Happy International Children’s Book Day! Many blessings to all! “Nine days and nine nights of blessings and happiness if you are celebrating Chaitra Navaratri!” Many blessings to those observing Lent & Great Lent!
Peace, ease, and commitment to all, throughout this “Season for Nonviolence” and all other seasons!
“Make pictures
for my poem,
and please feel free:
these words
belong to you
even though they came from me.”
— quoted from the 2025 International Children’s Book Day poem & message “The Language of Pictures” by Rian Visser (translated from Dutch by Laura Watkinson)
“[Kushmanda] also lives in our hearts. The fact that she is smiling reminds us that we too are our most creative when we are smiling and feeling positive, courageous (a quality of heart), and strong. The fact that this goddess, like Chandraghanta, rides a lion shows that the power of love is just as potent as the fire of transformation. It reminds us that the ability to love comes from inner strength. When we feel clouded by fear, anger, and grief, it can be difficult to imagine one day having the strength to love again. But Kushmanda is here to remind us that, no matter how brokenhearted we may feel at time, the power of love lives within us, and we can tap into it and become our creative best at any time.”
— quoted from the “Knowing Kushmanda” section of “Chapter 4 — The Art of Loving Your True Self” in The Way of the Goddess: Daily Rituals to Awaken Your Inner Warrior and Discover Your True Self by Ananta Ripa Ajmera
If you read a lot, you may learn more about your world (e.g., your culture and history), as well as about the world of other cultures. You may, for example, learn that Hinduism is not the only religion where the feminine aspects of the Divine are celebrated. It’s not even the only religion where an observation related to a woman, as the Divine, is associated with a period of nine days/nights. To my knowledge, however, Navaratri (“nine nights”) is unique in that it celebrates many different aspects of a single woman. Each night/day is associated with a different manifestation of Durga/Parvati, the mother goddess, and is part of nine-part story cycle/journey that ends with a demon-king being destroyed.
International Children’s Book Day is the anniversary of the birth of Hans Christian Andersen (b. 1805). This year’s celebration coincides with the fourth day of Chaitra Navaratri, which is dedicated to dedicated to the Goddess Kushmanda who, it is said, “created the world with her divine smile”— a smile that also powers the sun. She is recognized as Shakti (the creative force) and associated with good health (specifically with improving health), wealth, and strength. She is like the aspects of the Virgin Mary that are remembered on Candlemas.
Click on the excerpt titles below for other posts about International Children’s Book Day.
Please join me today (Wednesday, April 2nd) at 4:30 PM or 7:15 PM for a yoga practice on Zoom.You can use the link from the “Class Schedules”calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email myra(at) ajoyfulpractice.com.
Wednesday’s playlist is available on YouTube and Spotify. [Look for “11142021 A Day for Children”]
If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can dial 988 (in the US) or call 1-800-273-TALK (8255)for the Suicide and Crisis Lifeline. You can also call this TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.
White Flag is a new app, which I have not yet researched, but which may be helpful if you need peer-to-peer (non-professional) support.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)
Many blessings to all! “Nine days and nine nights of blessings and happiness if you are celebrating Chaitra Navaratri!” Many blessings to those observing Lent & Great Lent!
Peace, ease, and even more peace to all, throughout this “Season for Nonviolence” and all other seasons!
“This is what should be done
By one who is skilled in goodness,
And who knows the path of peace:
Let them be able and upright,
Straightforward and gentle in speech,
Humble and not conceited,
Contented and easily satisfied,
Unburdened with duties and frugal in their ways.
Peaceful and calm and wise and skillful,
Not proud or demanding in nature.”
— quoted from “Karaniya Metta Sutta: The Buddha’s Words on Loving-Kindness” (SN 1.8), translated from the Pali by The Amaravati Sangha. Access to Insight (2004)
This time of year is full of stories (including in poems) associated with various rituals, traditions, celebrations, and observations related to people overcoming challenges (and personal demons) in order to achieve peace. This is true about the Season of Nonviolence, as well as about Lent and Great Lent (for many Christians). It is also true about Chaitra Navaratri, the third day of which is today (Tuesday).
EXCERPT: The following slightly revised excerpt was originally posted in a slightly different context.
Navaratri, the Hindu festival of “nine nights” celebrating divine feminine energy in various manifestations, occurs four times a year. Magha Navaratri is one of the celebrations referred to as Gupta Navaratri meaning it is “hidden/secret” — again, not because no one knows about it, but because it is not as obvious as the bigger celebrations in the Spring and Fall.
Each day and night is dedicated to a different manifestation of Durga, the divine mother. Some people see the manifestations as nine different women; however, they are also seen by some as the same woman at different points in her story. For instance, her third form is Chandraghanta, whose name “one who has a half-moon shaped like a bell” comes from the image of the newly-wed Parvati. She is depicted as a combination of beauty, grace, and courage, with her third eye open — the result of all the (yoga) preparation performed by Her previous manifestation. That open third eye means that she is always ready to fight evil and demons. In fact, she is sometimes known as the “Goddess Who Fights Demons.”
Here “demons” can be a metaphor for anything that ails you physically, mentally, emotionally — even energetically, spiritually, and religiously. They can be challenges and hurdles that need to be over come. They can even be mistakes… sins… or vows (as I referred to them during the High Holidays) that can be absolved or forgiven. In fact, the faithful of all the different religions believe that there are ways (and even special times) when mistakes, sins, and broken vows are turned away… or washed away.
But, for a moment, let’s step back to the idea of overcoming challenges and hurdles.
For Those Who Missed It: The following was originally posted in 2023. Links, formatting, and some date related information have been updated.
“‘He told me his name was Hayden Finch, but he wanted to be called Sidd Finch. I said that most of the Sids we had in baseball came from Brooklyn. Or the Bronx. He said his Sidd came from “Siddhartha,” which means “Aim Attained” or “The Perfect Pitch.” That’s what he had learned, how to throw the perfect pitch. O.K. by me, I told him, and that’s what I put on the scouting report, “Sidd Finch.” And I mailed it in to the front office.’”
— quoted from the Sports Illustrated article (originally in the April 1, 1985 issue) entitled “The Curious Case Of Sidd Finch: He’s a pitcher, part yogi and part recluse. Impressively liberated from our opulent life-style, Sidd’s deciding about yoga—and his future in baseball.” by George Plimpton
During a conversation with one of my yoga-buddies [in March 2023], I mentioned that “context matters.” That statement can be taken in several different ways, but consider that — like kids during a spelling be — our understanding of a situation is based on context. Another way to say that is that our perception is based on context. Our perception is also based on expectation, which is based on our past experiences. This comes up in Yoga Sūtra 2.20, where Patanjali explained that we “see only what the mind-intellect shows [us].” This is also connected to what neuroscientists, like Dr. Beau Lotto, call our “space of possibility”. Politically (and socially), we can even think in terms of the Overton window (also known as the window of discourse) — just on a personal, individual level. How ever you look at it, it all boils down to one of the reasons why we humans make “bad” witnesses: We don’t always perceive The Truth; we perceive a truth (our truth).
In some ways, it’s like a Venn Diagram for “art”, where art is not an object, but, rather, the overlap between the artist’s intention and the audience’s perception. Similarly, if you have a subset of Facts in one circle and two other circles containing the understanding and/or awareness of two different people, there will be some overlap — which we will call the truth. But very rarely (if ever) will there just be one big, giant circle duplicated three times — which we can call The Truth. Yet, one of the yamas (external “restraints” or universal “commandments”), is a commitment / dedication to The Truth. (YS 2.30 – 31, YS 2.36)
Is that even possible? Especially today, in this day and age?
Please join me today (Tuesday, April 1st) at 12:00 PM or 7:15 PM for a yoga practice on Zoom. You can use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below or by emailing myra(at) ajoyfulpractice.com.
Tuesday’s playlist is available on YouTube and Spotify. [Look for “04012022 An “Important” Story”]
— “When a yogi is established in truthfulness, actions begin to bear fruit. [Truth is the foundation for fruitful action.]”
If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can dial 988 (in the US) or call 1-800-273-TALK (8255)for the Suicide and Crisis Lifeline. You can also call this TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.
White Flag is a new app, which I have not yet researched, but which may be helpful if you need peer-to-peer (non-professional) support.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)
### As far as I know,everything I’ve stated above is true ###
“Ramaḍān Mubarak, Blessed Ramaḍān!” to anyone observing the holy month of Ramaḍān. (Keep your eyes open!) Many blessings also to all, and especially to those who are observing Great Lent and/or Lent!
Peace, ease, and responsibility to all, throughout this “Season for Nonviolence” and all other seasons!
This “missing” post for Wednesday, March 26th features new and previously posted content, as well as excerpts.Since we have entered the final days of Ramaḍān, the practice and playlists include references to Islām. You can request an audio recording of this practice or a previous practice via a comment below or (for a slightly faster reply) you can email myra(at) ajoyfulpractice.com.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es).
Donations are tax deductible; class purchases are not necessarily deductible.
“Having a clear intention (Niyyah in Arabic) and understanding your position, talents, motivation and means as an Amanah (translated as ‘trust’, or ‘responsibility towards others’) are important elements….”
— quoted from The Heart of Design interview (with Imam Khalid Latif), entitled “Building Conscious Community” by Peter Gould
We begin each practice with a purpose, an intention. On one level, there are the reasons we are on the mat — and those reasons can vary. They can be small and very personal and/or the can be multifaceted and directly affect others (i.e., communal). They can be physical, mental, emotional, energetic, spiritual, and/or religious. Either way, I believe the reason(s) we have for being on the mat are connected to our purpose and intention off the mat. In other words, I believe everyone has a purpose in life and that we should be very intentional about how we move through our day — not to mention our practice — as we go about the business of fulfilling our purpose.
Keeping our intention in mind, keeps us focused.
“‘People are in fact the sum total of the beliefs they hold in their hearts, Arjuna, and there are indeed various kinds of faith. One’s faith corresponds to one’s nature, and one’s nature is equivalent to one’s faith….’”
— Krishna speaking to Arjuna (17.2, abridged) in The Bhagavad Gita: A Walkthrough for Westerners by Jack Hawley
The idea that everyone has a purpose (in life) isn’t just my belief. It is a belief held by many people around the world. It is a belief at the heart of many spiritual, religious, and philosophical practices. One could argue that there are whole industries built around the idea of living a purpose-driven life. Furthermore, research even shows the importance of having an overreaching purpose. And while many can agree on the importance of having a purpose, on and off the mat, there is not necessarily consensus on the origin of that purpose.
Some believe we each, individually, put meaning into our lives and, therefore, give ourselves (and our lives) purpose. Others, however, believe that purpose is God-given. That latter group includes people (and faiths) that believe in having a calling. Sometimes, the idea of a calling is only applied to people within a religious and/or spiritual field. Other times, as explained in the Bhagavad Gita (“The Song of the Lord”), people believe that everyone is called to do something and that the something they are called to do serves the greater community, as well as the greater good.
In other words, we all have a responsibility to ourselves, as well as to others.
“‘Your very nature dictates that you perform the duties attuned to your disposition. Those duties are your dharma, your natural calling. It is far better to do your own dharma, even if you do it imperfectly, than to try to master the work of another. Those who perform the duties called for by their obligations, even if those duties seem of little merit, are able to do them with less effort – and this releases consciousness that can be directed Godward.’”
— Krishna speaking to Arjuna (18.47) in The Bhagavad Gita: A Walkthrough for Westerners by Jack Hawley
This week, as I have been thinking about people involved in various civil rights movements, I have also been thinking about the responsibility that comes with purpose. According to the Bhagavad Gita, “The responsibilities of people in the various segments of society can be divided under four general headings: Seers, Leaders, Providers, and Servers. No particular group of people is superior to any other, but like limbs of the body, each has a respective role to play.”(18.41)
Throughout this sacred text, the word “responsibility” is associated (and interchangeable) with the words “dharma” and “sva-dharma” (“duty” and “personal duty”). These Sanskrit words have several other literal translations into English, depending on the context, including (personal) “merit”, “eternal law”, and/or “natural law”. There is, within this sacred discussion, a very definite understanding of free will, and the possibility that someone will intentionally or inadvertently not fulfill their purpose. However, there is also an underlying concept of predestination, based on our disposition (or nature) — and this underlying concept is related to faith as well as to duty/responsibility.
“Something we were withholding made us weak Until we found out that it was ourselves We were withholding from our land of living, And forthwith found salvation in surrender.”
— quoted from the poem “The Gift Outright” by Robert Frost
“The violets in the mountains have broken the rocks. The world thirsts after sympathy, compassion, love.”
— quoted from the play Camino Real by Tennessee Williams (The first sentence is also the epitaph on his grave.)
March 26th is the anniversary of births of Robert Frost (b. 1894) and Tennessee Williams (b. 1911). Normally, I might talk about how their talents were clearly gifts and callings — that also came with responsibilities. Had I been a little more focused, I would have referenced the fact gifts like theirs (like yours) can not be held back — even by rocks and fences.
I could have made these references because, this year, this week coincided with what some consider the holiest days during the holy month of Ramaḍān: the last ten days/nights and, in particular, the odd nights. More importantly, Wednesday night might have been the holiest and most sacred night: Laylat al-Qadr (translated as “Night of Power”, “Night of Destiny”, “Night of Value”, “Night of Measure”, “Night of Decree”, or “Night of Honour”).
“We sent it [the Qur’ān] down on the Night of Power. And what can make you know what is the Night of Power? The Night of Power is better than a thousand months.
The Angels and the Spirit [the inspiration] descend therein by their Lord’s leave for every affair.
Peace! It is till the rising of the dawn.”
“Use your time wisely. Spend it only in pursuit of things that are good. Hold the world in your hand if you so desire, but never let the world use your heart as its abode. Your understanding of the world around you will be based off of how you take care of the world within you. Treat your heart as something precious and let only what is good for [it] have the privilege of receiving its love.”
— Imam Khalid Latif in a 2013 “Ramadān Reflection” for Huffington Post
Wednesday’s playlist is available on YouTube and Spotify. [Look for “Ramadan & Eid 2024”]
Some quick notes about the music: First, my playlists for the final days of Ramadān are not halal (“permissible”) in all Islamic traditions, because of the orchestrations. They do, however, feature musicians who are Muslim (with a few exceptions).
Reba McEntire is one of the notable exceptions — notable, because in previous years she was the only female soloist and the only non-Muslim singer on the playlists. While this year’s playlists include several Muslim women as musicians and composers, “Pray for Peace” is still highlighted because it was re-released during the month of Ramadān in 2014 — but not just randomly in the month, the song was released in the last ten days of the month (during the holiest part of the month)!
Some songs on the playlist are Nasheeds (meaning they are religiously moral songs) that, in some traditions, are meant to be sung without instrumentation or only with percussion. I have, however, included orchestrated versions of these songs, because this seems to have worked best in an in-studio setting. I mean no disrespect by this choice. As far as I know, percussion or voice only recordings of the Nasheeds are available (if you want to build your own playlist). Alternatively, you can practice without the music — which is always a suitable option.
Finally, the YouTube version currently includes some additional before/after music.
If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can dial 988 (in the US) or call 1-800-273-TALK (8255)for the Suicide and Crisis Lifeline. You can also call this TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.
White Flag is a new app, which I have not yet researched, but which may be helpful if you need peer-to-peer (non-professional) support.
“Ramaḍān Mubarak, Blessed Ramaḍān!” to anyone observing the holy month of Ramaḍān. (Keep your eyes open!) Many blessings also to all, and especially to those who are observing Great Lent and/or Lent on International Piano Day!
Peace, ease, and citizenship to all, throughout this “Season for Nonviolence” and all other seasons!
“You have to imagine a waiting that is not impatient because it is timeless.”
— quoted from the poem “Waiting” by R. S. Thomas (b. 03/29/1913)
Please join me today (Saturday, March 29th) at 12:00 PM for a yoga practice on Zoom. You can use the link from the “Class Schedules”calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email myra(at) ajoyfulpractice.com.
Saturday’s playlist is available on YouTube and Spotify. [Look for “03292025 Ramadan, redux 2025”]
Some quick notes about the music: First, my playlists for the final days of Ramadān are not halal (“permissible”) in all Islamic traditions, because of the orchestrations. They do, however, feature musicians who are Muslim (with a few exceptions). There are also some notable exceptions. For example, this playlist includes a poem by R. S. Thomas, set to music by Hilary Tann (featuring Guy Johnston on cello).
Reba McEntire is another of the notable exceptions — notable, because in previous years she was the only female soloist and the only non-Muslim singer on the playlists. While this year’s playlists include several Muslim women as musicians and composers, “Pray for Peace” is still highlighted because it was re-released during the month of Ramadān in 2014 — but not just randomly in the month, the song was released in the last ten days of the month (during the holiest part of the month)!
Some songs on the playlist are Nasheeds (meaning they are religiously moral songs) that, in some traditions, are meant to be sung without instrumentation or only with percussion. I have, however, included orchestrated versions of these songs, because this seems to have worked best in an in-studio setting. I mean no disrespect by this choice. As far as I know, percussion or voice only recordings of the Nasheeds are available (if you want to build your own playlist). Alternatively, you can practice without the music — which is always a suitable option.
Finally, the YouTube version currently includes some additional before/after music.
If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can dial 988 (in the US) or call 1-800-273-TALK (8255)for the Suicide and Crisis Lifeline. You can also call this TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.
White Flag is a new app, which I have not yet researched, but which may be helpful if you need peer-to-peer (non-professional) support.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)
*ERRATA: The original post was missing a sentence, which made it appear that I was identifying R. S. Thomas, Hilary Tann, and/or Guy Johnston as Muslim musicians. That was not my intention.
“Nowruz Mubarak!” Happy New Year to those who were celebrating! “Ramaḍān Mubarak, Blessed Ramaḍān!” to anyone observing the holy month of Ramaḍān. (Keep your eyes open!) Many blessings also to all, and especially to those who are observing Great Lent and/or Lent!
Peace, ease, advocacy to all, throughout this “Season for Nonviolence” and all other seasons!
This is the “missing” compilation post for Saturday, March 22nd. It includes some new material plus a revised version of previously posted content. The original post also contained a link for “Save with Stories” — a partnership with Save the Children and No Kid Hungry. A Save the Children link is still embedded in the sentence (below), “Being read to as a child is one of the great experiences in life.”You can request an audio recording of this practice or a previous practice via a comment below or (for a slightly faster reply) you can email myra (at) ajoyfulpractice.com.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es).
Donations are tax deductible; class purchases are not necessarily deductible.
“A good sequence is like a good story. There is a beginning (an introduction), the middle (the heart of the story), and the end (the conclusion)”
— Maty Ezraty
People often tell me that one of the things they like about my classes are the stories, as well as the way the poses and the music tell the stories. They may even wonder why I tell such stories. Bottom line: I come from a long line of teachers who think the practice is a way to tell our stories and also a way to process our stories, every time we inhale, every time we exhale. It’s a way to go deeper into our stories.
But, since we all have different stories, we need to get on the same page — and I just happen to have the privilege of turning that page.
Today is a day when I normally tell the stories of four very famous storytellers born on March 22nd. These storytellers tell/told their stories in different ways. However, the storytellers themselves have something in common — other than the fact that they are all, as it turns out, the same gender and race and share the same profession and birthday. They all know/knew how to tell a good story.
Regardless of if you read the adult novels or children’s books of one of my parents’ favorite authors; the poetry of one of my favorite poets; or listen to the brilliant lyrics and music of the two composers on the list, you will find that they follow a simple structure. It is the same structure we follow in the practice; a structure containing the three parts highlighted by Maty Ezraty and, also, a Chekhovian promise (which we’ll get to in the end).
As I said before, today is a day when I normally tell the stories of four storytellers. (I have shifted, once or twice, to tell holiday stories.) However, this year, I feel compelled to start with the story of a fifth storyteller — and his story comes with it’s own Chekhovian promise.
“I would like to either pick up the mantle or stand next to my partner and hold the torch as we, you know, run into the Olympic arena of this society and discourse. Because aren’t we losing, Kelly, discourse? It’s black or it’s white, and that’s not the way the world works. We live in a gray world, and I want to tell gray stories.”
— Keegan-Michael Key, quoted from the (July 13, 2017) NPR interview entitled “‘You’re Never Too Old To Screw Up’: Keegan-Michael Key On ‘Friends From College’” by Kelly McEvers, Anjuli Sastry Krbechek
Born today in 1961, in Southfield, Michigan, Keegan-Michael Key is an award-winning comedian, actor, producer, and writer who has said, “I have always, or for the most part, identified myself as a biracial person.” So, already, he is a little different from the other storytellers. Also, while some of the others believe in comedy — and include comedic elements in their work, Mr. Key is the only comedian on my list (this year). He’s also the only one of these storytellers that uses his whole being (mind and body) to tell a story, especially when he is impersonating someone (like Charles Barkley, Michael Jordan, Phylicia Rashād, or Eva Longoria’s Desperate Housewives character Gabrielle Solis)
In addition to starring in movies, television shows, music videos, and video games, Keegan-Michael Key co-created and co-starred in the sketch comedy series Key & Peele (with Jordan Peele, the aforementioned partner). The Shakespearean-trained actor appeared in the musical comedy Schmigadoon! and onstage as Horatio in the Public Theater’s 2017 production Hamlet and as Gerald in the 2017 Broadway premiere of Meteor Shower (by Steve Martin). During the 2015 White House Correspondents’ Dinner, he brought his Key & Peele character Luther (then-President Barack Obama’s “anger translator”) to life. He has also appeared as an actor during the annual fundraiser for Young Storytellers [Foundation], which features work written by elementary, middle, and high school storytellers.
“Don’t you love farce?
My fault, I fear
I thought that you’d want what I want
Sorry, my dear
But where are the clowns?
Quick, send in the clowns
Don’t bothеr, they’re herе”
— quoted from the song “Send in the Clowns” from the musical A Little Night Music, music and lyrics by Stephen Sondheim, book by Hugh Wheeler
For Those Who Missed It: The following four profiles have been slightly updated since 2020.
Stephen Sondheim (b. 1930, in New York City, NY) was a legendary musical theater composer and lyrics, as well as an award-winning film composer. His accolades include 8 Tony Awards (more than any other composer), 8 Grammy Awards, a Pulitzer Prize, an Academy Award, a Laurence Olivier Award, and a 2015 Presidential Medal of Freedom. In all my time working in theater, I can’t say that I ever worked on any of Sondheim’s musicals (or the musicals of our final birthday composer), but I’ve seen my fair share of both their works — and can definitely sing along.
Also born in New York City, NY, in 1941, poet Billy Collins has been called “The most popular poet in America” and has served as United States Poet Laureate (2001 – 2003) and New York State Poet (2004 – 2006). Collins considers “humor a doorway into the serious” and started his poem “Picnic, Lightning” by quoting Vladimir Nabokov. In Lolita, the protagonist says, “My very photogenic mother died in a freak accident (picnic, lightning)…”
The poem’s title is also the title of a collection of poems which my friend Mimi gave me in a moment when I was overwhelmed by grief. Fast forward almost a decade and, as if in a poem, I was dancing with Billy Collins on Nicollet Island and giving him a piece of Collins-inspired poetry. Even now, I can feel it…I can feel it…the joy of the moment, the joy of being alive; which fits in with his secret theory.
In a 2001 interview with The Paris Review, Billy Collins said, “I have a secret theory that people who are addicted to reading are almost trying to recreate the joy, the comfortable joy of being read to as a child…. Being read to as a child is one of the great experiences in life.”
Our second birthday composer is Baron Lloyd-Webber, or more properly styled, The Lord Lloyd-Webber…better known as the EGOT Andrew Lloyd Webber (no hyphen). Born today in 1948 (in Kensington, London), he was originally knighted in the 1992, given a life peerage in 1997, and appointed a Knight Companion of the Order of Garter (KG) in 2024. He has composed 21 musicals, a song cycle, a set of variations, 2 film scores, and a Latin Requiem Mass. He is an EGOT because he has won an Emmy Award, 3 Grammy Awards, an Academy Award (Oscar), and 6 Tony Awards — as well as 4 Laurence Olivier Awards and a plethora of other awards.
James Patterson (b. 1947, in Newburgh, NY), is a bestselling novelist and children’s book author whose books can always be found in my parents bookshelves. Doesn’t matter if it is mystery, suspense, romance, or science, Patterson keeps you in the moment and keeps a Chekhovian promise (which is fast approaching). One of his protagonists is a 12-year old orphan named Max Einstein. Like her namesake, this Einstein is a genius with wild (in her case red) curly hair. She is told that her story combined with her emotional and intellectual quotients are why she is considered the world’s “last great hope.”
“‘When you convinced me not to quit, you said, and I quote, “If we are to help save the human race, we must recognize the humanity in all, no matter their station in life.”’”
— Charl speaking to Max and Isabl in Max Einstein: The Genius Experiment by James Patterson and Chris Grabenstein
The “Season for Nonviolence” principle of the day (for March 22nd) was “advocacy” — and all of the aforementioned storytellers have been advocates for literacy and storytelling. For his part, James Patterson has donated over 300 million books to school-aged children and the military, over $70 million to support education, and endowed over 5,000 scholarships for teachers. In 2020, he renewed a partnership with Scholastic Book Clubs and pledged $2.5 million to help teachers build their classroom libraries.
At one time, James Patterson was also seen as an advocate for diversity — in part because he insisted that a Black actor play one of his most popular characters, Alex Cross (who is African American in the novels). However, people’s perceptions changed a little, in June 2022, when Mr. Patterson was quoted (in the United Kingdom’s Sunday Times) as saying that “he and his fellow ‘white males’ were subject to ‘racism’ that prevented them from getting writing jobs. ‘Can you get a job? Yes. Is it harder? Yes.’ He continued by saying, ‘It’s even harder for older writers. You don’t meet many 52-year-old white males’ in film, theater, TV or publishing.”
The award-winning author apologized and issued a retraction two days after the interview was published; however, both came after significant backlash and factchecking that showed there were no gray areas here: his claims just didn’t match reality.
“According to the 2022 Hollywood Diversity Report, out of the 251 screenwriters for top box office feature films in 2021, nearly 68% were white; 47% were white men, specifically. A 2021 Hollywood Diversity Report showed that during the 2019-2020 season, out of the 1,214 broadcast script writers, only 26.4% were people of color, and white men made up 46.1% of the total. A similar trend extends across the scripted cable and digital industries.
In theater, according to the most recent Asian American Performers Action Coalition Visibility Report, nearly 90% of shows produced on Broadway and 76% of the shows by major New York nonprofit theater companies — which collectively set the theatrical agenda for the rest of the nation — were written by white playwrights. And multiple reports have highlighted the issue of men outnumbering women playwrights. For the book publishing industry, the numbers by race are just as staggeringly imbalanced, as a 2020 New York Times report showed. In 2018, nearly nine out of 10 books published by major houses were by white writers — which, based on the relatively even gender divide among authors, suggests that about 45% of the white writers published by major houses in the U.S. are men.
So, across these creative fields, white men — about 30% of the American population — consistently receive nearly half of all writing opportunities.”
“Out of the 44 co-authors I found in his front-line novel franchises — the ones aimed at global bestseller status — I only identified one woman of color: Rachel Howzell Hall (a bestselling crime queen herself and a former board member of the Mystery Writers of America). Nine others were white women.”
— quoted from the (June 16, 2022) NBC News “Think: Opinion, Analysis, Essays” article entitled “James Patterson’s carefully worded apology after ‘racism’ claim is an eyebrow raiser: The author said that he strongly supported diversity of voices, but that would be hard to tell looking at many of the co-authors he’s chosen to work with.” by Jeff Yang
Which brings us back to those Chekhovian promises.
It was Anton Chekov who said that if there is a rifle (or a pistol) hanging on the wall in the first chapter/act, it must go off in the second or third. He told another playwright, “It’s wrong to make promises you don’t mean to keep.”
Whenever we step on the mat, there’s a part of us that is making a promise. Whenever, I put together a sequence there’s a part of me that thinks about that promise, as well as about that second Sondheim song (“Putting it together…bit by bit…piece by piece”) and Maty Ezraty’s sequencing advice about the middle (the heart) of the story. I consider how can I build up to a big heart opener and how we each need to process our own personal story in order to not only lift and open our hearts, but to also support our lifted and open hearts — especially in a time when it is so easy to close off.
When I think about the fact that the practice is always a way to tell our stories — as well as a way to process our stories, I think about the music (and how I can use the music to tell our stories). The (original) March 22nd playlist not only tells the stories of some great storytellers celebrating birthdays today (as I intended) and is a way to process our current life-plot (as I intended), it also reflects my story as a lover of stories. At some point, I plan to remix it to include a little Schmigadoon!. In the meantime, however, the absence of a specific track for Keegan-Michael Key just highlights the fact that the original list was all the same sex, gender, and race.1
“A poet can feel free, in my estimation, to write a poem for himself. Or a painter can paint a painting for himself. You can write a short story for yourself. But for me, comedy by its nature is communal. If other people don’t get it, I’m not sure why you are doing it. I think the same can be said for being offensive, for no other reason than being offensive. Me personally, it boggles my mind.”
— Keegan-Michael Key, quoted from the (Feb 1, 2012) MovieWeb interview entitled “Keegan-Michael Key and Jordan Peele Talk Key & Peele Series Premiere [Exclusive]” by
B. Alan Orange
In some ways, practicing yoga is simultaneously like writing a poem, painting a painting, writing a short story, and writing comedy. You do it for yourself and — especially in a group class — it is also communal. As Maty Ezraty said, “Practicing yoga is a privilege. And with this privilege comes a duty to be kind, to share a smile, and to offer yoga from the mat into the rest of your life.”
Here is a mini-practice (5 minutes) which you can use it as your whole practice as the beginning/introduction portion of your practice and finish with a deeper back bend (even if it’s the same back bend — just with more awareness, more breath, and more smile.
Saturday’s playlist is available on YouTube and Spotify. [Look for “03222020 Storytellers”]
If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can dial 988 (in the US) or call 1-800-273-TALK (8255)for the Suicide and Crisis Lifeline. You can also call this TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.
White Flag is a new app, which I have not yet researched, but which may be helpful if you need peer-to-peer (non-professional) support.
NOTES: 1Just to clarify, since someone asked after class: While there are other storytellers I could have highlighted, the original focus was always the last 4 storytellers referenced above. I didn’t replace anyone, just added a storyteller and adjusted the narrative accordingly. Similarly, the playlist has room, time, and space, for another song (or two).
“Nowruz Mubarak!” Happy New Year to those who were celebrating! “Ramaḍān Mubarak, Blessed Ramaḍān!” to anyone observing the holy month of Ramaḍān. (Keep your eyes open!) Many blessings also to all, and especially to those who are observing Great Lent and/or Lent!
Peace, ease, advocacy to all, throughout this “Season for Nonviolence” and all other seasons!
“I would like to either pick up the mantle or stand next to my partner and hold the torch as we, you know, run into the Olympic arena of this society and discourse. Because aren’t we losing, Kelly, discourse? It’s black or it’s white, and that’s not the way the world works. We live in a gray world, and I want to tell gray stories.”
— Keegan-Michael Key, quoted from the (July 13, 2017) NPR interview entitled “‘You’re Never Too Old To Screw Up’: Keegan-Michael Key On ‘Friends From College’” by Kelly McEvers, Anjuli Sastry Krbechek
Please join me today (Saturday, March 22nd) at 12:00 PM for a yoga practice on Zoom. You can use the link from the “Class Schedules”calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email myra(at) ajoyfulpractice.com.
Saturday’s playlist is available on YouTube and Spotify. [Look for “03222020 Storytellers”]
“‘When you convinced me not to quit, you said, and I quote, “If we are to help save the human race, we must recognize the humanity in all, no matter their station in life.”’”
— Charl speaking to Max and Isabl in Max Einstein: The Genius Experiment by James Patterson and Chris Grabenstein
If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can dial 988 (in the US) or call 1-800-273-TALK (8255)for the Suicide and Crisis Lifeline. You can also call this TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.
White Flag is a new app, which I have not yet researched, but which may be helpful if you need peer-to-peer (non-professional) support.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)
“Ramaḍān Mubarak, Blessed Ramaḍān!” to anyone observing the holy month of Ramaḍān. (Keep your eyes open!) Many blessings also to all, and especially to those who were celebrating and/or observing the Baháʼí 19-Day Fast, Great Lent, Lent, and/or the Feast Day of Saint Joseph!
“Nowruz Mubarak!” Happy New Year to those who are celebrating (tonight and tomorrow) and Happy Vernal (Spring) Equinox (tomorrow) to those in the Northern Hemisphere.
Peace, ease, and (the best) ecology to all, throughout this “Season for Nonviolence” and all other seasons!
“When Bob Dylan‘s self-titled debut LP hit shelves on March 19th, 1962, it didn’t sound anything like the popular music of the time. It was the height of ‘The Twist’ dance craze, and 11 songs on the Billboard Hot 100 chart had the word ‘twist’ in the title, including ‘Dear Lady Twist’ by Gary U.S. Bonds, ‘Twistin’ The Night Away’ by Sam Cooke, ‘Hey, Let’s Twist’ by Joey Dee and the Starlighters, ‘Twistin’ Postman’ by the Marvelettes and ‘Alvin Twist’ by the Chipmunks.”
— quoted from the 2012 Rolling Stone article “50 Years Ago Today: Bob Dylan Released His Debut Album – Album was recorded in six hours for $402” by Andy Greene
The following is an excerpt from a 2023 post:
“[Bob Dylan’s debut studio album, Bob Dylan,] was recorded on November 20th and 22nd of 1961. In addition to the two original Dylan songs (‘Talkin’ New York’ and ‘Song to Woody’), there were eleven covers or traditional folk songs (including Negro spirituals). While Bob Dylan did arrange some of the folk songs, there’s one arrangement that he famously, uhmm… ‘borrowed’ (without permission) from folk singer Dave Van Ronk. Exactly a month after recording the album, Bob Dylan had an informal recording session in a Minneapolis, Minnesota hotel room with Bonnie Beecher and Tony Glover. Those bootleg recordings may or may not have been distributed out of someone’s trunk; but, they were the equivalent of modern-day artists streaming their music. They got people excited about Bob Dylan as a musician and may be considered a better glimpse (than the studio album) of what was to come from the artist.
The bootleg recordings did not, however, drum up enough attention to really sell Bob Dylan. The album has never been super popular (chart wise) in the US or the UK. Neither did it, initially, receive a lot of critical recognition or attention. Part of the lack of interest, at the time it was released, may have been because it sounded nothing like what was popular at the time….
In addition to ‘Peppermint Twist,’ also by Joey Dee and the Starlighters, which spent three weeks at number one on the Billboard Hot 100 chart, the airwaves at the time were filled with doowop artists like Gene Chandler; crooners like Ray Charles and Neil Sedaka; women like Connie Francis, Shelley Fabares, and Little Eva; Motown girl bands like The Shirelles; and boy bands like the Beach Boys and The Tokens (whose number one song at the beginning of 1962, ‘The Lion Sleeps Tonight,’ is its own ‘lottery’ cautionary tale). Of course, there was folk music; however, as Andy Greene pointed out, ‘To most of America, the Kingston Trio were the embodiment of folk music…. but [Dylan] sounded nothing like the Kingston Trio.’ Then there was Elvis Presley… and some 1962 reviewers did compare Dylan — as well as his voice and his style — to Elvis Presley.
Which is weird to me.”
Click on the excerpt title below for the entire post about how Bob Dylan hit the metaphorical lottery (and why I think it was weird that some people compared him to Elvis).
“I walked down there and ended up
In one of them coffee-houses on the block
I get on the stage to sing and play
Man there said, ‘Come back some other day
You sound like a hillbilly
We want folksingers here’”
— quoted from the song “Talkin’ New York” by Bob Dylan
Please join me today (Wednesday, March 19th) at 4:30 PM or 7:15 PM for a yoga practice on Zoom.You can use the link from the “Class Schedules”calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email myra(at) ajoyfulpractice.com.
Wednesday’s playlist is available on YouTube and Spotify. [Look for “05242022 Bob’s Poems”]
CLICK ON THE EXCERPT TITLE BELOW FOR CELEBRATIONS RELATED TO TONIGHT & TOMORROW!
If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can dial 988 (in the US) or call 1-800-273-TALK (8255)for the Suicide and Crisis Lifeline. You can also call this TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.
White Flag is a new app, which I have not yet researched, but which may be helpful if you need peer-to-peer (non-professional) support.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)
“Ramaḍān Mubarak, Blessed Ramaḍān!” to anyone observing the holy month of Ramaḍān. Many blessings also to all, and especially to those celebrating and/or the Baháʼí 19-Day Fast, Great Lent, and/or Lent!
Peace, ease, and disarmament to all, throughout this “Season for Nonviolence” and all other seasons!
“What is the meaning of kindness? Speak and listen to others, from now on, as if they had recently died. At the core the seen and unseen worlds are one.”
— “Solution” by Franz Wright
The poet Franz Wright was born today in 1953, click on the excerpt below for more about him and his work.
NOTE: The 2023 post includes references to mental health and features embedded links to other sites.
Please join me today (Tuesday, March 18th) at 12:00 PM or 7:15 PM for a yoga practice on Zoom. You can use the link from the “Class Schedules” calendar if you run into any problems checking into the class.You can request an audio recording of this practice via a comment below or by emailing myra (at) ajoyfulpractice.com.
Tuesday’s playlist is available on YouTube and Spotify. [Look for “07082020 On Death & Dying”]
“I am here to learn to bear the beams of love, what else
Bells through the leaves, I am here to endure the
bells tolling underground”
— quoted from the poem “Introduction” in God’s Silence by Franz Wright
If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can dial 988 (in the US) or call 1-800-273-TALK (8255)for the Suicide and Crisis Lifeline. You can also call this TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.
White Flag is a new app, which I have not yet researched, but which may be helpful if you need peer-to-peer (non-professional) support.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)
“Ramaḍān Mubarak, Blessed Ramaḍān!” to anyone observing the holy month of Ramaḍān. Many blessings also to all, and especially to those celebrating and/or observing the Baháʼí 19-Day Fast, Great Lent, and/or Lent!
Peace, ease, and unity to all, throughout this “Season for Nonviolence” and all other seasons!
For Those Who Missed It: The following was originally posted in 2024.The post references racism, war, and famine (although these are not explicitly mentioned during the practice). Some date-related content has been updated.
“[JOSEPH] ASAGAI: Then isn’t there something wrong in a house – in a world – where all dreams, good or bad, must depend on the death of a man?”
— quoted from Act III, Scene One of A Raisin in the Sun by Lorraine Hansberry
When there is conflict, particularly conflict related to religion and/or ethnicity and race (not to mention any number of other immutable traits), we sometimes forget that we do not live in a binary universe. There are not just people of color and white people in the United States. There are not just Jewish people and Muslim people in the Middle East. There are not just Christians and non-Christians in the world. Neither are there just two groups in any conflict. But, there is one thing we all are: People.
We are all people who deserve a little sugar in our bowl, metaphorically as well as physically. We will get to the physical; but, let’s start with the metaphorical.
“I want a little sugar in my bowl I want a little sweetness down in my soul I could stand some lovin’, oh so bad Feel so funny, I feel so sad
I want a little steam on my clothes”
— quoted from the song “I Want A Little Sugar in My Bowl” by Nina Simone
Metaphorically speaking, what is the little bit of sweetness you want in the bowl that is your life?
Above and beyond having the basic necessities in life — food, water, shelter, and the ability to rest — your experiences and the experiences of those around you determines how you visualize and conceive of that sweetness. For example, Lorraine Hansberry’s childhood experiences became A Raisin in the Sun, which premiered on Broadway, at the Ethel Barrymore Theatre, today in 1959. Named after a line from the Langston Hughes poem “Harlem,” the award-winning play is about a family whose American dream is to live in a nice, safe neighborhood without facing racism and hostilities.
We live in a different time than the Hansberrys lived and each of us may have experiences that lead us to desire something that appears very different — on the outside. Ultimately, however, all of our sweet dreams boil down to the same things: We all want peace, safety, contentment, freedom, and love (e.g., that sense of belonging/being part of something more than ourselves).
Many people seek that sweetness through their spiritual and/or religious practice. As I have mentioned over the last few weeks, this is the time of year when many religious communities around the world are observing and/or are about to observe their holiest times.
2025: People within the Baháʼí Faith community are in the second week of the 19–Day Fast and this is also the second week of the holy month of Ramaḍān and Great Lent (in the Orthodox Christian communities). Some Western Christian communities are just now completing their first week of Lent; more communities will soon celebrate a new year and a new season; Passover is next month; and there are even more celebrations in between (including two fun ones this week).
“‘Yet others abstain from food and practice sacrifice by spiritualizing their vital energy – that is, by figuratively pouring their own vital life force into the Cosmic Life Force. The whole point of all these various methods of sacrifice (worship) is to develop a certain mental attitude. Those who live with a truly worshipful attitude, whose whole lives are offered up for improvement of the world, incur no sin (no karmic debt).
‘This world is not for the person who performs no sacrifice, no worship. But those who actually live their lives as an offering partake of the nectar of God. Through selflessness they reach the Divine.’”
— Krishna speaking to Arjuna (4.30 – 31) in The Bhagavad Gita: A Walkthrough for Westerners by Jack Hawley
For some people, fasting during a sacred time is one of the pillars or foundations of faith and an important element of worship. The same is true for giving something up and donating to charity. From the outside, it may just look like a luxury to be able to do these things. To someone on the inside of a tradition, these activities can be necessities of faith. Yet, as I have mentioned repeatedly over the last few weeks, since fasting is not meant to be abusive and/or a form of punishment, each major religion has exclusions based on age and physical–mental conditions. Just as there were people who were not able to fast because of COVID, there are people who have not been able to fully observe the 19–Day Fast, the holy month of Ramaḍān, Great Lent, Lent, and a host of other religious traditions and rituals because of war and famine.
I am specifically mentioning famine, because it sometimes gets overlooked and because it is something that is so unnecessary. I do not mean to imply that war and disease are necessary or that they are easily avoidable. But, famine is a different story.
Famine is a different story because there is enough food in the world. In fact, there is enough food to feed 1.5x the current world population.
Just think about that for a moment.
We could break that down as food for everyone on the plant plus 2.5 – 3 billion people who don’t exist. Or, we could break that down as having enough food for 2.5 – 3 billion people to go back for a second helping. Just to put all that into perspective: The largest countries in the world are still under 2 billion people. And yet, people are experiencing famine.
Take a moment to give thanks for what you have. Then, consider how you can help someone else have that metaphorical sweetness in the bowl that is their life.
Spoiler Alert: While what you can do is not necessarily about money, it is always about power. You have the power.
“[JOSEPH] ASAGAI: You wanted to be God – ?
BENEATHA [YOUNGER]: No – I wanted to cure. It used to be so important to me. I wanted to cure. I used to care. I mean about people and how their bodies hurt –
[JOSEPH] ASAGAI: And you’ve stopped caring – ?”
— quoted from Act III, Scene One of A Raisin in the Sun by Lorraine Hansberry
Please join me today (Tuesday, March 11th) at 12:00 PM or 7:15 PM for a yoga practice on Zoom. You can use the link from the “Class Schedules” calendar if you run into any problems checking into the class.You can request an audio recording of this practice via a comment below or by emailing myra(at) ajoyfulpractice.com.
Tuesday’s playlist is available on YouTube and Spotify. [Look for “05192021 Being in The Middle”]
NOTE: The before/after music includes different artists performing Sam Cooke’s “A Change is Gonna Come” (with an intro I don’t think I had ever heard): on YouTube it’s Jennifer Hudson; on Spotify it’s Aretha Franklin.
“To Mama: in gratitude for the dream”
— quoted from the dedication of A Raisin in the Sun by Lorraine Hansberry
“MAMA [YOUNGER]: Crazy ’bout his children! God knows there was plenty wrong with Walter Younger hard-headed, mean, kind of wild with women – plenty wrong with him. But he sure loved his children. Always wanted them to have something be something. That’s where Brother gets all these notions, I reckon. Big Walter used to say, he’d get right wet in the eyes sometimes, lean his head back with the water standing in his eyes and say, ‘Seem like God didn’t see fit to give the black man nothing but dreams – but He did give us children to make them dreams seem worth while.’”
— quoted from Act I, Scene One of A Raisin in the Sun by Lorraine Hansberry
If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can dial 988 (in the US) or call 1-800-273-TALK (8255)for the Suicide and Crisis Lifeline. You can also call this TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.
White Flag is a new app, which I have not yet researched, but which may be helpful if you need peer-to-peer (non-professional) support.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)
### Respect your dreams and the dreams of the children around you. ###
Many blessings to everyone, and especially those celebrating Carnival and Maha Kumbh Mela!
Peace, ease, and harmony throughout this “Season for Nonviolence” and all other seasons!!!
This is the “missing” post for Sunday, February 23, 2025 (and also 2022).You can request an audio recording of this practice or a previous practice via a comment below or (for a slightly faster reply) you can email myra(at) ajoyfulpractice.com.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es).
Donations are tax deductible; class purchases are not necessarily deductible.
It’s lovely weather outside and I’ve perked up since yesterday. Nearly every morning I go to the attic where Peter works to blow the stuffy air out of my lungs. From my favorite spot on the floor I look up at the blue sky and the bare chestnut tree, on whose branches little raindrops shine, appearing like silver, and at the seagulls and other birds as they glide on the wind.
He stood with his head against a thick beam, and I sat down. We breathed the fresh air, looked outside, and both felt that the spell should not be broken by words…. I looked out, of the open window too, over a large area of Amsterdam, over all the roofs and on to the horizon, which was such a pale blue that it was hard to see the dividing line. ‘As long as this exists,’ I thought, ‘and I may live to see it, this sunshine, the cloudless skies, while this lasts I cannot be unhappy.’”
— Anne Frank, written in her diary (“Kitty”) on Wednesday, February 23, 1944
Do you keep a diary, a journal, or maybe write “morning pages”? If so, you probably write about things that are very personal to you; things you believe no one would be interested in reading — and, in most cases, you probably write for your eyes only. However, as you chronicle your daily minutia, you probably also reference things that are happening in the world around you. Just like famous diarists (whose private musings have made it into the public), you probably include references and maybe even details about current events — and how you take care of yourself during challenging (and horrifically tragic) times. In other words, like Samuel Pepys and Anne Frank, you provide an eye witness account of things that will one day be studied.
Born in London, today (February 23rd) in 1638, Samuel Pepys was a Tory politician who had no maritime experience, but somehow rose to the rank of Chief Secretary to the Admiralty (under two different kings). While he played a role in the reformation of what is now the Royal Navy, he is primarily remembered as a writer — and specifically as a prolific diarists. From 1660 until 1669, he wrote detailed daily entries about everything from his marriage, what he ate for any given meal, and the painful urinary tract and (urinary) bladder stone issues1 (which he experienced from a very young age) to the “good honest and painfull [i.e. painstakingly written] sermon” he heard on Sunday, March 17, 1661, and every else going on in the world around him. In fact, his diary entries give modern readers first-hand, eyewitness accounts of the Stuart Restoration (in May 1660), the Great Plague of London (1665-1666), the Second Anglo-Dutch War (1665-1667), and the Great Fire of London (in September 1666).
“17th (Lord’s day). At church in the morning, a stranger preached a good honest and painfull sermon. My wife and I dined upon a chine of beef at Sir W. Batten’s, so to church again. Then home, and put some papers in order. Then to supper at Sir W. Batten’s again, where my wife by chance fell down and hurt her knees exceedingly. So home and to bed.”
— quoted from a 1661 diary entry, as published in the “March 1660-1661” section of The Diary of Samuel Pepys M.A. F.R.S., Clerk of the Acts and Secretary to the Admiralty by Samuel Pepys
Transcribed from the Shorthand Manuscript in the Pepysian Library, Magdalene College Cambridge, by the Rev. Mynors Bright M.A., Late Fellow and President of the College (Unabridged), with Lord Braybrooke’s Notes / Edited with Additions by Henry B. Wheatley F.S.A.
Samuel Pepys wrote his diary entries in his own personal shorthand and also used a little code that mixed English profanities with French, Italian, and Spanish words. He often used the code when talking about illicit affairs — and interactions with women that are so clearly abusive that they can only be described as rape — and/or when he was describing his very frank opinions about people in power. There are, however, some indications that he wanted his diaries to be a historical record. For instance, he preserved them, catalogued them as part of his library, and even transcribed some pages (from his shorthand). In 1669, he stopped writing his daily dairy entries because he was losing his eyesight. He considered dictating his daily entries to a scribe — and did, in fact, briefly dictate some work-related journal entries in 1669–70 and 1683). However, he ultimately decided that he did not want to give up his privacy.
Just as the work of Samuel Pepys gives modern readers a glimpse of 17th century England, the work of W. E. B. Du Bois gives modern readers a glimpse of 19th and 20th century America.
“When the physical war ended, then the real practical problems presented themselves. How was slavery to be effectively abolished? And what was to be the status of the Negroes? What was the condition and power of the states which had rebelled? The legal solution of these questions was easy. The states that had attempted to rebel had failed. The must now resume their relations to the government. Slavery had been abolished as a war measure….
The difficulty with this legalistic formula was that it did not cling to facts. Slavery was not abolished even after the Thirteenth Amendment. There were four million freedmen and most of them on the same plantation, doing the same work they did before emancipation, except as their work had been interrupted and changed by the upheaval of war. Moreover, they were getting about the same wages and apparently were going to be subject to slave codes modified only in name. There were among them thousands of fugitives in the camps of the soldiers or on the streets of the cities, homeless, sick, and impoverished. They had been freed practically with no land nor money, and, save in exceptional cases, without legal status, and without protection.”
— quoted from Black Reconstruction in America (The Oxford W. E. B. Du Bois): An Essay Toward a History of the Part Which Black Folk Played in the Attempt to Reconstruct Democracy in America, 1860-1880 by W. E. B Du Bois
Born William Edward Burghardt Du Bois, in Great Barrington, Massachusetts, in 1868, Dr. Du Bois was an author, sociologist, socialist, historian, a Pan-Africanist civil rights activist, and one of the co-founders of the National Association for the Advancement of Colored People (NAACP). He was the editor of The Crisis, the official magazine of the NAACP, from 1910 to 1933, and the author of a plethora of articles and speeches, over 24 books, and three autobiographies, including: “The Study of the Negro Problems” (1898), The Souls of Black Folk: Essays and Sketches (1903), John Brown (1909), The Gift of Black Folk: The Negroes in the Making of America (1924), Black Reconstruction in America (1935), What the Negro Has Done for the United States and Texas (1936), and I Take My Stand for Peace (1951).
While his paternal great-grandfather was ethnically French-American (from a Huguenot family) and his maternal great-great-grandfather had been enslaved, W. E. B. Du Bois’s father (Alfred Du Bois) was of mixed ethnicity and his mother (Mary Silvina Burghard Du Bois), who was also mixed heritage, was part of a small, free Black population of land owners. Dr. Du Bois, himself, grew up in a mostly European American town. After graduating with honors from an integrated school in his hometown, he earned a Bachelor’s of Art (BA) from Fisk University. He then had to start over from scratch and earn a second Bachelor’s (AB) in history, cum laude, from Harvard University — which, at the time, did not recognize credits and degrees from HBCUs (Historically Black Colleges and Universities). Finally, he earned a PhD in sociology from Harvard. Part of his graduate school studies included a fellowship from the John F. Slater Fund for the Education of Freedman, which enabled him to attend Friedrich Wilhelm University (in Berlin) and to travel throughout Europe. Just as his upbringing shaped his perspective, his travels and studies further informed the way he saw the world, his place in the world, and what he had to offer the world.
“The return from your work must be the satisfaction which that work brings you and the world’s need of that work. With this, life is heaven, or as near heaven as you can get. Without this — with work which you despise, which bores you, and which the world does not need — this life is hell.”
— quoted from the National Guardian article entitled “To an American born last Christmas Day” by W. E. B. Du Bois, published on March 10, 1958, under the header “Dr. DuBois at 90 Offers a Piece of Advice [to his newborn great-grandson]”
Of course, all throughout his school years — even when he was on scholarship and even when he was studying abroad, he had to work and rely on extra income (in the form of loans and gifts) from friends and family. After he graduated, he started teaching at Wilberforce University (in Ohio). He eventually conducted research at the University of Pennsylvania and then accepted a position to teach history and economics at Atlanta University (in Georgia). During his tenure at Atlanta University, he started presenting articles based on his University of Pennsylvania field work, in which he described “the submerged tenth” and, later, “the talented tenth”. These two terms and the people referenced by those terms became the foundation of a late 19th century debate that continues to this day.
Most people associate the two sides of the debate with W. E. B. Du Bois and Booker T. Washington. Both were educated and both were leaders in the Black community. To a certain degree, they even had the ear of the establishment. However, they had very different ideas about the best way for formerly enslaved people and their descendants to actively participate in and benefit from the US economy.
In a nutshell, Mr. Washington advocated sticking to what people knew (from slavery) and becoming (scholastically) educated in agriculture, crafts, and other trades they had done during slavery. He also encouraged people to purchase property and to be patient when faced with discrimination (even if that discrimination hindered them in pursuing education and the opportunity to purchase property). On the flip side, Mr. Du Bois was considered a radical who believed in an “intellectual” education that would create what he called the “Talented Tenth” – the best and the brightest college educated individuals who could instigate activism in the streets as well as in the courts and in the boardrooms. As I said, this debate continues, in part because the stigma, racism, and prejudice associated with slavery still exists.
“Thus in the far-away Southern village that would lay waiting, half consciously, the coming of two young men, and dreamed in an inarticulate way of new things that would be done and new thoughts that all would think. And yet it was a singular that few thought of two Johns, — for the black folk thought of one John, and he was black; and the white folk though of another John, and he was white. And neither thought the other world’s thought, save with a vague unrest.”
— quoted from “XIII. Of the Coming of John” in The Souls of Black Folk: Essays and Sketches by W. E. Burghardt Du Bois
The thirteen essay in The Souls of Black Folk: Essays and Sketches, called “Of the Coming of John”, is a study of contrasts. It is an essay/story of two popular, beloved men from the same hometown in Georgia. In some ways, they grow up together — although, like W. E. B. Du Bois and his childhood friends, one is Black and one is white. The latter is also, notably, from a wealthy family with a lot of power in the small town. The two Johns leave home (separately), but their paths awkwardly overlap in New York City, just before they return home, and then tragically overlap when they are back in Georgia.
The awkward meeting in New York happens during a performance of Lohengrin — which provides an odd bit of twisted foreshadowing. However, during today’s practice, I imagined that the music was something by George Frideric Handel, who was born today in 1685 (according to the Julian calendar) in Halle, Duchy of Magdeburg, Brandenburg-Prussia (which is now Germany) and whose music was the backdrop for the drama of it’s own time.
“All this John did not see, for he sat in a half-maze minding the scene about him; the delicate beauty of the hall, the faint perfume, the moving myriad of men, the rich clothing and low hum of talking seemed all a part of a world so different from his, so strangely more beautiful than anything he had known, that he sat in dreamland, and started when, after a hush, rose high and clear the music of Lohengrin’s swan. The infinite beauty of the wail lingered and swept through every muscle of his frame, and put it all a-tune. He closed his eyes and grasped the elbows of the chair, touching unwittingly the lady’s arm. And the lady drew away. A deep longing swelled in all his heart to rise with that clear music out of the dirt and dust of that low life that held him prisoned and befouled. If he could only live up in the free air where birds sang and setting suns had no touch of blood! Who had called him to be the slave and butt of all? And if he had called, what right had he to call when a world like this lay open before men?
Then the movement changed, and fuller, mightier harmony swelled away. He looked thoughtfully across the hall, and wondered why the beautiful gray-haired woman looked so listless, and what the little man could be whispering about. He would not like to be listless and idle, he thought, for he felt with the music the movement of power within him. If he but had some master-work, some life-service, hard, — aye, bitter hard, but without the cringing and sickening servility, without the cruel hurt that hardened his heart and soul.”
— quoted from “XIII. Of the Coming of John” in The Souls of Black Folk: Essays and Sketches by W. E. Burghardt Du Bois
Sunday’s playlist is available on YouTube and Spotify. [Look for “022322 Pepys, peeps, and a peep”]
“The best remedy for those who are afraid, lonely, or unhappy is to go outside, somewhere where they can be quite alone with the heavens, nature, and God…. As long as [the simple beauty of Nature] exists, and it certainly always will, I know that then there will always be comfort for every sorrow, whatever the circumstances may be. And I firmly believe that nature brings solace in all troubles.”
— Anne Frank, written in her diary (“Kitty”) on Wednesday, February 23, 1944
If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can dial 988 (in the US) or call 1-800-273-TALK (8255)for the Suicide and Crisis Lifeline. You can also call this TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.
White Flag is a new app, which I have not yet researched, but which may be helpful if you need peer-to-peer (non-professional) support.
12025 NOTE: During the practice, I said that I did not know/remember if Samuel Pepys had problems with his urinary bladder or his gall bladder, but that we would address both in the physical parts of the practice.
### “breathe / take a breath / saans lo” ~ Arooj Aftab ###
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A Joyful Practice 