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EXCERPT: “Resurfacing the Quixotic Mind” January 16, 2024

Posted by ajoyfulpractice in Books, Changing Perspectives, Faith, Healing Stories, Hope, Japa-Ajapa, Kumbh Mela, Life, Love, Meditation, Music, One Hoop, Pain, Peace, Philosophy, Religion, Suffering, Wisdom, Writing, Yoga.
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Peace, warm wishes, clarity, and righteousness to everyone, and especially those who are observing Kumbh Mela.

“As the author of this great history reaches the events that he narrates in this chapter, he says the he’d have preferred to pass over them in silence , fearing he wouldn’t be believed, because here Don Quixote’s mad deeds approached the limits of the imaginable, and indeed went a couple of bowshots beyond them. But in the end, in spite of these fears and misgivings, he described these deeds exactly as they happened, without adding or subtracting one atom of truth or concerning himself with any accusations that might be made that he was lying; and he was right to do so, because the truth may be stretched thin, but it never breaks, and it always surfaces above lies, as oil floats on water.”

— quoted from “Chapter Ten – Gives describes Sancho’s cunning enchantment of the Lady Dulcinea; with other events as ridiculous as they are true” in Part 2 of El ingenioso caballero Don Quijote de la Mancha (The Ingenious Knight-errant Don Quixote of La Mancha) by Miguel de Cervantes

The following excerpt is from a 2021 post that includes a summary of the beginning of Patanjali’s Yoga Sūtras and events related to this date:

“[When] I decided to start the New Year (of 2019) by introducing my Saturday class to the beginning of Patanjali’s Yoga Sūtras, it seemed like a grand adventure. Yes, there would be dreams and windmills and friendship, not to mention wild horses and beautiful landscapes. But, on a certain level, a philosophical level, I thought it would be the beginning of four years of relatively pedestrian exploration. Yes, I thought it would be intensive study that could be applied to our lives on and off the mat. Yes, I knew it would be a little too esoteric for some — especially those who just dropped in now and again and/or started new in the beginning of the year. But, no, I didn’t really consider that, off the mat, we would find ourselves in the middle of the same kind of social and political backdrop that inspired Miguel de Cervantes to create the ingenious gentleman Don Quixote of La Mancha.

First published today in 1605, Book 1 of Cervantes’ El ingenioso hidalgo Don Quijote de la Mancha is the beginning of what many consider the first ‘modern novel.’ It is the second most translated book in the world (after the complete Bible) and it is also viewed as social commentary disguised as a fantastical farce. The primary character is, at best, idealistic — a dreamer beyond all dreamers; but, at worst, he is completely and utterly delusional. Is he speaking and moving through world as if everything and everyone in the world is a metaphor? Or, does he truly believe the windmills are giants that threaten the fair Dulcinea and all of their neighbors? Furthermore, does Cervantes — in writing what can (and was) easily be seen as social and political allegory — believe that those idealistic individuals who take on the political establishment are incredibly foolhardy or incredibly brave? Sometimes it is hard to tell. What is unquestionable, however, is that Don Quixote has a whole lot of things going on his mind and all of that citta vŗitti (‘fluctuations of the mind’) determines how he interacts with the world around him.”

Click here to discover the connection between the Yoga Philosophy, Don Quixote, and Frank Zamboni (born today in 1901).

Please join me today (Tuesday, January 16th) at 12:00 PM or 7:15 PM for a yoga practice on Zoom. You can use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email myra (at) ajoyfulpractice.com.

Tuesday’s playlist is available on YouTube and Spotify. [Look for “01162021 Quixote’s Zamboni”]

“When life itself seems lunatic, who knows where madness lies? Perhaps to be too practical is madness. To surrender dreams — this may be madness. Too much sanity may be madness — and maddest of all: to see life as it is, and not as it should be!”

— “Cervantes”, quoted from Act II of Man of La Mancha: A Musical Play by  Mitch Leigh, Dale Wasserman, Joe Darion

In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)

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Out of This World Firsts (just the music) *UPDATED with link* January 14, 2024

Posted by ajoyfulpractice in Music.
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May you breathe deeply and savor the richness of doing something amazing for the first time! If you are celebrating Makar Sankranti, may this auspicious season bring you something sweet, as well as good and kind words!!

This is the “missing” music for Sunday, January 14th. My apologies for not posting before the practice. The post is coming. You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email myra (at) ajoyfulpractice.com.

Sunday’s playlist is available on YouTube and Spotify.

CLICK HERE for the post related to this practice.

In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)

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Understanding [Your] Karma & Putting Cash in Your Karmic Bank Account (the “missing” Saturday post) January 13, 2024

Posted by ajoyfulpractice in "Impossible" People, Books, Buddhism, Changing Perspectives, Dharma, Donate, Faith, First Nations, Healing Stories, Hope, Karma, Karma Yoga, Life, Meditation, Movies, Music, One Hoop, Pain, Peace, Philosophy, Religion, Science, Suffering, Super Heroes, Tragedy, Volunteer, Wisdom, Yoga.
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May you breathe deeply, with the awareness that you have what you need to be stable, steady, comfortable, at ease… and maybe even joyful.

This “missing” post for Saturday, January 13th. Some explanations (related to definitions) have previously been posted. You can request an audio recording of a related practice via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.

In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.

Check out the “Class Schedules” calendar for upcoming classes.

“To Westerners, the doctrine of karma can be somewhat off-putting, seeming to be a mechanical law that exacts full payment from us for our moral infractions. Yet Buddhism actually takes the opposite view. Only when we see fully the ramifications of karma [can] we understand who we are and why we are here, connect with the warmth and blessing of the world, and experience genuine compassion for other people. Beyond this, to understand that there is no ‘I’-but only the operation of impersonal karmic forces-is to attain the freedom of complete liberation.”

— quoted from the Lion’s Roar article “Understanding Karma” by Reginald Rey

This present moment is the culmination of all the previous moments and the beginning of all the moments that come after it. Mindfulness-based practices — like the philosophies of Yoga and Buddhism — are an opportunity to observe cause-and-effect in action. Throughout a practice, we note how one thing can lead to another. Even in this moment, you can notice…

  • How an inhale leads to an exhale and an exhale leads to an inhale;
  • How moving with the breath allows us to notice how one pose leads to another;
  • How what we do in one part of our body affects another part of the body (and vice versa). For example, notice how stability in the lower body allows you to extend your upper body and how extending your upper body allows you to stretch out the lower body.

If you’ve practice with me a bit, you have probably heard the aforementioned example a lot. (And, hopefully, you’ve tested it out for yourself.) You have probably also heard me state, “What happens in the body, happens in the mind; what happens in the mind, happens in the body; and both affect the breath… So we harness the power of the breath to affect the body and the mind.” At various points throughout the year, I reference saṃskāra (“mental impressions”) and vāsanā (“dwelling places” of our habits) and encourage people to notice that what happened to our hearts (and ourselves) in the past informed this present moment and what happens in this present moment — i.e., what we do in this present moment — informs our future moments. All of this applies to our thoughts, our words, and our deeds.

What people may not immediately realize is that all of these things are related (or can be related) to karma and kriyā, two Sanskrit words that can be translated into English as “work” or “effort.”

“Buddhism highlights two types of karma. The first is the karma of result. This addresses the age-old question of why our life is this way and not some other; it shows us that every aspect of our lives is the result of actions we have performed in the past. This includes our body and its physical condition, our parentage and other elements of our history, current friends and relatives, our overall life situation, our general state of mind, and even the thoughts we think and the emotions we feel.”

“The second type is the karma of cause. This addresses the question of how or even whether we influence the future. It says that every action we perform in the present is going to produce results of some kind further down the road. Our minds and the actions that proceed from them are that powerful.”

— quoted from the Lion’s Roar article “Understanding Karma” by Reginald Rey

Dr. Reginald “Reggie” Ray is the co-founder and Spiritual Director of the Dharma Ocean Foundation and University Professor (retired) at Naropa University. While he described karma (or kamma, in Pali) as having two different definitions in Buddhism — and while many Western practitioners of Yoga may be most familiar with some idea of “karma” — sacred texts about the Yoga Philosophy use two different words for the two different types of action/work. Karma is the effect or consequence, while kriyā is the cause. Kriyā is an ongoing process and also the steps within the process; it is active. You could also think of karma as fate and kriyā as destiny; where the former is unchangeable and the latter as the journey to your destination.

Some traditions take the latter concept a step further and specifically use kriyā in relation to internal action or work and speak of karma when referring to external work. In some ways, this dovetails with Yoga Sūtra 2.1, which defines kriyā yoga (“union in action”) as a combination of the final three niyamas (internal “observations”): discipline/austerity, self-study, and trustful surrender to a higher power (other than one’s self). In this context, kriyā yoga is a purification ritual and, as I mention throughout the year, there are several religious and philosophical observations that would fit within this rubric (including Lent, Yom Kippur and Passover, the Baháʼí 19-Day Fast, and the holy month of Ramaḍān).

Additionally, in the Kundalini Yoga tradition, “kriyā” is the term applied to sequences with specific energetic intentions.

This is where it gets (even more) convoluted, because karma can also be the intention. Classically, when we talk about karma, we talk about planting seeds and things coming into fruition. So, one way to think of it is that we plant seeds that already have within them the image of the final product and kriyā is what we do to nurture and harvest what’s been planted — and/or what we do when we need to uproot the poisonous weeds.

“Although both kriya and karma can be translated as ‘action,’ there is a vast difference between them. Both are derived from the verb root kri…, which means ‘to do.’ Kriya refers to an action in process as well as to the dynamic force propelling the action. Karma refers to completed action. Unless a fresh wave of action is exerted on karma, it remains unchanged. Karma is an unchanging field of completed action waiting to be harvested by the performer of the action, while kriya is ever-moving, ever-changing energy. Kriya yoga is yoga in action, not yoga of action, and should not be confused with karma yoga.”

“The literal meaning kriya is ‘verb.’ Every verb is representative of a distinct process or function and no process of function reaches fruition without a doer.”

— quoted from the commentary on Yoga Sūtra 2.1 from The Practice of the Yoga Sutra: Sadhana Pada by Pandit Rajmani Tigunait, PhD

After the Saturday practice, someone asked me if “karma” is going to be our philosophical focus for 2024. At first, I was going to answer no. Then I thought, not exactly. Yet, when I really sit with the question, the actual answer is, sort of and partially. This year, during the Saturday practices, we are going to focus on how our past moments lead us to these present moments (karma) and how the things we do in this present moment can lead to certain future moments (kriyā) — and we’re going to use the chakra system as a paradigm for understanding where we are, how we got here, and where we’re going (or, all the places we could go).

Just to clarify, this practice is a moving meditation with some self-study, contemplation, and reflection. While I am not going to put a lot of focus on the concept of past lives and reincarnation — although those ideas do make up part of the foundation of karma/kamma in the Buddhist and Yoga philosophies — there will be times when we reflect on generational trauma — and, of course, there will be stories… and music.

“[Verse 1]
I hear the train a-comin’, it’s rolling ’round the bend
And I ain’t seen the sunshine since I don’t know when
I’m stuck in Folsom prison, and time keeps draggin’ on
But that train keeps a-rollin’ on down to San Antone”

— quoted from the song “Folsom Prison Blues” by Johnny Cash

On January 13, 1968, Johnny Cash, June Carter (who wouldn’t become a Cash until March 1, 1968), Carl Perkins, The Tennessee Three, and the Statler Brothers performed and recorded two (2) concerts at Folsom State Prison in Folsom, California. Although, the subsequent live album made these performances the most well known, they were not the first time Johnny Cash performed at Folsom Prison, nor the last time he performed at a prison… in California, in the United States, or in the world. In fact, he performed at least 30 prison concerts in the United States — including one at Correctional Training Facility (also known as Soledad State Prison) in 1980. He also recorded live albums in places like San Quentin State Prison (now known as San Quentin Rehabilitation Center) at Österåker Prison (known as Anstalten Österåker and Österåkersanstalten), north of Stockholm, Sweden.

We could just listen (or listen and move) to the music. But, let’s put a little “cash” in our karmic bank account and look at how the performances, as well as much of the music — not to mention the stories behind the music and how the concerts came about — are great illustrations of cause-and-effect and of karma and kriyā.

[Verse 2]
When I was just a baby, my mama told me, ‘Son
Always be a good boy, don’t ever play with guns’”

— quoted from the song “Folsom Prison Blues” by Johnny Cash

While serving in the United States Air Force in Germany (~ 1951/1952), Johnny Cash saw the film Inside the Walls of Folsom Prison (released in U. S. May 18, 1951) and he was inspired to write a song. Keep in mind that, even though he had more than his fair share of troubles and spent some time in county (or city) jail, he never served time as a prisoner. (Unlike Merle Haggard, who would be incarcerated and in the audience during at least one prison concert.) Mr. Cash did, however, have an imagination. So, as he sat not far from Landsberg Prison (in Bavaria), inspired by the film about Folsom and the instrumental song “Crescent City Blues” by Little Brother Montgomery (1930) as well as the lyrics by Gordon Jenkins (released by Beverly Mahr in 1953), he thought about the worst thing someone could do to wind up in prison. Keep in mind that his “worst thing” was based on his previous experiences.

Then he wrote a song that (he said) he never expected to get as big as it got: “Folsom Prison Blues.” Johnny Cash went on to write songs about prison life, in general, and about San Quentin (1969) — the latter of which he also sang as “Österåker.” In between cobbling together one of his most famous hits and some of those other prison songs, Mr. Cash decided he wanted to go to prison… not to serve time, but to serve the inmates. By playing a series of concerts, he and the other musicians were giving back, doing a little karma yoga.

The songs they sang simultaneously lifted the spirits of the inmates and spoke to/of the experiences of the inmates. In some cases, the songs, the concerts, and the live albums changed the way people perceived Johnny Cash and the inmates. They also changed the way some of the inmates saw themselves. For instance, during the first July 13th concert, the inmates at Folsom barely reacted to the music, because history had taught them that making too much noise would result in a loss of privileges. But, the musicians and their producers needed/wanted the crowd reactions for the live albums. So, perceptions and expectations changed. Consider how you would feel if you spent your days (and nights) suppressing your natural reactions because you feared punishment. Consider how you feel knowing the cheers, laughs, and applause on the live recording were re-mixed after the concerts.

The life of Glen Sherley is another example of the effect of the concerts. It is also an example of how past actions inform present actions and influence future actions. Mr. Sherley was an inmate at Folsom, who had written a song. Someone played Johnny Cash a tape of the song, thinking the morale of the inmates might be boosted if the “Man in Black” referenced the song and the songwriter. Johnny Cash and the other musicians took the idea a step further: they learned and sang the song. Glen Sherley had no idea the popular musicians were going to sing his song. Neither could he know how much his life was going to change because of that simple act; but, change it did. Even while still in prison, Glen Sherley became a popular songwriter who eventually released his own album and (for a brief period) performed under the House of Cash label.

However, despite being given a “second act” and a different way of life, Glen Sherley couldn’t handle it. He had a long history of violence, drug and alcohol abuse, and other illegal tendencies. Johnny Cash dismissed him from the House of Cash out of an abundance of caution (because people feared he would follow through on some of his threats) and, in 1978, within 7 years of his release from Folsom, those fears came to fruition when Glen Sherley shot a man while he (Mr. Sherley) was high. A couple of days later, after telling his daughter couldn’t go back to jail, the fledging musician died from a suicide. He was 42 years old.

Johnny Cash understood that, given a chance, some people could break the cycle of violence and poverty. He also understood his affect on people like Glen Sherley and on people who would judge someone like Glen Sherley. Understanding cause-and-effect is part of the reason he sometimes said he shouldn’t have singled Glen Sherley out. It is also the reason Mr. Cash met Mr. Sherley when he was released, gave him a job; and (ultimately) paid for his funeral.

“… Well, you wonder why I always dress in black
Why you never see bright colors on my back
And why does my appearance seem to have a somber tone
Well, there’s a reason for the things that I have on

… I wear the black for the poor and the beaten down
Livin’ in the hopeless, hungry side of town
I wear it for the prisoner who is long paid for his crime
But is there because he’s a victim of the times

— quoted from the song “The Man in Black” by Johnny Cash

As they do with Martin Luther King, Jr (especially this weekend), people often quote and/or coopt Johnny Cash’s legacy. Throughout his life, he told people not to put words in his mouth — a message his children continue spreading to this day — and to, instead, pay attention to what he said and what he did. If we do that, if we really listen to what he said and what he did, we find that Johnny Cash advocated for the poor and the disenfranchised. He wrote protest songs about people in prison and how they were treated (before and after they were released); the Vietnam War (and war in general); and the oppression of Native Americans. Then he backed those lyrics up with action/deeds.

I can’t help but wonder what he would say about other musicians being investigated and incarcerated because of their lyrics and/or the political climate here in the U. S. and around the world. Neither can I blame someone with different views from mine doing the same thing. I think such thoughts are natural, human, inclinations. However, I am very careful to come back to his words, his action, his karma, and (in a way) his kriyā.

His kriyā, because the music is still alive and still actively acting on the world.

Each week we lose a hundred fine young men

… And I wear it for the thousands who have died
Believin’ that the Lord was on their side
I wear it for another hundred-thousand who have died
Believin’ that we all were on their side

… Well, there’s things that never will be right, I know
And things need changin’ everywhere you go
But ’til we start to make a move to make a few things right
You’ll never see me wear a suit of white

… Ah, I’d love to wear a rainbow every day
And tell the world that everything’s okay
But I’ll try to carry off a little darkness on my back
’Til things are brighter, I’m the man in black

— quoted from the song “The Man in Black” by Johnny Cash

Given all of the above, take a moment to consider your first lesson in “karma.”

Was it called that or was “cause-and-effect” first taught to you with a different way with different words (and in a different language)? Maybe it was taught to you in the scientific way. Remember this is just a different spin on the laws of nature and Sir Isaac Newton’s Laws of Motion. According to Yoga Sūtra 2.12: kleśamūlah karmāśayo dŗşţādŗşţjanmavedanīyah / “The reservoir of our actions is rooted in affliction/pain that is experienced in seen and unseen lives.” So, take a moment to consider that how you view all of this is based on your previous experiences and lessons (about the subject at hand and, also, about the historical and cultural context of these concepts). Now, take a moment to consider how you use this information (about yourself) when you are really grounded in it. Meaning:

  • What do you believe (or not believe)?
  • How much of what you believe (or don’t believe) is based on lessons you were taught (or not taught) and how much is based on what you’ve experienced/learned in the meanwhile?
  • How do your thoughts, words, and deeds reflect your beliefs?

Just like I wonder about his thoughts on current events, I wonder about Johnny Cash’s first lesson in karma. He is often quoted as saying, “ … I’m the biggest sinner of them all…” and, in the very next breath, talking about his faith in Jesus. So it is possible that his first lesson in “karma” was similar to mine, someone quoting or paraphrasing “the Teacher” (King Solomon) in Ecclesiastes 11. Even though he may not have called it karma yoga, Johnny Cash spent a lot of time doing things that came back to him.

What are you doing and how is coming back to you?

“Cast your bread upon the water and it shall return to you.”

— My great-grandmother Pam, quoting Ecclesiastes 11:1

“The law of Karma is a universal process, whereby causes lead to effects. This is something that all of us are already familiar with, whether or not we use the word Karma to describe it. Newton’s third law of motion, that every action leads to a reaction, is an application of the law of Karma.”

Swami Jnaneshvara Bharati

Saturday playlist is available on YouTube and Spotify. [“01132021 Karma Cash I”]

Looking for more? You can scroll through all my posts tagged with karma or check out one of the posts highlighted below:

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Understanding [Your] Karma & Putting Cash in Your Karmic Bank Account (mostly the music) January 13, 2024

Posted by ajoyfulpractice in "Impossible" People, Buddhism, Changing Perspectives, Dharma, Donate, Faith, Healing Stories, Hope, Karma, Karma Yoga, Life, Music, One Hoop, Philosophy, Super Heroes, Volunteer, Wisdom, Yoga.
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May you breathe deeply, with the awareness that you have what you need to be stable, steady, comfortable, at ease… and maybe even joyful.

“To Westerners, the doctrine of karma can be somewhat off-putting, seeming to be a mechanical law that exacts full payment from us for our moral infractions. Yet Buddhism actually takes the opposite view. Only when we see fully the ramifications of karma [can] we understand who we are and why we are here, connect with the warmth and blessing of the world, and experience genuine compassion for other people. Beyond this, to understand that there is no ‘I’-but only the operation of impersonal karmic forces-is to attain the freedom of complete liberation.”

— quoted from the Lion’s Roar article “Understanding Karma” by Reginald Rey

Please join me today (Saturday, January 13th) at 12:00 PM for a yoga practice on Zoom. You can use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email myra (at) ajoyfulpractice.com.

Saturday playlist is available on YouTube and Spotify. [“01132021 Karma Cash I”]

“Cast your bread upon the water and it shall return to you.”

— My great-grandmother Pam, quoting Ecclesiastes 11:1

In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)

Errata: I accidently posted times related to Tuesday, rather than Saturday. There is no practice this evening and I apologize for the confusion.

### GIVE ###

FTWMI: Simple and True, with Music January 10, 2024

Posted by ajoyfulpractice in Books, Changing Perspectives, Dharma, Faith, First Nations, Healing Stories, Hope, Life, Mysticism, One Hoop, Philosophy, Poetry, Wisdom, Writing, Yoga.
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May you breathe deeply, and with awareness, because you are stable, steady, comfortable, at ease… and maybe even joyful.

FTWMI: The following is the expanded and revised 2023 remix of a 2022 post. Class details plus some links and formatting have been added/updated.

“Some days I catch a rhythm, almost a song
in my own breath. I’m alone here
in Brooklyn Heights, late morning, the sky
above the St. George Hotel clear, clear
for New York, that is. The radio playing
‘Bird Flight,’ Parker in his California
tragic voice fifty years ago, his faltering
‘Lover Man’ just before he crashed into chaos.”

— quoted from the poem “Call It Music” by Philip Levine

Breathing is something we all do. It’s something we all must do in order to survive — and, yet, it is all to easy to forget about it. Even in this day and age, it is all too easy to take our breathing for granted. So, take a moment to breathe.

Just breathe and pay attention to your breath.

Catch the rhythm that is your breath, the rhythm of your life.

Breath — and the awareness of breath — is the guiding teacher that we carry with us where ever we go. Our breath can be a true reflection of how we are living and/or surviving in any given moment. It can tell us if we are about to soar like a bird and/or if we are about to crash into chaos.

“The perfect sunlight angles into my little room
above Willow Street. I listen to my breath
come and go and try to catch its curious taste,
part milk, part iron, part blood, as it passes
from me into the world. This is not me,
this is automatic, this entering and exiting,
my body’s essential occupation without which
I am a thing. The whole process has a name,
a word I don’t know, an elegant word not
in English or Yiddish or Spanish, a word
that means nothing to me.”

— quoted from the poem “Call It Music” by Philip Levine

There are any number of words in any number of languages that could come to mind when reading the words of the poet Philip Levine, who was born January 10, 1928, in Detroit, Michigan. Of course, the word that immediately springs to my mind is the Sanskrit word prāṇāyāma. Defined as the awareness of breath and the extension of breath, prāṇāyāma is the fifth limb of the 8-limb Yoga Philosophy. It is the second half of the physical practice of yoga and it bridges the gap between the mind-body and our awareness of our mind-body.

Although there are many techniques, basic prāṇāyāma is a very simple practice: focus on your breath for a set period of time. While the practice is just that simple, it is not always easy. There are lots of things that can get in the way. However, one of the great things about this practice is that paying attention to the breath is also the true way around those obstacles. I would even argue that nothing is more simple and true than breathing and bringing awareness to that automatic entering and leaving.

“Some things
you know all your life. They are so simple and true
they must be said without elegance, meter and rhyme,
they must be laid on the table beside the salt shaker,
the glass of water, the absence of light gathering
in the shadows of picture frames, they must be
naked and alone, they must stand for themselves.”

— quoted from the poem “A Simple Truth” by Philip Levine

Philip Levine was the second of three sons (and the first identical twin) born to Jewish immigrants just as the Nazi party was getting a foothold in Germany. He had the unfortunate experience of watching anti-Semitism rise in is own (proverbial) backyard and to also witness how racism (and other -isms) created a schism between the different people who made up the working class. Following in the tradition of Walt Whitman, he started giving voice to America’s voiceless and — even after he left the “mitten state” — he wrote poems about the plight of regular people in his hometown.

In some ways, Mr. Levine followed in his parent’s footsteps. His father, Harry Levine, owned a used (car) parts store; his mother, Esther Priscol (Pryszkulnik) Levine, sold books; and, starting at the age of fourteen, the poet worked in auto factories as he pursued his literary degrees. After graduating from Detroit Central High School, he earned his Bachelor of Arts, in literature, from Wayne (State) University and then “unofficially” attended classes at the University of Iowa. He earned a mail-order master’s degree and then returned to the University of Iowa to teach and pursue a Masters of Fine Arts, which he completed in 1957.

By the time he graduated from the University of Iowa (1957), he was beginning to gain significant recognition as a poet. In addition to teaching at a plethora of major universities around the country, he was lauded and recognized with national literary awards, including the two National Book Awards (1980 and 1991), Guggenheim Foundation fellowships (1973 and 1980), the Pulitzer Prize for Poetry (1995, for the collection The Simple Truth), and the Ruth Lilly Poetry Prize (1987). He served on the Board of Chancellor of the Academy of American Poets (1000-2006) and as Poet Laureate Consultant in Poetry to the Library of Congress (also known as the U. S. Poet Laureate) from 2011-2012. In collaboration with saxophonist and composer Benjamin Boone, Philip Levine created a collection of jazz poetry, “a literary genre defined as poetry necessarily informed by jazz music” — which was released in 2018, almost exactly three years and a month after his death. As a writer, he not only protested the Vietnam War, he kept speaking for the disenfranchised using simple truths… truths that could not be denied.

“Can you taste
what I’m saying? It is onions or potatoes, a pinch
of simple salt, the wealth of melting butter, it is obvious,
it stays in the back of your throat like a truth
you never uttered because the time was always wrong,
it stays there for the rest of your life, unspoken,
made of that dirt we call earth, the metal we call salt,
in a form we have no words for, and you live on it.

— quoted from the poem “A Simple Truth” by Philip Levine

The sixth chakra, which is located around the third eye (and about in inch into your forehead, half an inch above there), is symbolically associated with big “T” Truth — and with our ability to seek it, perceive it, and recognize it when we encounter it. The energy of this area is a curious energy, in that it continually pushes us to question everything. It supports healthy self-inquiry when the energy is balanced; however, when out of balance, it can manifest feelings of doubt or an inability to “see the truth” when it is right in front of you.

In Wheels of Life: A User’s Guide to the Chakra System, Anodea Judith, Ph.D., connects the sixth chakra to “knowledge, understanding and transcendent consciousness,” as well as to intuition. In Anatomy of the Spirit: The Seven Stages of Power and Healing, Caroline Myss, Ph.D. further connects it to the Christian sacrament of Ordination and the sefirot (“emanations” or Divine attributes) of Binah (Divine “understanding”) and Hokhmah or Chokmah (Divine “wisdom”). Similar to the love described in the sixth mansion of Saint Teresa of Ávila‘s El Castillo Interior or Las Moradas, ordination distinguishes and elevates the faithful. Note, also, that in the Kabbalah-inspired system I have previously mentioned, the “higher” or mind-related sefirot are not included in a physical practice of the Divine attributes.

My standard summary of how the energetic and symbolic elements manifest in our lives goes something like this: Consider how where you come from determines the friends you make (or don’t make); how where you come from and the people around you play a role in how you see yourself; and how where you come from, the friends you make along the way, and how you see yourself, play a part in how (or if) you embrace yourself (or others), embrace a moment, and extend your gifts out into the world — or not. Consider also how where you come from, the friends you make along the way, how you see yourself, and whether you extend what’s in your heart connect to how you express yourself, how you know (or don’t know) the truth when you perceive it, and how all of that contributes to your experience of this present moment.

That summary can be extrapolated and applied to a variety of scenarios, including how we cultivate new habits and achieve our goals, dreams, and desires. Consider, for instance, that the first chakra is related to physical survival and physical form – which means it is our matter. It is also our plans. Friends are our support system, cheering us on and/or providing guidance, while also providing accountability. When I think of the third chakra, the solar plexus – as it relates to our self esteem, our personality, and our sense of self — I think of the idea that we have “fire in the belly.” We can think of this idiom literally, in terms of digestive juices – which is a whole other conversation — and we can think of it as the internal element that keeps us physically motivated. To continue the metaphor, it’s what makes us hungry for more.

Then there is the heart, which connects the physical with the mental and emotional. It’s the energetic-emotional connection between the mind and the body. Here, it is the connection between the idea (the pattern) and the manifestation (the matter). This is also the idea of purusha (pure consciousness) and prakriti (elemental, unformed matter or substance). When we get into the throat chakra — related to mental determination and willpower — we are starting to move into the intangible. Those parts of our lived experiences that are “barely describable” and can only be indicated (lingamatra) and those things that are “absolutely indescribable [because they are] beyond any point of reference” (alinga).

Consider that last bit a moment. As you think about that last part, also think about the idea that your goals and desires, your wishes, hopes, dreams (and yes, even your fears), are fully formed somewhere in your heart… and maybe the back of your mind. Somewhere out in the ether, that possibility is real. But there are a lot of steps between conception and manifestation. And until we take the first step, they all feel like giant leaps.

To make life even more challenging, anybody can give anyone a metaphorical road map about physical survival and what it takes to sustain the body. We know the body’s basic necessities and there are people who are dedicated to breaking that down into what different body types need to survive at a peak level. On a certain level, people can also create road maps for the mind — and we do, all the time, which is why the self-help industry is so massive. But, there’s still a part of the journey that can only be experienced by the person taking the trip. There’s a part of the journey that is barely or absolutely indescribable. It’s the part of the journey that can never be duplicated. It’s the journey between what’s in a person’s heart and what’s in their head.

Even if someone explained how they got from point A to point B — and even if that explanation came with a Jean-Paul Sartre nauseous-level breakdown of how they felt and what they thought along the way — the only thing the rest of us could completely replicate would be the physical aspects of the journey. But, that part in between, it’s like getting lost, stuck in a traffic jam, and not knowing where you’re going — all while on a schedule.

The longest journey you will make in your life is from your head to your heart.

— possibly a Sioux statement, although it is often attributed to “Anonymous”

Please join me today (Wednesday, January 10th) at 4:30 PM or 7:15 PM for a virtual yoga practice on Zoom. You can use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email myra (at) ajoyfulpractice.com.

Wednesday’s playlist is available on YouTube and Spotify. [Look for “01102023 Simple and True with Music”]

NOTE: The end of the YouTube playlist includes a special recording of the Bird Flight radio show, hosted by Phil Schaap on WKCR 89.9. I couldn’t find it on Spotify (maybe because I’m like “Lazy Bird” — which is what rounds out the Spotify playlist).

Did you see that I re-posted a surprise from 2022? It’s the first step in a journey (that we’ve already begun and finished)!

In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)

### Always Get Into The Habit ###

EXCERPTS: “Who Is Minding the Store?” & FTWMI: Nom de Destiné, Part “Deux” (the surprise part) January 9, 2024

Posted by ajoyfulpractice in "Impossible" People, 9-Day Challenge, Abhyasa, Books, Changing Perspectives, Healing Stories, Life, Men, New Year, One Hoop, Philosophy, Wisdom, Women, Writing, Yoga.
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May your mind-body-spirit be well, be great, and be in harmony with your thoughts, words, and deeds.

This can be considered a “missing” post for Tuesday, January 9th. Other than the Wednesday (7:15 PM, CST) practice, there are no Zoom practices until Saturday, January 13th. You can request an audio recording of previous practices via a comment below or by emailing myra (at) ajoyfulpractice.com.

“What is an adult? A child blown up by age.”

— quoted from The Woman Destroyed by Simone de Beauvoir

The following excerpts are from a slightly revised post for January 9, 2021:

“Do you ever take note of yourself? In particular, do you take note of who you are and what you are all about — and how you got in the habit of being you? That last part may seem weird, because you’re thinking that you just are you and that being you is a state, not a habit. However, philosophically speaking, we become who we are — more and more, every day — and, as we become who we are we less and less likely to deviate from a certain pattern of behavior. In other words, who we are in this moment is a habit.

Simone de Beauvoir, born [January 9th] in 1908, was (along with her longtime companion Jean-Paul Sartre) one of the founders of existentialism; the philosophical and literary idea that freedom and the expression of personal freedom should be the foundation of and motivation for everything. Despite the fact that the couple, individually and collectively, sought to define themselves regardless of social conventions, there was a point when de Beauvoir had not considered how her sex and gender (and people’s ideas around her sex and gender) limited her freedom of being. In fact, she specifically told Sartre that she had not experienced any oppression or marginalization because she was a woman. (A comment I always find astonishing since one of the reasons the couple didn’t marry was because she had no dowry and said that made marriage ‘impossible.’)

Sartre basically told de Beauvoir to go deeper, and she did. The result of that deep dive was The Second Sex.”

I noted in 2021 that, “Sometimes Simone de Beauvoir’s behavior was so much ‘like a man’ that had she actually been a man, I might put her in the same category as President Richard Nixon, born [January 9th] in 1913, and not ever focused a class on her contributions. A double standard? In this case, yes.”

CLICK HERE TO READ MORE ABOUT THE HABIT OF BEING & THE DOUBLE STANDARD.

The 2021 playlist for January 9th is available on YouTube and Spotify. [Look for “10202020 Pratyahara”]

The 2022 playlist for January 9th is also available on YouTube and Spotify. [Look for “01102021 Being, The Habit”]

“One is not born, but rather becomes, a woman.”

— quoted from “Part IV — The Formative Years: Chapter XII. Childhood” in The Second Sex by Simone de Beauvoir

FTWMI: In 2022, I created a video series called “Nine Days” that focused on setting intentions and cultivating habits. This is the first video in the series and the beginning of the practice.

In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)

### ABHYASA ###

Re-Addressing the State of the “Union” (& 2024 thank-yous) January 8, 2024

Posted by ajoyfulpractice in Art, Changing Perspectives, Food, Gratitude, Healing Stories, Hope, Life, Minneapolis, Minnesota, Music, New Year, One Hoop, Pain, Peace, Philosophy, Suffering, Tragedy, Twin Cities, Wisdom, Writing, Yoga.
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May your mind-body-spirit be well, be great, and be in harmony with your thoughts, words, and deeds.

This can be considered a “missing” and “long lost” post for Monday, January 8th (with one tiny reference to January 9th). Other than the Wednesday (7:15 PM, CST) practice, there are no Zoom practices until Saturday, January 13th. You can request an audio recording of previous practices via a comment below or by emailing myra (at) ajoyfulpractice.com.

“He shall from time to time give to the Congress Information of the State of the Union, and recommend to their Consideration such Measures as he shall judge necessary and expedient…”

— quoted from “Article. II. Section. 3.” of the The Constitution of the United States

Any time we get on the mat (or the cushion) we scan our mind-body-spirit and get a sense of how things are (or are not) working and working together. In other words, we address the state of our “union.” I put that last part in quotes, because the Sanskrit word yoga translates into English as “union” — and, so, we get on the mat and spend a little time delivering our own personal State of the Union address (to ourselves).margin-top:

George Washington delivered the first State of the Union address to the joint sessions of Congress in New York City, the proposed capital of the fledgling United States of America, on January 8, 1790. His interpretation of “from time to time” was annually and other presidents followed suit. Up until Franklin Delano Roosevelt used the phrase “State of the Union,” in his 1934 address, it was called “the President’s Annual Message to Congress.” People often think presidents are required to deliver an oral speech, however, the State of the Union does not have to be spoken. In fact, Thomas Jefferson discontinued speeches in 1801, and the tradition of a U. S. president speaking in front of Congress was not re-established until Woodrow Wilson’s speech in 1913.

Some presidents, like Jimmy Carter, delivered spoken and written addresses during their time in office. For instance, former President Carter’s last State of the Union address (in 1981) was the last written address, so far. Presidents have delivered written address for various reasons. Sometimes illness or political conflicts resulted in a written speech. At other times, there was a desire to provide clarification and nuance that they may have felt would be missed if a speech was delivered. In fact, the lengthiness of the address resulted in some being written — and some being written and partially delivered or summarized. President Richard Nixon (who celebrated his birthday on January 9th) gave Congress six (6) written State of the Union address in 1973, with each message being preceded by a radio address.

Former President Nixon was not, however, the first president to utilize media and technology in order to share the State of the Union with the entire Union. Nor was he the only president to submit a written address to Congress and broadcast a summary for the populace. Warren G. Harding was the first U. S. president to speak on the radio, in 1922, but he unexpectedly died in office, in 1923. Later that year, Calvin Coolidge became the first president to deliver a State of the Union on the radio and his first words were addressed the untimely death of his predecessor.

“Since the close of the last Congress the Nation has lost President Harding. The world knew his kindness and his humanity, his greatness and his character. He has left his mark upon history. He has made justice more certain and peace more secure. The surpassing tribute paid to his memory as he was borne across the continent to rest at last at home revealed the place lie held in the hearts of the American people. But this is not the occasion for extended reference to the man or his work. In this presence, among these who knew and loved him, that is unnecessary. But we who were associated with him could not resume together the functions of our office without pausing for a moment, and in his memory reconsecrating ourselves to the service of our country. He is gone. We remain. It is our duty, under the inspiration of his example, to take up the burdens which he was permitted to lay down, and to develop and support the wise principles of government which he represented.”

— quoted from the “First Annual Message,” delivered December 06, 1923 by President Calvin Coolidge

Just as radio changed the reach and impact of the State of the Union address, so too have television, the internet, and social media. Former President Harry S. Truman delivered the first televised State of the Union, in 1947, and former President Lyndon B. Johnson set the precedent of delivering a televised speech during primetime (while using a teleprompter). In 1997, the first State of the Union on the internet was delivered by former President Bill Clinton — who also has the unfortunate distinction of being the first to deliver a State of the Union during an impeachment trial.

Of course, former President Clinton was not the first or the last president to deliver a State of the Union address during a time great tragedy and/or national embarrassment. Former President Ronald Reagan postponed his 1986 address because of the Challenger disaster and, in 2019, the then-sitting president was “disinvited” by the then Speaker of the House. Such events change our perspective of current events and, therefore, place the (actual) state of the Union in a certain context. In other words, what we are going through individually and collectively allows — and/or causes — us to see things in a certain way.

“My expectations were reduced to zero at twenty-one. Everything since then has been a bonus.

Although I cannot move and I have to speak through a computer, in my mind I am free.

— Dr. Stephen Hawking (CH CBE FRS FRSA)

When we practice on January 8th, I sometimes reference Stephen William Hawking, the theoretical physicist, cosmologist, author, and director of research, who was born January 8, 1942, in Oxford, England. When he was diagnosed with a motor neuron disease in his early 20’s, he was forced to take a daily accounting of his mind, body, and spirit — as well as how they were (or were not) working… let alone working together. For similar reasons, the playlist includes music by Elvis Aaron Presley, who was born January 8, 1935, in Tupelo, Mississippi, and by David Bowie, who was born January 8, 1947, in London, England. I include the “King of Rock and Roll” and “Ziggy Stardust,” because they produced great music AND, also, because their music gives us a musical (and visual) picture of the state of society (in America and in the world) at various points in history. Additionally, moving to their music — mindfully and “in a special way” — can awaken our awareness of how our different parts are (or are not) working… let alone working together.

“If I could be you, if you could be me
For just one hour
If we could find a way
To get inside each other’s mind, uh huh

If you could see you through my eyes
Instead of your ego
I believe you’d be, I believe you’d be
Surprised to see
That you’ve been blind, uh huh”

— quoted from the song “Walk A Mile In My Shoes” by Elvis Presley (written by Joe South)

“I’ve got scars that can’t be seen
I’ve got drama, can’t be stolen
Everybody knows me now”

— quoted from the song “Lazarus” by David Bowie

As established by Article II, Section 3 of the U. S. Constitution, the State of the Union address is a re-cap of and reflection on the recent past and a look forward with hope, expectation, and a plan. Since it generally happens as early as January 3rd and as late as February 12th

, it is pretty much the same thing individuals do at the beginning of the year — and, also, what we have the opportunity to do every time we step on the mat: look at what’s worked and what hasn’t worked in the past and propose on a way to move forward.

This year, my personal State of the Union finds me back in Minnesota simultaneously looking forward and back, reflecting on what worked (or didn’t work) over the last 15+ years, the last almost 4 years, and the last week. Like the presidents of yesteryear, I am not going to spend a bunch of time recounting the negative stuff, I am just going to use it to provide a little context for the good stuff.

“A tranquil and one-pointed mind is purposefully creative. With such a mind you get more done in less time, and what is more, because it is done with clarity and purpose, the work you undertake is not a burden and does not become a source of misery.

A confused mind is not fit to follow any path. It is not even in a position to tell the body and senses what is good for them and what is not. That is why we go on complying with the urges of the body and senses, even when these urges serve no useful purpose. Such a mind has no way of deciding what it should unite with or what it should separate from; this confusion is what causes a person to live a purposeless, meaningless life.

— quoted from “Yoga: Union with What?” (a Q&A response) by Pandit Rajmani Tigunait, PhD

When my “hostess with the most-est” first suggested the idea of me returning to Minnesota for a couple of weeks, she had said that she had (and I quote),  That could be considered “no expectations” and, also, could be a way to describe the practice of non-attachment in the modern world: speak a plan into exist, do some work to make it happen, and be open to the way it unfolds.

I, however, had a bit of an agenda and some expectations — if only because I normally offer some special practices on New Year’s Day and on the First Friday Night of each month. I also had some hopes and desires about reconnecting — uniting, if you will — with some people I had seen in awhile. Then, too, I had the awareness that it had been a long time since most of us had practiced together (let alone together-together) and that some things about each and everyone of us are different. My desires, hopes, agendas, expectations, and even fears could all be considered forms of attachment and afflicted/dysfunctional thinking. In other words, they could all lead to suffering… and, on a certain level they did.

I had moments of frustration and disappointment. I know others also had similar moments (for different reasons). However, when everything is said and done, I am overwhelmed by gratitude. After almost four years of practicing together-while-apart, I am so very grateful that so many people were able to join in “Yoga Week” (as some of you were calling the first week of January 2024). I appreciated the presence of everyone who physically practiced in our four (4) studios — as well as to those who Zoomed in from as far away as Portland and the Middle East and those who did their best and could only make it in spirit.

I am forever grateful to my hostess for planting the seed, nourishing that seed and, doing so much to make it happen (including sharing her family and her practice). Similarly, I am grateful for the people who suggested possible spaces and the four lovely lovelies who connected me and helped me get situated in our “pop up” studios. Thank you, thank you, thank you, thank you!

Thank you to the staff members at Center for the Performing Arts, Gabrielle and the teachers at 612 Jungle, and the teachers and staff at Roosevelt High School and North Community High School. Thank you for those who offered technical support (even before I arrived) and thank you to everyone who offered me a ride (even if I didn’t take it), fed me, offered to feed me, and/or made a donation (so I can feed myself when I get back to Texas)! Thank you, in advance, for those who will make it to the Open House on Thursday and thank you to JK who is opening her heart, home, and hearth to us exactly four years (to the date) from the last time we gathered together.

Looking forward, I hope this week has reignited you and your practice. I hope it has given you some insight into what comes next for you. I hope it has allowed you to let go of some things that no longer serve you, so that you can move it the new year with a little more unencumbered purpose and determination. I hope that purpose and determination inspires you to plan… something. I hope you are safe and protected, peaceful and happy, healthy and strong, and that you have ease and well being from this day forward.

As for me: I am open to coming back… for a visit. Maybe it will be another New Year Yoga Week; maybe it will be a series of workshops and/or a retreat. Maybe it will be in another place all together, but we will be back — together — again.

In contrast, a peaceful, one-pointed mind has a natural ability to see itself, its role, and its place in relation to both body and soul. This ability allows the mind to command the body to discharge its duty to hear and heed the voice of the soul. The practices that help us acquire a one-pointed mind are called yoga. Reaching that state is the goal of yoga.”

— quoted from “Yoga: Union with What?” (a Q&A response) by Pandit Rajmani Tigunait, PhD

The 2022 playlist is available on YouTube and Spotify. [Look for 01082022 State of the “Union”]

In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)

### YOGA ###

Grace, Zora, & Galileo’s Moons (a “long lost” Saturday post for Sunday) January 7, 2024

Posted by ajoyfulpractice in "Impossible" People, Books, Changing Perspectives, Dharma, Faith, Healing Stories, Hope, Langston Hughes, Life, Love, Mathematics, Movies, Music, Mysticism, One Hoop, Pain, Philosophy, Religion, Science, Suffering, Vipassana, Wisdom, Women, Writing, Yoga.
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From the “Season of Grace files.

This is the “long lost” post for Saturday, January 7, 2023. It is the first in a series of “missing” Saturday posts (that I will be posting on Sundays in 2024) and contains some previously posted material. Think of it as a year in review. Links and SUNDAY class details have been updated. You can request an audio recording of the 2023 or 2024 practice via a comment below or by emailing myra (at) ajoyfulpractice.com.

“Now. as a professor of applied maths, I have fun with thinking about different ways of looking at things. There are known-knowns; there are things we know that we know. They are known-knowns. For example if you leave a cake on the stove too long, my wife tells me, it gets burned and so on. You know what I mean. There are known-knowns, ok? There are things we know that we know.

But then there are known-unknowns. That is to say, there are things that we know we don’t know. Alright? Then, there are unknown-unknowns. There are things that we don’t know that we don’t know.

And then, fourthly, there are unknown-knowns — these are things that we don’t know that we know.”

— quoted from the lecture “From Tyndale to Galileo: Grace and Space” by David Block, professor emeritus in the School of Computer Science and Applied Mathematics at the University of the Witwatersrand, Johannesburg, South Africa

Yoga practice (on or off the mat) is an opportunity to grow and to learn about one’s self and the world around us. It’s a safe time and place to turn inward and observe how our mind-bodies respond and react to ourselves and the world around us. It’s a great time and place to explore, experiment, learn, and play. For this reason, I sometimes liken the practice (on the mat) to time in a laboratory or classroom, or even on a playground. And I think it’s appropriate to show up with a sense of curiosity, wonder, possibilities, and faith — prepared to see what happens.

Curiosity, wonder, possibilities, faith, and preparation are concepts that I repeatedly highlighted throughout the year. However, there’s often a little extra emphasis at the beginning of the year, because these are concepts shared by explorers, (physical) scientists, philosophers, and the (religious and/or spiritually) faithful. When we show up on the mat, we have the opportunity to be all of the above and also to embody all of those attributes. We have the opportunity, as Dr. Beau Lotto has said (in defining science), to “play with purpose.”

We can look at that “purpose” as finding out more about ourselves. For several years, now, I have had the great privilege of leading a 90-minute practice on Saturdays with that very explicit intention: exploring, experimenting, learning, and playing with the purpose of svādhyāya (“self-study”). We spent the last four years moving through Patanjali’s Yoga Sūtras. Prior to that we stepped through the different kinds of yoga as outlined in the Bhagavad Gita; explored the different kinds of yoga as they are associated with the primary chakras (energy “wheels”); and did some “deep listening.” This year In 2023, in thinking about our Saturday focus, I considered some of my favorite texts — like the Ashtavakra Gita or the Bhagavad Gita — and I considered telling the backstories of some of our favorite poses (because y’all know I love a good story). Without realizing it, I started stepping through the four categories of knowns and unknowns that Professor David Block mentions in a lecture about space and grace.

Full disclosure, I didn’t know about Professor Block or his lecture when I started this process. I didn’t know that anyone — let alone anyone as esteemed as Professor Block and Kenneth Freeman, an Australian astronomer and astrophysicist – had given lectures and written books about Galileo Galilei and grace. Instead, I was thinking about what I know about the 8-Limbed Yoga Philosophy (and other Indian philosophies); what I thought I knew about what “the Saturday irregulars” know about these philosophies; what I know I don’t know; and what I’m not sure “the Saturday irregulars” know — and that’s when I stumbled upon grace. Specifically, I realized that had never really delved into the four kinds of grace that show up in Yoga and Samkhya (according to the Himalayan traditions).

  • Ishvara kripa (grace of God / Divine grace)

  • Shastra kripa (grace of scriptures / sacred texts)*

  • Guru kripa (grace of the Guru)

  • Atma kripa (grace of oneself)

— the four kinds of Kripa in the Himalayan philosophical traditions

*NOTE: While some teachers/scholars (especially outside of the Himalayan traditions) translate Shastra as “sacred text” or “scripture,” a classical definition describes shastra as the laws of Nature passed down through an oral tradition. Ergo, some of these instructions became sacred texts; however, they would not be “scripture” as that is written down. Note, also, how those two go hand in hand (as indicated below).

During the 2023 New Year’s Day practices and the Saturday practices, I explained the different types of grace as follows: Imagine that you are on a journey. At some point along the way, you must cross a vast body of water. The only way to safely cross the water is in a boat. The fact that the boat you need is exactly where you need it and when you need it is an example of “Divine grace” (as is the fact that you are there when the boat is there). However, if you just sit in the boat, you are never going to get to the other shore. You could read a book and/or someone could tell you that you have to lift the anchor and untie the boat from the dock; but, even then, you might not go where you want/need to go. Sometimes you also need instruction in how to maneuver the boat and/or you might need some assistance, someone who can ferry you across. These types of guidance are examples of “grace of [sacred text]” and “grace of Guru.” Finally, some effort is required from you. Whether it is simply getting in the boat, reading the sacred texts, eliciting the assistance of the Guru-energy, and/or steering the boar, you must do something to get to the other shore — and all of that can be considered “grace of Self.”

In the Yoga Sūtras, Patanjali made it very clear that by going deeper into ourselves, we go deeper in to the world. We are, after all, microcosms of the world… which is a microcosm of the solar system… which is a microcosm of the galaxy… which is a microcosm of the universe. Which is kind of a long way to say that by observing our self, we can learn about the cosmos.

“You cannot teach a man anything. You can only help him to find it within himself.”

— Galileo Galilei, as quoted in How to Win Friends and Influence People by Dale Carnegie

Just because we can, theoretically, learn about the cosmos by going deeper into ourselves, does not mean that we are the center of the universe. Some ancient philosophers perpetuated a geocentric model of the Universe, whereby everything revolved around Earth. In 1543, one of the last things Nicolaus Copernicus did was present a mathematical “theory” — based on observation — indicating that the Sun was actually the center of everything. This heliocentric model created a paradigm shift for almost everyone in the Western world, with the exception of the Catholic Church… and it’s scientists. In fact, as the Scientific Revolution ushered in more advanced technology and better observations, scientists like Tycho Brahe used their more accurate data to develop a geoheliocentric model, whereby the Sun still revolved around the Earth, but everything else revolved around the Sun.

Other scientists, in other countries, had developed similar models based on their own observations, but the Tychonic model was more than a collection of data points. In some ways, it was a desperate attempt to stay in the Church’s favor and to hold on to the old status quo. However, when Tycho unexpectedly died in October of 1601 (from an issue related to his urinary bladder and kidneys, see the 2022 practice), his assistant Johannes Kepler took over his work. Kepler and Tycho had a decent working relationship, but Kepler was convinced Tycho was coming to the wrong conclusions and proceeded accordingly as the imperial mathematician. Galileo Galilei, also a believer in Copernicus’s ideas, would further expand the ideas of Kepler. He did so, through more observations and the realization of what he was seeing.

But now, Most Serene Prince, we are able to augur truer and more felicitous things for Your Highness, for scarcely have the immortal graces of your soul begun to shine forth on earth than bright stars offer themselves in the heavens which, like tongues, will speak of and celebrate your most excellent virtues for all time. Behold therefore, four stars reserved for your illustrious name, and not of the common sort and multitude of the less notable fixed stars, but of the illustrious order of wandering stars, which, indeed, make their journeys and orbits with a marvelous speed around the star of Jupiter, the most noble of them all, with mutually different motions, like children of the same family, while meanwhile all together, in mutual harmony, complete their great revolutions every twelve years about the center of the world, that is, about the Sun itself. Indeed, it appears that the Maker of the Stars himself, by clear arguments, admonished me to call these new planets by the illustrious name of Your Highness before all others. For as these stars, like the offspring worthy of Jupiter, never depart from his side except for the smallest distance, so who does not know the clemency, the gentleness of spirit, the agreeableness of manners, the splendor of the royal blood, the majesty in actions, and the breadth of authority and rule over others, all of which qualities find a domicile and exaltation for themselves in Your Highness? Who, I say, does not know that all these emanate from the most benign star of Jupiter, after God the source of all good?”

— quoted from Sidereus Nuncius by Galileo Galilei

Despite (or because of) the fact that he was in the middle of a long lineage of notable astronomers, mathematicians, physicists, and engineers, Galileo Galilei is the one remembered as the Father of observational astronomy, modern physics, the scientific method, and modern science. The Indigo Girls even called him “the King of Insight,” which makes sense when you consider that “insight” is “seeing things in a special way.” Thanks to advancements in telescope technology, Galileo was able to see things others had not seen. Similar to the Magi, he looked up instead of down (as others did) and sometime between December of 1609 and the beginning of January of 1610, he noticed three bright, shiny objects near Jupiter. At first he thought he was seeing stars (or new planets), invisible to the naked eye, but clear when using a telescope that magnified up to 20x. Over time, however, he chronicled the movement of these “stars” and realized there were four, not three, and that they weren’t giving off their own light, they were reflecting light. They weren’t stars/suns; they were moons orbiting Jupiter.

Galileo first mentioned the celestial orbs in a letter dated January 7, 1610. He tracked and documented the movement of the spheres from January 8th until March 2nd. After seeking the counsel of an advisor to Cosimo II de’ Medici (the Grand Duke of Tuscany from 1609-1621), Galileo named the objects the “Medicean Stars” and published his findings on March 13, 1610.

A German astronomer, Simon Marius, made similar observations in December of 1609 and started documenting his observations on December 29th (according to the Julian calendar). Even though he was exonerated, because his documentation started on January 8th (according to the Gregorian calendar), Simon Marius’s reputation was tainted by accusations of plagiarism and an ongoing dispute with Galileo. If you have ever been confused by the names of Jupiter’s moons — Io, Europa, Ganymede, and Callisto (names suggested to Marius by Johannes Kepler) vs I, II, III, IV (as Galileo noted them in his notebooks and discussion) — you can blame it on the calendars… or the scientists’ egos.

Also, as it turns out, there were more than four — but all of that is another story, for a different day. For now, let us get back to Galileo and grace.

“What people don’t realize is it wasn’t really astronomy that was on the table at the trial in 1633 — Well, it happened to be astronomy, but the point was that the Inquisition wanted total control and total power. Total control and total power — and it didn’t matter what was on the table. I mean, he was declared to be a heretic and so he’s just very fortunate he had the correct networks to save his head because many, of course, died…at the hands of the Inquisition.”

— quoted from the lecture “From Tyndale to Galileo: Grace and Space” by David Block, professor emeritus in the School of Computer Science and Applied Mathematics at the University of the Witwatersrand, Johannesburg, South Africa

There are lots of different ways to explore the concept of grace in Galileo Galilei’s story. We could look at all the things that had to happen for him (and Simon Marius) to be at the right time and place — with the right equipment and knowledge — to see, observe, and identify the moons. However, we can’t overlook the fact that, at the time, all of Galileo’s work was dangerous. Knowing the dangers, of going up against the Church, Galileo actively sought out the power of grace; and, by “grace,” I mean the power of those royal family members who would have been addressed as “Your Grace.”

In order to secure the Medici’s as patrons, Galileo had a copy of his work, and the telescope he used to see the heavens, delivered to the Grand Duke a few days later. In 1632, he would dedicate his Dialogue Concerning the Two Chief World Systems to Cosimo’s oldest son, Ferdinando II de’ Medici (the Grand Duke of Tuscany from 1621-1670). This “dialogue” exploring the scientific merits of the Copernican view of things (heliocentric) versus the Ptolemaic view of things (geocentric) eventually landed Galileo Galilei in hot water with the Catholic Church.

As noted by David Bloke and Kenneth Freeman, however, Galileo Galilei’s penalty for heresy could have been much worse than it was. Furthermore, being convicted of heresy, placed under house arrest, and banned from working and/or publishing didn’t stop Galileo, his work, or his ideas. The astrophysicists also point out that Galileo was, himself, a man of faith. He believed, as Professor Bloke said, “…[that] God reveals himself to humanity in two books: the book of nature (I have elucidated already) and the book of Scripture. Now, here comes the punchline, Galileo suggested that both books express eternal truths. That’s very interesting, because the face of science is forever changing. Galileo suggested that both books express eternal truths and are compatible, not incompatible, but compatible of course [because] they have the same author….He’s saying, I’ve got two books in front of me, the book in front of my telescope, the scriptures, but there’s no disagreement because they have the same author.“

“There was no doubt in Galileo’s mind of the authenticity and importance of the discoveries he announced, and since he wished to have them reach astronomers and philosophers all over Europe as quickly as possible he addressed his book to them and wrote it in Latin. He called it the Sidereus Nuncius, which was generally taken to mean ‘the messenger of the stars,’ not only by Galileo’s contemporaries but by the translators in succeeding generations. Several booklets appeared in reply with titles referring to this ‘messenger,’ and there were allusions to this idea in many poems and literary works. Galileo did not correct these authors, but he may not have meant the title to be so interpreted. Several years later a Jesuit critic assailed him for having presented himself as the ambassador of heaven; in the margin of his copy of this attach Galileo noted that the word nuncius means ‘message’ as well as ‘messenger,’ and asserted that he had intended only the humbler meaning. On the basis of this and other evidence, modern scholars have suggested that the word in question has always been mistranslated in this title.”

— quoted from “Introduction: First Part” in Discoveries and Opinions of Galileo, Translated with an Introduction and Notes by Stillman Drake

It may seem like a “stretch” to connect Galileo Galilei (and the moons of Jupiter) with one of the most influential voices of the Harlem Renaissance; however, in many ways, Zora Neale Hurston was first and foremost an observational researcher. Born January 7, 1891, her science was people and her “message” was for the people. She was an anthropologist, as well as an author of fiction, plays, short stories, and essays. Like Galileo, she changed the way people saw the world. In her case, she changed the way African-Americans and Caribbeans were portrayed in literature. Also like Galileo, she based her work on real time observations.

As for grace, well… all four are everywhere in Zora Neale Hurston’s story and in her stories. There was Divine grace in the fact that she was able to live the life she lived and do the things she did. There was grace of [texts] and grace of Guru-energy in her education. Finally, there was grace in her own agency — especially, when she took advantage of all the other graces she was given.

“Nothing that God ever made is the same thing to more than one person. That is natural.”

— quoted from Dust Tracks On A Road: An Autobiography by Zora Neale Hurston

Prior to the Harlem Renaissance, Black people in America were mostly portrayed as stereotypes and caricatures, often without any redeeming independent qualities or motivations. Ms. Hurston’s own lived experiences didn’t fit into those commonly circulated boxes. She was born in Notasulga, Alabama and moved to Eatonville, Florida — one of the first all-Black incorporated towns in the United States — when she was three. Her father was a man of certain means, who became the town’s mayor and the Baptist minister of the town’s largest church. When her mother died (when Zora Neale Hurston was thirteen), and her father married soon after, the future writer was shipped off to boarding schools and relatives in in Jacksonville, Florida.

The stark difference between her two environments and the class differences between her primary family and her extended family was notable. Furthermore, those differences left an impact on a young woman who’s curiosity was being fueled by her education. After graduating from the high school division of a prominent HBCU (Historically Black Colleges and Universities), she started her undergraduate degree at Howard University, another prominent HBCU, and started establishing herself as an influential part of the literati. She was one of the early members of Zeta Phi Beta, the third African-American sorority; co-founded the university’s student newspaper, The Hilltop (which was the first, and is still the only, HBCU daily paper); and was invited to join Dr. Alan Locke’s literary club, The Stylus.

“’Love is lak de sea. It’s uh movin’ thing, but still and all, it takes its shape from de shore it meets, and it’s different with every shore.’”

— Janie Crawford in Their Eyes Were Watching Gog by Zora Neale Hurston

She left Howard without her bachelor’s degree, but was eventually offered a scholarship to Columbia University’s Bernard College. She was the only black student at the all women’s college. Once again, she was in a unique position to observe the differences between people and cultures. What really interested her, however, were the similarities. She studied ethnography and conducted research with Dr. Franz Boas, known as the “Father of American Anthropology,” and with Dr. Ruth Benedict. Also, she was a student during the time that Dr. Margaret Mead was finishing up her graduate studies. She earned her Bachelor of Arts in anthropology in 1928, and spent an additional two years pursuing a graduate degree at Columbia.

It was while she was conducting research with “Papa Franz” that Zora Neale Hurston discovered her scholastic approach to research wouldn’t get her very far in the field(s). It was also during this time that she received the patronage of Charlotte Osgood Mason, a white socialite and philanthropist who also supported other Harlem Renaissance artists, like Langston Hughes. Like Galileo, Ms. Hurston found that the support of the wealthy was a double-edged sword; because the “Godmother” of the Harlem Renaissance wanted control over the artists and their work — even scholastic research around music, folklore, hoodoo (also known as “Lowcountry Voodoo”), and other aspects of Southern culture. Trying to balance the academic requirements of her advisor, along with the demands of her patron — not to mention her newly formed friendships within the Black arts community and her own burgeoning career as an author — proved to be too much, especially since she was also a newlywed.

“Research is formalized curiosity. It is poking and prying with a purpose. It is a seeking that he who wishes may know the cosmic secrets of the world and they that dwell therein.

I was extremely proud that Papa Franz felt like sending me on that folklore search. As is well known, Dr. Franz Boas of the Department of Anthropology of Columbia University, is the greatest anthropologist alive, for two reasons. The first is his insatiable hunger for knowledge and then more knowledge; and the second is his genius for pure objectivity. He has no pet wishes to prove. His instructions are to go out and find what is there. He outlines his theory, but if the facts do not agree with it, he would not wrap a jot or dot of the findings to save his theory. So knowing all this, I was proud that he trusted me….

My first six months were disappointing. I found out later that it was not because I had no talents for research, but because I did not have the right approach.”

— quoted from the autobiographical essay “Research” in Dust Tracks On A Road: An Autobiography by Zora Neale Hurston

Ultimately, however, she didn’t need the degree so much as she needed the experience and the material. Her work includes the semi-autobiographical novel Jonah’s Gourd Vine, published in 1934, and Mules and Men, an autoethnographical collection of African-American folklore, published in 1935. She received support from the Guggenheim Foundation in order to conduct research about voodoo in Jamaica and Haiti, which resulted in Tell My Horse: Voodoo and Life in Haiti and Jamaica (published in 1938). Her published views on race relations and, in particular, how race relations in the United States affected women of color led her to cover the trial of Ruby McCollum for the Pittsburgh Courier (Fall — Winter, 1953). In 1937, she published Their Eyes Were Watching God, her best known (and arguably) most influential novel. She followed that up, two years later, with Moses, Man of the Mountain, a re-telling and re-centering of The Second Book of Moses, Called Exodus (from the Bible) based on an African-American perspective — which, given the timing, has also been viewed as an overall criticism of fascism and the Nazi regime.

Throughout her career, Zora Neale Hurston received criticism for using dialects, for her conservative political views, and for [not doing enough for the Black race]. Even though the she was influential during the Harlem Renaissance, Zora Neale Hurston spent her final days in a welfare home and was buried in an unmarked grave. Pulitzer Prize-winner Alice Walker, and Hurston-scholar Charlotte D. Hunt commissioned a grave marker for the woman who had inspired them and were responsible for helping new generations discover short stories like “Spunk” (1925) and the folklore in Every Tongue Got To Confess: Negro Folk-tales from the Gulf States (collected in the 1920’s and published posthumously in 2001).

“Ships at a distance have every man’s wish on board. For some they come in with the tide. For others they sail forever on the same horizon, never out of sight, never landing until the Watcher turns his eyes away in resignation, his dreams mocked to death by Time. That is the life of men.

Now, women forget all those things they don’t want to remember, and remember everything they don’t want to forget. The dream is the truth. Then they act and do things accordingly. ”

 — quoted from Their Eyes Were Watching God by Zora Neale Hurston

Please join me for a 65-minute virtual yoga practice in-person or on Zoom today (Sunday, January 7th) at 2:30 PM.  You must be registered and confirmed to attend in-person. Use the link from the “Class Schedules” calendar if you run into any problems checking into the class via Zoom. You can request an audio recording of this practice via a comment below or by emailing myra (at) ajoyfulpractice.com.

Sunday’s playlist is available on YouTube and Spotify. [Look for “01072023 Grace, Zora, & Galileo’s Moons”].

NOTE: The before/after music is slightly different, because I could only find one of the folk songs, related to Zora Neale Hurston, on Spotify.

“And when [Nanny] gained the privacy of her own little shack she stayed on her knees so long she forgot she was there herself. There is a basin in the mind where words float around on thought and thought on sound and sight. Then there is a depth of thought untouched by words, and deeper still a gulf of formless feelings untouched by thought.”

— quoted from Their Eyes Were Watching God by Zora Neale Hurston

“‘I love myself when I am laughing.

And then again when I am looking mean and impressive.’”

— “Zora Neale Hurston, in a letter to Carl Van Vechten, December 10, 1934, referring to a series of photographers he had taken of her” as quoted in I Love Myself when I Am Laughing.. and Then Again when I Am Mean and Impressive: A Zora Neale Hurston Reader Edited by Alice Walker (Introduction by Mary Helen Washington)

In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)

This can be considered “Grace, part I.” “Grace, part II” is coming soon.

### OM / LOVE NO MATTER WHAT ###

EXCERPT: “Do You See What I See? & Your Presence Is Requested” January 6, 2024

Posted by ajoyfulpractice in Changing Perspectives, Christmas, Faith, Healing Stories, Music, Philosophy, Religion, Wisdom, Yoga.
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“Merry Little Christmas, Epiphany, Theophany, Three Kings Day, & Twelfth Day of Christmas (for some)!”

“We often make do with looking at the ground: it’s enough to have our health, a little money and a bit of entertainment. I wonder if we still know how to look up at the sky. Do we know how to dream, to long for God, to expect the newness he brings, or do we let ourselves be swept along by life, like dry branches before the wind? The Magi were not content with just getting by, with keeping afloat. They understood that to truly live, we need a lofty goal and we need to keep looking up.”

— quoted from “Solemnity of the Epiphany of the Lord,” Papal Mass, Homily of Pope Francis (Vatican Basilica, Saturday, 6, January 2018)

The following excerpt is related to a post about Epiphany or Theophany, perception, and ah-ha moments:

“For the faithful, a sermon or homily is a big part of Epiphany or Theophany. This is especially true in the Roman Catholic tradition. Pope Francis has (in my humble opinion) a definite knack for weaving the narrative of the story into present day application.  In 2018, his homily encouraged people to be ‘imitate the Magi: looking upwards, setting out, and freely offering our gifts.’ The modern day gifts that the pontiff mentioned were gifts of the self: ‘care for a sick person, spend time with a difficult person, help someone for the sake of helping, or forgive someone who has hurt us. These are gifts freely given, and cannot be lacking the lives of Christians.’ He also spoke in terms of taking a risk and the importance of sometimes following what might not always seem to be brightest thing on the horizon.

In thinking about Epiphany, in a religious context, I often think about epiphany in the context of innovative or scientific discovery. For someone to have an ah-ha, light bulb, or eureka moment — for someone to have an epiphany — they have to be prepared. They have to know what they are seeing or hearing. They have to know the importance of what’s growing on a culture plate when they get back from holiday; otherwise they throw it away. They have to understand that the light touch that wakes them from a deep sleep is the touch of an angel and not the touch of their sleep-mate or cattle. Whether it is in religion or science or humanity, one must have faith in order to take a risk.”

CLICK HERE TO READ THE ENTIRE POST (and see the related videos).

Yoga Sutra 2.20: draşțā dŗśimātrah śuddho’pi pratyayānupaśyah

— “The sheer power of seeing is the seer. It is pure, and yet it sees only what the mind [brain] shows it.”

Please join me today (Saturday, January 6th) at 12:00 PM, for a 90-minute yoga practice on Zoom. You must be registered. Use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below or by emailing myra (at) ajoyfulpractice.com.

Saturday’s playlist is available on YouTube and Spotify. [Look for “01062021 Epiphany & Theophany”]

In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)

### DO YOU SEE WHAT I SEE/HEAR? ###

First Friday Night Special #39: An Invitation to “Being Rested for What You Will See” January 5, 2024

Posted by ajoyfulpractice in Art, Books, Changing Perspectives, Christmas, Faith, Healing Stories, Life, Meditation, Music, Mysticism, New Year, Philosophy, Religion, William Shakespeare, Wisdom, Writing, Yoga.
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“Happy New Year,” to everyone! Happy Twelfth Night, to those who are celebrating!

“O time, thou must untangle this, not I. 

It is too hard a knot for me t’untie.”

— Viola (a twin in disguise) in Act II, scene ii of Twelfth Night, or What You Will by William Shakespeare

People sometimes get twisted up, tangled up, knotted up, and confused about how to unravel themselves. Do we stretch? Do we strengthen? Do we rest? The answer, typically, depends on what you’ve done (or haven’t done) and what you are preparing to do. In the Yoga Sūtras, however, there are no qualifiers. Patanjali recommended meditation to alleviate the nine obstacles and their related maladies (YS 1.29-1.32) and listed several objects on which we can focus, concentrate, and meditate. Included in the list is “a well-considered object of one’s choice” (YS 1.39) — which I sometimes refer to as “whatever”… or, on January 5th as “what you will.”

There is a lot, and I mean, a lot of confusion in William Shakespeare’s play Twelfth Night, or What You Will. There is confusion as part of the plot and there is confusion about the purpose of the play. Is it twelfth night entertainment for people awaiting a moment of “striking appearance” or for people celebrating AFTER they have seen what they are prepared to see? The answer to that may depend on whether you started counting the Twelve Days of Christmas on Christmas Day or on Boxing Day.

And that brings us to the song… which can also get confusing. In fact, there’s so much confusion, let’s just rest our heads (and all the rest of us) and see what we will see. And be what we will be.

Click here to read the Twelfth Night post.

“Some are born great, some achieve greatness and some have greatness thrust upon ’em.”

— Malvolio (a steward for the shipwrecked twins) in Act II, scene v of Twelfth Night, or What You Will by William Shakespeare

Please join me on Friday, January 5, 2024, 7:15 PM – 8:20 PM (CST) for “Being Rested for What You Will See” for a (virtual or in-person) yoga practice. You must be registered and confirmed to attend in person. You can use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email myra (at) ajoyfulpractice.com.

Please note that the studio may be heated.

This Restorative Yoga practice is accessible and open to all.

Prop wise, this is a kitchen sink practice. You can practice without props or you  can use “studio” and/or “householder” props. Example of “Studio” props: 1 – 2 blankets, 2 – 3 blocks, a bolster, a strap, and an eye pillow. Example of “Householder” props: 1 – 2 blankets or bath towels, 2 – 3 books (similar in size), 2 standard pillows (or 1 body pillow), a belt/tie/sash, and a face towel.

You may want extra layers (as your body may cool down during this practice). Having a wall, chair, sofa, or coffee table may be handy.

Friday’s playlist is available on YouTube and Spotify.

In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)

### RELAX, RELEASE, REST ###