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Threads, Instructions, Truth, Practice, To Contemplate May 12, 2020

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(“Ramadan Mubarak, Blessed Ramadan!” to anyone who is observing Ramadan. I typically talk about Ramadan at the end of the season, so keep your eyes open.)

SŪTRA [Sanskrit; also, “sutta” in Pali] – Thread or String, refers to a statement or collection of statements which make up sacred text and scripture in Indian philosophy and religions.

TALMUD [Hebrew] – Instruction or Learning, refers to collection of work which makes up the central text in Rabbinic Judaism and the primary source of Jewish law and tradition. It is part of the “Torah,” which can also mean “instruction” – as well as “teaching” and “law” – so that it is “instruction on the teaching.”

GOSPEL [Latin > Old English] – a portmanteau meaning Good Narrative, Story, Sermon, or Speech (also, Good News), refers to accounts of Jesus’ life as told by his disciples in the Christian New Testament – often translated as “Truth.”

SUNNAH [Arabic; also “sunna” and “sunnat”] – Habit or Practice, refers to a collection of traditional social and legal practices and customs within Islam. It is written in the “Hadith” – which means “speech,” “narrative,” “talk,” and “discourse” – and is one of the primary sources of Islamic belief, theology, and law.

MEDITATE [Latin > Old French > English] – To Think, Contemplate, Devise, Ponder, refers to the act, habit, and practice used by religious mystics and contemplatives, philosophers, and non-religious people dating back Before the Common Era.

 

Maya Angelou starts off her poem “Human Family,” by stating, “I note the obvious differences / in the human family.” She then goes on to explore the world and a myriad of people in various situations and relationships (including a literal myriad of “women/ called Jane and Mary Jane”) who are all different. Yet, she states at the end, “I note the obvious differences / between each sort and type, /
but we are more alike, my friends, / than we are unalike.”

“We are more alike, my friends,
than we are unalike.”

 

– last lines repeated at the end of “Human Family” by Maya Angelou

As compelling as it is to notice how different we are, those differences can be a distraction that make us forget we are all part of the same human family and, also, that we are more alike than different. Forgetting really basic things like the fact that we all breathe; we all have a heart pumping blood through veins and arteries; we all experience some form of suffering and desire (and deserve) to be free of suffering; we all love something (“even if,” as Chögyam Trungpa famously said, “it’s only tortillas.”) leads to polarization and more suffering. Forgetting becomes a vicious cycle of separation, isolation, pain, and suffering. And here too, unfortunately, we are alike in that our suffering as a result of separation and isolation can lead us to inflict pain and suffering on others.

 

The funny thing is, lashing out at others becomes a source of what we desire most: connection, union, (dare I say it) yoga. It’s really messed up, co-dependent, and abusive connection, but it’s still connection. Like in the movie (and the song) “Crash,” sometimes the only time people who perceive themselves as different from each other connect is through pain, trauma, tragedy, and loss. Here’s the thing though, what brings us together is not nearly as important as how we choose to come together. What I mean by that is, when we crash into each other, our interaction can result in more pain or an alleviation of pain, maybe even joy. When we come together, for any reason, we can do so in a way that creates further separation and isolation (in other words, more pain and suffering) or in a way that reinforces our connections (sometimes on a much deeper level).

 

“Where do we go from here, where do we go?
And is it real or just something we think we know?
Where are we going now, where do we go?
‘Cause if it’s the same as yesterday, you know I’m out
Just so you know

Because, because our paths they cross
Yesterday was hard on all of us
On all of us”

 

– “Yesterday Was Hard On All of Us” by Fink

 

I could honestly copy the entire Fink song “Yesterday Was Hard On All of Us” to make my point, but I feel like the pandemic and social isolation that we are all experiencing also makes the point. Even introverts are craving a little social interaction. And those people you see on the news or social media, who are doing things you think are crazy, nonsensical, and selfish (or even independently thinking and patriotic) want the same things you and I want: to be safe, to be peaceful, to be happy, to be at ease, to experience joy and freedom from suffering.

 

We may have different ways of understanding what we desire, but ultimate what we want (and what we need) are the same all around the world. So, how do we get on the same page? Well, I’m going to ask you to consider – just for a moment – that maybe we don’t get on the same page, per se. Maybe, each of us turns towards the book(s) that make the most sense to us and notice what we find. I mean, sure, you could do the whole “choose your own ending” / fortune telling shtick, but I’m being serious. Pick up your sacred text or bible and you will find the truth of Maya Angelou’s words.

 

“Furthermore, Subhūti, in the practice of compassion and charity a disciple should be detached. That is to say, he should practice compassion and charity without regard to appearances, without regard to form, without regard to sound, smell, taste, touch, or any quality of any kind. Subhūti, this is how the disciple should practice compassion and charity. Why? Because practicing compassion and charity without attachment is the way to reaching the Highest Perfect Wisdom, it is the way to becoming a living Buddha.”

 

The Diamond Sutra (4)

 

 

“Undisturbed calmness of mind comes by cultivating feelings of friendliness towards those who are happy, compassion for those who are suffering, joy or happiness towards those who are virtuous, and indifference or neutrality towards those we perceive as wicked or evil (non-virtuous).

 

 

Yoga Sutra (1.33)

 

“You shall neither take revenge from nor bear a grudge against the members of your people; you shall love your neighbor as yourself. I am the Lord.”

 

Vayikra – Leviticus (19:18)

 

“One of them, an expert in the law, tested him with this question: ‘Teacher, which is the greatest commandment in the Law?’ Jesus replied: ‘”Love the Lord your God with all your heart and with all your soul and with all your mind.” This is the first and greatest commandment. And the second is like it: “Love your neighbor as yourself.” All the Law and the Prophets hang on these two commandments.’”

 

The Gospel According to Matthew (22:35 – 40, NIV), this speech also appears in Mark (12:28 – 31) and Luke (10:17)

 

“On the authority of Abu Hamzah Anas bin Malik (may Allah be pleased with him) — the servant of the Messenger of Allah (peace and blessings of Allah be upon him) — that the Prophet (peace and blessings of Allah be upon him) said:

None of you [truly] believes until he loves for his brother that which he loves for himself. [Al-Bukhari]”

 

– 40 Hadith Nawawi 13

 

 

“Accept the things and occurrences to which fate binds you, and love the people with whom fate brings you together, but do so truly, sincerely.”

 

– from Meditations (Book 6) by Marcus Aurelius

 

Yes, yes, just because it’s there doesn’t mean anyone has to listen, pay attention, or practice what they preach. This too, we have in common: the ability to stare what we need right in the face… and not see it. The fact that it’s there, however, is an invitation to practice. So, today, we will practice variations on a theme.

Please join me today (Tuesday, May 12th) at 12 Noon or 7:15 PM, if you are interested (to paraphrase Metallica) in opening yourself up in a different way. (This practice is also Martha Graham inspired.) Use the link from the “Class Schedules” calendar if you run into any problems checking into the class. Tuesday’s playlist is available on YouTube and Spotify.

Since I couldn’t cover every practice, tradition, and belief in my little window, feel free to comment below with a “love offering” of your own.

Kiss My Asana, the yogathon that benefits Mind Body Solutions and their adaptive yoga program is officially over. But, I still owe you two posts and you can still do yoga, share yoga, help others by donating to my KMA campaign through May 15th.

You can also check out the all-humanity, Kick-Off gathering featuring insights from MBS founder Matthew Sanford, conversation with MBS students, and a mind-body practice for all. This practice is all themes mentioned above and includes a focus on spinal breathing that would make Martha Graham dance. If you’re not familiar with MBS, this will give you a glimpse into the work, the people, and the humanity of the adaptive yoga program which I am helping to raise $50K of essential support.

 

### WHERE IS THE LOVE? ###

[Love] Letter to the World May 11, 2020

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(“Ramadan Mubarak, Blessed Ramadan!” to anyone who is observing Ramadan. I typically talk about Ramadan at the end of the season, so keep your eyes open.)

“Furthermore, Subhūti, in the practice of compassion and charity a disciple should be detached. That is to say, he should practice compassion and charity without regard to appearances, without regard to form, without regard to sound, smell, taste, touch, or any quality of any kind. Subhuti, this is how the disciple should practice compassion and charity. Why? Because practicing compassion and charity without attachment is the way to reaching the Highest Perfect Wisdom, it is the way to becoming a living Buddha.”

 

The Diamond Sutra (4)

 

By this name it shall be revered and studied and observed. What does this name mean? It means that when the Buddha named it, he did not have in mind any definite or arbitrary conception, and so named it. This Sutra is hard and sharp, like a diamond that will cut away all arbitrary conceptions and bring one to the other shore of Enlightenment.”

 

The Diamond Sutra (13)

I have heard that the oldest (surviving) book with a printed date is a Chinese copy of The Diamond That Cuts Through Illusion, a sacred Buddhist text commonly known as The Diamond Sutra. It was translated from Sanskrit and printed today (May 11th) in 868 A. D. on a 17-and-a-half-foot-long grey scroll using a block printer commissioned by one Wang Jie. A handwritten note along the lower right hand side of the scroll indicates that it was “Reverently made for universal free distribution by Wand Jie on behalf of his two parents.” The text itself indicates that there is great merit in being a “person who simply observed and studied this Sutra and, out of kindness, explained it to others.”  (DS 24)

While the merit is great even if a person only understands and explains “four lines of this Sutra” (DS 8 & 12), it is a relatively accessible and short text, at about 6,000 words. The Diamond Sutra consists of a conversation between the Buddha and his pupil Subhūti, during which there is a continuous emphasis on the temporal and illusory nature of all things – including the teachings within the text! Despite the temporal and illusory nature of all things (including the teachings within the text) – or maybe because of it – there is great wisdom here. Wisdom that is summed up in the Tom Waits song “Diamond in Your Mind:” always keep a diamond in your mind (no matter the situation or circumstance).

This text can be studied and explained, out of kindness, with dialogue similar to the Buddha and Subhūti’s conversation. It can be explored through a deep seated mediation. Or, it can be studied, explained, and explored through a little movement – maybe even a little heart-centered dance.

“They say that dance and architecture are the two primary arts. That means that you have to have the gesture, the effort – the real effort – to communicate with another being and you must also have a tree to shelter under in case of storm or sun.”

 

– Martha Graham on Technique

 

“To walk out of one’s door each morning requires that you believe you are needed beyond your four walls and can offer something. To be grateful for the opportunity to simply walk out and live a life offers blessings and insight.”

 

– Martha Graham in 1990 telephone and in-person interviews with James Grissom

 

Martha Graham, born today (May 11th) in 1894 was a revolutionary dancer and choreographer, whose passion was partially inspired by her father’s work as a doctor, who used movement as a treatment for nervous disorders, and the art of Russian abstract artist Wassily Kandinsky. Her greatest influence, however, was the work of Ruth St. Denis and Ted Shawn. Graham once said, “Everything I did was influenced by Denishawn.” And, like St. Denis, Graham would go on to leave an indelible mark not only on dance, but also on music, theatre, and performance art.

Graham developed a technique based on the importance of breathing and movement that was, she said, “fraught with inner meaning, with excitement and surge.” The Graham Technique is based on the idea of “contraction and release” (which is one way to describe the body’s natural response to breathing); combined with “spiraling” (diagonally positioning parts of the body, via a 45⁰ rotation of the spine, that is reminiscent of Kandinsky’s paintings) and Doris Humphrey’s “fall and recovery” (Humphrey’s principle regarding an individual’s constant engagement with gravity, as well as the life-death experience of living). Even though a Graham dancer’s hands and feet can have specific placement, the movement of the arms and legs (as well as the hands and feet) begins in the core, with awareness of the heart.

“The palm of the hand should be forward, and straight out (in) the audience. I give you myself, I give you what I have to give; that’s what it really means.”

 

– Martha Graham instructing dancers during rehearsal

 

“When I was young I studied with Martha Graham; not to learn to dance, but to learn to move on the stage. If Martha Graham could have had her way, she would have taught us all how to move – through life. That has been and will be her goal: proper movement through life, the relationship of the body to the mind and the body to the spirit. Martha Graham is a compulsive student of the human heart.”

 

–actor Gregory Peck on Martha Graham (in a documentary)

 

The mind needs what it needs to understand something, even ourselves, until it no longer needs a reference point. (People who attended Saturday’s practice will notice a theme here.) The Diamond Sutra tells us that the concepts of a self or no-self, as well as the ideas that all beings are separated or connected, are such reference points. They are used in the text “the way that a raft is used to cross the river. Once the river has been crossed over, the raft is of no more use, and should be discarded.” (DS 6) Martha Graham used dance as a bridge – a way to express life experiences and emotions, as they were simultaneously shared and unique. Here, with the bridge as well as with the raft, there is the opportunity to go back and forth until you have what you need to live nobly through this thing we call life.

“Each one of us has all of life in us. And it is our choice to decide what we will reveal…. How many drops of blood have gone into the making of you? How much memory is in that drop of blood?”

 

– Martha Graham on life, living, and dancing

 

 “Art is memory. It is the excavation of so many memories we have had–of our mothers, our best and worst moments, of glorious experiences we have had with friends or films or music or dance or a lovely afternoon on a sloping, green hill. All of this enters us and, if we are artists, must be shared, handed over to others. This is why it is so important to know what came before you. It is also important to understand that things will follow you, and they may come along and make your work look pedestrian and silly. This is fine; this is progress. We have to work with what life presents to us, and we have to work as well as we can while we can”

 

– Martha Graham in a 1990 telephone interview with James Grissom

 

Please join me for Graham-Diamond-Sutra inspired virtual yoga practice on Zoom today (Monday, May 11th) at 5:30 PM. This is a 75-minute Common Ground Meditation Center practice that, in the spirit of generosity (dana), is freely given and freely received. You can use the link from the “Class Schedules” calendar if you run into any problems checking into the class. If you are able to support the center and its teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” my other practices, or you can purchase class(es). Donations are tax deductible, class purchases are not necessarily.)

There is no playlist for the Common Ground practices (however, today, I do offer additional inspiration).

Kiss My Asana, the yogathon that benefits Mind Body Solutions and their adaptive yoga program is officially over. But, I still owe you two posts and you can still do yoga, share yoga, help others by donating to my KMA campaign through May 15th.

You can also check out the all-humanity, Kick-Off gathering featuring insights from MBS founder Matthew Sanford, conversation with MBS students, and a mind-body practice for all. This practice is all about the compassion the Buddha speaks of in The Diamond Sutra and includes a focus on spinal breathing that would make Martha Graham dance. If you’re not familiar with MBS, this will give you a glimpse into the work, the people, and the humanity of the adaptive yoga program which I am helping to raise $50K of essential support.

 

“There is a vitality, a life force, a quickening that is translated through you into action, and there is only one of you in all time, this expression is unique, and if you block it, it will never exist through any other medium; and be lost. The world will not have it. It is not your business to determine how good it is, not how it compares with other expression. It is your business to keep it yours clearly and directly, to keep the channel open. You do not even have to believe in yourself or your work. You have to keep open and aware directly to the urges that motivate you. Keep the channel open.”

 

– Martha Graham to biographer Agnes de Mille (printed in Martha: The Life and Work of Martha Graham, 1992)

 

### DANCE LIKE NOBODY/EVERYBODY IS WATCHING ###