It’s Happening, Again… (the “missing” Wednesday post) February 3, 2022
Posted by ajoyfulpractice in Abhyasa, Art, Books, Buddhism, Changing Perspectives, Faith, Healing Stories, Hope, Karma, Life, Love, Movies, Music, Mysticism, One Hoop, Peace, Philosophy, Religion, Suffering, Vairagya, Wisdom, Yoga.Tags: Allison Chinchar, Bill Murray, Candlemas, Chris Wilson, Danny Rubin, Groundhog Day, Harold Ramis, Laura Ly, Lily Rothman, Lunar New Year, Pennsylvania Dutch, Phil Connors, Punxsutawney Phil, Richard Henzel, Rick Overton, Rob White, Ryan Gilbey, Ryan Murphy, Sam Hui, Sonny & Cher, Year of the Tiger
2 comments
“Happy New Year!” to those who are celebrating.
This is the “missing” post for Wednesday, February 2nd. You can request an audio recording of this practices via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.
Check out the “Class Schedules” calendar for upcoming classes.
Variations of the following were previously posted in 2021.
“财神到 财神到
Caishen dao caishen dao [The god of wealth has come! The god of wealth has come!]
*
好心得好报
Hao xinde hao bao [Good news]
*
财神话 财神话
Caishenhua caishenhua [Myth of money, myth of money]
*
揾钱依正路
wen qian yi zhenglu [if you follow the right path]”
*
– quoted from the song “Cai Shen Dao” [“The God of Wealth Has Come!” by Sam Hui, lyrics in Hanzi [Chinese characters], pīnyīn [“spelled sounds”], and English
February 2, 2022 was the second day of the Lunar New Year. and, in parts of China and the diaspora, it was the second day of the Spring Festival, a fifteen day celebration that culminates with the Lantern Festival. This year is the year of the (water) Tiger.
In each region that celebrates the Lunar New Year, each day has a special significance and different stories and traditions related to that significance. Some people honor the god of land on the second day, while others celebrate the birthday of all dogs. Traditionally, the second day is a day when daughters who had married and moved away from home would return to visit their birth families – which meant their families would welcome the son-in-laws. So, in some places, today is a day dedicated to the son-in-laws.
For some (particularly Cantonese people), the second day is known as “beginning of the year” and it marks the beginning of a new business year. As such, there are blessings and prayers for a prosperous new year. From 221 B. C. until 1912 A. D., it was common for beggars and the unemployed in China to spend today carrying around a picture of the God Of Wealth and shouting, “Cai Shen Dao! [The God of Wealth has come! in Mandarin]” In exchange for their pronouncement, they would receive “lucky money” from families and businesses.
In some parts of China, people celebrate the birthday of Che Kung on his “actual” birthday (the second), while others celebrate on the third day of the year. A military general of the Southern Song Dynasty, Che Kung is believed to have been capable of suppressing rebellions and plagues. Some even consider him “God of Protection.” Hong Kong and Guangdung Province are two of the places where people traditionally have a procession and visit a temple dedicated to Che Kung. Despite the pandemic, thousands of people visited the temple in Sha Tin last year; however, masks, temperature checks, and a health registration were required. This year, vaccinations were encouraged and people were required to use the “Leave Home Safe” app, which is a free digital contract tracing app launched by the Hong Kong government.
People who travel to the temple on the second and third days of the new year give thanks, light red candles and incense sticks, and present offerings. Some will spin a golden pinwheel outside of the temple to maintain good luck from the previous year or to change their fortune in the New Year. Some will even buy a personal pinwheel. There is also big ceremony around drawing fortune sticks, which people believe offers guidance for the coming year and can be interpreted by a fortune teller. Of course, this year (like last year), a lot of people are seeking guidance about the pandemic – and how to proceed when the same things keep happening over and over again.
*** SPOILER ALERT: This post references plot points from the movie and musical Groundhog Day. ***
“Okay, campers, rise and shine, and don’t forget your booties cause it’s cooooold out there today.”
– Richard Henzel as “DJ #1” in the movie Groundhog Day
“‘I read it,’ says [Bill] Murray, ‘and I thought it was just extraordinary because at it’s core it really said something: It was an interpretation of the myth about how we all repeat our lives because we’re afraid of change. I thought it could just be the funniest thing ever.’”
– quoted from the February 7, 1993 article, Bill Murray and the Beast Filming “Groundhog Day” Turned Out To Be A Nightmare For The Actor. His Furry Co-star Had A Hankering For His Blood. by Ryan Murphy, For The Inquirer
A stage manager and a hardware store owner walk into a yoga studio. The hardware store owner asks, “What’s the difference between a rut, a groove, and a rake?” The yoga teacher says, “Perspective.”
OK, so, that’s not exactly how the conversation went, but it’s pretty close. For those of you who don’t work in theatre, hardware, construction, and/or architecture, a rake is the incline on an old fashioned stage that makes the back of the stage (or the end farthest from the audience) “upstage” and is the same type of incline that places the back of the audience up higher than the seats closest to the stage. It allows people to see the full range of action. Of course, “rut” and “groove” are both words used to describe a deep track in the earth (or a record album) that is also used to describe an ingrained habit – although the former has a negative connotation, while the latter is considered more desirable.
Ultimately though, all three words, describe something that requires a certain degree of effort to get from the bottom to the top. The thing is, if you are (habit-wise) in a groove, you may not have a desire or a reason to get out of the groove. If you are on a rake, you want to be downstage (because that is typically where the action is) and you want to make sure no one is “upstaging you.” Finally, if you are in a rut, you may find that getting out of it may take more energy than you are putting into things. You could be like Sisyphus, pushing the rock up the mountain for all eternity. Or, maybe, like Phil Connors, you just don’t know how to get out of the situation you’re in.
Phil: “What would you do if you were stuck in one place and every day was exactly the same and nothing that you did mattered?”
Ralph: “That about sums it up for me.”
– Bill Murray as “Phil Connors” and Rick Overton as “Ralph” in the movie Groundhog Day
In the 1993 Harold Ramis movie Groundhog Day (as well as in the musical of the same name), Phil Connors is malcontent weather man who travels to Punxsutawney, Pennsylvania for the annual Groundhog Day celebrations. He clearly would rather be anywhere but where he is; however, he’s a professional. He shows up on February 1st, along with Larry the cameraman (played by Chris Elliot in the movie) to do his job. He wakes up on February 2nd, does his duty and then goes to bed, looking forward to getting up in the morning and getting out of Dodge. The only problem, the one even Punxsutawney Phil couldn’t have predicted, is that when he wakes up the “next morning” it’s still February 2nd – Groundhog Day!
This happens again and again to Phil Connors. Much to his annoyance, no one else he encounters seems to notice the time loop. Not Larry the cameraman; not Rita (played by Andie McDowell in the movie); not Ralph (played by Rick Overton in the movie) – and definitely not the so-excited-to-see-him Ned Ryerson (played by Stephen Tobolowsky in the movie). Not only does no one else notice that Groundhog Day is happening again and again, most everyone else is excited: It is, after all, a big day for the little town.
“Well, it’s Groundhog Day… again.”
– Bill Murray as “Phil Connors” in the movie Groundhog Day
The annual observation of Groundhog Day is based on a Pennsylvania Dutch superstition that if a badger (or a bear or a fox, depending on the region) saw its shadow on February 2nd, there would be four (now six) more weeks of winter. February 2nd was significant to the original observers, because it is Candlemas; which commemorates the Presentation of Jesus at the Temple and is observed by Catholics, as well as German Protestants, like the Pennsylvania Dutch communities.
The Pennsylvania Dutch, who were originally (and primarily) German immigrants to the Americas, had a lot of “superstitions” about weather – some of which could be found in Hostetter’s United States Almanac, for Merchants, Mechanics, Farmers, Planters, and General Family Use (published 1863–1909 in Pittsburgh, Pennsylvania by Hostetter & Smith). For instance, if the weather was nice for All Saints’ and All Souls’ Days (the two days after All Hallows’ Eve), then the weather would be good for the next six weeks. Similarly, there was an obvious tie between Christianity and the Old World (pagan) beliefs in the idea that the length of icicles between Christmas and New Year’s would translate into the depth of snow during winter.
The groundhog tradition is one of the few Pennsylvania Dutch beliefs that, somehow, jumped from their very sacred (and closed) communities into the secular world. Punxsutawney Phil (in western Pennsylvania) is arguably the most famous and has been predicting the weather since 1886. (Of course, despite what the organizers would have you believe, there have been several Phils over the years.) The official Groundhog Day ceremony, with all its pomp and circumstance, rituals, and proclamations has been an official ceremony since 1887. The movie, in 1993, increased tourism to the area, as the average number of attendees rose from 2,000 to 10,000. In 2019, the event was live streamed – which means the town was virtually prepared for the COVID-19 restrictions required in 2020.
In addition to Punxsutawney Phil, there’s Chattanooga Chuck in Tennessee; French Creek Freddie in West Virginia; Buckeye Chuck in Ohio and Staten Island Chuck (a.k.a Charles G. Hogg) in New Jersey – and Staten Island Chuck’s daughter Charlotte, Jr.; Essex Ed also in New Jersey; Jimmy the Groundhog in Wisconsin; Stormy Marmot in Colorado; General Beauregard Lee (known as Beau) in Gwinnett County, Georgia; and Pierre C. Shadeaux in Louisiana. Shubenacadie Sam is in Nova Scotia. In Canada, there’s Balzac Billy in Alberta; Fred la marmotte in Quebec; and Wiarton Willie in Ontario.
There’s also a larger-than-life “Essex Ed” in Essex, Connecticut.
Oh, and in Bee Cave, Texas (just outside of Austin), there’s an armadillo named Bee Cave Bob.
Over the years there’s been a lot of controversy around the groundhogs. One (allegedly) bit a New York mayor and, a few years later, a different New York mayor would (allegedly) drop a different groundhog. Then there was the time Warton Willie (in Ontario) predicted the weather even though he had died two days before Groundhog Day. (Sadly, this year, New Jersey’s Milltown Mel died just days before the big day.) Then there’s the fact that the groundhogs are notoriously wrong – although, perhaps not as much as one might think.
According to a 2021 CNN article by Laura Ly (with contributions from CNN meteorologist Allison Chinchar), Punxsutawney Phil has reportedly seen his shadow 104 times, but not seen it only 20 times; and, statistically speaking, he’s been correct 50% of the time in the last 10 years – which makes him a little like that broken clock that has tells the correct time twice a day. On the flip side, a 2018 Time Magazine article by Chris Wilson and Lily Rothman referenced a Mathematical Association of America paper that tracked predictions from 1950 to 1990 and found Punxsutawney Phil was 70% accuracy. During that time, Staten Island Chuck had a better record. However, when the Time reporters looked specifically at the 2017 predictions of 16 groundhogs and actually tracked the weather for each region, Unadilla Bill (in Nebraska) was 83% accurate. The thing is, Unadilla Bill is not “real”… he’s a product of taxidermy!
Just for the record, Punxsutawney Phil did not see his shadow in 2018 and 2019, but he did see it in 2021 and 2022; so, six more weeks of winter – unless you decide to bank on Unadilla Bill’s track record. In 2021, the stuffed groundhog did not “see” his shadow; thereby, predicting an early spring. That was Unadilla Bill’s last forecast, as he “retired.” However, he was replaced by Unadilla Billie, that rare female groundhog. In keeping with the family tradition, Unadilla Billie did not “see” her shadow this year.
“It’s always Feb 2nd – there’s nothing I can do about it.”
– Bill Murray as “Phil Connors” in the movie Groundhog Day
In the movie, Phil Connors is like Sisyphus – in that he is stoically prepared to do what he has to do. But, very quickly, he becomes downright fatalistic and then straight-up defiant. He’s Scrooge and George Bailey all rolled-up into one. It’s sad. As he makes some efforts to change his behavior and his interactions with others in a (futile) attempt to break the time loop, we can definitely see evidence that the movie loosely fits into the rubric of Dr. Elisabeth Kübler-Ross’s five stages of grief. The problem with the recalcitrant weatherman’s approach is that he continuously picks the absolute worse things to say and do – pretty much guaranteeing that the loop continues.
Some people have looked at the movie as a Christian allegory about purgatory, and that fits in with the background of the original observation (if only in the fact that the original observation came from a Christian community and had close ties to Candlemas). It also fits in with the fact that Danny Rubin, the original writer, was inspired by Lestat de Lioncourt, one of Anne Rice’s most famous vampires – and Anne Rice’s books are steeped in (and with) Catholic imagery, ritual, and tradition.
I tend, however, to lean towards those who view the movie as a Buddhist parable or koan about karma. Karma is a Sanskrit word (kamma in Pali) meaning work, effort, action, or deed. In the Buddhist and Yoga philosophies, it is every thought, every word, and every deed – and our karma, literally our efforts, determine our suffering as well as how often we will repeat a life that involves suffering. The repetition of behavior connects to the philosophical concept of samskāras (saņkhāras in Pali) – which are the mental grooves (or ruts) that create our behavior and, in Buddhism, our world (samsāra). All of this fits in with Bill Murray’s observation (about people fearing change) and the fact that both Danny Rubin, the original writer, and Harold Ramis, who directed and worked on the movie’s re-write, have more than a working knowledge of Buddhism. Furthermore, in Buddhism – just like in the movie – the end of the cycle of suffering (and/or reincarnation) comes from the way we open our hearts to others.
Which, of course, begs the question: how long does that take? In fact, almost everyone who has ever seen the movie wonders how long the time loop takes.
“Again,’ says [Danny] Rubin, ‘I fought for the bookcase for a long time. Ultimately, it became this weird political issue because if you asked the studio, “How long was the repetition?”, they’d say, “Two weeks.” But the point of the movie to me was that you had to feel you were enduring something that was going on for a long time. It’s not like a sitcom where the problem is solved in 22½ minutes. For me it had to be – I don’t know. A hundred years. A lifetime.’
*
[Harold] Ramis maintains that the original script had specified that Phil was stuck for 10,000 years because of the significance of that time-span in Buddhist teachings, but Rubin denies this.”
– quoted from Groundhog Day (BFI Modern Classics) by Ryan Gilbey (series editor, Rob White)
In a 2005 critical study of the movie, Ryan Gibley explored some of the theories, misconceptions, and assumptions about the time-loop continuum – as well as the way the understanding (and “official” explanations) of the timeline changed and evolved over time. In the original draft, Phil Connors used books (reading one page a day) to keep track of the days and, based on that concept, the loop would be 70 – 80 years. At one point, Harold Ramis said 10; but when a blogger broke down scenes and estimated 9, Mr. Ramis publicly stated it was 30 – 40 years.
Suffice to say, it takes a really long time: as long as it takes to break every habit that makes up your life and the way you live your life. For Phil Connors that means changing the way he interacts with himself as well as with others. It means he has to engage all of the brahmavihārās or divine abodes in Buddhism (loving-kindness, compassion, sympathetic joy, and equanimity) and all of the siddhis “unique to being human” – in particular, those that overlap with Buddhism: the power to eliminate three-fold sorrow; the power to cultivate a good heart (and make friends); and the power of generosity.
The movie and, in particular, Phil’s evolution in the movie are a great lens through which to view our own lives. It can serve as a starting point for svādhyāyā (“self-study”), giving us the opportunity to look at how we respond (or habitually react) when we are faced with the same mistakes or the same issues. It brings our awareness to how things (and people) are connected and to how we’re changing (every time we inhale, every time we exhale) – even when it seems like things are staying the same. In noticing the difference a day makes/made – the difference that is us (or Phil, in the movie) – we are given the opportunity to consider how changing our perspective changes our behavior, and how that changes everything.
Finally, the movie makes us wonder how we would choose to spend the day if we knew this was the only day we would ever have. It begs the question: What would you do and with whom would you spend this day if it was your only day? And follows that with: Why are you waiting for your final day, your only day, to learn what you want to learn, do what you want to do, and spend time with the one(s) you love? Finally, the movie makes us wonder: What will it take for us to appreciate this day (or, this year)?
“Well, what if there is no tomorrow? There wasn’t one today.”
– Bill Murray as “Phil Connors” in the movie Groundhog Day
Wednesday’s playlist is available on YouTube and Spotify. [Look for “02022021 It’s Groundhog Day, Again” or 02022021 Groundhog Day, Again”]
NOTE: Both versions of the playlist have been updated for 2022; however, the update does not affect the music played during the practice.
“S: I got flowers in the spring, I got you to wear my ring
C: And when I’m sad, you’re a clown
C: And if I get scared, you’re always around
C: So let them say your hair’s too long
S: Cause I don’t care, with you I can’t go wrong
S: Then put your little hand in mine
S: There ain’t no hill or mountain we can’t climb”
– quoted from the song “I Got You Babe” by Sonny & Cher
IT’S ALMOST TIME! Are you ready for another “First Friday Night Special?” Please join me this Friday, February the 4th (7:15 – 8:20 PM, CST) when we will consider “the diff’rence a moment makes.” This practice is open and accessible to all. Additional details are posted on the “Class Schedules” calendar!
### “THE DIFFERENCE IS YOU” ###
Mystical Journeys Around the Sun (Monday’s post-practice post, that’s mostly about the links) January 31, 2022
Posted by ajoyfulpractice in Books, Changing Perspectives, Healing Stories, Life, Meditation, Movies, Mysticism, One Hoop, Philosophy, Vipassana, Wisdom, Writing, Yoga.Tags: Contemplation, Fred Bahnson, inspiration, Jeremy Seifert, pilgrimage, Thomas Merton
add a comment
Happy (Lunar) New Year’s Eve!
This post-practice post for Monday, January 31st. You can request an audio recording of Monday’s practice via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)
Check out the “Class Schedules” calendar for upcoming classes.
“We’re all on a journey. We’re all going somewhere.”
*
“Our task now is to learn that if we can voyage to the ends of the earth, and there find ourselves in the stranger who most differs from ourselves, we will have made a fruitful pilgrimage. This is why pilgrimage is necessary, in some shape or other. Mere sitting at home and meditating on the Divine presence is not enough for our time. We have to come to the end of a long journey and see that the stranger we meet there is no other than ourselves.”
*
– quoted from the Emergence Magazine documentary On The Road With Thomas Merton, by Jeremy Seifert and Fred Bahnson, based on Woods, Shore, Desert: A Notebook, May 1968, by Thomas Merton
*
Click here for last year’s post inspired by Thomas Merton.
There is no music for the Common Ground Meditation Center practice.
*
This YouTube link will take you to the short documentary referenced above.
### How Do You “See” Things After You Sit & Breathe?” ###
Sitting, Breathing… in a Room [the “missing” Tuesday post] January 26, 2022
Posted by ajoyfulpractice in "Impossible" People, Abhyasa, Art, Books, Changing Perspectives, Depression, Dharma, Food, Healing Stories, Hope, Life, Loss, Movies, Mysticism, One Hoop, Pain, Peace, Philosophy, Suffering, Tragedy, Vairagya, Vipassana, Wisdom, Women, Writing, Yoga.Tags: bandhas, Carl Jung, Dr. Toya Webb, Haţha Yoga Pradipika, Matthew Sanford, Maty Ezraty, MBSR, mental health, Michael Cunningham, Moon Knight, Pancham Sinh, siddhis, The Air I Breathe, trauma, Virginia Woolf
add a comment
Warning: This post references to mental health and a person who experienced severe emotional distress.
This is the “missing” post for Tuesday, January 25th. Links in the 4th paragraph of the “Coda” will connect you to other websites. You can request an audio recording of the practice via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.
Check out the “Class Schedules” calendar for upcoming classes.)
Coda:
Do you ever think about what yoga and Virginia Woolf have in common? No? Just me? Ok, that’s fine; it’s not the first time – and will not be the last time that I make what, on the surface, appears to be a really random connection. It’s not even the first (and probably won’t be the last) time this week. However, in circling back to this practice and this theme, I found myself thinking a little more about mental health and the implications of having space, time, and the other resources to focus, concentrate, contemplate, and meditate.
Last year, this practice fell on Monday, 12521 (making it a palindrome practice). While I waited until the following day to reference Carl Jung’s thoughts on yoga and mental health, those thoughts are always hovering in the back of my mind. And yes, that is the second time this week I’ve mentioned the psychiatrist and psychoanalysis on the blog. However, he and his work have come up at least three times this week. Starting with a conversation I had with my brother.
As some of you know, my youngest brother is one of the coolest people I know. He is cool on a lot of different levels, including being pretty Zen in temperament. But, he doesn’t have a regular practice yoga or meditation practice and he doesn’t really talk about those things with people who do (except me). Over the weekend, he asked me about something he read regarding yoga, meditation, and people who have experienced trauma. Our conversations, as they often do, oscillated between the experiences of real people and the experiences of a certain Marvel comic book character. We talked a little about the emotional ramifications of sitting and breathing… and the things that come up when one is essentially alone with their thoughts. It’s a double-edged sword, as Dr. Jung pointed out – as Patanjali, Vyasa, and other early yoga scribes pointed out. So, we talked about the importance of practicing with care and awareness.
Today there is trauma-sensitive yoga, trauma-informed yoga, MBSR (Mindfulness-Based Stress Reduction), HeartMath®, and people who just practice yoga with an awareness that stuff comes up. I mean; we’ve all been through something and when you’ve been through something, stuff comes up. The more intense the trauma-related experience was, the more intense it can be when stuff comes up. Every practice doesn’t work for every person (even Patanjali pointed this out at the beginning of the fourth section of the Yoga Sūtras); but every person needs some way to process what they have experienced – whether they consider it traumatic or not.
Journaling is helpful. Talking to someone is helpful. Connecting with nature is helpful. Sitting and breathing is helpful. You may not need (or want) a “trauma-” label associated with your method of processing, but if you find yourself being overwhelmed by emotion, do something: Ask for help! Maybe a teacher engaged in mindfulness-based practices can help you. Maybe you have a spiritual and/or religious guide who can help you. Maybe you need a mental health professional. Either way, remember that sensation is information; it’s the way the mind-body tells our stories.
Matthew Sanford, the founder of Mind Body Solutions, talks about “healing stories” – the stories we tell ourselves (and each other) to explain our experiences. Those stories are one of the ways we process our stuff. Dr. Toya Webb reminds us that we are “always listening [to the story we tell ourselves] – whether it is destructive or productive.” Maty Ezraty, a master yoga teacher, said that every practice is like a good story.
Consider all of this as you read the following revised version of last year’s post entitled, “Who’s Afraid of Breathing?”
“surājye dhārmike deśe subhikṣhe nirupadrave |
dhanuḥ pramāṇa-paryantaṃ śilāghni-jala-varjite |
ekānte maṭhikā-madhye sthātavyaṃ haṭha-yoghinā || 12 ||
The Yogī should practise [sic] Haṭha Yoga in a small room, situated in a solitary place, being 4 cubits square, and free from stones, fire, water, disturbances of all kinds, and in a country where justice is properly administered, where good people live, and food can be obtained easily and plentifully.”
– quoted from “Chapter 1. On Āsanas” of the Haţha Yoga Pradipika, translated by Pancham Sinh (1914)
“… a woman must have money and a room of her own if she is to write fiction…”
– quoted from the essay “A Room of One’s Own,” as it appears in A Room of One’s Own And, Three Guineas by Virginia Woolf
In October 1928, Virginia Woolf gave two speeches to two different student societies at Newnham College and Girton College, which at the time were two of the all-women colleges at the University of Cambridge. (NOTE: Newnham is still an all-women’s college. Girton started accepting men in 1971 and started allowing men to be “Mistress,” or head of the college, in 1976.) The speeches were about women and fiction – and specifically detailed why there were so few women writers who had earned acclaimed (and, to certain degree, why those that did often did so anonymously or with “male” names). She also highlighted the absurd trichotomy between the two wildly archetypical way women are portrayed in literature and the reality of the very different types of women in the room, let alone in the world.
Born Virginia Stephen in Kensington, England, Janaury 25, 1882, Ms. Woolf speculated about the works that might have come from a woman (say, in Shakespeare’s time) who had a helpmate to take care of the cooking, cleaning, children, and other household business. She also talked about the social constraints that not only prevented a woman from devoting copious time to the practical application of her craft, writing, but also the social constraints and inequalities that could result in what would amount to writer’s block. All this, she detailed, even before she addressed the issue of a market place predisposed to highlight male writers – and she introduced her ideas by establishing two (really three) of the things a woman would need to overcome the obstacles of society: (time), space, and money.
When I first started going deeper into my physical practice of yoga, I looked into some of the classic texts within the tradition. One of those texts was the Haţha Yoga Pradipika (Light on the Physical Practice of Yoga), a 15th Century text that focuses on āsanas (“seats” or poses), prāņāyāma (breath awareness and control), mudrās (“seals” or “gestures”), and Samādhi (that ultimate form of “meditation” that is absorption). Throughout the text, and in particular in the chapter on mudrās, there is a breakdown of how energy, power, or vitality moves through the body and the benefits of harnessing that power.
I would eventually appreciate how the text is almost a summary of the earlier Yoga Sūtras, but (as an English lit major), what struck me first was how similar these early instructions – related to a practice that can be used to cultivate clarity and harness the power of the mind – were to Virginia Woolf’s advice to women writers.
“athāsane dṝdhe yoghī vaśī hita-mitāśanaḥ |
ghurūpadiṣhṭa-mārgheṇa prāṇāyāmānsamabhyaset || 1 ||
Posture becoming established, a Yogî, master of himself, eating salutary and moderate food, should practise [sic] Prâṇâyâma, as instructed by his guru.”
– quoted from “Chapter 2. On Prāņāyāma” of the Haţha Yoga Pradipika, translated by Pancham Sinh (1914)
“I feel a thousand capacities spring up in me. I am arch, gay, languid, melancholy by turns. I am rooted, but I flow.”
– quoted from “Susan” in The Waves by Virginia Woolf
Just as Virginia Woolf addressed misconceptions about women in her essays and fiction, the translator Pancham Sinh addressed some misconceptions about people who practice yoga and the practice of prāņāyāma in an introduction to the Haţha Yoga Pradipika. Part of the introduction is an admonishment to people who would study the practice, but do not practice it, stating, “People put their faith implicitly in the stories told them about the dangers attending the practice, without ever taking the trouble of ascertaining the fact themselves. We have been inspiring and expiring air from our birth, and will continue to do so till death; and this is done without the help of any teacher. Prāņāyāma is nothing but a properly regulated form of the otherwise irregular and hurried flow of air, without using much force or undue restraint; and if this is accomplished by patiently keeping the flow slow and steady, there can be no danger. It is the impatience for the Siddhis which cause undue pressure on the organs and thereby causes pains in the ears, the eyes, the chest, etc. If the three bandhas be carefully performed while practicing [sic] the Prāņāyāma, there is no possibility of any danger.”
Siddhis are the powers or “accomplishments” achieved from continuous practice. They range from being able to extend peace out into the world and understanding all languages; to being able to levitate and know the inner workings of another’s heart and mind; to the six “powers unique to being human.” Bandhas are “locks” and refer to internal engagements used to seal sections of the body in order to control the flow of prāņā. The three major bandhas referred to in the text are the same engagements I encourage when I tell people to “zip up” and engage the pelvic floor and lower abdominal cavity (mūla bandha), the mid and upper abdominal cavity (uḍḍīyana bandha), and the throat (jālandhara bandha). I typically refer to a fourth – pada bandha – which is a seal for the feet; however, in classical texts the fourth bandha is the engagement of the three major bandhas (root, abdominal, and throat) at the same time.
Before anyone gets it twisted, let’s be clear that this introduction is not advice to grab a book and follow instructions without the guidance of a teacher. In fact, Pancham Sinh specifically advised people to find a teacher who practiced and indicated that while one could follow the directions from a (sacred) book, there are some things that cannot be expressed in words. There are some things that can only be felt.
This is consistent with Patanjali’s explanation that the elements and senses that make up the “objective world” can be “divided into four categories: specific, unspecific, barely describable, and absolutely indescribable.” (YS 2.19) That is to say, there are some things that have specific sense-related reference points; some things that can be referred back to the senses, but only on a personal level; some things that have no reference points, but can be understood through “a sign” or comprehension of sacred text; and some things which cannot be described, because there is no tangible reference point and/or “sign” – there is only essence.
One of the things we can feel, but not touch, is emotion. Emotions can come with visceral experiences and, in that way, can fall into the “unspecific” category. More often than not, however, what we feel is “barely describable” (or even indescribable) – and yet, writers are always trying to describe or capture the essence of what is felt. As the author of nine novels (including one published shortly after her death), five short story collections (most of which were published after her death), a hybrid novel (part fiction, part non-fiction), three book-length essays, a biography, and hundreds of articles, reviews, and essays, Virginia Woolf constantly endeavored to describe what she felt and what she felt she saw others feeling. Even more salient, she often focused on the disconnection between what her characters felt and what they could describe about what they felt.
The author’s efforts were hindered, or aided (depending on one’s viewpoint), by the fact that she experienced so much trauma and heartbreak; much of which led to emotional despair. She was possibly (probably) abused by one of her half-brothers from an early age. Then she suffered a mental breakdown at the age of 13, after her mother died. Then she had to deal with the death of her half-sister and a maternal role model just two years later. When her father he died, in 1904, she had another breakdown, the severity of which landed her in the country for a period of convalescence. It was during this period that she began to write in earnest (even though the doctors had recommended that she only write letters) and that she would meet Leonard Woolf, the author whom she would marry in 1912. The writing helped, in that she seemed to find some mental and emotional stability for about 15 years. But, she would experience another breakdown after correcting the proofs of her first novel, The Voyage Out. The novel was published by her half-brother’s publishing company (yes, that aforementioned half-brother) and introduced the world to “Clarissa Dalloway,” the protagonist of her fourth novel.
“evaṃ vidhe maṭhe sthitvā sarva-chintā-vivarjitaḥ |
ghurūpadiṣhṭa-mārgheṇa yoghameva samabhyaset || 14 ||
Having seated in such a room and free from all anxieties, he should practise [sic] Yoga, as instructed by his guru.”
– quoted from “Chapter 1. On Āsanas” of the Haţha Yoga Pradipika, translated by Pancham Sinh (1914)
“You cannot find peace by avoiding life.”
– quoted from The Hours: a novel by Michael Cunningham
It is interesting to me that while the instruction for the Haţha Yoga Pradipika instructed a person to practice when they were “free from…disturbances of all kinds” (HYP 1.12); “free from dirt, filth and insects” (HYP 1.13); and “free from all anxieties” (HYP 1.14), the vast majority of people practicing in the modern world do so in order to free themselves from the various maladies that plague them. Additionally, I find it interesting that historians, teachers of literature, and even psychiatrists spend a lot of time (theoretically) diagnosing a young woman (Virginia Woolf) who may have been experiencing (and working through) the most natural of emotions; natural, given her circumstances.
Were her emotions extreme and potentially dangerous? Yes, by all accounts – including her own words and her death – her emotions were extreme and dangerous; as were her circumstances. Initially, she was able to work through her distress because she had the support of those to whom she was connected. In the end, however, she was left alone and feeling disconnected.
The Air I Breathe, one of my favorite movies, was released in the United States Janaury 25, 2008. Inspired by the idea that emotions are like fingers on a hand, the main characters are known to the audience as Happiness, Pleasure, Sorrow, Love, and Fingers – and their stories are interconnected, even though they don’t necessarily realize it. In fact, some of the most desperate actions in the movie are motivated by fear and a sense of isolation. Promotional materials for the movie proclaimed, “We are all strangers / We are all living in fear / We are all ready to change” and in the movie Happiness asks, “So where does change come from? And how do we recognize it when it happens?” Happiness also says, “I always wondered, when a butterfly leaves the safety of its cocoon, does it realize how beautiful it has become? or does it still just see itself as a caterpillar? I think both the statement and the questions could be applied to so many, if not all, of Virginia Woolf’s characters. They could also be applied to all of us in the world right now.
“‘For,’ the outsider will say, ‘in fact as a woman, I have no country. As a woman I want no country. As a woman my country is the whole world.’ And if, when reason has had its say, still some obstinate emotion remains, some love of England dropped into a child’s ears… this drop of pure, if irrational, emotion she will make serve her to give to England first what she desires of peace and freedom for the whole world.”
– quoted from the novel-essay “Three Guineas,” as it appears in The Selected Works of Virginia Woolf by Virginia Woolf
As I have mentioned before, I consider the 8-Limbed Yoga Philosophy to have very real-time, practical applications and I normally think of the physical practice as an opportunity to practice, explore, and play with the various elements of the philosophy. I will even sometimes use aspects of alignment as a metaphor for situations in our lives off the mat. Given this last year the last few years, however, I have really started to consider how āsana instructions from classic texts like The Yoga Sūtras of Patanjali and the Haţha Yoga Pradipika, can be more practically applied to the most basic aspects of everyday life.
- For instance, if we spend our time on the mat cultivating a “steady/stable, comfortable/easy/joyful” foundation in order to breathe easier and more deeply, doesn’t it make sense to spend some time cultivating the same type of foundation in our lives?
- Going out a little more, if we do not have the luxury or privilege of practicing “in a country where justice is properly administered, where good people live, and food can be obtained easily and plentifully,” doesn’t it behoove us to create that land?
- Finally, what happens if we (to paraphrase yoga sūtras 2.46-47) establish a baseline for stability and then loosen up a little bit and focus on the infinite? Patanjali and the authors of the other sacred texts told us we would become more of who we are: leaner in body, healthier, brighter, more joyful, “clearer, stronger, and more intuitive.” In other words: peaceful and blissful.
“lōkāḥ samastāḥ sukhinōbhavantu”
– A mettā (loving-kindness) chant that translates to “May all-beings, everywhere, be happy and be free.”
Tuesday’s playlist is available on YouTube and Spotify.
“vapuḥ kṝśatvaṃ vadane prasannatā
nāda-sphuṭatvaṃ nayane sunirmale |
aroghatā bindu-jayo|aghni-dīpanaṃ
nāḍī-viśuddhirhaṭha-siddhi-lakṣhaṇam || 78 ||
When the body becomes lean, the face glows with delight, Anâhatanâda manifests, and eyes are clear, body is healthy, bindu under control, and appetite increases, then one should know that the Nâdîs are purified and success in Haṭha Yoga is approaching.”
– quoted from “Chapter 1. On Āsanas” of the Haţha Yoga Pradipika, translated by Pancham Sinh (1914)
“The human frame being what it is, heart, body and brain all mixed together, and not contained in separate compartments as they will be no doubt in another million years, a good dinner is of great importance to good talk. One cannot think well, love well, sleep well, if one has not dined well.”
– quoted from the essay “A Room of One’s Own,” as it appears in A Room of One’s Own And, Three Guineas by Virginia Woolf
If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can call 1-800-273-TALK (8255). You can also call the TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.
If you are a young person in crisis, feeling suicidal, or in need of a safe and judgement-free place to talk, contact the TrevorLifeline (which is staffed 24/7 with trained counselors).
“Realize that there is freedom in telling your story and that there is power in your words.”
*
– quoted from the November 2018 TedxDelthorneWomen talk entitled, “Change Your Perspective and Change Your Story” by Dr. Toya Webb
*
### OM SHANTI, SHANTI, SHANTHI OM ###
Being: Lessons in the present moment (the “missing” Monday post) January 25, 2022
Posted by ajoyfulpractice in Books, Buddhism, Changing Perspectives, Dharma, Faith, Gratitude, Healing Stories, Hope, Karma, Life, Loss, Love, Meditation, Mysticism, One Hoop, Pain, Peace, Philosophy, Suffering, Super Heroes, Tragedy, Wisdom, Writing, Yoga.Tags: Debbie Berne., Jessica McClure., Martin Luther King Jr, Mobi Ho, Nyanasatta Thera, Rachel Neumann, Satipattthana Sutta, Thích Nhất Hạnh, Thomas J Bushlack, Thomas Merton
add a comment
This post practice post for Monday, January 24th. Some links in this post will connect you to other websites. You can request an audio recording of Monday’s practice via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.
Check out the “Class Schedules” calendar for upcoming classes.
“‘And further, O bhikkhus, a bhikkhu, in going forwards (and) in going backwards, is a person practicing clear comprehension; in looking straight on (and) in looking away from the front, is a person practicing clear comprehension; in bending and in stretching, is a person practicing clear comprehension; in wearing the shoulder-cloak, the (other two) robes (and) the bowl, is a person practicing clear comprehension; in regard to what is eaten, drunk, chewed and savored, is a person practicing clear comprehension; in defecating and in urinating, is a person practicing clear comprehension; in walking, in standing (in a place), in sitting (in some position), in sleeping, in waking, in speaking and in keeping silence, is a person practicing clear comprehension.
*
“Thus he lives contemplating the body in the body internally… and clings to naught in the world. Thus, also, O bhikkhus, a bhikkhu lives contemplating the body in the body.'”
*
– quoted from “The Four Kinds of Clear Comprehension” in Satipatthana Sutta (The Foundations of Mindfulness) translated by Nyanasatta Thera
As I was getting ready for class on Saturday, I read that Thích Nhất Hạnh, the renowned Vietnamese Thiền (Zen) Buddhist monk had passed. He was 95, and while his life was not easy or – in some ways – peaceful, he had some ease and peace in his heart. He practiced and preached tapping into that ease and peace and he inspired others to do the same, regardless of their external circumstances. The world is lighting up with tributes to him that include details about his interfaith relationships with people like Dr. Martin Luther King Jr., Jim Forest, and Thomas Merton. People are talking about how he was exiled from his home for 39 years; how he founded Plum Village Tradition; and how, in the process, he founded one of the largest (if not, the largest) monastic Buddhist orders in the West. People are remembering that his peace activism included an investment in the ecology. People are also talking about his books, which is part of what I’m doing here.
Thích Nhất Hạnh wrote over a hundred books, including at least one book for kids, and even more articles. His writings, like his dhamma talks, workshops, and presence-in-the-world inspired billions of people to examine how they live day-to-day. Like so many people around the world, my life was impacted by this great teacher that I never had the pleasure of meeting in-person. But, never doubt that he was very definitely one of my teachers.
As I have mentioned before, I used to carry one of his books around in my backpack and I would give it to random people who expressed an interest in beginning a meditation practice. I have read some of his other books – just as I have read and practiced with related books by other authors – but one little book (published in 1975) keeps coming up. When Dr. Thomas J. Bushlack extended me a great honor, several years in a row, by inviting me to share my practices with his J-term students, I took the same little book along. And, of course, when I answered some FAQ’s as part of my 2017 Kiss My Asana offering, the book came up.
For Monday’s class, I shared some related stories from this little book. I shared vignettes about washing dishes, drinking tea, and eating a tangerine – first during an easy time with a friend (Jim Forest) and then during a time when that same friend was imprisoned because of political activism during the Vietnam war. These passages were just a few of my favorites, and I considered sharing more. But, ultimately, I realized what that just sharing those bits was like friends sharing slices of a tangerine: it was enough. It was a lesson in the moment and of the moment.
“While washing the dishes one should only be washing the dishes, which means that while washing the dishes one should be completely aware of the fact that one is washing the dishes. At first glance that might seem silly: why put so much stress on a simple thing? But that’s precisely the point. The fact that I am standing there and washing these bowls is a wondrous reality. I’m being completely myself, following my breath, conscious of my presence, and conscious of my thoughts and actions. There’s no way I can be tossed around mindlessly like a bottle slapped here and there on the waves.”
*
– quoted from “1. The Essential Discipline – Washing the dishes to wash the dishes” in The Miracle of Mindfulness: A Manual on Meditation by Thích Nhất Hạnh (English translation by Mobi Ho)
My similar dilemma regarding a book on meditation could be resolved by recommending a book on yoga mediation… and a book from each of several different Buddhist traditions…plus a book on the Kabbalah…and a book on Catholic contemplation and…..You get the idea. But, when it gets right down to it, there’s one book I am continually giving away – and it’s the same book used when I guided meditation with Dr. Thomas J. Bushlack’s University of St. Thomas classes: The Miracle of Mindfulness: A Manual on Meditation by Thích Nhất Hạnh.
I first came across The Miracle of Mindfulness when I was babysitting for some friends in Minneapolis. One day, when the kids were napping, this little violet paperback on the bookshelf in the living room caught my eye. I pulled it down, and found…stillness.
OK, I’m being dramatic. I had, of course, already experienced stillness in both yoga and seated meditation. However, Thích Nhất Hạnh’s The Miracle of Mindfulness made me pause, sit, and contemplate my overall practice and its connection to meditation. Over the last ten years, it has played an instrumental part in my re-commitment to the physical practice of yoga as a form of meditation.
Let me be clear: Thích Nhất Hạnh is not known as a yoga teacher and The Miracle of Mindfulness is not a book related to hatha yoga (the physical practice of yoga). Thích Nhất Hạnh is a Vietnamese Buddhist monk most commonly associated with Zen Buddhism, but whose training includes several traditions. His Miracle of Mindfulness is based on Buddhist principles and practices, but is not teaching Buddhism, per se. Some might argue that it is not even teaching meditation (but, rather, mindfulness). Still, it accessible to people regardless of their background or experience and includes personal anecdotes as well as a series of practices that are simultaneously simple and profound.
To answer E’s final question, The Miracle of Mindfulness definitely has the tools to help a beginner establish a daily practice. Tools, however, do not build a mansion – and the mansion will not be built overnight.
“If we are are not fully ourselves, truly in the present moment, we miss everything.”
*
– quoted from “PART ONE: Breathe! You Are Alive – Breathing and Scything – Flower Insights” in Peace is Every Step: The Path of Mindfulness in Everyday Life by Thích Nhất Hạnh (edited by Arnold Kotler)
There is no music for the Common Ground Meditation Center practice.
[NOTE: Music referenced in relation to the date can be found towards the end of the Sunday post.]
*
“How long am I going to live?
*
Here is some good news. If you look deeply into everything, you can see that you will live forever. You will never die; you will just change form. You are like a cloud. A cloud can become snow or rain, but it can’t die. You are like a wave in the ocean. After you rise and fall as a wave, you will still be part of the ocean. Your shape will change but you won’t disappear.”
*
– quoted from Is Nothing Something? Kids’ Questions And Zen Answers About Life, Death, Family, Friendship, And Everything In Between by Thích Nhất Hạnh (edited by Rachel Neumann, Illustrated by Jessica McClure, with Cover and Interior Design by Debbie Berne)
For more about the tangerine meditation, check out this article by Thích Nhất Hạnh, posted at mindfulnessbell.org.
*
### “Half-Smile When You First Wake Up In the Morning” ~TNH ###
Seeking… (the “missing” Wednesday post) January 20, 2022
Posted by ajoyfulpractice in Art, Books, Dharma, Donate, Faith, Gratitude, Healing Stories, Health, Hope, Karma, Life, Love, Music, Mysticism, One Hoop, Pain, Philosophy, Poetry, Science, Suffering, Super Heroes, Wisdom, Women, Writing, Yoga.Tags: Deborah Evans Price, Dolly Lama, Dolly Parton, Moderna vaccine, Robbie Williams (yoga), Robin Roberts, Stephen Smith
add a comment
Portions of the following were originally posted in 2021. However, this is an expanded and updated version, because…. Well, you’ll see.
This is the post for Wednesday, January 19th. You can request audio recording of Wednesday’s practices via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.]
“Find out who you are and do it on purpose.”
– Dolly Parton
“When I’m inspired, I get excited because I can’t wait to see what I’ll come up with next.”
– Dolly Parton
There are certain puns, specifically homonym puns, that work really well in class but don’t work at all when read. For instance, when you read “the Dolly Lama,” you might think it’s a type-o and that I meant “Llama” – and that I somehow got confused about the animal when talking about the famous cloned sheep. However, when I explain that “Lama” is a term for “teacher” and an honorific specifically used in Tibetan Buddhism things become a little clearer. Hearing it, you might think I’m saying “Dalai Lama,” but, when you read it – and I refer to her as she – there’s no confusion about the identity of this famous teacher.
Born January 19, 1946, Dolly Rebecca Parton is a seeker, a dreamer, a reader, a writer, a producer, an entrepreneur, a shopper, a philanthropist, a healer, and a teacher – although she has referred to herself as “A poor sinful creature.” Over the years, I had somehow forgotten that she was also someone who practiced yoga. You might wonder how I could forget something like that, but in all fairness, the November/December 1984 Yoga Journal article that talked about musicians and actors practicing yoga in Nashville didn’t include a picture of Dolly actually practicing any poses.
If you imagine that for a moment – Dolly in Virabhadrasana II – you’re not likely to forget the image. Especially since she continually proves herself as a warrior and a “Hero Friend.”
“As the two of us stretched and shared for 90 minutes each morning, I’d get the strangest feeling that there were four of us there, two teachers and two students: me teaching Dolly yoga techniques, Dolly teaching me the value of laughter, spontaneity, nonjudgement, trust – and so much more. Then we’d slip out of our roles and slip into meditation, the four of us becoming two, becoming one.”
*
– quoted from the Nov/Dec 1984 Yoga Journal article entitled, “Yoga’s Nashville Connection: Well-being and fame co-exist, say these ‘top 10’ hit-makers from country music city.” by Robbie Williams
Reading my list of descriptors, you might think, “Oh, Myra, you left out that she’s a musician, a singer.” But, honestly, when I read about the life of Dolly Parton – the well lived life of the “Dolly Lama” – I feel like her being a singer and a musician are the least interesting things about her. Saying that her music is one of the least interesting things about her does not, in any way, take away or dimension her accomplishments as a musician. Dolly Parton and her fans have assured that nothing can do that!
She has written over 3,000 songs and sold more than 100 million records worldwide. As I update this, she has won eleven Grammys (including a Lifetime Achievement Award) and received 51 Grammy nominations. She has also won ten out of 45 Country Music Awards (CMA) and is one of only seven women to win the CMA’s Entertainer of the Year Award. (Seven, that is, since you don’t count Taylor Swift and Barbara Mandrell twice and the Chicks are counted as a single group.)
Additionally, Dolly has thirteen Academy of Country Music Awards (including Entertainer of the Year); several People’s Choice Awards; at least three American Music Awards; and was inducted into the Grand Ole Opry in 1969, the Nashville Songwriters Hall of Fame in 1986, the Country Music Hall of Fame in 1999, and a plethora of other hall of fames – including the Happiness Hall of Fame in 2016. Her influence has also been acknowledged by Ms. Magazine and Time, plus she has stars on the Hollywood Walk of Fame and Nashville StarWalk. Oh, and then there’s that statue in her hometown!
While she is not an EGOT (a winner of an Emmy, Grammy, Oscar and Tony), she has been nominated at least once for all four awards. She’s also the focus of a podcast, Dolly Parton’s America, but for anyone thinking she’s just an American Country music star, keep in mind that her biggest audience (170,000 people) was in Scotland.
Also, keep in mind that she’s not done yet! She’s still living and still writing. She’s still innovating… which is why I’ll keep updating.
She’s also still married, which might be a surprise for people who just know a song or two. Dolly Parton married Carl Thomas Dean on May 30, 1966. He’s not much for the spotlight and, last time I checked, had only seen her perform live once, but they’ve made it work for (going on) 56 years… and counting. She has said that he’s very romantic and that it’s their first marriage; then – with her customary twang – explained that it’s also their LAST marriage. And that right there, his romance combined with her humor (and twang), might be part of the reason their marriage works.
“I’m more successful now than I was then, but I still feel like the same girl. I’m just a working girl. I never think of myself as a star because, as somebody once said, ‘A star is nothing but a big ball of gas,’ – and I don’t want to be that.”
*
– Dolly Parton’s response when asked how different she was from 1964 when she first arrived in Nashville, in an October 24,2014, billboard article entitled, “Dolly Parton Q & A: The Country Legend on 50 Years in Nashville and Why She Supports Her Gay Fans” by Deborah Evans Price
Another reason behind her successful marriage might be that Dolly Parton has never forgotten where she came from and has a heart that is, metaphysically speaking, bigger than her whole body. In that previously referenced Yoga Journal article from 1984, Robbie Williams noted, “Dolly Parton is very clear on her beliefs, priorities, and loyalties, and she seems to have identified her divine assignment in this lifetime.” In fact, the article goes on to describe signs and encounters that indicated Dolly knew at an early age that she had a great mission. That mission, in her own words: “channeling love energy ‘so I’ll stay happy and loving, and, hopefully, make other people happy, too.'”
Through her Dollywood Foundation, she has raised money and awareness for disaster relief (close to her home in Tennessee and overseas); HIV/AIDS related charities; cancer treatment; the ethical treatment of animals; and bald eagle conservation. She has also donated her time, energy, and considerable talent to these causes. Not to mention the fact that she has used her considerable wealth and clout to create jobs in economically-depressed areas. In 2020, she donated $1 million towards COVID-19 research and encouraged others (if they could afford it) to do the same. A few months later, Vanderbilt University announced that her donation helped fund the research that produced the Moderna vaccine.
Dolly Parton reads about 50 books a year and promotes literacy through her foundation. In fact, one of the biggest ongoing Dollywood Foundation programs is Dolly Parton’s Imagination Library, which gives each enrolled child a book a month, from birth until they reach kindergarten (age 5). As of today (as I update this), 1,930,492 children in the United States, Canada, the United Kingdom, Australia, and the Republic of Ireland have received 172,752,307 books!
Can you imagine the imagination that is driven by so much reading??
Can you imagine how so imagination changes the world?
“It was [ahead of its time]; and it did a lot of good. But, it evidently didn’t do enough good because we’re going to always have the same problems in the workplace with women and men….and there’s still work to be done. I still believe that women should get paid equal and should be treated with respect. I’m all about that, you know, and I don’t get out and have to preach it or march in the streets, I write about it.”
*
– Dolly Parton talking about the importance of the movie 9 to 5, in a 2019 ABC News Special entitled “Dolly Parton: Here She Comes Again!” with Robin Roberts
It is Dolly Parton’s imagination and hard work that have driven her to create so much wonder, beauty, and fun in the world. In addition to everything else – including helping to raise several of her 11 siblings (she is the fourth of 12) – Dolly Parton has written eight books, including her first novel and a cookbook; appeared in eight films; and created a theme park, a water park, multiple entertainment centers, and a production company. That novel (Run, Rose, Run), which was co-written with James Patterson and will be released on March 7, 2022, has it’s own soundtrack – consisting of 12 original songs by Dolly Parton.
“We cannot direct the wind, but we can adjust the sails.”
*
– Dolly Parton
*
“If you don’t like the road you’re walking, start paving another one.”
*
– Dolly Parton
Eleven years ago, I was blogging as I practiced for a Yoga Journal challenge for the new year and I mentioned celebrating the Dolly Lama’s birthday, as I do. In that 2011 post, I admitted, “I can’t exactly call myself an uber-fan when it comes to Dolly Parton, but I like her and I can’t imagine being in a room with her for two seconds and not smiling. I also can’t imagine being a room with her for two minutes and not laughing. Plus, she’s inspiring. She is unapologetic about where she comes from, what she looks like, or how she sounds. There’s a lesson in that. She believes in having fun and being passionate about something. There’s a lesson in that. She’s also a lesson in giving and in looking within for the answers we seek. That last part is key, because (again) we are our own ultimate teacher. We just have to take the time to do a little self-study.”
I stand (and stan) by all of that. (Although, in hindsight, maybe I’m more of a fan than I thought. But, honestly, it’s hard not to be.)
Given all of the above – not to mention the fact that I’ve left some things out – you may be thinking, “What hasn’t Dolly Parton done?” Well, glad you asked. She has never posed nude for Playboy (or anybody else) – despite being asked repeatedly. She did, however, appear on the October 1978 cover… completely covered by a Playboy bunny outfit.
A bunny outfit that recently reappeared for Carl Dean’s birthday!
She has also, as I previously alluded, had a cloned sheep named in her honor. Dolly, because it was created using the breast tissue of an adult sheep.
“You’d be surprised how much it costs to look this cheap!”
*
– Dolly Parton
*
“People say, ‘How you stay looking so young?’ I say, ‘Well, good lighting, good doctors, and good makeup.’”
*
– Dolly Parton in a February 2019 BBC “Newsnight” interview with Stephen Smith
Wednesday’s playlist is available on YouTube and Spotify. [Look for “01192021 The Dolly Lama’]
NOTE: The playlists are slightly different, because the YouTube playlists includes some additional videos “after the practice” of songs included in the practice portion of the playlist.
“The way I see it, if you want the rainbow, you gotta put up with the rain.”
*
– Dolly Parton
*
“When the big things in your life get messy, you need to get up and get out. I make a point to appreciate all the little things in my life. I go out and smell the air after a good, hard rain. I re-read passages from my favorite books. I hold the little treasures that somebody special gave me. These small actions help remind me that there are so many great, glorious pieces of good in the world.”
*
– quoted from Dream On: Celebrate the Dreamer in You by Dolly Parton
“If you see someone without a smile today, give ’em yours.”
*
– Dolly Parton
*
### DREAM ON, DREAMER ###
Vivekananda & A Simple Practice January 13, 2022
Posted by ajoyfulpractice in Abhyasa, Bhakti, Books, Buddhism, Changing Perspectives, Dharma, Faith, Healing Stories, Hope, Karma Yoga, Life, Mysticism, One Hoop, Peace, Philosophy, Religion, Suffering, Swami Vivekananda, Vairagya, Wisdom, Writing, Yoga.Tags: 8 Limbs of Yoga Philosophy, A. R. Rahman, Chicago World's Fair, Khatija Rahman, Raheema Rahman, Ramakrishna, Scott Blossom, Swami Vivekananda, U2, World's Parliament of Religions, Yoga Sutra, yoga sutra 2.18, Yoga Sutra 2.28
add a comment
This is the “missing” post for Wednesday, January 12th. You can request an audio recording of Tuesday’s practice via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)
Check out the “Class Schedules” calendar for upcoming classes.
“…and he came out of it, and began to laugh, when he realised what a hideous dream he had had — he, the king of the gods, to have become a pig, and to think that that pig-life was the only life! Not only so, but to have wanted the whole universe to come into the pig-life!”
*
– commentary on Yoga Sūtra 2.18 from Raja Yoga by Swami Vivekananda
Yoga is a simple practice. It’s not easy, but it is simple. Anyone can do it, if they really want to do it (and are willing to figure out the method of practice that is best for them). The first two limbs of the 8-limb philosophy make up an ethical component (similar to commandments and precepts found in other systems). The next two limbs make up the physical practice, which are a way to test out the ethics and also prepare for the higher levels of practice. The fifth limb is the segue between the first half of the practice and the second half and the last three limbs make up the meditation aspect of the practice.
See? Simple.
Yet, as simple as the practice is, it is not one-dimensional. It’s not even two-dimensional. This practice has a lot of dimensions – and sometimes it seems the deeper we go the more layers we find.
On a very basic level, it’s a physical-mental practice. Even people who say that it’s just an exercise, have to admit that you can’t exercise your body without using your mind. By that same token, we are sensational beings, which means there is an emotional component to anything that engages our minds and bodies – especially when it deliberately engages the mind-body. The works of the ancient yogis (and even the words of the modern yogis) tell us that our energy/spirit is engaged in the practice; but, let’s say you don’t want to get into that. Let’s say you just want to keep it as basic as possible. Let’s just start with the mind-body.
Although I started this post with a quote about a pig, I want you to think about a frog. Funny thing, as we know from the Yoga Sūtras, there’s a lot of space – a lot of ether – between you sensing a frog (or even the word “frog”) and your brain/mind-intellect communicating that there’s a frog. If we were to concentrate-focus-meditate on the idea of a frog, then we also have to acknowledge that there’s the word (or the thing), the meaning of the word (and the thing), plus the essence of the word (and the thing). We also have to acknowledge, and this again comes up in the sūtras, that at this given moment we are not all thinking about and/or visualizing the same frog.
Even if we only think in terms of the physical practice of yoga, there are lots of different asanas called “frog pose.” If a group is comprised of a people who all practice with the same teacher(s), who inevitable teach(es) the same set of poses and only one of them is “Frog Pose,” the likelihood that people will start moving into the same pose when it is suggested is fairly probable. However, the probability of the group immediately thinking about the same “frog pose” diminishes as people’s experience increases. I’ve actually seen this happen in a class in real time and it can cause some confusion and frustration. Sometimes people just laugh about the confusion and let the frustration go; it’s just a random pose after all. No big deal. But, imagine if people in the group thought it was a really big deal. Imagine if people were really attached to getting it “right.”
Spoiler Alert: Most of you already got it “wrong.”
“Now comes the practical knowledge. What we have just been speaking about is much higher. It is away above our heads, but it is the ideal. It is first necessary to obtain physical and mental control. Then the realization will become steady in that ideal. The ideal being known, what remains is to practice the method of reaching it.”
*
– commentary on Yoga Sūtra 2.28 from Raja Yoga by Swami Vivekananda
Born Narendranath Datta, on January 12,1863, Swami Vivekananda was one of nine children born into a relatively wealthy and prestigious Bengali Kayastha family. He was known as “Narendra” or “Naren” until sometime after he took his formal monastic vows at the age of 23 (on Christmas Eve 1886). Similar to Rabbi Abraham Joshua Heschel, there were elders in the future swami’s family (particularly his grandfather) and he developed an interest in Indian philosophy at an early age. His interest was encouraged by his father, Vishwantha Datta, who was a lawyer and novelist, and his mother, Bhubaneswari Devi, who was a devout housewife. He had a quick mind, a phenomenal memory, and he grew up meditating to images of Shiva, Rama, Sita, and Hanuman; however, it also seems like he was very much a little kid who did little kid things.
He received high marks in school and earned a Bachelor of Arts in 1884, after studying everything from religion, philosophy, history, social science, fine arts, and literature to classical Indian music and Western logic and philosophy. I’m not sure which way his life would have gone were it not for a series of serendipitous incidences. First, he attended a lecture about William Wordsworth’s 1814 poem “The Excursion: being a portion of The Recluse, a poem,” which chronicles the life of man whose personal grief and social disillusionment causes his to choose isolation over society. In the ensuing discussion, the professor suggested that the students should visit with a mystic in order to better understand the state of a “trance.”
That mystic was Ramakrishna Paramahamsa (Gadadhar Chattopadhyaya). The two met around 1881, and while Swami Vivekananda didn’t immediately become a formal student – in fact, he disagreed with much of what Ramakrishna was teaching – he stuck around, listening to lectures and engaging in conversation. When his father died in 1884, Swami Vivekananda become a devoted and noted disciple, formally becoming a member of a newly-formed monastic order shortly before Ramakrishna’s death in 1886. By 1888, he was living the life of a “wandering monk,” surviving and traveling courtesy of the generosity of others and sharing Ramakrishna’s teachings throughout India.
“And the Yogi shows how, by junction with nature, and identifying itself with the mind and the world, the Purusha thinks itself miserable. Then the Yogi goes on to show you that the way out is through experience. You have to get all this experience, but finish it quickly. We have placed ourselves in this net, and will have to get out. We have got ourselves caught in the trap, and we will have to work out our freedom…. [Experience] leads, step by step, to that state where all things become small, and the Purusha so great that the whole universe seems as a drop in the ocean and falls off by its own nothingness. We have to go through different experiences, but let us never forget the ideal.”
*
– commentary on Yoga Sūtra 2.18 from Raja Yoga by Swami Vivekananda
As he was teaching, Swami Vivekananda was also learning. He learned about the poor and the suffering. He learned about the lived experiences of people whose fates and faiths were very different from his own. Ultimately, he was selected to share Indian philosophy with people outside of India. Beginning in the summer of 1893, he traveled to Japan, China, and Canada before reaching the United States. His primary destination in the United States was Chicago, which was hosting the World’s Fair that September. Hundreds of formal meetings, conferences, and congresses were organized in association with the fair, including the World’s Parliament of Religions – which was the largest of the associated gatherings and the first organized interfaith gathering. In addition to delegates sharing messages from spiritual leaders like the Japanese Buddhist reformer and priest Kiyozawa Manshi (Pure Land), there were representatives from new religious movements (NRM) and some of the oldest religious movements. Representatives included the Virchand Gandhi (Jain), Anagarika Dharmapala (“Southern Buddhism,” now known as Theraveda Buddhism), Soyen Shaku (Zen Buddhism), G. Bonet Maury (a Christian, Protestant, historian), Septimus J. Hanna (Christian Science), Mohammed Alexander Russell Webb (an American covert to Islam), and Pratap Chandra Majumdar (Brahmo Samaj, an aspect of Brahmoism). William Quan Judge and Annie Besant represented the Theosophical Society; Pung Quang Yu represented several Chinese religions; and the American Presbyterian missionary Henry Harris Jessup mentioned the publicly discussed the Baháʼí Faith.
Then there was the young Swami Vivekananda, who almost didn’t make the roster because he didn’t have credentials from a bona fide organization. After contacting a Harvard professor and receiving his recommendations, the 30-year old monk was allowed to speak about Hinduism and two of the six Indian philosophies: Vedanta and Yoga. By all accounts, he was a dynamic and engaging speaker. His first speech was during the opening ceremonies on September 11, 1893, and his first words, “Sisters and brothers of America,” were reportedly met with a 2-minute standing ovation from the thousands of attendees.
Once the applause died out, he said, “It fills my heart with joy unspeakable to rise in response to the warm and cordial welcome which you have given us. I thank you in the name of the most ancient order of monks in the world; I thank you in the name of the mother of religions; and I thank you in the name of millions and millions of Hindu people of all classes and sects.” He then went on to acknowledge various religious heritages, quote from a hymn that he said, “I remember to have repeated from my earliest boyhood, which is every day repeated by millions of human beings;” quoted from the Bhagavad Gita; and condemned “Sectarianism, bigotry, and its horrible descendant, fanaticism” and the effects of those hateful expressions.
“Great is the tenacity with which man clings to the senses. Yet, however substantial he may think the external world in which he lives and moves, there comes a time in the lives of individuals and of races when, involuntarily, they ask, ‘Is this real?’ To the person who never finds a moment to question the credentials of his senses, whose every moment is occupied with some sort of sense-enjoyment — even to him death comes, and he also is compelled to ask, ‘Is this real?’ Religion begins with this question and ends with its answer. Even in the remote past, where recorded history cannot help us, in the mysterious light of mythology, back in the dim twilight of civilisation, we find the same question was asked, ‘What becomes of this? What is real?’”
*
– from “The Real Nature of Man” speech, delivered in London and published in The Complete Works of Swami Vivekananda (Volume 2, Jnana-Yoga) by Swami Vivekananda
Over the course of the conference, which ended on September 27th, Swami Vivekananda continued to speak (in public and in private sessions) about religions and philosophies prominent in India. His speeches had two common threads: universality and religious tolerance. That two-fold theme underscored the ironic fact that all the different religions had a similar goal – a deeper, richer relationship with the Divine or God (whatever that means to you at this moment – and yet, the different ways people pursued (and continue to pursue) their ultimate goal created strife, suffering, and wars. In other words, people’s methods were (and are) sometimes antithetical to their beliefs and therefore are obstacles along the path.
Swami Vivekananda’s lectures were well received by other religious leaders, lay attendees, and journalists. In fact, he and his words were so well received he was invited to tour the United States and then the United Kingdom. For years, he toured the U. S. and the United Kingdom, giving lectures and offering demonstrations. Just as before, Swami Vivekananda’s experiences slightly changed his focus and the way that he taught the lessons of his elders. He began to focus his efforts on establishing Vedanta centers that would continue and extend the legacy of his spiritual elders.
He founded the Vedanta Society of New York in 1894; the Ramakrishna Mission in Calcutta (1897), which included the Ramakrishna Math; two monasteries; two journals; and an English language monthly magazine. He also wrote several books, including Raja Yoga (which includes translation and commentary of Patanjali’s Yoga Sūtras intended for a Western audience), and translated some of the work that had inspired him, including the Yoga Sūtras and De Imitatione Christi (The Imitation of Christ), a Christian devotional by the medieval canon Thomas à Kempis. Swami Vivekananda inspired others live with an awareness of their interconnectedness. He also inspired others to teach and to practice their beliefs through action (karma yoga). He is considered a patriotic saint in India and, since it was declared so in 1984, his birthday is celebrated as “National Youth Day” in India. This year’s theme is “It’s all in the mind,” which like previous themes is based on Swami Vivekananda’s teachings.
“Practiced regularly, [Frog or Child’s Pose] also improves your breathing and your elimination…. The quality of our elimination is directly tied to the quality of our respiration. And, so, tension in the low abdomen and back can directly impact the quality of our ability to eliminate regularly.”
*
– Scott Blossom, explaining detoxification benefits of Mandukāsana*
Wednesday’s playlist is available on YouTube and Spotify.
*NOTE: The Wednesday practice included several (but not all) of the “Frog Poses” that we have done over the years. And none of those were originally mentioned “frog,” which appeared in a story Swami Vivekananda shared on September 15, 1893 at the World’s Parliament of Religions, as follows:
“I will tell you a little story. You have heard the eloquent speaker who has just finished say, ‘Let us cease from abusing each other,’ and he was very sorry that there should be always so much variance.
But I think I should tell you a story which would illustrate the cause of this variance. A frog lived in a well. It had lived there for a long time. It was born there and brought up there, and yet was a little, small frog. Of course the evolutionists were not there then to tell us whether the frog lost its eyes or not, but, for our story’s sake, we must take it for granted that it had its eyes, and that it every day cleansed the water of all the worms and bacilli that lived in it with an energy that would do credit to our modern bacteriologists. In this way it went on and became a little sleek and fat. Well, one day another frog that lived in the sea came and fell into the well.
‘Where are you from?’
‘I am from the sea.’
‘The sea! How big is that? Is it as big as my well?’ and he took a leap from one side of the well to the other.
‘My friend,’ said the frog of the sea, ‘how do you compare the sea with your little well?’
Then the frog took another leap and asked, ‘Is your sea so big?’
‘What nonsense you speak, to compare the sea with your well!’
‘Well, then,’ said the frog of the well, ‘nothing can be bigger than my well; there can be nothing bigger than this; this fellow is a liar, so turn him out.’
That has been the difficulty all the while.
I am a Hindu. I am sitting in my own little well and thinking that the whole world is my little well. The Christian sits in his little well and thinks the whole world is his well. The Mohammedan sits in his little well and thinks that is the whole world. I have to thank you of America for the great attempt you are making to break down the barriers of this little world of ours, and hope that, in the future, the Lord will help you to accomplish your purpose.”
“Even when a man takes revenge on others who hate him, in spite of him not hating them initially, the pain caused by his vengeance will bring him inevitable sorrow.” (313)
*
“When a man inflicts pain upon others in the forenoon, it will come upon him unsought in the afternoon.” (319)
*
– quoted from the English translation of the portion of the Thirukkural (Sacred Couplets) used as Tamil lyrics for the song “Ahimsa” by U2 and A. R. Rahman, featuring Khatija and Raheema Rahman (translation from IntegralYoga.org)
*
### The aforementioned hymn: “As the different streams having their sources in different places all mingle their water in the sea, so, O Lord, the different paths which men take through different tendencies, various though they appear, crooked or straight, all lead to Thee.” ###
A Simple, Radical, “Bad to the Bone” Man January 11, 2022
Posted by ajoyfulpractice in Abhyasa, Bhakti, Books, Changing Perspectives, Dharma, Faith, Healing Stories, Hope, Japa-Ajapa, Karma Yoga, Life, Music, Mysticism, One Hoop, Rabbi Abraham Joshua Heschel, Religion, Suffering, Wisdom, Yoga.Tags: activism, Cardinal August Bea, Dr. Susannah Heschel, habits, kabbalah, Martin Luther King Jr, mitzvot, Rabbi Abraham Joshua Heschel, samskāras, Selma to Montgomery, vasanas, Vatican II
add a comment
“Our goal should be to live life in radical amazement. …get up in the morning and look at the world in a way that takes nothing for granted. Everything is phenomenal; everything is incredible; never treat life casually. To be spiritual is to be amazed.”
– Rabbi Abraham Joshua Heschel
In American English, “bad” has two meanings, one of which is “even better than good.” The saying “bad to the bone” fits with that positive description and is often associated with someone who is “cool,” rebellious, and radical in a way that bucks the system… in a way, even, that can bring much needed change. There are some people who play with the idea of being “bad to the bones,” but the truth is that that kind of goodness has nothing to do with the clothes one wears so much as it has to do with what’s underneath, what’s at the core and the roots of a person. In other words, what matters is who they are all the way down to their bones.
One of my favorite inspirational reminders is based on the idea that, in Judaism, there are 248 mitzvot aseh (“positive commandments”), which are commands to perform certain activities, and 365 mitzvot lo taaseh (“negative commandments”), which are commands to abstain from certain activities; meaning, we should avoid avoid the negative things every day of the year and do the good things with “every bone in our body.”* To me, someone who manages to do that in a very public way is “bad to the bone.”
The following is an abridged version of a post from January of 2021. Click here for the original post.
“Our concern is not how to worship in the catacombs but how to remain human in the skyscrapers.”
– quoted from “Part V: The Meaning of this Hour – 40. Religion in Modern Society” in Between God and Man by Rabbi Abraham Joshua Heschel
It is one thing to practice our beliefs and hold tight (but not too tightly) to the tenets of our faith, whatever that means to you, when life is good and everything is easy. But life, as we have recently been reminded, can be hard, twisted, upside down, and backwards; in a word, challenging. So, sometimes the best way to notice how we show up in the world, in general, is to specifically notice how we show up in stressful / challenging situations. For instance, what is your habit when things are so challenging and all consuming, people – including yourself – might expect you to compromise?
I don’t know much about the person who (first) asked Rabbi Abraham Joshua Heschel if he found time to pray when he participated in the march from Selma to Montgomery, but I know the person – a journalist – was motivated by at least two pieces of knowledge: (1) they knew Rabbi Heschel was a man of faith and (2) they probably knew that Judaism prescribes daily prayers throughout the day. There is another possible piece of motivating knowledge, projection – it’s possible, probable even, that the person asking the question couldn’t imagine how prayer was possible during such a tumultuous time and in a situation where the faithful rabbi was surrounded by Christians. But, here’s the thing about Rabbi Heschel, he was use to praying with his whole body and he was use to being surrounded by Christians.
“I prayed with my feet.”
– Rabbi Abraham Joshua Heschel in 1965, when asked if he found time to pray when marching from Selma to Montgomery
Born today in 1907, Rabbi Abraham Joshua Heschel was a professor of the Kabbalah (Jewish mysticism), an activist, and is (to this day) considered one of the most significant and influential theologians of the 20th century. The youngest of six, his father died when he was nine, but his family was firmly established in the community, as he was the descendant of distinguished Chasidic rabbis on both sides of his family. He grew up in a household and in a religious tradition where prayer and a declaration of faith were prescribed multiple times a day – “when you sit in your house and when you walk on the road, when you lie down and when you rise” – and where there was an obligation to leave the world better than it was found. He earned his rabbinical doctorate in Berlin during the rise of the Nazi Party and could chronicle a parallel in that rise and a decline in the esteem he had previously received based on the merit of his scholarship. At times he felt abandoned by his Christian teachers, mentors, and peers. But, there was something in him – maybe everything in him – that could not step away from the spiritual path he was on, a path first paved by the prophets and rabbis whose lives he chronicled.
In addition to writing several biographies about his mystical elders, Rabbi Heschel was a student and a professor of Jewish mysticism (Kabbalism), in which the Tree of Life can be seen as a way to understand the world, a way to live in the world, and a spiritual road map for those desiring a deeper connection. He was in the habit of viewing, exploring, and gaining understanding of the world and his engagement in the world through the lens of this tradition that recognizes seven areas of the body as ways to express seven of the ten energies/attributes of the Divine (as found on the Tree of Life): Chesed (“loving-kindness”), right arm; Gevurah (“strength”), left arm; Tiferet (“beauty,” “balance,” or “compassion”), the heart; Netzach (“endurance”), right hip and leg; Hod (“humility”), left hip and leg; Yesod (“Foundation” or “Bonding”), solar plexus; Malchut (“mastery” or “nobility”), hands, feet, and mouth. Being in the habit of seeing the body as something intended to express elements of the Divine, meant that everything Rabbi Heschel did could be seen as a religious / spiritual experience. Everything was symbolic – and, therefore, the simplest things held great power.
Of course, there was nothing simple about showing up at a Civil Rights demonstration at the height (and site) of defining violence. Yet, for Rabbi Heschel there was no question that he would show up. He knew that his presence, like the presence of so many others who were not Black (and, in his case, not Christian), would be a unifying presence. He knew that showing up sent a message to the world indicating that the issue of civil rights was not only “an American problem,” as President Lyndon B. Johnson would later say, but also an international problem.
Additionally, as a man of faith and as a religious leader, Rabbi Heschel simply felt that showing up was a kind of spiritual obligation. In fact, he sent a telegram (dated June 16, 1963) to President John F. Kennedy stating that to continue humiliating (and subjugating) African Americans meant that they (religious leaders) “forfeit the right to worship God.” Let it sink in for a moment that a Jewish mystic demanded leadership in the form of “moral grandeur and spiritual audacity” from a Catholic president on behalf of a group of people led by Black Baptist minister. There’s a lot there that could be divisive – unless, regardless of your religion or denomination, you are bound by the Spirit.
“For my father, though, the march was not simply a political demonstration, but a religious occasion. He saw it as a revival of prophetic Judaism’s political activism and also of the traditions of Hasidism, a Jewish pietistic revival movement that arose in the late eighteenth century, according to which walking could be a spiritual experience.
He said it reminded him of the message of the prophets, whose primary concern was social injustice, and of his Hasidic forebears, for whom compassion for the suffering of other people defined a religious person.”
– quoted from an article about the 40th Anniversary of the Selma-Montgomery marches, by Dr. Susannah Heschel
In addition to marching arm-in-arm with Black Christians like Reverend Dr. Martin Luther King, Jr. and Representative John Lewis in 1965, Rabbi Abraham Joshua Heschel also participated in the Second Ecumenical Council of the Vatican (more commonly known as the Second Vatican Council or Vatican II) in 1962. Prior to Vatican II, the Roman Catholic Church was “in the habit” of teaching the history of Jesus in a way that demonized Jewish people – and missed the part where a lot of different groups of people were part of the story. Rabbi Heschel worked closely with Cardinal Augustin Bea, the Jesuit head of the Secretariat for the Christian Unity, to write the Nostra aetate, which dynamical changed the way the Church teaches and views Jewish people; fostered mutual knowledge and respect among congregants of the two faiths; and ensured that the Church officially (and categorically) condemned anti-Semitism. Here too, the good rabbi’s work outside of the synagogue was a reflection of his work inside of the synagogue, and vice versa. Here too, he honored the traditions (and the ethics) of his spiritual fathers.
Here too, Rabbi Heschel’s spiritual habits showed everyone who was in the habit of being.
“We do not step out of the world when we pray; we merely see the world in a different setting. The self is not the hub but the spoke of the revolving wheel. It is precisely the function of prayer to shift the center of living from self-consciousness to self-surrender….
Prayer takes the mind out of the narrowness of self-interest and enables us to see the world in the mirror of the holy.”
– quoted from Man’s Quest for God: Studies in Prayer and Symbolism by Rabbi Abraham Joshua Heschel
Please join me today (Tuesday, January 11th) at 12:00 PM or 7:15 PM for a yoga practice on Zoom. Use the link from the “Class Schedules” calendar if you run into any problems checking into the class. Give yourself extra time to log in if you have not upgraded to Zoom 5.0. You can request an audio recording of this practice via a comment below or by emailing myra (at) ajoyfulpractice.com.
Tuesday’s playlist is available on YouTube and Spotify. [Look for “10202021 To the Bone”]
In the spirit of generosity (“dana”), the Zoom classes, playlists, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). If you don’t mind me knowing your donation amount you can also donate to me directly. Donations to Common Ground are tax deductible; class purchases and donations directly to me are not necessarily deductible.)
*This was slightly edited in 2023.
### Amen, Selāh ###
A Simple Truth (the “missing” Monday post) January 11, 2022
Posted by ajoyfulpractice in Books, Changing Perspectives, Dharma, Faith, First Nations, Healing Stories, Hope, Life, Mysticism, One Hoop, Philosophy, Poetry, Wisdom, Writing, Yoga.Tags: 9 Days, Anodea Judith, Benjamin Boone, Caroline Myss, chakras, kabbalah, Philip Levine, Saint Teresa of Ávila, sefirot, Sioux, yoga
add a comment
This is the post related to the Monday, January 10th practice associated with Common Ground Meditation Center. It was slightly edited in 2023. You can request an audio recording of Monday’s practice via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)
Check out the “Class Schedules” calendar for upcoming classes.
“Some things
you know all your life. They are so simple and true
they must be said without elegance, meter and rhyme,
they must be laid on the table beside the salt shaker,
the glass of water, the absence of light gathering
in the shadows of picture frames, they must be
naked and alone, they must stand for themselves.”
*
– quoted from the poem “A Simple Truth” by Philip Levine
Born January 10, 1928 in Detroit, Michigan, poet Philip Levine was the second of three sons (and the first identical twin) born to Jewish immigrants just as the Nazi party was getting a foothold in Germany. He had the unfortunate experience of watching anti-Semitism rise in is own (proverbial) backyard and to also witness how racism (and other -isms) created a schism between the different people who made up the working class. Following in the tradition of Walt Whitman, he started giving voice to America’s voiceless and – even after he left the “mitten state” – he wrote poems about the plight of regular people in his hometown.
In some ways, Mr. Levine followed in his parent’s footsteps. His father, Harry Levine, owned a used (car) parts store; his mother, Esther Priscol (Pryszkulnik) Levine, sold books; and, starting at the age of fourteen, the poet worked in auto factories as he pursued his literary degrees. After graduating from Detroit Central High School, he earned his Bachelor of Arts, in literature, from Wayne (State) University and then “unofficially” attended classes at the University of Iowa. He earned a mail-order master’s degree and then returned to the University of Iowa to teach and pursue a Masters of Fine Arts, which he completed in 1957.
By the time he graduated from the University of Iowa (1957), he was beginning to gain significant recognition as a poet. In addition to teaching at a plethora of major universities around the country, he was lauded and recognized with national literary awards, including the two National Book Awards (1980 and 1991), Guggenheim Foundation fellowships (1973 and 1980), the Pulitzer Prize for Poetry (1995, for the collection The Simple Truth), and the Ruth Lilly Poetry Prize (1987). He served on the Board of Chancellor of the Academy of American Poets (1000-2006) and as Poet Laureate Consultant in Poetry to the Library of Congress (also known as the U. S. Poet Laureate) from 2011-2012. In collaboration with saxophonist and composer Benjamin Boone, Philip Levine created a collection of jazz poetry, “a literary genre defined as poetry necessarily informed by jazz music” – which was released in 2018, almost exactly three years and a month after his death. As a writer, he not only protested the Vietnam War, he kept speaking for the disenfranchised using simple truths… truths that could not be denied.
“Can you taste
what I’m saying? It is onions or potatoes, a pinch
of simple salt, the wealth of melting butter, it is obvious,
it stays in the back of your throat like a truth
you never uttered because the time was always wrong,
it stays there for the rest of your life, unspoken,
made of that dirt we call earth, the metal we call salt,
in a form we have no words for, and you live on it.”
*
– quoted from the poem “A Simple Truth” by Philip Levine
The sixth chakra, which is located around the third eye (and about in inch into your forehead, half an inch above there), is symbolically associated with big “T” Truth – and with our ability to seek it, perceive it, and recognize it when we encounter it. The energy of this area is a curious energy, in that it continually pushes us to question everything. It supports healthy self-inquiry when the energy is balanced; however, when out of balance, it can manifest feelings of doubt or an inability to “see the truth” when it is right in front of you.
In Wheels of Life: A User’s Guide to the Chakra System, Anodea Judith, Ph.D., connects the sixth chakra to “knowledge, understanding and transcendent consciousness,” as well as to intuition. In Anatomy of the Spirit: The Seven Stages of Power and Healing, Caroline Myss, Ph.D. further connects it to the Christian sacrament of Ordination and the sefirot (“emanations” or Divine attributes) of Binah (Divine “understanding”) and Hokhmah or Chokmah (Divine “wisdom”). Similar to the love described in the sixth mansion of Saint Teresa of Ávila‘s El Castillo Interior or Las Moradas, ordination distinguishes and elevates the faithful. Note, also, that in the Kabbalah-inspired system I have previously mentioned, the “higher” or mind-related sefirot are not included in a physical practice of the Divine attributes.
My standard summary of how the energetic and symbolic elements manifest in our lives goes something like this: Consider how where you come from determines the friends you make (or don’t make); how where you come from and the people around you play a role in how you see yourself; and how where you come from, the friends you make along the way, and how you see yourself, play a part in how (or if) you embrace yourself (or others), embrace a moment, and extend your gifts out into the world – or not. Consider also how where you come from, the friends you make along the way, how you see yourself, and whether you extend what’s in your heart connect to how you express yourself, how you know (or don’t know) the truth when you perceive it, and how all of that contributes to your experience of this present moment.
That summary can be extrapolated and applied to a variety of scenarios, including how we cultivate new habits and achieve our goals, dreams, and desires. Consider, for instance, that the first chakra is related to physical survival and physical form – which means it is our matter. It is also our plans. Friends are our support system, cheering us on and/or providing guidance, while also providing accountability. When I think of the third chakra, the solar plexus – as it relates to our self esteem, our personality, and our sense of self – I think of the idea that we have “fire in the belly.” We can think of this idiom literally, in terms of digestive juices – which is a whole other conversation – and we can think of it as the internal element that keeps us physically motivated. To continue the metaphor, it’s what makes us hungry for more.
Then there is the heart, which connects the physical with the mental and emotional. It’s the energetic-emotional connection between the mind and the body. Here, it is the connection between the idea (the pattern) and the manifestation (the matter). This is also the idea of purusha (pure consciousness) and prakriti (elemental, unformed matter or substance). When we get into the throat chakra – related to mental determination and willpower – we are starting to move into the intangible. Those parts of our lived experiences that are “barely describable” and can only be indicated (lingamatra) and those things that are “absolutely indescribable [because they are] beyond any point of reference” (alinga).
Consider that last bit a moment. As you think about that last part, also think about the idea that your goals and desires, your wishes, hopes, dreams (and yes, even your fears), are fully formed somewhere in your heart… and maybe the back of your mind. Somewhere out in the ether, that possibility is real. But there are a lot of steps between conception and manifestation. And until we take the first step, they all feel like giant leaps.
To make life even more challenging, anybody can give anyone a metaphorical road map about physical survival and what it takes to sustain the body. We know the body’s basic necessities and there are people who are dedicated to breaking that down into what different body types need to survive at a peak level. On a certain level, people can also create road maps for the mind – and we do, all the time, which is why the self-help industry is so massive. But, there’s still a part of the journey that can only be experienced by the person taking the trip. There’s a part of the journey that is barely or absolutely indescribable. It’s the part of the journey that can never be duplicated. It’s the journey between what’s in a person’s heart and what’s in their head.
Even if someone explained how they got from point A to point B – and even if that explanation came with a Jean-Paul Sartre nauseous-level breakdown of how they felt and what they thought along the way – the only thing the rest of us could completely replicate would be the physical aspects of the journey. But, that part in between, it’s like getting lost, stuck in a traffic jam, and not knowing where you’re going – all while on a schedule.
“The longest journey you will make in your life is from your head to your heart.”
*
– possibly a Sioux statement, although it is often attributed to “Anonymous”
*
There is no playlist for the Common Ground practice.
Did you see yesterday’s surprise? It’s the first step in a journey (that we’ve already begun)!
*
### Get Into The Habit ###
First Friday Night Special #15: “A Reflective Moment” (a post practice post) January 9, 2022
Posted by ajoyfulpractice in Books, Changing Perspectives, Dharma, Healing Stories, Hope, Langston Hughes, Life, Love, Mathematics, Movies, Music, Mysticism, One Hoop, Pain, Religion, Science, Suffering, Wisdom, Women, Writing, Yin Yoga, Yoga.Tags: Alice Walker, Beau Lotto, Charlotte D. Hunt, Charlotte Osgood Mason, Dale Carnegie, Dr. Alan Locke, Dr. Franz Boas, Dr. Margaret Mead, Dr. Ruth Benedict, Galileo Galilei, Harlem Renaissance, HBCUs, Howard University, Johannes Kepler, Jupiter, Jupiter's moons, Kidneys, Mary Helen Washington, Nicolaus Copernicus, Ruby McCollum, Stillman Drake, Tycho Brahe, Urinary Bladder, Yin Yoga, Zeta Phi Beta, Zora Neale Hurston
add a comment
Happy 2022, Everyone!
This is the post for the “First Friday Night Special” #15 from January 7th. This practice featured a YIN Yoga sequence focusing on the Urinary Bladder and Kidney meridians (but with a little more back bending than the last two Yin Yoga practices.
You can request an audio recording of Friday’s practice via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.
Check out the “Class Schedules” calendar for upcoming classes.]
“You cannot teach a man anything. You can only help him to find it within himself.”
– Galileo Galilei, as quoted in How to Win Friends and Influence People by Dale Carnegie
Yoga practice (on or off the mat) is an opportunity to grow and to learn about one’s self and the world around us. It’s a safe time and place to turn inward and observe how our mind-bodies respond and react to ourselves and the world around us. It’s a great time to is a place to explore, experiment, learn, and play. For this reason, I sometimes liken the practice (on the mat) to time in a laboratory or classroom, or even on a playground. And I think it’s appropriate to show up with a sense of curiosity, wonder, possibilities, and faith – prepared to see what happens.
Curiosity, wonder, possibilities, faith, and preparation are concepts that I have repeatedly highlighted during this week’s practices, because they are concepts shared by explorers, (physical) scientists, philosophers, and the (religious and/or spiritually) faithful. When we show up on the mat, we have the opportunity to be all of the above and also to embody all of those attributes. We have the opportunity, as Dr. Beau Lotto has said (in defining science), to “play with purpose.” We can look at that “purpose” as finding out more about ourselves; however, in the Yoga Sūtras, Patanjali makes it very clear that by going deeper into ourselves, we go deeper in to the world. We are, after all, microcosms of the world… which is a microcosm of the solar system… which is a microcosm of the galaxy… which is a microcosm of the universe. Which is kind of a long way to say that by observing our self, we can learn about the cosmos.
Just because we can, theoretically, learn about the cosmos by going deeper into ourselves, does not mean that we are the center of the universe. Some ancient philosophers perpetuated a geocentric model of the Universe, whereby everything revolved around Earth. In 1543, one of the last things Nicolaus Copernicus did was present a mathematical “theory” – based on observation – indicating that the Sun was actually the center of everything. This heliocentric model created a paradigm shift for almost everyone in the Western world, with the exception of the Catholic Church… and it’s scientists. In fact, as the Scientific Revolution ushered in more advanced technology and better observations, scientists like Tycho Brahe used their more accurate data to develop a geoheliocentric model, whereby the Sun still revolved around the Earth, but everything else revolved around the Sun.
Other scientists, in other countries, had developed similar models based on their own observations, but the Tychonic model was more than a collection of data points. In some ways, it was a desperate attempt to stay in the Church’s favor and to hold on to the old status quo. However, when Tycho unexpectedly died in October of 1601 (from an issue related to his urinary bladder and kidneys, see the practice), his assistant Johannes Kepler took over his work. Kepler and Tycho had a decent working relationship, but Kepler was convinced Tycho was coming to the wrong conclusions and proceeded accordingly as the imperial mathematician. Galileo Galilei, also a believer in Copernicus’s ideas, would further expand the ideas of Kepler. He did so, through more observations and the realization of what he was seeing.
“But now, Most Serene Prince, we are able to augur truer and more felicitous things for Your Highness, for scarcely have the immortal graces of your soul begun to shine forth on earth than bright stars offer themselves in the heavens which, like tongues, will speak of and celebrate your most excellent virtues for all time. Behold therefore, four stars reserved for your illustrious name, and not of the common sort and multitude of the less notable fixed stars, but of the illustrious order of wandering stars, which, indeed, make their journeys and orbits with a marvelous speed around the star of Jupiter, the most noble of them all, with mutually different motions, like children of the same family, while meanwhile all together, in mutual harmony, complete their great revolutions every twelve years about the center of the world, that is, about the Sun itself. Indeed, it appears that the Maker of the Stars himself, by clear arguments, admonished me to call these new planets by the illustrious name of Your Highness before all others. For as these stars, like the offspring worthy of Jupiter, never depart from his side except for the smallest distance, so who does not know the clemency, the gentleness of spirit, the agreeableness of manners, the splendor of the royal blood, the majesty in actions, and the breadth of authority and rule over others, all of which qualities find a domicile and exaltation for themselves in Your Highness? Who, I say, does not know that all these emanate from the most benign star of Jupiter, after God the source of all good?”
– quoted from Sidereus Nuncius by Galileo Galilei
Despite (or because of) the fact that he was in the middle of a long lineage of notable astronomers, mathematicians, physicists, and engineers, Galileo Galilei is the one remembered as the Father of observational astronomy, modern physics, the scientific method, and modern science. The Indigo Girls even called him “the King of Insight,” which makes sense when you consider that “insight” is “seeing things in a special way.” Thanks to advancements in telescope technology, Galileo was able to see things others had not seen. Similar to the Magi, he looked up instead of down (as others did) and sometime between December of 1609 and the beginning of January of 1610, he noticed three bright, shiny objects near Jupiter. At first he thought he was seeing stars (or new planets), invisible to the naked eye, but clear when using a telescope that magnified up to 20x. Over time, however, he chronicled the movement of these “stars” and realized there were four, not three, and that they weren’t giving off their own light, they were reflecting light. They weren’t stars/suns; they were moons orbiting Jupiter.
And, as it turns out, there were more than four – but that’s another story, for a different day.
Galileo first mentioned the celestial orbs in a letter dated January 7, 1610. He tracked and documented the movement of the spheres from January 8th until March 2nd. After seeking the counsel of an advisor to Cosimo II de’ Medici (the Grand Duke of Tuscany from 1609-1621), Galileo named the objects the “Medicean Stars” and published his findings on March 13, 1610. In order to secure the Medici’s as patrons, he had a copy of his work, and the telescope he used the see the heavens, delivered to the Grand Duke a few days later. In 1632, he would dedicate his Dialogue Concerning the Two Chief World Systems to Cosimo’s oldest son, Ferdinando II de’ Medici (the Grand Duke of Tuscany from 1621-1670). This “dialogue” exploring the scientific merits of the Copernican view of things (heliocentric) versus the Ptolemaic view of things (geocentric) eventually landed Galileo Galilei in hot water with the Catholic Church.
A German astronomer, Simon Marius, made similar observations in December of 1609 and started documenting his observations on December 29th (according to the Julian calendar). Even though he was exonerated, because his documentation started on January 8th (according to the Gregorian calendar), Simon Marius’s reputation was tainted by accusations of plagiarism and an ongoing dispute with Galileo. If you have ever been confused by the names of Jupiter’s moons – Io, Europa, Ganymede, and Callisto (names suggested to Marius by Johannes Kepler) vs I, II, III, IV (as Galileo noted them in his notebooks and discussion) – you can blame it on the calendars… or the scientists’ egos.
“There was no doubt in Galileo’s mind of the authenticity and importance of the discoveries he announced, and since he wished to have them reach astronomers and philosophers all over Europe as quickly as possible he addressed his book to them and wrote it in Latin. He called it the Sidereus Nuncius, which was generally taken to mean ‘the messenger of the stars,’ not only by Galileo’s contemporaries but by the translators in succeeding generations. Several booklets appeared in reply with titles referring to this ‘messenger,’ and there were allusions to this idea in many poems and literary works. Galileo did not correct these authors, but he may not have meant the title to be so interpreted. Several years later a Jesuit critic assailed him for having presented himself as the ambassador of heaven; in the margin of his copy of this attach Galileo noted that the word nuncius means ‘message’ as well as ‘messenger,’ and asserted that he had intended only the humbler meaning. On the basis of this and other evidence, modern scholars have suggested that the word in question has always been mistranslated in this title.”
– quoted from “Introduction: First Part” in Discoveries and Opinions of Galileo, Translated with an Introduction and Notes by Stillman Drake
It may seem like a “stretch” to connect Galileo Galilei (and the moons of Jupiter) with one of the most influential voices of the Harlem Renaissance; however, in many ways, Zora Neale Hurston was first and foremost an observational researcher. Born January 7, 1891, her science was people and her “message” was for the people. She was an anthropologist, as well as an author of fiction, plays, short stories, and essays. Like Galileo, she changed the way people saw the world. In her case, she changed the way African-Americans and Caribbeans were portrayed in literature. Also like Galileo, she based her work on real time observations.
Prior to the Harlem Renaissance, Black people in America were mostly portrayed as stereotypes and caricatures, often without any redeeming independent qualities or motivations. Ms. Hurston’s own lived experiences didn’t fit into those commonly circulated boxes. She was born in Notasulga, Alabama and moved to Eatonville, Florida – one of the first all-Black incorporated towns in the United States – when she was three. Her father was a man of certain means, who became the town’s mayor and the Baptist minister of the town’s largest church. When her mother died (when Zora Neale Hurston was thirteen), and her father married soon after, the future writer was shipped off to boarding schools and relatives in in Jacksonville, Florida.
The stark difference between her two environments and the class differences between her primary family and her extended family was notable. Furthermore, those differences left an impact on a young woman who’s curiosity was being fueled by her education. After graduating from the high school division of a prominent HBCU (Historically Black Colleges and Universities), she started her undergraduate degree at Howard University, another prominent HBCU, and started establishing herself as an influential part of the literati. She was one of the early members of Zeta Phi Beta, the third African-American sorority; co-founded the university’s student newspaper, The Hilltop (which was the first, and is still the only, HBCU daily paper); and was invited to join Dr. Alan Locke’s literary club, The Stylus.
“’Love is lak de sea. It’s uh movin’ thing, but still and all, it takes its shape from de shore it meets, and it’s different with every shore.’”
– Janie Crawford in Their Eyes Were Watching Gog by Zora Neale Hurston
She left Howard without her bachelor’s degree, but was eventually offered a scholarship to Columbia University’s Bernard College. She was the only black student at the all women’s college. Once again, she was in a unique position to observe the differences between people and cultures; but, what really interested her were the similarities. She studied ethnography and conducted research with Dr. Franz Boas, known as the “Father of American Anthropology” and Dr. Ruth Benedict, and was a student during the time that Dr. Margaret Mead was finishing up her graduate studies. She earned her Bachelor of Arts in anthropology in 1928 and spent an additional two years pursuing a graduate degree at Columbia.
It was while she was conducting research with “Papa Franz” that Zora Neale Hurston discovered her scholastic approach to research wouldn’t get her very far in the field(s). It was also during this time that she received the patronage of Charlotte Osgood Mason, a white socialite and philanthropist who also supported other Harlem Renaissance artists, like Langston Hughes. Like Galileo, Ms. Hurston found that the support of the wealthy was a double-edged sword; because the “Godmother” of the Harlem Renaissance wanted control over the artists and their work – even scholastic research around music, folklore, hoodoo (also known as “Lowcountry Voodoo”), and other aspects of Southern culture. Trying to balance the academic requirements of her advisor, along with the demands of her patron – not to mention her newly formed friendships within the Black arts community and her own burgeoning career as an author – proved to be too much, especially since she was also a newlywed.
“Research is formalized curiosity. It is poking and prying with a purpose. It is a seeking that he who wishes may know the cosmic secrets of the world and they that dwell therein.
I was extremely proud that Papa Franz felt like sending me on that folklore search. As is well known, Dr. Franz Boas of the Department of Anthropology of Columbia University, is the greatest anthropologist alive, for two reasons. The first is his insatiable hunger for knowledge and then more knowledge; and the second is his genius for pure objectivity. He has no pet wishes to prove. His instructions are to go out and find what is there. He outlines his theory, but if the facts do not agree with it, he would not wrap a jot or dot of the findings to save his theory. So knowing all this, I was proud that he trusted me….
My first six months were disappointing. I found out later that it was not because I had no talents for research, but because I did not have the right approach.”
– quoted from the autobiographical essay “Research” in Dust Tracks On A Road: An Autobiography by Zora Neale Hurston
Ultimately, however, she didn’t need the degree so much as she needed the experience and the material. Her work includes the semi-autobiographical novel Jonah’s Gourd Vine, published in 1934, and Mules and Men, an autoethnographical collection of African-American folklore, in 1935. She received support from the Guggenheim Foundation in order to conduct research about voodoo in Jamaica and Haiti, which resulted in Tell My Horse: Voodoo and Life in Haiti and Jamaica (published in 1938). Her published views on race relations and, in particular, how race relations in the United States affected women of color led her to cover the trial of Ruby McCollum for the Pittsburgh Courier (Fall – Winter, 1953). In 1937, she published Their Eyes Were Watching God, her best known (and arguably) most influential novel, and followed that up, two years later, with Moses, Man of the Mountain, a re-telling and re-centering of The Second Book of Moses, Called Exodus (from the Bible) based on an African-American perspective – which, given the timing, has also been viewed as an overall criticism of fascism and the Nazi regime.
Throughout her career, Zora Neale Hurston received criticism for using dialects, for her conservative political views, and for [not doing enough for the Black race]. Even though the she was influential during the Harlem Renaissance, Zora Neale Hurston spent her final days in a welfare home and was buried in an unmarked grave. Pulitzer Prize-winner Alice Walker, and Hurston-scholar Charlotte D. Hunt commissioned a grave marker for the woman who had inspired them and were responsible for helping new generations discover short stories like “Spunk” (1925) and the folklore in Every Tongue Got To Confess: Negro Folk-tales from the Gulf States (collected in the 1920’s and published posthumously in 2001).
“Ships at a distance have every man’s wish on board. For some they come in with the tide. For others they sail forever on the same horizon, never out of sight, never landing until the Watcher turns his eyes away in resignation, his dreams mocked to death by Time. That is the life of men.
Now, women forget all those things they don’t want to remember, and remember everything they don’t want to forget. The dream is the truth. Then they act and do things accordingly. ”
– quoted from Their Eyes Were Watching God by Zora Neale Hurston
Friday’s playlist is available on YouTube and Spotify
“And when [Nanny] gained the privacy of her own little shack she stayed on her knees so long she forgot she was there herself. There is a basin in the mind where words float around on thought and thought on sound and sight. Then there is a depth of thought untouched by words, and deeper still a gulf of formless feelings untouched by thought.”
– quoted from Their Eyes Were Watching God by Zora Neale Hurston
“’I love myself when I am laughing.
And then again when I am looking mean and impressive.’”
– “Zora Neale Hurston, in a letter to Carl Van Vechten, December 10, 1934, referring to a series of photographers he had taken of her” as quoted in I Love Myself when I Am Laughing.. and Then Again when I Am Mean and Impressive: A Zora Neale Hurston Reader Edited by Alice Walker (Introduction by Mary Helen Washington)
### Love No Matter What ###
Your Presence Is Requested… January 6, 2022
Posted by ajoyfulpractice in Changing Perspectives, Christmas, Dharma, Faith, Healing Stories, Hope, Life, Love, Mysticism, New Year, One Hoop, Peace, Philosophy, Religion, Wisdom.Tags: Epiphany, Epiphanytide, Reverend Ed Trevors, Three Kings Day
add a comment
Happy 2022, to everyone! Blessed Epiphany, to those who are observing or celebrating!
“What I really want to get to today is why the Magi came. What was it that brought them to Bethlehem? What was it that brought them to find Jesus and his family?”
*
– quoted from “The Epiphany Light: Another Reflection” by Reverend Ed Trevors (dated Jan 6, 2022)
On the surface, the embedded video below contains a direct message to Christians. However, if you pay attention, you will realize that the overall focus is for all: “Be a light.” Accept this invitation to be a light.
Click here if you’re interested in my 2021 post about Epiphany. It may give you some clarity about how you know (or don’t know) what you’re seeing, hearing, feeling…believing.
A Joyful Practice 