Who Is Minding the Store? (the Saturday post) January 10, 2021

Posted by ajoyfulpractice in "Impossible" People, Books, Changing Perspectives, Confessions, Dharma, Healing Stories, Hope, Life, Loss, Men, One Hoop, Peace, Philosophy, Wisdom, Women, Yoga.
Tags: Alice Schwarzer, gender, Jean-Paul Sartre, President Richard Nixon, René Descartes, Simone de Beauvoir, Stendhal, Yoga Sutra 2.54, Yoga Sutra 2.55
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[This is the post for Saturday, January 9^th. It was slightly edited in 2023. You can request an audio recording of Saturday’s practice via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.

In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.]

“Man’s unhappiness, says Descartes, is due to his having first been a child. And indeed the unfortunate choices which most men make can only be explained by the fact that they have taken place on the basis of childhood. The child’s situation is characterized by his finding himself cast into a universe which he has not helped to establish, which has been fashioned without him, and which appears to him as an absolute to which he can only submit. In his eyes, human inventions, words, customs, and values are given facts, as inevitable as the sky and the trees….

From childhood on, flaws begin to be revealed in it. With astonishment, revolt and disrespect the child little by little asks himself, ‘Why must I act that way? What good is it? And what will happen if I act in another way?’ He discovers his subjectivity; he discovers that of others. And when he arrives at the age of adolescence he begins to vacillate because he notices the contradictions among adults as well as their hesitations and weakness. Men stop appearing as if they were gods, and at the same time the adolescent discovers the human character of the reality about him. Language, customs, ethics, and values have their source in these uncertain creatures. The moment has come when he too is going to be called upon to participate in their operation; his acts weigh upon the earth as much as those of other men. He will have to choose and decide. It is comprehensible that it is hard for him to live this moment of his history, and this is doubtless the deepest reason for the crisis of adolescence; the individual must at last assume his subjectivity.”

– quoted from “II. Personal Freedom and Others” in The Ethics of Ambiguity by Simone de Beauvoir

“What is an adult? A child blown up by age.”

– quoted from The Woman Destroyed by Simone de Beauvoir

Do you ever take note of yourself? In particular, do you take note of who you are and what you are all about – and how you got in the habit of being you? That last part may seem weird, because you’re thinking that you just are you and that being you is a state, not a habit. However, philosophically speaking, we become who we are – more and more, every day – and, as we become who we are we less and less likely to deviate from a certain pattern of behavior. In other words, who we are in this moment is a habit.

Simone de Beauvoir, born today in 1908, was (along with her longtime companion Jean-Paul Sartre) one of the founders of existentialism; the philosophical and literary idea that freedom and the expression of personal freedom should be the foundation of and motivation for everything. Despite the fact that the couple, individually and collectively, sought to define themselves regardless of social conventions, there was a point when de Beauvoir had not considered how her sex and gender (and people’s ideas around her sex and gender) limited her freedom of being. In fact, she specifically told Sartre that she had not experienced any oppression or marginalization because she was a woman. (A comment I always find astonishing since one of the reasons the couple didn’t marry was because she had no dowry and said that made marriage “impossible.”)

Sartre basically told de Beauvoir to go deeper, and she did. The result of that deep dive was The Second Sex.

Published in 1949, the two volumes of The Second Sex (Facts and Myths and Lived Experience) provided a history of the treatment of women; made a distinction between biological sex and socially-constructed gender; and became the foundation for modern feminist theory – although its author was reluctant to call herself a feminist. One of the bottom lines from The Second Sex is that men (and in particular, in certain cultures, white men) are seen by society as the “norm” and that everyone else (and everything associated with everyone else) is defined (on a scale beneath men) in a way that “Others,” fetishizes, and demeans them. Additionally, she pointed out that to deviate from the “norm” and the resulting hierarchy can be detrimental.

“If her functioning as a female is not enough to define woman, if we decline also to explain her through ‘the eternal feminine’, and if nevertheless we admit, provisionally, that women do exist, then we must face the question ‘what is a woman’?

To state the question is, to me, to suggest, at once, a preliminary answer. The fact that I ask it is in itself significant. A man would never set out to write a book on the peculiar situation of the human male. But if I wish to define myself, I must first of all say: ‘I am a woman’; on this truth must be based all further discussion. A man never begins by presenting himself as an individual of a certain sex; it goes without saying that he is a man. The terms masculine and feminine are used symmetrically only as a matter of form, as on legal papers. In actuality the relation of the two sexes is not quite like that of two electrical poles, for man represents both the positive and the neutral, as is indicated by the common use of man to designate human beings in general; whereas woman represents only the negative, defined by limiting criteria, without reciprocity. In the midst of an abstract discussion it is vexing to hear a man say: ‘You think thus and so because you are a woman’; but I know that my only defence [sic] is to reply: ‘I think thus and so because it is true,’ thereby removing my subjective self from the argument. It would be out of the question to reply: ‘And you think the contrary because you are a man’, for it is understood that the fact of being a man is no peculiarity.”

– quoted from “Introduction: Woman as Other” in The Second Sex by Simone de Beauvoir

We may think nothing of the way we think and the way our brains process stimuli, until there is a problem – a fracture in our understanding of “reality” – or we engage in a contemplative practice that requires us to question everything; including the way we think. The Yoga Philosophy continuously asks us to question… everything. As we must understand our selves and the way our mind understands the world (through the senses), the 8-limbed philosophy explores how everything we think, say, do, and experience creates a mental/psychological impression (samskara) through which we filter the next thing we think, say, do, and experience. We also look at how we repeat this pattern throughout every moment of our lives and how, unless we take note and do something to lift the “veil of impressions,” we become who we are because we are hardwiring ourselves to be a certain way.

Another way to think of this is purely neurological. Every time we do something new (so, everything we think, say, do, and experience) a neural pathway is created in the brain. This pathway gets hardwired as we repeat a thought, word, deed, or experience and this is how a habit is formed – whether it is the habit of eating or not eating certain food; drinking or otherwise imbibing to excess (or not at all); working out (or not); working 80 hours a week; procrastinating; not getting enough sleep or sleeping too much…. The list goes on, because once we repeat a behavior enough times, we do it without thought or consideration. And, when you think about it, this is how we become who are; who we are in the habit of being.

“Stendhal said: ‘All the geniuses who are born women are lost to the public good.’ To tell the truth, one is not born a genius: one becomes a genius; and the feminine situation has up to the present rendered this becoming practically impossible.”

– quoted from “Part II – History: Chapter VIII. Since the French Revolution: The Job and the Vote” in The Second Sex by Simone de Beauvoir

“One is not born, but rather becomes, a woman.”

– quoted from “Part IV – The Formative Years: Chapter XII. Childhood” in The Second Sex by Simone de Beauvoir

Using Simone de Beauvoir as an example, consider how her understanding of the world (as she had been taught as a child) meant that her lack of dowry prevented her from getting married. Yet, that same lack of dowry (that prevented her from getting married) allowed her to study an academic discipline she may not have been able to study had she been married with children. At some point and on some level, she decided to focus on the freedom she “gained” from not being married rather than on the limitations society placed on her because her family wasn’t wealthy. Freedom and expression of that freedom became everything! At various points throughout her life, there were situations (of oppression) that she was in the habit of ignoring, because she was in the habit (as her father said) of thinking “like a man” and acting accordingly.**

In some ways, the explanations above are overly simplified, because they barely touch all the layers. The reality is that all of our experiences are based around external sensations (whereby we receive information about an object through our sense organs) and the internal processing of these sensations (which is a mental engagement). Yoga looks at five senses, plus the mind: smelling, tasting, seeing, touching, hearing, and thinking. These senses are physically and mentally (neurologically) tied to a sense organ; to the mind; and, also, symbolically and energetically tied to a chakra. That chakra connection means that each sense is also associated to a part of the body that is not directly (physically) connected to the sense organ. Additionally, each sense is tied to an action: eliminating, (pro)creating, moving, grasping/holding, speaking, and thinking. When Patanjali explains the practice and experience of pratyāhāra (which is literally defined as “pulling the mind from every direction and in every respect to a focal point”), he specifically mentions indriyāņām, which are the 5 expressions of the physical-mental sense organ engagement and the 5 expressions of the corresponding action – with thinking sometimes ranking as an 11^th indriya.

To get the real “big picture” we must also factor in our (emotionally) feelings about what we are sensing and thinking, as well as whether that emotion is rooted in the presence or (as is more often the case) rooted in the past. In the commentary for this week’s sūtra (2.55), Pandit Rajmani Tigunait, PhD, points out that there is a point in the (continued) practice when, “The joy engendered by this union [between mind and prana] engulfs the mind’s roaming tendencies. The cortex, which is the seat of the manas, the thinking mind, stops brooding on the future. This leads to freedom from anxiety. The amygdale, which is the seat of chitta, the storehouse of memories [and the processing point for decision-making and emotional responses], stops interacting with emotions associated with past issues. This leads to freedom from sorrow.”

Yoga Sūtra 2.54: svaişayāsamprayoge cittasyasvarūpānukāra ivendriyāņām pratyāhārah

– “Withdrawing from every direction toward a focal point, the sense organs and actions cease engaging with the [corresponding] sense objects and become like the true nature of the mind.

Yoga Sūtra 2.55: tatah paramā vaśyatendriyāņām

– “From that [pratyahara] comes the highest level of mastery over senses

Think back to the classic analogy of the senses being wild horses*; the mind/brain being the reins; the body being the chariot; the mind/intellect being the charioteer; and the Atman-Self being the passenger along for the ride. Think about how every experience involves a variety of sense objects which will attract the attention of the horses. Think how, if not controlled, the horses keep pulling in the direction of the sense object each one finds most appealing. Chaos reigns.

And we fear the chaos.

Now, think about what happens if the horses have been trained (though experience) to know which way is “the barn” and that “the barn” equals whatever appeals to the senses. Now, you could drop the reins and the horses would all go to “the barn.” The only problem is they are still pulling in a different direction – only now you know the why and the where. This is a more controlled form of chaos, because now the senses and the brain are in the habit of doing certain things given certain information (stimuli) and conditions.

What if, however, “the barn” is not where you are going? Now, you have to struggle a bit, to keep the horses on course – especially since each horse may be pulling towards a different “barn.” Maybe you hold too tightly to the reins, especially when you notice you’re going in the “wrong” direction; and then you go nowhere fast. The alternative, according to Patanjali, is to intentionally train the senses by drawing them in – almost like an American football huddle.

Remember, this is not about suppressing or repressing natural abilities. Neither is this about becoming so “numb” you are sleep walking through life. No, this is about training – and/or retraining – the mind-body to process sensation/information in different ways. It’s not about being reactive, it’s about being responsive. It’s not about improving your sight, but rather about improving your vision (of yourself and the world). It’s not about denying or suppressing reality, but rather about believing in yourself. And, ultimately, it is about being in the habit of being your best self.

The beauty of this practice is that while it is not magical, and doesn’t happen overnight, it does happen.

“To make oneself an object, to make oneself passive, is a very different thing from being a passive object: a woman in love is neither asleep nor dead; there is a surge in her which unceasingly ebbs and flows: the ebb creates the spell that keeps desire alive.”

– quoted from “Part IV – The Formative Years: Chapter III. Sexual Initiation” in The Second Sex by Simone de Beauvoir

Saturday’s playlist is available on YouTube and Spotify. [Look for “10202020 Pratyahara”]

*NOTE: I decided to stick with the tried and true wild horse and chariot analogy, rather than the store analogy referenced in the title.

**NOTE: Sometimes Simone de Beauvoir’s behavior was so much “like a man” that had she actually been a man, I might put her in the same category as President Richard Nixon, born today in 1913, and not every focused a class on her contributions. A double standard? In this case, yes.

“The new feminism is radical, by contrast. As in 1968, its watchword is: change your life today. Don’t gamble on the future, act now, without delay.”

– quoted from After the Second Sex: Conversations with Simone de Beauvoir by Alice Schwarzer

### Riding with a Charioteer Named Purpose ###

Stories For the Living December 1, 2020

Posted by ajoyfulpractice in "Impossible" People, Art, Books, Changing Perspectives, Healing Stories, Health, Hope, Life, Loss, Men, Music, One Hoop, Pain, Suffering, Tragedy, Wisdom, Writing, Yoga.
Tags: AIDS, Bobby McFerrin, Civil Rights, Claudette Colvin, HIV, Larry Kramer, Laura Barcella, Phillip Hoose, Rosa Parks, World AIDS Day
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“If this article doesn’t scare the shit out of you, we’re in real trouble. If this article doesn’t rouse you to anger, fury, rage, and action, [we] may have no future on this earth. Our continued existence depends on just how angry you can get.”

– quoted from “1,112 and Counting” by Larry Kramer, printed in the New York Native (Issue 59, March 14 – 27, 1983)

“‘Mine was the first cry for justice, and a loud one. I made it so that our own adult leaders couldn’t just be nice anymore. Back then, as a teenager, I kept thinking, Why don’t the adults around here just say something?’”

– quoted from Claudette Colvin: Twice Toward Justice by Phillip Hoose

Today I have two stories for you. Both are fables, in that they are stories with a moral. Both are also true – in that they actually happened. Finally, both stories are open ended… in that we are still living with the ramifications of the stories and their lessons. There are some other overlaps; however, ultimately, one of the stories is a dark and twisted fairy tale, while the other is a bit of a horror story. You can decide which is which.

In the first story, a 15-year old student, coming home from school, was told she was in a place where she didn’t belong. For the record, she was in a place specifically designated for “her kind,” but that was neither here nor there when someone designated as her “better” was going to be in the area. This student, let’s call her Claudette (because that is her name) and an older pregnant woman (let’s call her Ruth) decide they were going to stay put. Of course (I say with a lot of sarcasm), the police were called. Ruth moved. Claudette did not. Eventually she was (re)moved, by the police and arrested. On the way to the police station, she was sexually harassed by the officers and she feared that one would take the harassment farther. A minister bailed her out of jail; she was convicted (in juvenile court) of three charges; and two of the charges were eventually dropped on appeal. Ironically, the charge that stuck – assaulting an officer – might not have even happened.

The events described above happened in the Montgomery, Alabama in the Spring of 1955. Claudette Colvin was not the first Black person to refuse to make room for a white person on a bus, or anywhere else, and she would not be the last. But, her story is one that many people forgot or didn’t know; because, nine months later – today in 1955 – Rosa Parks sat in the “white section” of a bus and didn’t get up.

“I would like to be remembered as a person who wanted to be free… so other people would be also free.”

– Rosa Parks, as quoted in Fight Like A Girl: 50 Feminists Who Changed the World by Laura Barcella

Some people referred to Mrs. Parks as a tired seamstress, a 42-year old “Colored” woman; but, more importantly to the story, she was an activist who had worked as a secretary for the NAACP and she made for good optics. Unlike, Claudette Colvin, who was a pretty, dark skinned teenager who was pregnant and unmarried, Rosa Parks was a pretty, fair skinned, established married woman – who was also trained in civil disobedience.

There are lots of different lessons and morals to that story. Some of the big ones (to paraphrase Claudette Colvin) are the importance of knowing your rights, taking a stand, and saying when something isn’t right. Another big lesson: optics and messaging matter. Which leads me to the next story that is relevant to today.

Once upon a time some people got sick and, because of their illness, some children were born prematurely. Doctors thought the illness was a form of pneumonia. While there were some studies around the illness, it didn’t affect enough people in the right places to become a priority on any one’s radar. After all, optics and messaging matter – and it was believed that the adults who got sick did so because of their behavior. Fast forward 69 years and an African-American teenager in Saint Louis, Missouri (let’s call him Robert R) died of this pneumonia with weird symptoms. 7 years later a Norwegian sailor (with ties to Africa) died, 4 months after the death of his daughter and 8 months before the death of his wife. The next year a Danish doctor, also with ties to Africa, also died – as did several other people of various ages, genders, ethnicities, races, and (in the case of the adults) occupations.

By the late 70’s, children were being born with this pneumonia that some doctors then thought was a form of cancer. By the 1980’s, researchers and major American news outlets were publishing news about a “gay cancer” – which it is not – and people without any medical knowledge were guessing at how the disease is spread. And it was spreading, globally.

“If all of this had been happening to any other community for two long years, there would have been, long ago, such an outcry from that community and all its members that the government of this city and this country would not know what had hit them.”

– quoted from “1,112 and Counting” by Larry Kramer, printed in the New York Native (Issue 59, March 14 – 27, 1983)

It took a playwright and activist – that some people called “the angriest man in the world” and others considered to be a man “with a golden heart” – to really sound the alarm and lead the charge. Lawrence “Larry” Kramer started consolidating information, resources, and people. He started organizing. Mr. Kramer held a meeting in New York City with over 80 gay men and a doctor. In addition to gaining critical information from the doctor, the group raised over $6k towards research and efforts to raise awareness about the growing pandemic. That first meeting was the impetus for the Gay Men’s Health Crisis (now known as GMHC Health Services), whose mission is to “end the AIDS epidemic and uplift the lives of all affected.” Mr. Kramer, who died in May of this year, was also one of the co-founders of Act Up (AIDS Coalition to Unleash Power).

Because yes, we’re talking about AIDS which, along with HIV, currently affects over 38 million people (including over 1 million children) worldwide. Yes, we’re talking about AIDS, because today is World AIDS Day. Designated by the World Health Organization (WHO), today is simultaneously an international day of mourning and remembrance as well as a day to raise awareness. As is the case with other epidemics and pandemics, fact-based awareness and testing are essential to prevention, treatment, and support. About 81% of people with HIV (worldwide) have been tested and know their status. Unfortunately, that means 19% (approximately 7.1 million people) have not been tested, do not know their status, and therefore risk infecting others. (In the United States that statistic translates to 1 in 7 people.) Additionally, HIV and AIDS still disproportionately affect racial and ethnic minorities, people designated as “male” at birth, and gay and bisexual men.

One critical thing to remember about HIV and AIDS is that a diagnosis is not a death sentence. There are now life-saving treatments which make it possible for people to live a long and healthy life. It is also possible to go about your life without a high risk of sexually transmitting HIV to others.

The 2020 theme for World AIDS Day is “Ending the HIV/AIDS Epidemic: Resilience and Impact.” There will be virtual displays of memorial quilts (in places that are still actively battling the COVID-19 pandemic), symposiums, access to rapid self testing kits, and information about how the disease is transmitted and how it is treated. That last part is a key element of the story and it’s moral, because when we look at the timeline of COVID-19 in other countries, we find that countries that learned from their response to previous epidemics – like AIDS and Ebola – have had better success rates of containing COVID-19. You may wonder why everyone in the world isn’t publicizing those facts…. Sadly, again, it may have something to do with optics.

“I am sick of everyone in this community who tells me to stop creating a panic. How many of us have to die before you get scared off your ass and into action? Aren’t 195 dead New Yorkers enough?”

– quoted from “1,112 and Counting” by Larry Kramer, printed in the New York Native (Issue 59, March 14 – 27, 1983)

Please join me today (Tuesday, December 1^st) at 12 Noon or 7:15 PM for a virtual yoga practice on Zoom, where we will see how the practice “evolves.” Use the link from the “Class Schedules” calendar if you run into any problems checking into the class. Give yourself extra time to log in if you have not upgraded to Zoom 5.0. You can request an audio recording of this practice via a comment below.

Tuesday’s playlist (revised at 2:30 PM) is available on YouTube and Spotify.

A beautiful version of the “23^rd Psalm,” which Claudette Colvin prayed in her head during her arrest.

“‘I know that segregation isn’t dead – just look at schools and neighborhoods and workplaces, and you can see that it’s still all over America. And yes, we are still at the very beginning economically. But at least those degrading signs, “White” and “Colored,” are gone. We destroyed them. There are laws now that make segregation illegal. We forced white people to take a different view. They had to change their attitudes toward blacks. The civil rights movement cleared the way legally so we could progress.’”

– quoted from Claudette Colvin: Twice Toward Justice by Phillip Hoose

### DO YOU REMEMBER? ###

This is one way you can hear me SINGING BOUT MY STUFF October 18, 2020

Posted by ajoyfulpractice in "Impossible" People, Art, Bhakti, Books, Changing Perspectives, Confessions, Dharma, Faith, Gratitude, Healing Stories, Health, Hope, Life, Lorraine Hansberry, Meditation, Movies, Music, Mysticism, Ntozake Shange, One Hoop, Pain, Philosophy, Suffering, Tantra, Texas, Wisdom, Women, Writing, Yoga.
Tags: Buena Batiste, Caroline Myss, chakras, Lorraine Hansberry, Ntozake Shange, SONY, Texas Instruments
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“Our minds and all that functions through our minds generate a continual stream of micro and macro activities through the complex of our non-stop brain. Our emotions are always active. We are constantly making choices, consciously and unconsciously. And – think about this – our “choices continue to make choices.” How’s that for a thought? But it’s pure truth. And because it’s truth, we need to find a way to evaluate the micro and macro impact of our thoughts, attitudes, belief patterns – the whole of our energetic personality and nature – as the energetic reflection of the landscape of our physical life.”

– quoted from “What Can You Heal in Five Minutes” (from the 2014 Online Salon) by Caroline Myss

The way the world communicated (and was entertained) changed dramatically today in 1954 when Texas Instruments and the Regency Division of Industrial Development Engineering Associates (IDEA Inc.) introduced the Regency Model TR-1, the first commercial transistor radio, to markets in New York and Los Angeles. When the device first went on sale (on November 1^st) it cost $49.95 – which was a lot of money back in the 1950’s – but almost 100,000 of the pocket radios were sold in the first year and a technology (as well as an entertainment) revolution had begun.

Prior to the “pocket-sized” TR-1, radios were mostly considered a piece of household furniture. They were essentially big dressers or medium sized jewelry boxes that housed circuitry centered around breakable vacuum tubes. The tubes used a lot of energy, took a long time to warm, and were incredibly fragile. There were “portable” tube radios, but they were about the size and weight of a lunchbox; were powered by several heavy, non-rechargeable batteries; and they didn’t even pretend to be shock resistant. So, few people invested in them. Instead, families huddled around the radio, waited for it to warm-up, and paid attention to the energy output (especially during the war).

No one really thought about listening (or even watching) something they whole family wasn’t going to hear (or see). Furthermore, no one (outside of the electronics industry) really thought about walking around with your personal choice of music, news, podcasts, and other forms of entertainment streaming out of our pockets 24/7. That possibility, that is our reality, became reality because of the introduction of transistors.

Like the old-fashioned vacuum tubes, transistors are devices used to amplify and switch (and also convert) electronic signals and electrical power. Unlike the tubes, transistors are made of semiconductor material which means that that they have an electrical conductivity value which falls between a metal conductor and an insulator (like glass). One of the main benefits to using semiconductor material in electronics is that its ability to conduct electrical current increases as it heats up (meaning its resistivity decreases), which is the opposite of metals. Semiconductor devices, like transistors, offer a lot of versatility and flexibility – especially when you want to pass current in more than one direction – and provided the radios with an “instant-on” capability. All of which allows people to conveniently and quickly share their stories.

“Our psyches are governed by archetypal patterns, containers of myths and symbols that continually feed our unconscious. Our health and well-being feeds off of the stories we tell ourselves, stories that are created, generated, and rooted in our myths. Every person I talk to tells me a story in some way about his or her life and that story inevitably contains at least one symbol or hints at one myth. As each of the participants of the Help Desk told me a bit about themselves, I listened for both the details they were sharing as well as any symbols or metaphors in their descriptions through which I could then identify an archetypal pattern. We can’t stop ourselves from revealing our archetypes. All of these systems that combine to make up each human life need to be understood in terms of how they speak to each other, how they participate in acts of creation, how they interact with the creative mechanisms of our psyche and soul, and how their sensitivities influence the development of physical illnesses. And further, how do we interact with this extraordinary system of life that is US when it comes to healing an illness?

I view the realm of health and healing through this lens now. In fact, it’s more of a parallel reality in that the real power of who we are truly exists in the realm of energy, or our energy field. Our health is regulated by far more than chemicals and nutrition, as we know. But adding on knowledge about the chakras, for instance, is hardly enough to span the spectrum of all that we have come to discover about the depth and width of our interior selves. Speaking about “chakras”, for instance, represents a great deal more than energy dots laid over the physical anatomy. The recognition of our energy anatomy – of energy consciousness itself – represents an entirely different paradigm of how we need to consider the nature of our concept of power.”

– quoted from “What Can You Heal in Five Minutes” (from the 2014 Online Salon) by Caroline Myss

The physical practice of yoga (hatha yoga, regardless of style or tradition) is simultaneously physical-mental, emotional-energetic, and psychic-symbolic. In the same way we are not always aware of how are mind-body communicates with itself and ourselves, we are not always aware of how we are communicating with others. The practice, however, gives us the opportunity to start paying attention to not only how we communicate, but also why we communicate. Every part of our being has a story to tell (and a method to tell it); every part of our story is connected to someone else’s story; and they way the stories are told (or not) determines how we think of the story, the storyteller, and the other players.

Consider, for instance, the story of the transistor radio. If you didn’t know the significance of today and someone mentioned transistor radios, your first thought might not be Texas Instruments or IDEA. Instead, your first thought might be SONY. Because not long after Texas Instruments and IDEA went on to new innovations, a Japanese company rebranded itself and (in 1957) introduced the TR-63, a smaller and cheaper transition radio that conveniently preceded with a global “music” mania. And that mania, is not only the stuff of musical legends, it’s the stuff that makes up the story.

Today is the anniversary of the birth of Ntozake Shange. Born today in 1948, she was an award winning playwright and novelist who changed her name to the Zulu words meaning “she comes with her own things” and “who walks like a lion.” The beginning of her story predates the transistor radio, but it is a definite element in her stories. The remainder of this post is part of a 2018 Kiss My Asana offering.

“somebody/anybody
sing a black girl’s song
bring her out
to know herself
to know you
but sing her rhythms
carin/struggle/hard times”

– The Lady in Brown with all the other Ladies from for colored girls who have considered suicide/when the rainbow is enuf by Ntozake Shange

“somebody almost walked off wid alla my stuff

not my poems or a dance i gave up in the street

but somebody almost walked off wid alla my stuff

like a kleptomaniac workin hard & forgettin while stealin

this is mine!

this aint yr stuff

now why don’t you put me back

& let me hang out in my own

Self”

– The Lady in Green from for colored girls who have considered suicide/when the rainbow is enuf by Ntozake Shange

I said it before, and I’ll say it again: The danger in not telling your story isn’t only that it might not be told, it’s also that someone else might tell your story. Someone else might, to quote the choreopoem, run off with all of your stuff. And, if someone else tells your story, they may (at best) leave out your rhythm, your tone, and what is most important to you. At worse, however, someone else telling your story can objectify you or turn you into a caricature, a living breathing stereotype come to life on the page – or on the stage.

Up until recently, certain individuals had a hard time telling their own stories in a way that they could be heard, seen, and validated. They didn’t have the money, the prestige, or the influence. I say this knowing full well that certain marginalized groups (people of color, women – of almost any color, GLBTQI, people who practice certain faiths, people who have been abused by people with power, the physically disabled, and the mentally disabled…just to name a few) still have a harder time getting their stories told, heard, seen, and validated than people who identify in a way that is not marginalized. Slowly but surely, that is changing. Still, as hard as it is, it would be harder were it not for people like Lorraine Hansberry and Ntozake Shange and works like Hansberry’s A Raisin in the Sun and Shange’s choreopoem for colored girls who have considered suicide/when the rainbow is enuf.

“Write if you will: but write about the world as it is and as you think it ought to be and must be—if there is to be a world. Write about all the things that men have written about since the beginning of writing and talking—but write to a point. Work hard at it, care about it. Write about our people: tell their story. You have something glorious to draw on begging for attention. Don’t pass it up. Don’t pass it up. Use it. Good luck to you. The Nation needs your gifts.”

– from a speech to Readers Digest/United Negro Fund creative writing contest winners (May 1, 1964) by Lorraine Hansberry

Lorraine Hansberry’s A Raisin in the Sun was inspired by real life events. It was also the first play written by a Black woman (and directed by a Black person) to appear on Broadway (1959). At some point during high school, I read excerpts from Lorraine Hansberry’s play What Use Are Flowers? and her autobiography To Be Young, Gifted and Black: Lorraine Hansberry in Her Own Words. Reading her words, I thought, “I could be that. I could write, I could act, and I could represent the world…as I see it.” I can only imagine where I would be if that idea – of being on stage while putting my work on stage – hadn’t been cemented in my mind. But, there it was, an inspiration not unlike the Langston Hughes poem that inspired the title of Hansberry’s most famous play. And, like a raisin in the sun, my dream kinda got deferred.

I auditioned for The Sunshine Boys during my first semester of college. The directors kept asking me to read with different people who were auditioning, which I took as a good sign. Unbeknownst to me, they weren’t considering me for a role on stage. Instead, the directors asked if I would be their assistant. I said yes and then found myself in the role of their stage manager… and their producer and their publicist. Fast forward 7 years and I was working as a professional stage manager for the writer/director who’s most famous play was the second Broadway play written by a Black woman: Ntozake Shange.

“hey man

where are you goin wid alla my stuff?!

this is a woman’s trip & i need my stuff”

– The Lady in Green from for colored girls who have considered suicide/when the rainbow is enuf by Ntozake Shange

In 1974, Shange and four other women started performing the choreopoems that would become for colored girls…. Seventeen years after Hansberry’s Broadway premiere, Shange’s work found its way to the Great White Way. (I say, [It] found its way,” but in truth, Ntozake is (to this day) a force of creative nature and moving across the country was the least of the things she did to shepherd her work.) Twenty years after she wrote and first started to perform the poems, Shange was in Houston directing a revival.

Ntozake Shange was not the first arts and entertainment legend with whom I worked – and she would not be the last – but holy cow did she leave an indelible impression. I worked with her twice and both times I was struck by her unwavering commitment to her own vision. While it is not unusual for a director to be strong, fierce, and artistically determined, she was one of the first woman (not to mention one of the first women of color) with whom I worked who was unapologetic about who she was and what she wanted. Also notable, she saw the world and, therefore, presented the world in a very different way from the mainstream. She was (and is) defiantly herself, singing her songs, dancing to her own rhythms, and – in doing so – giving us permission to do the same.

Everybody has a rhythm, a cadence, a pace of life and one big part of the physical practice of yoga is to find your rhythm and to move to it. Your breath sets your pace, but even within the pace there is room to (physically) harmonize. Find your pace, find you rhythm, and let the movement tell your story.

Please join me for a 65-minute virtual yoga practice on Zoom today (Sunday, October 18^th) at 2:30 PM. I am in the process of updating the links from the “Class Schedules” calendar; however, the Meeting IDs in the calendar are the same and are correct. PLEASE NOTE: Zoom 5.0 is in effect. If you have not upgraded, you will need to give yourself extra time to log into Zoom. You can always request an audio recording of this practice (or any practice) via email or a comment below.

Today’s playlist is available on YouTube and Spotify. (This is the playlist “07112020 An Introduction.”)

### “I found god in myself
and i loved her
i loved her fiercely” (NS) ###

New Year, New Wings September 20, 2020

Posted by ajoyfulpractice in "Impossible" People, Changing Perspectives, Confessions, Faith, Hope, Mantra, New Year, Philosophy, Rosh Hashanah, Wisdom, Yoga.
Tags: Amos I. Root, Lori Palatnik, Orville Wright, Pearl Jam, Pink Floyd, Rosh Hashanah, Tchuvah, Teshuvah, Tom Petty and the Heartbreakers, Wilbur Wright
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(“Shana Tovah U’Metukah!” to anyone who is observing Rosh Hashanah and the High Holidays.)

“We could hardly wait to get up in the morning.”

– Wilbur Wright

“Well, some say life will beat you down
Break your heart, steal your crown
So I’ve started out for God knows where
I guess I’ll know when I get there”

– quoted from “Learning to Fly” by Tom Petty and the Heartbreakers

Consider the possibilities of a do over. We all make mistakes; we all choose one path and then (even if it works out) consider what might have been; and we all have moments when we want a do over. And, on a certain level, we get one: every time we inhale, every time we exhale.

Every time you inhale, every time you exhale; something begins and something ends. Every time you exhale, every time you inhale; one year ends and a new one begins. We don’t necessarily think about time and life that way – but it doesn’t make it any less true.

“There’s no sensation to compare with this
Suspended animation, a state of bliss”

– quoted from “Learning to Fly” from Pink Floyd

Rosh Hashanah, “the the Head of the Year,” began at sunset on Friday night. So, for Jewish people around the world (and for people who observe the commanded holidays outlined in Deuteronomy), today is the second day of the New Year and the second day of the High Holidays; the “Ten Days of Atonement,” also known as the “Ten Days of Awe” which culminate with Yom Kippur, “The Day of Atonement.” It is one of the holiest times of the year and is celebrated by people who might not typical go to services. Unlike a secular new year, it is more than a celebration – it is an observation: a time for reflection, remembrance, and repentance.

That last one, repentance, is really huge. It’s one of the key elements of this time. Teshuvah (or Tchuvah), the Hebrew word for “repentance,” is not about self flagellation; it’s not about beating yourself up. It’s up recognizing when you’ve made a mistake – even the same mistake again and again – and deciding you’re not going to STOP making that mistake. Then you express some REMORSE and, however possible, actually articulate or VERBALIZE that remorse. This is a time when people are very deliberately, very intentionally, asking for and/or offering forgiveness. Then, because there’s a good chance the mistake is a habit – maybe even a deeply ingrained habit that forms a “mental impression” (samskara) – people PLAN how they want to move forward with their lives. They consider not only what they want to turn away from, but also what they are turning away from – or, even better, what they are turning towards.

Turning towards something, returning, is the active ability of coming, going, sending, or putting something back to a place or activity. A return is also one gets from an investment of time or money. And, in Hebrew, teshuvah can also be translated as “return.” Yes, many secular/cultural Jews return to their homes, their families, and the traditions of their birth during the High Holidays. When they return physically and spiritually, they also engage in the possibility of returning to their best version of themselves and the possibility of living their best lives. This is not taken lightly, nor should it be. This is an invitation to the rest of your life!

Rebbetzin Lori Palatnik, in her vlog “Lori, Almost Live,” once talked about how you accept the invitation to the rest of your life the same way you would accept any other invitation: You RSVP. Except, the steps you take to RSVP for your life are slightly different (as you can see in her video and by the words in all caps above). Yes, it’s true, when we get a regular invitation we consider all kinds of things, but today I want you to think about two things. First, when you start to think about a new year, and new possibilities, you ask yourself if you are given to fly. Second, if you are given to fly (even if you ain’t got wings), ask yourself if you are willing to (re)turn.

“And he still gives his love, he just gives it away
The love he receives is the love that is saved”

– quoted from “Given to Fly” by Pearl Jam

Today in 1904, in a cow pasture known as “Huffman Prairie,” just outside Dayton, Ohio, Orville and Wilbur Wright completed their 49^th flight. They had moved their flights from Kitty Hawk and the Kill Devil Hills of North Caroline, in part because of the windy weather and in part because cutting their (land-based) travel time gave them more opportunities to fly. For the Flyer II, they used white pine instead of spruce and added weight to strengthen the frame. They also added a more powerful engine, shifted the center of gravity forward, and adjusted the plane’s wings configuration to create more pitch stability – all of which made it easier to fly. Finally, because they had less wind than at Kitty Hawk, they devised a catapult to pull the airplane down a wooden track. The catapult dropped a 1,000-pound (544 kilograms) weight from 20 feet (6.1 meters) in order to achieve a greater speed at takeoff.

Wilbur Wright was flying for today’s flight, which was remarkable not only because it lasted 1 minute, 36 seconds (covering 4,080 feet), but also because it was the first time they flew in a complete circle. 360 degrees! Amos I. Root, a beekeeper, had driven 175 miles (from Medina, Ohio) just to see the Wright Brothers fly. He published his eyewitness account of that first circle in his magazine, Gleanings in Bee Culture.

“When it turned that circle, and came near the starting-point, I was right in front of it, and I said then and I believe still, it was. . . the grandest sight of my life. Imagine a locomotive that has left its track, and is climbing right toward you – a locomotive without any wheels. . . but with white wings instead. . . Well, now, imagine that locomotive with wings that spread 20 feet each way, coming right toward you with the tremendous flap of its propellers, and you have something like what I saw.”

– quoted from an article dated a January 1, 1905, in the Gleanings in Bee Culture by Amos I. Root

Please join me for a 65-minute virtual yoga practice on Zoom today (Sunday, September 13^th) at 2:30 PM. You can use the link from the “Class Schedules” calendar if you run into any problems checking into the class. PLEASE NOTE: Zoom 5.0 is in effect. If you have not upgraded, you will need to give yourself extra time to log into Zoom. You can always request an audio recording of this practice (or any practice) via email or a comment below.

Today’s playlist is available on YouTube and Spotify.

“The desire to fly is an idea handed down to us by our ancestors who, in their grueling travels across trackless lands in prehistoric times, looked enviously on the birds soaring freely through.”

“The airplane stays up because it doesn’t have the time to fall.”

– Orville Wright

### MAY YOUR NAME BE WRITTEN & SEALED IN THE BOOK OF LIFE ###

Magic? No. Magical? Yes, yes! (Updated) September 2, 2020*

Posted by ajoyfulpractice in "Impossible" People, Art, Books, Changing Perspectives, Donate, Healing Stories, Hope, Karma, Karma Yoga, Life, Movies, Music, One Hoop, Pain, Philosophy, Suffering, Tragedy, TV, Volunteer, Wisdom, Women, Yoga.
Tags: Army, breastfeeding, Christa McAuliffe, Cirque du Soleil, David Blaine, Guy Laliberté, inspiration, NASA, One Drop, Pete Docter, Romare Bearden, Salma Hayek, Space Shuttle Challenger, UP, water, World War II
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“The idea came from the idea of escaping the world, actually. For me, there’s definitely days where I feel like I’ve been overwhelmed by people, and I need to get away. So Bob Peterson, who is the lead writer and co-director, he and I were just sitting in a room thinking of ideas. And we were experimenting with this visual idea of a guy in floating house, and it just seemed really intriguing.”

– Pete Docter (b. 10/09/1968), quoted from an AV Club interview (dated 05/28/2009)

Today started with something that wasn’t magic, but it was magical. For reasons unknown to me, David Blaine and his team picked today for his YouTubes Original special Ascension. The stunt, to soar up thousands of feet with helium balloons and then parachute down, took years and planning and even more years of dreaming. Blaine kept saying he was doing it for his 9-year old daughter Dessa, but he was also doing it for everyone who has ever dreamed of flying, soaring, and floating above it all. He said it was amazing. I say that despite all the technology, and maybe because of it, it was magical – and it couldn’t have happened on a better day. Because, to me, September 2^nd is all about magical dreams and the inspiring people who make them come true.

“I want to see how life can triumph.”

– Romare Bearden, Artist and Activist

The artist, author, and song writer Romare Bearden was born today in 1911. Perhaps best known for his collages, photomontages, and abstract and Cubist paintings, he originally aspired to be a cartoonist (and even supported himself, for a brief period, as a political cartoonist). While serving in the United States Army during World War II, Sergeant Bearden was part of the all-Black 372^nd Infantry Division of the 15^th Regiment. While I have read accounts that spent his service in the United States and other accounts saying that he served on the Western Front, one thing is not disputed: during the war, he saw mankind at its worst and he wanted, through his art, to express the humanity he felt was lacking in his wartime experiences.

“There are roads out of the secret place within us which we must all move as we go to touch others.”

– Romare Bearden, Artist and Activist

Of course, it is easy to imagine the atrocities one might have witnessed on the Western Front, but what would an all-Black infantry member experience if they served in the United States? Segregation, prejudice, racism – and this was experienced more by the domestic soldiers than those on the battlefield. While the enlisted men were Black, the officers were primarily white. In addition to the things we normally think of as being segregated during the 1940’s (housing, transportation, food service, church), especially in the South, parades and other ways people in the service were honored were also done separately. The separation and hostility included people who were part of the Officer’s Candidate School in North Carolina (like Sergeant Bearden) and meant that the Black soldiers were sometimes restricted to their bases even when they had time off.

When his service ended, Romare Bearden spent time in New York City and in Paris, where he studied philosophy and the history behind the art he had, primarily, taught himself to create. His work didn’t just depict African-American people; it showed the unity, cooperation, and collaboration within the African-American community. Along with his cousin, Private Charles H. Alston (with whom he also served in the U. S. Army), Emma Amos, Hale Woodruff, and 11 other artists of color, Sergeant Bearden founded the “Spiral” group, which discussed the responsibility of African-American artists to the Civil Rights Movement and “to consider common aesthetic problems.” It was during this same period that he began his collage work and started experiencing great success and recognition through exhibitions in major galleries and museums.

In 1984, four years before his bone cancer-related death, he was paid $90,000 for a 60×13-foot mural, entitled “Pittsburgh Recollections,” which was installed in a Pittsburgh subway station. In 2008, the mural’s value was estimated at $15 million. Two years after his death, the Romare Bearden Foundation was founded “to preserve and perpetuate the legacy of this preeminent American artist.” The non-profit foundation serves as the artist’s estate and has developed grants supporting children, young (emerging) artists, and scholars.

“If you’re offered a seat on a rocket ship, don’t ask what seat. JUST GET ON!”

– Teacher and Astronaut S Christa McAuliffe

Born today in 1948, S Christa McAuliffe was a teacher who became an astronaut – because she was a teacher. At an early age, she was inspired by the “Space Age” astronauts like John Glen. As an adult, she was chosen from over 11,000 applicants to participate in NASA’s 1985 “Teacher in Space” project. She trained to become the first teacher in space and planned to conduct experiments and teach two lesson plans on her first mission aboard the Space Shuttle Challenger. Tragically, the shuttle broke apart 73 seconds after launch killing all seven crew members on January 28, 1986. This American of Irish and Lebanese descent, who was also a mother and wife, was posthumously awarded the Congressional Space Medal of Honor (in 2004). Schools and scholarships have been named in her honor; however, her students remember her for her advice on life:

“Reach for the stars. Reach for it! Push yourself as far as you can.”

– Teacher and Astronaut S Christa McAuliffe

Canada’s first “space tourist” was born today in 1959. Known for reaching for a different kind of stars and pushing himself (and others), Cirque du Soleil co-founder and former CEO Guy Laliberté turned 61 today. He believes in having a greater purpose and in taking risks, which probably explains his penchant for poker playing, but also his success as an entertainer and producer. While he is now billionaire and one of the wealthiest Canadians in the world, he started off as just another kid inspired by the circus. He started off as a busker, a stiltwalker, and a fire-eater, but eventually became a producer.

In addition to curating one of the most innovative and entertaining performing arts companies in the world, he is one of the founders of the non-profit One Drop Foundation, which aims “to ensure sustainable access to safe water and sanitation for the most vulnerable communities through innovative partnerships, creativity and the power of art.” He called his venture into space a “poetic social mission” designed to raise awareness about water issues addressed by One Drop. The foundation’s values are respect, integrity, collaboration, innovation, and fun – the same elements you need for a good circus. Mr. Laliberté said, “Inside every adult there’s still a child that lingers. We’re happiness merchants giving people the opportunity to dream like children.” Of course, to encourage others to dream, one has to dream big; always, always, always, believe in the dream; and have the resources to make it so.

“I am blessed for what I have, but I believed in it from the beginning. Today the dream is the same: I still want to travel, I still want to entertain, and I most certainly want to have fun.”

– Guy Laliberté, Cirque du Soleil co-founder, polker player, and Activist

“Life is tough, and if you have the ability to laugh at it, you have the ability to enjoy it.”

– Salma Hayek, Actor, Director, Producer, and Activist

If I didn’t have all the other birthday people to honor, but I wanted to get across the same advice and inspiration, I would defer to a Mexican-American woman who stands not quite two inches taller than me. Born today in 1966, Salma Valgarma Hayek Jiménez, now Salma Hayak Pinault began her career in the award-winning telenovela Teresa. By 25, she had won an Ariel Award (the Mexican equivalent of an Academy Award) and was ready to take on Hollywood, where she would receive more accolades and critical acclaim. She has appeared in sitcoms, children’s specials, and every imaginable genre of movies.

In 2002, Salma Hayek produced and starred in Frida, a biography of Mexican artist Frida Kahlo, which was directed by Julie Taymor. In addition to paying tribute to her Mexican heritage with Frida, honored her Lebanese heritage by producing (and voicing the character Kamila) the animated movie Kahlil Gibran’s The Prophet. As she continuously racks up awards and nominations for her work as an actor and producer, she has also modeled; worked as an official spokeswoman for Avon and Revlon cosmetics; and worked with Proctor & Gamble Company, in collaboration with UNICEF, to promote the funding of maternal and neonatal tetanus vaccines. She practices yoga and has developed a juice delivery program and her own brand of cosmetics.

In addition to all this and more, Ms. Hayek has had overcome dyslexia, navigated America’s immigration system to become a naturalized citizen, and overcame sexual assault and harassment during one of the high points of her career. Her personal experiences are part of the reason she works to increase awareness about violence against women (even testifying before the United States Senate to support the Violence Against Women Act), donates to anti-domestic abuse shelters and groups (in the United States and Mexico), and is a breastfeeding advocate who once breastfeed a newborn in Sierra Leone when the baby’s mother could not produce milk. She once said, “What is important is to believe in something so strongly that you’re not discouraged.” Inspiring words, for sure! However, I always follow another bit of her advice….

“I act tall!”

– Salma Hayek, Actor, Director, Producer, and Activist

Please join me today (Wednesday, September 2^nd) at 4:30 PM or 7:15 PM for a magical-birthday inspired yoga practice on Zoom. Use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You will need to register for the 7:15 PM class if you have not already done so. Give yourself extra time to log in if you have not upgraded to Zoom 5.0. You can request an audio recording of this practice via a comment below.

Wednesday’s playlist is available is available on YouTube and Spotify. (The practice music is the same, but one playlist includes David Blaine’s Ascension and the other includes Romare Bearden’s “Sea Breeze.”)

Romare Bearden’s “Sea Breeze”

David Blaine

“People often say that ‘beauty is in the eye of the beholder,’ and I say that the most liberating thing about beauty is realizing that you are the beholder. This empowers us to find beauty in places where others have not dared to look, including inside ourselves.”

– Salma Hayek, Actor, Director, Producer, and Activist

Format updated and quote added 09/2023.

### REACH FOR THE STARS! HAVE FUN. ACT TALL. BEHOLD… & LIFE WILL TRIUMPH ###

All These Easter Eggs Are About Hope… Not Blind Optimism August 23, 2020
Posted by ajoyfulpractice in "Impossible" People, Abhyasa, Art, Books, Changing Perspectives, Depression, Healing Stories, Hope, Life, Loss, Music, Pain, Philosophy, Poetry, Suffering, Tragedy, Vairagya, Wisdom, Writing, Yoga.
Tags: Adrienne Wilkinson, Captain Lexxa Singh., Gospel According to Matthew, J. M. Barrie, Robert Louis Stevenson, Stoicism, Teddy Roosevelt, Theodore Roosevelt, William Ernest Henley
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“It is not the critic who counts; not the man who points out how the strong man stumbles, or where the doer of deeds could have done them better. The credit belongs to the man who is actually in the arena, whose face is marred by dust and sweat and blood; who strives valiantly; who errs, who comes short again and again, because there is no effort without error and shortcoming; but who does actually strive to do the deeds; who knows great enthusiasms, the great devotions; who spends himself in a worthy cause; who at the best knows in the end the triumph of high achievement, and who at the worst, if he fails, at least fails while daring greatly, so that his place shall never be with those cold and timid souls who neither know victory nor defeat.”

– quoted from “The Man in the Arena” portion of the “Citizenship in a Republic” speech by former President Theodore Roosevelt (delivered April 23, 1910, Sorbonne, Paris)

It is not uncommon, when we turn inward, to find a head full of doubt; but, we also find a road of promise. We may find fear; but also strength, wisdom, and courage. Even when life is hard, strenuous, if we keep on pushing, we get a little bit stronger. There may be cracks, but that’s how the light gets in and…

OK, you get the picture. There’s a point where certain kinds of inspiration becomes a little syrupy, a little much, and even a little trite. This can especially be true when we are enduring a challenging time – or, as is the case now, challenging times. But, you know what never gets syrupy? You know what never gets trite? The story of someone who demonstrates that despite their hard times, they can still feel the spirit in their soul. The story of someone who is in a dark place, and yet still express gratitude for their unconquerable soul. The story of someone who may be far from home, with broken bones and a broken heart, a little rusty, but still runnin’.

We may not always want to hear one of those stories of people who are having the same hard time as us – or a significantly harder time than us – and still manages to find some joy in life, smile, and move forward. Sometimes we want to wallow in our muck, moan a few verses of “Oh, woe is me” and “Nobody Knows the Troubles I’ve Seen.” And we absolutely get to do that. Everybody gets to deal, cope, grieve, rail (or rage) against the machine in their own way and in their own time. But, let’s be honest, even that gets old and trite.

You know what never gets old? The stories of people who wrestle with the demons inside and outside, seen and unseen, and are still unbroken never gets old.

“I will now make a confession: It was the sight of your maimed strength and masterfulness that begot Long John Silver … the idea of the maimed man, ruling and dreaded by the sound, was entirely taken from you.”

– quoted from a letter to William Ernest Henley, written by Robert Louis Stevenson

Born today in 1849, in Gloucester, England, William Ernest Henley was a poet, a literary critic, an editor, and poet whose work and life has inspired billions of people around the world, including presidents and prime ministers, royalty, soldiers, athletes, captains of industries (and of starships), and other writers. Even though he wrote and published thousands of poems, he is remembered for one: an originally untitled work that we now call “Invictus.” It is a poem that in many ways encapsulates the old fashioned understanding of stoicism.

In modern times, we often think of someone who stuffs down their pain and pretends like it doesn’t exists. We might even associate the philosophy with having a “stiff upper lip” – which is the characteristic of someone who “grins and bears it” (but is in too much pain to actually grin). We might even think of someone who is stoic as someone who is unhappy. However, to the ancient stoics like Epictetus, Seneca, and the Emperor Marcus Aurelius stoicism was about finding happiness within a given fate, which meant accepting ones fate and figuring out how to move forward. And, William Ernest Henley was nothing if not stoic.

Henley wrote a whole slew of poems, including “Invictus,” which are referred to as his hospital poems (and one of his published collections is called In Hospital), because he spent a great deal of time in the hospital. From the age of 12, he suffered from a kind of tuberculosis that affected his bones and resulted in partial amputation of his left leg by the age of 20. His boisterous attitude, massive size, cleverness, and ability to laugh (loudly) – not to mention his one leg – inspired Robert Louis Stevenson to create the character Long John Silver in Treasure Island. (Although she died at a young age, Henley’s daughter Wendy shared some of her dad’s spirit and inspired one of the main characters of J. M. Barrie’s Peter Pan.)

Not long after the amputation of his left leg, doctors told Henley that they need to amputate his right leg. Henley fought against the idea, sought out other treatments, and eventually came under the care of the surgeon Joseph Lister, whose work with antiseptic surgery would save billions of lives (and inspire the creation of Listerine™). Dr. Lister, thorough a variety of treatments, was able to save Henley’s leg and enable Henley to live a relatively active life for almost thirty years. It was during one of those Lister-related hospital stays that Henley wrote “Invictus.”

“Because strait is the gate, and narrow is the way, which leadeth unto life, and few there be that find it.”

– quoted from “The Sermon on the Mount,” The Gospel According to Matthew (7:14)

“It matters not how strait the gate,
How charged with punishments the scroll,
I am the master of my fate:
I am the captain of my soul.”

– quoted from “Invictus” by William Ernest Henley

Please join me for a “spirited” 65-minute virtual yoga practice on Zoom today (Sunday, August 23^rd) at 2:30 PM. You can use the link from the “Class Schedules” calendar if you run into any problems checking into the class. PLEASE NOTE: Zoom 5.0 is in effect. If you have not upgraded, you will need to give yourself extra time to log into Zoom. You can always request an audio recording of this practice (or any practice) via email or a comment below.

Today’s playlist is available on YouTube and Spotify. (The playlists have slightly different before/after practice content.)

“Invictus”

If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can call 1-800-273-TALK (8255). You can also call the TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.

Format updated 08/2023.

### I WILL LEAVE A LIGHT ON ###

The Impossible Cornerstones of Liberty August 6, 2020
Posted by ajoyfulpractice in "Impossible" People, Art, Changing Perspectives, Donate, Faith, Gratitude, Healing Stories, Hope, Karma Yoga, Poetry, Super Heroes, Wisdom, Women, Writing, Yoga.
Tags: Abraham Lincoln, Civil Rights, Civil War, Confiscation Acts, Frédéric-Auguste Bartholdi, Gertrude Rush, Gustave Eiffel, Hiroshima, inspiration, Jessie Carney Smith, Joseph Pulitzer, Nagasaki, National Bar Association, Richard Morris Hunt, slavery, Statue of Liberty, Thurgood Marshall, Voting Rights Act, yoga
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[This is the post for Wednesday, August 5, 2020.]

“‘Keep, ancient lands, your storied pomp!’ cries she

With silent lips. ‘Give me your tired, your poor,

Your huddled masses yearning to breathe free,

The wretched refuse of your teeming shore.

Send these, the homeless, tempest-tost to me,

I lift my lamp beside the golden door!’”

– from the poem “The New Colossus” by Emma Lazarus

Today (August 5^th) in 1884, when the cornerstone of the Statue of Liberty’s pedestal was placed on a rainy Bedloe’s Island, it seemed impossible to complete the project meant to be a testament to freedom, friendship, and the spirit of the people. People in France provided the funds for the statue designed by the sculptor Frédéric-Auguste Bartholdi (with scaffolding created by Gustave Eiffel), while people in the United States were meant to pay for the base and pedestal designed by Richard Morris Hunt. The only problem was that the Americans were short…about $100,000 short.

Hunt’s design for the pedestal and base incorporated the eleven-point star foundation of the army fort (Fort Wood) which had been built in 1807 and abandoned during the Civil War. He always intended his design to be simple, so as not to take away from the statue itself, but raising money for his design turned out to be such a challenge that he scrapped twenty-five feet from the height of his original design. He also cut back on materials so that instead of the pedestal and base being constructed entirely out of granite, he had to make do with concrete walls covered with a granite-block face. His cost cutting measures still might not have been enough if a certain newspaper man hadn’t decided to tap into the spirit of the people and, in doing so, overcame what some viewed as an impossible obstacle. That newspaper man was Joseph Pulitzer and on March 16, 1885 he implored people in the United States to give what they could, even if it was a penny, in order to pay for the base and pedestal of the Statue of Liberty. Starting with an ad and a series of front page editorials, he was able to crowd fund over $100,000 in about 5 months.

“We must raise the money! The World is the people’s paper, and now it appeals to the people to come forward and raise the money. The $250,000 that the making of the Statue cost was paid in by the masses of the French people – by the working men, the tradesmen, the shop girls, the artisans – by all, irrespective of class or condition. Let us respond in like manner. Let us not wait for the millionaires to give us this money. It is not a gift from the millionaires of France to the millionaires of America, but a gift of the whole people of France to the whole people of America.

Take this appeal to yourself personally. It is meant for every reader of The World. Give something, however little. Send it to us. We will receive it and see that it is properly applied.”

– quoted from The New York World editorial by Joseph Pulitzer, 1885

Joseph Pulitzer offered people a six inch metal replica of Lady Liberty (described as a “perfect fac-simile”) if they donated a dollar to the “Pedestal Fund” established by Pulitzer’s paper the New York World and a twelve inch replica if they donated $5. While that may not seem like a lot today, keep in mind that this was after the Financial Panic of 1873 (which created a depression in the United States and Europe). Also, interest seemed to be in short supply since the United States was still trying to recover from the Civil War – which left many Americans desiring heroic public art rather than allegorical public art. But, Joseph Pulitzer had a way with words and there were a group of people – immigrants – who were inspired to donate specifically because of the symbolism of the statue. Ultimately, over 125,000 people donated – most donating a dollar or less. They not only donated to receive the replicas, they donated via auctions, lotteries, and boxing matches. They donated by depriving themselves of things they needed or things they wanted. Some kids donated by pooling their “circus” and candy money. Some adults donated what they would normally spend on drinks. At the end of the fundraising, Joseph Pulitzer printed every donor’s name in the New York World – regardless of how little or how much they donated.

The cornerstone is the first stone set in the foundation of a building or structure. All other stones are set in reference to the cornerstone; thereby making it the very foundation of the foundation. It determines the overall position of the structure and is often placed with a certain amount of pomp and circumstance. It is usually inscribed with the date of its placement and often includes a time capsule, which includes some clues as to what was important to the people who attended the ceremony. Such was the case with Lady Liberty’s pedestal cornerstone, which was placed over a square hole dug for a copper time capsule. The time capsule contained a number of articles, including the Declaration of Independence and the Constitution of the United States – both documents considered to be the cornerstones of the United States and the ultimate law of the land.

Although we don’t always think of it this way, one of the cornerstones of the legal system in a commonwealth is a bar. It might be wooden railing, it might be metal railing; however, historically, this bar separated those within the legal profession (specifically the judge and those who had business with the court) from everyone else. In particular, “everyone else” referred to law students whose aspirations were to “pass the bar” – meaning they would be on the other side of the symbolic railing. This symbolic railing is also used to refer to professional organizations, membership in which is sometimes required in order for an attorney to practice law in a particular jurisdiction. Let’s skip “state bars” for a second and just focus on “voluntary” bar associations – which, in the United States are private organizations which serve as social, educational, and lobbying organizations. Legal professionals can not only use these bar associations to network with other professionals and the general public (hence expanding their practice), they can also advocate for law reform. I place “voluntary” in quotes, because I’m not sure how possible it is to practice law in the United States without being a member of a “bar association” (not to be confused with a state bar).

Even if it’s possible to practice without being a member of a bar association – and I trust one of you lawyer yogis will educate me with a comment below – I imagine it would be quite challenging (maybe even impossible) to successfully practice. Especially, back when there was only one major bar association in the United States. And, especially back in the 1920’s when your race and gender prevented you from joining said association. Such was the plight of Gertrude Rush (née Durden), born today (August 5^th) in 1880 in Navasota, Texas. Ms. Rush not only became the first African-American woman to be admitted to the Iowa (state) bar, for about 32 years she was (sometimes) the ONLY female attorney practicing in the state of Iowa (1918 – 1950). She placed a particular emphasis on women’s (legal) rights in estate cases and had a passion for religion, extensively studying the 240 women whose stories are featured in the Bible. Many within the local court referred to her as the “Sunday school lawyer.” She took over her husband’s law practice and, in 1921 (just a year after women’s right to vote was ratified by the United States Congress) she was elected the president of the Colored Bar Association; however, it was impossible for her to be admitted to the American Bar Association. She tried. So, did several other African-American lawyers. They tried because the ABA had one Black lawyer and was, therefore “integrated.” Eventually, however, they stopped trying to join an organization that didn’t want them and started their own organization.

“…a very worn Bible is almost as prominent as the well-thumbed Iowa code on the desk of Mrs. Gertrude E. Rush.”

– quoted from “Iowa’s Only Negro Woman Lawyer Firmly on the Golden Rule” article about Gertrude Rush, located in Iowa Public Library (excerpt printed in Notable Black American Women, Book 2 by Jessie Carney Smith

Gertrude Rush was one of the founding members of the Negro Bar Association, which was incorporated on August 1, 1925 with 120 members (which was about 11 – 12% of the Black lawyers in the US at the time). Eventually renamed, the National Bar Association, the NBA ” addressed issues such as professional ethics, legal education, and uniform state laws, as well as questions concerning the civil rights movement in transportation discrimination, residential segregation, and voting rights.” The NBA supported civil rights groups by providing legal information, filing outside legal briefs (amicus curiae), and blocking federal court nominees who opposed racial equality. As a bar association, however, the NBA did not directly participate in civil rights activities. Instead, NBA members like Gertrude Rush and (eventual) Supreme Court Justice Thurgood Marshall became members of the NAACP (National Association for the Advancement of Colored People).

It was as part of the NAACP’s legal team that Justice Marshall argued cases like Donald Gaines Murray in Murray v. Pearson, 169 Md. 478, 182 A. 590 (1936) and Brown v. Board of Education of Topeka, 347 U.S. 483 (1954). Raymond Pace Alexander founded the National Bar Journal (1941), which became a way for Black lawyers to challenge legal principles which conflicted with the interest of African-Americans. The Rev. W. Harold Flowers, a co-founder with Ms. Rush and a former president of the NBA (who would eventually be appointed as an associate justice of the state Court of Appeals), was the attorney whose motions in 1947 resulted in a reconfigured jury after he pointed out that the Arkansas court had not had a Black juror in 50 years. Additionally, the NBA established free legal clinics in 12 states, thereby creating the foundational cornerstone for the poverty law and legal clinics of today.

Gertrude Rush was also one of the organizers of the Charity League, which coordinated the hiring of a Black probation officer for the Des Moines Juvenile Court; created the Protection Home for Negro Girls, a shelter; and served on the boards of a host of other women’s organizations.

Stay tuned for news about when I will resume classes. If you want to practice with one of the previously recorded classes, I would suggest June 17^th (a Lady Liberty class with a lot of arm movement, good for the brain and shoulders – some of you call it a “sobriety test”). The playlist is available on YouTube and Spotify. (The playlist starts with instrumental music. If your Spotify is on shuffle, you will want your music volume low at the beginning of the practice.)

Feel free to email me at Myra (at) ajoyfulpractice.com if you would like a copy of the recordings from Wednesday, June 17^th.

As I running late, this August 5th post is actually being published on August 6^th, which the anniversary of President Lyndon B. Johnson signing the Voting Rights Act of 1965 into law. The act has been amended at least five times, to close legal loopholes and reinforce the rule of law.

Today, August 6^th, is also the anniversary of President Abraham Lincoln signing the Confiscation Act of 1861 and the U. S. bombing of Hiroshima in 1945. President Lincoln wasn’t sure of the legality and effects of the Confiscations Acts of 1861 and 1862, he signed them into law anyway. To this day, people are still debating the effects of the bombings on August 6^th and 9^th (Nagasaki), both of which clearly broke the Golden Rule (and the not then established Geneva Convention).

As you practice today, hold a neighbor in your hearts and minds with friendship and kindness. Offer your efforts, no matter how small, as a token of that friendship and kindness. As so many people suffer due to current events, may we take a moment to remember those who are still suffering due to our shared past. Let us not forget those who are still grieving and healing from past wounds. May our efforts bring us all closer to peace, harmony, and benevolence.

ERRATA: The original post listed the wrong year for the Statue of Liberty’s cornerstone placement.

### OM SHANTI SHANTI SHANTHI OM ###

Wonderfully, Fearlessly, Hopefully Impossible August 5, 2020
Posted by ajoyfulpractice in "Impossible" People, Books, Changing Perspectives, Faith, Gratitude, Healing Stories, Hope, Life, Loss, Mathematics, Men, Music, One Hoop, Pain, Philosophy, Religion, Suffering, Wisdom, Women, Yoga.
Tags: Barack Obama, Duchess of Sussex, Hope, inspiration, John Venn, Life, Louis Armstrong, Meghan Markle, Percy Bysshe Shelley, truth, X Ambassadors
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[This is the post for Tuesday, August 4, 2020.]

“Nothing in the world is single;

All things by a law divine

In one spirit meet and mingle.

Why not I with thine?—”

– quoted from the poem “Love’s Philosophy” by Percy Bysshe Shelley

Everything overlaps. We all share common threads. So, even without the Muhammad Ali quote (from 8/2), you could create a Venn diagram based on the first three “impossible” posts and figure out who I might highlight next as an “impossible person.” A Venn diagram is, of course, a set or logic model that shows the overlapping relations between finite collections. They are used in set theory, probability, logic, statistics, computer science, and other math modalities. These diagrams were developed by John Venn, who was born today (August 4^th) in 1834. While he came from a long line of church evangelicals, including his namesake and grandfather, it was not impossible for him to choose a field of study outside of the church. That being said, two years after he obtained his mathematics degree from Gonville and Caius College (the fourth oldest and the wealthiest college at University of Cambridge), Venn became an Angelican priest and actually served in the church. It was after his first church appointment, while working as an intercollegiate lecturer at Cambridge, that Venn developed the diagrams.

If you create sets based on the biographies of Maria Mitchell and Rabbi Regina Jonas, you might think that to make my “impossible list” someone would have to be a woman who was the first woman to do something in a profession normally associated with men. You might even think that that someone had to be virtually unknown to the masses. But, then you have to add James Baldwin into the mix. Now, with the third set, you can broaden the definition to include any human who does something outside of society’s expectations – especially, if their achievements make it possible for others to follow in their footsteps and/or do something previously viewed as impossible.

I have heard that it is impossible to make a Venn diagram out of four circles – and I’ll admit that I probably wouldn’t do a very good job of explaining (mathematically) why it is considered impossible – but you can use ellipses. So, when you add in the fact that John Venn was a suffragist who also encouraged woman to run for office, you might think he makes my list. But, he doesn’t. Neither does Percy Bysshe Shelley, who was born today in 1792. Instead, today’s “impossible people” are a musician, a president, and a duchess.

“Some of you young folks been sayin’ to me, ‘Eh, Pops, what do you mean, what a wonderful world? How ’bout all them wars all over the place? You call them wonderful? And how ’bout hunger and pollution? That ain’t so wonderful, either.’ But how ’bout listenin’ to old Pops for a minute? Seems to me it ain’t the world that’s so bad but what we’re doing to it, and all I’m saying is: see what a wonderful world it would be if only we’d give it a chance. Love, baby – love. That’s the secret. Yeeeaaahhh. If lots more of us loved each other, we’d solve lots more problems.”

– Louis Armstrong (introducing “What a Wonderful World” in a 1970 recording)

The wonderful Louis Armstrong was born today (August 4^th) in New Orleans, Louisiana in 1901. Known as “Satchmo,” “Satch,” “Pops,” “Dipper,” and “Louie,” he came by his most famous nickname because people said the way he puffed out his cheeks when he played the trumpet made him look like he had a mouth full of coins. Some biographers even say that, as a child, he played for pennies and would actually use his mouth as his satchel. For five decades he carved a place for himself in the world as a trumpeter, a composer, a singer, and an actor. His career also spanned different genres of jazz and in 2017 he was inducted into the Rhythm & Blues Hall of Fame. Some might say that it should have been impossible for him to play the way he played given the way he breathed into his mouth. Others might think that, as a talented African-American entertainer, there was nothing impossible about his success. Yet, when you look at the history of music in America, you find that there was a time (cough, cough) when African-American music often crossed over into the popular culture – but, it did so without the African-American musicians. Louis Armstrong established himself without publicizing (or politicizing) his race and, therefore, his music entered a room before his skin color.

Louis Armstrong wore a Star of David pendant for most of his life, in honor of the Jewish family that “adopted” him as a child and bought him his first trumpet. He wrote in his memoir about seeing his “adopted family” experiencing discrimination and said that the way they lived taught him how to live with determination. Yet, his determination to live and be judged by his art rather than his skin color, led him to receive a lot of criticism from other prominent Black entertainers and activist. Part of the criticism stemmed from the fact that he played for segregated audiences and wouldn’t use his social power and echelon to press for civil rights. However, he did criticize President Dwight D. Eisenhower for his lack of response to the Little Rock desegregation crisis – even going so far as to cancel a State Department sponsored tour to the Soviet Union and state that he would not represent a government that mistreated his people.

“While I could say Pennsylvania and Ohio, and continue this proverbial two-step, I instead give them what they’re after: ‘My dad is Caucasian and my mom is African American. I’m half black and half white.’ To describe something as being black and white means it is clearly defined. Yet when your ethnicity is black and white, the dichotomy is not that clear. In fact, it creates a grey area. Being biracial paints a blurred line that is equal parts staggering and illuminating. When I was asked by ELLE to share my story, I’ll be honest, I was scared. It’s easy to talk about which make-up I prefer, my favourite scene I’ve filmed, the rigmarole of ‘a day in the life’ and how much green juice I consume before a requisite Pilates class. And while I have dipped my toes into this on thetig.com, sharing small vignettes of my experiences as a biracial woman, today I am choosing to be braver, to go a bit deeper, and to share a much larger picture of that with you.”

– quoted from “Meghan Markle: I’m More Than An ‘Other’” by Meghan Markle (published in Elle Magazine, July 2015)

1957 may have been when the FBI started a file on Louis Armstrong. So, you can definitely add that – FBI files – to the Venn diagram of impossible people; because the FBI definitely has files on President Barack Obama (born today in 1961, in Honolulu, Hawai’i) and Meghan, Duchess of Sussex (née Markle) (born today in 1981, in Los Angeles, California). President Obama served two terms as the 44^th President of the United States and was the first African-American president (as well as the first openly biracial president). The Duchess of Sussex is not only a “commoner,” she is a biracial American woman who not only married into the British Royal family, she also did the doubly impossible by stepping away from the royal life. Both President Obama and the Duchess of Sussex worked as philanthropists before and after “holding” their very public offices. They have been known to feed the hungry and inspire people to hope.

“Hope is not blind optimism. It’s not ignoring the enormity of the task ahead or the roadblocks that stand in our path. It’s not sitting on the sidelines or shirking from a fight. Hope is that thing inside us that insists, despite all evidence to the contrary, that something better awaits us if we have the courage to reach for it, and to work for it, and to fight for it. Hope is the belief that destiny will not be written for us, but by us, by the men and women who are not content to settle for the world as it is, who have the courage to remake the world as it should be.”

– quoted from (then Senator) Barack Obama’s address after the Iowa Caucus speech (January 3, 2008)

Hoping

Errata (2025): The original post duplicate lines in the poem “Love’s Philosophy”.

### F Dm G C G ###

Impossible x3 August 3, 2020
Posted by ajoyfulpractice in "Impossible" People, Changing Perspectives, Faith, Healing Stories, Hope, Life, Loss, Men, Movies, Mysticism, Pain, Philosophy, Religion, Suffering, Tragedy, Wisdom, Women, Writing, Yoga.
Tags: Dr. Etka Liebowitz, Dr. Viktor Frankl, Havdalah, Holocaust, In the Footsteps of Regina Jonas, Rabbi Gesa Ederberg, Rabbi Max Dienemann, Rabbi Regina Jonas, yoga
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“Here there is a role reversal of what was related in bSotah – instead of the woman [Queen Salome Alexandra] being “nameless” now she is named and cunningly tries to get around the rabbinic prohibition, while the male character, her son, is unnamed and plays no role in the matter in dispute.”

– commentary on bShabbat (16b – 14b) in doctoral thesis entitled “Queen Alexandra: The Anamoly of a Sovereign Jewish Queen in the Second Temple Period” by Etka Liebowitz, PhD

There was a time when being a female (non-nun) member of the clergy would have been considered impossible. But, imagine for a moment, someone who was not only the first woman to be ordained in their religion, but to receive the highest orders during a time when it was hard to even be a male member of your religion. Allow me to introduce you to (or re-acquaint you with) Rabbi Regina Jonas ([‘re-ghee-na yo-nas]). Born today in 1902, Rabbi Jonas was not only the first woman to be ordained as a rabbi; she was ordained in Berlin in 1935. In other words, she became the first woman to be named as a Jewish teacher during the height of Nazi Germany.

Throughout history, you can find plenty of women who fulfilled rabbinical duties. They did not, however, hold the title. These women, like Beruryah (Rebbetzin Meir), Yalta, the Hasmonean queen Salome Alexandra (also known as Alexandra of Jerusalem), and the daughters and granddaughters of the great Talmud scholar Rashi (Rabbi Shlomo Yitzachaki), are found in the Talmud and would have been studied by Rabbi Jonas and other women who studied at the Hochschule für die Wissenschaft des Judentums in Berlin, the Jūdisch-Theologisches Seminar in Breslau, and other theology schools that admitted women. Unlike her female peers, however, Rabbi Jonas didn’t just want the academic teacher’s degree; she wanted the title and the responsibilities. And this desire was something that she felt and expressed from a very young age.

“If I am to confess what drove me, as a woman, to become a rabbi, two things come to mind. My belief in God’s calling and my love of my fellow man. God has bestowed on each one of us special skills and vocations without stopping to ask about our gender. This means each one of us, whether man or woman, has a duty to create and work in accordance with those God-given skills.”

– quoted from the doctoral thesis entitled “May a woman hold rabbinic office?” by Rabbi Regina Jonas

Rabbi Regina Jonas had a passion for Jewish history, the Bible, and the Hebrew language; a passion that was remembered even by her high school friends and supported by Orthodox rabbis like Isidor Bleichrode, Delix Singerman, and Max Weyl (who officiated at the synagogue the Jonas family attended). When she decided to pursue her degree and also the title, Rabbi Jonas wrote and submitted a final theses, which was a requirement for ordination. Her final theses topic, which was based on Biblical, Talmudic, and rabbinical sources, was near and dear to her heart: “May a woman hold rabbinic office?”

While halakhic literature did not specifically with ordination, she combined halakhic theory related to women’s issues with a modern attitude about women’s roles. She did not, however, use a Reform movement argument. Instead, Rabbi Jonas wanted to establish gender equality within the (and as a) continuity of tradition – and, in doing so, established herself as independent of both the reform movement and Orthodoxy. She also included in her argument very specific gender qualities and expectations centered around Zeni’ut (“Modesty”), which she viewed as being essential to someone’s role as a rabbi. Interestingly, some of her thesis is very much consistent with the ideas Hannah Crocker expressed in 1818.

Rabbi Jonas concluded that yes, a woman could be a rabbi according to halachic sources. She went even further by saying that female rabbis were a “cultural necessity, in part because of so-called female qualities like compassion, interpersonal skills, and psychological intuition. Her final thesis, which was supervised by Eduard Baneth, renowned professor of Talmud at the Hochschule für die Wissenschaft des Judentums in Berlin, was submitted in June 1930. Unfortunately, Rabbi Baneth died soon after her submission and his successor was not willing to ordain women. Ironically, a leader in the Reform movement, Rabbi Leo Baeck, also rejected her submission.

“Almost nothing halakhically but prejudice and lack of familiarity stand against women holding rabbinic office.”

– quoted from the doctoral thesis entitled “May a woman hold rabbinic office?” by Rabbi Regina Jonas

Despite the fact that her professors were not willing to ordain her, she received a “good” grade for her thesis and graduated as a religious teacher. She then began teaching religion at several girls’ schools in Berlin. At this same time, however, anti-Semitism created an increased need for Jewish teachers and religious education. Rabbi Max Dienemann, executive director of Liberaler Rabbinerveband (Conference of Liberal Rabbis) agreed to ordain Rabbi Jonas on behalf of the conference and, within two years, she began to serve the official community as “pastoral-rabbinic counselor.” She particularly ministered to those in the Jewish Hospital, those who were considering emigrating, and people economically affected by “Kristallnacht.” As more and more rabbis were imprisoned by the Nazis or fled the persecution, she began to lecture to various groups, preach in liberal synagogues and lead some Havdalah (“weekday”) services in the Neue Synagogue, the flagship of German Jewry. At one point, during the winter of 1940 – 1941, the Germany Jewry organization established by the Nazis actually sent her to cities that no longer had rabbis. Even when she was forced to work in a factory, she continued her ministry.

On November 2, 1942, Rabbi Jonas was compelled to fill out a declaration form where she listed her property, including all of her books. Two days later, all of her property was confiscated by the Nazis. The next day, she and her mother were arrested. They were deported November 6^th, to Theresienstadt concentration camp, where she continued to preach and counsel. The psychoanalyst Viktor Frankl asked her to help him with crisis intervention, including meeting and assessing new arrivals and helping to prevent suicide attempts. On October 12, 1944, at the age of 42, Rabbi Jonas and her mother were deported to Auschwitz, where they were killed.

“Since I saw that her heart is with God and Israel, and that she dedicates her soul to her goal, and that she fears God, and that she passed the examination in matters of religious law, I herewith certify that she is qualified to answer questions of religious law and entitled to hold the rabbinic office. And may God protect her and guide her on all her ways.”

– quoted from the Diploma of Ordination for Rabbi Regina Jonas (approved by Rabbi Max Dienemann)

None of the male religious leaders who survived the Holocaust spoke of Rabbi Regina Jonas. However, a copy of her thesis, her teaching certificate, her rabbinical diploma, personal documents, and two photos have been preserved at the Centrum Judaicum in Berlin. Included in those personal documents were letters of gratitude from refugees she had counseled (and whose families she continued to counsel in Germany). There is also a list of 24 sermons and lectures she delivered, along with notes for at least one full sermon. In the Footsteps of Regina Jonas is a documentary about her life and legacy, which features rabbis like Gesa Ederberg, who celebrated the 75^th anniversary of Rabbi Jonas’s ordination with a Havdalah service – the very type of weekday service Rabbi Jonas led in Berlin.

“God has placed abilities and callings in our hearts without regard to gender. If you look at things this way, one takes woman and man for what they are: human beings.”

– quoted from a 1938 news article by Rabbi Regina Jonas

I am cancelling classes on Tuesday and Wednesday of this week, but will post as I am able. Thank you to everyone who is keeping my family in your hearts and minds.

### SHALOM שָׁלוֹם ###

A Brother’s Love August 2, 2020
Posted by ajoyfulpractice in "Impossible" People, Art, Books, Changing Perspectives, Confessions, Healing Stories, James Baldwin, Life, Loss, Love, Maya Angelou, Men, Pain, Poetry, Suffering, Super Heroes, Writing, Yoga.
Tags: Aimee Lehto, America, being present, Boyd Croyner, Civil Rights, inspiration, James Baldwin, Justin Timberlake, Maria Mitchell, Maya Angelou, Muhammad Ali, PRIDE, truth, yoga
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“Impossible is just a word thrown around by small men who find it easier to live in the world they’ve been given than to explore the power they have to change it. Impossible is not a fact. It’s an opinion. Impossible is potential. Impossible is temporary. Impossible is nothing.”

– quoted from a 2004 Adidas ad campaign written by Aimee Lehto (with final tag line credited to Boyd Croyner), often attributed to Muhammad Ali

Yesterday I referred to Maria Mitchell as an impossible woman. Back in 2016, thanks to Justin Timberlake quoting Muhammad Ali to a bunch of teens, I started thinking about what it meant to be an impossible person and spent the first week in August highlighting impossible people. Born today in Harlem, New York, in 1924, the author James Baldwin is – by his own words – my second impossible person.

“Given the conditions in this country to be a black writer was impossible. When I was young, people thought you were not so much wicked as sick, they gave up on you. My father didn’t think it was possible—he thought I’d get killed, get murdered. He said I was contesting the white man’s definitions, which was quite right.”

– James Baldwin, quoted from the interview “James Baldwin, The Art of Fiction No. 78” by Jordan Elgrably (printed in The Paris Review, Issue 91, Spring 1984)

Mr. Baldwin’s life (and career) were, in so many ways, shaped by a combination of opinions. There were the opinions of his stepfather David Baldwin (who he referred to as his father) about life in general plus his stepfather’s opinion of how the world would view him, how the world actually viewed him, and his own ideas about what was possible – or, what was necessary. He spent the ages of 14 – 17 following his father’s footsteps into the ministry and then, when his father died, he took a giant leap. He said, “Those were three years [preaching] which probably turned me to writing.”

Leaping into writing was not Mr. Baldwin’s only leap. He leapt across the pond to Paris, France, twice, even as his writing challenged Western society’s conceptions about race, class, gender, and sexuality. His essays, novels, and plays include Giovanni’s Room, Notes of a Native Son, The Fire Next Time, If Beale Street Could Talk (which was recently made into a movie) and the unfinished manuscript Remember This House (which was adapted to create the 2016 Academy Award-nominated documentary I Am Not Your Negro). Mr. Baldwin first went to Paris with $40 and not a lick of French. He was 24 years old, coming to grips with his sexuality, and escaping what he viewed – what he had witnessed – was a death sentence at the hands of American society.

“Not so metaphorically. Looking for a place to live. Looking for a job. You begin to doubt your judgment, you begin to doubt everything. You become imprecise. And that’s when you’re beginning to go under. You’ve been beaten, and it’s been deliberate. The whole society has decided to make you nothing. And they don’t even know they’re doing it.”

– James Baldwin, quoted from the interview “James Baldwin, The Art of Fiction No. 78” by Jordan Elgrably (printed in The Paris Review, Issue 91, Spring 1984)

From Paris, he was able to not only gain perspective about his experiences of being Black in America (and of being Black and Gay in America), but also to offer those experience back to the United States – in the form of a literary mirror. In words that very much echo Miss Maria Mitchell’s words, he said wanted to see himself, and be seen as, more than “merely a Negro; or, merely a Negro writer.”

In his late 30’s/early 40’s, Mr. Baldwin briefly returned to the United States and physically participated in the Civil Rights Movement and Gay Liberation Movement that he had (from Paris) helped to literally inspire. He became friends with Langston Hughes, Martin Luther King, Malcolm X, Medgar Evers, Lorraine Hansberry, Nikki Giovanni, and Nina Simone (who he and Mr. Hughes convinced to become active in the Civil Rights Movement). He worked with Drs. Kenneth and Mamie Clark, as well as Lena Horne and Miss Hansberry, to discuss the importance of civil rights legislation with President John F. Kennedy.

His friendships, however, were not only with Black artists and activists. He worked with his childhood friend Richard Avedon, marched with Marlon Brando and Charlton Heston, collaborated with Margaret Mead and Sol Stein, and also knew Rip Torn, Jean-Paul Sartre, and Dorothea Tanning. In fact, to read a biography or autobiography of James Baldwin is to read a Who’s Who of activism and artistry in the 20^th century. But, you don’t have to settle for a reading a measly biography. If you can get your hands on the 1,884 pages of documents compiled by the FBI, you would be in for quite a treat.

Yes, you read that correctly. For a little over a decade, the FBI collected nearly two thousand pages worth of documents on a man that many Americans may not realize helped convince President Kennedy to send federal troops to defend the civil rights activists marching from Selma to Montgomery. True, it’s not the well-over 17,000 pages they compiled on Martin Luther King (not including the wire-tap documents). Here, however, is some perspective: the FBI only collected 276 pages on authors like Richard Wright (Native Son) and 110 pages on authors like Truman Capote (In Cold Blood) and Henry Miller (Tropic of Cancer). Additionally, FBI Director J. Edgar Hoover showed a particular interest in Mr. Baldwin and actually worked with agents to figure out ways they could ban Mr. Baldwin’s 1962 novel Another Country – despite the fact that the report of the Justice Department’s General Crimes Section “concluded that the book contains literary merit and may be of value to students of psychology and social behavior.”

“The occurrence of an event is not the same thing as knowing what it is that one has lived through. Most people had not lived — nor could it, for that matter, be said that they had died– through any of their terrible events. They had simply been stunned by the hammer. They passed their lives thereafter in a kind of limbo of denied and unexamined pain. The great question that faced him this morning was whether or not had had ever, really, been present at his life.”

– quoted from Another Country by James Baldwin

“I imagine one of the reasons people cling to their hates so stubbornly is because they sense, once hate is gone, they will be forced to deal with pain.”

– quoted from The Fire Next Time by James Baldwin

When so many of his friends, who were also the leaders of the Civil Rights Movement, were killed, Mr. Baldwin made his second leap back to Paris. Again, it was a leap made out of fear and the basic desire to survive. His grief, anger, horror, and disappointment are all on full display in later works like If Beale Street Could Talk, Just Above My Head, and the 1985 non-fiction book Evidence of Things Not Seen (about the Atlanta child murders). Yet, until his dying day he wrote about love and hope – even using a portion of the Epistle to the Hebrews, from the Christian New Testament, as the title of his book about the Atlanta child murders.

Another place where you can see Mr. Baldwin’s devotion to love, life, and humanity is in the words of his friends; people, who actually knew him, were inspired by him, and some of whom called him Jim or Jimmy. When he died in 1987, Maya Angelou wrote a tribute for The New York Times, entitled “James Baldwin: His Voice Remembered; Life In His Language.” In addition to describing how Mr. Baldwin introduced her to his family as his mother’s newest daughter, she explained that he “opened the [unusual] door” and encouraged her to tell her story.

“Well, the season was always Christmas with you there and, like one aspect of that scenario, you did not neglect to bring at least three gifts. You gave me a language to dwell in, a gift so perfect it seems my own invention….

The second gift was your courage, which you let us share: the courage of one who would go as a stranger in the village and transform the distances between people into intimacy with the whole world; courage to understand that experience in ways that made it a personal revelation for each of us…. Yours was the courage to live life in and from its belly as well as beyond its edges, to see and say what was, to recognize and identify evil, but never fear or stand in awe of it….

The third gift was hard to fathom and even harder to accept. It was your tenderness – a tenderness so delicate that I thought it could not last, but last it did and envelop me it did. In the midst of anger it tapped me lightly like the child in Tish’s womb…. Yours was a tenderness, of vulnerability, that asked everything, expected everything and, like the world’s own Merlin, provided us with the ways and means to deliver. I suppose that was why I was always a bit better behaved around you, smarter, more capable, wanting to be worth the love you lavished, and wanting to be steady enough to bear while it broke your heart, wanting to be generous enough to join your smile with one of my own, and reckless enough to jump on in that laugh you laughed. Because our joy and our laughter were not only all right, they were necessary.”

– quoted from “James Baldwin: His Voice Remembered; Life In His Language” by Maya Angelou (printed in The New York Times Book Review December 20, 1987)

I have cancelled class today and tomorrow night, but encourage you to practice. Practice with those aforementioned gifts and especially the second and third gifts – with courage and tenderness that has you lifting the corners of your mouth up to your ears and laughing out loud.

In the past, I have used a variation of my “Langston Hughes” playlist, which features Miles Davis, Charles Mingus, Charlie Parker, and a whole lot of Bach. You are welcome to use my “Selma to Montgomery” playlist, which is available on YouTube and Spotify. However, if you have time, I would encourage you to grab some Nina Simone, Lena Horne, Harry Belafonte (“Merci Bon Dieu” comes to mind, of course), Sammy Davis, Jr., and Joan Baez – and then mix in some of the aforementioned jazz.

“I love America more than any other country in this world, and, exactly for this reason, I insist on the right to criticize her perpetually.”

“Love takes off masks that we fear we cannot live without and know we cannot live within. I use the word love here not merely in the personal sense but as a state of being or a state of grace – not in the infantile American sense of being made happy but in the tough and universal sense of quest and daring and growth….Love is a growing up.”

– James Baldwin

2022 Errata: This post has been updated to correctly credit the Adidas ad associated with Muhammad Ali and to clarify that all references to James Baldwin’s “father” and “stepfather” refer to David Baldwin. Additionally, some syntax has been revised and music links have been update.

### OPEN THE DOOR, & LET ME IN (OR OUT)! ###

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A Joyful Practice

Who Is Minding the Store? (the Saturday post) January 10, 2021

– quoted from “II. Personal Freedom and Others” in The Ethics of Ambiguity by Simone de Beauvoir

“What is an adult? A child blown up by age.”

– quoted from The Woman Destroyed by Simone de Beauvoir

“If her functioning as a female is not enough to define woman, if we decline also to explain her through ‘the eternal feminine’, and if nevertheless we admit, provisionally, that women do exist, then we must face the question ‘what is a woman’?

– quoted from “Introduction: Woman as Other” in The Second Sex by Simone de Beauvoir

“Stendhal said: ‘All the geniuses who are born women are lost to the public good.’ To tell the truth, one is not born a genius: one becomes a genius; and the feminine situation has up to the present rendered this becoming practically impossible.”

“One is not born, but rather becomes, a woman.”

– quoted from “Part IV – The Formative Years: Chapter XII. Childhood” in The Second Sex by Simone de Beauvoir

Yoga Sūtra 2.54: svaişayāsamprayoge cittasyasvarūpānukāra ivendriyāņām pratyāhārah

– “Withdrawing from every direction toward a focal point, the sense organs and actions cease engaging with the [corresponding] sense objects and become like the true nature of the mind.

Yoga Sūtra 2.55: tatah paramā vaśyatendriyāņām

– “From that [pratyahara] comes the highest level of mastery over senses

“To make oneself an object, to make oneself passive, is a very different thing from being a passive object: a woman in love is neither asleep nor dead; there is a surge in her which unceasingly ebbs and flows: the ebb creates the spell that keeps desire alive.”

– quoted from “Part IV – The Formative Years: Chapter III. Sexual Initiation” in The Second Sex by Simone de Beauvoir

“The new feminism is radical, by contrast. As in 1968, its watchword is: change your life today. Don’t gamble on the future, act now, without delay.”

– quoted from After the Second Sex: Conversations with Simone de Beauvoir by Alice Schwarzer

### Riding with a Charioteer Named Purpose ###

Stories For the Living December 1, 2020

“If this article doesn’t scare the shit out of you, we’re in real trouble. If this article doesn’t rouse you to anger, fury, rage, and action, [we] may have no future on this earth. Our continued existence depends on just how angry you can get.”

– quoted from “1,112 and Counting” by Larry Kramer, printed in the New York Native (Issue 59, March 14 – 27, 1983)

“‘Mine was the first cry for justice, and a loud one. I made it so that our own adult leaders couldn’t just be nice anymore. Back then, as a teenager, I kept thinking, Why don’t the adults around here just say something?’”

– quoted from Claudette Colvin: Twice Toward Justice by Phillip Hoose

“I would like to be remembered as a person who wanted to be free… so other people would be also free.”

– Rosa Parks, as quoted in Fight Like A Girl: 50 Feminists Who Changed the World by Laura Barcella

“If all of this had been happening to any other community for two long years, there would have been, long ago, such an outcry from that community and all its members that the government of this city and this country would not know what had hit them.”

– quoted from “1,112 and Counting” by Larry Kramer, printed in the New York Native (Issue 59, March 14 – 27, 1983)

“I am sick of everyone in this community who tells me to stop creating a panic. How many of us have to die before you get scared off your ass and into action? Aren’t 195 dead New Yorkers enough?”

– quoted from “1,112 and Counting” by Larry Kramer, printed in the New York Native (Issue 59, March 14 – 27, 1983)

– quoted from Claudette Colvin: Twice Toward Justice by Phillip Hoose

### DO YOU REMEMBER? ###

This is one way you can hear me SINGING BOUT MY STUFF October 18, 2020

– quoted from “What Can You Heal in Five Minutes” (from the 2014 Online Salon) by Caroline Myss

– quoted from “What Can You Heal in Five Minutes” (from the 2014 Online Salon) by Caroline Myss

“somebody/anybody sing a black girl’s song bring her out to know herself to know you but sing her rhythms carin/struggle/hard times”

– The Lady in Brown with all the other Ladies from for colored girls who have considered suicide/when the rainbow is enuf by Ntozake Shange

“somebody almost walked off wid alla my stuff

not my poems or a dance i gave up in the street

but somebody almost walked off wid alla my stuff

like a kleptomaniac workin hard & forgettin while stealin

​

this is mine!

this aint yr stuff

now why don’t you put me back

& let me hang out in my own

Self”

– The Lady in Green from for colored girls who have considered suicide/when the rainbow is enuf by Ntozake Shange

– from a speech to Readers Digest/United Negro Fund creative writing contest winners (May 1, 1964) by Lorraine Hansberry

“hey man

where are you goin wid alla my stuff?!

this is a woman’s trip & i need my stuff”

– The Lady in Green from for colored girls who have considered suicide/when the rainbow is enuf by Ntozake Shange

### “I found god in myself and i loved her i loved her fiercely” (NS) ###

New Year, New Wings September 20, 2020

“We could hardly wait to get up in the morning.”

– Wilbur Wright

“Well, some say life will beat you down Break your heart, steal your crown So I’ve started out for God knows where I guess I’ll know when I get there”

– quoted from “Learning to Fly” by Tom Petty and the Heartbreakers

“There’s no sensation to compare with this Suspended animation, a state of bliss”

– quoted from “Learning to Fly” from Pink Floyd

“And he still gives his love, he just gives it away The love he receives is the love that is saved”

– quoted from “Given to Fly” by Pearl Jam

– quoted from an article dated a January 1, 1905, in the Gleanings in Bee Culture by Amos I. Root

“The desire to fly is an idea handed down to us by our ancestors who, in their grueling travels across trackless lands in prehistoric times, looked enviously on the birds soaring freely through.”

“The airplane stays up because it doesn’t have the time to fall.”

– Orville Wright

### MAY YOUR NAME BE WRITTEN & SEALED IN THE BOOK OF LIFE ###

Magic? No. Magical? Yes, yes! (*Updated) September 2, 2020

– Pete Docter (b. 10/09/1968), quoted from an AV Club interview (dated 05/28/2009)

“I want to see how life can triumph.”

– Romare Bearden, Artist and Activist

“There are roads out of the secret place within us which we must all move as we go to touch others.”

– Romare Bearden, Artist and Activist

“If you’re offered a seat on a rocket ship, don’t ask what seat. JUST GET ON!”

– Teacher and Astronaut S Christa McAuliffe

“Reach for the stars. Reach for it! Push yourself as far as you can.”

– Teacher and Astronaut S Christa McAuliffe

“I am blessed for what I have, but I believed in it from the beginning. Today the dream is the same: I still want to travel, I still want to entertain, and I most certainly want to have fun.”

– Guy Laliberté, Cirque du Soleil co-founder, polker player, and Activist

“somebody/anybody
sing a black girl’s song
bring her out
to know herself
to know you
but sing her rhythms
carin/struggle/hard times”

### “I found god in myself
and i loved her
i loved her fiercely” (NS) ###

“Well, some say life will beat you down
Break your heart, steal your crown
So I’ve started out for God knows where
I guess I’ll know when I get there”

“There’s no sensation to compare with this
Suspended animation, a state of bliss”

“And he still gives his love, he just gives it away
The love he receives is the love that is saved”

Magic? No. Magical? Yes, yes! (Updated) September 2, 2020*

“It matters not how strait the gate,
How charged with punishments the scroll,
I am the master of my fate:
I am the captain of my soul.”

As I running late, this August 5th post is actually being published on August 6^th, which the anniversary of President Lyndon B. Johnson signing the Voting Rights Act of 1965 into law. The act has been amended at least five times, to close legal loopholes and reinforce the rule of law.