Pepys, peeps, and a peep [of Harmony] (the “missing” Sunday post that is also a “long lost” post w/an excerpt) February 23, 2025
Posted by ajoyfulpractice in "Impossible" People, Art, Books, Changing Perspectives, Healing Stories, Hope, Life, Music, One Hoop, Peace, Science, Suffering, Tragedy, Wisdom, Writing, Yoga.Tags: 988, Anne Frank, Arooj Aftab, Black History Month, Booker T. Washington, Carnival, George Frideric Handel, George Handel, Harmony, HBCUs, Henry B. Wheatley F.S.A., Lord Braybrooke’s, Mahā Kumbha Mēlā, Rev. Mynors Bright M.A., Samuel Pepys, Sir Isaac Newton, W. E. B. Du Bois, W. E. Burghardt Du Bois
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Many blessings to everyone, and especially those celebrating Carnival and Maha Kumbh Mela!
Peace, ease, and harmony throughout this “Season for Nonviolence” and all other seasons!!!
This is the “missing” post for Sunday, February 23, 2025 (and also 2022). You can request an audio recording of this practice or a previous practice via a comment below or (for a slightly faster reply) you can email myra (at) ajoyfulpractice.com.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es).
Donations are tax deductible; class purchases are not necessarily deductible.
Check out the “Class Schedules” calendar for upcoming classes.
“Dear Kitty,
It’s lovely weather outside and I’ve perked up since yesterday. Nearly every morning I go to the attic where Peter works to blow the stuffy air out of my lungs. From my favorite spot on the floor I look up at the blue sky and the bare chestnut tree, on whose branches little raindrops shine, appearing like silver, and at the seagulls and other birds as they glide on the wind.
He stood with his head against a thick beam, and I sat down. We breathed the fresh air, looked outside, and both felt that the spell should not be broken by words…. I looked out, of the open window too, over a large area of Amsterdam, over all the roofs and on to the horizon, which was such a pale blue that it was hard to see the dividing line. ‘As long as this exists,’ I thought, ‘and I may live to see it, this sunshine, the cloudless skies, while this lasts I cannot be unhappy.’”
— Anne Frank, written in her diary (“Kitty”) on Wednesday, February 23, 1944
Do you keep a diary, a journal, or maybe write “morning pages”? If so, you probably write about things that are very personal to you; things you believe no one would be interested in reading — and, in most cases, you probably write for your eyes only. However, as you chronicle your daily minutia, you probably also reference things that are happening in the world around you. Just like famous diarists (whose private musings have made it into the public), you probably include references and maybe even details about current events — and how you take care of yourself during challenging (and horrifically tragic) times. In other words, like Samuel Pepys and Anne Frank, you provide an eye witness account of things that will one day be studied.
Born in London, today (February 23rd) in 1638, Samuel Pepys was a Tory politician who had no maritime experience, but somehow rose to the rank of Chief Secretary to the Admiralty (under two different kings). While he played a role in the reformation of what is now the Royal Navy, he is primarily remembered as a writer — and specifically as a prolific diarists. From 1660 until 1669, he wrote detailed daily entries about everything from his marriage, what he ate for any given meal, and the painful urinary tract and (urinary) bladder stone issues1 (which he experienced from a very young age) to the “good honest and painfull [i.e. painstakingly written] sermon” he heard on Sunday, March 17, 1661, and every else going on in the world around him. In fact, his diary entries give modern readers first-hand, eyewitness accounts of the Stuart Restoration (in May 1660), the Great Plague of London (1665-1666), the Second Anglo-Dutch War (1665-1667), and the Great Fire of London (in September 1666).
“17th (Lord’s day). At church in the morning, a stranger preached a good honest and painfull sermon. My wife and I dined upon a chine of beef at Sir W. Batten’s, so to church again. Then home, and put some papers in order. Then to supper at Sir W. Batten’s again, where my wife by chance fell down and hurt her knees exceedingly. So home and to bed.”
— quoted from a 1661 diary entry, as published in the “March 1660-1661” section of The Diary of Samuel Pepys M.A. F.R.S., Clerk of the Acts and Secretary to the Admiralty by Samuel Pepys
Transcribed from the Shorthand Manuscript in the Pepysian Library, Magdalene College Cambridge, by the Rev. Mynors Bright M.A., Late Fellow and President of the College (Unabridged), with Lord Braybrooke’s Notes / Edited with Additions by Henry B. Wheatley F.S.A.
Samuel Pepys wrote his diary entries in his own personal shorthand and also used a little code that mixed English profanities with French, Italian, and Spanish words. He often used the code when talking about illicit affairs — and interactions with women that are so clearly abusive that they can only be described as rape — and/or when he was describing his very frank opinions about people in power. There are, however, some indications that he wanted his diaries to be a historical record. For instance, he preserved them, catalogued them as part of his library, and even transcribed some pages (from his shorthand). In 1669, he stopped writing his daily dairy entries because he was losing his eyesight. He considered dictating his daily entries to a scribe — and did, in fact, briefly dictate some work-related journal entries in 1669–70 and 1683). However, he ultimately decided that he did not want to give up his privacy.
In 1665, Samuel Pepys was elected as a Fellow of the Royal Society and was serving as the society’s president, in 1687, when Sir Isaac Newton published the first edition of Philosophiæ Naturalis Principia Mathematica (Mathematical Principles of Natural Philosophy) in 1687. The treatise actually includes correspondence between the two men and a bit of a debate (about probability).
Just as the work of Samuel Pepys gives modern readers a glimpse of 17th century England, the work of W. E. B. Du Bois gives modern readers a glimpse of 19th and 20th century America.
“When the physical war ended, then the real practical problems presented themselves. How was slavery to be effectively abolished? And what was to be the status of the Negroes? What was the condition and power of the states which had rebelled? The legal solution of these questions was easy. The states that had attempted to rebel had failed. The must now resume their relations to the government. Slavery had been abolished as a war measure….
The difficulty with this legalistic formula was that it did not cling to facts. Slavery was not abolished even after the Thirteenth Amendment. There were four million freedmen and most of them on the same plantation, doing the same work they did before emancipation, except as their work had been interrupted and changed by the upheaval of war. Moreover, they were getting about the same wages and apparently were going to be subject to slave codes modified only in name. There were among them thousands of fugitives in the camps of the soldiers or on the streets of the cities, homeless, sick, and impoverished. They had been freed practically with no land nor money, and, save in exceptional cases, without legal status, and without protection.”
— quoted from Black Reconstruction in America (The Oxford W. E. B. Du Bois): An Essay Toward a History of the Part Which Black Folk Played in the Attempt to Reconstruct Democracy in America, 1860-1880 by W. E. B Du Bois
Born William Edward Burghardt Du Bois, in Great Barrington, Massachusetts, in 1868, Dr. Du Bois was an author, sociologist, socialist, historian, a Pan-Africanist civil rights activist, and one of the co-founders of the National Association for the Advancement of Colored People (NAACP). He was the editor of The Crisis, the official magazine of the NAACP, from 1910 to 1933, and the author of a plethora of articles and speeches, over 24 books, and three autobiographies, including: “The Study of the Negro Problems” (1898), The Souls of Black Folk: Essays and Sketches (1903), John Brown (1909), The Gift of Black Folk: The Negroes in the Making of America (1924), Black Reconstruction in America (1935), What the Negro Has Done for the United States and Texas (1936), and I Take My Stand for Peace (1951).
While his paternal great-grandfather was ethnically French-American (from a Huguenot family) and his maternal great-great-grandfather had been enslaved, W. E. B. Du Bois’s father (Alfred Du Bois) was of mixed ethnicity and his mother (Mary Silvina Burghard Du Bois), who was also mixed heritage, was part of a small, free Black population of land owners. Dr. Du Bois, himself, grew up in a mostly European American town. After graduating with honors from an integrated school in his hometown, he earned a Bachelor’s of Art (BA) from Fisk University. He then had to start over from scratch and earn a second Bachelor’s (AB) in history, cum laude, from Harvard University — which, at the time, did not recognize credits and degrees from HBCUs (Historically Black Colleges and Universities). Finally, he earned a PhD in sociology from Harvard. Part of his graduate school studies included a fellowship from the John F. Slater Fund for the Education of Freedman, which enabled him to attend Friedrich Wilhelm University (in Berlin) and to travel throughout Europe. Just as his upbringing shaped his perspective, his travels and studies further informed the way he saw the world, his place in the world, and what he had to offer the world.
“The return from your work must be the satisfaction which that work brings you and the world’s need of that work. With this, life is heaven, or as near heaven as you can get. Without this — with work which you despise, which bores you, and which the world does not need — this life is hell.”
— quoted from the National Guardian article entitled “To an American born last Christmas Day” by W. E. B. Du Bois, published on March 10, 1958, under the header “Dr. DuBois at 90 Offers a Piece of Advice [to his newborn great-grandson]”
Of course, all throughout his school years — even when he was on scholarship and even when he was studying abroad, he had to work and rely on extra income (in the form of loans and gifts) from friends and family. After he graduated, he started teaching at Wilberforce University (in Ohio). He eventually conducted research at the University of Pennsylvania and then accepted a position to teach history and economics at Atlanta University (in Georgia). During his tenure at Atlanta University, he started presenting articles based on his University of Pennsylvania field work, in which he described “the submerged tenth” and, later, “the talented tenth”. These two terms and the people referenced by those terms became the foundation of a late 19th century debate that continues to this day.
The following excerpt is from a post about Social Economics:
Most people associate the two sides of the debate with W. E. B. Du Bois and Booker T. Washington. Both were educated and both were leaders in the Black community. To a certain degree, they even had the ear of the establishment. However, they had very different ideas about the best way for formerly enslaved people and their descendants to actively participate in and benefit from the US economy.
In a nutshell, Mr. Washington advocated sticking to what people knew (from slavery) and becoming (scholastically) educated in agriculture, crafts, and other trades they had done during slavery. He also encouraged people to purchase property and to be patient when faced with discrimination (even if that discrimination hindered them in pursuing education and the opportunity to purchase property). On the flip side, Mr. Du Bois was considered a radical who believed in an “intellectual” education that would create what he called the “Talented Tenth” – the best and the brightest college educated individuals who could instigate activism in the streets as well as in the courts and in the boardrooms. As I said, this debate continues, in part because the stigma, racism, and prejudice associated with slavery still exists.
“Thus in the far-away Southern village that would lay waiting, half consciously, the coming of two young men, and dreamed in an inarticulate way of new things that would be done and new thoughts that all would think. And yet it was a singular that few thought of two Johns, — for the black folk thought of one John, and he was black; and the white folk though of another John, and he was white. And neither thought the other world’s thought, save with a vague unrest.”
— quoted from “XIII. Of the Coming of John” in The Souls of Black Folk: Essays and Sketches by W. E. Burghardt Du Bois
The thirteen essay in The Souls of Black Folk: Essays and Sketches, called “Of the Coming of John”, is a study of contrasts. It is an essay/story of two popular, beloved men from the same hometown in Georgia. In some ways, they grow up together — although, like W. E. B. Du Bois and his childhood friends, one is Black and one is white. The latter is also, notably, from a wealthy family with a lot of power in the small town. The two Johns leave home (separately), but their paths awkwardly overlap in New York City, just before they return home, and then tragically overlap when they are back in Georgia.
The awkward meeting in New York happens during a performance of Lohengrin — which provides an odd bit of twisted foreshadowing. However, during today’s practice, I imagined that the music was something by George Frideric Handel, who was born today in 1685 (according to the Julian calendar) in Halle, Duchy of Magdeburg, Brandenburg-Prussia (which is now Germany) and whose music was the backdrop for the drama of it’s own time.
“All this John did not see, for he sat in a half-maze minding the scene about him; the delicate beauty of the hall, the faint perfume, the moving myriad of men, the rich clothing and low hum of talking seemed all a part of a world so different from his, so strangely more beautiful than anything he had known, that he sat in dreamland, and started when, after a hush, rose high and clear the music of Lohengrin’s swan. The infinite beauty of the wail lingered and swept through every muscle of his frame, and put it all a-tune. He closed his eyes and grasped the elbows of the chair, touching unwittingly the lady’s arm. And the lady drew away. A deep longing swelled in all his heart to rise with that clear music out of the dirt and dust of that low life that held him prisoned and befouled. If he could only live up in the free air where birds sang and setting suns had no touch of blood! Who had called him to be the slave and butt of all? And if he had called, what right had he to call when a world like this lay open before men?
Then the movement changed, and fuller, mightier harmony swelled away. He looked thoughtfully across the hall, and wondered why the beautiful gray-haired woman looked so listless, and what the little man could be whispering about. He would not like to be listless and idle, he thought, for he felt with the music the movement of power within him. If he but had some master-work, some life-service, hard, — aye, bitter hard, but without the cringing and sickening servility, without the cruel hurt that hardened his heart and soul.”
— quoted from “XIII. Of the Coming of John” in The Souls of Black Folk: Essays and Sketches by W. E. Burghardt Du Bois
Sunday’s playlist is available on YouTube and Spotify. [Look for “022322 Pepys, peeps, and a peep”]
“The best remedy for those who are afraid, lonely, or unhappy is to go outside, somewhere where they can be quite alone with the heavens, nature, and God…. As long as [the simple beauty of Nature] exists, and it certainly always will, I know that then there will always be comfort for every sorrow, whatever the circumstances may be. And I firmly believe that nature brings solace in all troubles.”
— Anne Frank, written in her diary (“Kitty”) on Wednesday, February 23, 1944
If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can dial 988 (in the US) or call 1-800-273-TALK (8255) for the Suicide and Crisis Lifeline. You can also call this TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.
White Flag is a new app, which I have not yet researched, but which may be helpful if you need peer-to-peer (non-professional) support.
If you are a young person in crisis, feeling suicidal, or in need of a safe and judgement-free place to talk, you can also click here to contact the TrevorLifeline (which is staffed 24/7 with trained counselors).
12025 NOTE: During the practice, I said that I did not know/remember if Samuel Pepys had problems with his urinary bladder or his gall bladder, but that we would address both in the physical parts of the practice.
### “breathe / take a breath / saans lo” ~ Arooj Aftab ###
Creativity, Light, & Freedom (the “missing” Wednesday post) February 12, 2025
Posted by ajoyfulpractice in "Impossible" People, Art, Books, Buddhism, Changing Perspectives, Faith, Food, Gratitude, Healing Stories, Health, Hope, Kumbh Mela, Life, Love, Men, Music, New Year, One Hoop, Pain, Philosophy, Religion, Science, Suffering, Tragedy, Vipassana, Wisdom, Women, Writing, Yoga.Tags: 988, Abraham Lincoln, Amrit Snan, Black History Month, Carnival, Charles Darwin, Contemplation, Creativity, Da Shuhua, dǎshùhuā, Diana Galloway, discernment, Dongfang Shuo, Dragon Boat Festival, emotions, First Officer Stephanie Grant, Frances Mayes, Fugitive Slave Act, Jade Emperor, Jan Swammerdam, Judy Blume, Lantern Festival, Lunar New Year, Maha Kumbh Mela, Mahā Kumbha Mēlā, riddles, Strait Times, tangyuan, Thích Nhất Hạnh, Thich Nhat Hanh, Tuskegee Airmen, Tuskegee Institute, Vipassanā, Wang De, Year of the Snake, Yuan Xiao
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Many blessings to everyone, and especially those celebrating Carnival, Maha Kumbh Mela, and the the Lantern Festival!
Peace, ease, and contemplation throughout this “Season for Nonviolence” and all other seasons!!!
This “missing” post for Wednesday, February 12th (which was also the 15th and final day of the Spring Festival) is a compilation post. It includes some new material, some revised material, and excerpts. You can request an audio recording of this practice or a previous practice via a comment below or (for a slightly faster reply) you can email myra (at) ajoyfulpractice.com.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es).
Donations are tax deductible; class purchases are not necessarily deductible.
Check out the “Class Schedules” calendar for upcoming classes.
“Always old, sometimes new…”
— a riddle* (read post for clues, see the end for the answer)
Philosophically speaking, part of our yoga practice is about bring awareness to what we know — or what we think we know — about ourselves and the world around us. Once we do that, we have begun the process of recognizing how what we know or think we know determines our actions, our thoughts, our words, our deeds. Our beliefs influence the we interact with ourselves, with others, and with our environment. Once we really get into it, we also start to notice when — or if — we incorporate new information into our belief system; thereby adjusting our actions as we grow and mature.
At some point, we may start to notice how our experiences shape our beliefs and how our experiences and beliefs determine what we chose to do on any given day. Hopefully, we also recognize that other people make other choices based on the their beliefs and experiences. If we can see that, be open to the reality of that, and maybe dig a little deeper into that reality, we gain better understanding of ourselves (and maybe of the world). In other words, we gain insight.
Vipassanā is a Buddhist meditation technique that has also become a tradition. It literally means “to see in a special way” and can also be translated as “special, super seeing”. In English, however, it is usually translated as “insight”. This insight is achieved by sitting, breathing, and watching the mind-body without judging the mind-body. Part of the practice is even to recognize when you are judging and, therefore, recognizing when you are getting in your own way. This can be seen as a (non-religious) form of discernment — which also requires observation — all of it is part of our yoga practice.
Of course, there are times when what we are feeling and/or the way we are feeling makes it hard to see clearly. In fact, the stronger we feel something, the harder it may be to focus on what is important.
“Anger is a mental, psychological phenomenon, yet it is closely linked to biological and biochemical elements. Anger makes you tense your muscles, but when you know how to smile, you begin to relax and your anger will decrease. Smiling allows the energy of mindfulness to be born in you, helping you to embrace your anger.”
— quoted from “Two – Putting Out the Fire of Anger: Tools for Cooling the Flames” in Anger: Wisdom for Cooling the Flames by Thich Nhat Hanh
Anger, fear, frustration, jealousy, worry, love, hate, anxiety, grief, and joy are some of the strong emotions that manifest in our bodies — e.g., in our expressions and gestures. Born February 12,1637, the Dutch biologist and microscopist Jan Swammerdam probably could have told us which muscles engage and which muscles relax when we smile versus when we frown. He studied muscle contractions; is recognized as the first person to observe and describe red blood cells; and also recognized as one of the first people (in Western science) to use a microscope in dissection.
Like Charles Darwin, who was February 12, 1809, Dr. Swammerdam had some controversial ideas about the origins of things — specifically about the origins of insects. Both men stirred up strong emotions in the peers and the populace, just like Abraham Lincoln (who was born on the exact same day as Charles Darwin — which also happens to be the anniversary of the day President George Washington signed the Fugitive Slave Act of 1793).
February 12th is also the anniversary of two other notable moments in American history. First, it was the day (in 1930) when the executive committee of the Rosenwald Fund approved two grants (totaling $10,000) to the Alabama State Board of Health — which would be used to start a syphilis treatment pilot program in Macon County, at Tuskegee Institute. Later, in 2009, it was the day when then Captain Rachelle Jones Kerr, First Officer Stephanie Grant, and Flight Attendants Robin Rogers and Diana Galloway became the first all African American commercial flight crew. Their historic flights (on Atlantic Southeast Airlines flights #5202 and #5106, between Atlanta and Nashville) were not planned; they happened because someone called in sick. Still, the odds of everything falling into place as it did were pretty low considering there were less Black women licensed to fly then than there are now; and now, there are still less than 1%.
“When we got to the gate in Nashville, and all of the passengers were off, we asked the gate agent would she take our picture. So we stuffed ourselves in the galley and one by one, she took our cell phones and snapped our picture. She asked us, ‘Why do you want your pictures taken?’ Flight Attendant, Diana Galloway said, “Oh, it’s because we’re sisters!’ The gate agent’s response was priceless. She said, “Oh, your mother must be so proud!’”
— quoted from “12th Anniversary of the First All-Female African American Flight Crew” by First Officer Stephanie Grant, Director of Development for Sisters of the Skies, Inc.
CLICK ON THE EXCERPT TITLES BELOW FOR MORE.
Golden Tigers Made of Steel (a Black History footnote)
En L’Air (a special Black History 2.5-for-1 note)
“Each of us must confront our own fears, must come face to face with them. How we handle our fears will determine where we go with the rest of our lives. To experience adventure or to be limited by the fear of it.”
— quoted from Tiger Eyes by Judy Blume (b. 02/12/1938)
Since strong emotions also manifest in our words, they show up in the stories of our lives and the stories we tell about our lives — and these stories, in turn, can elicit strong emotions. For example, consider the stories Judy Blume, who was born February 12, 1938. She has written books that often get banned and that have also changed people’s lives — in the best possible way. She writes about topics people often find hard for to discuss, including: racism, gender, menstruation, divorce, bullying, masturbation, sex and sexuality, and emotions like anger, fear, and grief. To some people, the worst part is not only that she has tackled these issues in her books; it’s that most of her books are intended for children and young adults. And, let’s be honest, nothing pushes people’s buttons like someone talking about things they are uncomfortable discussing. While we can say that there are some things better left unsaid, there are also things that need to be said — just in a skillful manner and… while treating ourselves and others with lovingkindness.
Just as we can look to modern fiction and nonfiction for skillful/wise, and kind ways to navigate strong emotions, we can also look to ancient and sacred stories. In fact, strong emotions show up in all the stories I’ve shared over the last few weeks in relation Black History Month, Navaratri, Maha Kumbh Mela, and the Lunar New Year / Spring Festival. “Creativity”, the “Season for Nonviolence” principle for Wednesday, February 12th, also plays a part in the stories and the traditions related to the Lantern Festival, which is the culmination of the Spring Festival.
Click on the excerpt title below for the full post related to Jan Swammerdam, Charles Darwin, and Judy Blume (on a different Lunar New Year day).
Anger and the Importance of Having “Treats” Before You Speak (a post-practice Monday post)
LANTERN FESTIVAL (LUNAR NEW YEAR DAY 15, excerpt):
“We buy blood oranges and tiny green lentils from a jar, chestnuts, winter pears, winy little apples, and broccoli, which I’ve never seen in Italy before. ‘Lentils for the New Year,’ she tells us.”
— quoted from “Green Oil” in Under the Tuscan Sun by Frances Mayes
As I mentioned over the last two weeks, some people celebrate the Lunar New Year for a handful of days and then go back to their regular routines. For some, however, there’s the Spring Festival: a 15-day celebration that culminates with the Lantern Festival. The Lantern Festival takes place on the first full moon of the Lunar New Year (which was Wednesday night in 2025). One of the traditional customs turns the event into something similar to modern-day Valentine’s Day. Traditionally, women would write their contact information on oranges and then toss the oranges in the river where men would scoop them up. Then, the men would eat the oranges. A sweet orange meant the couple could potential have a good relationship, but a bitter orange meant the match was best avoided.
The oranges in the river make for a pretty sight, but that’s not the main focus of the Lantern Festival — nor is it the most spectacular. In fact, weather permitting, anyone observing areas celebrating the Lantern Festival would primarily notice cities, towns, and villages adorned in red lanterns and lit up… almost like everything is on fire.
There are several different legends associated with the Lantern Festival. In one story, the Emperor Ming of the Eastern Han Dynasty wanted every person in every class to honor the Buddha as the monks would on the fifteenth day of the year. According to another story, Dongfang Shuo (a scholar and court jester) came upon a homesick maiden from the palace. To console her and lift her out of her despair, he told the young lady that he would reunite her with her family. Then he dressed up like a fortune teller and told everyone who came to his stall that they must beg the “red fairy” for mercy on the thirteenth day of the new year. If they didn’t ask for mercy, everything would burn down in a couple of days.
When the maiden, Yuan Xiao, appeared all dressed in red, people flocked to her. The only thing the surprised maiden could think to do was say that she would take a message to the emperor. Of course, Dongfang had already “tricked” the emperor and convinced him to tell Yuan Xiao to make her trademarked sweet-rice dumplings called tangyuan, because they were the favorite dessert of the God of Fire.
The whole town, and people from surrounding towns, came together to make the dumplings as a tribute to the God of Fire. As word spread, more people came — including Yuan Xiao’s family. And this is why Dongfang Shuo’s plan was so clever: In Chinese, the dumplings are 湯圓 or 汤圆 (pinyin: tāngyuán), which sounds like 團圓 or 团圆 (pinyin: tuányuán), which means “union”. While the round dumplings are enjoyed at a variety of events and festivals throughout the year, they are a staple during the Lantern Festival, which is actually 元宵節 or 元宵节 (pinyin: Yuánxiāo jié) — Yuan Xiao’s Festival.
“‘When you see it, it’ll affect you profoundly…’”
— Wang De quoted in the Feb. 19, 2019, The Strait Times article entitled “Blacksmiths keep alive the flame of China’s molten steel ‘fireworks’”
There are more variations on this theme, but the legend with which I am most familiar, and the one I share in the practice, is the story of the Jade Emperor and his favorite bird, a crane. This crane was beautiful and unlike any other bird or species. In some stories, the ruler of heaven and earth decided to treat people with a glimpse of the exotic bird. In other versions of the story, the crane got discombobulated and flew close to the earth. Either way, what happened next is why we can’t have nice things: Someone shot the exotic bird.
The Jade Emperor was furious and decided to send down fire breathing dragons to destroy the towns and villages. However, the Jade Emperor’s daughter warned the townsfolk and someone suggested that if they lit lanterns, started bonfires, and set off fireworks, the dragons — who are not very smart in these stories – would think everything was already on fire. The trick worked… on the dragons. The Jade Emperor was not tricked, but his anger had passed and he decided to offer a little compassion to the people on Earth.
To this day, people carry on the tradition of lighting up the skies. Traditionally, lanterns are made of paper, wooden, or jade. Some people will spend months designing and creating delicate lanterns that they will enter into competitions. Other people will make simple lanterns or purchase fancy store-bought lanterns. In addition to the plethora of basic red lanterns, there will also be animal-shaped lanterns — the most popular of which are in the shape of the animal of the year. Many of the lanterns will have riddles at the bottom — which adds to the fun, because if you know the answer to the riddle you can go find it’s owner and they will give you tangyuan (those sweet dumplings that sound like “union”) as a reward.
In addition to the lanterns, there are bonfires, fireworks, and a 300-plus years old tradition called Da Shuhua.
Da Shuhua is one of the English spellings for 打树花 (dǎshùhuā in pinyin), which is a 300-500 years old tradition handed down through families of blacksmiths in China´s northern Hebei province. It is sometimes referred to as the poor man’s fireworks, because it is produced from scrap metal that people in the remote village of Nuanquan give to the local blacksmiths. Dressed in straw hats, sheepskin jackets, and protective eyewear, the blacksmiths and their assistants melt down the scraps and then the blacksmiths throw the molten liquid up against a cold stone wall. When the liquid metal — which can reach up to 2,900 degrees Fahrenheit (1,600 degrees Celsius) — hits the cold wall, sparks fly.
The spectacular display looks like a blossoming tree and so the name of the art form translates into English as “beating tree flowers”. Although there are a few other places in China where this art form is showcased, it is traditional to Nuanquan. There is a square in the remote village (“Tree Flower Square”), which was specifically built to hold tourists who travel to the village to see the display. In addition to three days of performances at the end of the Spring Festival, the tradition is also performed during the Dragon Boat Festival. Also called Double Fifth Festival, this second event takes place on the fifth day of the fifth month of the Lunar New Year (May 31st in 2025).
Although UNESCO (United Nations Educational, Scientific and Cultural Organization) designated Da Shuhua as a prime example of China and Hebei province’s intangible cultural heritage, the tradition may be dying out. In 2019, there were only four blacksmiths trained in the art form and the youngest was 50 years old. Wang De, one of the four, had trained his youngest son; however, like so many of the younger generations, his son moved to the big city and started working in a different industry. His concerns, and hopes, for his legacy are not unlike those of his ancestors.
“‘It’s extremely dangerous and it doesn’t make much money,’ said Wang, who also farms corn to supplement his blacksmith’s income.
[…] Still, Wang De is hopeful he will return to keep the flame alive.
‘When we no longer can pull this off, people can learn from him. I have this confidence that (Da Shuhua) will be passed on.’”
— quoted from the Feb. 19, 2019, The Strait Times article entitled “Blacksmiths keep alive the flame of China’s molten steel ‘fireworks’”
Wednesday’s playlist is available on YouTube and Spotify. [Look for “Lantern Festival 2023”]
If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can dial 988 (in the US) or call 1-800-273-TALK (8255) for the Suicide and Crisis Lifeline. You can also call this TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.
White Flag is a new app, which I have not yet researched, but which may be helpful if you need peer-to-peer (non-professional) support.
If you are a young person in crisis, feeling suicidal, or in need of a safe and judgement-free place to talk, you can also click here to contact the TrevorLifeline (which is staffed 24/7 with trained counselors).
“But we can see the past, though we may not claim to have directed it; and seeing it, in this case, we feel more hopeful and confident for the future.
The world has never had a good definition of the word liberty, and the American people, just now, are much in want of one. We all declare for liberty; but in using the same word we do not all mean the same thing. With some the word liberty may mean for each man to do as he pleases with himself, and the product of his labor; while with others the same word may mean for some men to do as they please with other men, and the product of other men’s labor. Here are two, not only different, but incompatible things, called by the same name—liberty. And it follows that each of the things is, by the respective parties, called by two different and incompatible names—liberty and tyranny.
The shepherd drives the wolf from the sheep’s throat, for which the sheep thanks the shepherd as a liberator, while the wolf denounces him for the same act as the destroyer of liberty, especially as the sheep was a black one. Plainly the sheep and the wolf are not agreed upon a definition of the word liberty; and precisely the same difference prevails to-day among us human creatures, even in the North, and all professing to love liberty. Hence we behold the processes by which thousands are daily passing from under the yoke of bondage, hailed by some as the advance of liberty, and bewailed by others as the destruction of all liberty.”
— from an address at a “Sanitary Fair” on April 18, 1864 in Baltimore, Maryland by President Abraham Lincoln (b. 02/12/1809)
*RIDDLE NOTE: The riddles at the bottom (or sometimes underneath) the lanterns, are literally called “riddles written on lanterns”, but are sometimes referred to as “tiger riddles”, because solving them (in Chinese) is akin to wrestling a tiger. They often have three parts: the riddle, a hint or suggestion (which is that the answer is in the post and in the practice), and the answer. In this case, I took a page from Dongfang Shuo’s book and only gave you part of an English riddle so that instead of having one definite answer, there are three possible answers. Highlight the space between the hashtags for the answers.
### The moon (which is the original answer), a bit of history you didn’t know, and a legend from a culture with which you are unfamiliar. A habit, was CS’s very clever suggestion in 2025! Let me know if you got the answer(s)! ###
First Friday Night Special #52: An Invitation to “The Sweet Ability of 3-Fold Healing” (the “missing” invitation w/excerpts & links) February 7, 2025
Posted by ajoyfulpractice in "Impossible" People, Art, Books, Changing Perspectives, Dharma, Faith, Gratitude, Healing Stories, Hope, Kumbh Mela, Life, Loss, Music, New Year, One Hoop, Pain, Peace, Philosophy, Religion, Suffering, Taoism, Tragedy, Wisdom, Women, Yin Yoga, Yoga.Tags: 988, Ardhanaranari, Ardhanarishvara, Black History Month, Carnival, Datuk Teh Kim Teh, Grace Chen, Gupta Navaratri, healing, Healing Stories, Hokkien, Jade Emperor, Kumbh Mela, Lunar New Year, Magha Navaratri, Maha Kumbh Mela, Mahā Kumbha Mēlā, Matthew Sanford, Navaratri, Nina Simone, Oscar William Adams Jr., Season for Nonviolence, Shi Fa Zhuo, Siddhidhatri, siddhis, Swami Vivekananda, Year of the Snake, Yoga Sutra 2.1
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“Nine days and nine nights of blessings and happiness if you are celebrating Magha Gupta Navaratri!” “Happy (Lunar) New Year!”, “Happy Hokkien New Year!”, and/or “Happy Carnival!” to those who are celebrating! Many blessings to everyone, and especially those observing Maha Kumbh Mela.
Peace, ease, and contemplation throughout this “Season for Nonviolence” and all other seasons!!!
This is the “missing” invitation for the “First Friday Night Special” on February 7th. It is a compilation of related excerpts and some previously posted content. You can request an audio recording of this Restorative Yoga practice via a comment below or (for a slightly faster reply) you can email myra (at) ajoyfulpractice.com.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es).
Donations are tax deductible; class purchases are not necessarily deductible.
Check out the “Class Schedules” calendar for upcoming classes.
“‘Although we may not have an image of this deity in our temple, as long as devotees have the Jade Emperor in their hearts, their prayers will be heard,’ said [the Kwan Imm Temple’s] principal Shi Fa Zhuo.”
— quoted from The Star article entitled “Legend Behind Hokkien New Year emphasizes unity and solidarity” by Grace Chen (2/24/2018)
There are many people around the world who are currently engaged — or are about to be engaged — in rituals and traditions that are based on the belief that there is a connection between heaven and earth. For instance, Friday the 7th was the final night/day of Navaratri; the eleventh day of the Lunar New Year / Spring Festival; and a time when people are still celebrating and observing Carnival and Maha Kumbh Mela. Also, it is still the “Season for Nonviolence” and Black History Month.
Each of these events is full of stories. While the purely culture observations primarily involve stories about people who are earthbound, the religious and philosophical stories are about the inhabitants of heaven and earth. Additionally, all of these stories involve quite a bit of trauma and, as a result, a bit of healing and restoration. Sometimes (not all the time, but sometimes), however, I think that some people (not all the people, but some people) forget about the earth and (the inhabitants of earth) part. Sometimes I think that people forget that we can have an active role in our own healing.
According to Yoga and Sāmkhya (two of the 6 Indian philosophies), there are six siddhis (“powers” or “abilities”) that are described as “powers unique to being human.” One of those abilities is “the power to eliminate “three-fold sorrow – physical, mental, and spiritual”. To varying degrees, we all have this power and the related powers that support it — as well as the ability (through the practice) to enhance our abilities. Since the “Season for Nonviolence” principle of the day is “Healing”, I was reflecting on how healing shows up in these “healing stories” (as Matthew Sanford would call them) and how the stories not only reinforce the fact that we can participate in the healing, they highlight some modes and methods.
“Those Samâdhis with which we ended our last chapter are very difficult to attain; so we must take them up slowly. The first step, the preliminary step, is called Kriya-yoga. Literally this means work, working towards Yoga.”
— quoted from the commentary on Yoga Sūtra 2.1, in Raja Yoga by Swami Vivekananda
During Navaratri, each of manifestation of Durga/Parvati manifestation is a symbolic milestone (and a reminder that women “contain multitudes”). The final day is devoted to Siddhidhatri, whose name literally means “land/earth of achievements”. Her name can also be translated as “Giver of Perfection”, as She is believed to be endowed with all the siddhis (“abilities” or “powers”) in the Universe and, also, to be able to bestow all of them. Typically, however, She only gives nine of the multitudes — some of which are referenced in the Yoga Sūtras.
In art and literature, she is sometimes depicted as being half of Shiva (with Him being half of Her), meaning that they are the embodiment the yin/yang symbol. When they are shown together in this way, they are each known as Ardhanarishvara, Ardhanaranari, or similar names that all highlight the fact that They are partially a woman.
During the big celebrations of Navaratri (in the Spring and Fall) the final day is a double celebration — which may mean more feasting in some regions and more fasting in others. Magha Navaratri is one of the celebrations referred to as Gupta Navaratri meaning it is “hidden/secret” — again, not because no one knows about it, but because it is not as obvious as the bigger celebrations. Even one of the biggest days during this particular Gupta Navaratri is hidden in the middle! Vasant Panchami or Sri Panchami, a festival marking the beginning of Spring, occurs on the fifth day of Magha Navaratri.
“‘From this story, we learn that unity, solidarity and the active participation of the community is necessary when it comes to facing challenges,’ said [Klang Hokkien Association president Datuk Teh Kim] Teh.”
— quoted from The Star article (about a version of the story where only some hide) entitled “Legend Behind Hokkien New Year emphasizes unity and solidarity” by Grace Chen (2/24/2018)
Thursday was the ninth day of the Lunar New Year and the birthday of the Jade Emperor, who is known as the “Ruler of Heaven and Earth”. While he is a prominent figure some religious traditions and is honored throughout in the Lunar New Year celebrations, most people — even people who celebrate the 15-day Spring Festival — have gone back to business as usual by the ninth day of the Lunar New Year. People may do something in private, especially if they are hosting their son-in-law(s); but, for most people, it is not a special day off. There are, however, some people whose celebrations of the Jade Emperor’s birthday are so significant that they rival the festivities at the beginning of the Lunar New Year and the end of the Spring Festival.
For those people, the tenth day (Friday) is a continuation of the celebration… and a day full of leftovers.
The following (revised) excerpt is from a 2021 post:
“Legend has it that the Hokkien people (also known as Hoklo, Banlam, and Minnan people) found themselves under attack. The Hokkien were not warriors, but they came in close proximity with warriors because they were known for building great ships. One version of their story states that the events occurred while they were being hunted and killed during the Song Dynasty (between 960 and 1279 CE). Another version indicates that they were caught between warring factions. Ultimately, to escape the carnage, they decided to hide in a sugar cane field — which, in some versions of the story, just miraculously appeared. The whole community hid until there were no more sounds of horses, warriors, or battle. Legend has it that they emerged on the ninth day of the Lunar New Year, which is the Jade Emperor’s Birthday.Sometimes referred to as ‘Heavenly Grandfather’ and ‘Heavenly Duke’, the Jade Emperor is recognized as the ruler of heaven and earth in some Chinese religions and mythology. In Taoism, he is one of the Three Pure Ones or the Three Divine Teachers. Fujian province (in China), Penang (in Malayasia), and Taiwan are three areas where there is a large concentration of Hokkien people and, therefore, places where the ninth day of the Lunar New Year is a large celebration. In some places the celebrations begin at 11 PM on the eighth night and can be so large that they eclipse the celebrations of the first day of the Lunar New Year (in those areas). In fact, the ninth day is actually called ‘Hokkien New Year’.
Those who are religious will go to a temple and engage in a ritual involving prostration, kneeling, bowing, incense, and offerings. For many there is a great feast full of fruits, vegetables, noodles, and (of course) sugar cane. The sugar cane is an important element of the Jade Emperor’s birthday celebrations and rituals — not only because of the aforementioned story of survival, but also because the Hokkien word for ‘sugarcane’ (kam-chià, 甘蔗) is a homonym for (or sounds like) a Hokkien word for ‘thank you’ (kamsiā, 感谢), which literally means ‘feeling thankful’.
Every version of the Hokkien people’s survival story is a great reminder that we can give thanks no matter how hard, how challenging, how infuriating, and/or how tragic our situation. Take [2020, or last year], for instance: When we look back at all the hard stuff, all the grief, all the fear, all the anger, all the disappointment, and all of the trauma, we can get distracted and forget that there were moments of sweetness. There were moments of kindness, moments of love, moments of birth and rebirth, moments of compassion, moments of hope, and moments of joy. In other words, in spite of all the hard stuff, there were moments of sweetness. Take a moment to remember one of those moments; and feel thankful.”
CLICK ON THE EXCERPT TITLE BELOW FOR THE ENTIRE POST.
Focus+Concentrate+Meditate = Sweet Heaven (the “missing” post)
“The black man does not wish to be the pet of the law. The more blacks become enmeshed in meaningful positions in our society, then the more that society will be come non-discriminatory. His goals and ideals will become identical with goals and ideals of the rest of society. To insist on special treatment, and demand and get integration in other aspects of society is to pursue inconsistent approaches. If a black man is allowed to go as far as his talents will carry him, he will not need special protection from the courts. If he is not, the courts will once again be asked for special protection.”
— quoted from the special concurrence opinion for Beck v. State, 396 So. 2d 645 (1980) by Alabama Supreme Court Justice Oscar W. Adams
During a vinyasa practice, I usually reference several people born on February 7th — and parts of their stories are very much about healing (and explaining experiences in a way that can lead to healing). However, for the 2025 First Friday practice, I only referenced one person. Born in Birmingham, Alabama, today in 1925, Oscar Williams Adams, Jr. was a lawyer, a judge, and an Alabama Supreme Court Justice. What is as interesting as all of his achievements, is the fact that his story is the case of someone who observed a miscarriage of justice (i.e., trauma and loss) and worked his way into a position where he could right wrongs (i.e., facilitate healing)
CLICK ON THE EXCERPT BELOW FOR MORE.
Space and the Power of Hearing(s) (a special Black History note, w/a Tuesday link)
The February First Friday Night Special features a Yin Yoga practice. It is accessible and open to all.
(NOTE: There will be a little bit of quiet space in this practice.)
Friday’s playlist is available on YouTube and Spotify. [Look for “Lunar New Year Day 10 KM/N 2025”]
Prop wise, this is a kitchen sink practice and there are times when I suggest using a wall, chair, sofa, or coffee table. You may want extra layers (as your body may cool down during this practice). Having a wall, chair, sofa, or coffee table will be handy for this practice. Example of “Studio” props: 1 – 2 blankets, 2 – 3 blocks, a bolster, a strap, and an eye pillow. Examples of “householder” props: 1 – 2 blankets or bath towels, 2 – 3 books (similar in size), 2 standard pillows (or 1 body pillow), a belt/tie/sash, and a face towel.
You may want extra layers (as your body may cool down during this practice). Having a wall, chair, sofa, or coffee table may be handy for this practice.
If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can dial 988 (in the US) or call 1-800-273-TALK (8255) for the Suicide and Crisis Lifeline. You can also call this TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.
White Flag is a new app, which I have not yet researched, but which may be helpful if you need peer-to-peer (non-professional) support.
If you are a young person in crisis, feeling suicidal, or in need of a safe and judgement-free place to talk, you can also click here to contact the TrevorLifeline (which is staffed 24/7 with trained counselors).
### “I want a little sugar in my bowl
I want a little sweetness down in my soul
I could stand some lovin’, oh so bad
Feel so funny, I feel so sad” ~Nina Simone ###
Take Care (the post-practice Monday post) February 3, 2025
Posted by ajoyfulpractice in "Impossible" People, Baseball, Books, Changing Perspectives, Dharma, Faith, Football, Gratitude, Healing Stories, Health, Hope, Karma, Kumbh Mela, Life, Men, Music, Mysticism, New Year, One Hoop, Pain, Peace, Philosophy, Religion, Suffering, Tragedy, Wisdom, Women, Yoga.Tags: 988, Amrit Snan, Arvind Sharma, Buddy Holly, Caring, Carnival, Charles Follis, Clear-Water Grand Master, David Kinsley, Ghost of Poverty, Gupta Navaratri, Hillary Rodrigues, Hothouse Flowers, J. P. "The Big Bopper" Richardson, Lunar New Year, Magha Navaratri, Maha Kumbh Mela, Michael Franti, Milt Roberts, Navaratri, Ritchie Valens, Roger Peterson, Saraswati Puja, Seane Corn, Season for Nonviolence, Shahi Snan, Skandamata, Spearhead, Spring, Spring Festival, Stewart Levine, Vasant Panchami, water, Year of the Snake
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“Nine days and nine nights of blessings and happiness if you are celebrating Magha Gupta Navaratri!” “Happy (Lunar) New Year!” and/or “Happy Carnival!” to those who are celebrating! Many blessings to everyone, and especially those observing Maha Kumbh Mela and/or Vasant Panchami / Saraswati Puja.
Peace, ease, and contemplation throughout this “Season for Nonviolence” and all other seasons!!!
This post-practice compilation for Monday, February 3rd features new and previously posted content, as well as excerpts. The 2025 prompt question was, “What is a way you care for yourself, care for those around you, and care for the world?” You can request an audio recording of this practice or a previous practice via a comment below or (for a slightly faster reply) you can email myra (at) ajoyfulpractice.com.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es).
Donations are tax deductible; class purchases are not necessarily deductible.
Check out the “Class Schedules” calendar for upcoming classes.
“My six non-negotiables for wellness would be yoga, meditation, prayer, diet, sleep, and therapy — or some form of spiritual mentorship, even if that includes reading books. If I don’t do these six non-negotiables I know that, just because of the familiarity of tension, that in conflict or in crisis I will without a doubt become reactive. I will say or do something that will actually create more conflict for myself and for the other person; making a situation escalate in a way that’s unnecessary, because I’m not actually dealing with some of my own suppressed emotions. And, so, I have to commit to what works for me.”
“So those are my six non-negotiables for myself. The seventh one, that I’m awful at, but I highly recommend — it’s something I’m trying to bring more of in my life, because I really do understand the importance of it in terms of wellness — and that would be play.”
— Seane Corn, quoted from the video “7 Non-Negotiables for Wellbeing | Seane Corn”
Almost a decade ago, Lead with Love asked Seane Corn to share her non-negotiables for wellbeing (see video below). We all have non-negotiables, meaning things we do in order to show up in the world at our best and as the best versions of ourselves. My top three are music, yoga, and stories — not necessarily in that order — and, in addition to including those non-negotiables into every day, I share them as one of the ways I take care of others (and, on a certain level, the way I take care of the world).
Maybe yours are the same or similar to hers, or to mine, or maybe they are really different. What is important — especially in challenging times — is that we know what we need to do to take care our ourselves, as if we are our own fiercest protector and nurturer.
“In his research on Durgā worship in Varansi, Hillary Rodrigues asked both males and females how they understood these goddesses and what lent the group internal coherence. Males, for the most part, stressed the fact that all were manifestations of Durgā or the Mahādevī, that they represented her different manifestations in the world. When pressed, some males interpreted the nine goddesses as different stages in the evolution of prakṛti (the physical creation) or as different elements in it….
Interpretations of the nine Durgās by women differed dramatically from this rather philosophical view of the goddesses. According to certain females, the nine Durgās represent the stages in a woman’s life; as one woman put it: ‘These nine Durgās are our life, women’s life.’”
— quoted from the “Religious Materials Are Heavily Gendered” section of “1. Women’s Studies in the History of Religions” by David Kinsley, as published in Methodology in Religious Studies: The Interface with Women’s Studies, edited by Arvind Sharma
This fifth day of Navaratri, the Hindu festival of “nine nights” celebrating divine feminine energy in various manifestations, is devoted to Skandamata, who is a fierce mother as protector — a woman who simultaneously holds her baby, rides a lion, and keeps her eyes (especially her third eye) open for any and all danger. If we follow the story and see each manifestation as a different stage in a woman’s life and development, then each version of Durga/Parvati prepares her for the next stage of her life. Skandamata, then, is someone who can take care of herself and also take care of others.
Coincidentally, the “Season for Nonviolence” principle for today is “Caring” — and Skandamata is a reminder that in order to take care of others, we must take care of ourselves.
A MUSIC STORY
“Everyone deserves music, sweet music”
— quoted from the song “Everyone Deserves Music” by Michael Franti & Spearhead
Since the Monday practice is, technically, one of the practices without a playlist, I typically avoid themes related to music or just mention them in passing. For instance, this date on the Gregorian calendar, is known as “The Day the Music Died” and I normally tell the story of the disastrous “Winter Dance Party” tour and how a plane carrying Buddy Holly, Ritchie Valens, and J. P. “The Big Bopper” Richardson, as well as the pilot, Roger Peterson, crashed just outside of Clear Lake, Iowa, today in 1959.
CLICK ON THE EXCERPT TITLE BELOW FOR THE STORY (& MUSIC).
CLEANSING /DETOXIFYING STORIES
“Cos it is good for me
It can be good for you”
— quoted from the song “Good For You” by Hothouse Flowers (written by Hothouse Flowers and Stewart Levine)
Water and staying hydrated are, obviously, non-negotiables for everyone. Water is recognized as an element of purification and an integral part of many rituals and traditions around the world. In fact, today is the third Amrit Snan (“necter baths”) or Shahi Snan (“royal baths”) during this year’s Maha Kumbh Mela celebrations. This fourth (of six) most auspicious dates this year to bathe in the sacred river occurs on Vasant Panchami (also known as Saraswati Puja), which is dedicated to the Hindu goddess Saraswati and marks the beginning (or the preparations for the beginning) or Spring.
Water and spring cleaning are also highlighted on this sixth day of the Lunar New Year / Spring Festival in some stories related to the Clear-Water Grand Master and the Ghost of Poverty.
CLICK ON THE EXCERPT TITLE BELOW FOR SOME LUNAR YEAR DAY 6 STORIES.
A STORY ABOUT TAKING CARE OF YOURSELF, OTHERS, & THE WORLD
“‘Follis was a natural hitter and he had an ease about him and a confident smile that always seemed to worry opposing pitchers,’ one report said. ‘As a football player and as a baseball player he gained the respect of his associates and opponents as well by his clean tactics and his gameness,’ said another.”
— quoted from “Charles Follis” by Milt Roberts (originally in Black Sports, Nov. 1975), reproduced in THE COFFIN CORNER: Vol. 2, No. 1 (1980)
I mentioned before that stories (and sharing stories) are one of the ways I take care of myself (and others) and can also be a way to take care of the world. I think this is true about all manner of stories (fictional as well as non-fictional), because all stories can teach us about ourselves and can teach us about our lives — especially if we practice a little svādhyāya (“self-study”). It can be particularly help to learn how other people dealt with challenging situations and how those people changed/made history.
A perfect example of such a story is the story (really, stories) of Charles W. Follis, who was born today in 1879. Known as “the Black Cyclone”, Mr. Follis not only made history, the way he dealt with racism inspired others to change the world around them.
There is no playlist for the Common Ground Meditation Center practices.
Check out Seane’s explanation of her non-negotiables.
If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can dial 988 (in the US) or call 1-800-273-TALK (8255) for the Suicide and Crisis Lifeline. You can also call this TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.
White Flag is a new app, which I have not yet researched, but which may be helpful if you need peer-to-peer (non-professional) support.
If you are a young person in crisis, feeling suicidal, or in need of a safe and judgement-free place to talk, you can also click here to contact the TrevorLifeline (which is staffed 24/7 with trained counselors).
### TAKE CARE ###
A Quick Note & EXCERPT: “2024 / ‘For Those Who Missed It (& those who still don’t get it): Divine Remembrance’” [a post-practice Monday post] January 27, 2025
Posted by ajoyfulpractice in Books, Changing Perspectives, Healing Stories, Hope, Loss, One Hoop, Pain, Peace, Religion, Suffering, Tragedy, Wisdom, Yoga.Tags: 988, Dante Alighieri, Dr. Viktor Frankl, Exodus, Franz Vesely, Holocaust, Indiana University Press, International Holocaust Remembrance Day, Shemot, United Nations General Assembly, United States Holocaust Memorial Museum (USHMM), Wolfgang Amadeus Mozart
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Many blessings to everyone, and especially those observing Maha Kumbh Mela. Peace and safe passage to all on International Holocaust Remembrance Day.
May you be safe and protected / May you be peaceful and happy / May you be healthy and strong!
This is the post-practice post for Monday, January 27th (with an excerpt). The 2025 prompt question was, “What is your hope for the future?” The linked post and practice reference political conflict, war, and genocide. You can request an audio recording of this practice or a previous practice via a comment below or (for a slightly faster reply) you can email myra (at) ajoyfulpractice.com.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es).
Donations are tax deductible; class purchases are not necessarily deductible.
Check out the “Class Schedules” calendar for upcoming classes.
“What we create, experience, and suffer, in this time, we create, experience, and suffer for all eternity. As far as we bear responsibility for an event, as far as it is ‘history,’ our responsibility, it is incredibly burdened by the fact that something has happened that cannot be ‘taken out of the world.’ However, at the same time an appeal is made to our responsibility—precisely to bring what has not yet happened into the world! And each of us must do this as part of our daily work, as part of our everyday lives. So everyday life becomes the reality per se, and this reality becomes a potential for action. And so, the ‘metaphysics of everyday life’ only at first leads us out of everyday life, but then—consciously and responsibly—leads us back to everyday life.”
— quoted from “Experimentum Crucis” in Yes to Life: In Spite of Everything by Viktor E. Frankl (with an introduction by Daniel Goleman and an afterword by Franz Vesely)
While you probably did not hear anyone else talk about the other events I mentioned during Monday’s practice (and in the post excerpted below), there is a good chance — depending on your bubble — that at some point on Monday you heard someone mention that Auschwitz-Birkenau (the largest Nazi concentration and death camp complex) was liberated today (January 27th) in 1945. Perhaps you also know that, in November 2005, the United Nations General Assembly resolution 60/7 designated January 27th as International Holocaust Remembrance Day.
You might have even heard, as I did, that a large number of adults around the world can not name a single concentration camp. The statistics vary, depending on the country, from over 25% in the United Kingdom, France, and Romania to over 50% in the United States. I was shocked by these statistics and thought, ‘Well, I know 4 or 5, so I can look up the rest and post them on the blog with the excerpt.’
Of course, you will notice that there is no such list here.
There is no list, because Nazi Germany operated over a thousand concentration camps (including subcamps) from 1933 — 1945. The United States Holocaust Memorial Museum (USHMM) and Indiana University Press published a seven-part encyclopedia series, called Encyclopedia of Camps and Ghettos, 1933–1945, which covered over 42,500 sites in Europe and Africa (controlled by the Nazis and the other Axis powers during that time period). According to the encyclopedia, there were 23 main camps — most of which had satellite camps. Auschwitz was not only a main camp, it was a complex in Nazi-occupied Poland with over 40 concentration and extermination camps.
Which brings me to the reason I’m not even listing the one I already knew: At least 2 are just part of a larger complex.
The hope that I shared during the practice is that there will be a time and a place when we can all breathe more easily and deeply; free of stress and strain, anxiety and fear, discomfort and disease. That is my hope for the future. But, I have another hope, a hope for right now: I hope, in this moment, that you will be disturbed enough by the information above that you will look into the history — at the very least, check out the blog post below. Then, I hope that the history will disturb you enough that you will pay attention to what is happening in the world today.
“Distance yourself from a false matter; and do not kill a truly innocent person or one who has been declared innocent, for I will not vindicate a guilty person.
You shall not accept a bribe, for a bribe will blind the clear sighted and corrupt words that are right.
And you shall not oppress a stranger, for you know the feelings of the stranger, since you were strangers in the land of Egypt.”
— “ordinances” in Shemot / Exodus 23:7–9
CLICK ON THE TITLE BELOW FOR MORE.
2024 / “For Those Who Missed It (& those who still don’t get it): Divine Remembrance”
There is no playlist for the Common Ground Meditation Center practices.
If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can dial 988 (in the US) or call 1-800-273-TALK (8255) for the Suicide and Crisis Lifeline. You can also call this TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.
White Flag is a new app, which I have not yet researched, but which may be helpful if you need peer-to-peer (non-professional) support.
If you are a young person in crisis, feeling suicidal, or in need of a safe and judgement-free place to talk, you can also click here to contact the TrevorLifeline (which is staffed 24/7 with trained counselors).
### PEACE IN, PEACE OUT ###
### AUM ###
A Note & EXCERPTS: “Creating: Music for This Date II” & “En L’Air” [the January part] (the “missing” Sunday post) January 26, 2025
Posted by ajoyfulpractice in "Impossible" People, Abhyasa, Art, Books, Changing Perspectives, Dharma, First Nations, Gratitude, Healing Stories, Hope, Life, Music, One Hoop, Pain, Philosophy, Poetry, Suffering, Tragedy, Wisdom, Writing, Yoga.Tags: 988, Alicia Keys, Bessie Coleman, Brave Bess, Connie Plantz, Delta Airlines Captain Stephanie Johnson, e e cummings, George James Firmage, Jamie Showkeir, January 26th, Mae Carol Jemison, Maren Showkeir, Margaret J. Wheatley, Queen Bess, Syreeta McFadden
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Many blessings to everyone, and especially those observing Maha Kumbh Mela.
May you be safe and protected / May you be peaceful and happy / May you be healthy and strong! May you soar!
This “missing” post for Sunday, January 26th features excerpts from two (2) posts about people born on today’s date. In addition to a slight revision, links and some formatting have been added/updated. You can request an audio recording of this practice or a previous practice via a comment below or (for a slightly faster reply) you can email myra (at) ajoyfulpractice.com.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es).
Donations are tax deductible; class purchases are not necessarily deductible.
Check out the “Class Schedules” calendar for upcoming classes.
“One could interpret what has been written on these pages as self-help, pop psychology, a collection of great techniques to help people through difficult moments, or steps for getting better business results. In the author’s minds, there is something else that goes much deeper than that, and it is difficult to write about because it is so personal. It has to do with worthiness, purpose, humility, fear, anxiety, and facing the fact that it is up to you to create the world you want to live in, here and now, with the people in this room. It is about letting go of the wish that someone else will make it easier, pave the way, or take responsibility for you and your circumstances.”
— quoted from “Conclusion: Starting the Revolution” in Authentic Conversations: Moving from Manipulation to Truth and Commitment by Jamie Showkeir and Maren Showkeir (with forward by Margaret J. Wheatley)
Even though her birthday was yesterday, Alicia Keys (who was born January 25, 1981) shares many things with the people highlighted in the first excerpt below. In addition to having January birthdays, these are people known for being creative, for being uniquely themselves, and for inspiring others, moving people emotionally. Ms. Keys is also one of many people often quoted as saying that we all can (and must) play a part in creating the world in which we live. I mention her specifically, because one of the variations attributed to her instruct us to “Create the world you want, and fill it with the opportunities that matter to you.”
I would argue that some folks are very intentional and deliberate about creating those opportunities; some folks create those opportunities just by showing up in the world as themselves; and some people do both.
Creating: Music for This Date II
Click on the excerpt title below for the 2022 post about people born on January 26th (who inspired the playlist).
Creating: Music for This Date II (the “missing” Wednesday post)
“…the moment you feel, you’re nobody-but-yourself.
To be nobody-but-yourself — in a world which is doing its best, night and day, to make you everybody else — means to fight the hardest battle which any human being can fight; and never stop fighting.”
— quoted from “A Poet’s Advice to Students” in A Miscellany by E. E. Cummings (revised edition edited by George James Firmage)
EN L’AIR (excerpted from a 2023 Black History note)
Born in today in 1892, in Atlanta, Texas, Elizabeth “Bessie” Coleman became the first African American woman and first Native American to hold a pilot license when she earned her license from the Fédération Aéronautique Internationale on June 15, 1921. Her African American and Cherokee heritage also made her the first Black person and the first Indigenous American to earn an international pilot’s license. The woman who became known as “Queen Bess” and “Brave Bessie” would eventually make her living as a stunt pilot. Before that, however, she worked as a laundrywoman in Waxahachie, Texas. She earned enough money, taking in laundry and picking cotton, to attend one semester at the Colored Agricultural and Normal University (now Langston University, the only Historically Black Colleges or Universities in Oklahoma). When she had to drop out of college, due to a lack of funds, she followed her brothers to Chicago, Illinois, where she trained at Burnham School of Beauty Cultures to be a manicurist at a barbershop. In fact, it was at the barbershop that she was truly motivated to be a pilot.
Since no American flight school would train her, Bessie Coleman used the money she earned as a manicurist to learn French and then travel to France to take flying lessons. Once trained, she became a barnstorming daredevil. She was often criticized for the risks she took — and she was no stranger to accidents and broken bones and bruises. But, her aerobatic stunts gave her a platform which she used to speak out against racism, to promote aviation, and to encourage people of color to pursue aviation as career (or a hobby). Like some other prominent entertainers, she put her money where her mouth was and refused to perform at events where African Americans were not permitted to attend.
“One day John Coleman strutted into the White Sox Barbershop and began teasing Bessie. He started comparing African-American women to French women he had seen during [World War I]. John said that African-American women could not measure up to French women. The French women had careers. They even flew airplanes. He doubted that African-American women could fly like the French women. Bessie waited for the barbershop customers to stop laughing. Then she replied, ‘That’s it. You just called it for me.’”
— quoted from “Chapter 3. Seeking Independence” in The Life of Bessie Coleman: First African-American Woman Pilot by Connie Plantz
Ultimately, being a principled daredevil while also facing racism cost her. At one point, she opened up a beauty salon in Chicago in order to earn extra money so that she could buy her own airplane. Sadly and tragically, the airplane she was able to purchase was poorly maintained. On April 30, 1926, in preparation for an air show in Jacksonville, Florida, the plane spiraled out of control killing Bessie Coleman and her mechanic and publicist, William D. Wills, who had been piloting the airplane.
Although Bessie Coleman’s was just barely 34 years old when she tragically died doing what she loved, her legacy still lives. There have been schools, scholarships, and at least one library named after her. The United States Postal service issued a commemorative stamp in her honor in 1995; a Google Doodle was posted on what would have been her 125th birthday; she has been inducted into numerous halls of fame; and Mattel issued a Barbie doll in her honor in 2023. There are streets and boulevards named after her in the United States and there are airport roads bearing her name all over the world.
Bessie Coleman’s legacy also lives on in the lives of the women she inspires and the people they inspire. For instance, in 1992, Mae Carol Jemison (born October 17, 1956) became the first Black woman to travel into space. At the time, the African American chemical engineer and M. D. was working for the National Aeronautics and Space Administration (NASA) as a mission specialist aboard the Space Shuttle Endeavour. She was making history at the age of 35 (mere weeks before her 36th birthday) — and she was doing it while carrying a photo of the Brave/Queen Bessie.
There have been also been commemorative fly-overs in her honor and, in 2022, a commemorative American Airlines flight (from Dallas-Fort Worth to Phoenix) was fully staffed by African American women: from the cockpit and aisles all the way to the tarmac (cargo and maintenance crew) there were sisters of the skies.
“For communities who may not fly often, that outreach and activism from Black aerospace professionals and pilots can combat the unknown and can help show Black communities that being a pilot is a real possibility.
‘A parent comes up to me and she says, “You a pilot?” and I said, “Yes, ma’am.” And she said, “They let us be pilots?” And that really was something,’ says [Delta Airlines Captain Stephanie Johnson]. ‘The parents don’t know what the opportunities are, because they didn’t grow up with opportunities. And so it was even more important, that “OK, this has just got to be my life because I can open people’s eyes.”’”
— quoted from the AFAR article “Where Are All the Black Women Pilots? – Nearly a century after Bessie Coleman first took to the skies, Black women remain a rarity in the cockpit.” by Syreeta McFadden (February 20, 2020)
CLICK ON THE EXCERPT TITLE BELOW FOR MORE!
Sunday’s playlist is available on YouTube and Spotify. [Look for “01262022 Creating: Music for This Date II”]
NOTES & CORRECTIONS
NOTE: The playlists are slightly different, because the YouTube playlists includes some additional videos “after the practice” of songs included in the practice portion of the playlist.
2025 REVISION: A slight change in timing/duration & tempo may affect how the playlists work with earlier practices.
2022 REVISION: I remixed the YouTube playlist after the 4:30 practice, because I had erroneously used the extended version of a song. Additionally, As I was closing my browser tabs, I realized that I overlooked a birthday (and I’m kicking myself for it)! I’ve updated the playlist so that the before/after music includes a track for Maria von Trapp, born January 26,1905, in Vienna, Austria.
If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can dial 988 (in the US) or call 1-800-273-TALK (8255) for the Suicide and Crisis Lifeline. You can also call this TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.
White Flag is a new app, which I have not yet researched, but which may be helpful if you need peer-to-peer (non-professional) support.
If you are a young person in crisis, feeling suicidal, or in need of a safe and judgement-free place to talk, you can also click here to contact the TrevorLifeline (which is staffed 24/7 with trained counselors).
### At some point, you just have to SOAR! ###
Who’s Afraid of Sitting, Breathing… in a Room? (the “missing” Saturday post w/an excerpt) January 25, 2025
Posted by ajoyfulpractice in "Impossible" People, Abhyasa, Art, Books, Changing Perspectives, Confessions, Depression, Healing Stories, Health, Hope, Life, Loss, Meditation, Movies, Music, One Hoop, Philosophy, Suffering, Tragedy, Vairagya, Vipassana, Wisdom, Women, Writing, Yoga.Tags: 988, asana, Dr. Toya Webb, hatha yoga, Hatha Yoga Pradipika, Haţha Yoga Pradipika, Metta, Michael Cunningham, Pancham Sinh, Patanjali, priviledge, siddhis, The Air I Breathe, trauma, Virginia Woolf, Yoga Sutra 1.33-1.40, Yoga Sutra 3.16, Yoga Sutras 2.51-2.52
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Many blessings to everyone, and especially those observing Maha Kumbh Mela.
May you be safe and protected / May you be peaceful and happy / May you be healthy and strong!
This is the “missing” post for Saturday, January 25th. It is a slightly revised (and remixed) version of previously posted content (with some new content mixed in). If you click on the link in the “CODA, redux” (or the excerpt below), please note that the beginning is similar (but the posts are different).
You can request an audio recording of this practice or a previous practice via a comment below or (for a slightly faster reply) you can email myra (at) ajoyfulpractice.com.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es).
Donations are tax deductible; class purchases are not necessarily deductible.
Check out the “Class Schedules” calendar for upcoming classes.
“A writer is a person who sits at a desk and keeps his eye fixed, as intently as he can, upon a certain object—that figure of speech may help to keep us steady on our path if we look at it for a moment. He is an artist who sits with a sheet of paper in front of him trying to copy what he sees. What is his object—his model?”
— quoted from the essay “The Leaning Tower (A paper read to the Workers’ Educational Association, Brighton, May 1940.)” as it appears in The Moment and Other Essays by Virginia Woolf (b. 1882)
Yoga Sūtra 1.40: paramāṇuparamamahattvānto ‘sya vaśīkāraḥ
— “When, through such practices [focusing on a certain object, as previously described in YS 1.33 – 1.39), the mind develops the power of becoming stable on the smallest size object as well as on the largest, then the mind truly comes under control.”
CODA, redux
Do you ever think about what yoga and Virginia Woolf have in common? No? Just me? Ok, that’s fine; it’s not the first time — and will not be the last time that I make what, on the surface, appears to be a really random connection. It’s not even the first (and probably won’t be the last) time this week. However, whenever I circle back to this practice and this theme, I found myself thinking about different similarities. In previous years, I found myself thinking a little more about mental health and the implications of having space, time, and the other resources to focus, concentrate, contemplate, and meditate. This year (and in 2023), I found myself thinking more and more about what it takes to tell our stories and the vantage point(s) from which we tell our stories — especially the stories we tell about our defining moments.
“A writer has to keep his eye upon a model that moves, that changes, upon an object that is not one object but innumerable objects. Two words alone cover all that a writer looks at—they are, human life.”
— quoted from the essay “The Leaning Tower (A paper read to the Workers’ Educational Association, Brighton, May 1940.)” as it appears in The Moment and Other Essays by Virginia Woolf
Yoga Sūtra 3.16: pariṇāmatrayasaṃyamādatãtānāgatajñānam
— “By samyama [focus-concentration-meditation] on the three-fold changes in form, time, and characteristics, there comes knowledge of the past and future.”
We all have defining moments in our lives. These may be moments that we use to describe the trajectory of our lives or maybe moments that we use to describe ourselves. Either way, when a single moment plays a big part in who we are and what’s important to us, we sometimes forget that that single moment — as important as it may be — is part of a sequence of moments. It is the culmination of what’s happened before and the beginning of what happens next; it’s just a single part of our ever-changing story. Even when — or, especially when — that moment is the story, we have to be careful about how we frame it. It doesn’t matter if we are telling our story or someone else’s story; how we tell the story matters.
“But the leaning-tower writers wrote about themselves honestly, therefore creatively. They told the unpleasant truths, not only the flattering truths. That is why their autobiography is so much better than their fiction or their poetry. Consider how difficult it is to tell the truth about oneself—the unpleasant truth; to admit that one is petty, vain, mean, frustrated, tortured, unfaithful, and unsuccessful. The nineteenth-century writers never told that kind of truth, and that is why so much of the nineteenth-century writing is worthless; why, for all their genius, Dickens and Thackeray seem so often to write about dolls and puppets, not about full-grown men and women; why they are forced to evade the main themes and make do with diversions instead. If you do not tell the truth about yourself you cannot tell it about other people.”
— quoted from the essay “The Leaning Tower (A paper read to the Workers’ Educational Association, Brighton, May 1940.)” as it appears in The Moment and Other Essays by Virginia Woolf
Born Virginia Stephen in Kensington, England, on January 25, 1882, Virginia Woolf wrote nine novels (including one published shortly after her death), five short story collections (most of which were published after her death), a hybrid novel (part fiction, part non-fiction), three book-length essays, a biography, and hundreds of articles, reviews, and essays. Some of her most famous essays and speeches addressed the labor of writing — telling stories — and why (in the Western canon) there were so few accomplished female writers. For instance, in October 1928, she gave two speeches to two different student societies at Newnham College and Girton College, which at the time were two of the all-women colleges at the University of Cambridge. (NOTE: Newnham is still an all-women’s college. Girton started accepting men in 1971, and started allowing men to be “Mistress”, or head of the college, in 1976.)
These speeches about women and fiction specifically detailed why there were so few women writers who had earned acclaim (and, to a certain degree, why those that did often did so anonymously or with “male” names). She highlighted the absurd trichotomy between the two wildly archetypical ways women are portrayed in literature and the reality of the very different types of women in the room, let alone in the world. She also speculated about the works that might have come from a woman (say, in Shakespeare’s time) who had a helpmate to take care of the cooking, cleaning, children, and other household business.
In addition to talking about the social constraints that prevented a woman from devoting copious time to the practical application of her craft — writing, she also discussed the social constraints and inequalities that could result in what would amount to writer’s block. All this, she detailed, even before she addressed the issue of a market place predisposed to highlight male writers. All this, she detailed, as she highlighted two (really three) of the things a woman would need to overcome the obstacles of society: (time), space, and money.
“… a woman must have money and a room of her own if she is to write fiction…”
— quoted from the essay “A Room of One’s Own,” as it appears in A Room of One’s Own And, Three Guineas by Virginia Woolf
“surājye dhārmike deśe subhikṣhe nirupadrave |
dhanuḥ pramāṇa-paryantaṃ śilāghni-jala-varjite |
ekānte maṭhikā-madhye sthātavyaṃ haṭha-yoghinā || 12 ||
The Yogī should practise [sic] Haṭha Yoga in a small room, situated in a solitary place, being 4 cubits square, and free from stones, fire, water, disturbances of all kinds, and in a country where justice is properly administered, where good people live, and food can be obtained easily and plentifully.”
— quoted from “Chapter 1. On Āsanas” of the Haţha Yoga Pradipika, translated by Pancham Sinh (1914)
When I first started going deeper into my physical practice of yoga, I looked into some of the classic texts within the tradition. One of those texts was the Haţha Yoga Pradipika (Light on the Physical Practice of Yoga), a 15th Century text that focuses on āsanas (“seats” or poses), prāņāyāma (breath awareness and control), mudrās (“seals” or “gestures”), and Samādhi (that ultimate form of “meditation” that is absorption). Throughout the text, and in particular in the chapter on mudrās, there is a breakdown of how energy, power, or vitality moves through the body and the benefits of harnessing that power.
I would eventually appreciate how the text is almost a summary of the earlier Yoga Sūtras, but (as an English lit major), what first struck me was how similar Virginia Woolf’s advice to women writers was to the early instructions about a practice that can be used to cultivate clarity and harness the power of the mind. Additionally, the practice requires — nay demands — that we sit and turn inward (in order to consider our perspectives and vantage points), just as Ms. Woolf’s essays highlighted the importance of noticing a writer’s seat.
“But before we go on with the story of what happened after 1914, let us look more closely for a moment, not at the writer himself; nor at his model; but at his chair. A chair is a very important part of a writer’s outfit. It is the chair that gives him his attitude towards his model; that decides what he sees of human life; that profoundly affects his power of telling us what he sees. By his chair we mean his upbringing, his education. It is a fact, not a theory, that all writers from Chaucer to the present day, with so few exceptions that one hand can count them, have sat upon the same kind of chair—a raised chair. They have all come from the middle class; they have had good, at least expensive, educations. They have all been raised above the mass of people upon a tower of stucco—that is their middle-class birth; and of gold—that is their expensive education…. Those are some of them; and all, with the exception of D. H. Lawrence, came of the middle class, and were educated at public schools and universities. There is another fact, equally indisputable: the books that they wrote were among the best books written between 1910 and 1925. Now let us ask, is there any connection between those facts? Is there a connection between the excellence of their work and the fact that they came of families rich enough to send them to public schools and universities?”
— quoted from the essay “The Leaning Tower (A paper read to the Workers’ Educational Association, Brighton, May 1940.)” as it appears in The Moment and Other Essays by Virginia Woolf
According to Virginia Woolf, there was an undeniable connection between wealth, the education that wealth provides, and the success of [male] English writers in the eighteenth, nineteenth, and early twentieth centuries. She saw that common thread of privilege as the very foundation of (and secret to) these writers’ success and described it as a tower, stating, “He sits upon a tower raised above the rest of us; a tower built first on his parents’ station, then on his parents’ gold. It is a tower of the utmost importance; it decides his angle of vision; it affects his power of communication.” She also saw it as a blind spot (for such writers and society) and noted that the tower stood strong well into the twentieth century. While the writers supported by this metaphorical tower sometimes had empathy for those less fortunate than them, she observed that they had no desire to dismantle the tower or descend from it’s heights. Furthermore, the tower (and lack of awareness about it) perpetuated misconceptions about women and about why there were not more women — nor more people from lower income brackets — in the ranks of acclaimed authors.
Here is where I see another similarity between yoga and Virginia Woolf’s work, because some people have misconceptions about what it means to practice yoga, what happens when you practice yoga, who practices yoga, and why people practice yoga. For instance, while the instruction for the Haţha Yoga Pradipika instructed a person to practice when they were “free from…disturbances of all kinds” (HYP 1.12); “free from dirt, filth and insects” (HYP 1.13); and “free from all anxieties” (HYP 1.14), the vast majority of people practicing in the modern world do so in order to free themselves from the various maladies that plague them. More often than not, these types of misconceptions stem from a lack of knowledge about the history and practice of yoga. Unfortunately, that lack of knowledge often causes people to not practice and/or to judge people for practicing.
Just as Virginia Woolf addressed misconceptions about women in her essays and fiction, the translator Pancham Sinh addressed some misconceptions about people who practice yoga and the practice of prāņāyāma in an introduction to the Haţha Yoga Pradipika. Part of the introduction is an admonishment to people who would study the practice (theory), but do not practice it, stating, “People put their faith implicitly in the stories told them about the dangers attending the practice, without ever taking the trouble of ascertaining the fact themselves. We have been inspiring and expiring air from our birth, and will continue to do so till death; and this is done without the help of any teacher. Prāņāyāma is nothing but a properly regulated form of the otherwise irregular and hurried flow of air, without using much force or undue restraint; and if this is accomplished by patiently keeping the flow slow and steady, there can be no danger. It is the impatience for the Siddhis which cause undue pressure on the organs and thereby causes pains in the ears, the eyes, the chest, etc. If the three bandhas be carefully performed while practicing [sic] the Prāņāyāma, there is no possibility of any danger.”
Siddhis are the powers or “accomplishments” achieved from continuous practice. They range from being able to extend peace out into the world and understanding all languages; to being able to levitate and know the inner workings of another’s heart and mind; to the six “powers unique to being human.” Bandhas are “locks” and refer to internal engagements used to seal sections of the body in order to control the flow of prāņā. The three major bandhas referred to in the text are the same engagements I encourage when I tell people to “zip up” and engage the pelvic floor and lower abdominal cavity (mūla bandha), the mid and upper abdominal cavity (uḍḍīyana bandha), and the throat (jālandhara bandha). I typically refer to a fourth — pada bandha — which is a seal for the feet; however, in classical texts the fourth bandha is the engagement of the three major bandhas (root, abdominal, and throat) at the same time.
Before anyone gets it twisted, let’s be clear that this introduction is not advice to grab a book and follow instructions without the guidance of a teacher. In fact, Pancham Sinh specifically advised people to find a teacher who practiced and indicated that while one could follow the directions from a (sacred) book, there are some things that cannot be expressed in words. There are some things that can only be felt.
This is consistent with Patanjali’s explanation that the elements and senses that make up the “objective world” can be “divided into four categories: specific, unspecific, barely describable, and absolutely indescribable.” (YS 2.19) That is to say, there are some things that have specific sense-related reference points; some things that can be referred back to the senses, but only on a personal level; some things that have no reference points, but can be understood through “a sign” or comprehension of sacred text; and some things which cannot be described, because there is no tangible reference point and/or “sign” — there is only essence. To bring awareness to all of these things, we “sit and breathe” (even when we are moving).
“athāsane dṝdhe yoghī vaśī hita-mitāśanaḥ |
ghurūpadiṣhṭa-mārgheṇa prāṇāyāmānsamabhyaset || 1 ||
Posture becoming established, a Yogî, master of himself, eating salutary and moderate food, should practise [sic] Prâṇâyâma, as instructed by his guru.”
— quoted from “Chapter 2. On Prāņāyāma” of the Haţha Yoga Pradipika, translated by Pancham Sinh (1914)
Yoga Sūtra 2.51: bāhyābhyantaravişayākşepī caturthah
— “The fourth [prāņāyāma] goes beyond, or transcends, the internal and external objects.”
Yoga Sūtra 2.52: tatah kşīyate prakāśāvaraņam
— “Then the veil over the [Inner] Light deteriorates.”
“Unconsciousness, which means presumably that the under-mind, works at top speed while the upper-mind drowses, is a state we all know. We all have experience of the work done by unconsciousness in our own daily lives. You have had a crowded day, let us suppose, sightseeing in London. Could you say what you had seen and done when you came back? Was it not all a blur, a confusion? But after what seemed a rest, a chance to turn aside and look at something different, the sights and sounds and sayings that had been of most interest to you swam to the surface, apparently of their own accord; and remained in memory; what was unimportant sank into forgetfulness. So it is with the writer. After a hard day’s work, trudging round, seeing all he can, feeling all he can, taking in the book of his mind innumerable notes, the writer becomes—if he can—unconscious. In fact, his under-mind works at top speed while his upper-mind drowses. Then, after a pause the veil lifts; and there is the thing—the thing he wants to write about—simplified, composed. Do we strain Wordsworth’s famous saying about emotion recollected in [tranquility] when we infer that by [tranquility] he meant that the writer needs to become unconscious before he can create?”
— quoted from the essay “The Leaning Tower (A paper read to the Workers’ Educational Association, Brighton, May 1940.)” as it appears in The Moment and Other Essays by Virginia Woolf
When we “sit and breathe” a lot of things bubble up: thoughts, emotions, sensations, memories. Part of the practice is noticing what comes up and part of the practice is remaining the witness to what comes up (rather than engaging every little fluctuation of the mind). Contrary to some popular misconceptions, people who practice feel a lot — they’re just not always distracted by every thing they feel. Instead, they allow the different thoughts, emotions, sensations, and memories to pass back and forth between their conscious, subconscious, and unconscious mind until the busy brain rests. They are not constantly cataloging what is specific, what is unspecific, what is barely describable, and what is absolutely indescribable; however, they are aware of all of these categories as they experience them.
One of the things we can feel, but not touch, is emotion. Emotions can come with visceral experiences and, in that way, can fall into the “unspecific” category. More often than not, however, what we feel is “barely describable” (or even indescribable) — and yet, writers are always trying to describe or capture the essence of what is felt. Virginia Woolf constantly endeavored to describe what she felt and what she felt she saw others feeling. Even more salient, she often focused on the disconnection between what her characters felt and what they could describe about what they felt. The author’s efforts were hindered, or aided (depending on one’s viewpoint), by the fact that she experienced so much trauma and heartbreak; much of which led to emotional despair.
“I feel a thousand capacities spring up in me. I am arch, gay, languid, melancholy by turns. I am rooted, but I flow.”
— quoted from “Susan” in The Waves by Virginia Woolf
Click on the excerpt title below for the 2022 post that details some of Virginia Woolf’s trauma and heartbreak. (Again, the introduction is similar, but some of the content is very different.)
Sitting, Breathing… in a Room [the “missing” Tuesday post]
“vapuḥ kṝśatvaṃ vadane prasannatā
nāda-sphuṭatvaṃ nayane sunirmale |
aroghatā bindu-jayo|aghni-dīpanaṃ
nāḍī-viśuddhirhaṭha-siddhi-lakṣhaṇam || 78 ||
When the body becomes lean, the face glows with delight, Anâhatanâda manifests, and eyes are clear, body is healthy, bindu under control, and appetite increases, then one should know that the Nâdîs are purified and success in Haṭha Yoga is approaching.”
— quoted from “Chapter 1. On Āsanas” of the Haţha Yoga Pradipika, translated by Pancham Sinh (1914)
“The human frame being what it is, heart, body and brain all mixed together, and not contained in separate compartments as they will be no doubt in another million years, a good dinner is of great importance to good talk. One cannot think well, love well, sleep well, if one has not dined well.”
— quoted from the essay “A Room of One’s Own,” as it appears in A Room of One’s Own And, Three Guineas by Virginia Woolf
The Air I Breathe, one of my favorite movies, was released in the United States on January 25, 2008. Inspired by the idea that emotions are like fingers on a hand, the main characters are known to the audience as Happiness, Pleasure, Sorrow, Love, and Fingers — and their stories are interconnected, even though they don’t necessarily realize it. In fact, some of the most desperate actions in the movie are motivated by fear and a sense of isolation. Promotional materials for the movie proclaimed, “We are all strangers / We are all living in fear / We are all ready to change” and in the movie Happiness asks, “So where does change come from? And how do we recognize it when it happens?” Happiness also says, “I always wondered, when a butterfly leaves the safety of its cocoon, does it realize how beautiful it has become? or does it still just see itself as a caterpillar?” I think both the statement and the questions could be applied to so many, if not all, of Virginia Woolf’s characters. They could also be applied to all of us in the world right now.
This time of year, the statements and the questions also remind us that change happens every time we inhale, every time we exhale — and we can make that change happen.
“‘For,’ the outsider will say, ‘in fact as a woman, I have no country. As a woman I want no country. As a woman my country is the whole world.’ And if, when reason has had its say, still some obstinate emotion remains, some love of England dropped into a child’s ears… this drop of pure, if irrational, emotion she will make serve her to give to England first what she desires of peace and freedom for the whole world.”
— quoted from the novel-essay “Three Guineas,” as it appears in The Selected Works of Virginia Woolf by Virginia Woolf
As I have mentioned before, I consider the 8-Limbed Yoga Philosophy to have very real-time, practical applications and I normally think of the physical practice as an opportunity to practice, explore, and play with the various elements of the philosophy. I will even sometimes use aspects of alignment as a metaphor for situations in our lives off the mat. Given this last year the last few years, however, I have really started to consider how āsana instructions from classic texts like The Yoga Sūtras of Patanjali and the Haţha Yoga Pradipika, can be more practically applied to the most basic aspects of everyday life.
- For instance, if we spend our time on the mat cultivating a “steady/stable, comfortable/easy/joyful” foundation in order to breathe easier and more deeply, doesn’t it make sense to spend some time cultivating the same type of foundation in our lives?
- Going out a little more, if we do not have the luxury or privilege of practicing “in a country where justice is properly administered, where good people live, and food can be obtained easily and plentifully,” doesn’t it behoove us to create that land?
- Finally, what happens if we (to paraphrase yoga sūtras 2.46-47) establish a baseline for stability and then loosen up a little bit and focus on the infinite? Patanjali and the authors of the other sacred texts told us we would become more of who we are: leaner in body, healthier, brighter, more joyful, “clearer, stronger, and more intuitive.” In other words: peaceful and blissful.
“lōkāḥ samastāḥ sukhinōbhavantu”
— A mettā (loving-kindness) chant that translates to “May all-beings, everywhere, be happy and be free.”
Saturday’s playlist is available on YouTube and Spotify. [Look for “01252022 Sitting, Breathing… in a Room”]
“You cannot find peace by avoiding life.”
— quoted from The Hours: a novel by Michael Cunningham
If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can dial 988 (in the US) or call 1-800-273-TALK (8255) for the Suicide and Crisis Lifeline. You can also call this TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.
White Flag is a new app, which I have not yet researched, but which may be helpful if you need peer-to-peer (non-professional) support.
If you are a young person in crisis, feeling suicidal, or in need of a safe and judgement-free place to talk, you can also click here to contact the TrevorLifeline (which is staffed 24/7 with trained counselors).
“Realize that there is freedom in telling your story and that there is power in your words.”
— quoted from the November 2018 TedxDelthorneWomen talk entitled, “Change Your Perspective and Change Your Story” by Dr. Toya Webb
### BRING AWARENESS TO YOUR SEAT! ###
Our Time, Our Story (an abridged post) January 22, 2025
Posted by ajoyfulpractice in Books, Changing Perspectives, Faith, Healing Stories, Hope, Life, Love, Meditation, Music, One Hoop, Pain, Philosophy, Suffering, Tragedy, Wisdom, Writing, Yoga.Tags: 988, Thornton Wilder
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Many blessings to everyone, and especially those observing Maha Kumbh Mela.
May you be safe and protected / May you be peaceful and happy / May you be healthy and strong!
For Those Who Missed It: The following was originally posted in a larger context. Class details and some formatting have been added or updated.
“Our claim, our hope, our despair are in the mind – not in things, not in ‘scenery.’ Molière said that for the theatre all he needed was a platform and a passion or two. The climax of this play needs only five square feet of boarding and the passion to know what life means to us.”
— quoted from the “Preface” of Three Plays: Our Town, The Matchmaker, and The Skin of Our Teeth by Thornton Wilder
What does life mean to you? More specifically, what does your life mean to you and how are you spending this time you have been given? How could you spend your time in a way that reflects what your life means to you?
I ask some variation of these questions on a fairly regular basis. People all over the world may ask themselves some variation of these questions during moments of great upheaval, moments of great challenge, and/or moments of great change. These questions are at the heart of most works by Thornton Wilder, but are especially poignant and salient in his 1938 Pulitzer Prize-winning play Our Town, which premiered today in 1938, at the McCarter Theater in Princeton, New Jersey, and then opened in Boston before its Broadway premiere at Henry Miller’s Theatre on February 4, 1938.
In the preface to a collection of three of his plays, Thornton Wilder not only indicated what he was doing with his work, but why he was doing it. He wrote, “Every action which has ever taken place – every thought, every emotion – has taken place only once, at one moment in time and place. ‘I love you,’ ‘I rejoice,’ ‘I suffer,’ have been said and felt many billions of times, and never twice the same. Every person who has ever lived has lived an unbroken succession of unique occasions. Yet the more one is aware of this individuality in experience (innumerable! innumerable!) the more one becomes attentive to what these disparate moments have in common, to repetitive patterns.” Then he questioned how we tell our stories — our truths — and how different mediums have different powers. Theatre, he believed, elevates individual experiences to universal experiences in a way that transcends single moments in time.
Our Town is a play-within-a-play, with the “external” play taking place in the theater where the play is being presented and the “interior” play taking place in Grover’s Corners, New Hampshire (beginning on May 7, 1901). In addition to the Stage Manager, who “breaks the fourth wall” by introducing the audience to the scenario and offering commentary throughout the play, Our Town focuses on the inhabitants of Grover’s Corners. In particular, it focuses on young Emily Webb and George Gibb.
The young couple do things that many people do in the span of 12 years. They grow up, they fall in love, they get married, they start a family. They also lose people they love. In fact, the final act of the play takes place on a hilltop cemetery overlooking the town and is all about loss. It begins with the Stage Manager’s monologue about all the things that changed — as well as all the things that stayed the same — between the second act and the summer of 1913, which marks the end of the play. It references many people who died before the play every began and older characters that died during the time period of the play. Then the Stage Manager gets to one of the great tragedies of the play: young Emily Webb died giving birth to her second child. When Emily is given the chance to re-experience one single moment of her life, she chooses her 12th birthday.
“EMILY…. – (She flings her arms wide in an ecstasy of realization) Oh, earth, you’re too wonderful for anyone to realize you! (Thinking a moment, she half-turns to the STAGE MANAGER, questioning more gently:) Does any human beings ever realize life while they live it – every, every minute?
STAGE MANAGER. (Quietly) No – Saints and poets maybe – they do some.”
— quoted from Act III of Our Town by Thornton Wilder
For many people around the world, including the people in the fictional Grover’s Corners, birthdays are a time of celebration. A time when family and friends gather together to celebrate someone and to wish them well as the begin their next journey around the sun. The older a person gets — the more they live — the more likely they are to not only celebrate, but also to reflect. The longer someone lives they more opportunities they have to look back at how they have spent their time and consider how they want to move forward. Birthdays, after all, are liminal moments, threshold moments, and — when we think of them as personal new year’s days — they are new beginnings.
Of course, any time we are beginning, we must ask ourselves, “How do we begin?”
“STAGE MANAGER…. How do such things begin? George and Emily are going to show you now the conversation they had when they first knew that – as the saying goes – they were meant for one another. But before they do that I want you to try and remember what it was like to have been very young, and particularly the days when you were first in love; when you were like a person sleep-walking, and you didn’t quite see the street you were walking in, and you didn’t quite hear everything that was said to you. You’re just a little bit crazy. Will you remember that, please?”
— quoted from Act II of Our Town by Thornton Wilder
Please join me today (Wednesday, January 22nd) at 4:30 PM or 7:15 PM for a yoga practice on Zoom. You can use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email myra (at) ajoyfulpractice.com.
Wednesday’s playlist is available on YouTube and Spotify. [Look for “01222022 Our Time, Our Story”]
“STAGE MANAGER….. – Now there are some things we all know but we don’t take’m out and look at’m very often. We all know that something is eternal. And it ain’t houses and it ain’t names, and it ain’t earth, and it ain’t even the stars . . . everybody knows in their bones that something is eternal, and that something has to do with human beings. All the greatest people ever lived have been telling us that for five thousand years and yet you’d be surprised how people are always letting go of that fact. There’s something way down deep that’s eternal about every human being.”
— quoted from Act III of Our Town by Thornton Wilder
If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can dial 988 (in the US) or call 1-800-273-TALK (8255) for the Suicide and Crisis Lifeline. You can also call this TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.
White Flag is a new app, which I have not yet researched, but which may be helpful if you need peer-to-peer (non-professional) support.
If you are a young person in crisis, feeling suicidal, or in need of a safe and judgement-free place to talk, you can also click here to contact the TrevorLifeline (which is staffed 24/7 with trained counselors).
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)
### “…my advice to you is not to inquire why or whither, but just enjoy your ice cream while it is on your plate; that’s my philosophy.” ~ from The Skin of Our Teeth by Thornton Wilder ###
A Quick Note, Links, & Excerpts Related to Life (a post-practice Monday post) January 20, 2025
Posted by ajoyfulpractice in "Impossible" People, Changing Perspectives, Dharma, Donate, Dr. Martin Luther King, Jr., Faith, Gratitude, Healing Stories, Hope, Karma, Karma Yoga, Life, Love, Meditation, One Hoop, Pain, Peace, Philosophy, Religion, Suffering, Super Heroes, Tragedy, Volunteer, Wisdom, Writing, Yoga.Tags: 988, Inauguration Day, Martin Luther King Day, Martin Luther King Jr, MLK, Stanford University, The Martin Luther King Jr. Research and Education Institute, The Seattle Times
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Many blessings to everyone, especially those observing Maha Kumbh Mela. May everyone breathe deeply and savor the richness of living a three dimensional life!
May you be safe and protected / May you be peaceful and happy / May you be healthy and strong!
This is a short post-practice post for Monday, January 20th (with excerpts). It includes some links that will direct you to a site outside of this blog. The 2025 prompt question was, “What is on your mind and on your heart?” You can request an audio recording of this practice or a previous practice via a comment below or (for a slightly faster reply) you can email myra (at) ajoyfulpractice.com.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es).
Donations are tax deductible; class purchases are not necessarily deductible.
Check out the “Class Schedules” calendar for upcoming classes.
“I want to use as a subject from which to preach this morning a very familiar subject, and it is familiar to you because I have preached from this subject twice before to my knowing in this pulpit. I try to make it something of a custom or tradition to preach from this passage of Scripture at least once a year, adding new insights that I develop along the way, out of new experiences as I give these messages. Although the content is, the basic content is the same, new insights and new experiences naturally make for new illustrations.”
— quoted from the “Loving Your Enemies” sermon at Dexter Avenue Baptist Church by Rev. Martin Luther King, Jr. (11/17/1957)
The third Monday in January is one of several different occasions throughout the year when people (myself included) invoke the words of the Reverend Dr. Martin Luther King. While some turn to the obvious “dream” or “how long” speeches and while others quote passages from his “Letter from a Birmingham Jail”, this is a day when I usually turn to one of MLK’s sermons. I usually pick one of his favorites, one that he delivered multiple times over his career. In fact, there is one in particular that I referred to for many, many years — before I decided to switch things up with another of his favorite go-to sermons, called “Loving Your Enemies” (which I have cited during a variety of different classes).
This year, I decided to go back to that sermon I started referencing years and years ago — and that I think about every day. I decided to go back, because every version of the sermon contains a message that I think is particularly important right now, a message about “The Three Dimensions of a Complete Life”.
“And there are three dimensions of any complete life to which we can fitly give the words of this text: length, breadth, and height. Now the length of life as we shall use it here is the inward concern for one’s own welfare. In other words, it is that inward concern that causes one to push forward, to achieve his own goals and ambitions. The breadth of life as we shall use it here is the outward concern for the welfare of others. And the height of life is the upward reach for God. Now you got to have all three of these to have a complete life.”
— quoted from the “The Three Dimensions of a Complete Life” sermon at New Covenant Baptist Church in Chicago by Rev. Martin Luther King, Jr. (04/09/1967)
The Martin Luther King, Jr. Research and Education Institute at Stanford University includes a collection of MLK’s sermons, speeches, and writings. Included in that collection are various versions of the aforementioned sermons (and other sermons that he delivered in different locations).
CLICK ON THE EXCERPT TITLES BELOW FOR MORE ABOUT MLK (& INAUGURATION DAY).
Happy Wisdom Day: To Noble Kings
The Day of Introductions (the Wednesday 1202021 post)
There is no playlist for the Common Ground Meditation Center practices.
If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can dial 988 (in the US) or call 1-800-273-TALK (8255) for the Suicide and Crisis Lifeline. You can also call this TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.
White Flag is a new app, which I have not yet researched, but which may be helpful if you need peer-to-peer (non-professional) support.
If you are a young person in crisis, feeling suicidal, or in need of a safe and judgement-free place to talk, you can also click here to contact the TrevorLifeline (which is staffed 24/7 with trained counselors).
### YOU CAN LIVE A COMPLETE LIFE! ###
Understanding [Your] Karma & Putting Cash in Your Karmic Bank Account (a revised post-practice Monday post) January 13, 2025
Posted by ajoyfulpractice in "Impossible" People, Books, Buddhism, Changing Perspectives, Dharma, Donate, Faith, First Nations, Healing Stories, Hope, Karma, Karma Yoga, Life, Meditation, Movies, Music, One Hoop, Pain, Peace, Philosophy, Religion, Science, Suffering, Super Heroes, Tragedy, Volunteer, Wisdom, Yoga.Tags: Anstalten Österåker, “Pam” Hendricks, Österåker Prison, Österåkersanstalten), Beverly Mahr, Carl Perkins, Dr. Reginald “Reggie” Ray, Ecclesiastes, Folsom State Prison, Glen Sherley, Gordon Jenkins, Johnny Cash, June Carter Cash, kamma, Kamma Sutta, Karma, Karma Yoga, kriya, kriya yoga, Little Brother Montgomery, Martin Luther King Jr, Merle Haggard, prison, saṃskāra, San Quentin State Prison, Sir Isaac Newton, Soledad State Prison, Swami Jnaneshvara, Swami Jnaneshvara Bharati, Thannissaro Bhikkhu, The Tennessee Three (music), The Tennessee Two (music), vāsanā, Yoga Sutra 2.1, Yoga Sutra 2.12
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May your mind-body-spirit be well, be great, and be in harmony with your thoughts, words, and deeds.
This is a revised post for Monday, January 13th. In an ongoing effort to not throw the baby out with the bath water*, I have mixed some new quotes with a post from 2024. Some formatting, class details, and links have also been added or updated. The 2025 prompt question was, “Is the way you live your life a reflection of something people taught you or a reflection of your life experience?” NOTE: This post contains a passing reference to suicide.
You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email myra (at) ajoyfulpractice.com.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es).
Donations are tax deductible; class purchases are not necessarily deductible.
Check out the “Class Schedules” calendar for upcoming classes.
“‘Monks, I will teach you new & old kamma, the cessation of kamma, and the path of practice leading to the cessation of kamma. Listen and pay close attention. I will speak.
‘Now what, monks, is old kamma? The eye is to be seen as old kamma, fabricated & willed, capable of being felt. The ear… The nose… The tongue… The body… The intellect is to be seen as old kamma, fabricated & willed, capable of being felt. This is called old kamma.
‘And what is new kamma? Whatever kamma one does now with the body, with speech, or with the intellect: This is called new kamma.
‘And what is the cessation of kamma? Whoever touches the release that comes from the cessation of bodily kamma, verbal kamma, & mental kamma: This is called the cessation of kamma.’”
— quoted from “Kamma Sutta: Action” (SN 35.145), translated from the Pali by Thanissaro Bhikkhu. Access to Insight (BCBS Edition), 30 November 2013
This present moment is the culmination of all the previous moments and the beginning of all the moments that come after it. Mindfulness-based practices — like the philosophies of Yoga and Buddhism — are an opportunity to observe cause-and-effect in action. Throughout a practice, we note how one thing can lead to another. Even in this moment, you can notice…
- How an inhale leads to an exhale and an exhale leads to an inhale;
- How moving with the breath allows us to notice how one pose leads to another;
- How what we do in one part of our body affects another part of the body (and vice versa). For example, notice how stability in the lower body allows you to extend your upper body and how extending your upper body allows you to stretch out the lower body.
If you’ve practice with me a bit, you have probably heard the aforementioned example a lot. (And, hopefully, you’ve tested it out for yourself.) You have probably also heard me state, “What happens in the body, happens in the mind; what happens in the mind, happens in the body; and both affect the breath… So we harness the power of the breath to affect the body and the mind.” At various points throughout the year, I reference saṃskāra (“mental impressions”) and vāsanā (“dwelling places” of our habits) and encourage people to notice how what happened to our hearts (and ourselves) in the past informed this present moment and how what happens in this present moment — i.e., what we do in this present moment — informs our future moments. All of this applies to our thoughts, our words, and our deeds.
What people may not immediately realize is that all of these things are related (or can be related) to karma and kriyā, two Sanskrit words that can be translated into English as “work” or “effort”.
“Although both kriya and karma can be translated as ‘action,’ there is a vast difference between them. Both are derived from the verb root kri…, which means ‘to do.’ Kriya refers to an action in process as well as to the dynamic force propelling the action. Karma refers to completed action. Unless a fresh wave of action is exerted on karma, it remains unchanged. Karma is an unchanging field of completed action waiting to be harvested by the performer of the action, while kriya is ever-moving, ever-changing energy. Kriya yoga is yoga in action, not yoga of action, and should not be confused with karma yoga.”
— quoted from the commentary on Yoga Sūtra 2.1 from The Practice of the Yoga Sutra: Sadhana Pada by Pandit Rajmani Tigunait, PhD
While karma (or kamma, in Pali) can have two different definitions in Buddhism — and while many Western practitioners of Yoga may be most familiar with some idea of “karma” — sacred texts about the Yoga Philosophy use two different words for the two different types of action/work. Karma is the effect or consequence, while kriyā is the cause. Kriyā is an ongoing process and also the steps within the process; it is active. You could also think of karma as fate and kriyā as destiny; where the former is unchangeable and the latter as the journey to your destination.
Some traditions take the latter concept a step further and specifically use kriyā in relation to internal action or work and speak of karma when referring to external work. In some ways, this dovetails with Yoga Sūtra 2.1, which defines kriyā yoga (“union in action”) as a combination of the final three niyamas (internal “observations”): discipline/austerity, self-study, and trustful surrender to a higher power (other than one’s self). In this context, kriyā yoga is a purification ritual and, as I mention throughout the year, there are several religious and philosophical observations that would fit within this rubric (including Lent, Yom Kippur and Passover, the Baháʼí 19-Day Fast, and the holy month of Ramaḍān).
Additionally, in the Kundalini Yoga tradition, “kriyā” is the term applied to sequences with specific energetic intentions.
This is where it gets (even more) convoluted, because karma can also be the intention. Classically, when we talk about karma, we talk about planting seeds and things coming into fruition. So, one way to think of it is that we plant seeds that already have within them the image of the final product and kriyā is what we do to nurture and harvest what’s been planted — and/or what we do when we need to uproot the poisonous weeds.
“The literal meaning kriya is ‘verb.’ Every verb is representative of a distinct process or function and no process of function reaches fruition without a doer.”
— quoted from the commentary on Yoga Sūtra 2.1 from The Practice of the Yoga Sutra: Sadhana Pada by Pandit Rajmani Tigunait, PhD
After the Saturday practice in 2024, someone asked me if “karma” was going to be our philosophical focus for 2024. At first, I was going to answer no. Then I thought, not exactly. Yet, when I really sat with the question, the actual answer was, sort of and partially. During the Saturday practices in 2024, we focused on how our past moments lead us to these present moments (karma) and how the things we do in this present moment can lead to certain future moments (kriyā) — and we used the chakra system as a paradigm for understanding where we are, how we got here, and where we’re going (or, all the places we could go).
Just to clarify, this practice is a moving meditation with some self-study, contemplation, and reflection. While I do not put a lot of focus/emphasis on the concept of past lives and reincarnation — although those ideas do make up part of the foundation of karma/kamma in the Buddhist and Yoga philosophies — there are times when we reflect on generational trauma — and, of course, there will always be stories… and music.
“[Verse 1]
I hear the train a-comin’, it’s rolling ’round the bend
And I ain’t seen the sunshine since I don’t know when
I’m stuck in Folsom prison, and time keeps draggin’ on
But that train keeps a-rollin’ on down to San Antone”
— quoted from the song “Folsom Prison Blues” by Johnny Cash
On January 13, 1968, Johnny Cash, June Carter (who wouldn’t become a Cash until March 1, 1968), Carl Perkins, The Tennessee Three, and the Statler Brothers performed and recorded two (2) concerts at Folsom State Prison in Folsom, California. Although, the subsequent live album made these performances the most well known, they were not the first time Johnny Cash performed at Folsom Prison, nor the last time he performed at a prison… in California, in the United States, or in the world. In fact, he performed at least 30 prison concerts in the United States — including one at Correctional Training Facility (also known as Soledad State Prison) in 1980. He also recorded live albums in places like San Quentin State Prison (now known as San Quentin Rehabilitation Center) at Österåker Prison (known as Anstalten Österåker and Österåkersanstalten), north of Stockholm, Sweden.
We could just listen (or listen and move) to the music. But, let’s put a little “cash” in our karmic bank account and look at how the performances, as well as much of the music — not to mention the stories behind the music and how the concerts came about — are great illustrations of cause-and-effect and of karma and kriyā.
“[Verse 2]
When I was just a baby, my mama told me, ‘Son
Always be a good boy, don’t ever play with guns’”
— quoted from the song “Folsom Prison Blues” by Johnny Cash
While serving in the United States Air Force in Germany (~ 1951/1952), Johnny Cash saw the film Inside the Walls of Folsom Prison (released in U. S. May 18, 1951) and he was inspired to write a song. Keep in mind that, even though he had more than his fair share of troubles and spent some time in county (or city) jail, he never served time as a prisoner. (Unlike Merle Haggard, who would be incarcerated and in the audience during at least one prison concert.) Mr. Cash did, however, have an imagination. So, as he sat not far from Landsberg Prison (in Bavaria), inspired by the film about Folsom and the instrumental song “Crescent City Blues” by Little Brother Montgomery (1930) as well as the lyrics by Gordon Jenkins (released by Beverly Mahr in 1953), he thought about the worst thing someone could do to wind up in prison. Keep in mind that his “worst thing” was based on his previous experiences.
Then he wrote a song that (he said) he never expected to get as big as it got: “Folsom Prison Blues”. Johnny Cash went on to write songs about prison life, in general, and about San Quentin (1969) — the latter of which he also sang as “Österåker”. In between cobbling together one of his most famous hits and some of those other prison songs, Mr. Cash decided he wanted to go to prison… not to serve time, but to serve the inmates.
By playing a series of concerts, he and the other musicians were giving back, doing a little karma yoga. The songs they sang simultaneously lifted the spirits of the inmates and spoke to/of the experiences of the inmates. In some cases, the songs, the concerts, and the live albums changed the way people perceived Johnny Cash and the inmates. They also changed the way some of the inmates saw themselves. For instance, during the first January 13th concert, the inmates at Folsom barely reacted to the music, because history had taught them that making too much noise would result in a loss of privileges. But, the musicians and their producers needed/wanted the crowd reactions for the live albums. So, perceptions and expectations changed. Consider how you would feel if you spent your days (and nights) suppressing your natural reactions because you feared punishment. Consider how you feel knowing the cheers, laughs, and applause on the live recording were re-mixed after the concerts.
The life of Glen Sherley is another example of the effect of the concerts. It is also an example of how past actions inform present actions and influence future actions. Mr. Sherley was an inmate at Folsom, who had written a song. Someone played Johnny Cash a tape of the song, thinking the morale of the inmates might be boosted if the “Man in Black” referenced the song and the songwriter. Johnny Cash and the other musicians took the idea a step further: they learned and sang the song. Glen Sherley had no idea the popular musicians were going to sing his song. Neither could he know how much his life was going to change because of that simple act; but, change it did. Even while still in prison, Glen Sherley became a popular songwriter who eventually released his own album and (for a brief period) performed under the House of Cash label.
However, despite being given a “second act” and a different way of life, Glen Sherley couldn’t handle it. He had a long history of violence, drug and alcohol abuse, and other illegal tendencies. Johnny Cash dismissed him from the House of Cash out of an abundance of caution (because people feared he would follow through on some of his threats) and, in 1978, within 7 years of his release from Folsom, those fears came to fruition when Glen Sherley shot a man while he (Mr. Sherley) was high. A couple of days later, after telling his daughter couldn’t go back to jail, the fledging musician died from a suicide. He was 42 years old.
Johnny Cash understood that, given a chance, some people could break the cycle of violence and poverty. He also understood his affect on people like Glen Sherley and on people who would judge someone like Glen Sherley. Understanding cause-and-effect is part of the reason he sometimes said he shouldn’t have singled Glen Sherley out. It is also the reason Mr. Cash met Mr. Sherley when he was released, gave him a job; and (ultimately) paid for his funeral.
“Well, you wonder why I always dress in black
Why you never see bright colors on my back
And why does my appearance seem to have a somber tone
Well, there’s a reason for the things that I have on
I wear the black for the poor and the beaten down
Livin’ in the hopeless, hungry side of town
I wear it for the prisoner who is long paid for his crime
But is there because he’s a victim of the times”
— quoted from the song “The Man in Black” by Johnny Cash
As they do with Martin Luther King, Jr (especially around his birthday and the holiday dedicated to him), people often quote and/or coopt Johnny Cash’s legacy. Throughout his life, he told people not to put words in his mouth — a message his children continue spreading to this day — and to, instead, pay attention to what he said and what he did. If we do that, if we really listen to what he said and what he did, we find that Johnny Cash advocated for the poor and the disenfranchised. He wrote protest songs about people in prison and how they were treated (before and after they were released); the Vietnam War (and war in general); and the oppression of Native Americans. Then he backed those lyrics up with actions/deeds.
I can’t help but wonder what he would say about other musicians being investigated and incarcerated because of their lyrics and/or the political climate here in the U. S. and around the world. Neither can I blame someone with different views from mine doing the same thing. I think such thoughts are natural, human, inclinations. However, I am very careful to come back to his words, his action, his karma, and (in a way) his kriyā.
His kriyā, because the music is still alive and still actively acting on the world.
“Each week we lose a hundred fine young men
And I wear it for the thousands who have died
Believin’ that the Lord was on their side
I wear it for another hundred-thousand who have died
Believin’ that we all were on their side
… Well, there’s things that never will be right, I know
And things need changin’ everywhere you go
But ’til we start to make a move to make a few things right
You’ll never see me wear a suit of white
Ah, I’d love to wear a rainbow every day
And tell the world that everything’s okay
But I’ll try to carry off a little darkness on my back
’Til things are brighter, I’m the man in black”
— quoted from the song “The Man in Black” by Johnny Cash
Given all of the above, take a moment to consider your first lesson in “karma”.
Was it called that or was “cause-and-effect” first taught to you in a different way, with different words (and in a different language)? Maybe it was taught to you in the scientific way. Remember this is just a different spin on the laws of nature and Sir Isaac Newton’s Laws of Motion. According to Yoga Sūtra 2.12: kleśamūlah karmāśayo dŗşţādŗşţjanmavedanīyah / “The reservoir of our actions is rooted in affliction/pain that is experienced in seen and unseen lives.” So, take a moment to consider that how you view all of this is based on your previous experiences and lessons (about the subject at hand and, also, about the historical and cultural context of these concepts). Now, take a moment to consider how you use this information (about yourself) when you are really grounded in it. Meaning:
- What do you believe (or not believe)?
- How much of what you believe (or don’t believe) is based on lessons you were taught (or not taught) and how much is based on what you’ve experienced/learned in the meanwhile?
- How do your thoughts, words, and deeds reflect your beliefs?
Just like I wonder about his thoughts on current events, I wonder about Johnny Cash’s first lesson in karma. Again, he never served time in prison, but he spent time in prisons and that time was spent serving others — which I consider a form of karma yoga. He put his beliefs into action and is often quoted as saying, “ … I’m the biggest sinner of them all….” Then, in the very next breath, he would talk about his faith in Jesus. The Man in Black wrote a song called “The Man in Black” and, also, a historical novel called The Man in White (about how Saul became Paul). So, it is possible that his first lesson in “karma” was similar to mine, someone quoting or paraphrasing “the Teacher” (King Solomon) in Ecclesiastes 11. Even though he may not have called it karma yoga, Johnny Cash spent a lot of time doing things that came back to him.
What are you doing and how is coming back to you?
“Cast your bread upon the water and it shall return to you.”
— My great-grandmother Pam, quoting Ecclesiastes 11:1
“The law of Karma is a universal process, whereby causes lead to effects. This is something that all of us are already familiar with, whether or not we use the word Karma to describe it. Newton’s third law of motion, that every action leads to a reaction, is an application of the law of Karma.”
— Swami Jnaneshvara Bharati
There is no playlist for the Common Ground Meditation Center practices.
The playlist used in previous practices is available on YouTube and Spotify. [“01132021 Karma Cash I”]
If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can dial 988 (in the US) or call 1-800-273-TALK (8255) for the Suicide and Crisis Lifeline. You can also call this TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.
White Flag is a new app, which I have not yet researched, but which may be helpful if you need peer-to-peer (non-professional) support.
If you are a young person in crisis, feeling suicidal, or in need of a safe and judgement-free place to talk, you can also click here to contact the TrevorLifeline (which is staffed 24/7 with trained counselors).
Looking for more? You can scroll through all my posts tagged with karma or check out one of the posts highlighted below:
- We Begin With a Curious Teacher, or 2 (the “missing” Saturday post) September 16, 2023
- The Last Appointment (a “long lost” Saturday post) June 5, 2023
- Leadership & Kriya Yoga (the “missing” Monday post) February 21, 2023
- Effort and Effect (a “missing” post from a week ago) February 28, 2022
- When You Need A Good Hard Rain (the “missing” Sunday post) February 7, 2022
01/13/2026 Errata: The reference to the reaction of the Folsom inmates during the first concert originally contained the wrong month.
A Joyful Practice 