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Fearless Play with Miles & Sally May 26, 2020

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“I’ve discovered that half the people would love to go into space and there’s no need to explain it them. The other half can’t understand and I couldn’t explain it to them. If someone doesn’t know why, I can’t explain it.”

 

– Sally Ride

 

“If you understood everything I say, you’d be me!”

Miles Davis  

I often say that when I think of being fearless, I think of jazz and the rules of improve. I think of saying “yes, and….” I think of people like Ella Fitzgerald, Duke Ellington, Louis Armstrong, Billie Holiday, Charles Mingus, Dinah Washington, Charlie Parker, Thelonious Monk, Joshua Redman, the Marsalis family, and Jason Moran.

I also think about Miles Davis, who would have turned 94 today. But we’ll come back to him, because when I think of being fearless I also think of women like Christa McAuliffe and Sally Ride.

Ride, who was born today in 1951, was the first American woman in space and the third woman overall, (after Soviet cosmonauts Valentina Tereshkova and Svetlana Savitskaya). She is still the youngest American astronaut to have traveled into space and, although it wasn’t known at the time, she is now acknowledged as the first GLBTQIA astronaut. She once said, “I love the John Glenn model… I may call NASA in 25 years or so, and see it they’d like to send me to Mars.” And, she probably would have if she hadn’t been so busy teaching, running public-outreach programs for NASA, serving on two aerospace accident investigation boards, writing 7 books for children, and starting and running “Sally Ride Science” (which creates entertaining science programs and publications aimed at upper elementary and middle school children).

Part of what made Sally Ride fearless was that not only did she (to paraphrase McAuliffe) say yes to a seat on a rocket, she also said yes to being a role model. She kept the focus on the science even as she endured the most sexist questions from the public and the press; however, when she realized certain people were going to keep coming back to her gender, she used the platform she was being given to make room for more women and girls in the sciences.

“I never went into physics or the astronaut corps to become a role model. But after my first flight, it became clear to me that I was one. And I began to understand the importance of that to people. Young girls need to see role models in whatever careers they may choose, just so they can picture themselves doing those jobs someday. You can’t be what you can’t see.”

– Sally Ride

The fact that pretty much anyone (and everyone) in the public eye ends up as a possible role model can be dangerous – especially when people don’t accept the responsibility, or take it for granted. Miles Davis fits into this category. Born today in 1926, Davis said, “The thing to judge in any jazz artist is, does the man project and does the man have ideas.” Davis did and had both. He was a musical innovator who studied at the Institute of Musical Art, now known as Julliard, but also studied in jam sessions with jazz greats like Charlie Parker and Dizzy Gillespie. He was a trailblazer, who kicked off the “cool jazz” movement, developed “hard bop,” and ultimately fused jazz with rock and funk. He would lose old fans, win new fans, and then gain the old fans back – because he did the thing he told other musicians to do: he didn’t play what was there, he played what wasn’t there.

“A legend is an old man with a cane known for what he used to do. I’m still doing it.”

 

– Miles Davis

For all his musical success, however, Davis battled demons. He grew up in a fairly well off family, but people often assumed he grew up poor and was uneducated. He struggled with the fact that although albums like his Birth of the Cool were historically and musically important, they didn’t have the same success as albums by white musicians in the same genre. He also struggled with cocaine and heroin addiction, once broke both ankles in a car accident, and by all accounts (including his own) he was physically and emotionally abusive to all three of his wives (and most likely any other women with whom he had a romantic relationship).

Miles Davis was a narcissistic abusive jerk. He was also a genius. Interestingly, even now, Pearl Cleage is one of the few people to speak of his abuse. Not because she personally experienced it, but because she wanted people (especially men) to stop and think about how they engage in relationships. She wanted shine a light on how not to act in relationships.

“No, you should not feel guilty. Miles is dead. We can just hope the next time he comes around his spirit and his personality will be as lovely as his music.”

 

– Pearl Cleage, author of Mad at Miles: A Blackwoman’s Guide to Truth, in a 2012 interview for Atlanta Magazine (when asked about listening to music by Miles Davis)

This week, we reconnect and remember those that came before and consider what lessons their lives have to teach us. Please join me today (Tuesday, May 19th) at 12 Noon or 7:15 PM for a little fearless play in the form of a yoga practice on Zoom. Use the link from the “Class Schedules” calendar if you run into any problems checking into the class.

Tuesday’s playlist is available on YouTube and Spotify.

If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can call 1-800-273-TALK (8255). You can also call the TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.

 

### THERE’S A COUPLE OF ELEPHANTS IN THE ROOM ###

Preview: A Wall, Two Roads, A Streetcar, and A Hot Tin Roof walk into a yoga studio… March 26, 2019

Posted by ajoyfulpractice in Art, Books, California, Changing Perspectives, Depression, Faith, Healing Stories, Health, Hope, Life, Loss, Love, Meditation, Men, Minneapolis, Minnesota, Movies, Peace, Philosophy, Poetry, Robert Frost, Suffering, Tennessee Williams, Traditional Chinese Medicine, Women, Writing, Yoga.
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“Something there is that doesn’t love a wall,

That sends the frozen-ground-swell under it,

And spills the upper boulders in the sun;

And makes gaps even two can pass abreast.”

– excerpt from the poem Mending a Wall by Robert Frost

 

“The violets in the mountains have broken the rocks. The world thirsts after sympathy, compassion, love.”

– excerpt from the play “Camino Real” by Tennessee Williams (The first sentence is also the epitaph on his grave)

There are people in the world who will say you haven’t read poetry until you read Robert Frost, and Southerners in the world who will say you haven’t seen a play until you’ve seen Tennessee Williams. Born 77 years and over 2,000 miles apart, these two literary icons shared a birthday (3/26) and way with words that can make you pause, look again…and again. Once or thrice you may even wonder how many ways you can see/interpret/understand what has been said, and how it applies to your life.

One of Robert Frost’s most famous, and perhaps most popular, poems is about the “road not taken” – even though people often mistake it for “the road less traveled.” The poem is about as much about perspective as it is about the way we tell a story (and the fact that the way we tell a story can change the story).

Maty Ezraty once said that every yoga practice should be like a good story. And, with any story, each character has a different purpose and a different point of view. In our practice, each pose/sequence gives each part of our bodies and minds an opportunity to tell their story. There are hundreds of poses and hundreds, thousands – maybe even millions – of ways to move into and out of pose. And each one of those ways gives us another way of looking at the story. The tricky thing is, sometimes we keep coming back to the story the same way. While we may all have a favorite story we read again and again, what happens when we view the story from a different perspective?

“We have to use a spell to make them balance:

“Stay where you are until our backs are turned!”

We wear our fingers rough with handling them.

Oh, just another kind of out-door game,

One on a side. It comes to little more:

There where it is we do not need the wall:

He is all pine and I am apple orchard.

My apple trees will never get across

And eat the cones under his pines, I tell him.

He only says, “Good fences make good neighbours.”

Spring is the mischief in me, and I wonder

If I could put a notion in his head:

“Why do they make good neighbours? Isn’t it

Where there are cows? But here there are no cows.

Before I built a wall I’d ask to know

What I was walling in or walling out,

And to whom I was like to give offence.”

– excerpt from the poem “Mending a Wall” by Robert Frost

Parighasana (Gate Pose) stretches the pelvic area and hamstrings, while also engaging the sides of the torso and abdomen eccentrically (up side) and concentrically (down side). According to B.K.S. Iyengar’s Light on Yoga, the pose “keeps the abdominal muscles and organs in condition and the skin around the abdomen will not sag but remain healthy. The sideways spinal movement will help persons suffering from stiff backs.” Another aspect of the pose is what happens to the heart area – not only physically, but emotionally.

“What is straight? A line can be straight, or a street, but the human heart, oh, no, it’s curved like a road through mountains.”

– excerpt from the play “A Streetcar Named Desire” by Tennessee Williams

Swami Rama from the Himalayan tradition said that we have three hearts: a physical heart, which for most of us is on the left side; an emotional heart on the opposite side, which for most of us is on the right; and an energetic heart that connects the two. Additionally, in yoga and other Eastern healing arts, energy for the heart flows through the arms. In Parighasana, we have the opportunity to open up the shoulders (physically) and open the gates on all sides of the heart (emotionally and energetically).

Two of my favorite lines from Robert Frost poems speak of wisdom and delight, and the gift that comes from giving our whole selves. Every time I step on a yoga mat, I experience the wisdom and the delight. I also experience a plethora of gifts. One of those gifts is how the practice affects the mind. In Cat on a Hot Tin Roof, Brick acknowledges that he is an alcoholic, but doesn’t seem to want to give up his drinking because, “It’s like a switch, clickin’ off in my head. Turns the hot light off and the cool one on, and all of a sudden there’s peace.” But then, as his father points out to him, there is the morning.

Yoga brings peace without the hangover. Another thing to consider is that the practice has a way of opening the heart so we can get to the violets.

“To me, its meaning is simple. The hard, the cold, the oppressive will—at long last—be broken apart by a force that is beautiful, natural, colorful, alive.”

– Patricia Clarkson explaining way she was quoting Tennessee Williams during a 2009 HRC New Orleans Dinner speech

### NAMASTE ###