault Awareness and Prevention Month, and the Month of the Military Child. The people whose stories are behind these awareness-building observations are some of the same people benefiting from the programs supported by Mind Body Solutions via your Kiss My Asana donation.

veterans-012

This opportunity to explore a poem on the mat is part of my offering for the 2018 Kiss My Asana yogathon. I encourage you to set aside at least 5 minutes a day during April, to practice with the poem as inspiration. You can practice in a class or on your own, but since the Kiss My Asana yogathon raises resources as well as awareness, I invite you to join me at the donation-based classes on April 28th.

I also challenge you to set aside a certain amount every day that you practice with a poem in mind. It doesn’t matter if you set aside one dollar per practice or $25 – set aside that amount each time you practice and donate it by April 30th.

Founded by Matthew Sanford, Mind Body Solutions helps those who have experienced trauma, loss, and disability find new ways to live by integrating both mind and body. They provide classes, workshops, and outreach programs. They also train yoga teachers and offer highly specialized training for health care professionals. By participating in the Kiss My Asana yogathon you join a global movement, but in a personal way. In other words, you practice yoga. Or, as this year’s tag line states….

### do yoga. share yoga. help others. ###