Who’s Afraid of Breathing? January 26, 2021

Posted by ajoyfulpractice in "Impossible" People, Abhyasa, Art, Books, Changing Perspectives, Depression, Dharma, Food, Healing Stories, Hope, Life, Loss, Movies, Mysticism, One Hoop, Pain, Peace, Philosophy, Suffering, Tragedy, Vairagya, Vipassana, Wisdom, Women, Writing, Yoga.
Tags: bandhas, Haţha Yoga Pradipika, mental health, Michael Cunningham, Pancham Sinh, siddhis, The Air I Breathe, Virginia Woolf
add a comment

[This is the post for Monday, 12521 – another palindrome practice! You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.

In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support the center and its teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es).) Donations are tax deductible; class purchases are not necessarily deductible.]

Check out the “Class Schedules” calendar for upcoming classes.]

“surājye dhārmike deśe subhikṣhe nirupadrave |
dhanuḥ pramāṇa-paryantaṃ śilāghni-jala-varjite |
ekānte maṭhikā-madhye sthātavyaṃ haṭha-yoghinā || 12 ||

The Yogī should practise [sic] Haṭha Yoga in a small room, situated in a solitary place, being 4 cubits square, and free from stones, fire, water, disturbances of all kinds, and in a country where justice is properly administered, where good people live, and food can be obtained easily and plentifully.”

– quoted from “Chapter 1. On Āsanas” of the Haţha Yoga Pradipika, translated by Pancham Sinh (1914)

“… a woman must have money and a room of her own if she is to write fiction…”

– quoted from the essay “A Room of One’s Own,” as it appears in A Room of One’s Own And, Three Guineas by Virginia Woolf

In October 1928, Virginia Woolf gave two speeches to two different student societies at Newnham College and Girton College, which at the time were two of the all-women colleges at the University of Cambridge. (NOTE: Newnham is still an all-women’s college. Girton started accepting men in 1971 and started allowing men to be “Mistress,” or head of the college, in 1976.) The speeches were about women and fiction – and specifically detailed why there were so few women writers who had earned acclaimed (and, to certain degree, why those that did often did so anonymously or with “male” names). She also highlighted the absurd trichotomy between the two wildly archetypical way women are portrayed in literature and the reality of the very different types of women in the room, let alone in the world.

Born Virginia Stephen in Kensington, England, today in 1882, Ms. Woolf speculated about the works that might have come from a woman (say, in Shakespeare’s time) who had a helpmate to take care of the cooking, cleaning, children, and other household business. She also talked about the social constraints that not only prevented a woman from devoting copious time to the practical application of her craft, writing, but also the social constraints and inequalities that could result in what would amount to writer’s block. All this, she detailed, even before she addressed the issue of a market place predisposed to highlight male writers – and she introduced her ideas by establishing two (really three) of the things a woman would need to overcome the obstacles of society: (time), space, and money.

When I first started going deeper into my physical practice of yoga, I looked into some of the classic texts within the tradition. One of those texts was the Haţha Yoga Pradipika (Light on the Physical Practice of Yoga), a 15^th Century text that focuses on āsanas (“seats” or poses), prāņāyāma (breath awareness and control), mudrās (“seals” or “gestures”), and Samādhi (that ultimate form of “meditation” that is absorption). Throughout the text, and in particular in the chapter on mudrās, there is a breakdown of how energy, power, or vitality moves through the body and the benefits of harnessing that power.

I would eventually appreciate how the text is almost a summary of the earlier Yoga Sūtras, but (as an English lit major), what struck me first was how similar these early instructions, on a practice that can be used to cultivate clarity and harness the power of the mind, were to Virginia Woolf’s advice to women writers – about cultivating clarity and harnessing the power of the mind.

“athāsane dṝdhe yoghī vaśī hita-mitāśanaḥ |
ghurūpadiṣhṭa-mārgheṇa prāṇāyāmānsamabhyaset || 1 ||

Posture becoming established, a Yogî, master of himself, eating salutary and moderate food, should practise [sic] Prâṇâyâma, as instructed by his guru.”

– quoted from “Chapter 2. On Prāņāyāma” of the Haţha Yoga Pradipika, translated by Pancham Sinh (1914)

“I feel a thousand capacities spring up in me. I am arch, gay, languid, melancholy by turns. I am rooted, but I flow.”

– quoted from “Susan” in The Waves by Virginia Woolf

Just as Virginia Woolf addressed misconceptions about women in her essays and fiction, Pancham Sinh addressed some misconceptions about people who practice yoga and the practice of prāņāyāma in an introduction to the Haţha Yoga Pradipika. Part of the introduction is an admonishment to people who would study the practice, but do not practice it, stating, “People put their faith implicitly in the stories told them about the dangers attending the practice, without ever taking the trouble of ascertaining the fact themselves. We have been inspiring and expiring air from our birth, and will continue to do so till death; and this is done without the help of any teacher. Prāņāyāma is nothing but a properly regulated form of the otherwise irregular and hurried flow of air, without using much force or undue restraint; and if this is accomplished by patiently keeping the flow slow and steady, there can be no danger. It is the impatience for the Siddhis which cause undue pressure on the organs and thereby causes pains in the ears, the eyes, the chest, etc. If the three bandhas be carefully performed while practicing [sic] the Prāņāyāma, there is no possibility of any danger.”

Siddhis are the powers or “accomplishments” achieved from continuous practice. They range from being able to extend peace out into the world and understanding all languages, to being able to levitate and understand all languages, to the six “powers unique to being human.” Bandhas are “locks” and refer to internal engagements used to seal sections of the body in order to control the flow of prāņā. The three major bandhas referred to in the text are the same engagements I encourage when I tell people to “zip up” and engage the pelvic floor and lower abdominal cavity (mūla bandha), the mid and upper abdominal cavity (uḍḍīyana bandha), and the throat (jālandhara bandha). I typically refer to a fourth – pada bandha – which is a seal for the feet; however, in classical texts the fourth bandha is the engagement of the three major bandhas (root, abdominal, and throat) at the same time.

Before anyone gets it twisted, let’s be clear that this introduction is not advice to grab a book and follow instructions without the guidance of a teacher. In fact, Pancham Sinh specifically advised people to find a teacher who practiced and indicated that while one could follow the directions from a (sacred) book, there are some things that cannot be expressed in words. There are some things that can only be felt. This is consistent with Patanjali’s explanation that the elements and senses that make up the “objective world” can be “divided into four categories: specific, unspecific, barely describable, and absolutely indescribable.” (YS 2.19) That is to say, there are some things that have specific sense-related reference points; some things that can be referred back to the senses, but on a personal level; some things that have no reference points, but can be understood through “a sign” or comprehension of sacred text; and some things which cannot be described, because there is no tangible reference point and/or “sign” – there is only essence.

One of the things we can feel, but not touch, is emotion. Emotions can come with visceral experiences and, in that way, can fall into the “unspecific” category, but more often than not what we feel is “barely describable” (or even indescribable) – and yet, writers are always trying to describe or capture the essence of what is felt. As the author of nine novels (including one published shortly after her death), five short story collections (most of which were published after her death), a hybrid novel (part fiction, part non-fiction), three book-length essays, a biography, and hundreds of articles, reviews, and essays, Virginia Woolf constantly endeavored to describe what she felt and what she felt she saw others feeling. Even more salient, she often focused on the disconnection between what her characters felt and what they could describe about what they felt.

The author’s efforts were hindered, or aided (depending on one’s viewpoint), by the fact that she experienced so much trauma and heartbreak; much of which led to emotional despair. She was possibly (probably) abused by one of her half-brothers from an early age. Then she suffered a mental breakdown at the age of 13, after her mother died. Then she had to deal with the death of her half-sister and a maternal role model just two years later. When her father he died, in 1904, she had another breakdown, the severity of which landed her in the country for a period of convalescence. It was during this period that she began to write in earnest (even though the doctors had recommended that she only write letters) and that she would meet Leonard Woolf, the author whom she would marry in 1912. The writing helped, in that she seemed to find some mental and emotional stability for about 15 years. But, she would experience another breakdown after correcting the proofs of her first novel, The Voyage Out. The novel was published by her half-brother’s publishing company (yes, that aforementioned half-brother) and introduced the world to “Clarissa Dalloway,” the protagonist of her fourth novel.

“evaṃ vidhe maṭhe sthitvā sarva-chintā-vivarjitaḥ |
ghurūpadiṣhṭa-mārgheṇa yoghameva samabhyaset || 14 ||

Having seated in such a room and free from all anxieties, he should practise [sic] Yoga, as instructed by his guru.”

– quoted from “Chapter 1. On Āsanas” of the Haţha Yoga Pradipika, translated by Pancham Sinh (1914)

“You cannot find peace by avoiding life.”

– quoted from The Hours: a novel by Michael Cunningham

It is interesting to me that while the instruction for the Haţha Yoga Pradipika instructed a person to practice when they were “free from…disturbances of all kinds” (HYP 1.12); “free from dirt, filth and insects” (HYP 1.13); and “free from all anxieties” (HYP 1.14), the vast majority of people practicing in the modern world do so in order to free themselves from the various maladies that plague them. Additionally, I find it interesting that historians, teachers of literature, and even psychiatrists spend a lot of time (theoretically) diagnosing a young woman (Virginia Woolf) who may have been experiencing (and working through) the most natural of emotions; natural, given her circumstances. Were her emotions extreme and potentially dangerous? Yes, by all accounts – including her own words and her death – her emotions were extreme and dangerous; as were her circumstances. Initially, she was able to work through her distress because she had the support of those to whom she was connected. In the end, however, she was left alone and feeling disconnected.

The Air I Breathe, one of my favorite movies, was released in the United States today in 2008. Inspired by the idea that emotions are like fingers on a hand, the main characters are known to the audience as Happiness, Pleasure, Sorrow, Love, and Fingers – and their stories are interconnected, even though they don’t necessarily realize it. In fact, some of the most desperate actions in the movie are motivated by fear and a sense of isolation. Promotional materials for the movie proclaimed, “We are all strangers / We are all living in fear / We are all ready to change” and in the movie Happiness asks, “So where does change come from? And how do we recognize it when it happens?” I think both the statement and the question could be applied to so many, if not all, of Virginia Woolf’s characters – and they could apply to all of us in the world right now.

“‘For,’ the outsider will say, ‘in fact as a woman, I have no country. As a woman I want no country. As a woman my country is the whole world.’ And if, when reason has had its say, still some obstinate emotion remains, some love of England dropped into a child’s ears… this drop of pure, if irrational, emotion she will make serve her to give to England first what she desires of peace and freedom for the whole world.”

– quoted from the novel-essay “Three Guineas,” as it appears in The Selected Works of Virginia Woolf by Virginia Woolf

As I have mentioned before, I consider the 8-Limbed Yoga Philosophy to have very real-time, practical applications and I normally think of the physical practice as an opportunity to practice, explore, and play with the various elements of the philosophy. I will even sometimes use aspects of alignment as a metaphor for situations in our lives off the mat. Given this last year, however, I have really started to consider how āsana instructions from classic texts like The Yoga Sūtras of Patanjali and the Haţha Yoga Pradipika, can be more practically applied to the most basic aspects of everyday life.

For instance, if we spend our time on the mat cultivating a “steady/stable, comfortable/easy/joyful” foundation in order to breathe easier and more deeply, doesn’t it make sense to spend some time cultivating the same type of foundation in our lives? Going out a little more, if we do not have the luxury or privilege of practicing “in a country where justice is properly administered, where good people live, and food can be obtained easily and plentifully,” doesn’t it behoove us to create that land? Finally, what happens if we (to paraphrase yoga sūtras 2.46-47) establish a baseline for stability and then loosen up a little bit and focus on the infinite? Patanjali and the authors of the other sacred texts told us we would become more of who we are: leaner in body, healthier, brighter, more joyful, “clearer, stronger, and more intuitive.” In other words: peaceful and blissful.

“lōkāḥ samastāḥ sukhinōbhavantu”

– A mettā (loving-kindness) chant that translates to “May all-beings, everywhere, be happy and be free.”

There is no playlist for the Common Ground practice.

“vapuḥ kṝśatvaṃ vadane prasannatā
nāda-sphuṭatvaṃ nayane sunirmale |
aroghatā bindu-jayo|aghni-dīpanaṃ
nāḍī-viśuddhirhaṭha-siddhi-lakṣhaṇam || 78 ||

When the body becomes lean, the face glows with delight, Anâhatanâda manifests, and eyes are clear, body is healthy, bindu under control, and appetite increases, then one should know that the Nâdîs are purified and success in Haṭha Yoga is approaching.”

– quoted from “Chapter 1. On Āsanas” of the Haţha Yoga Pradipika, translated by Pancham Sinh (1914)

“The human frame being what it is, heart, body and brain all mixed together, and not contained in separate compartments as they will be no doubt in another million years, a good dinner is of great importance to good talk. One cannot think well, love well, sleep well, if one has not dined well.”

– quoted from the essay “A Room of One’s Own,” as it appears in A Room of One’s Own And, Three Guineas by Virginia Woolf

If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can call 1-800-273-TALK (8255). You can also call the TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.

### OM SHANTI, SHANTI, SHANTHI OM ###

Celebrating a “Teacher” Who Lives Well (the Tuesday post) January 20, 2021

Posted by ajoyfulpractice in Art, Books, Dharma, Donate, Faith, Gratitude, Healing Stories, Health, Hope, Karma, Life, Love, Music, Mysticism, One Hoop, Pain, Philosophy, Poetry, Science, Suffering, Wisdom, Women, Writing, Yoga.
Tags: Deborah Evans Price, Dolly Lama, Dolly Parton, Moderna vaccine, Robin Roberts, Stephen Smith
add a comment

[This is the post for Tuesday, January 19^th. You can request an audio recording of Tuesday’s practices via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.

In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.]

“Find out who you are and do it on purpose.”

– Dolly Parton

“When I’m inspired, I get excited because I can’t wait to see what I’ll come up with next.”

– Dolly Parton

There are certain puns, specifically homonym puns, that work really well in class but don’t work at all when read. For instance, when you read “the Dolly Lama,” you might think it’s a type-o and that I meant “Llama” – and that I somehow got confused when talking about the famous cloned sheep. However, when I explain that “Lama” is a term for “teacher” and an honorific specifically used in Tibetan Buddhism things become a little clearer. Hearing it, you might think I’m saying “Dalai Lama,” but, when you read it – and I refer to her as she – there’s no confusion about the identity of this famous teacher.

Born today in 1946, Dolly Parton is a seeker, a dreamer, a reader, a writer, a producer, an entrepreneur, a shopper, a philanthropist, a healer, and a teacher – although she has referred to herself as “A poor sinful creature.” Reading that list, you might think, “Oh, Myra, you left out that she’s a musician, a singer.” But, honestly, when I read about the life of Dolly Parton – the well lived life of the “Dolly Lama” – I feel like her being a singer and a musician is one of the list interesting things about her.

“We cannot direct the wind, but we can adjust the sails.”

– Dolly Parton

“If you don’t like the road you’re walking, start paving another one.”

– Dolly Parton

Saying that her music is the least interesting thing about her does not, in any way, take away or dimension her accomplishments as a musician. Dolly Parton and her fans have assured that nothing can do that!

She has written over 3,000 songs and sold more than 100 million records worldwide. She has won ten Grammys (including a Lifetime Achievement Award) and received 50 Grammy nominations. She has also won ten Country Music Awards (CMA) and is one of only seven women to win the CMA’s Entertainer of the Year Award. Plus, she has five Academy of Country Music Awards, four People’s Choice Awards, three American Music Awards, and was inducted into the Country Music Hall of Fame in 1999. While she is not an EGOT (a winner of an Emmy, Grammy, Oscar and Tony), she has been nominated at least once for all four awards. She’s the focus of a podcast, Dolly Parton’s America, but for anyone thinking she’s just an American Country music star, keep in mind that her biggest audience (170,000 people) was in Scotland. Also, keep in mind that she’s not done yet! She’s still living and still writing.

She’s also still married, which might be a surprise for people who just know a song or two. Dolly Parton married Carl Thomas Dean on May 30, 1966. He’s not much for the spotlight and, last time I checked, had only seen her perform live once, but they’ve made it work for 55 years… and counting. She has said that he’s very romantic and that it’s their first marriage; then – with her customary twang – explained that it’s also their LAST marriage. And that right there, his romance combined with her humor (and twang), might be part of the reason their marriage works.

“I’m more successful now than I was then, but I still feel like the same girl. I’m just a working girl. I never think of myself as a star because, as somebody once said, ‘A star is nothing but a big ball of gas,’ – and I don’t want to be that.”

– Dolly Parton’s response when asked how different she was from 1964 when she first arrived in Nashville, in an October 24,2014, billboard article entitled, “Dolly Parton Q & A: The Country Legend on 50 Years in Nashville and Why She Supports Her Gay Fans” by Deborah Evans Price

Another reason behind her successful marriage might be that Dolly Parton has never forgotten where she came from and has a heart that is, metaphysically speaking, bigger than her whole body. Through her Dollywood Foundation, she has raised money and awareness for disaster relief (close to her home in Tennessee and overseas); HIV/AIDS related charities; cancer treatment; the ethical treatment of animals; and bald eagle conservation. She has also donated her time, energy, and considerable talent to these causes. Not to mention the fact that she has used her considerable wealth and clout to create jobs in economically-depressed areas. In 2020, she donated $1 million towards COVID-19 research and encouraged others (if they could afford it) to do the same. A few months later, Vanderbilt University announced that her donation helped fund the research that produced the Moderna vaccine.

Dolly Parton reads about 50 books a year and promotes literacy through her foundation. In fact, one of the biggest ongoing Dollywood Foundation programs is Dolly Parton’s Imagination Library, which gives each enrolled child a book a month, from birth until they reach kindergarten (age 5). As of today, 1,761,167 children in the United States, Canada, the United Kingdom, Australia, and the Republic of Ireland have received 150,606,052 books! Can you imagine the imagination that is driven by some much reading??

“It was [ahead of its time]; and it did a lot of good. But, it evidently didn’t do enough good because we’re going to always have the same problems in the workplace with women and men….and there’s still work to be done. I still believe that women should get paid equal and should be treated with respect. I’m all about that, you know, and I don’t get out and have to preach it or march in the streets, I write about it.”

– Dolly Parton talking about the importance of the movie 9 to 5, in a 2019 ABC News Special entitled “Dolly Parton: Here She Comes Again!” with Robin Roberts

It is Dolly Parton’s imagination and hard work that have driven her to create so much wonder, beauty, and fun in the world. In addition to everything else – including helping to raise several of her 11 siblings (she is the fourth of 12) – Dolly Parton has written seven books (including a cookbook); appeared in eight films; and created a theme park, a water park, multiple entertainment centers, and a production company.

“You’d be surprised how much it costs to look this cheap!”

– Dolly Parton

“People say, ‘How you stay looking so young?’ I say, ‘Well, good lighting, good doctors, and good makeup.’”

– Dolly Parton in a February 2019 BBC “Newsnight” interview with Stephen Smith

Given all of the above – not to mention the fact that I’ve left some things out – you may be thinking, “What hasn’t Dolly Parton done?” Well, glad you asked. She has never posed nude for Playboy (or anybody else) – despite being asked repeatedly. She did, however, appear on the October 1978 cover… completely covered by a Playboy bunny outfit. She has also, as I previously alluded, had a cloned sheep named in her honor (because it was created using the breast tissue of an adult sheep).

“The way I see it, if you want the rainbow, you gotta put up with the rain.”

– Dolly Parton

“When the big things in your life get messy, you need to get up and get out. I make a point to appreciate all the little things in my life. I go out and smell the air after a good, hard rain. I re-read passages from my favorite books. I hold the little treasures that somebody special gave me. These small actions help remind me that there are so many great, glorious pieces of good in the world.”

– quoted from Dream On: Celebrate the Dreamer in You by Dolly Parton

Tuesday’s playlist is available on YouTube and Spotify.

“If you see someone without a smile today, give ’em yours.”

– Dolly Parton

### DREAM ON, DREAMER ###

Who Is Minding the Store? (the Saturday post) January 10, 2021

Posted by ajoyfulpractice in "Impossible" People, Books, Changing Perspectives, Confessions, Dharma, Healing Stories, Hope, Life, Loss, Men, One Hoop, Peace, Philosophy, Wisdom, Women, Yoga.
Tags: Alice Schwarzer, gender, Jean-Paul Sartre, President Richard Nixon, René Descartes, Simone de Beauvoir, Stendhal, Yoga Sutra 2.54, Yoga Sutra 2.55
add a comment

[This is the post for Saturday, January 9^th. It was slightly edited in 2023. You can request an audio recording of Saturday’s practice via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.

In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.]

“Man’s unhappiness, says Descartes, is due to his having first been a child. And indeed the unfortunate choices which most men make can only be explained by the fact that they have taken place on the basis of childhood. The child’s situation is characterized by his finding himself cast into a universe which he has not helped to establish, which has been fashioned without him, and which appears to him as an absolute to which he can only submit. In his eyes, human inventions, words, customs, and values are given facts, as inevitable as the sky and the trees….

From childhood on, flaws begin to be revealed in it. With astonishment, revolt and disrespect the child little by little asks himself, ‘Why must I act that way? What good is it? And what will happen if I act in another way?’ He discovers his subjectivity; he discovers that of others. And when he arrives at the age of adolescence he begins to vacillate because he notices the contradictions among adults as well as their hesitations and weakness. Men stop appearing as if they were gods, and at the same time the adolescent discovers the human character of the reality about him. Language, customs, ethics, and values have their source in these uncertain creatures. The moment has come when he too is going to be called upon to participate in their operation; his acts weigh upon the earth as much as those of other men. He will have to choose and decide. It is comprehensible that it is hard for him to live this moment of his history, and this is doubtless the deepest reason for the crisis of adolescence; the individual must at last assume his subjectivity.”

– quoted from “II. Personal Freedom and Others” in The Ethics of Ambiguity by Simone de Beauvoir

“What is an adult? A child blown up by age.”

– quoted from The Woman Destroyed by Simone de Beauvoir

Do you ever take note of yourself? In particular, do you take note of who you are and what you are all about – and how you got in the habit of being you? That last part may seem weird, because you’re thinking that you just are you and that being you is a state, not a habit. However, philosophically speaking, we become who we are – more and more, every day – and, as we become who we are we less and less likely to deviate from a certain pattern of behavior. In other words, who we are in this moment is a habit.

Simone de Beauvoir, born today in 1908, was (along with her longtime companion Jean-Paul Sartre) one of the founders of existentialism; the philosophical and literary idea that freedom and the expression of personal freedom should be the foundation of and motivation for everything. Despite the fact that the couple, individually and collectively, sought to define themselves regardless of social conventions, there was a point when de Beauvoir had not considered how her sex and gender (and people’s ideas around her sex and gender) limited her freedom of being. In fact, she specifically told Sartre that she had not experienced any oppression or marginalization because she was a woman. (A comment I always find astonishing since one of the reasons the couple didn’t marry was because she had no dowry and said that made marriage “impossible.”)

Sartre basically told de Beauvoir to go deeper, and she did. The result of that deep dive was The Second Sex.

Published in 1949, the two volumes of The Second Sex (Facts and Myths and Lived Experience) provided a history of the treatment of women; made a distinction between biological sex and socially-constructed gender; and became the foundation for modern feminist theory – although its author was reluctant to call herself a feminist. One of the bottom lines from The Second Sex is that men (and in particular, in certain cultures, white men) are seen by society as the “norm” and that everyone else (and everything associated with everyone else) is defined (on a scale beneath men) in a way that “Others,” fetishizes, and demeans them. Additionally, she pointed out that to deviate from the “norm” and the resulting hierarchy can be detrimental.

“If her functioning as a female is not enough to define woman, if we decline also to explain her through ‘the eternal feminine’, and if nevertheless we admit, provisionally, that women do exist, then we must face the question ‘what is a woman’?

To state the question is, to me, to suggest, at once, a preliminary answer. The fact that I ask it is in itself significant. A man would never set out to write a book on the peculiar situation of the human male. But if I wish to define myself, I must first of all say: ‘I am a woman’; on this truth must be based all further discussion. A man never begins by presenting himself as an individual of a certain sex; it goes without saying that he is a man. The terms masculine and feminine are used symmetrically only as a matter of form, as on legal papers. In actuality the relation of the two sexes is not quite like that of two electrical poles, for man represents both the positive and the neutral, as is indicated by the common use of man to designate human beings in general; whereas woman represents only the negative, defined by limiting criteria, without reciprocity. In the midst of an abstract discussion it is vexing to hear a man say: ‘You think thus and so because you are a woman’; but I know that my only defence [sic] is to reply: ‘I think thus and so because it is true,’ thereby removing my subjective self from the argument. It would be out of the question to reply: ‘And you think the contrary because you are a man’, for it is understood that the fact of being a man is no peculiarity.”

– quoted from “Introduction: Woman as Other” in The Second Sex by Simone de Beauvoir

We may think nothing of the way we think and the way our brains process stimuli, until there is a problem – a fracture in our understanding of “reality” – or we engage in a contemplative practice that requires us to question everything; including the way we think. The Yoga Philosophy continuously asks us to question… everything. As we must understand our selves and the way our mind understands the world (through the senses), the 8-limbed philosophy explores how everything we think, say, do, and experience creates a mental/psychological impression (samskara) through which we filter the next thing we think, say, do, and experience. We also look at how we repeat this pattern throughout every moment of our lives and how, unless we take note and do something to lift the “veil of impressions,” we become who we are because we are hardwiring ourselves to be a certain way.

Another way to think of this is purely neurological. Every time we do something new (so, everything we think, say, do, and experience) a neural pathway is created in the brain. This pathway gets hardwired as we repeat a thought, word, deed, or experience and this is how a habit is formed – whether it is the habit of eating or not eating certain food; drinking or otherwise imbibing to excess (or not at all); working out (or not); working 80 hours a week; procrastinating; not getting enough sleep or sleeping too much…. The list goes on, because once we repeat a behavior enough times, we do it without thought or consideration. And, when you think about it, this is how we become who are; who we are in the habit of being.

“Stendhal said: ‘All the geniuses who are born women are lost to the public good.’ To tell the truth, one is not born a genius: one becomes a genius; and the feminine situation has up to the present rendered this becoming practically impossible.”

– quoted from “Part II – History: Chapter VIII. Since the French Revolution: The Job and the Vote” in The Second Sex by Simone de Beauvoir

“One is not born, but rather becomes, a woman.”

– quoted from “Part IV – The Formative Years: Chapter XII. Childhood” in The Second Sex by Simone de Beauvoir

Using Simone de Beauvoir as an example, consider how her understanding of the world (as she had been taught as a child) meant that her lack of dowry prevented her from getting married. Yet, that same lack of dowry (that prevented her from getting married) allowed her to study an academic discipline she may not have been able to study had she been married with children. At some point and on some level, she decided to focus on the freedom she “gained” from not being married rather than on the limitations society placed on her because her family wasn’t wealthy. Freedom and expression of that freedom became everything! At various points throughout her life, there were situations (of oppression) that she was in the habit of ignoring, because she was in the habit (as her father said) of thinking “like a man” and acting accordingly.**

In some ways, the explanations above are overly simplified, because they barely touch all the layers. The reality is that all of our experiences are based around external sensations (whereby we receive information about an object through our sense organs) and the internal processing of these sensations (which is a mental engagement). Yoga looks at five senses, plus the mind: smelling, tasting, seeing, touching, hearing, and thinking. These senses are physically and mentally (neurologically) tied to a sense organ; to the mind; and, also, symbolically and energetically tied to a chakra. That chakra connection means that each sense is also associated to a part of the body that is not directly (physically) connected to the sense organ. Additionally, each sense is tied to an action: eliminating, (pro)creating, moving, grasping/holding, speaking, and thinking. When Patanjali explains the practice and experience of pratyāhāra (which is literally defined as “pulling the mind from every direction and in every respect to a focal point”), he specifically mentions indriyāņām, which are the 5 expressions of the physical-mental sense organ engagement and the 5 expressions of the corresponding action – with thinking sometimes ranking as an 11^th indriya.

To get the real “big picture” we must also factor in our (emotionally) feelings about what we are sensing and thinking, as well as whether that emotion is rooted in the presence or (as is more often the case) rooted in the past. In the commentary for this week’s sūtra (2.55), Pandit Rajmani Tigunait, PhD, points out that there is a point in the (continued) practice when, “The joy engendered by this union [between mind and prana] engulfs the mind’s roaming tendencies. The cortex, which is the seat of the manas, the thinking mind, stops brooding on the future. This leads to freedom from anxiety. The amygdale, which is the seat of chitta, the storehouse of memories [and the processing point for decision-making and emotional responses], stops interacting with emotions associated with past issues. This leads to freedom from sorrow.”

Yoga Sūtra 2.54: svaişayāsamprayoge cittasyasvarūpānukāra ivendriyāņām pratyāhārah

– “Withdrawing from every direction toward a focal point, the sense organs and actions cease engaging with the [corresponding] sense objects and become like the true nature of the mind.

Yoga Sūtra 2.55: tatah paramā vaśyatendriyāņām

– “From that [pratyahara] comes the highest level of mastery over senses

Think back to the classic analogy of the senses being wild horses*; the mind/brain being the reins; the body being the chariot; the mind/intellect being the charioteer; and the Atman-Self being the passenger along for the ride. Think about how every experience involves a variety of sense objects which will attract the attention of the horses. Think how, if not controlled, the horses keep pulling in the direction of the sense object each one finds most appealing. Chaos reigns.

And we fear the chaos.

Now, think about what happens if the horses have been trained (though experience) to know which way is “the barn” and that “the barn” equals whatever appeals to the senses. Now, you could drop the reins and the horses would all go to “the barn.” The only problem is they are still pulling in a different direction – only now you know the why and the where. This is a more controlled form of chaos, because now the senses and the brain are in the habit of doing certain things given certain information (stimuli) and conditions.

What if, however, “the barn” is not where you are going? Now, you have to struggle a bit, to keep the horses on course – especially since each horse may be pulling towards a different “barn.” Maybe you hold too tightly to the reins, especially when you notice you’re going in the “wrong” direction; and then you go nowhere fast. The alternative, according to Patanjali, is to intentionally train the senses by drawing them in – almost like an American football huddle.

Remember, this is not about suppressing or repressing natural abilities. Neither is this about becoming so “numb” you are sleep walking through life. No, this is about training – and/or retraining – the mind-body to process sensation/information in different ways. It’s not about being reactive, it’s about being responsive. It’s not about improving your sight, but rather about improving your vision (of yourself and the world). It’s not about denying or suppressing reality, but rather about believing in yourself. And, ultimately, it is about being in the habit of being your best self.

The beauty of this practice is that while it is not magical, and doesn’t happen overnight, it does happen.

“To make oneself an object, to make oneself passive, is a very different thing from being a passive object: a woman in love is neither asleep nor dead; there is a surge in her which unceasingly ebbs and flows: the ebb creates the spell that keeps desire alive.”

– quoted from “Part IV – The Formative Years: Chapter III. Sexual Initiation” in The Second Sex by Simone de Beauvoir

Saturday’s playlist is available on YouTube and Spotify. [Look for “10202020 Pratyahara”]

*NOTE: I decided to stick with the tried and true wild horse and chariot analogy, rather than the store analogy referenced in the title.

**NOTE: Sometimes Simone de Beauvoir’s behavior was so much “like a man” that had she actually been a man, I might put her in the same category as President Richard Nixon, born today in 1913, and not every focused a class on her contributions. A double standard? In this case, yes.

“The new feminism is radical, by contrast. As in 1968, its watchword is: change your life today. Don’t gamble on the future, act now, without delay.”

– quoted from After the Second Sex: Conversations with Simone de Beauvoir by Alice Schwarzer

### Riding with a Charioteer Named Purpose ###

Double the Light (the very late “missing” post) December 14, 2020

Posted by ajoyfulpractice in Bhakti, Books, Changing Perspectives, Chanukah, Dharma, Faith, Healing Stories, Hope, Life, Mantra, Meditation, Men, Mysticism, Pain, Peace, Philosophy, Religion, Suffering, Tragedy, Wisdom, Women, Yoga.
Tags: Beresh't, Bhagavad Gita, Feast Day of Saint Lucia, Genesis, hanukia, Hanukkah, Maccabeats, novena, Saint Lucy's Day, Yoga Sutra 1.36
add a comment

[“Happy Chanukah!” to anyone celebrating! May your lights shine bright!]

[This extremely delayed posting is from Sunday the 13^th. You can request an audio recording of Sunday’s practice via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.

In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)]

Yoga Sutra 1.36: viśokā vā jyotişmatī

– “Or [fixing the mind] on the inner state free of sorrow and infused with light, anchors the mind in stability and tranquility.”

How does one keep the faith? This is a question we can ask at any time, but it becomes a particularly significant question when we are faced with doubt or fear. Or darkness. We all have moments of doubt, of fear, of darkness. Those moments can come from the inside and also from the outside, from things that are going on all around us. Those are the times, I think, when it is good to remember the words of Yoga Sūtra 1:36 which instructs us to focus on our inner light. However, even if you are not familiar with this thread, every culture and every spiritual (and religious) tradition has a story that serves as a similar reminder – and, during the darkest times of the year – people in the Northern Hemisphere bring out these stories, re-tell them, and celebrate them.

There are some aspects of light celebration in Samhain, the pagan holiday marking summer’s end. But, in truth, this year’s celebrations of light started with Diwali, the 5-day Indian festival of lights. Next up is Chanukah, which started at sunset on Thursday (the 25^th of Kislev). This year, the 8-day festival of light in the Jewish tradition overlaps the (Western Christian) Feast Day of Saint Lucia (also known as Saint Lucy’s Day) on December 13^th – so we get double the light.

“And God said, ‘Light will be,’ and light was.”

– Transliteration of the Hebrew from Bereishit – Genesis (1:3), most commonly translated as “And God said, ‘Let there be light,’ and there was light.”

“Chanukah” means “dedication” and the holiday is a commemoration of Maccabees restoring the temple in Jerusalem after centuries of religious persecution (and a battle that was in and of itself a miracle). Before the battle, however, the Maccabees spent about a year hiding in caves and studying Torah. They would have been very clear on the importance of lighting the candles on the menorah in order to establish the sanctity of the temple. After all, it is commanded in the Bible. The only problem was that the temple had been desecrated and almost every vial of olive oil previously sealed by the high priest had been contaminated. I say “almost every vial,” because (miraculously) there was one still sealed vial of oil. Not enough, they thought, to last all the days and nights (8 in total) required to make and to bless more oil – but just enough to show their faith and their intention, to show where (and how) they stood in the world.

When people celebrate Chanukah, they light 8 candles in honor of the 8 days and 8 nights during which there was, miraculously, light when people were expecting darkness. Except in extenuating circumstances, when it is not safe to do so, people are instructed to place their hanukia (a special menorah for the occasion) in a window that can be seen from the street – so that anyone walking past will be reminded of the miracle that started with faith.

“The world that we live in, so much cold and strife
One little light to warm another life
Fill the darkest night with the brightest light
Cause it’s time for you to shine
A little dedication, a small illumination
Just one person to change a whole nation
Let me see the light”

– quoted from “Shine” by the Maccabeats

Saint Lucy’s Day is also a day centered around faith, persecution, and the miracles that come from someone doing what they can in the midst of so much “can’t.” It is mostly celebrated in Scandinavian countries and Italy, as well as places like the Twin Cities where there is a large Scandinavian population, as well as a strong Catholic, Lutheran, and/or Anglican presence. The day honors a 4^th century virgin-martyr who would bring food and drink to Christians hiding from religious persecution. Lucy herself was persecuted, and that part of the story is a little gory – although, notably, full of miracles. However, being chosen to wear her symbols and to represent Saint Lucy or her court (including the “star boys”) is an honor not because of what was done to her, but because of her faith led her to alleviate the suffering of others.

In 4^th century Syracuse (Roman Empire), the best places to hide were in the Roman catacombs, the very epitome of darkness on every level. So that her hands were free to carry the food and drink, Lucy (whose Latin name, Lucia, shares a root with the Latin word for “light”) would wear a wreath of candles around her head. Being the source of her own light, while carrying a feast, required her to stand and move very carefully, very deliberately, and very intentionally – almost as if she was in Tādāsana (“Mountain Pose”).

When we practice āsanas (“seats” or poses), a significant amount of energy and awareness goes into how we sit (or stand). This deliberation and intention allows us to pay attention to our breath (which is a symbol of our spirit and life force) and also to extend and direct our breath (and therefore our spirit and life force). In a sense, we are careful about how we stand specifically so that we can be intentional about how we use our energy. Another way to think of this is that how we move and hold our body, as well as how we breathe and pay attention to our breath, allows us to very intentionally, deliberately, and mindfully start to focus on our inner light. When we focus-concentrate-meditate on our inner light, it appears to get brighter. In fact, over time, our inner light begins to shine out into the world – but, first we have to be able to see it.

“O St Lucy, preserve the light of my eyes so that I may see the beauties of creation, the glow of the sun, the colour of the flowers and the smile of children.

Preserve also the eyes of my soul, the faith, through which I can know my God, understand His teachings, recognize His love for me and never miss the road that leads me to where you, St Lucy, can be found in the company of the angels and saints.”

– quoted from A Novena Prayer to St Lucy, Protector of the Eyes

Sunday’s playlist is available on YouTube and Spotify.

“‘Remember, dear friend, that I am subtly inherent in everything, everything in the universe! I am the all-illuminating light of the sun, the light in the moon, the brilliance in the fire – all light is Mine. I am even the consciousness of light, and indeed, I am the consciousness of the entire cosmos.’”

– The Bhagavad Gita: A Walkthrough for Westerners (15:12) by Jack Hawley

### 2x MORE LIGHT, 4x LESS DARKNESS ###

Orange The World November 25, 2020

Posted by ajoyfulpractice in Books, Changing Perspectives, Healing Stories, Hope, One Hoop, Pain, Philosophy, Suffering, Super Heroes, Tragedy, Women, Yoga.
Tags: #OrangetheWorld, 16 Days of Activism Against Gender-based Violence, Antonia María Teresa Mirabal Reyes (known as María Teresa), Bélgica “Dedé” Adela Mirabal Reyes, Caroline Myss, International Day for the Elimination of Violence Against Women, International Human Rights Day, María Argentina Minerva Mirabal Reyes (known as Minerva), Mirabal Sisters Foundation, Patria Mercedes Mirabal Reyes, Roses Revolution Day, Rufino de la Cruz, UNESCO, United Nations Educational Scientific and Cultural Organization, United Nations General Assembly
add a comment

WARNING: There are no explicit details in this post, but there are references that may trigger trauma.

“Quedé viva para contarles la historia.” [“I stayed alive to tell the story.”]

— Dedé Mirabal, author of Vivas en su Jardín

“Since the outbreak of COVID-19, emerging data and reports from those on the front lines, have shown that all types of violence against women and girls, particularly domestic violence, has intensified.

This is the Shadow Pandemic growing amidst the COVID-19 crisis and we need a global collective effort to stop it. As COVID-19 cases continue to strain health services, essential services, such as domestic violence shelters and helplines, have reached capacity. More needs to be done to prioritize addressing violence against women in COVID-19 response and recovery efforts.”

— quoted from the United Nations website for International Day for the Elimination of Violence against Women (2020 #OrangetheWorld)

There’s nothing pretty about violence — and statistics about violence against women are particularly ugly. 1 in 3 women, worldwide experience physical or sexual violence. Prior to 2020, about 243 million women and girls (ages 15 – 49) reported experiencing sexual and/or physical abuse by an intimate partner within a 12-month period. That number has gone up during the COVID-19 pandemic and, in some countries, hotline and emergency calls regarding domestic abuse increased to 5 times the average numbers. The United Nations Educational, Scientific and Cultural Organization (UNESCO) considers violence against women and girls (VAWG) a human rights violation — in fact, they consider it “one of the most widespread, persistent and devastating human violations in our world today.”

To combat this violence (and the accompanying stigma) that can manifest physically, sexually, and psychological – and that happens to people around the world regardless of education, socioeconomic status, race, ethnicity, age, health, or nationality — UNESCO designated November 25^th as the International Day for the Elimination of Violence against Women. The 2020 theme is “Orange the World: Fund, Respond, Prevent, Collect!” and focuses on “amplifying the call for global action to bridge funding gaps, ensure essential services for survivors of violence during the pandemic, [prevention measures,] and collection of data that can improve life-saving services for women and girls.” Today’s observation kicks off “16 Days of Activism against Gender-Based Violence” which culminates with International Human Rights Day on December 10^th.

“For the purposes of this Declaration, the term “violence against women” means any act of gender-based violence that results in, or is likely to result in, physical, sexual or psychological harm or suffering to women, including threats of such acts, coercion or arbitrary deprivation of liberty, whether occurring in public or in private life.”

— “Article 1” of the Declaration on the Elimination of Violence Against Women, issued by the United Nations General Assembly, December 20, 1993

When UNESCO started observing the International Day for the Elimination of Violence against Women in 1999, November 25^th wasn’t randomly selected because it was 16 days before International Human Rights Day. Today was specifically selected to honor the lives and legacy of the Mirabal sisters (Las Hermanas Mirabal), three of whom were assassinated today in 1960.

Patria Mercedes Mirabal Reyes, Bélgica “Dedé” Adela Mirabal Reyes, María Argentina Minerva Mirabal Reyes (known as Minerva), and Antonia María Teresa Mirabal Reyes (known as María Teresa) were married, Catholic-educated young mothers who had been raised in a middle-class household in the Dominican Republic. Three of the sisters (Patria, Minerva, and María Teresa) were also college educated professionals who actively and publicly opposed the dictator Rafael Trujillo (known as El Jefe), who’s fascist regime lasted 31 years.

“We cannot allow our children to grow up in this corrupt and tyrannical regime. We have to fight against it, and I am willing to give up everything, even my life if necessary”

— Patria Mirabal Reyes

The sisters became known as Las Mariposas (“The Butterflies”) and they (and their husbands) were often harassed and even incarcerated because of their activism. There were many activists who spoke out against the dictator before the sisters — including organizers of the “Movement of the Fourteenth of June” and the sisters’ own uncle. But part of the reason the sisters (and their husbands) may have been targeted was because Minerva had turned down Trujillo’s sexual advances when she was in her early 20’s.

International attention on their plight may have saved Minerva and María Teresa from being tortured during their last incarceration — and definitely led to them being released. Their high profile, however, did not secure the release of their husbands. It also did not save them. As they returned from a visit to the prison where two of their husbands were being held, Patria, Minerva, María Teresa, and their driver Rufino de la Cruz were stopped by people associated with Trujillo’s regime (including members of his secret police force). There was an attempt to make their murders look like a car accident, but evidence to the contrary was very obvious.

Dedé, the surviving sister lived to the age of 88. She was also the only one of the sisters who did not go to college and the only one who did not publicly participate in the resistance. She was a “traditional” homemaker who also took care of the family business. After her sisters were murdered, she continued to take care of their children and started the Mirabal Sisters Foundation. She also turned the home they last lived in together into a museum and wrote a book, Vivas en su Jardín, as she saw that her legacy was to preserve herstory.

“Perhaps what we have most near is death, but that idea does not frighten me. We shall continue to fight for that which is just.”

— María Teresa Mirabel Reyes

“If they kill me, I’ll reach my arms out from the tomb and I’ll be stronger.”

— Minerva Mirabel Reyes

If you see a building or landmark being “oranged” in the next few days, it is a reminder of campaign against gender-based violence and a reminder of the importance of everyone coming together to promote a violence-free world. Curious about why the color for International Day for the Elimination of Violence against Women is orange. I thought maybe it would be tied to the symbol of the butterfly, but I could only find a UNESCO site that says “The color orange symbolizes a bright future, free of violence. It also serves as a means of demonstrating your solidarity in eliminating all forms of violence and…. As a show of solidarity, the UNESCO globe will be illuminated orange.”

Of course, the reason I was curious about the color choice is because in yoga and Áyurveda, as they come to us from India, orange is associated with the second chakra — which is the energetic center of our relationships. From the yoga perspective, our mind-bodies are a microcosm representing the macrocosm that is the world. So, from the yoga perspective, physical, mental, emotional, energetic, and spiritual healing begins on the inside and if we want to truly “orange” the world, we must find a way to physically, emotionally, and energetically honor a sacred truth.

“Sacred Truth: Honor one another. Every relationship you develop, from casual to intimate, helps you become more conscious. No union is without spiritual value.”

— from “Morning Visual Meditation” by Caroline Myss

Please join me today (Wednesday, November 25^th) at 4:30 PM or 7:15 PM for a yoga practice on Zoom. Use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You will need to register for the 7:15 PM class if you have not already done so. Give yourself extra time to log in if you have not upgraded to Zoom 5.0. You can request an audio recording of this practice via a comment below or by emailing myra (at) ajoyfulpractice.com.

Wednesday’s playlist is available on YouTube and Spotify. [Look for “Mother’s Day 2020”]

In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)

“Article 2

Violence against women shall be understood to encompass, but not be limited to, the following:

(a) Physical, sexual and psychological violence occurring in the family, including battering, sexual abuse of female children in the household, dowry-related violence, marital rape, female genital mutilation and other traditional practices harmful to women, non-spousal violence and violence related to exploitation;

(b) Physical, sexual and psychological violence occurring within the general community, including rape, sexual abuse, sexual harassment and intimidation at work, in educational institutions and elsewhere, trafficking in women and forced prostitution;

(c) Physical, sexual and psychological violence perpetrated or condoned by the State, wherever it occurs.

Article 3

Women are entitled to the equal enjoyment and protection of all human rights and fundamental freedoms in the political, economic, social, cultural, civil or any other field. These rights include, inter alia:

(a) The right to life;

(b) The right to equality;

(c) The right to liberty and security of person;

(d) The right to equal protection under the law;

(e) The right to be free from all forms of discrimination;

(f) The right to the highest standard attainable of physical and mental health;

(g) The right to just and favourable conditions of work;

(h) The right not to be subjected to torture, or other cruel, inhuman or degrading treatment or punishment.”

— quoted from the Declaration on the Elimination of Violence Against Women, issued by the United Nations General Assembly, December 20, 1993

11/25/2024 Revised formats.

### HONOR HUMAN RIGHTS ###

Oh, Brother! (or, Light On Siblings) UPDATED November 16, 2020

Posted by ajoyfulpractice in Art, Bhakti, Books, Buddhism, Changing Perspectives, Confessions, Dharma, Faith, Food, Healing Stories, Health, Hope, Life, Love, Meditation, Men, Music, Mysticism, One Hoop, Pain, Peace, Philosophy, Poetry, Religion, Suffering, Tragedy, Wisdom, Women, Yoga.
Tags: 988, Ayurveda, Diwali, Kali Puja, Katha Upanishad, Lakşmī, Nara, Nārāyaņa, Pearl Jam, Ralph T. H. Griffith, Rig Veda, Rigveda, siblings, Swami Nikhilananda, Sūrya, Yama / Death, Yami
add a comment

[“Happy Diwali!” to anyone celebrating! May you be healthy, wealthy, and wise!]

[The 75-minute Common Ground Meditation Center practice, in the spirit of generosity (“dana”), is freely given and freely received. You can use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You can request an audio recording of Monday’s practice via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.

If you are able to support the center and its teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” my other practices, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)

Check out the “Class Schedules” calendar for upcoming classes.]

“Yama said: ‘The good is one thing; the pleasant, another. Both of these, serving different needs, bind a man. It goes well with him who, of the two, takes the good; but he who chooses the pleasant misses the end.’

‘Both the good and the pleasant present themselves to a man. The calm soul examines them well and discriminates. Yea, he prefers the good to the pleasant; but the fool chooses the pleasant out of greed and avarice.’”

— quoted from Katha Upanishad (Part I – Chapter II, Verses 1-2) translated by Swami Nikhilananda

The final day of Diwali, the 5-day festival of light celebrated throughout India, Southeast Asia, and the diaspora, is a day devoted to siblings — specifically the bond between sisters and brothers. Sisters, who celebrate today in this way, may give a puja (“offering” and prayers) on behalf of their brothers — that their brothers may enjoy a long, healthy, and happy life — and then will host a dinner in honor of their brothers. But, it’s not just a matter of creating a feast with their brothers’ favorite food. No, in some traditions, a sister will hand feed their brothers. (Yet another tradition when people will have to be creative in order to observe this year.)

I have two brothers, with whom I have very different relationships, and while I never wish either of them harm, it is sometimes a lot easier to wish the best for the one that is my favorite. (To be fair, my favorite is also my other brother’s favorite sibling). But, having “a favorite” kind of flies in the face of much of Yoga and Buddhist philosophy. It creates and perpetuates suffering. While others with siblings might say, “Yeah, but it’s human,” my relationships with my brothers makes me wonder how this final day of Diwali became associated with siblings. What, after all, do brothers and sisters have to do with light symbolically overcoming anything?

“Yama said: ‘The goal which all the Vedas declare, which all austerities aim at and which men desire when they lead the life of continence, I will tell you briefly: it is Om.’”

— quoted from Katha Upanishad (Part I – Chapter II, Verse 15) translated by Swami Nikhilananda

There are actually a couple of different brother-sister stories associated with this final day of Diwali. One, in particular, resonates with me because the brother and sister have a difference in opinion that causes a great deal of strife. While I can’t really relate to the subject of their argument, I can definitely relate to the feeling of being at odds with one’s brother.

According to the legends, Yami (also known as Yamuna) and Yama are twins, born to Sūrya (the Sun) and his wife Sandhya. If, like me, you’re familiar with another set of twins in Indian mythology — Nara and Nārāyaņa, who are identical except that one is in a physical-corporal body and one is in a spiritual-energetic body — then you might be expecting a twist. Of course, in the case of Yami and Yama the twist is a doozy. You see, in the 10^th hymn in the 10^th book of the Rigveda the twins have a falling out because Yami wants to marry her brother, but Yama points out that not only is incest forbidden — there are health-related reasons behind it being forbidden.

Health and well-being are underlying elements throughout Diwali. Part of the focus on health comes from the fact that Lakşmī, the goddess of joy, prosperity, and wealth, is also the goddess of fertility. More importantly, however, she shares a birthday — the first day of Diwali — with Dhanvantari, the god of medicine (Aryuveda). In my mind, the fact that they both rise from the churning of the primordial “Ocean of Milk” on Dhanteras makes them energetic siblings (at the very least).

“Within the Waters – Soma thus hath told me-dwell all balms that heal,
And Agni, he who blesseth all.
O Waters, teem with medicine to keep my body safe from harm,
So that I long may see the Sun.
Whatever sin is found in me, whatever evil I have wrought,
If I have lied or falsely sworn, Waters, remove it far from me.
The Waters I this day have sought, and to their moisture have we come:
O Agni, rich in milk, come thou, and with thy splendour cover me.”

— quoted from Rigveda (Book 10, Hymn 9. 6-9) translated by Ralph T. H. Griffith

Remember, also, that Yama is “Death” and appears in an earlier Diwali story about a young prince and his very clever wife. Even though “Death” is conquered in that story — and even though 2020 is a year where I can’t blame anyone for vilifying death — Yama is not always portrayed as evil incarnate. Everything changes, everything ends. The problem is not the end — as it is also a beginning; the problem is how we deal with the end of something. How we let go of something that isn’t going our way or ends before we are ready for it to end.

According to the legend, Yama is the first mortal to die and so becomes the ruler of death (as well as dharma, South, and the underworld). His twin, Yami, does not handle his death well. In fact, she seems to be on a never ending downward spiral of grief, because (to her) her brother (and the love of her life) just died. At this point in the story, night (darkness) is created so that Yami can experience the passage of time and, therefore, the healing that comes from the passage of time.

“Yes I understand
That every life must end
As we sit alone
I know someday we must go

Oh, I’m a lucky man
To count on both hands
The ones I love
Some folks just have one
Yeah, others they got none

Stay with me
Let’s just breathe”

— quoted from “Just Breathe” by Pearl Jam

There is no playlist for the Common Ground practices.

2024 UPDATE: There is a 2023 playlist available on YouTube and Spotify. [Look for “Diwali (Day 5) 2023”]

“‘The knowing Self is not born; It does not die. It has not sprung from anything; nothing has sprung from It. Birthless, eternal, everlasting and ancient, It is not killed when the body is killed.’

‘Atman, smaller than the small, greater than the great, is hidden in the hearts of all living creatures. A man who is free from desires beholds the majesty of the Self through tranquility of the senses and the mind and becomes free from grief.’”

— quoted from Katha Upanishad (Part I – Chapter II, Verses 18 & 20) translated by Swami Nikhilananda

11/02/2024 Updated with 2023 playlist, revised formatting, and tags/categories.

### OM OM AUM ###

You Moustache This Out! November 8, 2020

Posted by ajoyfulpractice in Books, Changing Perspectives, Donate, Faith, Healing Stories, Health, Karma Yoga, Life, Love, Men, One Hoop, Philosophy, Religion, Science, Volunteer, Wisdom, Women, Writing, Yoga.
Tags: ALEC, Brendan Maher, Dorothy Day, mental health, R U OK?
add a comment

“We repeat, there is nothing that we can do but love, and dear God – please enlarge our hearts to love each other, to love our neighbor, to love our enemy as well as our friend.”

– quoted from “Love Is The Measure” printed in The Catholic Worker (June 1946, 2) by Dorothy Day (b. today 1897)

Maybe it’s just me; but have you noticed that this year (in particular) there seems to be more awareness around the fact that there’s a “wrong” way to ask someone how they are doing? Don’t get me wrong – I think we all appreciate when someone cares enough to ask about our overall well-being (and then sticks around to listen). And anyone who is over the age of five knows that there are levels of “Fine” and “OK” that either hold a wealth of subtext or a complete lack of context.

Earlier this year, after the world watched George Floyd being killed, there were articles (like this one) about how to check in with POC – in particular, Black people – and I had more than one people say to me, “I’m not going to ask how you’re doing, because….” To some, especially my white male friends, I explained that if they would ask me how I was doing at any other time in our kinship (anthropologically speaking), they could ask me during a time when pretty much everyone in the world was horrified, terrified, exhausted, angry, and sad.

That said; I appreciated the awareness that the question (and the opportunity to ask it) were not simple and perfunctory. Similarly, I appreciated the friends, especially my close white friends, who might have done some soul searching before calling me, but were also quite aware of the fact that they could call me, “should” call me, and ask, “How are you today?” Simple as that – with no other explanations or apologies needed. I also loved that before one of my Tuesday night Zoom classes, when we were all checking in (and basically saying, we were doing “OK”), someone called out the fact that none of us was really doing “OK.” Because while checking in with each other, and ourselves, is important, being honest about how we’re doing in any given moment is also important to our overall well-being.

“And there are Father Zossima’s unforgettable words in The Brothers Karamazov – ‘Love in practice is a harsh and dreadful thing compared to love in dreams.’ What does the modern world know of love, with its divorces, with its light touching of the surface of love. It has never reached down into the depths, to the misery and pain and glory of love which endures to death and beyond it. We have not yet begun to learn about love. Now is the time to begin, to start afresh, to use this divine weapon.’”

– quoted from “Love Is The Measure” printed in The Catholic Worker (June 1946, 2) by Dorothy Day (b. today 1897)

This morning I came across an article entitled “6 Questions to Ask Instead of ‘How Are You?’, According to Therapists.” And, I’ll be honest, when I first saw the headline; I wasn’t going to open it. But once I did, I realized how fortunate I am to have people in my life who ask questions like, “But how are you, really, really?” (Which is not on the list, by the way.) I also noticed that the 6 ways reference can actually lead to dialogue and honesty – and that those are two parts of “sharing and caring” that can also lead to improved physical, mental, and emotional well-being.

In an earlier Movember post, I mentioned information on the (US) Movember website that always strikes me as off – but also oddly accurate: “70% of men say their friends can rely on them for support, but only 48% say that they rely on their friends.” I feel like this year, with everything that’s been going on, there might be more people checking in with each other, but not really, really checking in with each other. Which brings me to Alec (and Brendan Maher)

Brendan Maher is a “Mo Bro” and the Global Director of Mental Health and Suicide Prevention, Movember. If you go to the (US) Movember Foundation’s “Men’s Health – Mental Health and Suicide Prevention” website you will find a picture of Mr. Maher. He’s smiling gently, and looks like the kind of guy you could talk to about almost anything. At first, I thought he was “Alec.” It turns out, however, that ALEC is actually an acronym for four simple steps a person can take when checking on someone who is going through a hard time:

Ask

Listen

Encourage Action

Check (Back) In

If you check out the website for more details about ALEC (a model developed by “R U OK?”) and you compare it to the six questions referenced in the aforementioned Huffington Post article, you will find that each and every one of us can be Alec… and Alec’s friend. Each and every one of us has the ability to identify and (help) eliminate three-fold sorrow. It’s one of six our “super” human powers after all!

One of the reasons why checking in about how someone is feeling in the present moment, is that things change and the way we feel changes – physically, mentally, emotionally, and energetic/spiritually – moment to moment. As the world changes around us, it’s OK – more than OK – to be happy about certain things while simultaneously angry and frustrated (sometimes about the same things). We can simultaneously hold gratitude and sadness about a lost loved one – gratitude that they were in our lives and sadness that they are no longer with us on physical plane. We can be confused about which way to go moving forward, while also very confident about our desire not to go backwards.

One thing it is important to remember is that we embody all of the sensations, thoughts, and emotions we experience. So, as we are checking in with each other, be sure to check in with your own self. The physical practice of yoga (hatha yoga, regardless of the style or tradition) is a great opportunity to tune in and tune up. Also, take some time – maybe while you walk or sit or write – to ask yourself, “How YOU Doin’?”

“What’s happening now is impacting us all in different ways. Sometimes it’s hard to know what to do, where to start or what to say. As we push through this together, we hope we can empower people to connect with others who are struggling and find the help they need now.”

– Brendan Maher, Global Director of Mental Health and Suicide Prevention, Movember

Please join me for a 65-minute virtual yoga practice on Zoom today (Sunday, Movember 8^th) at 2:30 PM. I am in the process of updating the links from the “Class Schedules” calendar; however, the Meeting IDs in the calendar are the same and are correct. PLEASE NOTE: Zoom 5.0 is in effect. If you have not upgraded, you will need to give yourself extra time to log into Zoom. You can always request an audio recording of this practice (or any practice) via email or a comment below.

Today’s playlist is available on YouTube and Spotify. [“Look for Movember 3^rd 2020”]

Some of you definitely moustache this out!

“What we would like to do is change the world–make it a little simpler for people to feed, clothe and shelter themselves as God intended them to do. And to a certain extent, by fighting for better conditions, by crying out unceasingly for the rights of the workers, of the poor, of the destitute–the rights of the worthy and the unworthy poor in other words, we can to a certain extent change the world; we can work for the oasis, the little cell of joy and peace in a harried world. We can throw our pebble in the pond and be confident that its ever widening circle will reach around the world. We can give away an onion.”

– quoted from “Love Is The Measure” printed in The Catholic Worker (June 1946, 2) by Dorothy Day (b. today 1897)

If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can call 1-800-273-TALK (8255). You can also call the TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.

### I MOU YOU ###

Fourth Step: Once More, With Feeling October 27, 2020

Posted by ajoyfulpractice in Books, Depression, Hope, Life, Loss, Love, Men, One Hoop, Pain, Poetry, Suffering, Tragedy, TV, Women, Writing, Yoga.
Tags: Dylan Thomas, pranayama, Ronald Reagan, Sylvia Plath
add a comment

“Do not go gentle into that good night,

Old age should burn and rave at close of day;

Rage, rage against the dying of the light”

– quoted from the poem “Do not go gentle into that good night” by Dylan Thomas

In another time and place, today was a day all about poetry and literature. Specifically, today was day devoted to the work of Sylvia Plath (born in Boston, Massachusetts today in 1932) and Dylan Thomas (born in Swansea, Wales in 1914). I even once squeezed in a couple of references to Zadie Smith – even though she was born on October 25, 1975 (in the London borough of Brent). And, while I might make a brief reference to these literary greats in class today, I find myself a little hard pressed to navigate the emotional and socio-political quagmire of yesterday when we are all so steeped in the emotional and socio-political quagmire of today. (Even though, let’s be real, some things have not really changed.)

I was especially reluctant to stick to “the way I’ve (always) done it,” because one of the elements to the way I use to lead the practice isn’t readily available. So, yesterday, I found myself looking for a something new, something special about today. Of course, there were a lot of things that caught my eye. However, thinking about the Cold War left me a little cold and, while I felt a little inspired by President Ronald Reagan’s 1964 “A Time for Choosing” speech (which aired today, as part of the “Rendezvous with Destiny” television special in support of the presidential nomination of Senator Barry Goldwater), that just opens a political can of worms.

Just to give you an idea of how my brain works: The title of Goldwater’s (Republican) TV special was inspired by a June 27, 1936 (Democratic) speech given in Philadelphia (which was founded today in 1682) by President Franklin Delano Roosevelt. The fact that FDR’s (Republican) cousin, President Theodore Roosevelt, was born today (in Manhattan, New York City in 1858) opens a whole other (political and religious) can of worms. However, I did find it amusing that President TR, who won the 1906 Nobel Peace Prize and served in the United States military as well as serving as Vice President, got married on his 22^nd birthday (today in 1880) – and therefore shared a “wedding” anniversary with Sonny and Cher (who had a ceremony in Tijuana, Mexico today in 1964).

“Though lovers be lost love shall not;
And death shall have no dominion.”

– quoted from the poem “And death shall have no dominion” by Dylan Thomas

There’s more, but most of it is tragic. We can be horrified by what happened in Missouri today in 1838 or anger about the children killed in Syria just a year ago today, but I find there is too much heaviness in my heart already to devote a whole class to these tragedies. Don’t get me wrong, I have no intention of forgetting people who were killed for just being who they were – people like United States Navy radioman Allen R. Schindler, Jr. (who was murdered today in 1992 because he was gay) or the people of devotion who were killed and wounded during the 2018 shooting during morning services at the Tree of Life – Or L’Simcha Congregation. But, right now I feel an overwhelming need to keep focusing on the breath, and on breathing into the present moment.

The irony of all my mental gymnastics is that even when I focused on Thomas and Plath, today was always about the breath and breathing into what the heart needs in the present moment.

“I took a deep breath and listened to the old bray of my heart: I am, I am, I am.”

or

“I took a deep breath and listened to the old brag of my heart: I am, I am, I am.”

– quoted from two different editions of The Bell Jar by Sylvia Plath

Please join me today (Tuesday, October 27^th) at 12 Noon or 7:15 PM for a virtual yoga practice on Zoom, where we will do what we do. Use the link from the “Class Schedules” calendar if you run into any problems checking into the class. Give yourself extra time to log in if you have not upgraded to Zoom 5.0. You can request an audio recording of this practice via a comment below.

Tuesday’s Noon playlist is available on YouTube and Spotify. [Look for “07192020 Compassion & Peace (J’Accuse!)”]

The Tuesday evening playlist is also available on YouTube and Spotify.

“You and I are told increasingly we have to choose between a left or right. Well I’d like to suggest there is no such thing as a left or right. There’s only an up or down: [up] man’s old – old-aged dream, the ultimate in individual freedom consistent with law and order, or down to the ant heap of totalitarianism. And regardless of their sincerity, their humanitarian motives, those who would trade our freedom for security have embarked on this downward course.”

– quoted from the 1964 “A Time for Choosing” speech by Ronald Reagan

CORRECTION: The wrong birth year was originally posted for Theodore Roosevelt. (rev. 10/28/2025)

### SIGH IT OUT ###

Gazing into Our Self October 24, 2020

Posted by ajoyfulpractice in Books, Health, Life, Love, Men, Music, Mysticism, Philosophy, Science, Tragedy, Vipassana, Women, Yoga.
Tags: Antonie van Leeuwenhoek, Friedrich Nietzsche, Harry Houdini, James Randi, Microbiology, Yoga Sutra 2.44, yoga sutras
add a comment

“He who fights with monsters should look to it that he himself does not become a monster. And if you gaze long into an abyss, the abyss also gazes into you.”

– #146 quoted from “CHAPTER IV. APOPHTHEISMS AND INTERLUDES” of Beyond Good and Evil: Prelude to a Philosophy of the Future by Friedrich Nietzsche (b. 10/15/1844)

Even in years like this, when I don’t actually teach on the anniversary of the birth of the philosopher of Friedrich Nietzsche, his words creep into my brain. I find myself, on the mat or on the cushion, seeking the form or āsana (“seat”) where power increases and overcomes resistance, so there is happiness. I find myself seeking truth by exploring the realm of “any form of scepticism to which I can reply, ‘Let’s try it!’ But I want to hear nothing more about all the things and questions that don’t admit of experiment.” And, while I definitely consider what makes us stronger, I also consider on what we focus, concentrate, meditate; and how that focus affects us.

Towards the end of the first section of the Yoga Sūtras, Patanjali offers various ways to meditate – which he later explains (YS 2.11) can destroy the afflicted thought patterns which cause suffering. But towards the end of that list, he seems to throw his hands up and say, “You know what, focus on whatever.” (YS 1.39) Yes, yes, the actual word he uses, abhimata (“well-considered”) is a little more precise than “whatever.” More importantly, however, is that he goes on to tell us “that meditating on different objects leads to different experiences.” (YS 1.41)

And there, again, is our old friend Nietzsche, making us consider into what we gaze!

“[M]y work, which I’ve done for a long time, was not pursued in order to gain the praise I now enjoy, but chiefly from a craving after knowledge, which I notice resides in me more than in most other men. And therewithal, whenever I found out anything remarkable, I have thought it my duty to put down my discovery on paper, so that all ingenious people might be informed thereof.”

– Antonie van Leeuwenhoek

Born today in 1632, in Delft, Dutch Republic, Antonie van Leeuwenhoek is known as the “Father of Microbiology,” because he gazed long into tiny microscopes and then wrote letters to the Royal Society in London describing what he found. Van Leeuwenhoek was not a scientist, however. Instead, he was a draper who used lenses (as drapers and jewelers do) to see the quality of the material. But he was also a very curious person and so he started playing around with making his magnifying glasses more magnificent. Eventually he developed a (teeny tiny) lens so strong he could see what he called “animalcules.” And those “tiny animals,” which we now know as “microbes,” were everywhere! On his fine linen, on his tables and chairs, on his skin, in his body, on (and in) his family and friends – even in the air he breathed.

Antonie Van Leeuwenhoek observed unicellular organisms as well as multicellular organisms (in pond water). He was the first to observe and document muscle fibers, bacteria, spermatozoa, red blood cells, and blood flowing in capillaries. In part because he wasn’t a scientist, and in part because no one else had observed such things, people were a little skeptical. The thing was (and is), his observations could be duplicated. Other people could see what he saw – using his super strong lenses that magnified up to 275 times.

To add a certain level of credibility, van Leeuwenhoek allowed people to believe he spent all day and all night grinding glass and then peering into it. And, in fact, he did make about hundreds of lenses of various intensities and at least 25 different types of single-lens microscopes. It did not, however, take as much time as he led people to believe. He was after all, a businessman who had a shop to run. Sometimes, however, credibility comes down to illusion.

“People who look for the first time through a microscope say now I see this and then I see that and even a skilled observer can be fooled. On these observations I’ve spent more time than many will believe, but I’ve done them with joy, and I’ve taken no notice those who have said why take so much trouble and what good is it?”

– Antonie van Leeuwenhoek

Today in 1926, the internationally acclaimed Harry Houdini performed his last show. He was at the Garrick Theater in Detroit, Michigan, performing with a 104˚ fever, cold sweats, and acute appendicitis. Additionally, he had fractured his left ankle when a piece of equipment accidentally struck him on October 11^th and then, on Oct 22^nd, a student at Montreal’s McGill University punched him in the stomach before he could brace himself. (Note: The student wasn’t trying to hurt Houdini, but instead wanted to see for himself if the illusionist could resist hard punches.) After the show in Montreal, Houdini complained of stomach pain; but the show must go on. He collapsed after the show in Michigan and was rushed to Grace Hospital, where he died in Room 401 on Halloween.

People were, and continue to be, fascinated by Harry Houdini’s life and death. To this day, people hold séances on Halloween night in an attempt to contact his spirit. James “The Amazing” Randi, a famous magician and (perhaps the most famous) skeptic, died on October 20^th at the age of 92. He broke some of Houdini’s records and was one of the co-founders of the Committee for the Scientific Investigation of Claims of the Paranormal, which endeavors to debunk some larger than life myths and promotes (observable) science in classrooms. I’m guessing his husband, Jose, is not of the same mindset as Houdini’s wife, Bess, who set up the first Halloween séance 10 years after Harry Houdini’s death. However, I’m betting someone still tries to contact him, because wouldn’t that be the ultimate coup: winning The Amazing Randi’s $1M prize by successfully contacting his spirit.

“Magical thinking, you know, is a slippery slope. Sometimes it’s harmless enough, but other times it’s quite dangerous. Personally, I’m opposed to that kind of fakery, so I have no kinds of reservations at all about exposing those people and their illusions for what they really are.”

– James “The Amazing” Randi

James Randi, Antonie van Leeuwenhoek, Friedrich Nietzsche, and even Harry Houdini encouraged us to consider our thinking. Why can we be fooled and why do we sometimes not believe what is right in front of ours. There is also the question of what do we believe and what do we want to believe. All things that can best be answered by gazing long into ourselves – and this, again and again, is what Patanjali recommended.

One of the niyamās (“internal observations”) is svādhyāyā (“self-study”) which is a form of discernment whereby we look at ourselves – our thoughts and reactions – in relation to sacred text, chants, or even historical scenarios. In explaining the benefits of this type of internal observation, Patanjali references “bright being(s),” “angel(s),” or “God” (depending on the translation). It’s not the first, not the last time, Patanjali references something higher than our physical form. Each time, however, he is very deliberate about the word he uses. During the practice, I often say, “God – whatever that means to you at this moment” and, in the case of Yoga Sūtra 2.44 we have an opportunity to really focus, concentrate, meditate on what that means to us, and why it matters.

Yoga Sūtra 2.44: svādhyāyādişţadevatāsamprayogah

– “From self-study comes the opportunity to be in the company of bright beings [of our choice].”

Please join me for a 90-minute virtual yoga practice on Zoom today (Saturday, October 24^th) at 12:00 PM. You can use the link from the “Class Schedules” calendar if you run into any problems checking into the class. Give yourself extra time to log in if you have not upgraded to Zoom 5.0.

You can request an audio recording of Saturday’s practice via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.

Check out the “Class Schedules” calendar for upcoming classes.

Today’s playlist is available on YouTube and Spotify. (Look for “Guru Purnima 2020”)

### LOOK HERE, LOOK INSIDE HERE! ###

This is one way you can hear me SINGING BOUT MY STUFF October 18, 2020

Posted by ajoyfulpractice in "Impossible" People, Art, Bhakti, Books, Changing Perspectives, Confessions, Dharma, Faith, Gratitude, Healing Stories, Health, Hope, Life, Lorraine Hansberry, Meditation, Movies, Music, Mysticism, Ntozake Shange, One Hoop, Pain, Philosophy, Suffering, Tantra, Texas, Wisdom, Women, Writing, Yoga.
Tags: Buena Batiste, Caroline Myss, chakras, Lorraine Hansberry, Ntozake Shange, SONY, Texas Instruments
add a comment

“Our minds and all that functions through our minds generate a continual stream of micro and macro activities through the complex of our non-stop brain. Our emotions are always active. We are constantly making choices, consciously and unconsciously. And – think about this – our “choices continue to make choices.” How’s that for a thought? But it’s pure truth. And because it’s truth, we need to find a way to evaluate the micro and macro impact of our thoughts, attitudes, belief patterns – the whole of our energetic personality and nature – as the energetic reflection of the landscape of our physical life.”

– quoted from “What Can You Heal in Five Minutes” (from the 2014 Online Salon) by Caroline Myss

The way the world communicated (and was entertained) changed dramatically today in 1954 when Texas Instruments and the Regency Division of Industrial Development Engineering Associates (IDEA Inc.) introduced the Regency Model TR-1, the first commercial transistor radio, to markets in New York and Los Angeles. When the device first went on sale (on November 1^st) it cost $49.95 – which was a lot of money back in the 1950’s – but almost 100,000 of the pocket radios were sold in the first year and a technology (as well as an entertainment) revolution had begun.

Prior to the “pocket-sized” TR-1, radios were mostly considered a piece of household furniture. They were essentially big dressers or medium sized jewelry boxes that housed circuitry centered around breakable vacuum tubes. The tubes used a lot of energy, took a long time to warm, and were incredibly fragile. There were “portable” tube radios, but they were about the size and weight of a lunchbox; were powered by several heavy, non-rechargeable batteries; and they didn’t even pretend to be shock resistant. So, few people invested in them. Instead, families huddled around the radio, waited for it to warm-up, and paid attention to the energy output (especially during the war).

No one really thought about listening (or even watching) something they whole family wasn’t going to hear (or see). Furthermore, no one (outside of the electronics industry) really thought about walking around with your personal choice of music, news, podcasts, and other forms of entertainment streaming out of our pockets 24/7. That possibility, that is our reality, became reality because of the introduction of transistors.

Like the old-fashioned vacuum tubes, transistors are devices used to amplify and switch (and also convert) electronic signals and electrical power. Unlike the tubes, transistors are made of semiconductor material which means that that they have an electrical conductivity value which falls between a metal conductor and an insulator (like glass). One of the main benefits to using semiconductor material in electronics is that its ability to conduct electrical current increases as it heats up (meaning its resistivity decreases), which is the opposite of metals. Semiconductor devices, like transistors, offer a lot of versatility and flexibility – especially when you want to pass current in more than one direction – and provided the radios with an “instant-on” capability. All of which allows people to conveniently and quickly share their stories.

“Our psyches are governed by archetypal patterns, containers of myths and symbols that continually feed our unconscious. Our health and well-being feeds off of the stories we tell ourselves, stories that are created, generated, and rooted in our myths. Every person I talk to tells me a story in some way about his or her life and that story inevitably contains at least one symbol or hints at one myth. As each of the participants of the Help Desk told me a bit about themselves, I listened for both the details they were sharing as well as any symbols or metaphors in their descriptions through which I could then identify an archetypal pattern. We can’t stop ourselves from revealing our archetypes. All of these systems that combine to make up each human life need to be understood in terms of how they speak to each other, how they participate in acts of creation, how they interact with the creative mechanisms of our psyche and soul, and how their sensitivities influence the development of physical illnesses. And further, how do we interact with this extraordinary system of life that is US when it comes to healing an illness?

I view the realm of health and healing through this lens now. In fact, it’s more of a parallel reality in that the real power of who we are truly exists in the realm of energy, or our energy field. Our health is regulated by far more than chemicals and nutrition, as we know. But adding on knowledge about the chakras, for instance, is hardly enough to span the spectrum of all that we have come to discover about the depth and width of our interior selves. Speaking about “chakras”, for instance, represents a great deal more than energy dots laid over the physical anatomy. The recognition of our energy anatomy – of energy consciousness itself – represents an entirely different paradigm of how we need to consider the nature of our concept of power.”

– quoted from “What Can You Heal in Five Minutes” (from the 2014 Online Salon) by Caroline Myss

The physical practice of yoga (hatha yoga, regardless of style or tradition) is simultaneously physical-mental, emotional-energetic, and psychic-symbolic. In the same way we are not always aware of how are mind-body communicates with itself and ourselves, we are not always aware of how we are communicating with others. The practice, however, gives us the opportunity to start paying attention to not only how we communicate, but also why we communicate. Every part of our being has a story to tell (and a method to tell it); every part of our story is connected to someone else’s story; and they way the stories are told (or not) determines how we think of the story, the storyteller, and the other players.

Consider, for instance, the story of the transistor radio. If you didn’t know the significance of today and someone mentioned transistor radios, your first thought might not be Texas Instruments or IDEA. Instead, your first thought might be SONY. Because not long after Texas Instruments and IDEA went on to new innovations, a Japanese company rebranded itself and (in 1957) introduced the TR-63, a smaller and cheaper transition radio that conveniently preceded with a global “music” mania. And that mania, is not only the stuff of musical legends, it’s the stuff that makes up the story.

Today is the anniversary of the birth of Ntozake Shange. Born today in 1948, she was an award winning playwright and novelist who changed her name to the Zulu words meaning “she comes with her own things” and “who walks like a lion.” The beginning of her story predates the transistor radio, but it is a definite element in her stories. The remainder of this post is part of a 2018 Kiss My Asana offering.

“somebody/anybody
sing a black girl’s song
bring her out
to know herself
to know you
but sing her rhythms
carin/struggle/hard times”

– The Lady in Brown with all the other Ladies from for colored girls who have considered suicide/when the rainbow is enuf by Ntozake Shange

“somebody almost walked off wid alla my stuff

not my poems or a dance i gave up in the street

but somebody almost walked off wid alla my stuff

like a kleptomaniac workin hard & forgettin while stealin

this is mine!

this aint yr stuff

now why don’t you put me back

& let me hang out in my own

Self”

– The Lady in Green from for colored girls who have considered suicide/when the rainbow is enuf by Ntozake Shange

I said it before, and I’ll say it again: The danger in not telling your story isn’t only that it might not be told, it’s also that someone else might tell your story. Someone else might, to quote the choreopoem, run off with all of your stuff. And, if someone else tells your story, they may (at best) leave out your rhythm, your tone, and what is most important to you. At worse, however, someone else telling your story can objectify you or turn you into a caricature, a living breathing stereotype come to life on the page – or on the stage.

Up until recently, certain individuals had a hard time telling their own stories in a way that they could be heard, seen, and validated. They didn’t have the money, the prestige, or the influence. I say this knowing full well that certain marginalized groups (people of color, women – of almost any color, GLBTQI, people who practice certain faiths, people who have been abused by people with power, the physically disabled, and the mentally disabled…just to name a few) still have a harder time getting their stories told, heard, seen, and validated than people who identify in a way that is not marginalized. Slowly but surely, that is changing. Still, as hard as it is, it would be harder were it not for people like Lorraine Hansberry and Ntozake Shange and works like Hansberry’s A Raisin in the Sun and Shange’s choreopoem for colored girls who have considered suicide/when the rainbow is enuf.

“Write if you will: but write about the world as it is and as you think it ought to be and must be—if there is to be a world. Write about all the things that men have written about since the beginning of writing and talking—but write to a point. Work hard at it, care about it. Write about our people: tell their story. You have something glorious to draw on begging for attention. Don’t pass it up. Don’t pass it up. Use it. Good luck to you. The Nation needs your gifts.”

– from a speech to Readers Digest/United Negro Fund creative writing contest winners (May 1, 1964) by Lorraine Hansberry

Lorraine Hansberry’s A Raisin in the Sun was inspired by real life events. It was also the first play written by a Black woman (and directed by a Black person) to appear on Broadway (1959). At some point during high school, I read excerpts from Lorraine Hansberry’s play What Use Are Flowers? and her autobiography To Be Young, Gifted and Black: Lorraine Hansberry in Her Own Words. Reading her words, I thought, “I could be that. I could write, I could act, and I could represent the world…as I see it.” I can only imagine where I would be if that idea – of being on stage while putting my work on stage – hadn’t been cemented in my mind. But, there it was, an inspiration not unlike the Langston Hughes poem that inspired the title of Hansberry’s most famous play. And, like a raisin in the sun, my dream kinda got deferred.

I auditioned for The Sunshine Boys during my first semester of college. The directors kept asking me to read with different people who were auditioning, which I took as a good sign. Unbeknownst to me, they weren’t considering me for a role on stage. Instead, the directors asked if I would be their assistant. I said yes and then found myself in the role of their stage manager… and their producer and their publicist. Fast forward 7 years and I was working as a professional stage manager for the writer/director who’s most famous play was the second Broadway play written by a Black woman: Ntozake Shange.

“hey man

where are you goin wid alla my stuff?!

this is a woman’s trip & i need my stuff”

– The Lady in Green from for colored girls who have considered suicide/when the rainbow is enuf by Ntozake Shange

In 1974, Shange and four other women started performing the choreopoems that would become for colored girls…. Seventeen years after Hansberry’s Broadway premiere, Shange’s work found its way to the Great White Way. (I say, [It] found its way,” but in truth, Ntozake is (to this day) a force of creative nature and moving across the country was the least of the things she did to shepherd her work.) Twenty years after she wrote and first started to perform the poems, Shange was in Houston directing a revival.

Ntozake Shange was not the first arts and entertainment legend with whom I worked – and she would not be the last – but holy cow did she leave an indelible impression. I worked with her twice and both times I was struck by her unwavering commitment to her own vision. While it is not unusual for a director to be strong, fierce, and artistically determined, she was one of the first woman (not to mention one of the first women of color) with whom I worked who was unapologetic about who she was and what she wanted. Also notable, she saw the world and, therefore, presented the world in a very different way from the mainstream. She was (and is) defiantly herself, singing her songs, dancing to her own rhythms, and – in doing so – giving us permission to do the same.

Everybody has a rhythm, a cadence, a pace of life and one big part of the physical practice of yoga is to find your rhythm and to move to it. Your breath sets your pace, but even within the pace there is room to (physically) harmonize. Find your pace, find you rhythm, and let the movement tell your story.

Please join me for a 65-minute virtual yoga practice on Zoom today (Sunday, October 18^th) at 2:30 PM. I am in the process of updating the links from the “Class Schedules” calendar; however, the Meeting IDs in the calendar are the same and are correct. PLEASE NOTE: Zoom 5.0 is in effect. If you have not upgraded, you will need to give yourself extra time to log into Zoom. You can always request an audio recording of this practice (or any practice) via email or a comment below.

Today’s playlist is available on YouTube and Spotify. (This is the playlist “07112020 An Introduction.”)

### “I found god in myself
and i loved her
i loved her fiercely” (NS) ###

« older posts newer posts »

A Joyful Practice

Who’s Afraid of Breathing? January 26, 2021

“surājye dhārmike deśe subhikṣhe nirupadrave |dhanuḥ pramāṇa-paryantaṃ śilāghni-jala-varjite |ekānte maṭhikā-madhye sthātavyaṃ haṭha-yoghinā || 12 ||

– quoted from “Chapter 1. On Āsanas” of the Haţha Yoga Pradipika, translated by Pancham Sinh (1914)

“… a woman must have money and a room of her own if she is to write fiction…”

– quoted from the essay “A Room of One’s Own,” as it appears in A Room of One’s Own And, Three Guineas by Virginia Woolf

“athāsane dṝdhe yoghī vaśī hita-mitāśanaḥ |ghurūpadiṣhṭa-mārgheṇa prāṇāyāmānsamabhyaset || 1 ||

Posture becoming established, a Yogî, master of himself, eating salutary and moderate food, should practise [sic] Prâṇâyâma, as instructed by his guru.”

– quoted from “Chapter 2. On Prāņāyāma” of the Haţha Yoga Pradipika, translated by Pancham Sinh (1914)

“I feel a thousand capacities spring up in me. I am arch, gay, languid, melancholy by turns. I am rooted, but I flow.”

– quoted from “Susan” in The Waves by Virginia Woolf

“evaṃ vidhe maṭhe sthitvā sarva-chintā-vivarjitaḥ |ghurūpadiṣhṭa-mārgheṇa yoghameva samabhyaset || 14 ||

Having seated in such a room and free from all anxieties, he should practise [sic] Yoga, as instructed by his guru.”

– quoted from “Chapter 1. On Āsanas” of the Haţha Yoga Pradipika, translated by Pancham Sinh (1914)

“You cannot find peace by avoiding life.”

– quoted from The Hours: a novel by Michael Cunningham

– quoted from the novel-essay “Three Guineas,” as it appears in The Selected Works of Virginia Woolf by Virginia Woolf

“lōkāḥ samastāḥ sukhinōbhavantu”

– A mettā (loving-kindness) chant that translates to “May all-beings, everywhere, be happy and be free.”

“vapuḥ kṝśatvaṃ vadane prasannatānāda-sphuṭatvaṃ nayane sunirmale |aroghatā bindu-jayo|aghni-dīpanaṃnāḍī-viśuddhirhaṭha-siddhi-lakṣhaṇam || 78 ||

When the body becomes lean, the face glows with delight, Anâhatanâda manifests, and eyes are clear, body is healthy, bindu under control, and appetite increases, then one should know that the Nâdîs are purified and success in Haṭha Yoga is approaching.”

– quoted from “Chapter 1. On Āsanas” of the Haţha Yoga Pradipika, translated by Pancham Sinh (1914)

“The human frame being what it is, heart, body and brain all mixed together, and not contained in separate compartments as they will be no doubt in another million years, a good dinner is of great importance to good talk. One cannot think well, love well, sleep well, if one has not dined well.”

– quoted from the essay “A Room of One’s Own,” as it appears in A Room of One’s Own And, Three Guineas by Virginia Woolf

### OM SHANTI, SHANTI, SHANTHI OM ###

Celebrating a “Teacher” Who Lives Well (the Tuesday post) January 20, 2021

“Find out who you are and do it on purpose.”

– Dolly Parton

“When I’m inspired, I get excited because I can’t wait to see what I’ll come up with next.”

– Dolly Parton

“We cannot direct the wind, but we can adjust the sails.”

– Dolly Parton

“If you don’t like the road you’re walking, start paving another one.”

– Dolly Parton

“I’m more successful now than I was then, but I still feel like the same girl. I’m just a working girl. I never think of myself as a star because, as somebody once said, ‘A star is nothing but a big ball of gas,’ – and I don’t want to be that.”

– Dolly Parton’s response when asked how different she was from 1964 when she first arrived in Nashville, in an October 24,2014, billboard article entitled, “Dolly Parton Q & A: The Country Legend on 50 Years in Nashville and Why She Supports Her Gay Fans” by Deborah Evans Price

– Dolly Parton talking about the importance of the movie 9 to 5, in a 2019 ABC News Special entitled “Dolly Parton: Here She Comes Again!” with Robin Roberts

“You’d be surprised how much it costs to look this cheap!”

– Dolly Parton

“People say, ‘How you stay looking so young?’ I say, ‘Well, good lighting, good doctors, and good makeup.’”

– Dolly Parton in a February 2019 BBC “Newsnight” interview with Stephen Smith

“The way I see it, if you want the rainbow, you gotta put up with the rain.”

– Dolly Parton

– quoted from Dream On: Celebrate the Dreamer in You by Dolly Parton

“If you see someone without a smile today, give ’em yours.”

– Dolly Parton

### DREAM ON, DREAMER ###

Who Is Minding the Store? (the Saturday post) January 10, 2021

– quoted from “II. Personal Freedom and Others” in The Ethics of Ambiguity by Simone de Beauvoir

“What is an adult? A child blown up by age.”

– quoted from The Woman Destroyed by Simone de Beauvoir

“If her functioning as a female is not enough to define woman, if we decline also to explain her through ‘the eternal feminine’, and if nevertheless we admit, provisionally, that women do exist, then we must face the question ‘what is a woman’?

– quoted from “Introduction: Woman as Other” in The Second Sex by Simone de Beauvoir

“Stendhal said: ‘All the geniuses who are born women are lost to the public good.’ To tell the truth, one is not born a genius: one becomes a genius; and the feminine situation has up to the present rendered this becoming practically impossible.”

“One is not born, but rather becomes, a woman.”

– quoted from “Part IV – The Formative Years: Chapter XII. Childhood” in The Second Sex by Simone de Beauvoir

Yoga Sūtra 2.54: svaişayāsamprayoge cittasyasvarūpānukāra ivendriyāņām pratyāhārah

– “Withdrawing from every direction toward a focal point, the sense organs and actions cease engaging with the [corresponding] sense objects and become like the true nature of the mind.

Yoga Sūtra 2.55: tatah paramā vaśyatendriyāņām

– “From that [pratyahara] comes the highest level of mastery over senses

“To make oneself an object, to make oneself passive, is a very different thing from being a passive object: a woman in love is neither asleep nor dead; there is a surge in her which unceasingly ebbs and flows: the ebb creates the spell that keeps desire alive.”

– quoted from “Part IV – The Formative Years: Chapter III. Sexual Initiation” in The Second Sex by Simone de Beauvoir

“The new feminism is radical, by contrast. As in 1968, its watchword is: change your life today. Don’t gamble on the future, act now, without delay.”

– quoted from After the Second Sex: Conversations with Simone de Beauvoir by Alice Schwarzer

### Riding with a Charioteer Named Purpose ###

Double the Light (the very late “missing” post) December 14, 2020

[“Happy Chanukah!” to anyone celebrating! May your lights shine bright!]

Yoga Sutra 1.36: viśokā vā jyotişmatī

– “Or [fixing the mind] on the inner state free of sorrow and infused with light, anchors the mind in stability and tranquility.”

“And God said, ‘Light will be,’ and light was.”

– Transliteration of the Hebrew from Bereishit – Genesis (1:3), most commonly translated as “And God said, ‘Let there be light,’ and there was light.”

“The world that we live in, so much cold and strife One little light to warm another life Fill the darkest night with the brightest light Cause it’s time for you to shine A little dedication, a small illumination Just one person to change a whole nation Let me see the light”

– quoted from “Shine” by the Maccabeats

“O St Lucy, preserve the light of my eyes so that I may see the beauties of creation, the glow of the sun, the colour of the flowers and the smile of children.

Preserve also the eyes of my soul, the faith, through which I can know my God, understand His teachings, recognize His love for me and never miss the road that leads me to where you, St Lucy, can be found in the company of the angels and saints.”

– quoted from A Novena Prayer to St Lucy, Protector of the Eyes

– The Bhagavad Gita: A Walkthrough for Westerners (15:12) by Jack Hawley

### 2x MORE LIGHT, 4x LESS DARKNESS ###

Orange The World November 25, 2020

“Quedé viva para contarles la historia.” [“I stayed alive to tell the story.”]

“surājye dhārmike deśe subhikṣhe nirupadrave |
dhanuḥ pramāṇa-paryantaṃ śilāghni-jala-varjite |
ekānte maṭhikā-madhye sthātavyaṃ haṭha-yoghinā || 12 ||

“athāsane dṝdhe yoghī vaśī hita-mitāśanaḥ |
ghurūpadiṣhṭa-mārgheṇa prāṇāyāmānsamabhyaset || 1 ||

“evaṃ vidhe maṭhe sthitvā sarva-chintā-vivarjitaḥ |
ghurūpadiṣhṭa-mārgheṇa yoghameva samabhyaset || 14 ||

“vapuḥ kṝśatvaṃ vadane prasannatā
nāda-sphuṭatvaṃ nayane sunirmale |
aroghatā bindu-jayo|aghni-dīpanaṃ
nāḍī-viśuddhirhaṭha-siddhi-lakṣhaṇam || 78 ||

“The world that we live in, so much cold and strife
One little light to warm another life
Fill the darkest night with the brightest light
Cause it’s time for you to shine
A little dedication, a small illumination
Just one person to change a whole nation
Let me see the light”

Oh, Brother! (or, Light On Siblings) UPDATED November 16, 2020

“Yes I understand
That every life must end
As we sit alone
I know someday we must go

Oh, I’m a lucky man
To count on both hands
The ones I love
Some folks just have one
Yeah, others they got none

Stay with me
Let’s just breathe”