[Not] Clowning Around (the “missing Saturday post) May 17, 2021

Posted by ajoyfulpractice in Art, Books, Changing Perspectives, Dharma, Donate, Fitness, Healing Stories, Health, Hope, Karma Yoga, Life, Music, Mysticism, One Hoop, Pain, Philosophy, Science, Suffering, Volunteer, Wisdom, Yoga.
Tags: asana, B. B. King, Bertrand Russell, Camp Winnarainbow, Dean Radin, Hog Farm, Nobody for President, phun, Samyama, Seva Foundation, Wavy Gravy, Yoga Sutra 1.33, Yoga Sutra 3.19, Yoga Sutra 3.20
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This is the “missing” post for Saturday, May 15^th. You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.

In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)

Check out the “Class Schedules” calendar for upcoming classes.

“Curiously, many effects that science cannot explain are generally not regarded as paranormal. In psychology, for example, there are some remarkable but completely unexplained phenomena such as photographic memory (the ability to remember images in perfect detail), lightning calculation in autistic savants (the ability to perform mental arithmetic with astonishing speed and accuracy), extraordinary musical aptitude in prodigies who seem to spring from the womb ready for Carnegie Hall, and so on.

Perhaps the most widely accepted, yet totally baffling, phenomenon is conscious awareness itself….”

– quoted from “1 – What is Psi?” in The Conscious Universe: The Scientific Truth of Pyschic Phenomena by Dean Radin, PhD

“This may seem odd, but that is not my fault.”

– quoted from “25 – Nietzsche” in (Book 3, Modern Philosophy) of History of Western Philosophy by Bertrand Russell (3^rd Earl Russell, OM FRS)

It’s always a little weird, even awkward when it happens. It’s also a little cool. Someone, a teacher – a yoga teacher perhaps – takes one look at you and seems to know exactly what you need physically, mentally, even emotionally, energetically, and spiritually. The weird (and awkward part) is when they say something that sounds like they’ve been eavesdropping on your life, reading your mind, and/or following you around to see all the things you do. Or don’t do. It can be weird, awkward; even cool sometimes. And while it may seem mystical, magical – even supernatural – it’s not. It’s not mind reading (as Patanjali is quick to point out) and neither is it clandestine. It’s just supernormal.

If they know what they’re seeing (and hearing), a teacher, a physical therapist, a massage therapist, a doctor, even a coach can look at your posture and gain some insight into you and even your life. I have seen a teacher look at someone in table top and accurately state activities (like gymnastics) that they did as a child. I have seen a teacher observe someone in Downward Facing Dog and accurately describe their mental and emotional state and past experiences that resulted in that mental and emotional state. Almost any of us, if we are really paying attention, can know something is a little off when we watch someone we know fairly well walk into a room. We may also be able to tell when something is really working for them, when they are feeling particularly playful and fearless – even on Zoom.

Sometimes, when I meet a new person “on the mat,” I can pick up information that indicates the kind of yoga they are use to practicing. After all, different traditions have different ways of doing things and when we practice something, we get into certain habits. So, if you are relatively healthy (i.e., not nursing any injuries or major discomfort) and you go into what I would call Parasvokanasana/ Extended Side Angle” when I say “Trikonasana/Triangle,” that information points to a very specific type of yoga. If you go into what I call “Anjaneyasana/Crescent or Anointed Warrior” when I say “Virabhadrasana 1 / Warrior 1,” that also gives me a little information into your practice. If I say “Anjaneyasana” and you immediately go into a kneeling position that gives me even more information.

Again, that’s all well and good when there is nothing holding you back. If, however, I notice you not kneeling during a kneeling pose, I might look to see if I can detect a brace under your pants leg or if you are favoring one leg over the other in other poses. If I see you doing prenatal modifications when you have not previously indicated that you’re pregnant, I might check in with you on the down-low (especially if you’re new to yoga and there’s a possibility you’re just mimicking the pregnant person across the studio from you). Once, I was really thrown off by a new student who seemed to know all the poses and how to get into them, but seemed to lack something I couldn’t quite put my finger on. When we talked after the practice, I learned that prior to our meeting, he had only ever practiced with books – so he was lacking knowledge about much of the internal engagement needed to support the poses. By asking the right questions, we both gained knowledge.

Yoga Sūtra 3.19: pratyayasya para-citta-jñāñam

– “By making samyama on the distinguishing marks of another’s body, one can obtain knowledge of the nature of their mind.”

Yoga Sutra 3.20: na ca tat sālambanam, tasyāvişayībhūtatvāt

– “But not the contents of [their] mind, because that is not the object of the samyama.”

Remembering that biography is in our biology – or, as my dharma-friend Stacy says, “Our issues are in our tissues” – and notice that the above examples are all instances of someone using information they have and applying it to things they are observing. These are essentially examples of putting some of the siddhis (“powers”) unique to being human into action and also harnessing the power of samyama – that applied combination of focus, concentration, and mediation on the body of another person.

There are, obviously, really unwholesome situations in the world where people are profiling other people and, in doing so, applying preconceived notions to what they are observing in a way that creates harm. There are also equally unwholesome examples of people “cold reading” someone in order to manipulate them (also creating harm). Neither of these types of situations is the purpose of this week’s sūtras. In fact, to use samyama in such a way would be contradictory to the practice of yoga.

The commentary is very clear in pointing out that the purpose of this concentrated awareness on another person’s physique and mannerisms really has nothing to do with the other person. Rather it has to do with the observers practice and refers back to Patanjali’s instruction (in Yoga Sūtra 1.33) on cultivating a clear mind by “embracing an attitude of friendliness to those who are happy, compassion to those who are miserable/suffering, happiness to those who are virtuous, and non-judgement to those who are not virtuous.”

But how, you might ask, do you act around someone with a rainbow afro or a cowboy hat, a red nose, a tie-dye shirt, overalls, and a “Nobody for President” button? Well, a person like that must be embraced with conscious “phun.”

“Are you wavy gravy?”

– B. B. King to a “random” person lying on the stage before his set-up (at the Texas International Pop Festival, 09/01/1969)

“Keep your sense of humor, my friend; if you don’t have a sense of humor it just isn’t funny anymore.”

– Wavy Gravy

Born Hugh Nanton Romney on May 15, 1936, the official clown of the Grateful Dead is not related to the political Romney family. However, as an activist for peace and a hippie (not to mention a self-proclaimed “flower geezer”) he has had a hand in politics and even organized a presidential campaign.

Romney and his wife, Jahanara “Jah” Romney, co-founded Hog Farm, America’s longest running hippie commune, in the 1960’s. They first made it onto the world’s radar when volunteers from Hog Farm provided security for the 1^st Woodstock Rock Festival (August 15 – 18, 1969). The Hog Farm volunteers called themselves the “Please Force” – as in, “Please don’t do that, please do this instead.” While providing similar service at the Texas International Pop Festival (09/01/1969), Romney met B. B. King,* who gave him the name “Wavy Gravy.”

Wavy Gravy, co-founded the Phurst Church of Phun, a secret society of comics and clowns dedicated to ending the Vietnam War, because he thought activists dressed as clowns would be less likely to be arrested. In 1980, he ran a “Nobody for President” campaign that included a November 4^th rally across from the White House. The campaign “staff” of Yippies (from the Youth International Party) and anarchists mostly promoted the “none of the above” option on the ballot. However, the campaign was known for slogans like “Nobody’s Perfect;” “Nobody Keeps All Promises;” “Nobody Should Have That Much Power;”and “Who’s in Washington right now working to make the world a safer place? Nobody!” He also proclaimed that “Nobody makes apple pie better than Mom. And Nobody will love you when you’re down and out.”

“If you don’t change, you’re dead, so I try to keep changing.”

– Wavy Gravy

Wavy Gravy also founded Camp Winnarainbow (in 1975), which is a “socially minded, justice focused organization” dedicated to “[doing] something good for a change.” Part of the Hog Farm community, Camp Winnarainbow offers Day Camps; 3-year Teen Leadership Programs (for ages 15, 16, and 17); Residential Camps (for ages 7 – 14); and scholarships (some of which used to be funded by proceeds of Ben and Jerry’s “Wavy Gravy” ice cream). While they did have to cancel some programming last year (for the first time in 45 years), Camp Winnarainbow was able to move some programs online and safely continue some of their outdoor programming. The programs are committed to “Big Fun” as well as equity, inclusion, and interdependence – not only in theory, but also in practice. Some of the graduates of the Teen Leadership Programs are preparing to take on leadership roles at for future camps and programming.

In 1978, Wavy Gravy and Jahanara Romney joined Dr. Larry Brilliant, Dr. Girija Brilliant, Dr. Nicole Grasset, Ram Dass, and Dr. G. Venkataswamy in co-founding the Seva Foundation. The Brilliants’ had successfully helped eradicate smallpox and were looking for a new initiative. Knowing that over a billion people live with unaddressed vision impairments; that hundreds of millions of underserved people need ongoing eye care; and that 90% of all vision impairment can be prevented or cured, the Seva Foundation grew out of the belief that restoring sight is one of the most effective ways to relieve suffering and reduce poverty. The global non-profit eye organization works with local communities around the world to train local eye-care providers and develop self-sustaining programs that preserve and restore sight.

The Seve Foundation’s name comes from the Indian concept of “self-less service.” The organization provides critical eye care to underserved communities (especially women, children, and indigenous populations) and has provided surgeries, eyeglasses, medicine, and other eye care services to over 44 million people in over 20 countries – including Tibet, Nepal, Cambodia, Bangladesh, Sub-Sahara Africa, and the United States.

Annual benefits for Camp Winnarainbow and the Seva Foundation include some of the same musicians that appeared at the Woodstock Festivals: the Grateful Dead, Bonnie Raitt, Jackson Browne, David Crosby and Graham Nash, Susan Tedeschi and Derek Trucks, Ani DiFranco, Ben Harper, Elvis Costello, Michael Franti and Spearhead, Sly and the Family Stone – and, of course, the Woodstock Festivals Master of Ceremonies, Wavy Gravy.

“We are all the same person trying to shake hands with our self.”

– Wavy Gravy

Saturday’s playlist is on YouTube and Spotify.

*NOTE: B. B. King passed away May 14, 2015. Rest in power, king!

Errata: If you were on Zoom on Saturday and/or practice with the recording, you will note that I made some naming errors. Some of which I have corrected above. Unfortunately, it occurred to me, a little too late, that I don’t know the whole history behind Jordan Romney distancing himself from his birth name and could have been more diligent about my research before dropping that “fun fact” in the practice. My apologies; I meant no disrespect.

### “DARE TO STRUGGLE, DARE TO GRIN” ~ Wavy Gravy (giving you a preview of Sunday’s practice) ###

Getting Things Moving on Day 12 (the “missing” Tuesday post) February 24, 2021

Posted by ajoyfulpractice in Books, Changing Perspectives, Food, Health, Hope, Lent / Great Lent, Mirabai Starr, Mysticism, New Year, One Hoop, Philosophy, Religion, Science, Vairagya, Wisdom, Writing, Yin Yoga, Yoga.
Tags: Kieran Kavanaugh OCD, Lunar New Year, Otilio Rodriguez OCD, Saint Teresa of Ávila, saucha, Spring Festival, vinyāsa
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Happy New Year! Many blessings to those observing Lent!

[This is the post for Tuesday, February 23^rd. You can request an audio recording of Tuesday’s practice via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.

In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.

Check out the “Class Schedules” calendar for upcoming classes.]

“Some could think that if turning back is so bad it would be better never to begin but to remain outside the castle. I have already told you at the beginning – and the Lord Himself tells you – that anyone who walks in danger perishes in it and that the door of entry to this castle is prayer. Well now, it is foolish to think that we will enter heaven without entering into ourselves, coming to know ourselves, reflecting on our misery and what we owe God, and Him often for mercy.”

– quoted from “The Second Dwelling Places” of The Interior Castle by Saint Teresa of Ávila (Translation by Kieran Kavanaugh, O. C. D. and Otilio Rodriguez, O. C. D.)

If you spend any amount of time with me – on or off the mat, even on or off the blog page – I think it becomes very clear that I am fascinated by human commonalities. I love the way different cultures and different people’s ways of being in the world overlap. Anthropologically speaking, I am fascinated by the things that (I think) come from being human: like the desire for a deeper connection with more than ourselves. It is interesting to note that when it comes to existential questions – that is to say, questions related to our existence – philosophies and religions (even the physical sciences) end up down the same rabbit holes, racing or strolling down the same paths… just sometimes coming at the path from different directions.

It’s kind of like when you walk through a labyrinth with other people, as many of us did on retreat in Minnetonka a little over 4 years ago. In some ways, everyone was on the same path; but, because we were on different parts of the path – walking in different directions, entering and leaving at different times – one’s perspective could easily be that we were on vastly different paths. Also, the perspective was different when you were on the inside versus the outside and/or when you were looking at the practice before you walked the labyrinth versus after you walked it. Then there was the fact that we all came to the retreat and came to the practice from different places and came with different experiences so that our understanding and processing of the shared experience was, in some ways, different. And yet the same.

And yet the same. Because if we learn nothing else from the ancient yogis and mystics from various traditions around the world, it is this: that the deeper you go inside of yourself, the more parallel your journey and experience is to someone else. This is why Joseph Campbell could codify a cycle/journey after studying a hero with a thousand faces. It is why so many philosophical, spiritual, and religious paths have similar elements – and why those paths work after hundreds and thousands of years.

“Remember: If you want to make progress on the path and ascend to the places you have longed for, the important thing is not to think much but to love much, and so to do whatever best awakens you to love.”

– quoted from “The Fourth Dwelling .1.” of The Interior Castle by Saint Teresa of Ávila (New Translation and Introduction by Mirabai Starr)

We all know that if we eat something or drink something, we are going to have to digest that something. We may not understand how physical mechanics, but at an early age we start learning that the body processes what we consume. It absorbs the nutrients it needs and discards the waste/toxins; and when the body doesn’t absorb what it needs and/or doesn’t get rid of the waste/toxins in an efficient manner, we experience physical pain, discomfort, and disease. We know this about what we eat and drink – and, when we think about it, we recognize that this is also true about what we inhale and/or absorb through the skin/tissues.

What we may not always realize is that we are continuously consuming things that we don’t eat, drink, inhale, or absorb through the skin/tissues. The principle of consumption, digestion, absorption, and elimination also applies to things we consume with our minds. In other words, everything we experience (i.e., everything we see, hear, say, think, and do) is something we are consuming and therefore something that must be processed and digested so that we can absorb what we need – what serves us – and eliminate the waste/toxins (that no longer serves us). When we fail to appropriately process what we consume mentally, emotionally, energetically, and spiritually, we can experience (physical) pain and (mental/emotional) suffering – which can be just as excruciating as when we are physically constipated or otherwise debilitated by the things we consume.

The mind-body is designed to find balance. It is designed to convert food into energy and even to store the fuel for those times when we are depleted. It is designed to eliminate toxins and anything that could cease our existence. While the mind-body does so much of what it does to keep us moving without any involvement or conscious thought on our part, there are ways in which we can assist the processes. One way we can assist these processes is to be mindful of what we consume. Of course, since we can’t always control every little thing that we consume, it’s important to keep three key elements in mind: water, rest, and movement.

“Rest and digest,” as well as create, are associated with the parasympathetic nervous system, which is often referred to as the mind-body’s brakes. Of course, the only reason a system needs brakes is if it is in motion (or could be in motion). One of the many reasons movement is important is because the engagement of our muscles serves as the pump for the lymphatic system – which provides nutrients for healthy cells and brushes or washes away dead cells. A combination of tissues, vessels, and organs, the lymphatic system is a crucial part of our immune system – and on the first line of defense against disease.

So, it makes sense that after 11 days of celebrations that involve rich, heavy food and drink, people who celebrate the 15-day Spring Festival as part of the Lunar New Year celebrations need a break before the Lantern Festival that concludes the celebrations. Day 12 is that day of cleansing and resting – and also for getting ready for what’s to come. Under “normal” (i.e., not pandemic) circumstances, most businesses have opened back up and people are back at work. There will still be prayers, offerings, and a remembrance of elders. There might even still be some leftovers. However, for the most part, this is a day when people rest, relax, eat light… and process/digest all that’s happened before.

“… and our body has this defect that, the more it is provided care and comforts, the more needs and desires it finds.”

– quoted from “Chapter X” of The Way of Perfection by Saint Teresa of Ávila

Throughout our physical practice of yoga, we either break up the movement with stillness and quiet (as we do in vinyāsa) or break up the stillness and quiet with movement (as we do with Yin Yoga) – and, even though that looks and feels very different, the path is still about processing, digesting, absorbing, and eliminating what has been consumed. This applies to what has been consumed physically, as well as mentally, emotionally, energetically, and spiritually. While any movement can help someone process what they have consumed, the physical practices of yoga can allow us to be very deliberate and very intentional in the way that assist the digestion process. Again, when I say “digestion” here, I mean the processing of what has been consumed by all the aforementioned methods.

From the outside looking in, the way we move through our vinyāsa practice can seem mysterious, odd, or even magical. However, the deeper we go into the practice (and into ourselves) the more we recognize that there is a science and a system to the movement. We move in a way that exaggerates the mind-body’s natural tendencies while, at the same time, moving through the mind-body-spirit’s symbolic manifestation of our biography. Thus, the poses and the sequences are very intentional on a physical-mental level, as well as a psychic-symbolic level, and an emotional-energetic level. Each practice is, in some ways, intended as a non-alcoholic apértif and digestif; simultaneously something to increase your appetite (for life) and to help you digest what you’ve consumed.

“Before fully uniting himself with her, he fills her with burning desire for him. He does this in such a delicate way that the soul doesn’t understand where her longing comes from, nor could I successfully explain it except to those who already know from experience what I’m saying. These impulses rise from so deep inside that the soul and are so subtle and refined that I can’t find a fitting metaphor to describe them.

This experience is far different from anything we can taste in the world. It is even different from the spiritual delights we have talked about so far.”

– quoted from “The Sixth Dwelling .2.” of The Interior Castle by Saint Teresa of Ávila (New Translation and Introduction by Mirabai Starr)

Tuesdays playlist is available on YouTube and Spotify. [Look for “March 28th Dogs & Castles 2020”]

DON’T FORGET! The next “First Friday Night Special” is March the 5^th – at which time, I will encourage you to “give something up” / “let someone go.” Time and additional details are posted on the “class schedules” calendar!

### MOVE YOUR (OWN) SELF ###

Today, 1959 (the Wednesday post about the music that died) February 5, 2021

Posted by ajoyfulpractice in Art, Confessions, Faith, Healing Stories, Health, Hope, Minnesota, Music, One Hoop, Philosophy, Science, Suffering, Tragedy, Yoga.
Tags: Bill Griggs, Buddy Holly, Dion DiMucci, Dr. Mike Miller, J. P. "The Big Bopper" Richardson, Jay Mueller, John Mueller, Lenny Kaye, Michael Franti, music, Pamela Huey, Ritchie Valens, Roger Peterson, Spearhead, Tommy Dee, Val Willingham, Waylon Jennings
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[My apologies for this very late Wednesday the 3^rd post. You can request an audio recording of Wednesday’s practices via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.

In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.

Check out the “Class Schedules” calendar for upcoming classes. *** DON’T FORGET THERE’S A “FIRST FRIDAY NIGHT SPECIAL! ***]

“Everyone deserves music, sweet music”

– quoted from the song “Everyone Deserves Music” by Michael Franti & Spearhead

“For years, [Dr. Mike Miller], a research cardiologist, has been studying the effects of happiness — or things that make people happy — on our hearts. He began his research with laughter, and found watching funny movies and laughing at them could actually open up blood vessels, allowing blood to circulate more freely.

Miller thought, if laughter can do that, why not music? So, he tested the effects of music on the cardiovascular system. ‘Turns out music may be one of the best de-stressors — either by playing or even listening to music,’ said Miller.

The setup was basically the same as with the laughter study: Using high-tech imaging, Miller measured blood vessel size as people listened to music.

The results did not surprise Miller. ‘The inner lining of the blood vessel relaxed, opened up and produced chemicals that are protective to the heart,’ he said.

But when participants listened to music they didn’t particularly enjoy, Miller said, ‘the vessels actually began to close up.’”

“But be careful what you listen to. Whether you like Beyoncé or the B-52s, Chopin or Johnny Cash, Miller found that listening repeatedly to the same tune diminished the music’s effects on the body. ‘You just don’t get that boost if you listen to the same song over and over again,’ he said. ‘You need to vary your songs, so when you hear the song fresh, it brings back the sense of joy and opens up the system.’”

– quoted from a 2009 CNN Health segment entitled, “The power of music: It’s a real heart opener” by Val Willingham, CNN Medical Producer

From Dr. Oliver Sacks to Dr. Teppo Särkämö and from Arthur C. Clarke to Friederick Nietzsche, medical practitioners, researchers, authors, philosophers, and anthropologists have shown that music affects us in multiple ways. It can touch our minds and hearts – and change our hearts and brains; it can change our moods; it can tell our stories; and it can affect our bodies on multiple levels. We may not all agree on what we like (or even what constitutes “music”), but it is hard to deny the benefit of music in general.

But, what if there was no music? What if it just stopped, or ceased to be? What if it died?

How long would you carry the music in your heart and your mind? How long would you carry it in the muscles of your body? Would you experience great longing? Would you be inspired to make more music?

I ask these questions not to be overly deep, but because today (February 3^rd) is “The Day the Music Died.” It is the day in 1959 when a plane carrying Buddy Holly, Ritchie Valens, and J. P. “The Big Bopper” Richardson crashed just outside of Clear Lake, Iowa. The three stars and the pilot, Roger Peterson, all died in the crash that happened as they were traveling to Moorhead, MN.

The three singers were young and successful. Holly was 22 and a newlywed expecting his first child. Valens was 17. At 28, “The Big Bopper” was the oldest of the three chronologically, but had started writing and singing later than the others. He had already made a name for himself as a Texas DJ and was capitalizing on his earlier success. He had a wife, a daughter, and another child on the way. (Peterson, 21, was also married.) All three of the singers were popular on the charts, had hit singles, and were on the precipice of even more greatness.

The accident happened during the “Winter Dance Party” tour, which featured the three stars plus Buddy Holly’s band, the Crickets, and Dion and the Belmonts. The Crickets, at the time, consisted of Waylon Jennings, Tommy Allsup, and Carl Bunch, with Frankie Sardo has an opener for Holly. Dion and the Belmonts were Dion DiMucci, Angelo D’Aleo, Carlo Mastrangelo, and Fred Milano. In my theatre days, we would have called the tour “snake bit,” but the musicians had a more specific moniker: “the tour from hell.”

“[Holly historian Bill] Griggs, who long ago moved to Holly’s home town of Lubbock, Texas, from Connecticut, estimates they had used five different buses before driving into Clear Lake – ‘reconditioned school buses, not good enough for school kids.’

The tour started in Milwaukee on Friday, Jan. 23, 1959. It then zig-zagged during the next 11 days from Wisconsin to Minnesota to Wisconsin to Minnesota to Iowa to Minnesota to Wisconsin to Iowa to Minnesota.

There were no roadies to help set up and pack up, and only icy two-lane highways to get from town to town.”

– quoted from the February 3, 2009 Star Tribune article entitled, “Buddy Holly: The tour from hell – The story of the long, cold nights on the road before the Day the Music Died, 50 years ago.” by Pamela Huey

Typically on a bus and truck tour, the order of venues is based on proximity, i.e. geographical nearness in space and time. A group might perform more than one show in a day, but those shows would typically be in the same venue. Typically, at least on the tours I did back in the day, the artists have a little down time between being on the road and actually performing (and vice versa), because the crew has to unload, set-up, and then after the performance breakdown and load out. But these things didn’t happen on the “Winter Dance Tour” of 1959.

To add to the abnormality of it all, it was super cold, snowy, icy, and windy. The temperature swung from 20° F (-7° C) to -36° F (-38° C) – and the buses weren’t always heated. At least one bus, the one between the ninth show (in Duluth, MN) and the tenth and eleventh shows (in Appleton and Green Bay, Wisconsin) was not only not heated, it broke down; leaving the musicians stranded on the side of the freezing cold road – trying to stay warm with blankets and a trash bonfire made out of newspapers. Then, they had to perform. Carl Bunch, Buddy Holly’s drum at the time, had frostbite on his feet. J. P. “The Big Bopper” Richardson had the flu. And, to add to all that, Buddy Holly was bickering with his manager.

Everyone was tired, cold, and frustrated – but they still had shows… and the show must go on.

The twelfth show, the show in Clear Lake, Iowa, was not on the original schedule. It was scheduled by Holly’s manager when the musicians arrived in Clear Lake on Monday, February 2^nd. Which just added to the headliner’s frustration – especially since the thirteenth show, in Moorhead, MN, would require them to drive 365 miles, passing by the previous two stops along the way. Fed up, Buddy Holly decided to charter a plane from the Iowa venue (the twelfth show) to the next Minnesota stop (the thirteenth show). He was going to cover himself and his band, and was willing to split the cost with any of the other musicians that wanted to skip the road trip, and possibly have time to sleep in some place warm and soft instead of in a cold bus seat).

Dion DiMucci said he couldn’t afford the $36 for him and the Belmonts. He was later quoted as saying that the cost was the same amount as his parents paid in rent in New York; so, ultimately, he couldn’t justify the expense. During the investigation into the crash, DiMucci gave a slightly different explanation of how things transpired than Jennings and Allsup; however, the most accepted sequence of events is that: (1) As an act of compassion, since “The Big Bopper” was so sick, Waylon Jennings gave up his seat to the former DJ. (2) Carl Bunch was in the hospital (because of the frostbite) and would be out until the tour swung back to Iowa on February 5^th. (3) Ritchie Valens and Tommy Allsup flipped a coin which, in theory, Allsup lost.

“The next thing I know, Buddy sends me over to get a couple of hot dogs. He’s sitting there in a cane-bottomed chair, and he’s leaning back against the wall. And he’s laughing.

‘Ah,’ he said. ‘You’re not going with me tonight, huh? Did you chicken out?’

I said no, I wasn’t scared. The Big Bopper just wanted to go.

‘Well,’ he said grinning, ‘I hope your damned bus freezes up again.’

I said, ‘Well, I hope your ol’ plane crashes.’

That took me a lot of years to get over. I was just a kid, barely twenty-one. I was about halfway superstitious, like all Southern people, scared of the devil and scared of God equally.

I was afraid somebody was going to find out I said that, and blame me. I knew I said that. I remember Buddy laughing and then heading out to the airport after the show. I was certain I caused it.”

– quoted from “Chapter 2: Buddys” of Waylon: An Autobiography by Waylon Jennings and Lenny Kaye

After the crash, “The Winter Dance” tour went on. Robert Velline (who would make a name for himself as Bobby Vee) was a fifteen-year old singer, songwriter from Fargo, North Dakota, who put together a band called the Shadows, with his older brother and some school friends. They answered a call for talent and performed in Moorhead, MN. Vee would go on to release a single “Suzie Baby” (1959), which was an homage to Buddy Holly’s “Peggy Sue;” release a tribute album (I Remember Buddy Holly (1963); and regularly performed at the Winter Dance Party memorial concerts in Clear Lake, Iowa. Waylon Jennings, Tommy Allsup, and Carl Bunch would all continue, with Jennings eventually singing lead. However, Jennings and Allsup would only continue the tour for two additional weeks. Jennings would ultimately leave Buddy Holly’s guitar and amplifier in a locker at Grand Central Station, and mail the keys to Holly’s widow.

Tragically, María Elena Holly suffered a miscarriage – due to the compounded trauma of losing her husband and finding out about the accident over the radio. Waylon Jenning’s family would also report being traumatized by hearing on the radio that “Buddy Holly and his band had been killed.” Subsequently, public officials decided not to release the names of victims until after the families had been notified.

J. P. “The Big Bopper” Richardson’s son, Jay Perry Richardson, was born two months after the accident. He grew up to become a musician known as “The Big Bopper, Jr.” in honor of his father. For a while, including in 1999, he toured with Jay Mueller, a Buddy Holly impersonator whose tribute show attempted to recreate the 1959 schedule in 1999 (for the 40^th anniversary).

“John Mueller, who plays Buddy Holly in a traveling road show called ‘Winter Dance Party,’ has rare insight into what the ’50s performers endured. In 1999, Mueller and the other musicians tried to replicate ’59 tour. It was the 40th anniversary of the plane crash, and he wanted to honor the ’59 tour by going back to the original cities and original venues.

‘By the time we got to Clear Lake, I had lost my voice, I had lost about 10 to 15 pounds, I was just physically exhausted, as was everybody in the group. The grueling nature of the tour, following the exact geographic routing, it really hit me in the head why they chartered the plane,’ said Mueller, whose group traveled in warm, comfortable minivans.”

– quoted from the February 3, 2009 Star Tribune article entitled, “Buddy Holly: The tour from hell – The story of the long, cold nights on the road before the Day the Music Died, 50 years ago.” by Pamela Huey

I asked the questions: But, what if there was no music? What if it just stopped, or ceased to be? What if it died?

But, we know what we would do because people did it. We carry the music in our hearts and minds. We carry it in the muscles of our bodies and in every fiber of our being. We are inspired to make more music, more dance, more poetry, more stories, and even statues.

There have been many songs, books, movies, reenactment concerts, and even a musical written in honor of the musicians and music that were lost in 1959. Perhaps the most famous tribute song about the three stars is Don McLean’s 1971 hit “American Pie” – which established February 3^rd as The Day the Music Died. I have been told that Madonna covered the song (but if you’ve never heard the original, you’re missing out).

In April 1959, Tommy Dee recorded “Three Stars,” which offers personal glimpses into the singers’ personality and lives. Eddie Cochran, who was friends with Buddy Holly and Ritchie Valens, actually recorded “Three Stars” before Dee recorded it. Tragically, he would be killed in a car accident while on tour in England. He was the only fatality. (I believe his version of “Three Stars was released posthumously.)

Eddie Cochran’s death resulted in another wave of tribute songs, including Waylon Jennings “The Stage (Stars in Heaven),” which was a tribute to the Holly, Valens, “The Big Bopper,” and Cochran. Interestingly, Buddy Holly arranged for Waylon Jenning’s first recording session in December 1958. During that session, Jenning’s recorded his first single, “Jole Blon” – which is sometimes called “the Cajun national anthem” and is on my playlist for the day. It features Buddy Holly and Tommy Allsup, and would be released in March 1959 – so, in some ways, it is also a tribute.

“In a vision I can see, the stars that meant the world to me
Ana din the vision it’s the same as long ago
I see a stage beyond compare and all the stars were settled there”

“We’ve had the final curtain call and if you have seen any of my vision at all
Then you have truly seen, The greatest show of all”

– quoted from the song “The Stage (Stars in Heaven) by Waylon Jennings

Wednesday’s playlist is available on YouTube and Spotify.

(NOTE: The YouTube playlist has the Tommy Dee version of “Three Stars” during the practice and the Eddie Cochran version in the before/after music. The Spotify playlist has Cochran’s version during the practice and Charlie Gracie’s song “I’m Alright,” a tribute to Eddie Cochran, in the before/after music.)

“Look up in the sky
Up toward the North
There are three new stars
Brightly shining forth

They’re shining so bright
From Heaven above
Gee, we’re gonna miss you
Everybody sends their love”

– quoted from the song “Three Stars” by Tommy Dee

IT’S TIME! During tonight’s “First Friday Night Special” (7:15 – 8:20 PM, CST) we will be “observing the conditions” of the heart. This practice is open and accessible to all. Additional details are posted on the “Class Schedules” calendar! The relevant post is coming.

### “YOU KNOW WHAT I LIKE!” ###

Who’s Afraid of Breathing? Part II (the Tuesday post) January 27, 2021

Posted by ajoyfulpractice in Abhyasa, Art, Books, Changing Perspectives, Healing Stories, Hope, Life, Meditation, Movies, Music, Pain, Peace, Philosophy, Science, Suffering, TV, Vairagya, Wisdom, Writing, Yoga.
Tags: Disney, Edward Albee, Pancham Sinh, Pandit Rajmani Tigunait, pranayama, Three Little Pigs, Virginia Woolf
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[This is the post for Tuesday, January 26^th (12621). You can request an audio recording of Tuesday’s practices via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.

In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.]

“Who’s afraid of a deep breath in, a deep breath in, a deep breath out? Who’s afraid of a deep breath in, a deep breath in, a deep breath out? Not I!”

– A parody of a parody of a Disney™ song

Even before you get to the fact that I’m making a pun (on top of a pun), one might wonder why anyone would fear breathing deeply in and breathing deeply out. It’s kind of like asking who is afraid of living. Of course, living is different from just being alive; living comes with risks. And so it is very common for people to fear life beyond the simplest forms of experience. Additionally, when speaking about prāņāyāma and breathing exercises, even people like the psychiatrist and psychoanalyst Carl Jung have warned that the very thing that can bring peace and ease can also bring discomfort and dis-ease. It all comes down to how you do it and, to a certain extent, why you do it.

“People put their faith implicitly in the stories told them about the dangers attending the practice, without ever taking the trouble of ascertaining the fact themselves. We have been inspiring and expiring air from our birth, and will continue to do so till death; and this is done without the help of any teacher. Prāņāyāma is nothing but a properly regulated form of the otherwise irregular and hurried flow of air, without using much force or undue restraint; and if this is accomplished by patiently keeping the flow slow and steady, there can be no danger. It is the impatience for the Siddhis which cause undue pressure on the organs and thereby causes pains in the ears, the eyes, the chest, etc. If the three bandhas be carefully performed while practising [sic] the Prāņāyāma, there is no possibility of any danger.”

– quoted from the 1914 introduction to the Haţha Yoga Pradipika, translated by Pancham Sinh

The “on top of a pun” to which I earlier referred, is related to Edward Albee’s award-winning play Who’s Afraid of Virginia Woolf? (which premiered in October 1862). When I first learned about the play, I expected it to be about people who feared and felt threatened by feminist ideas. So, I was really confused by the play which, while dealing with characters who (like Virginia’s Woolf’s characters) sometimes have a severe disconnect between what they are thinking and what they are saying, really has nothing to do with Virginia Woolf, or her ideas. While there is a little bit more to the story behind the name, ultimately the title refers to a pun based on the Disney™ song, “Who’s Afraid of the Big Bad Wolf” (1933) from the cartoon “The Three Little Pigs” – and the fact that the rights to the song and title were so expensive that people would sing, “Who’s Afraid of Virginia Woolf?” to the tune of “Here We Go ‘Round the Mulberry Bush.”

In the Disney cartoon and the nursery rhyme, three little pigs made houses out straw, sticks, and bricks/stones (respectively). Of course, the hay/straw and the twigs/sticks didn’t stand a chance against the big, bad wolf and the first two pigs had to escape to the home of the relative they teased earlier in the cartoon. Re-watching the carton as an adult, several things stick out to me. First, there are three obvious breath patterns exhibited by the pigs and the wolf – and a fourth, less obvious pattern of breathing. Second, the characters in the cartoon are anthropomorphic and so the four breath patterns in the story match common breath patterns related to real-life human experiences. Finally, when the characters are not exhibiting the fourth breath pattern (the one of peace and ease) the cartoon characters exhibit the same debilitating conditions Patanjali described in the yoga sūtras (1.30-31).

The first breath pattern is the one that allows the first two pigs to sing and dance (and tease their relative). After years working with professional performing artists, I can’t help but think of the level of training and conditioning that is required to put on a performance. The breath has to be deep and also sustainable. It has to be controlled and measured, in some ways similar to the way we control and measure the breath when practicing certain forms of prāņāyāma.

The second breath pattern is one that can be associated with fear. Fear is an emotional response to a perceived threat. It doesn’t matter if the threat turns out to be real or not, the perception is what kicks that body’s defense mechanisms into overdrive. This breath pattern can manifest as shallow breathing and/or an involuntary breath suspension or holding of the breath. If this fear-based pattern is sustained for too long, it can become a habit – just as it has for so many in the world who have had to deal with extended periods of trauma – and often results in the “unsteadiness or trembling of limbs” described by Patanjali.

The third breath pattern is the breath pattern of the wolf. It is a pattern of anger and or frustration; it is “huffing and puffing.” This could also be considered shallow breathing (and one could easily argue that sometimes fear-driven breathing and anger-driven breathing are very similar, if not the same).

The fourth breath pattern, as I mentioned before, is a breath of peace and ease. It is a resting breath, a breath we experience in deep, peaceful sleep and also in meditation. It is the breathing pattern of someone who feels safe and secure, stable and steady, content and at ease. This is the breathing pattern of the third pig (who builds with stone). It is similar to the first breath pattern in so far as the fact that, with training, hard work and exertion can be achieved while maintaining a deep breath in and a deep breath out.

“We are alive because we breathe. The more harmonious the breath, the more peaceful and organized the mind. Unsteadiness in the limbs and organs caused by a vast range of mental negativity – particularly anger and fear – has a direct effect on the breath…. According to the yogis, fear and anger are the major causes of chest breathing. Chest breathing limits the intake of oxygen and the output of used-up gases. Our lung capacity declines, the level if vital nutrients in or blood drops, and the level of toxins in the body rise. Our physical vitality and strength decline, as does our mental clarity and ability to think linearly.”

– commentary on Yoga Sūtra 1.31 from The Practice of the Yoga Sūtra: Sadhana Pada by Pandit Rajmani Tigunait, PhD

Throughout the year, I repeat the refrain: What happens in the body, happens in the mind; what happens in the mind happens in the body; and both affect the breath. And the breath affects the mind and the body. I keep coming back to this not only because Patanjali and the authors of other sacred text kept coming back to it, but also because it is a truth we can all experience for ourselves. We can all gauge the breath and, in turn, use the breath as a gauge to determine how experiences (thoughts, words, and deeds) are affecting us. At any given time, we can just take a moment to notice the breath – and consider which breathing pattern most consistently reflects those four from the story. Additionally, at any given time throughout the day, we can harness the breath – and the power of the breath – by breathing deeply in, and breathing deeply out. Changing the pattern of the breath can not only calm and balance the mind-body, it can also cultivate a little more peace and ease or a little bit more energy. These practices have short term as well as long term benefits, both of which can be cumulative.

Prāņāyāma, meditation, and other practices that might fall under the “mindfulness” umbrella cultivate clarity of mind and also get us in touch with the heart. In the Eastern philosophies, like Yoga and Buddhism, every emotion has a near-relation, a near-opposite, and an opposite emotion. In the case of fear, wisdom is the opposite emotion; and in the case of anger/frustration, loving-kindness is the opposite – these are the expressions of the heart when everything is in balance. Everything is in balance when the we feel safe, steady, comfortable, at ease, and maybe even joyful.

One additional note to consider: Yesterday, I chose not to mention some of the culturally problematic aspects of Virginia Woolf’s biography. However, I will take a quick moment here to address one of the many problematic elements within the Disney™ universe.

The pigs, the wolf, and the overall situation in the Disney™ cartoon are all symbolic. The pigs represent the different ways people deal with impending and inevitable disaster and the wolf symbolizes that something that will destroy the known world. People, especially when the cartoon first appeared in 1933, looked at it as Disney’s take on the Depression; and, would eventually also relate the story to World War II and the rise of fascism. However, like so many cultural elements from our past (and like way too many Disney pieces), “The Three Little Pigs” originally contained a culturally insensitive and highly problematic element: in this case, an anti-Semitic element whereby the wolf was depicted as Jewish. The audio was re-looped early on and, in 1948, Disney™ re-edited the original animation in order to completely eliminate the anti-Semitic trope and move onto the right side of history.

“chale vāte chalaṃ chittaṃ niśchale niśchalaṃ bhavet||
yoghī sthāṇutvamāpnoti tato vāyuṃ nirodhayet || 2 ||

Respiration being disturbed, the mind becomes disturbed. By restraining respiration, the Yogî gets steadiness of mind”

– quoted from “Chapter 2. On Prāņāyāma” of the Haţha Yoga Pradipika, translated by Pancham Sinh (1914)

Tuesday’s Noon playlist is available on YouTube and Spotify. [Look for “07192020 Compassion & Peace (J’Accuse!)”]

The Tuesday evening playlist is also available on YouTube and Spotify. [Look for “10272020 Pranayama II”]

### KEEP ON BREATHIN’ & BREATHIn’ & BREATHIN’ ###

Celebrating a “Teacher” Who Lives Well (the Tuesday post) January 20, 2021

Posted by ajoyfulpractice in Art, Books, Dharma, Donate, Faith, Gratitude, Healing Stories, Health, Hope, Karma, Life, Love, Music, Mysticism, One Hoop, Pain, Philosophy, Poetry, Science, Suffering, Wisdom, Women, Writing, Yoga.
Tags: Deborah Evans Price, Dolly Lama, Dolly Parton, Moderna vaccine, Robin Roberts, Stephen Smith
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[This is the post for Tuesday, January 19^th. You can request an audio recording of Tuesday’s practices via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.

In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.]

“Find out who you are and do it on purpose.”

– Dolly Parton

“When I’m inspired, I get excited because I can’t wait to see what I’ll come up with next.”

– Dolly Parton

There are certain puns, specifically homonym puns, that work really well in class but don’t work at all when read. For instance, when you read “the Dolly Lama,” you might think it’s a type-o and that I meant “Llama” – and that I somehow got confused when talking about the famous cloned sheep. However, when I explain that “Lama” is a term for “teacher” and an honorific specifically used in Tibetan Buddhism things become a little clearer. Hearing it, you might think I’m saying “Dalai Lama,” but, when you read it – and I refer to her as she – there’s no confusion about the identity of this famous teacher.

Born today in 1946, Dolly Parton is a seeker, a dreamer, a reader, a writer, a producer, an entrepreneur, a shopper, a philanthropist, a healer, and a teacher – although she has referred to herself as “A poor sinful creature.” Reading that list, you might think, “Oh, Myra, you left out that she’s a musician, a singer.” But, honestly, when I read about the life of Dolly Parton – the well lived life of the “Dolly Lama” – I feel like her being a singer and a musician is one of the list interesting things about her.

“We cannot direct the wind, but we can adjust the sails.”

– Dolly Parton

“If you don’t like the road you’re walking, start paving another one.”

– Dolly Parton

Saying that her music is the least interesting thing about her does not, in any way, take away or dimension her accomplishments as a musician. Dolly Parton and her fans have assured that nothing can do that!

She has written over 3,000 songs and sold more than 100 million records worldwide. She has won ten Grammys (including a Lifetime Achievement Award) and received 50 Grammy nominations. She has also won ten Country Music Awards (CMA) and is one of only seven women to win the CMA’s Entertainer of the Year Award. Plus, she has five Academy of Country Music Awards, four People’s Choice Awards, three American Music Awards, and was inducted into the Country Music Hall of Fame in 1999. While she is not an EGOT (a winner of an Emmy, Grammy, Oscar and Tony), she has been nominated at least once for all four awards. She’s the focus of a podcast, Dolly Parton’s America, but for anyone thinking she’s just an American Country music star, keep in mind that her biggest audience (170,000 people) was in Scotland. Also, keep in mind that she’s not done yet! She’s still living and still writing.

She’s also still married, which might be a surprise for people who just know a song or two. Dolly Parton married Carl Thomas Dean on May 30, 1966. He’s not much for the spotlight and, last time I checked, had only seen her perform live once, but they’ve made it work for 55 years… and counting. She has said that he’s very romantic and that it’s their first marriage; then – with her customary twang – explained that it’s also their LAST marriage. And that right there, his romance combined with her humor (and twang), might be part of the reason their marriage works.

“I’m more successful now than I was then, but I still feel like the same girl. I’m just a working girl. I never think of myself as a star because, as somebody once said, ‘A star is nothing but a big ball of gas,’ – and I don’t want to be that.”

– Dolly Parton’s response when asked how different she was from 1964 when she first arrived in Nashville, in an October 24,2014, billboard article entitled, “Dolly Parton Q & A: The Country Legend on 50 Years in Nashville and Why She Supports Her Gay Fans” by Deborah Evans Price

Another reason behind her successful marriage might be that Dolly Parton has never forgotten where she came from and has a heart that is, metaphysically speaking, bigger than her whole body. Through her Dollywood Foundation, she has raised money and awareness for disaster relief (close to her home in Tennessee and overseas); HIV/AIDS related charities; cancer treatment; the ethical treatment of animals; and bald eagle conservation. She has also donated her time, energy, and considerable talent to these causes. Not to mention the fact that she has used her considerable wealth and clout to create jobs in economically-depressed areas. In 2020, she donated $1 million towards COVID-19 research and encouraged others (if they could afford it) to do the same. A few months later, Vanderbilt University announced that her donation helped fund the research that produced the Moderna vaccine.

Dolly Parton reads about 50 books a year and promotes literacy through her foundation. In fact, one of the biggest ongoing Dollywood Foundation programs is Dolly Parton’s Imagination Library, which gives each enrolled child a book a month, from birth until they reach kindergarten (age 5). As of today, 1,761,167 children in the United States, Canada, the United Kingdom, Australia, and the Republic of Ireland have received 150,606,052 books! Can you imagine the imagination that is driven by some much reading??

“It was [ahead of its time]; and it did a lot of good. But, it evidently didn’t do enough good because we’re going to always have the same problems in the workplace with women and men….and there’s still work to be done. I still believe that women should get paid equal and should be treated with respect. I’m all about that, you know, and I don’t get out and have to preach it or march in the streets, I write about it.”

– Dolly Parton talking about the importance of the movie 9 to 5, in a 2019 ABC News Special entitled “Dolly Parton: Here She Comes Again!” with Robin Roberts

It is Dolly Parton’s imagination and hard work that have driven her to create so much wonder, beauty, and fun in the world. In addition to everything else – including helping to raise several of her 11 siblings (she is the fourth of 12) – Dolly Parton has written seven books (including a cookbook); appeared in eight films; and created a theme park, a water park, multiple entertainment centers, and a production company.

“You’d be surprised how much it costs to look this cheap!”

– Dolly Parton

“People say, ‘How you stay looking so young?’ I say, ‘Well, good lighting, good doctors, and good makeup.’”

– Dolly Parton in a February 2019 BBC “Newsnight” interview with Stephen Smith

Given all of the above – not to mention the fact that I’ve left some things out – you may be thinking, “What hasn’t Dolly Parton done?” Well, glad you asked. She has never posed nude for Playboy (or anybody else) – despite being asked repeatedly. She did, however, appear on the October 1978 cover… completely covered by a Playboy bunny outfit. She has also, as I previously alluded, had a cloned sheep named in her honor (because it was created using the breast tissue of an adult sheep).

“The way I see it, if you want the rainbow, you gotta put up with the rain.”

– Dolly Parton

“When the big things in your life get messy, you need to get up and get out. I make a point to appreciate all the little things in my life. I go out and smell the air after a good, hard rain. I re-read passages from my favorite books. I hold the little treasures that somebody special gave me. These small actions help remind me that there are so many great, glorious pieces of good in the world.”

– quoted from Dream On: Celebrate the Dreamer in You by Dolly Parton

Tuesday’s playlist is available on YouTube and Spotify.

“If you see someone without a smile today, give ’em yours.”

– Dolly Parton

### DREAM ON, DREAMER ###

Resurfacing the Quixotic Mind (the Saturday post) January 16, 2021

Posted by ajoyfulpractice in Abhyasa, Art, Books, Changing Perspectives, Dharma, Faith, Healing Stories, Hope, Meditation, Music, Peace, Philosophy, Science, Vairagya, Wisdom, Writing, Yoga.
Tags: Alan Bergman, Dale Wasserman, Frank Zamboni, Joe Darion, klishtaklishta, klişţāklişţāh, Lawrence Zamboni, Marilyn Bergman, Michel Legrand, Miguel de Cervantes, Mitch Leigh, Patanjali, Pete Zamboni, Richard Zamboni, yoga sutras
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[This is the post for Saturday, January 16^th. You can request an audio recording of Saturday’s practice via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.

In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.]

“‘Now look, your grace,’ said Sancho, ‘what you see over there aren’t giants, but windmills, and what seems to be arms are just their sails, that go around in the wind and turn the millstone.’
‘Obviously,’ replied Don Quijote, ‘you don’t know much about adventures. Those are giants – and if you’re frightened, take yourself away from here and say your prayers, while I go charging into savage and unequal combat with them.’”

– quoted from “Chapter Eight – the great success won by our brave Don Quijote in his dreadful, unimaginable encounter with two windmills, plus other honorable events well worth remembering” in Part 1 of El ingenioso hidalgo Don Quijote de la Mancha (The Ingenious Gentleman Don Quixote of La Mancha) by Miguel de Cervantes

Two years ago when I decided to start the New Year (of 2019) by introducing my Saturday class to the beginning Patanjali’s Yoga Sūtras, it seemed like a grand adventure. Yes, there would be dreams and windmills and friendship, not to mention wild horses and beautiful landscapes. But, on a certain level, a philosophical level, I thought it would be the beginning of four years of relatively pedestrian exploration. Yes, I thought it would be intensive study that could be applied to our lives on and off the mat. Yes, I knew it would be a little too esoteric for some – especially those who just dropped in now and again and/or started new in the beginning of the year. But, no, I didn’t really consider that, off the mat, we would find ourselves in the middle of the same kind of social and political backdrop that inspired Miguel de Cervantes to create the ingenious gentleman Don Quixote of La Mancha.

First published today in 1605, Book 1 of Cervantes’ El ingenioso hidalgo Don Quijote de la Mancha is the beginning of what many consider the first “modern novel.” It is the second most translated book in the world (after the complete Bible) and it is also viewed as social commentary disguised as a fantastical farce. The primary character is, at best, idealistic – a dreamer beyond all dreamers; but, at worst, he is completely and utterly delusional. Is he speaking and moving through world as if everything and everyone in the world is a metaphor? Or, does he truly believe the windmills are giants that threaten the fair Dulcinea and all of their neighbors? Furthermore, does Cervantes – in writing what can (and was) easily be seen as social and political allegory – believe that those idealistic individuals who take on the political establishment are incredibly foolhardy or incredibly brave? Sometimes it is hard to tell. What is unquestionable, however, is that Don Quixote has a whole lot of things going on his mind and all of that citta vŗitti (“fluctuations of the mind”) determines how he interacts with the world around him.

“Keys that jingle in your pocket, words that jangle in your head”

– quoted from “Windmills of the Mind,” music by Michel Legrand with English lyrics by Alan and Marilyn Bergman

Don Quixote, the story and the man, might have been very different if the title character did some yoga. Some might think there would be no story without the titular character’s mental confusion and delusion. However, Don Quixote, himself, was often very clear about his understanding of reality and very clear about the fact that the people around him disagreed with his understanding of reality. So… in some ways, maybe it would be the same story. After all, Cervantes frames much of the story around the way Don Quixote’s mind works and that is the same paradigm Patanjali uses in the Yoga Sūtras.

We contemplated the last sūtra of the second chapter last Saturday. Before we “progress” or move forward, I thought it would be a good idea to spend a little time reviewing the first two chapters and possibly delving a little deeper into certain aspects of the practices Patanjali recommends in the those chapters. So, this week’s practice includes a quick summary review of the “Samadhi Pada” (Chapter or Foundation on Concentration), in which Patanjali explains (in 51 sūtras) how the mind works and how to work the mind.

“Like a tunnel that you follow to a tunnel of its own
Down a hollow to a cavern where the sun has never shone
Like a door that keeps revolving in a half forgotten dream
Or the ripples from a pebble someone tosses in a stream
Like a clock whose hands are sweeping past the minutes of its face
And the world is like an apple whirling silently in space
Like the circles that you find in the windmills of your mind!”

– quoted from “Windmills of the Mind,” music by Michel Legrand with English lyrics by Alan and Marilyn Bergman

At the beginning, Patanjali explains that the practice of yoga (as well as the state of yoga that is “union”) cultivate stillness or quietude in the mind, thereby restoring or connecting the practitioner to their “own true nature.” He describes five types of mental activity: correct understanding (which is achieved through sense perception, inference, and/or revelation described in sacred text); incorrect understanding; imagination (which is activity not connected or rooted in reality as it currently exists); dreamless sleep; and memory (which can also engage the other types of activity) – and further breaks they types of mental activity into two categories two categories (klişţāklişţāh, “afflicted” and “not afflicted”); meaning they mental activity either creates suffering or does not create suffering.

To work the mind, in order to cultivate quietude, Patanjali recommends abyhāsa (practicing with devotion to the practice for a long period of time, without interruption) and vairāgya (practicing without attachment). He describes four levels of conscious awareness – which are also the four levels of concentration – as gross (meaning the awareness that something is happening); subtle (awareness of the different aspects of what is happening); bliss (enjoying what is happening); and i-ness (a level of absorption whereby there is a seamless connection between the person concentrating and the object on which they are concentrating).

Patanjali also explains in the first chapter that the benefits of the practice – which include faith, vigor, retentive power, stillness of mind, and intuitive wisdom – can be achieved in a time based on the level of engagement (mild, intermediate, or supreme). After detailing the importance of OM and the power of a devoted surrender to the Divine, he adds to the list of benefits by explaining that meditation helps one overcome nine obstacles (disease, mental inertia, doubt, carelessness, sloth, an inability to withdraw from sense cravings, an attachment to misunderstanding, frustration, and failure to retain the highest level of conscious awareness) and their five accompanying ailments (pain, mental agitation, unsteadiness or trembling of limbs, abnormal or disturbed inhalation, and abnormal or disturbed exhalation).

Finally, he offers the following ways to practice concentration (that leads to meditation):

heart focus: offering friendliness to those who are happy; compassion to those who are suffering; happiness to those who are virtuous; and non-judgment or disinterest in those who are not virtuous;
breath focus: pranayama;
single-pointed focus: on a specific part of the body, a sense organ (and corresponding sensation); or an external object;
inner light & inner joy focus
focusing on a virtuous one who is without desire: choosing either a sacred person whose virtuous history is known or the best/ideal version of one’s own self;
wisdom focus: bringing awareness to knowledge gained from dreams and sleep; and
focus on a well-considered object (with some understanding of the benefit of the object)

“Translating from one language to another, unless it is from Greek and Latin, the queens of all languages, is like looking at Flemish tapestries from the wrong side, for although the figures are visible, they are covered by threads that obscure them, and cannot be seen with the smoothness and color of the right side….”

– quoted from “Chapter Sixty-one – of what befell Don Quijote on his entry into Barcelona, with other Accidents that have more truth than wisdom in them.” in Part 2 of El ingenioso cabellero Don Quijote de la Mancha (The Ingenious Knight-errant Don Quixote of La Mancha) by Miguel de Cervantes

Again, one of the goals and benefits of the practice described by Patanjali is the clarity of the mind – being able to not only see the beauty of something, but also how everything is put together. Here, in the first chapter, however, he really focuses on smoothing out the mind. One way I think about the meditation practice is that we spend some time touching on and scooping up all the bumpy distractions; then we wash over those same areas with the breath and the mind in order to smooth it all out; and then we use the breath and the awareness to seal in that smoothness. In this way, the practice is like a Zamboni®.

Invented by Frank Zamboni, who was born today 1901, in Eureka, Utah, a Zamboni® is an ice resurfacing machine that shaves the ice, collects the shavings, washes the ice with a cleaner, and then spreads a thin coat of fresh water to seal in the smooth(er) surface. Perhaps being born in Eureka destined Mr. Zamboni to become an inventor, but the resurfacer wasn’t his first (or last) bit of ingenuity. The son of Italian immigrants, he initially moved to California to help his older brother Lawrence run an existing business. But then the Zamboni brothers decided to try something different; they opened an ice-making plant. Not convinced the plant would sustain them once advancements were made in air conditioning and refrigeration; they decided to open Iceland, an ice skating rink in Paramount, California, with their cousin Pete.

Iceland (which still exists) was special and attracted a lot of attention, because Frank Zamboni figured out a way to eliminate the rippling effect that was caused by the pipes underneath the ice. He invented a circulation system and “flat tanks” that enabled them to build a rink that would hold up to 800 skaters at a time – making it one of the largest (and the smoothest) rink in the country.

Well… it was the smoothest, except after a day full of skaters.

“For neither good nor evil can last for ever; and so it follows that as evil has lasted a long time, good must now be close at hand.”

– quoted from “Chapter Nineteen – An account of the second discourse that passed between Sancho and his master: the succeeding adventure of the corpse, and other remarkable events” in Part 1 of El ingenioso hidalgo Don Quijote de la Mancha (The Ingenious Gentleman Don Quixote of La Mancha) by Miguel de Cervantes

In 1949, a few years after opening the rink, Mr. Zamboni had invented (and eventually patented) the machine that would bear his name. Before his invention, resurfacing the ice required 5 men and 90 minutes. After his invention, resurfacing the ice required 1 person and 15 minutes. Figure skaters and hockey teams were quick to jump on board and, in a relatively short amount of time, Frank Zamboni had a new business venture. But, he wasn’t done. He would go on to invent mechanisms to remove water and paint from outdoor turf as well as to install and remove the turf (the “Grasshopper”). He also invented machines to fill dirt on top of a cemetery vault (the “Black Widow”) and lift and carry burial vaults (the “Vault Carrier”); and had a hand in building and selling machines to deal with snow, trenches, and air craft.

Frank Zamboni was a dreamer and, in some ways, he dreamed of things so fantastical most people couldn’t even begin to imagine them. He was awarded almost twenty patents during his lifetime. In 1988, his son Richard (who is Chairman and President of Frank J. Zamboni & Company, Inc.) told a staff writer for the Los Angeles Times, “One of the reasons he stuck with it was that everyone told him he was crazy. When he finally finished, he was so sick of it that he didn’t even bother painting it.” So, in many ways, Frank Zamboni was a little like Don Quixote, trying to find a better way.

“When life itself seems lunatic, who knows where madness lies? Perhaps to be too practical is madness. To surrender dreams — this may be madness. Too much sanity may be madness — and maddest of all: to see life as it is, and not as it should be!”

– “Cervantes”, quoted from Act II of Man of La Mancha: A Musical Play by Mitch Leigh, Dale Wasserman, Joe Darion

Saturday’s playlist is available on YouTube and Spotify.

“As the author of this great history reaches the events that he narrates in this chapter, he says the he’d have preferred to pass over them in silence , fearing he wouldn’t be believed, because here Don Quixote’s mad deeds approached the limits of the imaginable, and indeed went a couple of bowshots beyond them. But in the end, in spite of these fears and misgivings, he described these deeds exactly as they happened, without adding or subtracting one atom of truth or concerning himself with any accusations that might be made that he was lying; and he was right to do so, because the truth may be stretched thin, but it never breaks, and it always surfaces above lies, as oil floats on water.”

– quoted from “Chapter Ten – Gives describes Sancho’s cunning enchantment of the Lady Dulcinea; with other events as ridiculous as they are true” in Part 2 of El ingenioso caballero Don Quijote de la Mancha (The Ingenious Knight-errant Don Quixote of La Mancha) by Miguel de Cervantes

A little note about quotes, translations, and “paramount”: My apologies for not citing the translators in the aforementioned quotes. I actually used more than one translation and, by the time I was putting this together, I realized that I hadn’t ever noted which quote came from where or when I had spliced translations. Part of my error comes from the fact that I don’t always reference translators during the practice.

Additionally, because of the different translations, I was not able to find the original source for the following great quotes, which are attributed to Cervantes and “Don Quixote” – but which may actually be from another (related) source:

“It’s up to brave hearts, sir, to be patient when things are going badly, as well as being happy when they’re going well…”

“…for hope is always born at the same time as love…”

Finally, I mentioned “paramount” during the practice (as a synonym for “supreme”) but neglected to tie that back into the theme. Serendipitously, “Paramount” kept coming up today as it is the name of the city where the Zamboni family opened their ice rink and also the name of the studio where the English version of “Windmills of the Mind” was originally recorded. Just a fun trivia fact for those of you who were wondering.

### REMEMBERING 1 ###

The Power of a Good/Meaningful Push (the Monday post) January 5, 2021

Posted by ajoyfulpractice in Art, Books, Buddhism, Changing Perspectives, Christmas, Dharma, Faith, Healing Stories, Hope, Life, Meditation, Mysticism, New Year, Pain, Peace, Pema Chodron, Philosophy, Religion, Science, Suffering, Tragedy, Wisdom, Writing, Yoga.
Tags: Carolyn Myss, David Brewster, Dr. Robert Hooke, Edmond Halley, John Flamsteed, laws of motion, Pema Chödrön, pranayama, Sir Isaac Newton, Stacy Flowers
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“Happy New Year,” to everyone!

[The 75-minute Common Ground Meditation Center practice, in the spirit of generosity (“dana”), is freely given and freely received. You can use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You can request an audio recording of Monday’s practice via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.

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Check out the “Class Schedules” calendar for upcoming classes.]

An object at rest remains at rest, and object in motion remains in motion (at the same speed and in the same direction, unless acted upon by an unbalanced force).
The acceleration of an object is dependent upon two variables – the net force acting upon the object and the mass of the object.
For every action there is an equal and opposite reaction.

– Sir Isaac Newton’s Laws of Motion

Sir Isaac Newton proved that sometimes we all need a little push. At the age of 43, he published Philosophiæ Naturalis Principia Mathematica, which included his laws of motion, law of universal gravitation, and an expansion of Galileo Galilei’s observations and of Johannes Kepler’s laws of planetary motion (which were themselves modifications of the observations and heliocentric theory of Nicolaus Copernicus). There are several elements in the Principia that can apply to the physical practice of yoga (and to the practice of the Yoga Philosophy). However, the most direct application comes from the laws of motion, the first of which is also known as “The Law of Inertia.” We can see these principles at work just by observing a tension-free belly rising and falling as the breath enters and leaves the body.

We can go deeper with the mathematics and the science; but, just for a moment (maybe even 90-seconds) stick with the breath. Notice the Inhale, the pause, and the exhale…. Notice that third law kicking in….

Also, notice how the “force” of the breath, which is a symbol of our life and a symbol of our spirit, is an agent of change – physically, mentally, emotionally, and even energetically. Just as lengthening the breath and observation of the breath (which all can be described as prāņāyāma) change things when we are practicing on the mat, they can be an agent of change off the mat. We just have to pay attention and stay focused. But, paying attention, staying focused, and even breathing deeply in and breathing deeply out can be challenging in certain situations… especially situations involving challenging people.

“Thirdly, that I do justly value your excellent disquisitions, and I am extremely well pleased to see those notions promoted and improved which I long since began, but had not time to complete. That I judge you have gone farther in that affair much than I did, and that as I judge you cannot meet with any subject more worthy your contemplation, so believe the subject cannot meet with a fitter and more able person to inquire into it than yourself, who are every way accomplished to compleat [sic], rectify, and reform what were the sentiments of my younger studies, which I designed to have done somewhat at myself…. Your design and mine are, I suppose, at the same thing, which is the discovery of truth, and I suppose we can both endure to hear objections, so as they come not in a manner of open hostility, and have minds equally inclined to yield to the plainest deductions of reason from experiment.”

– quoted from a 1675-76 letter from Dr. Robert Hooke to Sir Isaac Newton, as published in Memoirs of the Life, Writings, and Discoveries of Sir Isaac Newton by David Brewster

“I most gladly embrace your proposal of a private correspondence. What’s done before many witnesses is seldom without some further concerns than that for truth; but what passes between friends in private, usually deserves the name of consultation rather than contention; and so I hope it will prove between you and me….

But in the mean time, you defer too much to my ability in searching into this subject. What Descartes did was a good step. You have added much several ways, and especially in considering the colours of thin plates. If I have seen farther, it is by standing on the shoulders of giants.”

– quoted from a letter marked “Cambridge, February 5, 1675-76” from Sir Isaac Newton to Dr. Robert Hooke, as published in Memoirs of the Life, Writings, and Discoveries of Sir Isaac Newton by David Brewster

One might think when first reading the polite words and oh so charming letters between Dr. Robert Hooke and Sir Isaac Newton that theirs was a destined to be a friendship like that between Herman Melville and Nathaniel Hawthorne. Or, if you have never heard of Hooke, that their correspondence was more akin to that of the epistles between Rainer Maria Rilke and the 19-year old officer cadet Franz Xaver Kappus, whereby the world becomes overly familiar with the work of one because of their letters – and, in some ways this would be true. Along with Nicolaus Copernicus, René Descartes, Johannes Kepler, Galileo Galilei, as well as John Flamsteed and Edmond Halley (the first two designated Astronomer Royal (whose observations Newton used in the Principia), Dr. Robert Hooke could be considered one of Sir Isaac Newton’s “giants.” But don’t get it twisted; Hooke and Newton were not “besties.” If anything, they could best be described as each other’s master teachers and precious jewels.

I often reference “master teachers and precious jewels” as people who push our buttons and get us hooked; people who give us master classes on ourselves; and/or people who add value to our life experience (even as they drive us crazy). These are the naysayers, the antagonists, the doubters, and our own personal heretics. They are the ones who never believe we can do something; hardly every give us credit when we do it (see Hooke and Newton, above); sometimes claim the credit for their own (also see above); and just seem to make everything harder. We can look at them as obstacles, road blocks, and detours on our journey towards our goals – or we can look at them as teachers. We can borrow a page from the Emperor Marcus Aurelius and look at them as “the way.” Or, to paraphrase Stacy Flowers, we can look at them as the coach.

Stacey Flowers is a motivational speaker, mother, and “eternal optimist” who gave a 2016 Tedx Talk about “The 5 People You Need to Be Happy” (cheerleader, mentor, coach, friend, and peer). After last year, we might think of them as the five people who keep us grounded and focused. The way she counted them out, each finger was very intentionally chosen as a symbol for the role each person would play in someone’s life. For the coach, the one whose job is to push us farther than we think we can go and consider possibilities that seem outside of our arena, she uses the middle finger (which in some, but not all, cultures is a major league insult). The correspondence between Dr. Robert Hooke and Sir Isaac Newton are basically them giving each other the finger – without which some advancement in science might not have been made at the time.

“Every relationship you develop, from casual to intimate, helps you become more conscious. No union is without spiritual value.”

– from “Morning Visual Meditation” (Chakra 2) by Caroline Myss

Hooke and Newton’s debate about the existence and characteristics of ether and the nature of light started in a very public, and very acrimonious, fashion. There was some shift, between the public and private discourse; however, in that Hooke went from publicly stating that Newton basically stole his ideas to acknowledging how Newton continued his ideas. Meanwhile, Newton went from publicly giving Hooke no credit for the premise of the ideas – and, also, stating that Hooke’s conclusion “seems itself impossible” and was based on “both experiment and demonstration to the contrary” – to privately (in his letter) acknowledging Hooke’s contributions. But, again, this shift only seemed to be in private. In public, the disputes continued even past Hooke’s death. These disputes, along with disputes the good doctor had with other scientists, allowed Newton (and others) to paint a very negative picture of Hooke’s character.

Sir Isaac Newton also, reportedly (and as indicated above), had a contentious character. He is remembered, however, for his work. On the other hand, Robert Hooke is infamous for his plethora disputes with other scientists (in a lot of different disciplines) – and many of those debates seem to be directly tied to Hooke trying to multitask. But, no matter how much some might want to consider him a waste of space, his disputes actually contributed to the advancement of scientific discovery. In part, perhaps because they were all members of The Royal Society of London (and, therefore, dedicated to “improving natural knowledge”), the others never completely disregarded Hooke’s insights and hypothesis. Instead, they continued the inquiry. Perhaps I am reading it wrong, but there seems to be little cognitive dissonance on the part of those with whom Hooke quarreled, because everyone was constantly running experiments and make observations in an effort to find proof of the truth – or maybe just to prove Hooke wrong.

“When I have got some more observations of it I shall bee [sic] able to tell you how long it will last and where it will pass[. At] present I dare not pretend to that knowledge.”

– quoted from a letter to “to Crompton [for Newton]” dated “December 15^th (1680)” by John Flamsteed, the first Astronomer Royal

On some level, we all know someone like Dr. Robert Hooke. We might even be someone else’s Dr. Hooke. Either way, consider how you feel when you encounter that person who pushes your buttons and/or is constantly telling you that you are wrong – or, sometimes (even worse), that person who refuses to see that they are wrong. Ani Pema Chödrön, the American Tibetan Buddhist nun, describes a tightening that happens when we get “hooked.” We don’t all feel it in the exact same place and in the exact same way, and the intensity may vary; but we all know that feeling. The question is: Do we always notice that feeling? Second question: Do we notice the beginning of the sensation or only when it is about to go nuclear (meaning our sympathetic nervous system is all systems go to fight, flee, or freeze)? Finally, what do we do when we recognize that feeling?

Ani Chödrön specifically recommends practicing the “4 R’s;” while others might just say, “Stop and breathe for a moment.” Either way, taking a moment to acknowledge what is happening (how we are reacting) and giving ourselves an opportunity to respond rather than react can be the difference between someone’s negativity being an obstacle versus becoming a way for us to continue moving forward. That moment when we pause and breathe and recognize that we are a step away from losing focus, can be the difference between succeeding in our goals (like Sir Isaac Newton) and failing to follow through on all our goals (like Dr. Robert Hooke). That moment when we pause and breathe and recognize that we are a step away from losing focus, can be the difference between making our way through (or around) an obstacle and being stuck.

What I’m saying is that that metaphorical push can be the force we need to make the change we want. This is especially true after last year and the negative energy that has followed us into this year. Don’t get me wrong, I’m not advocating letting anyone actually push you around – not even in a metaphorically sense and definitely not in a physical, emotional, and/or energetic sense. But, I do think it is important to acknowledge that we all push and pull each other on a certain level, because we are all forces of nature. While we may welcome, even solicit, a little push from someone we see as a mentor, friend, and/or peer; we may not always appreciate the shove from “the coach” we didn’t ask to coach us. Always remember, though, that there are many ways we can utilize a contentious relationships. Or, more specifically, there are many ways we can benefit from noticing how we react or respond to contentious relationships in our lives and in our practice.

Just consider, for a moment, how you (physically and mentally) react to the following:

When going by the Gregorian calendar, Sir Isaac Newton was born today (January 4^th) in 1643, in Woolsthorpe, Lincolnshire, England. As a scientist and a man of letters, Newton would have been fully aware of the Gregorian calendar, which Catholic-ruled lands started using in 1582 and Protestant German states in 1699. However, he lived his whole life officially using the Julian calendar (because England and it’s colonies did not switch until 1752, 25 or 26 years after Newton’s death). If you go by the Old Style, Julian calendar, Sir Isaac Newton was actually born on Christmas Day – a fact that really got some people hot (as in pissed) when it was pointed out on Twitter a few years back.

Speaking of Christmas, today (January 4^th) is the 10^th or 11^th day (depending on when you start counting). According to the catechism myth attached to the “12 Days of Christmas” song, the gifts for these days translates to: “a partridge in a pear tree” for Jesus (and the cross); “two turtle doves” representing the Old and New Testament; “three French Hens” for the theological virtues of Faith, Hope, and Charity (Love); “four calling birds” for the four canonical New Testament Gospels (or their corresponding evangelicals, Matthew, Mark, Luke, and John); “five gold rings” are the first Five Books of the Hebrew Bible and the Christian Old Testament (which provide the back story for the three Abrahamic religions); “six geese a-laying” for the six days of creation; “seven swans a-swimming,” the consistently most expensive gift, stand for the seven gifts of the Holy Spirit (wisdom, understanding, knowledge, counsel, fortitude, piety, and fear of the Lord) or the seven sacraments (Baptism, Eucharist, Confirmation, Reconciliation, Anointing of the Six, Marriage, and Ordination); “eight maids a-milking” for the eight beatitudes (or blessings); “nine ladies dancing” for the nine fruits of the Holy Spirit; “ten lords a-leaping” for the ten commandments; and “eleven pipers piping” for the eleven faithful apostles.

There is no playlist for the Common Ground practices.

Who are your five people?

### (Don’t even get me started about….) ###

Celebrating What Supports the Practice (the Sunday post) December 28, 2020

Posted by ajoyfulpractice in Art, Bhakti, Books, Buddhism, Changing Perspectives, Christmas, Dharma, Faith, Healing Stories, Hope, Life, Love, Music, Mysticism, One Hoop, Peace, Philosophy, Religion, Science, Taoism, Wisdom, Writing, Yoga.
Tags: 12 Days of Christmas, Bhagavad Gita, Charles Darwin, Jack Hawley, Kujichagulia, Kwanzaa, Lucas Cranach the Elder, Lucas Maler, Michael Franti, Nguzo Saba, Saint John the Apostle, Saint Stephen, Sammy Davis Jr., social science
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[“Kwanzaa, yenu iwe na heri!” – “May your Kwanzaa be happy!” to everyone who is celebrating! May you have a good observation if your focus is the Feast Day of Saint Stephen or Saint John.]

[You can request an audio recording of Sunday’s practice via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.

“nguzo (Swahili)

Noun

nguzo

prop, pillar (an object placed against or under another, to support it)
column, supporting pole
pillar (an essential supporting part of something)
(figuratively) a support or comfort”

– definition from WordSense.eu (and English dictionary based on Wiktionary)

During Kwanzaa, people contemplate the meaning and practical applications of seven guiding principles. The Swahili word nguzo carries with it an underlying meaning (pun intended) that emphasizes the importance of an object as structural support – in other words, something described as “nguzo” is essential to the very existence of the structure… or, in this case the community.

The seven principles of Kwanzaa are not unique to any one culture and that is kind of the point. Because people brought from Africa to the Americas as slaves were from different cultures, the holiday was created to be a reflection of a variety of cultures. That reflection is present not only in the social construct of the principles, but also in the spiritual and religious overtones which were heavily influenced by rituals and traditions practiced during other winter holidays: like the emphasis on lighting candles.

Of course, just as Kwanzaa owes its development to other traditions, other traditions have historically borrowed from each other. People constantly talk about “family values” and/or “Christian values” and yet, those so-called Christian values come directly from Judaism. Additionally, when we look at the Five Pillars of Islam and the Six Articles of Faith (also in Islam) we find there’s a whole lot of overlap with Judaism and Christianity – which is not surprising given their historical and theological roots. You find similar overlap between Yoga and Buddhism, as well as between Yoga, Buddhism, Taoism, and all of the above. Sometimes (as with the three Abrahamic religions) the overlap is the direct result of history, geography, and migration. In some cases, like with Yoga and Buddhism, the overlap is intentional. Then there is spontaneous invention (also called multiple discovery).

When applied to social science, spontaneous invention is when two or more societies develop similar infrastructures and social mores without directly influencing one another. Can this happen (and how does this happen) without direct exchange and interaction? Cultural selection theory, an extension of memetics (the study of information and culture based on an analogy with Charles Darwin’s theory of evolution) says yes; basically, because we are all human. As we all face the same challenges, we all develop similar tools in order to guarantee survival.

“I gotta be me, I’ve gotta be me
What else can I be but what I am

I want to live, not merely survive
And I won’t give up this dream
Of life that keeps me alive
I gotta be me, I gotta be me
The dream that I see makes me what I am”

– quoted from the song “I Gotta Be Me” by Sammy Davis, Jr.

Granted, different groups of people (at any given point in time) have faced different threats to their ability to thrive and survive. For instance, when you look at communities that have been marginalized, oppressed, and (at times) victimized by genocide, you find that people consistently figure out ways to hold on to some elements of their culture and beliefs. In other words, they figure out ways to maintain some connection to who and what they are and from whence they come – despite being labeled (i.e., defined and named) by their oppressors. Understanding this idea (and the cultural history behind the idea) is critical to understanding the importance of today’s Kwanzaa principle, which is Kujichagulia (“self-determination”): To define ourselves, name ourselves, create for ourselves, and speak for ourselves.

During Kwanzaa, the first red candle is a symbol of the struggle related to self-determination. Of course, if you are part of a majority group you may not have experienced any significant struggle related to your identity. People, for the most part, see you as you are and accept your explanation when you say that they have misunderstood who you are and what you are all about. You rarely have to explain who you are, where you come from, or why you do the things you do culturally speaking. More to the point, you know who you are, where you come from, and why you do the things you do (cultural speaking) – even if you don’t spend a lot of time thinking about such things. On the flip side, maintaining cultural heritage is hardest when, as was the case with Africans brought to the Americas, there is intentional disconnection created by the oppressor – making it virtually impossible to communicate during the initial displacement and separation. Over time, people lost the knowledge of who they were, where they came from, and even why their ancestors taught them to do certain things in certain ways. Furthermore, the socially acceptable nomenclature (process of naming) descendants of slaves in the United States has been a continuous erasure and supplanting of identity by the majority power. The struggle against adults being classified as if they were children or animals/property is why American history is full of different legal names for people of African descent: Colored, Negro, Afro-American, African American, Black, etc.

Every once in a while I will hear someone say something to the effect of, “I wish those people would make up their minds about what they want to be called. It’s all so confusing.” Yeah, well, I could wish we could all go back in time and change history (so it wouldn’t be so “confusing” for y’all), but I think all of our energy would be better spent if, in this moment, we completely opened up to hearing and understanding someone’s story about themselves. Maybe then we can find a way to accept each other.

History shows us that it is relatively easier to maintain cultural heritage when a “community of birth” is able to stay physically connected. I’m not saying it’s easy, mind you, but relatively easier, because there is a reinforcement of language, traditions, historical knowledge, and rituals – even if the information has to be passed down in a clandestine fashion. Sometimes this effort is actually aided by the oppressor (hence all the Christian holidays that overlap with indigenous and/or pagan holidays). But, you also find covert methods like Irish dancing, drumming (in a variety of indigenous cultures), and the singing of African-American spirituals. Even singing “The 12 Days of Christmas” can fall into this category.

One theory (often debunked) about “The 12 Days of Christmas” is that it is a catechism song used to teach and remember important elements of Christianity during a time when Christians (or sometimes, specifically Catholics) were persecuted. For the record, Snopes.com says nope and declares this idea “False.” But some people don’t care. Even some people who agree that the theory doesn’t hold (historical) water think that the song and symbolic elements make a good pneumatic mnemonic (a spiritual memory tool) and should be utilized as such.

When looking at today’s gifts symbolically, the “partridge in a pear tree” is a symbol of Jesus (and the cross); “two turtle doves” represents the Old and New Testament; and the “three French Hens” stand for the theological virtues of Faith, Hope, and Charity (Love). We can look at the overlap as a purely coincidental (or serendipitous), but it is interesting to note that in Western Christianity the first three feast days celebrated during Christmastide are for Jesus (on the 25^th), Saint Stephen (on the 26^th), and Saint John the Apostle/Evangelist (on the 27^th). As I previously mentioned, the Feast Day of Saint Stephen is observed by some Eastern Christians today (the 27^th) and, similarly, some Eastern Christians celebrate Saint John’s feast day on other dates. (NOTE: The Tridentine Calendar, in the Roman Catholic tradition, lists additional acceptable feast days for Saint John, related to the different ways he is identified by the Church.) But what makes this connection doubly interesting to me is that, for many Christians, Jesus is the ultimate symbol of hope; Saint Stephen is referenced in the Bible as being “a man full of faith;” and the Bible repeatedly refers to Saint John as “the disciple who Jesus loved” and “the disciple beloved of Jesus.” Furthermore, Saint Stephen’s story is the focus of The Acts of the Apostles – which bridges the history of the Old and New Testaments.

Without going too far down the biblical hermeneutics rabbit hole, note that while a lot of people are taught that Jesus was crucified on a “cross” made from a dogwood tree, biblical scholars debate whether he was actually nailed to a cross, a tree, or a stake. Additionally, the “True Cross” is described as a combination of cedar, pine, and cypress. Meanwhile, a pear tree was prominently featured in a pair of (twinned) paintings, by the German Renaissance artist Lucas Cranach the Elder, which highlighted the crucifixion on one side and the characteristics necessary to “carry their cross” on the other. Interestingly, these same characteristics are described in sacred texts associated with Hinduism, Yoga, and Buddhism.

“‘Focus on going beyond all of nature and all worldly attachments. To be bound to worldly nature is certainly not the purpose of life. Focus instead on the Eternal that lies beyond this worldliness.’”

– Krishna speaking to Arjuna (2.45, excerpt) in The Bhagavad Gita: A Walkthrough for Westerners by Jack Hawley

“Whoever wants to carry their cross well, he must wholly renounce the world, and die completely to it, only so will he protect his soul from suffering and pain. He must serve God unfailingly until his end, so that the grace of God will not be taken away from him. This is God’s promise to us all. Amen.”

– English translation of German inscription at bottom of an oil painting entitled “A Male Saint Lying Prostrate Beneath a Pear Tree” (which is paired with an oil painting of the crucifixion) by Lucas Cranach the Elder (Lucas Maler)

“‘To work without desire may seem impossible, but the way to do it is to substitute thoughts of Divinity for thoughts of desire. Do your work in this world with your heart fixed on the Divine instead of on outcomes.’” (2.48, excerpt)

“‘I repeat, Arjuna, nobody can really become one with the Godhead without leaving their desires behind and abandoning their attachment to the fruits of their actions. The paths of desireless action (karma yoga) and renunciation (sanyasa) may seem to be different from one another but they are not. All spiritual growth is based on surrendering attachments and selfish motives.’” (6.2)

– Krishna speaking to Arjuna in The Bhagavad Gita: A Walkthrough for Westerners by Jack Hawley

Sunday’s playlist is available on YouTube and Spotify.

“Umoja (unity) — To strive for and maintain unity in the family, community, nation, and race.

Kujichagulia (self-determination) — To define ourselves, name ourselves, create for ourselves, and speak for ourselves.

Ujima (collective work and responsibility) — To build and maintain our community together and make our brother’s and sister’s problems our problems and to solve them together.

Ujamaa (cooperative economics) — To build and maintain our own stores, shops, and other businesses and to profit from them together.

Nia (purpose) — To make our collective vocation the building and development of our community in order to restore our people to their traditional greatness.

Kuumba (creativity) — To do always as much as we can, in the way we can, in order to leave our community more beautiful and beneficial than we inherited it.

Imani (faith) — To believe with all our heart in our people, our parents, our teachers, our leaders, and the righteousness and victory of our struggle.”

– The Nguzo Saba (or “Seven Essential Pillars”) of Kwanzaa

CHECK OUT THE CALENDAR! This Friday (January 1, 2021) is the First Friday Night Special in 2021! You can kick off New Year’s Day 2 ways: with the very active practice of 108 Sun Salutations at 10:00 AM – 1:00 PM or with the very “chill” practice of Yin+Meditation practice beginning at 5:00 PM – 7:00 PM. All times are Central Standard. Details are posted on the “Class Schedules” calendar.

### “Don’t Give Up On Me, I Won’t Give Up On You” ~ Michael Franti & Spearhead ###

And Here Comes The Sun! December 21, 2020

Posted by ajoyfulpractice in Books, Faith, Healing Stories, Hope, Japa-Ajapa, Life, Mala, Mantra, Mathematics, Meditation, Mysticism, Philosophy, Religion, Robert Frost, Science, Wisdom, Writing, Yoga.
Tags: Fernando Pagés Ruiz, Krishnamacharya, Māui, Patricia Miller, Ralph T. H. Griffith, Rig Veda, Sadhguru, Solstice, Sun, Sun Salutations, Surya Namaskar, Surya Siddhanta, Winter Solstice
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“Happy Winter Solstice!” to all who are observing.

[The 75-minute Common Ground Meditation Center practice, in the spirit of generosity (“dana”), is freely given and freely received. You can use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You can request an audio recording of Monday’s practice via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.

If you are able to support the center and its teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” my other practices, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)

Check out the “Class Schedules” calendar for upcoming classes.]

“One of his longtime students, Patricia Miller, who now teaches in Washington, D.C., recalls him leading a meditation by offering alternatives. He instructed students to close their eyes and observe the space between the brows, and then said, ‘Think of God. If not God, the sun. If not the sun, your parents.’ Krishnamacharya set only one condition, explains Miller: ‘That we acknowledge a power greater than ourselves.’”

– quoted from the Yoga Journal article entitled “Krishnamacharya’s Legacy” by Fernando Pagés Ruiz

There is a great power in the sun and great power in harnessing the sun’s power. Even before high school students used a magnifying glass to boil water or start a fire and long before people attached solar panels to their homes and businesses, people worshiped and honored the sun – and figured out ways to use the sun’s power. And long before Sri T. Krishnamacharya told his students to meditate on the sun or showed them how to “salute the sun,” people around the world told stories about the sun. For instance, in ancient Māori mythology and other Polynesian traditions, a clever and precocious young man named Māui figured out a way to quite literally harness the sun. With the help of his siblings (and sometimes using his sister’s hair), he lassos the sun and slows it down in order to give humankind more daylight to work, find food, and eat.

The indigenous people of islands in Central and South Pacific Ocean are not the only people with stories about the significance of the Sun. In fact, many cultures consider the Sun to be a god or goddess who flies through the sky at regular intervals. Their stories speak of an anthropomorphized deity who heals people and provides them with sustenance. Sometimes, he is depicted as part bird (e.g., the ancient Egyptians’ Ra); sometimes he has a winged chariot (e.g., the ancient Greeks’ Helios and the Hindus’ Sūrya); sometimes he has both bird characteristics and a horse with wings (e.g., Turkish sun god Koyash); sometimes he was a former human with noble qualities (e.g., the Aztec’s Nanāhuātzin); and sometimes, as I mentioned before, he is she – like Sól (or Sunna) in the Old Norse tradition and the goddess Amaterasu in Japan’s Shinto religion. Although these different cultures portray the Sun as more powerful than mere mortals, in most myths, the Earth (and its inhabitants) are still the center of the Universe.

“This invocation, these our words may Heaven and Earth, and Indra and the Waters and the Maruts [storm deities] hear. Ne’er may we suffer want in presence of the Sun, and, living happy lives, may we attain old age.
Cheerful in spirit, evermore, and keen of sight, with store of children, free from sickness and from sin,
Long-living, may we look, O Sūrya, upon thee uprising day by day, thou great as Mitra is!
Sūrya, may we live long and look upon thee still, thee, O Far-seeing One, bringing the glorious light,”

– quoted from “Hymn XXXVII. Sūrya” (verses 6-8) in the Rig Veda (translated by Ralph T. H. Griffith)

Today, we know that the Earth revolves around the Sun and that it does so while also tilted and revolving around its own axis. This tilt, the way the Earth revolves around its own center, and the way it orbits the Sun results in the amount of daylight (and nighttime) we have at various times of the year as well as the change in temperature related to different seasons throughout the year. More often than not, we do not notice the gradual changes between dawn (“morning twilight”), daylight, dusk (“evening twilight”) and night. And, let’s not even get into whether or not we even know to notice the difference between the degrees of civil, nautical, and astronomical twilights – which are based on the position of the Sun (in nautical terms) or the Sun’s geometric center in relation to the horizon. More often than not, we notice what might be considered the end of these transitions – i.e., the quality of dawn, daylight, dusk, and night.

In the same way that we barely register the gradual changes during a 24-hour period, we may not always notice the gradual changes between seasons. Four times a year, there is a moment where the Earth is tilted and turned in a way we can perceive and have learned to understand. We know these four times as Winter Solstice, Vernal (or Spring) Equinox, Summer Solstice, and Autumnal (or Fall) Equinox.

The word “equinox” comes from the Latin meaning “equal night” and marks the point, twice a year, when the Sun is directly over the equator (or you can think of it as the equator being closest to the sun). It marks the beginning of astronomical Spring and Fall. It is often explained as the time when everyone in the world has the same amount of daylight and nighttime, but that’s not exactly true. It’s more precise to say that we have equal amounts of day and night on the “Equilux” (which is a word derived from the Latin meaning “equal light”), but people don’t necessarily know that’s actually a thing. Unlike the equinox, which happens at the same time for everyone, the equilux is based on latitude and happens a few days before or after the equinox (depending on the season and where you are in the world).

“He will not see me stopping here

To watch his woods fill up with snow.

My little horse must think it queer

To stop without a farmhouse near

Between the woods and frozen lake

The darkest evening of the year.”

– quoted from the poem “Stopping by Woods on a Snowy Evening” by Robert Frost

The word “solstice” comes from the Latin words meaning “sun” and “to stand still.” The solstice marks the moment, twice a year, when one hemisphere is tilted toward the Sun while the other is tilted away and it appears as if the Sun is hovering over one of the poles – thus creating the longest day (and the longest night) of the year. In the Northern Hemisphere today is Winter Solstice. It’s our shortest day and longest night, but it also marks the moment when we begin to perceive longer days (i.e., more daylight).

Throughout history, cultures all around the world have celebrated the Sun during this darkest (and longest) night. Specifically, people celebrate the Sun returning to their land and give thanks for the benefits of having sunlight. Traditional celebrations include the use of candlelight, bonfires, and Yule Logs. Some people will “sweep away” the old year and as they might during the other big season changes, some people mark this transition by practicing Sūrya Namaskar (“Salutes to the Sun”) 108 times.

There are different types of “Sun Salutations,” but it is traditional viewed as a series of twelve poses and, therefore, a practice of six (inhale-exhale) breaths. The movement mimics the body’s natural tendencies to extend, or lift up to the sun, on the inhale – which is the solar breath – and get closer to the earth on the exhale – which is the lunar breath. It is a mālā (“ring” or “garland”) meditation practice involving ajapa-japa (“not thinking-repeat” or explained as “repeat-remember”), similar to a reciting, chanting, or praying with a rosary or beads. In fact, there are chants and prayers which are sometimes used along with the movement. Not coincidentally, 108 corresponds with the way people use mala beads and the old fashioned rosaries – which had beads to recite 10 decades (10×10) plus 8 beads (for mistakes) (and the cross as the guru bead).

“According to the Surya Siddhanta, an ancient Indian astronomical work, the sunlight moves at a speed of 2,202 yojanas in 0.5 nimisha. One yojana is nine miles. 2,202 yojanas amount to 19,818 miles. One nimisha is equal to 16/75 of a second. Half a nimisha amounts to 8/75 of a second, which is 0.106666 seconds. A speed of 19,818 miles in 0.10666 seconds equals 185,793 miles per second. This is approximately in line with the modern calculations, according to which the speed of light is 186,282 miles per second. Modern science has arrived at this number with great difficulty and all kinds of instruments, while a few thousand years ago, they got this number by simple observation of how the human system and the solar system function together.”

– quoted from a talk about during a “Mahabharat – Saga Nonpareil” event by Sadhguru (Jaggi Vasudev)

There are a ton of reasons why 108 is considered auspicious, and these reasons come from a lot of different traditions and disciplines – not all of which are religious, spiritual, or metaphysical. The number 108 pops up in mathematics, geometry, physical science, and even baseball! Astronomically speaking, the sun’s diameter is just a little more than 108 times the diameter of the earth’s diameter and the average distance between the earth and the sun is almost 108 times the sun’s diameter. Additionally, the average distance between the moon and the earth just a little more than 108 times the moon’s diameter. Consider that evidence shows the sun’s diameter has increased (over centuries) and the moon’s diameter has decreased (also over centuries) – which means that there was a time when the ratios were presumed to be exactly 108. If the math is throwing you off, just remember that 108 is why the sun and moon appear to be similar in size (even though the sun is about 400 times bigger, and further away from us, than the moon).

Speaking of the way we perceive those gigantic objects in the sky, this year’s December solstice overlaps with “The Great Conjunction” or “meeting” of Jupiter and Saturn. People have been watching the two planets coming together over the last couple of nights. Shortly after sunset (Monday night) the two largest planets in the solar system will appear to merge. This happens about every 20 years, but this year they are the closets they have been in the last 800 years. People are referring to the appearance as “The Christmas Star” or “The Star of Bethlehem” and they won’t be this close again until 2080.

“To be a star, you must shine your own light, follow your path, and don’t worry about the darkness, for that is when the stars shine brightest.”

– Source unverified

There is no playlist for the Common Ground practices.

CHECK OUT THE CALENDAR! The First Friday Night Special in 2021 is on January 1st. You can kick off New Year’s Day 2 ways: with 108 Sun Salutations at 10:00 AM or with a Yin+Meditation practice beginning at 5:00 PM. All times are Central Standard. Details are posted on the class schedules calendar.

### SUNRISE ###

A Date We Remember December 7, 2020

Posted by ajoyfulpractice in Books, Changing Perspectives, Confessions, Healing Stories, Health, Hope, Life, Loss, Love, Men, One Hoop, Pain, Peace, Philosophy, Science, Suffering, Tragedy, Vipassana, Wisdom, Writing, Yoga.
Tags: Blackened Canteen Ceremony, David Montero, Don Stratton, Dr. Hiroya Sugano, Ed McGrath, FDR, Franklin Delano Roosevelt, Fukumatsu Ito, Ken Potts, Lauren Bruner, Leslie Kaminoff, Lou Contor, Pearl Harbor, Richard Rovesk, Susan Keating, USS Arizona
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[The 75-minute Common Ground Meditation Center practice, in the spirit of generosity (“dana”), is freely given and freely received. You can use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You can request an audio recording of Monday’s practice via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.

If you are able to support the center and its teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” my other practices, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)
Check out the “Class Schedules” calendar for upcoming classes.]

“We have to do something in our bodies; it not just a switch in the central nervous system that shuts them off. We have to actually dampen the spaces, the sensory spaces, in our system where the emotions are experienced. You’re doing something – with your breathing mechanism – which by definition affects your posture. It affects your relationship to gravity, when you’re walking around in this state of suppressed breath. Suppressed breath is by definition suppressed emotions, and vice versa…. and can contribute to the pain.”

– quoted from Q&A about “Emotions – Back Pain – Yoga: What do they have in common?” from Yoga Anatomy to Life Online by Leslie Kaminoff

Samasthiti (“Equal-Standing”), which is also Tādāsana (“Mountain” Pose), is something I often equate with standing at attention; like a soldier, you are ready for what comes next. When standing at attention properly, the spine is long, the core is engage, the kneecaps are lifted – but not locked – and the soldier can breathe deeply in, and breathe deeply out. There’s another way of “standing at attention” from martial arts that is a little looser in the limbs, but no less erect in the spine. I mention all of this in part, because it is the exact opposite bearing of someone who has experienced trauma and especially someone who has been attacked by surprise. The trauma, and the surprise of the attack, can leave a person hunched over and either panting, shallow breathing, and/or holding their breath – especially if they are still under attack. They are no longer ready, even if they are braced for what comes next.

I was thinking about the way we stand and move today, as I was re-reading a Los Angeles Times article about Lauren Bruner and Ed McGrath. Long story, short, Mr. McGrath wrote a book about U. S. Navy Fire Control Chief Petty Officer Lauren Bruner, who was the “Second to the Last to Leave” the USS Arizona today in 1941, when the USS Arizona was sunk during the surprise attack on Pearl Harbor. When he passed last September, he was the “last to return” – as the other three survivors (Don Stratton, who passed earlier this year; Lou Contor; and Ken Potts all intended to be interred with their families.)

The Imperial Japanese Navy ordered 353 bombers, fighter plans, and torpedo planes to attack 8 U. S. Navy ships in Pearl Harbor, Oahu, Hawaii. The 2,400-plus men and women who died in the attack were the US’s first military casualties of World War II – even though the country wasn’t then involved in the war. Almost half of those casualties (1,700 sailors and Marines) were on the USS Arizona.

“Yesterday, December 7, 1941 – a date which will live in infamy –“

– quoted from the December 8, 1941 speech to the Joint Session of the U. S. Congress by President Franklin D. Roosevelt

The attack, the first of its kind on American soil, drew the United States into the war; which led to the retaliation strikes in Japan – including the 1945 atomic bombings of Hiroshima and Nagasaki (which killed between 129,000 – 226,000). The United States engagement in World War II, including the atomic bombings, led to the end of the war and, most importantly, the end of the Holocaust (thereby saving millions of lives). But the article wasn’t really about the attack so much as it was about the friendship that formed between two men and how that friendship led to healing.

What I originally remembered about the Los Angeles Times article by David Montero was how Mr. McGrath contacted a dozen survivors of the attack because he wanted to make a documentary – and that retired Fire Control Chief Petty Officer Bruner was the only person who responded. I remembered that the latter hadn’t talked about his experiences for multiple decades and that he didn’t initially talk about them to Mr. McGrath. I vaguely remembered that the Sailor was supposed to meet a beautiful woman for a first date, that never happened, and the dual images he recalled of two Sailors that he thought were OK, but clearly were not.

Oddly, I also remembered that he outlived four wives and/or significant girlfriends. Finally, I remembered being struck by how the lives of the two men changed as they continued to have conversations, conversations about life… and then, eventually, about the morning of Sunday, December 7, 1941. I remember thinking about finding Second to the Last to Leave USS Arizona: Memoir of a Sailor – The Lauren F. Bruner Story by Ed McGrath and reading more. There were a couple of things, however, very significant things, that I did not remember.

“My name is Lou Conter and like Lauren Bruner I was a crew member on the USS Arizona and today I am one of its last survivors. Lauren is my friend. I have this book from cover to cover, and I know how difficult some of its chapters were for him to write. I want to assure anyone who is considering to read Second to the Last to Leave, that Lauren’s story is exactly how it was, and a Hell on Earth for every crew member.”

– Lou Conter, QM₃/c (Quartermaster, USS Arizona crew member and survivor)

I did not remember how badly Chief Petty Officer Bruner was injured. How after being shot, suffering burns over two-thirds of his body – including his hands – he “spent several months recovering in a hospital before ultimately taking an assignment as a gun captain on a destroyer in the Pacific theater in 1942.” Today I was struck by how that was even possible. It was a miracle that he and four other badly burned Sailors managed to escape the sinking battleship, but that he would return to battle. Then I learned that two of the three other survivors, still living at the time of the article, had also returned to service – despite their severe attack-related injuries! How would that look – how would that feel – to return to a profession where you are required to be “at the ready” after experiencing so much? How could you stand at a attention after enduring so much?

Yes, yes, I know that not every job in the military requires one to stand at attention for long periods of time. That wasn’t the point of my question. What I really want to know is how do you breathe and how does that affect your life (and your capacity to heal).

“‘Being able to tell him what happened lifted a great weight from my shoulders,’ Bruner says now….

‘I told Ed the books so I wouldn’t have to talk about it again.’”

– quoted from the Los Angeles Times article “A Pearl Harbor survivor spent decades trying to forget it. Then one man got him talking.” By David Montero

Chief Petty Officer Lauren Bruner said that the more he talked about his life, in general, the fewer nightmares he had. I imagine that “great weight” coming off of him – a weight he didn’t realize he was physically carrying – made it easier to breathe. His friendship with Ed McGrath was like a crane that helped lift that weight. It was something neither of them saw coming… and I think healing often begins like that.

A lot of stories come to mind when I think of healing beginning in unlikely places, especially as it relates to World War II and the attack on Pearl Harbor. One of those stories is the story of the blackened canteen ceremony, which started in Shizuoka, Japan in 1945.

According to the stories, during the raids over Shizuoka (which killed over 2,000 Japanese), two B-29’s crashed in mid-air. A Buddhist man, Fukumatsu Ito (who later became a monk), buried anyone killed during the raids – including all 23 members of the American aircrew. Mr. Ito found a blackened and crushed canteen as he was recovering the bodies from the crash and every year, on the June 20^th anniversary of their deaths, he would pour whiskey from the canteen on a cross he had erected in their honor.

In 1972, Mr. Ito invited Americans from Yokota Air Base to the ceremony and, as he was aging, decided to pass the torch…er, canteen to a younger man, Dr. Hiroya Sugano. Dr. Sugano, who was 12 during the 1945 raids, was inspired by his grandfather (also a doctor) to honor all who had served during the conflict – regardless of their nationality. In 1992, the ritual of pouring whiskey from the canteen and sprinkling flowers petals into the water became a ritual during Pearl Harbor commemorations.

I could not confirm if, or how, the Blackened Canteen Ceremony was offered publicly this year. However, today I think of it, Fukumatsu Ito, Dr. Hiroya Sugano, and the friendship between U. S. Navy Fire Control Chief Petty Officer Lauren Bruner and Ed McGrath. I think of the healing that came from those friendships and from the simplest of gestures – being present with someone and their memories.

“‘The Blackened Canteen ceremony is more than appropriate,’ says [Richard] Rovesk. “Our two countries need to be role models during these difficult times in this turbulent and even dangerous world.”

– quoted from the People Magazine article “Long-Ago Secret Ceremony of the Crushed Canteen Now a Staple at Pearl Harbor” by Susan Keating (published 12/07/2018)

There is no playlist for the Common Ground practices.

### < > ###

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A Joyful Practice

[Not] Clowning Around (the “missing Saturday post) May 17, 2021

Perhaps the most widely accepted, yet totally baffling, phenomenon is conscious awareness itself….”

– quoted from “1 – What is Psi?” in The Conscious Universe: The Scientific Truth of Pyschic Phenomena by Dean Radin, PhD

“This may seem odd, but that is not my fault.”

– quoted from “25 – Nietzsche” in (Book 3, Modern Philosophy) of History of Western Philosophy by Bertrand Russell (3rd Earl Russell, OM FRS)

Yoga Sūtra 3.19: pratyayasya para-citta-jñāñam

– “By making samyama on the distinguishing marks of another’s body, one can obtain knowledge of the nature of their mind.”

Yoga Sutra 3.20: na ca tat sālambanam, tasyāvişayībhūtatvāt

– “But not the contents of [their] mind, because that is not the object of the samyama.”

“Are you wavy gravy?”

– B. B. King to a “random” person lying on the stage before his set-up (at the Texas International Pop Festival, 09/01/1969)

“Keep your sense of humor, my friend; if you don’t have a sense of humor it just isn’t funny anymore.”

– Wavy Gravy

“If you don’t change, you’re dead, so I try to keep changing.”

– Wavy Gravy

“We are all the same person trying to shake hands with our self.”

– Wavy Gravy

### “DARE TO STRUGGLE, DARE TO GRIN” ~ Wavy Gravy (giving you a preview of Sunday’s practice) ###

Getting Things Moving on Day 12 (the “missing” Tuesday post) February 24, 2021

– quoted from “The Second Dwelling Places” of The Interior Castle by Saint Teresa of Ávila (Translation by Kieran Kavanaugh, O. C. D. and Otilio Rodriguez, O. C. D.)

“Remember: If you want to make progress on the path and ascend to the places you have longed for, the important thing is not to think much but to love much, and so to do whatever best awakens you to love.”

– quoted from “The Fourth Dwelling .1.” of The Interior Castle by Saint Teresa of Ávila (New Translation and Introduction by Mirabai Starr)

“… and our body has this defect that, the more it is provided care and comforts, the more needs and desires it finds.”

– quoted from “Chapter X” of The Way of Perfection by Saint Teresa of Ávila

This experience is far different from anything we can taste in the world. It is even different from the spiritual delights we have talked about so far.”

– quoted from “The Sixth Dwelling .2.” of The Interior Castle by Saint Teresa of Ávila (New Translation and Introduction by Mirabai Starr)

DON’T FORGET! The next “First Friday Night Special” is March the 5th – at which time, I will encourage you to “give something up” / “let someone go.” Time and additional details are posted on the “class schedules” calendar!

### MOVE YOUR (OWN) SELF ###

Today, 1959 (the Wednesday post about the music that died) February 5, 2021

“Everyone deserves music, sweet music”

– quoted from the song “Everyone Deserves Music” by Michael Franti & Spearhead

Miller thought, if laughter can do that, why not music? So, he tested the effects of music on the cardiovascular system. ‘Turns out music may be one of the best de-stressors — either by playing or even listening to music,’ said Miller.

The setup was basically the same as with the laughter study: Using high-tech imaging, Miller measured blood vessel size as people listened to music.

The results did not surprise Miller. ‘The inner lining of the blood vessel relaxed, opened up and produced chemicals that are protective to the heart,’ he said.

But when participants listened to music they didn’t particularly enjoy, Miller said, ‘the vessels actually began to close up.’”

– quoted from a 2009 CNN Health segment entitled, “The power of music: It’s a real heart opener” by Val Willingham, CNN Medical Producer

“[Holly historian Bill] Griggs, who long ago moved to Holly’s home town of Lubbock, Texas, from Connecticut, estimates they had used five different buses before driving into Clear Lake – ‘reconditioned school buses, not good enough for school kids.’

The tour started in Milwaukee on Friday, Jan. 23, 1959. It then zig-zagged during the next 11 days from Wisconsin to Minnesota to Wisconsin to Minnesota to Iowa to Minnesota to Wisconsin to Iowa to Minnesota.

There were no roadies to help set up and pack up, and only icy two-lane highways to get from town to town.”

– quoted from the February 3, 2009 Star Tribune article entitled, “Buddy Holly: The tour from hell – The story of the long, cold nights on the road before the Day the Music Died, 50 years ago.” by Pamela Huey

“The next thing I know, Buddy sends me over to get a couple of hot dogs. He’s sitting there in a cane-bottomed chair, and he’s leaning back against the wall. And he’s laughing.

‘Ah,’ he said. ‘You’re not going with me tonight, huh? Did you chicken out?’

I said no, I wasn’t scared. The Big Bopper just wanted to go.

‘Well,’ he said grinning, ‘I hope your damned bus freezes up again.’

I said, ‘Well, I hope your ol’ plane crashes.’

That took me a lot of years to get over. I was just a kid, barely twenty-one. I was about halfway superstitious, like all Southern people, scared of the devil and scared of God equally.

I was afraid somebody was going to find out I said that, and blame me. I knew I said that. I remember Buddy laughing and then heading out to the airport after the show. I was certain I caused it.”

– quoted from “Chapter 2: Buddys” of Waylon: An Autobiography by Waylon Jennings and Lenny Kaye

– quoted from the February 3, 2009 Star Tribune article entitled, “Buddy Holly: The tour from hell – The story of the long, cold nights on the road before the Day the Music Died, 50 years ago.” by Pamela Huey

“In a vision I can see, the stars that meant the world to me Ana din the vision it’s the same as long ago I see a stage beyond compare and all the stars were settled there”

“We’ve had the final curtain call and if you have seen any of my vision at all Then you have truly seen, The greatest show of all”

– quoted from the song “The Stage (Stars in Heaven) by Waylon Jennings

“Look up in the skyUp toward the NorthThere are three new starsBrightly shining forth

They’re shining so brightFrom Heaven aboveGee, we’re gonna miss youEverybody sends their love”

– quoted from the song “Three Stars” by Tommy Dee

### “YOU KNOW WHAT I LIKE!” ###

Who’s Afraid of Breathing? Part II (the Tuesday post) January 27, 2021

“Who’s afraid of a deep breath in, a deep breath in, a deep breath out? Who’s afraid of a deep breath in, a deep breath in, a deep breath out? Not I!”

– A parody of a parody of a Disney™ song

– quoted from the 1914 introduction to the Haţha Yoga Pradipika, translated by Pancham Sinh

– commentary on Yoga Sūtra 1.31 from The Practice of the Yoga Sūtra: Sadhana Pada by Pandit Rajmani Tigunait, PhD

“chale vāte chalaṃ chittaṃ niśchale niśchalaṃ bhavet||yoghī sthāṇutvamāpnoti tato vāyuṃ nirodhayet || 2 ||

Respiration being disturbed, the mind becomes disturbed. By restraining respiration, the Yogî gets steadiness of mind”

– quoted from “Chapter 2. On Prāņāyāma” of the Haţha Yoga Pradipika, translated by Pancham Sinh (1914)

### KEEP ON BREATHIN’ & BREATHIn’ & BREATHIN’ ###

Celebrating a “Teacher” Who Lives Well (the Tuesday post) January 20, 2021

“Find out who you are and do it on purpose.”

– Dolly Parton

“When I’m inspired, I get excited because I can’t wait to see what I’ll come up with next.”

– Dolly Parton

“We cannot direct the wind, but we can adjust the sails.”

– Dolly Parton

“If you don’t like the road you’re walking, start paving another one.”

– Dolly Parton

“I’m more successful now than I was then, but I still feel like the same girl. I’m just a working girl. I never think of myself as a star because, as somebody once said, ‘A star is nothing but a big ball of gas,’ – and I don’t want to be that.”

– Dolly Parton’s response when asked how different she was from 1964 when she first arrived in Nashville, in an October 24,2014, billboard article entitled, “Dolly Parton Q & A: The Country Legend on 50 Years in Nashville and Why She Supports Her Gay Fans” by Deborah Evans Price

– Dolly Parton talking about the importance of the movie 9 to 5, in a 2019 ABC News Special entitled “Dolly Parton: Here She Comes Again!” with Robin Roberts

“You’d be surprised how much it costs to look this cheap!”

– Dolly Parton

– quoted from “25 – Nietzsche” in (Book 3, Modern Philosophy) of History of Western Philosophy by Bertrand Russell (3^rd Earl Russell, OM FRS)

DON’T FORGET! The next “First Friday Night Special” is March the 5^th – at which time, I will encourage you to “give something up” / “let someone go.” Time and additional details are posted on the “class schedules” calendar!

“In a vision I can see, the stars that meant the world to me
Ana din the vision it’s the same as long ago
I see a stage beyond compare and all the stars were settled there”

“We’ve had the final curtain call and if you have seen any of my vision at all
Then you have truly seen, The greatest show of all”

“Look up in the sky
Up toward the North
There are three new stars
Brightly shining forth

They’re shining so bright
From Heaven above
Gee, we’re gonna miss you
Everybody sends their love”

“chale vāte chalaṃ chittaṃ niśchale niśchalaṃ bhavet||
yoghī sthāṇutvamāpnoti tato vāyuṃ nirodhayet || 2 ||

– quoted from a letter to “to Crompton [for Newton]” dated “December 15^th (1680)” by John Flamsteed, the first Astronomer Royal

“I gotta be me, I’ve gotta be me
What else can I be but what I am

I want to live, not merely survive
And I won’t give up this dream
Of life that keeps me alive
I gotta be me, I gotta be me
The dream that I see makes me what I am”