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The Center of the Puzzle (the “missing” Tuesday post) July 18, 2021

Posted by ajoyfulpractice in Changing Perspectives, Healing Stories, Kundalini, Life, Mathematics, One Hoop, Philosophy, Science, Tantra, Vairagya, Wisdom.
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[This is the “missing” post for Tuesday, July 13th. You can request an audio recording of Monday’s practice via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.

In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.

Check out the “Class Schedules” calendar for upcoming classes. If you are using an Apple device/browser and the calendar is no longer loading, please email me at myra (at) ajoyfulpractice.com at least 20 minutes before the practice you would like to attend.]

 

“How is life like a puzzle? Or not like a puzzle?”

 

 

– quoted from the beginning of the practices on May 19th and July 13th

 

If we really think about it, it is not just our lives that are like puzzles. Our practice, our mind-body, even our relationships are like puzzles. There are all these different shaped pieces that sometimes fit together and sometimes don’t fit together. There are all these pieces that look like they could fit together, but don’t actually fit. Then there are all those little clues – like hard edges and different color schemes or patterns – that indicate what fits and what doesn’t fit.

When you are solving a puzzle (especially if it has a lot of pieces and/or it has an intricate design), it’s always helpful to have a picture of the finished product. It’s also nice to know that you have all the pieces (or, at the very least, that you know what pieces you have and which pieces are missing). In this way, our physical bodies – and, therefore, our physical practice of yoga are very much like a puzzle. We know the ankle bone is connected to the shin bone; the shin bone is connected to the knee bone; the knee bone is connected to the thigh bone; the thigh bone is connected to the hip bone; the hip bone is connected to the back bone; and that this construction is duplicated in the upper body. We also know that the muscles, nerves, tendons, and other connecting tissues fit together (and work together) in certain ways.

For instance, we know that the hamstrings and quadriceps work together to extend and flex the knee when we walk. We also know that if one leg is shorter (or stronger) than the other that that difference will affect the way we walk and will affect other parts of our bodies – even parts we don’t automatically recognize as being connected. The same is true if we are missing all or part of one leg or if all or part of one leg isn’t mobile. Even if you consider yourself “able-bodied,” you have probably had an injury that affected your mobility – or maybe you went hiking and messed up your shoe in a way that affected your gait. Or, maybe, you just got a rock in your shoe. Either way, take a moment to think back and consider how the change in one area affected all your other areas as you moved.

“The Cube is an imitation of life itself – or even an improvement on life.”

 

 

– Ernö Rubik

When it comes to our physical practice of yoga, our sequencing considers how the mind-body is mentally and physically connected and we also consider the energetic aspects of how we are connected. By building each āsana (“seat” or pose) from the ground up, we are able to ensure maximum amount of stability so that we can stretch and/or strengthen with intention and integrity. Similarly, we build the sequence from the ground up so that the mind-body is prepared to do each subsequent set of āsanas. This awareness of how things are connected is particularly important when we are practicing vinyāsa and/or implementing vinyāsa karma in order to achieve a “peak pose.”

While vinyāsa is often translated into English as “flow,” it literally means “to place in a special way.” Classically speaking, the poses are placed so that we exaggerate the body’s natural tendencies and, therefore, engage natural movement (even when moving in a way we might not normally move off the mat). When we forget the intention behind the movement we may find ourselves moving in a way that is counterintuitive and contraindicated by our basic anatomy and the fundamentals of kinesiology. Moving “in a way that is counterintuitive” can be subjective and is not always a bad thing. We definitely learn and grow when we play around with different types of movement. Also, while doing the same practice over and over again can be a great way to gauge progress and master a certain skill, getting “outside of the box” can also highlight bad habits that we’ve been “practicing.” Ultimately, one should always listen to the teacher within and consider if they are really ready to do certain things – especially since, not being mentally ready to do something can be just as dangerous as not being physically ready to do something.

On the flip side, movement that is contraindicated may not always be obvious – especially if we move fast enough and use momentum, rather than alignment and breath, to “muscle” into a pose. However, moving too much and too fast often results in injury. This can be a problem with some “flow” (or even “vinyasa”) practices that are not alignment and breath-based. Remember, just because we can do something (if we do it fast enough and with enough muscular force), doesn’t mean we it’s a good idea. Ideally, a practice works its way towards a “peak.” Maybe that peak is Śavāsana and a deep-seated meditation or maybe it’s a “peak pose” – i.e., something that a random person couldn’t walk into a room and do without being warmed up. Either way, this is where vinyāsa karma comes in handy. Vinyāsa karma literally means “to place the step in a special way.” In other words, it is a step by step progression towards a goal and it is a practice that can be utilized even in sequences where there is no “flow.”

Naturally, we can come at the physical practice of yoga (hatha yoga, regardless of the style or tradition) from a purely physical viewpoint and sequence accordingly. However, the system of yoga includes a mental and subtle body awareness which can also be accessed and harnessed through the poses and movement. Kundalini, Tantra, and Svaroopa are some of the yoga systems that specifically engage the energetic and subtle body through the practice of āsana; however, there can be tantric elements in any yoga practice that considers the way the mind-body-spirit is “woven” together. For instance, when I mention how the energy of our “first family, tribe, and community of birth” contributes to how we cultivate friendships with people we may perceive as “Other,” that is an element of tantra. When we warm up the core in order to have more stability in balancing poses, that is an element of tantra. When we open up the body in order to loosen up areas that may be holding stagnant energy, that also is an element of tantra. Notice, (especially as it relates to the last example) that any of these examples can happen outside of a “vinyasa” practice. Notice, also, that there is no reference to balancing the different types of energy associated the difference sides of the body… although, that too is tantra.

“The problems of puzzles are very near the problems of life.”

 

– Ernö Rubik

So, you can see how our mind-bodies and, therefore our practice, are like puzzles – like a giant Rubik’s Cubes. On a certain level, however, our lives – and relationships – are different from a physical puzzle; because we don’t start with a picture of the finished product and we don’t know if we have all the pieces. Let’s be honest, we don’t even know if all the pieces we have are for a single puzzle. Despite these differences, we can take a page from the life of the creator of one of the most popular toys of the 80’s: we can visualize the picture we want; see what fits and what doesn’t fit; be open to the possibilities that are around us and inside of us; and use the tools at hand.

Born in Budapest, Kingdom of Hungary on July 13, 1944, Ernö Rubik started off as an architect and architect professor. He studied at the Secondary School of Fine and Applied Arts, the Budapest University of Technology and Economics (where he joined the architecture faculty), and the Hungarian Academy of Applied Arts and Design, also known as the Moholy-Nagy University of Art and Design (where was a member of the Faculty of Interior Architecture and Design). As a professor, he wanted to build a three dimensional model he could use to help his architecture students develop spatial awareness and solve design problems. He started off with 27 wooden blocks, which would have worked great if he just wanted a static three dimensional model. But, Rubik wanted something he could easily move into a variety of shapes. That was his vision.

Now, one thing to keep in mind is that this particular creator didn’t just have a background in architecture (with an emphasis on sculpture). He was also the son of two parents who were themselves creators: his father being a world-renowned engineer of gliders and his mother being a poet. Although, Rubik is quick to credit his father as one of his inspirations, it’s best not to ignore the fact that he grew up watching both of his parents creating things that delighted others.

So, he had a vision and he had pieces to his “puzzle.” He even knew how everything fit together. He just didn’t know how everything would move together. Then one day, while walking on a cobblestone bridge in Budapest, he looked down and realized if the core of his model resembled the cobblestones he could twist and turn the pieces accordingly. Violá!

Ernö Rubik had the vision (a “picture” of the final product); the pieces and how they fit together; and he was open to different possibilities so that when (metaphorically speaking) he stumbled on the cobblestone, he recognized the opportunity. Finally, because of his father’s experience as an inventor, he knew how to apply for a patent and what was needed to take something to market. Even though he ran into a few problems along the way – after all, he was doing all of this under a communist regime – he eventually licensed his invention, the “Magic Cube” to the U. S. based Ideal Toys. Invented on May 19, 1974 and renamed “Rubik’s Cube” in 1979, the toy was introduced to the world in 1980. The toy was so popular that it led Ernö Rubik to create more three dimensional puzzles, including Rubik’s Magic, Rubik’s Snake, and Rubik’s 360.

“If you are curious, you’ll find the puzzles around you. If you are determined, you will solve them.”

 

 

– Ernö Rubik

Even though all of Ernö Rubik’s puzzles can be viewed through a geometric and mathematical lens – and even though they mostly rely on the engagement of a central core – there are some differences between the puzzles. Rubik’s 360 requires a certain amount of manual dexterity that is not required to manipulate the other toys and Rubik’s Snake can be a bit like origami, in that the toy can be made into different shapes. But, perhaps the most puzzling of all is the original Rubik’s Magic.

The original Rubik’s Magic has eight interwoven black tiles with rainbow rings painted on the front and the back. In its “unsolved” (flat, rectangular) state, the front of the tiles show three rings side-by-side and the back of the tiles show pieces of three rings that will be interlocking when the puzzle is solved. The puzzle can be manipulated to make a ton of different shapes, like a star, a box, a bench, and even a toy chest. In fact, in the “solved” position, the rectangle becomes heart-shaped. The tiles fold and unfold horizontally and vertically, in tandem and individually – which means they flip into each other, over each other, twist, and can be rolled like a wheel. Later iterations of the puzzle featured images (like the Simpsons going to the beach, Harry Potter playing quidditch, and dinosaurs) that create a bit of a story.  

Take a moment to consider what happens if your life is like the images on a Rubik’s Magic. Yes, you might see your life as disconnected circles or you might see yourself as separate from the other people around you. Consider, however, what twists and turns, flips and rolls, get you connected. Or, more accurately, get you to recognize that you are already connected. If you see one side of you Magic as the image of how your life is at this moment, consider that the other side is the image of some goal, desire, or experience you’d like to achieve. The pieces are there, again, you just have to flip, twist, turn, and roll things so that you’re relaxing on the beach or grabbing the golden snitch.

Again, the pieces are already there; it’s all just a matter of “placing things in a special way.” When we look at our lives – or even other people’s lives (if you check out the link above) – through the energetic system of our practice, we start to develop more awareness about the puzzle. We even might start to realize that we are the center of the puzzle.

 

“Our whole life is solving puzzles.”

                                                                                          

– Ernö Rubik

 

 

Tuesday’s  playlist available on YouTube and Spotify. [Look for the “06032020 How Can We See, Dr. Wiesel” playlist.] 

 

 

 

“A good puzzle, it’s a fair thing. Nobody is lying. It’s very clear, and the problem depends just on you.”

 

 

– Ernö Rubik

 

 

 

### Only A Little Puzzling ###

 

 

The Effort to Free/Liberate Yourself – a philosophical perspective (a “missing” post) July 6, 2021

Posted by ajoyfulpractice in Books, Buddhism, Changing Perspectives, Depression, Faith, Gratitude, Healing Stories, Health, Hope, Life, Loss, Meditation, Mysticism, Pain, Peace, Philosophy, Science, Suffering, Tantra, Tragedy, Vairagya, Wisdom, Writing, Yoga.
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[This is the “missing” post for Monday, July 5th. You can request an audio recording of Monday’s practice via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.

In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.

Check out the “Class Schedules” calendar for upcoming classes. If you are using an Apple device/browser and the calendar is no longer loading, please email me at myra (at) ajoyfulpractice.com at least 20 minutes before the practice you would like to attend.]

“The liberating current brings us excitement, energy, and novelty, while the descending current brings us peace, grace, and stability. In order for either of these pathways to really be complete, all of the chakras need to be open and active. Liberation without limitation leaves us vague, scattered, and confused. We may have wonderful ideas and lots of knowledge, but we are unable to bring these fruits to any tangible completion. On the other hand, limitation without liberation is dull and stifling. We become caught in repetitive patterns, clinging to security and fearing change.”


– quoted from  “Chapter 1 – And the Wheel Turns: Liberation and Manifestation” of Wheels of Life: A Users Guide to the Chakra System by Anodea Judith, Ph.D.

Sometimes in yoga, I talk about the inhale literally being an “inspiration” (from the Latin, by way of Old French and Middle English) whereby we are filled with spirit. The exhale is, by the same logic (Latin by way of late Middle English), an “expiration” whereby something is literally expiring, returning to the source. Some of you have even heard me say, “Inhale down your spine, in the direction of the manifesting current; taking all the possibilities of the Universe and making them your unique experience. Exhale back up your spine, in the direction of the liberating current, taking your unique experiences (and efforts) back to the source.” In Wheels of Life: A Users Guide to the Chakra System, Anodea Judith explores the fact that “we must limit” in order to manifest – and the ancient texts back her up in the idea that there are ways in which we are limited. There are ways we can have a lot, but we can’t have it all.

If we think of the source of all things – whatever that means to you at this moment – then we’re thinking of the source of unlimited possibilities. We’re thinking of something infinite and something limited only by our imagination/understanding – which is finite. On the flip side, we are not omnipotent and/or omnipresent. We can experience multiple sensations at one time, but we can only truly focus-concentrate-meditate on one thing at a time. While our initial possibilities are limitless, our whole lives are built around the experience of “narrowing things down.” So, we do.

There’s nothing wrong with narrowing things down and establishing boundaries. That’s all part of the human experience. Being human means we are constantly swinging like a pendulum between having everything and having nothing – in every area of our lives. We run into problems, however, when we don’t recognize (and appreciate) what we have; when we operate from a perspective of scarcity instead of a point of abundance. We run into problems when we are paralyzed by what we don’t have and/or by something that hasn’t happened.

“The more you can increase fear of drugs, crime, welfare mothers, immigrants and aliens, the more you control all of the people.”


– Dr. Noam Chomsky

“Optimism is a strategy for making a better future. Because unless you believe that the future can be better, it’s unlikely you will step up and take responsibility for making it so. If you assume that there is no hope, you guarantee that there will be no hope. If you assume that there is an instinct for freedom, that there are opportunities to change things, then there is a possibility that you can contribute to making a better world.”


– quoted from Latin America: From Colonization to Globalization by Noam Chomsky (in conversation with Heinz Dieterich, with additional collaboration by Edward Herman; introduction by Denise Glasbeek and Julian Semphill)

Like a lot of people associated with the United States, I spent the last week-plus thinking, contemplating, and discussing the concept of freedom, liberation, and independence. On a certain level, I do that all the time; but there is an acute awareness between PRIDE, Juneteenth, and the Fourth of July – and I start thinking about those concepts on a lot of different levels. The most obvious level in this context, of course, is the legal aspect. However, last Tuesday I referenced the nine obstacles (and their four accompanying physical-mental experiences) outlined in Patanjali’s Yoga Sūtras and, if you go back, those obstacles and ailments are kind of floating under all of this week’s posts, classes, discussions, and meditations. Because, as it turns out, our minds are one of the biggest obstacles to anyone of us experiencing true freedom, liberation, and independence.

Tonight (Monday, July 5th), as well as during the Juneteenth class and in the First Friday Night Special post-practice blog post, I shared the story of how circus elephants are trained not to move beyond a designated circumference.  It’s a story I’ve seen and heard a lot of people tell, but I first came across it because of Steve Ross’s yoga practice. The story is a great reminder about how powerful the mind is, how it can literally stop us in our tracks. And, while we might name an endless list of things holding us down and holding us back, it really comes down to one thing: our relationship with fear.

Fear is an emotional response to a perceived threat. I say it all the time: The threat doesn’t have to be real, but the emotional and embodied experience is real. Additionally, a perceived threat can be in the past and yet the emotionally embodied experience can still actively experienced in the present (and, as Lisa Nichols points out, projected into the future). Both fear of failure and fear of success can paralyze us, because at a very early age we were taught that fear equals danger and, when we feel the associated sensations, we have to be still or turn back.

Yes, on a neurophysiology level, fear activates our sympathetic nervous system which activates our fight-flight-freeze response. However, adults teach children what to fear and how to respond to that fear. We know not to stick our hand in the fire or on a hot stove for the same reason we know to look both ways before crossing the street: someone taught us to fear the consequences. Similarly, we teach those who come after us. As we grow through life, we keep the tool of fear – sometimes even more than we use the tool that is our awareness. Eventually, these lessons in fear are just like everything else we experience in life; they hardwire our brains and create samskaras (“mental impressions”).

We view our experiences through previous experiences. Over time our reactions to certain sensations (including certain thoughts) feels instinctual – even though  they’re conditioned. Over time, there’s very little (if any) difference between the way we react to the possibility of failing, falling flat on our face, and/or embarrassing our self  and the we  react to the possibility of a snake in our path.

“As a rope lying in darkness, about whose nature one remains uncertain, is imagined to be a snake or a line of water, so Atman is imagined in various ways.


When the real nature of the rope is ascertained, all misconceptions about it disappear and there arises the conviction that it is nothing but a rope. Even so is the true nature of Atman determined.”


– quoted from “Chapter 2 – Vaitathya Prakarana (The Chapter on Illusion)” (verses 17 and 18) of Mandukya Upanishad [English translation by Swami Nikhilananda]
   

Remember, I’m talking about the possibility here. I’m talking about the point when the brain goes, “What is that?” Someone can tell you, “Oh, that’s just a big hank of rope someone left out when they pulled their boat in,” but, if you’ve lived around water moccasins your whole life, the adrenaline might already be pumping. It may not even matter that you’re in a part of the world that doesn’t have cottonmouths. You’ve been conditioned – by yourself and others – to stay safe. Just the idea of something we fear can bring up the sensations. In fact, just reading the words above might have caused your body to tense up in preparation. (I know just typing it does the same for me!)

Sacred texts from India, like the Upanishads (“sitting near” devotedly) and the Ashtavakra Gita (The Song of the Man with 8-Bends in His Limbs), often use the idea of a snake to describe our experience with māyā (“illusion”). Interestingly, Death sometimes shows up in Hindu mythology as a snake called Yama, which can be translated into English as “binder” and is also the same Sanskrit word used for the first limb of the Yoga Philosophy (Yamas), which consists of five “external restraints.” In other words, the snake we see in the road is a limitation – even if it’s not a snake.

“It is not that you must be free from fear. The moment you try to free yourself from fear, you create resistance against fear. Resistance in any form does not end fear. What is needed, rather than running away or controlling or suppressing or any other resistance, is understanding fear; that means, watch it, learn about it, come directly into contact with it. We are to learn about fear, not how to escape from it, not how to resist it.”


– Jiddu Krishnamurti

I don’t think J. Krishnamurti was telling people to walk up on something that might be a snake and poke it with your finger – just as the writers of the Vedic texts were not necessarily telling people to put themselves in dangerous situations in order to confirm the nature of reality versus illusion. Instead, the practice is about going deeper into the mind-body experience. Where, for instance, do you hold your tension, discomfort, and dis-ease? Where do you hold your fear, anger, disappointment, grief, and confusion? Where, as I asked people on Zoom, do you not feel free, liberated, and independent?

Breathe into those spaces where you don’t feel free, liberated, or independent. Remember, your awareness and your breath are tools you carry with you everywhere. Don’t be a fool! Use those tools! Use the inhale to explore those places where you are holding tightness and create space around those places. Maybe imagine that you are blowing into those areas like you blow into a balloon and feel that expansion. Then, use your exhale to let something go. You may not be ready to let go of everything – and, it’s important to acknowledge that. Just release what you can release and let go of whatever is ready to go.

“There’s a darkness
Living deep in my soul
It’s still got a purpose to serve”


– quoted from the song “Put Your Lights On” by Santana and Everlast

One of my favorite songs, and one of the star-studded collaborations included on Santana’s record-breaking album Supernatural, was written by Everlast. The title comes from what we do when we’re driving as the sun sets, when we start driving at night, or when it starts to rain: We put our lights on so we can see and be seen. We put our lights on to avoid danger. We put our lights on so we can be less afraid. One of my favorite verses (quoted above) is a reminder that sometimes we need the limitation. Remember, fear is an important neurophysiological tool – that’s why it’s such a great teaching tool. However, we can’t let the tool rule our whole life. Sometimes we have to remember, as the angel in the song also reminds us, “I got nothing to fear.”

When we can, and when we are willing, letting go of something – some attachment to the past, some fear of the unknown – makes us like the elephant that looks down and realizes there’s no stake, no chain, and no shackle. We’re free!

I’ve heard stories about elephants that are considered “escape artists” and no amount of “training,” no matter how brutal, can keep them from testing the limits of their binds. Most elephants, however, never seem to look down. I’ll admit I don’t know a lot about pachyderms. I know the location of their eyes limits them in some way, as does bright lights; so, maybe they can’t see around their trunk and tusks. But, the most likely scenario (especially in cases where the shackle is removed) is that they have been conditioned to fear what happens if they go beyond the originally established boundary.

Ultimately, the circus elephants are limited by their mind-body connection. As are we; which means, if we want to be truly free, in a physical-mental and emotional-energetic way, we have to recognize our stakes to pull them up. We have to recognize our chains to break them. We have to recognize our shackles to release ourselves.

“‘You are the one witness of everything and are always completely free. The cause of your bondage is that you see the witness as something other than this.

If one thinks of oneself as free, one is free, and if one thinks of oneself as bound, one is bound. Here this saying is true, “Thinking makes it so.”’”


– quoted from the Ashtavakra Gita (1.7, 1.11) [English translation by John Richards]

There is no playlist for the Common Ground Practice.

Do you need your high beams or your parking lights (to see your chains)?

“We may think that if we ignore our fears, they’ll go away. But if we bury worries and anxieties in our consciousness, they continue to affect us and bring us more sorrow. We are very afraid of being powerless. But we have the power to look deeply at our fears, and then fear cannot control us. We can transform our fear….


Fear keeps us focused on the past or worried about the future. If we can acknowledge our fear, we can realize that right now we are okay. Right now, today, we are still alive, and our bodies are working marvelously. Our eyes can still see the beautiful sky. Our ears can still hear the voices of our loved ones.”


– quoted from “Introduction – Fearlessness” of Fear: Essential Wisdom for Getting Through the Storm by Thich Nhat Hanh

### Let Wisdom Speak Over Fear ###

Needing to Move, a little or a lot (the Tuesday post) June 29, 2021

Posted by ajoyfulpractice in Abhyasa, Books, Changing Perspectives, Faith, Fitness, Healing Stories, Health, Hope, Life, Loss, Love, Pain, Philosophy, Suffering, Tantra, Tragedy, Vairagya, Wisdom, Yin Yoga, Yoga.
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“Some days or weeks when you are practicing, the mind will be calm and easily concentrated, and you will find yourself progressing fast. All of a sudden the progress will stop one day, and you will find yourself, as it were, stranded. Persevere. All progress proceeds by such rise and fall.”

 

 

– quoted from the commentary on Yoga Sūtra 1.30 from Raja Yoga by Swami Vivekananda

It happens to all of us, at one time or another: We hit a wall, an obstacle. In Yoga Sūtra 1.30, Patanjali names nine obstacles to the practice – which are really nine obstacles to anything: disease, mental inertia (or laziness), doubt, lack of enthusiasm (sometimes translated as carelessness, lethargy or sloth, clinging to sense cravings, false understanding, an inability to reach the goal of concentration, and an inability to maintain the goal. These nine obstacles coincide with four physical-mental experiences. Naming these obstacles (and the arising experiences), when we experience them, can be helpful in helping us (as Marcus Aurelius instructed himself) find the way forward.

However, there is a tendency, for some of us, to really dig into WHY we hit the wall. We want to know the “why” so that we can avoid it in the future – and there is merit in that. Such inquiry can benefit us, can directly and indirectly benefit those around us, and can also benefit people we have never met and will never meet. However, sometimes, all that digging into what was can itself become an obstacle. Sometimes, all that inquiry can keep us from moving forward.

Before I move forward with this line of thinking, let me point out that we can sometimes get stuck because of our perceptions about moving forward. Moving forward looks different to different people and/or in different circumstances. For example, I just heard about a junior Olympian who, for a variety of reasons, had to take a break from training. Moving forward for her looks like getting back to training. On the flip side, if you (or someone you know) were stuck in a toxic, maybe even physical and/or mentally abusive relationship, moving forward looks like staying out of that relationship. It also means staying away from similarly toxic relationships – because, otherwise, you’re stuck in the same pattern and not moving forward at all. Even if the people in these scenarios are getting unstuck at the same time, the way they move forward is going to look different.

So, clearly, to move forward we have to move. Right? Well…. Yes, and no.

Even before we get to the no; let’s talk about the yes. The human mind-body is designed to “flow” or move. Not only is the basic construction of the mind-body conducive to moving, one of its primary systems, the lymphatic system, functions through movement. The lymphatic system is part of the cardiovascular (or circulatory) and immune systems, and is also connected to the digestive system. It plays a crucial part in our overall health and requires muscular movement (contraction and release) in order to function.

Movement serves as the pump that moves lymphatic fluid through the lymph nodes strategically located throughout the body. The lymphatic fluid brings in the cells that kill abnormal cells and foreign substances (which cause disease); can re-circulate protein cells; washes away dead cells and debris; and carries that (liquid) waste to the kidneys so that it can be flushed out of the body. The lymphatic system also helps the body to absorb (nutritional) fat and removes excess liquid from the body, in order to prevent inflammation that can lead to disease. The very act of breathing facilitates the movement of the lymph. But, it moves it in a limited fashion; which means that, when someone is unable to move their muscles on their own, having externally provided manipulation/stimulation can be helpful (and that can occur in a lot of different ways).

So, yes, the human mind-body needs to move. The question is, on any given day, how much movement do you need? And how do you know what kind of movement you need? My friend and fellow yoga teacher Sandra Razieli once said that sometimes she starts moving and if she feels better she keeps going. On the flip side, if the movement she’s doing doesn’t make her feel better, even a little bit, she changes what she’s doing. (I identify Sandra as a “fellow yoga teacher,” but honestly she’s a movement facilitator and has a knowledge base of kinesiology and neurophysiology that exceeds a basic knowledge of āsana.) Sandra’s guideline is consistent with a similar one from Wade Imre Morissette, a Canadian yoga teacher and musician, who once said that if you finish your yoga practice and you don’t feel a little better than something went wrong.

“The nine obstacles described in the previous sutra rob the body of vitality, strength, stamina, and agility, and the mind of clarity and peace. The absence of these obstacles is the ground for joy. Their presence is the ground for pain, which in turn leads to four other debilitating conditions: mental agitation, unsteadiness in the limbs, disturbed inhalation, and disturbed exhalation.”

 

– quoted from the commentary on Yoga Sūtra 1.31 from The Secret of the Yoga Sutra: Samadhi Pada by Pandit Rajmani Tigunait, PhD

It makes sense that people who are, for the most part, in “the business of movement” would tell people to move. And, sometimes, you might come to a practice and be amazed that the teacher “magically” knows the kind of movement you needed to feel better. You might even be amazed when, a day or so later, you attend class with another instructor and they are “magically” leading a practice with similar elements. Of course, part of your amazement comes from (1) not considering that we all have mind-bodies that are subjected to similar external factors; (2) while there are a lot of different ways to access certain parts of the body, people in a similar region (who were trained in a similar style/tradition) are going to be most familiar with the same methods; and (3) certain things are needed in order to safe and mindfully access certain parts of the mind-body. People “in the business of movement” are also going to tell you that it’s important to be still, to not move – that’s why we have Śavāsana!

If you look at anything in nature, including your own mind-body, you will find evidence of Sir Isaac Newton’s Third Law of Motion: For every action, there is an equal and opposite reaction. This is how nature finds balance, by moving between extreme states of imbalance. Things ebb and flow; we inhale and exhale; muscles contract (eccentrically and concentrically) and then release. Just like a motorized vehicle, we have an accelerator and a brake in the form of our sympathetic and parasympathetic nervous systems.

The sympathetic nervous system, which is associated with the fight/flight/freeze response, is related to action. The parasympathetic nervous system, which is associated with our ability to rest/digest/create, is the opposite reaction. They go hand-in-hand. We need one in order to have the other. And, sometimes, we find that we are not fully engaging in one because we are not fully engaging in the other. We are out of balance. We are stuck.

Again, when we are stuck, we have to figure out what is going to move us. Maybe it’s a really vigorous vinyasa practice or a ViniYoga practice (where there’s movement, but it’s not inherently “super sweaty. ”Maybe it’s a more static “Power Yoga” vinyasa practice. That said, what we need might be a Yin Yoga practice, a Restorative Yoga practice, or something in between those aforementioned practices (like an Iyengar Yoga practice). Or maybe what we need is to dance or walk, play catch with the kids, and/or do some somersaults – and it has absolutely nothing to do with yoga. We may not always know what we need, but we know when we need something to move us forward.

“That man [my father], sitting on his plastic mat in 1970, was lonely. His search had brought him to a place he didn’t quite grasp, one that lacked the reassurance of a clearly traveled path in front of him. I have my own version of that loneliness. I, too, am searching for something transformative. While I do have a yoga teacher, we have never lived in the same city. While I do practice where yoga is more widely accepted, I do so from within a paralyzed body. I do not know where the work is going, or even what is possible. But, while the work may be solitary, the impetus comes from loving the world, from wanting to join it. I wonder if he knew this, too.”

 

– quoted from “Part Three: Yoga, Bodies, and Baby Boys – 12. Taking My Legs Wide” of Waking: A Memoir of Trauma and Transcendence by Matthew Sanford

Which, brings me back to yoga – or, really, any group activity (even on Zoom) – where you can tap into the collective momentum of the community. Taking a class on Zoom, YouTube, or any other virtual platform is not the same as taking a class in person. However, it can have similar advantages: there’s (still) a sense of community; someone else keeping track of time; someone keeping you accountable; and someone offering suggestions and (sometimes) “magically” knowing what you need. What happens, however, when you show up and the movement being suggested isn’t what you need?

First and foremost, it is important to remember that “This is your practice.” is not just something that we say. We say it because it’s true. Second, there are a lot of different ways to get into (and out of a pose); different ways to practice a pose/sequence; and most importantly, there’s more than one way to access a certain part of your mind-body. If your instructor/teacher doesn’t offer you options, ask for them! Finally, one of the advantages to a virtual practice, is that if you find that the movement isn’t exactly what you need in that moment, you can turn off your camera (if you’re live) and just take advantage of the other benefits to practicing in a community – and you can do so without the stigma or confusion that can sometimes occur when you do your own thing in a public setting.

“Self-nurturance is a key to taking care of the body. Resting when we need to rest, eating well, exercising, and giving the body pleasure all help to keep the first chakra happy. Massages, hot baths, good food, and pleasant exercise are all ways of nurturing ourselves and healing the mind/body split that results from the mind over matter paradigm. We cannot be integrated and whole if the two polarities are pitted against each other. Instead, through the body, we can have an experience of mind within matter.”

 

– quoted from “Chapter 2, Chakra One: Earth – The Body” of Wheels of Life: A User’s Guide to the Chakra System by Anodea Judith, Ph.D.

 

Please join me today (Tuesday, June 29th) at 12:00 PM or 7:15 PM for a yoga practice on Zoom. Use the link from the “Class Schedules” calendar if you run into any problems checking into the class. Give yourself extra time to log in if you have not upgraded to Zoom 5.0. You can request an audio recording of this practice via a comment below or by emailing myra (at) ajoyfulpractice.com.

 

Tuesday’s  playlist is available on YouTube and Spotify. [Look for “10202020 Pratyahara”]

 

Last year’s post on this date came at the practice from a slightly different perspective!

In the spirit of generosity (“dana”), the Zoom classes, playlists, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). If you don’t mind me knowing your donation amount you can also donate to me directly. Donations to Common Ground are tax deductible; class purchases and donations directly to me are not necessarily deductible.)

 

If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can call 1-800-273-TALK (8255). You can also call the TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING. 

If you are a young person in crisis, feeling suicidal, or in need of a safe and judgement-free place to talk, call the TrevorLifeline (which is staffed 24/7 with trained counselors).

 

 
 

### You’ve Got To Move It, Move It! ###

 

It’s A Kiss My Asana “Flashback Friday” April 3, 2020

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“You want it bad you want it oh so much
There are some things that you should know
Some things that someone like you just cannot touch

 

You weep and dwell on our loss
Stand denied by the nails in the cross
And I for one you for two
Knows no one’s gonna do it for you
No one’s gonna do it for you”

– “No One’s Gonna Do It For You” by The Hellacopters

A lot of people, most people I would surmise, have a moment when they wish all the hard stuff was over – that they could just go to sleep and wake up with their problems solved. Can you imagine what that would be like right now? Can you imagine what it would be like if you fell asleep tonight and, when you woke up, all of this was over? No more pandemic, no more social distancing, no more self-quarantines.

Now, can you imagine what it would feel like if you actually slept through all of this…and woke up to find the world changed? Everyone else has lived their way into a new normal and you are just discovering that the old normal is…history.

Yes, this would make a great story – but it’s not a new story; it’s actually a very old story. It’s a story that predates all the specific details of this present moment, but a story that endures because it touches on some very basic and universal truths:

  1. Suffering happens (This is the first of the 4 Noble Truths from Buddhism.)
  2. Change happens (Or, as Heraclitus put it over 400 years BCE, “You could not step twice into the same river” – which implies that we want things to stay the same.)
  3. “We must be willing to get rid of the life we’ve planned, so as to have the life that is waiting for us.” (Joseph Campbell as quoted in Reflections on the Art of Living: A Joseph Campbell Companion by Diane K. Osbon)
  4. As much as we want it to be otherwise, “no one’s gonna do it for you.” (The hard part of adulting, and lyrics from a song by The Hellacopters.)

Just to clarify, the four (4) items above are NOT the 4 Noble Truths, but it’s no accident that they mirror them or that I’ve pulled statements from what appears to be vastly different sources. And yet, and yet…. The reason why these elements can be found in philosophy, religions, comparative mythology, and rock music (even literature and mathematics) is that they are elements of the human experience. We find them everywhere; we find them inside of ourselves.

“You must unlearn what you have learned… No. Try not. Do. Or do not. There is no try.”

 

– Yoda in Star Wars: The Empire Strikes Back (and a quote I used during a 2019 Kiss My Asana donation-based class)

Kiss My Asana is an annual yogathon, to raise awareness and resources for Mind Body Solutions and their adaptive yoga program. Founded by Matthew Sanford, Mind Body Solutions helps those who have experienced trauma, loss, and disability find new ways to live by integrating both mind and body. They provide classes, workshops, and outreach programs. They also train yoga teachers and offer highly specialized training for health care professionals.

This year’s yogathon is only a week long. Seven days, at the end of the month, to do yoga, share yoga, and help others.  By participating in the Kiss My Asana yogathon you join a global movement, but in a personal way. In other words, you practice yoga… for 7 days.

We’re doing this, right?

You don’t need to wait until the end of the month, however, to consider how you might participate. Start thinking now about how you can add 5 minutes of yoga (or meditation) to your day, how you can learn something new about your practice, or even how you would teach a pose to someone close to you – or even to one of your Master Teachers/Precious Jewels.

To give you some ideas, consider that in past years my KMA offerings have included donation-based classes and (sometimes) daily postings. Since it’s “Flashback Friday,” check out one of my previous offerings dated April 3rd (or thereabouts):

30 Poses in 30 Days (scroll down to see April 3rd)

A Musical Preview (scroll down to see March 3rd)

A 5-Minute Practice

5 Questions Answered by Yogis

Answers to Yogis Questions

A Poetry Practice

A Preview of the April 3rd Practice

My next virtual practice is on Saturday. Use the same Meeting ID as last week’s class or, if you were unable to attend last week, check out the “Class Schedules” tab. You’ll find access details in the calendar description for Saturday, April 4th. I’ll post the playlists by Saturday morning.

Also, if you are interested in YIN Yoga, plan to join me and a special guest on Wednesday (April 8th) for a special webinar/mini-practice at 3 PM. Details to be announced.

“No One’s Gonna Do It For You”

 

### KAALI DURGE NAMOH NAMAH ###

THROWBACK THURSDAY! March 26, 2020

Posted by ajoyfulpractice in Books, Buddhism, Changing Perspectives, Depression, Dharma, Faith, Fitness, Gratitude, Healing Stories, Hope, Karma Yoga, Life, Loss, Love, Minneapolis, Music, Mysticism, One Hoop, Pain, Passover, Philosophy, Poetry, Religion, Robert Frost, Suffering, Tantra, Tennessee Williams, Texas, Traditional Chinese Medicine, Tragedy, Twin Cities, Wisdom, Writing, Yoga.
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“Lonely . . . When so many are lonely as seem to be lonely, it would be inexcusably selfish to be lonely alone.”

– Don Quixote in the Prologue to Camino Real by Tennessee Williams (b. 3/26/1911)

Just because we are alone – and in some cases lonely – is not a reason to go it alone. Tennessee Williams wrote, “For time is the longest distance between places.” “Throwback Thursday” is a way to look back, but we can’t actually go back in time, we can’t bridge that distance of which Williams speaks. We can, however, bridge the physical distance of social isolation by reaching out (virtually speaking, of course).

Call, text, email, write a letter, make a chalk drawing, or use any of a variety of technological advances to connect to a stranger or a friend. Remember, we are all in this together – and we will succeed or fail based on how we are together, even when we are apart. Remember, in A Streetcar Named Desire, Blanche DuBois says, “I always depended on the kindness of strangers.” Right now, we are all Blanche…but we are also those strangers.

Love/ loving-kindness (chesed in Hebrew) is an aspect of the Divine. In fact, not only is it one of the ten ways (according to Jewish mysticism) that G-d is revealed to the world, it is one of the 7 aspects people contemplate if they are counting the Omer during Passover. Just like in Eastern philosophies, like yoga, Kabbalism associates loving-kindness with the arms (specifically, the right arm). As you go through your practice – or through your day – bring awareness to how you use your right arm. Are you using it to express your heart or withhold your heart?

“(1) If I could speak all the languages of earth and of angels, but didn’t love others, I would only be a noisy gong or a clanging cymbal. (2) If I had the gift of prophecy, and if I understood all of God’s secret plans and possessed all knowledge, and if I had such faith that I could move mountains, but didn’t love others, I would be nothing. (3) If I gave everything I have to the poor and even sacrificed my body, I could boast about it; but if I didn’t love others, I would have gained nothing.”

– 1st Corinthians 13:1 – 3 (the part just before all the “famous parts” people use in weddings, movies, and songs)

Consider, for a moment, that when Saint Paul and Sosthenes wrote their letter to the church in Corinth, before they spoke of what love was, they spoke of what love was not. This is very similar to passages which appear in the Upanishads, ancient Sanskrit texts, where a teacher – and then his spouse – point out that the Divine is not this or that (neti, neti) thing that is so obvious. The Divine is not (just) what is obviously seen, but what is unseen, what is felt. (Yes, yes, but neti,neti: this is not the throwback you’re looking for.)

We can never really know how much it means to someone when we do something nice for them simply out of the kindness of our hearts. They can say thank you a million times – and we may even feel the sincerity of their gratitude – and yet that feeling pales in comparison to the love they felt from the kindness.

“Something we were withholding made us weak
Until we found out that it was ourselves
We were withholding from our land of living,
And forthwith found salvation in surrender.”

– excerpt from the poem “The Gift Outright” by Robert Frost (b. 3/26/1874)

For Throwback Thursday, here’s last year’s post about the birthday authors I typically include in today’s practice.

While I am not teaching today (Thursday), I am going to spend part of today and Friday updating my schedule to reflect streaming classes I will start offering Saturday – Wednesday.

Right now I am planning to offer seven (7) classes on Zoom. These are (mostly) during times when I had studio classes and they will be (mostly) open for anyone to attend. You can purchase or renew a package on my online store or you can make a donation to Common Ground. (Donations are tax deductible and I will receive the bulk of the donation.)

I want you to practice; so don’t let any financial issues be an obstacle you can’t get over! If you need it, I got you. Yoga means union.

 

### BETTER & BETTER ###

Can You Handle the Truth? December 23, 2018

Posted by ajoyfulpractice in 108 Sun Salutations, 40-Day Challenge, Abhyasa, Bhakti, Buddhism, Changing Perspectives, Dharma, Faith, Fitness, Food, Gratitude, Hope, Japa, Japa-Ajapa, Karma, Kirtan, Life, Mala, Mantra, Meditation, Minneapolis, Minnesota, Music, Mysticism, New Year, Peace, Philosophy, Surya Namaskar, Tantra, Traditional Chinese Medicine, Twin Cities, Vairagya, Wisdom.
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This time last year I wrote, “2018 promises to be a year full of challenges.”

Little did I know how true that statement would be.

Oxford Dictionaries define “true” as an adjective meaning “in accordance with fact or reality…genuine…real or actual…accurate or exact…. in tune.” True can also be used as a verb when applied to something that is bringing “(an object, wheel, or other construction) into the exact shape or position required.” It originates from Old English words meaning “steadfast, loyal” and is related to a Dutch word meaning “faithful” and a German word meaning “loyal to.”

I could continue going down the rabbit hole, examining the meaning and origins of all the target words, but ultimately we know the truth when we see it…or hear it. Or do we?

Blink: The Power of Thinking Without Thinking promotes the power of insight and intuition; of knowing without knowing why we know something is true. Yet, Malcolm Gladwell also points out that, “We have, as human beings, a storytelling problem. We’re a bit too quick to come up with explanations for things we don’t really have an explanation for.” In other words, the brain gets in the way of the heart.

Our brains make us humans notoriously bad witnesses. Our brains fill in the gaps to make sense of puzzles we’ve created and, theoretically, to preserve the idea that we are not ignorant about things we are supposed to know. We make up stories, even when we’re the only one paying attention to the story in our head. In Musicophilia: Tales of Music and the Brain, Dr. Oliver Sacks wrote, “The brain needed to stay incessantly active, and if it was not getting its usual stimulation…, it would create its own stimulation in the form of hallucinations.”

Oxford defines “hallucination” as “an experience involving the apparent perception of something not present.” This last year, really the last two – going on three – years, it’s felt a little like the quality and state of being true was a hallucination. People say one thing and do something completely opposite. People accuse one another of lying. Technology allows us to morph our faces, our voices, our words, and to create realistic holograms of people who are no longer living. More and more it seems that everything real is an illusion.

Of course, the idea that everything we are experiencing is a dream, an illusion, a delusion – or a computer generated program – is nothing new: It’s part of the foundation of many philosophies, including yoga. Another part of philosophies like yoga and Buddhism is that there is a path to seeing things clearly, and that seeing things clearly is liberation.

“To live on a day-to-day basis is insufficient for human beings; we need to transcend, transport, escape; we need meaning, understanding, and explanation; we need to see overall patterns in our lives. We need hope, the sense of a future. And we need freedom (or at least the illusion of freedom) to get beyond ourselves, whether with telescopes and microscopes and our ever-burgeoning technology or in states of mind which allow us to travel to other worlds, to transcend our immediate surroundings. We need detachment of this sort as much as we need engagement in our lives.”

– excerpt from Hallucinations by Dr. Oliver Sacks

The fourth and final section of the Yoga Sutras focuses on liberation. Liberation, as Patanjali describes it, involves lifting the veil of ignorance and seeing the truth about everything, including ourselves. Patanjali also explains that the barrier/veil of ignorance can be thinned and then dissolved by birth, herbs, mantra (ajapa-japa), tapas (practices of intense discipline/austerity), or meditation. (YS 4:1)

Clarity; right view; seeing the truth – whichever way you describe it, it seems to be lacking in our current version of reality. And, as the war on truth continues, more and more people will desire it. If you are longing for a new year where you are in tune with your core values and connected to your intuition, consider starting 2019 with a practice, like yoga, which fits into that final definition of truth (see above): something that is bringing (an object, wheel, or other construction) into the exact shape or position required.

The following practices include at least three of the liberating methods mentioned by Patanjali in the Yoga Sutras:

Monday, December 31st – New Year’s Eve:

7:30 PM – 12:15 AM, Annual New Year’s Eve Celebration and Potluck, Common Ground Meditation Center (PLEASE REGISTER HERE)

 

Tuesday, January 1st – New Year’s Day:

9:00 AM – 11:00 AM, 108 Solar Powered Sadhana with Susan Meyer, Yoga Center Retreat (Please register)

10:00 AM – 1:00 PM, 108 Sun Salutations with Myra (reservations required, THIS EVENT IS FULL)

10:00 AM – 11:30 AM, New Year’s Day – Restorative Yoga with Shelly Pagitt, Yoga Sanctuary (please register, only 2 spots left as I post this!)

10:00 AM – 12:00 PM, New Year’s Day – All-Humanity Class with Matthew Sanford, Mind Body Solutions (Please register)

10:30 AM – 1:00 PM, New Year’s Day Yoga with Nancy Boler (reservations required, THIS EVENT IS FULL)

10:30 AM – 12:30 PM, 108 Sun Salutations + Champagne with Meghan Foley, UP Yoga (please register)

11:00 AM – 12:15 PM, New Year’s Donation Class with Indu Arora, Devanadi Yoga (please register)

11:00 AM – 12:30 PM, Vinyasa, Minnehaha Yoga

12:00 PM – 2:00 PM, 108 Sun Salutations with Greg Hines & live Cello music by Cory Grossman, Yoga Sanctuary (please register)

12:00 PM – 1:30 PM, New Year’s Day Sankalpa with Justyn O’Neill, Radiant Life Yoga (please register)

12:15 PM – 2:15 PM, 108 Sun Salutations with Jennifer Davis, Blaisdell YMCA (open to YMCA  members and their guests)

12:30 PM – 3:00 PM, Sankalpa~New Year Intentions workshop with Shelley Pagitt (please register)

2:00 PM – 4:00 PM, Ganesha and New Beginnings for 2019 with Tara Cindy Sherman, Yoga Center Retreat (please register)

2:00 PM – 4:00 PM, Sankalpa Shakti: The Power of Inspired Intention with Ben Vincent, One Yoga (please register)

4:30 PM – 6:30 PM, Restorative + Yoga Nidra with Tara Cindy Sherman, Yoga Center Retreat (please register)

5:00 PM – 7:00 PM, YIN Yoga + Meditation with Myra, Nokomis Yoga (reservations required)

 

Saturday, January 5th:

1:00 PM – 3:30 PM, New Year’s Intention Setting Ritual with Amy Patee (please register)

 

Sunday, January 6th:

9:30 AM – 5:30 PM, Vincent Yoga New Year’s Retreat: A Day of Reflection, Illumination and Resolution

 

My apologies to any teachers or studios in the Twin Cities who are hosting an event that is not listed above.

 

~ OM SHANTI ~

RELAX * RELEASE * REST * RENEW * HEAL – NEW YEAR’S DAY 2019 December 18, 2018

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Start the New Year with a 2-hour retreat into yourself. Enfold into the wisdom of your heart and let your heart’s desire unfold. Be inspired.

Despite our modern day penchant for fireworks and parties, a new year begins much as it ends: quietly. Here in the Northern Hemisphere, we observe the secular New Year when much of nature is hibernating. We hustle and bustle, struggling to start, continue, or end. Meanwhile, beneath the surface, things and beings are waiting.

Waiting…it seems so passive and unyielding.

Waiting…it is easy to forget the importance of resting, relaxing, and being still…letting things germinate and take root.

Waiting…. In many philosophies and religions, including the Abrahamic religions, great emphasis is put on the importance of waiting, specifically because something or someone is coming.

Yet, no one really wants to wait for our dreams to come true. We want it now! And, we want to be actively working towards that goal. Unfortunately, sometimes, we forget about the importance of waiting…resting…reflecting…planning.

As one year ends and another begins, we are given the opportunity to reflect and plan. We can reflect on the events of the previous year – and how we dealt with them. We can plan for a new year of events – and how we want to deal with them. Making a resolution, even informally, seems natural to some and inevitable to others. It can also seem futile when you consider that (according to some statistics) only about 8% of people who make a resolution actually follow through with them.

Why are resolutions so hard to keep?

Resolutions are just like any other goal or dream that has a lot of expectation attached to it. In order for us to succeed we have to be all in – otherwise, we falter at the first obstacle. In order to be all in, we have to understand what it is we really want or need.

Ask yourself, how does this goal or desire serve me?

Every goal, every desire, every resolution has a purpose. Tapping into the power of the purpose, how the goal or desire serves us, allows us to connect to the underlying intention. Intention is compelling. Intention is the driving force that allows us to see an opportunity to succeed where we might otherwise falter.

Consider this sports analogy: Let’s say you’re a football team with a stellar passing game. Everybody knows your team has a stellar passing game; but, when you’re in the zone it doesn’t matter that the other team is trying to sack your quarterback or intercept every pass – there’s always a pocket, there’s always a hole. The problem comes in when you’re not in the zone and/or when you’re playing a team with an exceptional defensive line. A professional team, ideally, has practiced other options. However, even the pros play to their strengths and, sometimes strengths become blind spots. When it feels like everything is on the line – but nothing is going their way – that’s when we hit our blind spots. And, even the pros can end up in a situation where they’re strengths no longer serve them. Even the pros may forget that there are different ways to achieve the goal.

In The Four Desires, Rod Stryker outlines a formula for success which he calls the Creation Equation. Simply stated, the sum of the intensity of your desire plus the intensity of your efforts to achieve the goal has to be greater than the intensity of the resistance. Keep in mind, the resistance can come from a lot of different sources – including other people. Another thing to keep in mind is that sometimes the intensity of the resistance increases when your desire gets misplaced or transferred.

In the aforementioned sports analogy, for example, both teams have a strong desire to win. Each team’s desire represents a portion of the other team’s resistance. When practicing, however, the team with the stellar passing game focused their desire on having a stellar passing game. On the other hand, the exceptional defensive line focused on stopping everything. When it’s game time, the latter doesn’t care what you throw at them, they’re intense desire (i.e., their focus and their intention) is on stopping everything – by any means necessary. That intention puts them in the zone.

Every year, at the end of the 108 Sun Salutations, I lead a guided meditation which includes a group sankalpa that I then incorporate into my Saturday classes at the YMCA. The word sankalpa means will, determination, vow or intention. It can also mean resolution. But, the difference between the English and the Sanskrit is that within the Sanskrit word there is the vow and the way to achieve the vow, there is a guiding principle and the dedication to following it. A sankalpa combines the desire with the effort. To connect and to stay connected to that highest vow, it is important to clear the mind and focus/concentration/meditation on the heart’s desire.

When outlining the philosophy of the yoga in the Yoga Sutras, Patanjali put particular emphasis on the combined power of the last three (3) limbs of the practice: focus, concentration, and (perfect) meditation (YS 3:4-6). He also mentioned that there are five (5) ways, including tapah (“training the senses” or “austerity”) and samadhi (“meditation”), to reach higher awareness (YS 4:1).

The New Year’s Day japa-ajapa mala if 108 Sun Salutations is a vigorous practice which fits into the category of tapah and can involve samadhi. While not vigorous, a Yin Yoga practice, which involves settling into a special series of poses for long holds, also fits into the categories of tapah and samadhi. Both can clear the mind so that you can bring your full awareness to your heart’s desire.

My 2019 New Year’s Day mala is full, but I will post other practice opportunities. Also, I am excited to offer a Yin Yoga practice with guided mediation (5 – 7 PM). If you are interested in joining me for this special candlelight practice on New Year’s Day, please email me (Myra at ajoyfulpractice.com).

WHO: Everyone is welcome!

WHAT: A Yin Yoga practice addresses the deep tissue and connective tissue through a special series of supported poses held for 3 – 5 minutes. Props and awareness of the body creates an opportunity to relax the outer musculature. This candlelight practice also includes guided meditation.

WHERE & WHEN: Nokomis Yoga at 5:00 PM – 7:00 PM

WHEN: Tuesday, January 1, 2019

COST: This is a donation-based event. Since space is limited, please email Myra at ajoyfulpractice.com to save your spot.

~ HAPPY NEW YEAR! ~

WORKING TOGETHER – 2018 Kiss My Asana Offering #12 April 12, 2018

Posted by ajoyfulpractice in 31-Day Challenge, Abhyasa, Bhakti, Books, Buddhism, Changing Perspectives, Depression, Dharma, Donate, Dr. Martin Luther King, Jr., Faith, Fitness, Gratitude, Healing Stories, Health, Hope, Karma Yoga, Life, Loss, Love, Mala, Meditation, Men, Minneapolis, Minnesota, Music, Mysticism, One Hoop, Pain, Peace, Philosophy, Poetry, Suffering, Surya Namaskar, Tantra, Texas, Twin Cities, Vairagya, Vipassana, Volunteer, Wisdom, Women, Writing, Yin Yoga, Yoga.
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“As far as I can tell, daughter, it works like this:
You buy bread from a grocery, a bag of apples
From a fruit stand, and what coins
Are passed on helps others buy pencils, glue,
Tickets to a movie in which laughter
Is thrown into their faces.
If we buy a goldfish, someone tries on a hat.
If we buy crayons, someone walks home with a broom.
A tip, a small purchase here and there,
And things just keep going. I guess.”

– from How Things Work by Gary Soto

If you practice yoga (or anything) long enough – sometimes it only takes a few seconds, sometimes a few hours, sometimes days, sometimes months – you start to notice how things work. If you practice yoga (or anything) long enough – sometimes it only takes a few minutes, sometime a few weeks, sometimes years, sometimes a lifetime – you start to notice how everything is connected. The awareness of interconnectedness develops on and off the mat.

But, let us just begin with awareness on the mat.

The physical practice, hatha yoga, regardless of the style or tradition, is a combination of the third limb of the philosophy (asana, seat) and the fourth limb (pranayama, awareness or extension of breath/life force). Again, regardless of the style or tradition, building a pose starts with establishing a base – that’s the seat – and then building from the ground up so that you can breathe – that’s the awareness of breath. This makes sense, right? I mean, a carpenter does not build a house by magically floating a chandelier over an empty space and then building the ceiling, followed by the walls, and then the foundation. And, even if they used a crane instead of magic (to hold up the chandelier) at some point they have to figure out a way to remove the crane. One method makes sense, and is sustainable. One method might be a fun experiment, but eventually leads to chaos and a big mess.

Vinyasa is a technique as well as a very popular style of physical practice in the West. It involves the linking of breath and poses, but the way in which it is practiced can look and feel very different – depending on how and why things are connected. When we think of vinyasa as “flow,” instead of the literal “to place in a special way,” we may miss why some poses feel natural when linked together and why other sequences feel awkward and clunky.

Vinyasa karma is the science of placing things in a (special) way that leads to a step-by-step progression towards a goal. There is an element of vinyasa karma in every good practice – even when the practice is not a vinyasa practice. Here, I am defining a “good” practice as being one where you feel your time on the mat was well spent and that time leaves you feeling more connected. And, over time, you may notice that it is the sequencing of poses which creates that sense of connectedness.

Sequencing can also help us gain more awareness of how things work, because it brings our awareness to how we prepare. When we are focused only on the outside of the body, and not on the inner engagement or the breath, we miss the opportunity to prepare for the next pose or the next breath. Yes, the body and the mind can do amazing things – including, if we desire it enough, contort into one pretzel shape after another – but, some amazing feats are not sustainable.

For instance, if a non-dancer or non-gymnast starts off a physical practice with a big back bend like Camel Pose (Ustrasana) they may find the legs are a little shaky, the hips sink back, the core collapses, and the upper back is stiff – in fact, they may find the only thing ready for the pose is a hyper-flexible neck: Notice the difference. One the flip side, a person who works hunched over at a desk or an assembly line all day can progress into the pose if they first do something to engage the strength of the legs; the flexibility of the hips; the stability of the core; and the flexibility of the full spine, shoulders, and arms. What they do to achieve these effects depends on the style and tradition and, ideally, on the individual needs of their mind-body-spirit.

As another example, consider how you move into a balancing pose. Some people establish a base, shift the weight, engage the core, and “float” up. They then spend their time in the pose breathing deeply in, breathing deeply out. On the other hand, some people “jump” into balancing poses. They often get lucky – which means they don’t immediately crash and burn, but they may spend the whole time in the pose worried that they are going to crash and burn. Yes, everybody falls down. The question is what did falling down teach you?

The body and the mind have a way of naturally finding balance within the imbalance. When we mimic the body’s natural tendencies, we feel stronger, more flexible, more open and lighthearted, more grounded, and more at ease within ourselves and our surroundings. When we feel more connected to ourselves and our surroundings, we also have more awareness into what is. More awareness leads to more insight, which enables us to respond, rather than react, to the situations in which we find ourselves. (Note: Vipassana is a very popular technique and style of meditation that literally means to see in a special way.)

Great teachers, on and off the mat, have said, “You don’t have to believe me. Try it for yourself.” In “Looking Around, Believing,” Gary Soto wrote, “How strange that we can begin at any time.” Begin now.

How Things Work + Looking around, Believing + Between Words – by Gary Soto

(Practice Time: ~ 15 – 20 minutes)

Very deliberately and mindfully place yourself in Child’s Pose (Balasana). Notice how your body rests between or on your legs, and make sure your knees are comfortable. Remember, you can always place a cushion under the knees, under the hips, or under the chest. Notice how your head rests so that your neck can lengthen. Breathe and notice how the body expands on the inhale, settles on the exhale.

Start to engage your locks (bandhas) on the exhale: spread the toes and press the feet down (in this case tops of the feet down) for the Foot Lock (Pada Bandha); squeeze the perineum muscles together, lifting the pelvic floor for the Root Lock (Mula Bandha) – which engages your lower abdominal cavity; belly button up and back for abdominal core lock (Uddiyana Bandha) – which engages your upper abdominal cavity; draw the chin towards the throat and chest, lengthening the neck, for the Throat Lock (Jalandhara Bandha). Notice your awareness of your body when the locks (bandhas) are engaged versus when they are released.

Once you’ve engaged your mind-body-spirit, move into Table Top: stack shoulders over elbows, elbows over wrists, hips over knees. Press down to lift up, activating the arms, the legs, and the lower three (3) locks. Notice the length of the spine, and how you support it. Notice the air again shifting around you. Move through Cat/Cow or the “Un-Cat” sequence precisely matching the movement to the breath. Move from your core so that the gaze is the last thing to come up and the last thing to turn down.

Once your mind, body, and spirit are synchronized, curl your toes under and exhale into Downward Facing Dog (Adho Mukha Svanasana). Double check your engagement of the pose. Make sure all your fingers are spread wide, with the majority of the weight/pressure in your hands moving into the thumb and first finger. (So that, there is less weight/pressure applied to your outer wrists.) When you relax your head and shoulders, make sure your big toes are parallel to each other and at least a foot apart. Big toes can be behind the thumbs or behind the middle fingers. Hips are high, heels are low (reaching, but not necessarily touching the mat); and neck is long. Even if you have to bend your knees, find Cow Pose in this position (so that you have a straight line from your middle fingers all the way up to your hips and then a second straight line from your hips to the back of your knees). Eyes are on your nose, your belly button, or the space between your toes. Engage your locks (bandhas) as you are able. Engage the air between your arms, between your legs, and in the space beneath your body. Notice the feeling of your entire back body (including legs and feet).

Remember you can skip the arm balancing, by moving into Staff Pose (Dandasana) and positioning the arms accordingly or using “Dolphin Dog.” Another modification would be to do the pose on the wall. Either way, strongly engage your legs and your core. Notice the feeling of your entire back body (including legs and feet).

Stretch back (meaning, push your spine towards your thighs) and on an exhale walk your hands to your feet or bring your hands and feet together. Once hands are in line with the toes and heels are flat to the mat, inhale to a Half Lift/Flat Back or Extended Forward Bend. (This pose may be called Ardha Uttanasana or Urdhva Uttanasana.) Place your hands on your thighs and press the shoulders into the metaphorical back pockets. Remember, you want to engage in a similar fashion to Cow Pose, Staff Pose, and Downward Facing Dog. In fact, inhale and find a little bit of Cow Pose (even if you have to bend your knees). Now, press the heels down and – as much as you are able without losing the extension of the spine – engage the quadriceps to extend through the knees and press the thigh bones into the wall behind you. Engage your locks (bandhas) as you are able. Again, notice the feeling of your entire back body (including legs and feet).

If you have unregulated blood pressure, low back issues, eye issues like glaucoma, or if this is already challenging, remember to stay here with knees bent.

Otherwise, if it is not contraindicated, bend the knees and flex from the hips to prep Forward Bend (Uttanasana). Keeping the upper back extended, place the hands on the floor or a block and begin to extend through the legs while pressing the thigh bones into the backs of your legs. Do not force the extension. Use the exhales to settle the heart on the thighs (as much as you are able without losing the extension of the spine.) If your legs are completely straight, make sure the knee caps are lifted and that you are not hyper-extending the knees. Also double check to ensure that if the knees are straight the hips are over the knees, not behind the ankles. Remember to engage your locks (bandhas). Notice the length of the spine. Again, notice the feeling of your entire back body (including legs and feet).

Inhale to Half Lift / Flat Back and use the exhale to engage your core. With hands on the hips, maintain the length of the spine and lift up to standing. Relax your arms by your sides. Balance the weight between all four corners of both feet. Feel free to move side-to-side or back and forth on the feet until you feel you are centered. Spread the toes, press big toes and little toes down, as well as both sides of the heels. (This establishes “all four corners of both feet.”) Engage the quadriceps in order to lift the knee caps and firm up the thighs. Sit bones point down so that the pelvic bones lift up. Engage your locks (bandhas). As you press down in order to lift the sternum up, use the core abdominal muscles to draw the lower rib cage down. Relax the shoulders and gaze straight ahead. This is Equal Standing / Mountain Pose (Samasthiti/Tadasana).

Changing as little as possible, stretch the arms out like the letter T. Once your arms are wide, extend out of the center of your chest. Make sure shoulders, lower rib cage, and sits bones are reaching down. Notice the air above and below your arms. Now, turn the palms up and inhale your arms overhead. (Many traditions refer to this as Arms Reaching Overhead (Urdhva Hastasana), but I tend to call this Tadasana). Make sure the lower rib cage drops down as the sternum lifts up and notice how that helps you engage your core. After several breaths, lower the arms to your sides on an exhale.

Now, maintaining the previously established alignment and awareness of breath, use the whole inhale to lift the arms overhead and the whole exhale to press the hands together through heart center. On the exhale of the third centering breath, walk to the front of the mat with hands through heart center.

Equal Standing is like a soldier in the “Ready” position. Moving through half of a Sun Salutation (Surya Namaskar), inhale arms over head into Arms Reaching Overhead; exhale and stretch the arms out wide as you dive between the hands into a Forward Bend; inhale to a Half Lift / Flat Back; exhale back to Forward Bend. Keeping the knees bent and the core engaged, inhale to reverse swan dive and then exhale hands back to your sides. Repeat the sequence until you feel your movement and breath are seamlessly fluid.

After the final exhale into Forward Bend, inhale into a Half Lift/ Flat Back and then step your left leg way back into a low lunge. Make sure the feet are in two separate lanes. Inhale to lengthen the spine and then exhale the back knee to the mat. Give yourself cushion under the back knee, as needed. Pressing down evenly into both feet, lift your torso up and place hands on your right thigh for a variation of Crescent Lunge (Anjaneyasana).

Use an exhale to slide the hips over the back knee and then place the back of the right hand on your sacrum (the flat part of your bum/hips) and place your left hand on the front of your pelvic bones. Your hands are now bracketing your hips. Slide the back hand down in order to direct the sit bones down. You may feel the front hand lifting as the pelvic bones lift. Notice the length of your spine, especially your low back. You may also feel engagement in your left hip and thigh. Stay here or bend the front knee deeper into the lunge – remembering to maintain the space in your low back. Hands can come to your front thigh or reach the hands over head. Again, engage your locks (bandhas). Focus on the stability of the feet, legs, and hips. Focus, also, on the extension of the front of the back hip and thigh. This is the beginning of a backbend.

When you are ready to move on, place the hands on the mat and step back to Child’s Pose. From Child’s Pose, you may inhale to Cow Pose or, first time through, slide your body forward so that the legs stretch out behind you. Press the tops of the feet down, push the hands into the floor beneath your shoulders and inhale into Cobra Pose (Bhujangasana). Elbows should be bent behind the back like grasshopper legs (unless you are working on a baby cobra.) Thighs are strongly engaged and pushing into the floor. Hips stay on the ground. Keep the shoulders down the back and either isometrically engage the arms – by pushing the hands down and engaging the arms as if you’re going to pull your body forward – or let your hands hover (breathing into the space between your hands and the mat). After a few breaths, consider extending your Cobra by pressing the hands and feet down and lifting the body up until the arms straighten. Shoulders and hips are still pressing down. Notice the difference between how the front of your lift hip and thigh feel versus the right hip and thigh.

On an exhale, curl your toes under and press back to Downward Facing Dog. Repeat the sequence of standing poses (starting with the first Forward Bend after Downward Facing Dog, substituting left for right). After the Child’s Pose, you may inhale to Cow Pose, Cobra Pose, or, second time through, glide your body up and forward so that the legs stretch out behind you with the arms straight and the hips lifted away from the mat. Press the tops of the feet down, push the hands into the floor beneath your shoulders and inhale into Upward Facing Dog (Urdhva Mukha Svanasana). Thighs are strongly engaged and lifting up towards the ceiling. Kneecaps lift up towards the hips – again, so that the thighs are firm. Again, compare the feeling at the front of the hips and thighs.

After the second side of standing poses and backbends, move into Downward Facing Dog, and then into Staff Pose (Dandasana). Sitting tall with legs stretched out in front of you: remember, this pose is not disposable. Consider the length of your spine and how you use your locks (bandhas) to maintain it.

Keep the left leg extended and bend the right knee in order to set up the Sage Twist. Remember to keep the left heel and the right foot flat on the floor. You can place the right foot next to the inside or the outside of the left leg, as long as the knees are comfortable and the right foot is flat on the floor.

On an inhale, lift your right arm up and, as you watch it, reach the right arm back to the floor behind your hips. As you settle into the twist, adjust your left arm to provide additional support wherever you need it. You can always sit on a block and/or place a block under your hand if you’re hips and low back are really tight. If you don’t have a block, substitute a book.

Watch how you engage your base, your core, and your breath in order to lengthen your spine. Remember to start the twist in your base (not in your neck). Do not allow your body to collapse or untwist until you complete 3 – 5 complete breaths. Notice how the air moves within you and all around you. Pay particular attention to how the space shifts between your belly and legs. After the third or fifth exhale, inhale to center, give the lifted knee a squeeze, and return to Staff Pose. Repeat the Sage Twist instructions for the Sage Twist (replacing right with left).

After the third or fifth exhale on the left, inhale to center and give the lifted knee a squeeze. Bend both knees, placing the feet flat on the floor. (NOTE: If you’d rather not balance on your sits bones, lie down on your back and follow the cues.) Reach the arms forward with elbows next to the knees. Press down as if you are going to jump forward. Spread your toes, squeeze your perineum muscles together, belly button is up and back, press your shoulders down, and draw the chin towards the neck. Look up and press down to lift the ribs up on the inhale. As you exhale, lean back until the feet are off the ground and you are balancing on your tail bone. Bring legs up parallel to the ground. Check in with your locks (bandhas) – maybe even lifting the corners of your mouth up towards your ears for a smiling bandha. Begin to extend the legs by engaging the quadriceps and pushing through the heels. Keep your nose up and your eyes on your nose. This is Boat Pose (Navasana).

Find your edge, making sure your core works harder than your jaw or your arms. And then, lower down onto your back for Corpse Pose (Savasana). Classically, the physical practice is intended to prepare the body and mind for deep seated meditation. This final moment is an opportunity for your body and mind to process and absorb what you’ve done during the practice. Find a place where your body and mind are still. Let the breath naturally ebb and flow. Breathe and allow your mind to follow the breath into the space within you and the space all around you.

“Love,
The moon is between clouds,
And we’re between words
That could deepen
But never arrive.”

– from Between Words by Gary Soto

If you practice long enough, you start to notice how everyone is connected.

Poets, philosophers, preachers, students of dharma are all fascinated by the inner (and outer) workings of the world, how everything and everyone are connected. You see it in the poems of Mark Strand and Misuzu Kaneko, as well as in the poems of Gary Soto. You see it in the sermons of Dr. Martin Luther King Jr. and in the dharma talks of Thich Naht Hanh. You see it in Martin Buber’s concept Ich und Du; that we only truly exist in relationship. You see it, again and again, and yet….It is so easy not to see it.

One of the reasons I practice yoga is to actively and mindfully see the connections. Moving through the practice is like moving through life, with all of its twists, turns, and challenges. Sometimes, like in the practices I’m offering this month, we symbolically move through the stages of life: from the pose of a child we learn to stand up, to walk, to play and explore, and finally to slow down and rest. We do this every day, we day this every lifetime. Still, no part of us does it alone – everything is connected.

This opportunity to explore a poem on the mat is part of my offering for the 2018 Kiss My Asana yogathon. I encourage you to set aside at least 5 minutes a day during April, to practice with the poem as inspiration. You can practice in a class or on your own, but since the Kiss My Asana yogathon raises resources as well as awareness, I invite you to join me at the donation-based class on April 28th.

I also challenge you to set aside a certain amount every day that you practice with a poem in mind. It doesn’t matter if you set aside one dollar per practice or $25 – set aside that amount each time you practice and donate it by April 30th.

Founded by Matthew Sanford, Mind Body Solutions helps those who have experienced trauma, loss, and disability find new ways to live by integrating both mind and body. They provide classes, workshops, and outreach programs. They also train yoga teachers and offer highly specialized training for health care professionals. By participating in the Kiss My Asana yogathon you join a global movement, but in a personal way. In other words, you practice yoga. Or, as this year’s tag line states….

### do yoga. share yoga. help others. ###

Keeping Things Yoga…keeping things yoga – 2018 Kiss My Asana Offering #11 April 11, 2018

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“In a field
I am the absence
of field.
This is
always the case.
Wherever I am
I am what is missing.”

– from Keeping Things Whole by Mark Strand

 

“Are you just an echo?
No, you are everyone.”

– from Are You An Echo?  by Misuzu Kaneko

At the end of my very first yoga class, I learned about the philosophy and meaning of yoga. My first teacher, Robert Boustany, asked me to explain what I did for Houston Ballet, because I wasn’t one of the dancers or one of the musicians. When I explained my role in Production was to bring together the various artistic and design elements during a performance, he said, “Oh, you do yoga.”

Yes, it turns out we can do yoga off the mat, without doing a single pose.

Yoga is a Sanskrit word that means union. There’s lots of different ways to describe “union,” but ultimately it’s the coming together of two or more elements – with the underlying idea being that once together these elements will work as one unit. The elements can be our mind, body, and Spirit. The elements can be different kinds of energy. The elements can be an individual and a goal. The elements can be an individual and the community, the Universe, or God (whatever that means to you at this moment). The elements can be the Seeker and the Beloved. The elements can be two people whose life experiences are so different on the outside it seems natural that they would approach life in very different ways.

Misuzu Kaneko (b. 1903) and Mark Strand (b. 1934) were both born today and were both considered literary celebrities during their lifetimes. However, they (and their poetry) lived very different lives.

Born Taro Kaneko, Kaneko was able to attend school through the age of 17, despite most Japanese girls of the time only attending up to 6th grade. Her poems started to become very popular when she was 20 years old. Unfortunately, her private life as an adult was so tumultuous and tragic that Kaneko committed suicide just before her 27th birthday. At the time of her death, she had published 51 poems.

When Strand was born in Canada, four years after Kaneko’s death, Kaneko’s poems had been all but lost.

Strand grew up moving around the United States, Columbia, Mexico, and Peru. Raised in a secular Jewish home, he went to a Quaker-run college preparatory school in New York; earned a BA at Antioch College in Ohio; moved to Connecticut to study art and graduated with an MFA from Yale; studied poetry in Italy on a Fulbright scholarship; and finally attended the Iowa Writers’ Workshop (where he received an MA in writing) before teaching all over the East Coast and spending a year as a Fulbright Lecturer in Brazil. In addition to ultimately teaching all over the U.S., Strand won a Pulitzer Prize, served as U. S. Poet Laureate, and was honored with numerous other awards and titles. At the time of his death, at the age of 80, he had published at least 21 collections of poetry, plus three children’s books, several books of prose, and served as editor and/or translator for at least 13 more publications.

To my knowledge, Kaneko never left Japan.

Despite the wildly different details of their lives, both poets wrote about loss and darkness, belonging vs. being alone, how personal perspectives create our world, human’s vs. nature, and personal responsibility. They used different words, but they seemed to share an underlying idea: True power comes from being present with what is despite our desire to possess, change, and understand everything around us.

Are You an Echo? & Benton Island by Misuzu Kaneko / Keeping Things Whole & The Idea by Mark Strand

As you move into Child’s Pose (Balasana), notice the space you occupy. Notice the air moving within you and all around you. Notice how your body and breath shift the air. Breathe and allow your mind to follow the breath into the space within you and the space all around you.

Start to engage your locks (bandhas) on the exhale: spread the toes and press the feet down (in this case tops of the feet down) for the Foot Lock (Pada Bandha); squeeze the perineum muscles together, lifting the pelvic floor for the Root Lock (Mula Bandha) – which engages your lower abdominal cavity; belly button up and back for abdominal core lock (Uddiyana Bandha) – which engages your upper abdominal cavity; draw the chin towards the throat and chest, lengthening the neck, for the Throat Lock (Jalandhara Bandha). Notice how the air flow changes when the locks (bandhas) are engaged versus when they are released.

Once you’ve engaged your mind-body-spirit, move into Table Top: stack shoulders over elbows, elbows over wrists, hips over knees. Press down to lift up, activating the arms, the legs, and the lower three (3) locks. Notice the length of the spine, and how you support it. Notice the air again shifting around you. Move through Cat/Cow or the “Un-Cat” sequence precisely matching the movement to the breath. Move from your core so that the gaze is the last thing to come up and the last thing to turn down.

Find the place where your body like the last wave of sound at the end of an echo, and then curl your toes under and exhale into Downward Facing Dog (Adho Mukha Svanasana). Double check your engagement of the pose. Make sure all your fingers are spread wide, with the majority of the weight/pressure in your hands moving into the thumb and first finger. (So that, there is less weight/pressure applied to your outer wrists.) When you relax your head and shoulders, make sure your big toes are parallel to each other and at least a foot apart. Big toes can be behind the thumbs or behind the middle fingers. Hips are high, heels are low (reaching, but not necessarily touching the mat); and neck is long. Even if you have to bend your knees, find Cow Pose in this position (so that you have a straight line from your middle fingers all the way up to your hips and then a second straight line from your hips to the back of your knees). Eyes are on your nose, your belly button, or the space between your toes. Engage your locks (bandhas) as you are able. Engage the air between your arms, between your legs, and in the space beneath your body.

Remember you can skip the arm balancing, by moving into Staff Pose (Dandasana) and positioning the arms accordingly or using “Dolphin Dog.” Another modification would be to do the pose on the wall. Either way, strongly engage your legs and your core.

Stretch back (meaning, push your spine towards your thighs) and on an exhale walk your hands to your feet or bring your hands and feet together. Once hands are in line with the toes and heels are flat to the mat, inhale to a Half Lift/Flat Back or Extended Forward Bend. (This pose may be called Ardha Uttanasana or Urdhva Uttanasana.) Place your hands on your thighs and press the shoulders into the metaphorical back pockets. Remember, you want to engage in a similar fashion to Cow Pose, Staff Pose, and Downward Facing Dog. In fact, inhale and find a little bit of Cow Pose (even if you have to bend your knees). Now, press the heels down and – as much as you are able without losing the extension of the spine – engage the quadriceps to extend through the knees and press the thigh bones into the wall behind you. Engage your locks (bandhas) as you are able. Feel the air above and below your torso.

If you have unregulated blood pressure, low back issues, eye issues like glaucoma, or if this is already challenging, remember to stay here with knees bent. Otherwise, if it is not contraindicated, bend the knees and flex from the hips to prep Forward Bend (Uttanasana). Keeping the upper back extended, place the hands on the floor or a block and begin to extend through the legs while pressing the thigh bones into the backs of your legs. Do not force the extension. Use the exhales to settle the heart on the thighs (as much as you are able without losing the extension of the spine.) If your legs are completely straight, make sure the knee caps are lifted and that you are not hyper-extending the knees. Also double check to ensure that if the knees are straight the hips are over the knees, not behind the ankles. Remember to engage your locks (bandhas).  Notice the length of the spine. Notice how you can engage the air.

Inhale to Half Lift / Flat Back and use the exhale to engage your core. With hands on the hips, maintain the length of the spine and lift up to standing. Relax your arms by your sides. Balance the weight between all four corners of both feet. Feel free to move side-to-side or back and forth on the feet until you feel you are centered. Spread the toes, press big toes and little toes down, as well as both sides of the heels. (This establishes “all four corners of both feet.”) Engage the quadriceps in order to lift the knee caps and firm up the thighs. Sit bones point down so that the pelvic bones lift up. Engage your locks (bandhas).  As you press down in order to lift the sternum up, use the core abdominal to draw the lower rib cage down. Relax the shoulders and gaze straight ahead. This is Equal Standing / Mountain Pose (Samasthiti/Tadasana). Notice how each side of your body echoes the other side.

Changing as little as possible, stretch the arms out like the letter T. Once your arms are wide, extend out of the center of your chest. Make sure shoulders, lower rib cage, and sits bones are reaching down. Notice the air above and below your arms. Now, turn the palms up and inhale your arms overhead. (Many traditions refer to this as Arms Reaching Overhead (Urdhva Hastasana), but I tend to call this Tadasana). Double how the engagement of each side of the body echoes the other side, and vice versa. Notice the length of your spine. Notice the air between your arms. After several breaths, lower the arms to your sides on an exhale.

Now, use the whole inhale to lift the arms overhead and the whole exhale to press the hands together through heart center. On the exhale of the third centering breath, walk to the front of the mat with hands through heart center.

Equal Standing is like a soldier in the “Ready” position. Moving through half of a Sun Salutation (Surya Namaskar), inhale arms over head into Arms Reaching Overhead; exhale and stretch the arms out wide as you dive between the hands into a Forward Bend; inhale to a Half Lift / Flat Back; exhale back to Forward Bend. Keeping the knees bent and the core engaged, inhale to reverse swan dive and then exhale hands back to your sides. Repeat the sequence until you feel your movement is as fluid as a surfer resting on calm water between the waves.

After the final exhale into Forward Bend, inhale into a Half Lift/ Flat Back and then step your left leg way back into a low lunge. Make sure the feet are in two separate lanes. Inhale to lengthen the spine and then exhale the back knee to the mat. Give yourself cushion under the back knee, as needed. Pressing down evenly into both feet, lift your torso up and place hands on your right thigh for a variation of Crescent Lunge (Anjaneyasana).

Use an exhale to slide the hips over the back knee and then place the back of the right hand on your sacrum (the flat part of your bum/hips) and place your left hand on the front of your pelvic bones. Your hands are now bracketing your hips. Slide the back hand down in order to direct the sit bones down. You may feel the front hand lifting as the pelvic bones lift. Notice the length of your spine, especially your low back. You may also feel engagement in your left hip and thigh. Stay here or bend the front knee deeper into the lunge – remembering to maintain the space in your low back. Hands can come to your front thigh or reach the hands over head. Again, engage your locks (bandhas). If you have Hot Half Moon (Ardha Chandrasana) in your practice, feel free to add it by lifting the left arm up and reaching it towards the right. Notice how the air shifts around your body as you breathe.

When you are ready to move on, place the hands on the mat and step back to Child’s Pose. From Child’s Pose, you may inhale to Cow Pose or slide your body forward so that the legs stretch out behind you. Press the tops of the feet down, push the hands into the floor beneath your shoulders and inhale into Cobra Pose (Bhujangasana). Elbows should be bent behind the back like grasshopper legs (unless you are working on a baby cobra.)Thighs are strongly engaged and pushing into the floor. Hips stay on the ground. Keep the shoulders down the back and either isometrically engage the arms – by pushing the hands down and engaging the arms as if you’re going to pull your body forward – or let your hands hover (breathing into the space between your hands and the mat). After a few breaths, consider extending your Cobra by pressing the hands and feet down and lifting the body up until the arms straighten. Shoulders and hips are still pressing down.

On an exhale, curl your toes under and press back to Downward Facing Dog. Repeat the sequence of standing poses (starting with the first Forward Bend after Downward Facing Dog, substituting left for right).

After the second side of standing poses, move into Staff Pose (Dandasana). Remember, this pose is not disposable. Consider the length of your spine and how you use your locks (bandhas) to maintain it.

Keep the left leg extended and bend the right knee in order to set up the Sage Twist. Remember to keep the left heel and the right foot flat on the floor. You can place the right foot next to the inside or the outside of the left leg, as long as the knees are comfortable and the right foot is flat on the floor.

On an inhale, lift your right arm up and, as you watch it, reach the right arm back to the floor behind your hips. As you settle into the twist, adjust your left arm to provide additional support wherever you need it. You can always sit on a block and/or place a block under your hand if you’re hips and low back are really tight. If you don’t have a block, substitute a book.

Watch how you engage your base, your core, and your breath in order to lengthen your spine. Remember to start the twist in your base (not in your neck). Do not allow your body to collapse or untwist until you complete 3 – 5 complete breaths. Notice how the air moves within you and all around you. Pay particular attention to how the space shifts between your belly and legs. After the third or fifth exhale, inhale to center, give the lifted knee a squeeze, and return to Staff Pose. Repeat the Sage Twist instructions for the Sage Twist (replacing right with left).

After the third or fifth exhale on the left, inhale to center and give the lifted knee a squeeze. Bend both knees, placing the feet flat on the floor. (NOTE: If you’d rather not balance on your sits bones, lie down on your back and follow the cues.) Reach the arms forward with elbows next to the knees. Press down as if you are going to jump forward. Spread your toes, squeeze your perineum muscles together, belly button is up and back, press your shoulders down, and draw the chin towards the neck. Look up and press down to lift the ribs up on the inhale. As you exhale, lean back until the feet are off the ground and you are balancing on your tail bone. Bring legs up parallel to the ground. Check in with your locks (bandhas) – maybe even lifting the corners of your mouth up towards your ears for a smiling bandha. Begin to extend the legs by engaging the quadriceps and pushing through the heels. Keep your nose up and your eyes on your nose. This is Boat Pose (Navasana).

Find your edge, making sure your core works harder than your jaw or your arms. And then, lower down onto your back for Corpse Pose (Savasana). Find a place where your body and mind are still. Let the breath naturally ebb and flow. Notice the space you occupy. Notice the air moving within you and all around you. Notice how your body and breath shift the air. Breathe and allow your mind to follow the breath into the space within you and the space all around you. Allow your body and breath to spread into the space. Just be.

“Benton Island was still there
floating on top of the waves
wrapped in golden light,
green as always.

– from Benten Island by Misuzu Kaneko

 

“And we stood before it, amazed at its being there,
And would have gone forward and opened the door,
And stepped into the glow and warmed ourselves there,
But that it was ours by not being ours,
And should remain empty. That was the idea.

– from The Idea by Mark Strand

Yoga means union and brings two or more elements together as a unified whole. The elements be our needs and the needs of another. The elements may be someone who needs support and someone who can be supportive. And this is one of the ways the Kiss My Asana yogathon is yoga. Mind Body Solutions and the yogathon bring together people in community around the practice of yoga. They also bring together people who need support with people who can support them. Then, Mind Body Solutions goes one step further: They support the supportive, recognizing that caregivers also need yoga.

This opportunity to explore a poem on the mat is part of my offering for the 2018 Kiss My Asana yogathon. I encourage you to set aside at least 5 minutes a day during April, to practice with the poem as inspiration. You can practice in a class or on your own, but since the Kiss My Asana yogathon raises resources as well as awareness, I invite you to join me at the donation-based class on April 28th.

I also challenge you to set aside a certain amount every day that you practice with a poem in mind. It doesn’t matter if you set aside one dollar per practice or $25 – set aside that amount each time you practice and donate it by April 30th.

Founded by Matthew Sanford, Mind Body Solutions helps those who have experienced trauma, loss, and disability find new ways to live by integrating both mind and body.  They provide classes, workshops, and outreach programs. They also train yoga teachers and offer highly specialized training for health care professionals. By participating in the Kiss My Asana yogathon you join a global movement, but in a personal way. In other words, you practice yoga. Or, as this year’s tag line states, “do yoga. share yoga. help others.”

NOTE: Two (2) poets, four (4) poems, one (1) additional pose, and an Easter egg brings this practice to approximately 15 minutes.

 

If Misuzu Kaneko’s story resonates with you, because you or someone you know is struggling emotionally, please call 1=800-273-TALK.

 

### do yoga. share yoga. help others. ###

REMEMBERING THE MOON – 2018 Kiss My Asana Offering #8 April 8, 2018

Posted by ajoyfulpractice in 31-Day Challenge, Abhyasa, Bhakti, Books, Buddhism, Dharma, Donate, Faith, Fitness, Gratitude, Healing Stories, Health, Hope, Japa, Japa-Ajapa, Karma, Karma Yoga, Life, Loss, Love, Mala, Mantra, Meditation, Men, Minneapolis, Minnesota, Music, Mysticism, One Hoop, Pain, Peace, Philosophy, Poetry, Religion, Suffering, Tantra, Twin Cities, Vairagya, Vipassana, Volunteer, Wisdom, Women, Writing, Yoga.
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“Remember the moon survives,
draws herself out crescent-thin,
a curved woman. Untouchable,
she bends around the shadow
that pushes himself against her, and she

waits.”

– from Remember the Moon Survives, by Barbara Kingsolver

Barbara Kingsolver, born today in 1955, always seems to point her pen in the direction of struggle and suffering. Sometimes the struggle is within a single community, sometimes it involves multiple communities; sometimes it involves an individual struggling to find balance between a community; and other times the struggle is between man’s desires and the needs of the natural world. But, always, there is struggle, suffering…and hope.

The Buddha, whose birthday is also celebrated today by some Buddhists, pointed his heart towards struggle and suffering as well. Unlike Kingsolver, Prince Siddhartha Guatama didn’t grow up with awareness of the suffering of others. However, once he was aware of it, he started considering how to alleviate it. And so, like Kingsolver, the Buddha’s work includes the promise of hope.

The Buddha outlined Four Noble Truths: There is suffering/suffering exists; suffering is caused by desire and an attachment to ignorance; there is an end to suffering; and there is a path to the end of suffering. (Specifically, he points to the Noble Eightfold Path.) So again, there is suffering, there is struggle, and there is hope. However, in the middle of struggling and suffering, it is easy to get stuck in the middle of that second noble truth and forget all about the promise. In the middle of suffering, it is easy to forget all about the hope, and be filled with doubt – even when you’re on the road that promises freedom.

Just the other day, a friend of mine mentioned her rosary. “In Islam,” Mya said, “using the rosary [for prayer/meditation/contemplation] is called dhikr (“remembering”).” As the devoted move through the beads, they are constantly “remembering” God and the nature of God.

The words may be different, but this practice of “remembering” is the same in Catholicism. Hindus and Yogis use mala beads, also a rosary, to count out a mantra – this too is “remembering” what the practitioner views as important.

The Jewish tradition does not include beads; instead, some wear a prayer shawl (tallit) or small tallit (tallit katan) with a knotted fringe or tassels of blue (tzitzit). Jews do not count with them, but the tassels are intended as a reminder of what is important within the Jewish tradition.

Whether you are on the mat, on the cushion, on the pew, or on the rug, part of the practice is to remember. The question is: What are you remembering? Go back to that José Ortega y Gasset statement from the 6th offering, “Tell me to what you pay attention and I will tell you who you are.”

“You are the one who knows, behind
the rising, falling tide
of shadow, the moon is always

whole.”

– from Remember the Moon Survives, by Barbara Kingsolver

Remember the Moon Survives – by Barbara Kingsolver

Remember how to move into Child’s Pose (Balasana), but also remember it is the beginning and full of possibilities. Remember to soften into the breath and allow the breath to flow freely in and ebb gently out. Remember your intention.

When you move into Table Top remember to move with full awareness of your mind and body in the present moment. Remember to check your alignment. Press down so that the shoulders and shoulder blades are even with the rest of the back and your belly is firm. Engage your locks (bandhas) if that is part of your practice. Remember this is an opportunity to remember the connection between your mind, body, and spirit.

Remember to move through Cat/Cow or the “Un-Cat” sequence precisely matching the movement to the breath. So that, as the breath gets long and fine and deep, the movement gets richer – whatever that means to you in this moment.

On an inhale, stretch the right leg back, remembering to keep the hips level – even and equal to each other so that the low back doesn’t struggle. On an exhale, step the right foot in between the hands so that the foot is flat on the floor (with the right toes pointed forward). If the foot doesn’t easily land between the hands, scoop it forward with your hands. If needed, add a knee pad under the back knee. Pressing down evenly into both feet, lift your torso up and place hands on your right thigh. This is a form of Crescent Lunge (Anjaneyasana).

Use an exhale to slide the hips over the back knee and then place the back of the right hand on your sacrum (the flat part of your bum/hips) and place your left hand on the front of your pelvic bones. Your hands are now bracketing your hips. Slide the back hand down in order to direct the sit bones down. You may feel the front hand lifting as the pelvic bones lift. You may feel space opening up in your low back. You may also feel engagement in your left hip and thigh. Stay here or bend the front knee deeper into the lunge – remembering to maintain the space in your low back. Hands can come to your front thigh or reach the hands over head. If you have Hot Half Moon (Ardha Chandrasana) in your practice, feel free add it by lifting the left arm up and reaching it towards the right.

Remember to breathe. Remember to breathe into the heart. Crescent Lunge is one of the poses inspired by Hanuman, the monkey king in the epic poem The Ramayana. In the great adventure, Hanuman is asked to take giant leaps to save or rescue others. He hesitates, he doubts…and then he leaps. Again and again, he does what needs to be done to help others. At the end of the poem he revels what is in his heart: a devotion to God. Take a moment to remember what is in your heart.

After a few breaths, place the hands on the mat and step back to Child’s Pose. From Child’s Pose repeat the sequence again (from Cow Pose) , this time on the left side.

Once you’ve completed the second side and returned to Child’s Pose, inhale to Cow Pose and then exhale into Downward Facing Dog (Adho Mukha Svanasana).
Remember your can skip the arm balancing, by moving into Staff Pose (Dandasana) and positioning the arms accordingly or using “Dolphin Dog.”. Another modification would be to do the pose on the wall. Either way, remember to check your alignment – make sure your body is in the shape of capital A.

Remember to make sure all your fingers are spread wide, with the majority of the weight/pressure in your hands moving into the thumb and first finger. (So that, there is less weight/pressure applied to your outer wrists.) When you relax your head and shoulders, remember to place your big toes are parallel to each other and at least a foot apart. Big toes can be behind the thumbs or behind the middle fingers. Notice if you feel lighter or heavier when your feet are spaced further apart. Hips are high, heels are low (reaching, but not necessarily touching the mat); and neck is long. Even if you have to bend your knees, remember to find Cow Pose in this position (so that you have a straight line from your middle fingers all the way up to your hips and then a second straight line from your hips to the back of your knees). Remember, eyes are on your nose, your belly button, or the space between your toes.

Remember Downward Facing Dog is simultaneously an arm balance and a standing pose; a forward bend, as well as a back bend; and an inversion.
Stretch back (meaning, push your spine towards your thighs) and on an exhale walk your hands to your feet or bring your hands and feet together. Once hands are in line with the toes and heels are flat to the mat, inhale to a Half Lift/Flat Back or Extended Forward Bend. (This pose may be called Ardha Uttanasana or Urdhva Uttanasana.) Place your hands on your thighs and press the shoulders into the metaphorical back pockets. Remember, you want to engage in a similar fashion to Cow Pose, Staff Pose, and Downward Facing Dog. In fact, inhale and find a little bit of Cow Pose (even if you have to bend your knees). Now, press the heels down and – as much as you are able without losing the extension of the spine – engage the quadriceps to extend through the knees and press the thigh bones into the wall behind you. Engage your locks (bandhas) as you are able.

If you have unregulated blood pressure, low back issues, eye issues like glaucoma, or if this is already challenging, remember to stay here with knees bent. Otherwise, if it is not contraindicated, bend the knees and flex from the hips to prep Forward Bend (Uttanasana). Keeping the upper back extended, place the hands on the floor or a block and begin to extend through the legs while pressing the thigh bones into the backs of your legs. Do not force the extension. Use the exhales to settle the heart on the thighs (as much as you are able without losing the extension of the spine.) If your legs are completely straight, make sure the knee caps are lifted and that you are not hyper-extending the knees. Also double check to ensure that if the knees are straight the hips are over the knees, not behind the ankles. Remember to engage your locks (bandhas).

On an inhale, extend to Half Lift/Flat Back and on an exhale fold into the Forward Bend. If you are modifying and using the Half Lift throughout, keep the back in the position that feels similar to an intense Table Top and use the breath to extend the knees on an inhale and flex/bend them on an exhale. Remember to precisely match the movement to the breath. Remember all the ways you are mimicking your body’s natural tendencies (e.g., extending/flexing, lifting/grounding, creating/engaging, rising/falling, etc.).

Move into Staff Pose. Keep the left leg extended and bend the right knee in order to set up the Sage Twist. Remember to keep the left heel and the right foot flat on the floor. You can place the right foot next to the inside or the outside of the left leg, as long as the knees are comfortable and the right foot is flat on the floor.

On an inhale, lift your right arm up and, as you watch it, reach the right arm back to the floor behind your hips. As you settle into the twist, adjust your left arm to provide additional support wherever you need it. You can always sit on a block and/or place a block under your hand if you’re hips and low back are really tight. If you don’t have a block, substitute a book.

Watch how you engage your base, your core, and your breath. Remember to start the twist in your base (not in your neck). Do not allow your body to collapse or untwist until you complete 3 – 5 complete breaths. After the third or fifth exhale, inhale to center, give the lifted knee a squeeze, and return to Staff Pose. Repeat the Sage Twist instructions for the Sage Twist (replacing right with left).

After the third or fifth exhale on the left, inhale to center and give the lifted knee a squeeze. Bend or extend both, as needed, and lower down onto your back for Corpse Pose (Savasana). Remember, just as the end of the inhale is the beginning of the exhale and the end of the exhale is the beginning of the inhale, this final pose is a beginning and an ending. Remember you are on the right path.

This opportunity to explore a poem on the mat is part of my offering for the 2018 Kiss My Asana yogathon. I encourage you to set aside at least 5 minutes a day during April, to practice with the poem as inspiration. You can practice in a class or on your own, but since the Kiss My Asana yogathon raises resources as well as awareness, I invite you to join me for a donation-based classes on Saturday, April 28th.

I also challenge you to set aside a certain amount every day that you practice with a poem in mind. It doesn’t matter if you set aside one dollar per practice or $25 – set aside that amount each time you practice and donate it by April 30th.

Founded by Matthew Sanford, Mind Body Solutions helps those who have experienced trauma, loss, and disability find new ways to live by integrating both mind and body. They provide classes, workshops, and outreach programs. They also train yoga teachers and offer highly specialized training for health care professionals. Thank you to everyone who attended the class on April 7th, and thank you to everyone who has already donated. By participating in the Kiss My Asana yogathon you join a global movement, but in a personal way. In other words, you practice yoga. Or, as this year’s tag line states…

## do yoga. share yoga. help others. ##