Many blessings to everyone, and especially to anyone observing Great Lent on Great Friday and/or Counting the Omer.
“‘Some people believe holding on and hanging in there are signs of great strength. However, there are times when it takes much more strength to know when to let go and then do it.’ — Ann Landers”
— quoted from “Day 11 / MARATHON MAN: ENDURANCE IN DISCIPLINE נצח שבע גבורה” in The Kabbalah Sutras: 49 Steps to Enlightenment by Marcus J. Freed
Please join me tonight (Friday, May 3, 2024), 7:15 PM – 8:20 PM (CST) for “The Beautiful Balancing Act of Holding On & Letting Go” You can use the link from the “Class Schedules”calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email myra(at) ajoyfulpractice.com.
This Restorative Yoga practice is accessible and open to all.
Prop wise, this is a kitchen sink practice. You can practice without props or you can use “studio” and/or “householder” props. Example of “Studio” props: 1 – 2 blankets, 2 – 3 blocks, a bolster, a strap, and an eye pillow. Example of “Householder” props: 1 – 2 blankets or bath towels, 2 – 3 books (similar in size), 2 standard pillows (or 1 body pillow), a belt/tie/sash, and a face towel.
You may want extra layers (as your body may cool down during this practice).
Friday’s playlist is available on YouTube and Spotify. [Look for “05032024 Balancing Holding On & Letting Go”]
NOTE: The playlist tracks are slightly different in length and duration.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es).
May we all be safe and protected / May we all be peaceful and happy / May we all be healthy and strong / May we all appreciate the “accidental goodness” in our lives.
This is the “missing” post for Sunday, January 28th. It includes some previously posted content. In the final notes section, there is a reference to a tragic event.You can request an audio recording of a related practice via a comment below or (for a slightly faster reply) you can email me at myra(at) ajoyfulpractice.com.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.
“The causality principle asserts that the connection between cause and effect is a necessary one. The synchronicity principle asserts that the terms of a meaningful coincidence are connected by simultaneity and meaning…. Although meaning is an anthropomorphic interpretation it nevertheless forms the indispensable criterion of synchronicity. What that factor which appears to us as ‘meaning’ may be in itself we have no possibility of knowing. As an hypothesis, however, it is not quite so impossible as may appear at first sight. We must remember that the rationalistic attitude of the West is not the only possible one and is not all-embracing, but is in many ways a prejudice and a bias that ought perhaps to be corrected.”
— quoted from “3. Forerunners of the Idea of Synchronicity” in Synchronicity: An Acausal Connecting Principle by C. G. Jung
Causality, the principles of cause and effect, is a big aspect of the Yoga Philosophy — and I am, without a doubt, a big fan. I am quick to go down the proverbial rabbit hole to see how things are connected. Of course, everything is connected: we just don’t always see/make/understand the connections. As indicated in Yoga Sūtra 2.20, “The Seer is the pure power of seeing, yet its understanding is through the mind/intellect.” This doesn’t mean that someone who sees/understands something that others don’t is smarter than those others; it simply means that they see things in a different way… a special way.
For much of my life, I have seen things in special ways. My tendency to seek out connections has resulted in me seeing and making connections that other people don’t initially see/make. At some points in my life, others have viewed the way I think as interesting, weird, cute, and/or a sign of being “smart” (or of “thinking too much”). More than one university professor commented that my logic was sound, but that “no one else” — meaning no one with credentials in the Western canon — had come to such a conclusion and therefore….
Perhaps, you have heard the same thing about something that has occurred to you. Suffice it to say, I heard that something I did was “a bit of a stretch” long before I started teaching yoga.
Thankfully, I received some halfway decent marks despite the fact that my content was unexpected. More importantly, I was never forced to conform and, therefore, never got completely stuck in the trap Carl Jung warned us about: the trap created by believing that there is one way (the Western way) to see things. I eventually understood that the workings of our mind/intellect are based on more than brain chemistry. The way we think is also based on all the different things we have experienced; all the different perspectives to which we have been exposed; how open we are to possibilities other than the ones we are seeking; and how aware we are that we are the ones creating the meaning.
“This discovery, indeed, is almost of that kind which I call Serendipity, a very expressive word, which, as I have nothing better to tell you, I shall endeavor to explain to you: you will understand it better by the derivation than the definition. I once read a silly fairy tale, called ‘The Three Princes of Serendip:’ as their Highnesses travelled, they were always making discoveries, by accidents and sagacity, of things which they were not in quest of: for instance, one of the them discovered that a mule blind of the right eye had travelled the same road lately, because the grass was eaten only on the left side, where it was worse than on the right….”
— quoted from a letter addressed to Sir Horace Mann, dated January 28, 1754, by Horace Walpole (The Right Honorable The (4th) Earl of Orford, Horatio Walpole)
When Horace Walpole, the Right Honorable Earl of Orford, shared the word and meaning of serendipity, in a letter dated January 28, 1754, he cited the English version of a Persian story (from at least 1302) that had come into the English canon by way of French and Italian translations. Each version of the story is slightly different, but the common elements are (1) a king who sends his sons out into the world to give them the best possible education and (2) the three princes who already have been educated by the best teachers* and tutors in their homeland. As the three princes travelled, they paid attention to all the details around them and — using their knowledge, skills of deduction, and insight (based on “[seeing] things in a special way”) — came to conclusions that were obvious to them but not so obvious to others.
Perhaps the most famous of their adventures is the one cited by the earl, in which the princes described and located a missing camel (or mule). To be clear, the princes were not looking for the animal in question; but, others were looking and those others believed the princes had the animal (or knew where to find it) because the princes knew so much about the animal. They knew it was slightly lame, blind in one eye, missing a tooth and carrying a pregnant woman while bearing honey on one side and butter on the other. They knew all this despite the fact that, at the point in the story when they are accused of stealing the animal, the princes had never seen it! They had only seen evidence of it and made connections that led to certain logical conclusions. While Horace Walpole called the story “a silly fairytale,” others — including Voltaire (in 1747) — recognized the story as containing the cornerstones of deductive reasoning (both psychologically and logically) and of the scientific method.
“Those who are interested in learning more of the fateful history of Zadig must turn to the original; we are dealing with him only as a philosopher, and this brief excerpt suffices for the exemplification of the nature of his conclusions and of the methods by which he arrived at them.”
“[Zadig’s] defence was worse than his offence. It showed that his mode of divination was fraught with danger to magianism in general. Swollen with the pride of human reason, he had ignored the established canons of magian lore; and, trusting to what after all was mere carnal common sense, he professed to lead men to a deeper insight into nature than magian wisdom, with all its lofty antagonism to everything common, had ever reached. What, in fact, lay at the foundation of all Zadig’s argument but the coarse commonplace assumption, upon which every act of our daily lives is based, that we may conclude from an effect to the pre-existence of a cause competent to produce that effect?”
— quoted from the essay “On the Method of Zadig: Retrospective Prophecy as a Function of Science” (1880) in Collected Essays, Volume 4. Science and Hebrew Tradition by T. H. Huxley
Serendipity, like chaos theory, often gets twisted in books, movies, and music. For instance, in the 2001 romantic comedy with John Cusack and Kate Beckinsale, the couple are actually looking for each other and looking for clues that will lead each to the other. Sure, there are all kinds of coincidences (or cowinkydinks) and near-misses that are described (in the movie) as fate. And, I could see how the situation could be serendipitous.** However, the couple in the movie are more like the villagers looking for the camel (or mule) and less like the the princes. What they experience is more synchronicity (i.e., things happening at the same time) than serendipity.
Just as I am a big fan of causality, I am also a big fan of synchronicity and serendipity. As much as I pay attention to cause-and-effect, I often delight in things that just seem to “randomly” fall into place and things (or people) that show up when I “need” them, but wasn’t looking for them. Granted, there are times when I consider chaos theory and see if I can trace everything back to some little thing that started the domino effect; however, I’m also just open to being pleasantly surprised by “accidental goodness.”
Do you know what I mean? Has that happened to you?
Have you ever read a horoscope or had someone tell you your future and it seemed right on? Have you gone into a practice (or any situation) and been surprised that you got exactly what “wanted” and/or “needed,” sometimes in an unexpected way?
We could say, as Thomas Henry Huxley pointed out in 1880, “In all these cases, it is only the relation to time which alters — the process of divination beyond the limits of possible direct knowledge remains the same.“ However, sometimes there is direct knowledge. Sometimes someone is taking known information and putting it together so that you see/make a connection. Then this becomes similar to the way you can understand what a child makes with their LEGO bricks (the patent for which was filed January 28, 1958, presumably at 1:58 PM). You know what the child makes because they tell you what they are making and your brain fills in the gaps based on the shape. Sometimes, the shape is really obvious — and maybe you have the picture from the LEGO packaging. Other times, your brain really has to work hard to see what the child is seeing.
“If you already understand what I am getting at, you may skip this next paragraph. But just in case, I will clarify: You have a box of Legos [sic] and you build a Lego horse. You then take it apart and put the blocks back in the box. You cannot expect to make a new horse just by shaking the box. How could Lego blocks of their own accord find each other and become a new horse again? No, you have to rebuild the hose, Sophie, And the reason you can do it is that you have a picture in your mind of what the horse looked like. The Lego horse is made from a model which remains unchanged from horse to horse.”
— quoted from the lesson “PLATO’S ACADEMY: The World of Ideas” in the chapter “Plato… a longing to return to the realm of the soul…” of Sophie’s World: A Novel About the History of Philosophy by Jostein Gaarder
Whether we realize it or not, our lives are put together the way our practice is put together — which is the same way we are instructed to build something with LEGO bricks: from the ground up. Aha! moments, lightbulb moments, epiphanies, and even “happy accidents” are all built on a foundation. We have to be prepared to see the things we see, even when we are not expecting to see them. We have to have the picture — i.e., the possibility — in our minds. We also have to be open to the way the bricks are connected. Ultimately, that’s what I’m really asking:
How open are you to these kinds of things?
My guess — and it’s not much of a stretch — is that your open-ness, or lack thereof, is based on past experiences. I mean, on a certain level, everything is based on past experiences. We do something new and a new neural pathway is created, a new thin veil of saṃskāra (“mental impression”) is lowered over us. We do that same thing again and we start to hardwire that new neural pathway, the veil becomes more opaque. Over time, our behaviors and reactions become so hardwired, that our saṃskāra become vāsanā (“dwelling” place for our habits) and we believe that our habits are innate or instinctive — when, in fact, they are conditioned.
This is true when things seem to randomly and luckily fall into place, as well as when a fortune cookie seems to be spot on. This is also true when we are not so fortunate or blessed; when things don’t seem to easily fall into place or when we don’t “randomly” get what we didn’t know we needed. Furthermore, our physical-mental-emotional response to the so-called “happy accidents” is just as conditioned as our physical-mental-emotional response to things not going our way. We are as much like Pavlov’s dogs as we are like the one-eyed mule (or camel) observed by the Princes of Serendip. To do something other than salivate at the appearance of certain objects and/or to eat on the side of the road we can’t easily “see” is “impossible.”
“Impossible is just a big word thrown around by small men who find it easier to live in the world they’ve been given than to explore the power they have to change it. Impossible is not a fact. It’s an opinion. Impossible is not a declaration. It’s a dare. Impossible is potential. Impossible is temporary.
Impossible is nothing.”
— quoted from a 2004 Adidas ad campaign written by Aimee Lehto (with final tag line credited to Boyd Croyner), often attributed to Muhammad Ali
Per chaos theory, little changes in conditioning can change the outcome. Those little changes in conditioning can also change our understanding of a situation and its outcome. They change our “space of possibility.” We start to notice causality and, in the process, start to add to the story — which essentially changes the story. At other times, little changes in conditioning can change our understanding of what is possible and, therefore, what is probable.
All that can change our actions. For instance, consider the comedian Jackie Gleason and how he reacted to Elvis Presley’s first national television*** appearance, on January 28, 1956. No one had seen anything like Elvis before and no one knew how far he would go. So, not surprisingly, Mr. Gleason initially missed certain signs (like how the audience reacted to Elvis) and said, “He can’t last, I tell you flatly, he can’t last.”
To be fair (to Jackie Gleason), there were several reasons why the comedian and producer initially missed the signs. First, “Heartbreak Hotel” had just been released as a single (the day before). Second, Elvis was still relatively unknown on a national level and not many people showed up to see Elvis when he first performed on the weekly program Stage Show. Despite his initially reaction, Jackie Gleason and the other producers of Stage Show scheduled Elvis to perform two shows in January and two shows in February. The future “King of Rock and Roll” performed “Shake Rattle And Roll,” “Flip Flop and Fly,” and “I Got A Woman.” By the time Elvis finished the first show, his schedule was extended to include two more appearances on the Stage Show — thanks, in part, to Jackie Gleason observing the situation, making connections, and coming to certain conclusions.
Ultimately, those are the secrets to serendipity and to practicing serendipity:
Observing causes and conditions, in order to have as much information as possible;
Being open to possibilities (and possible connections);
Letting go of what was; and
Being right here, right now, with present-moment awareness.
“In no very distant future, the method of Zadig, applied to a greater body of facts than the present generation is fortunate enough to handle, will enable the biologist to reconstruct the scheme of life from its beginning, and to speak as confidently of the character of long extinct beings, no trace of which has been preserved, as Zadig did of the queen’s spaniel and the king’s horse.”
— quoted from the essay “On the Method of Zadig: Retrospective Prophecy as a Function of Science” (1880) in Collected Essays, Volume 4. Science and Hebrew Tradition by T. H. Huxley
*NOTE: While most of this practice focused on “happy accidents,” I do reference one tragic accident: the Space Shuttle Challenger explosion. On January 28, 1986, all seven crew members were killed, including Christa McAuliffe, who was selected to be the first schoolteacher in space. In the past, when I offered more direct suggestions for personal dedications, I would include a passing reference to family, friends, co-workers, students, and others who remember and were inspired by F. Richard Scobee (Commander), Michael J. Smith (Pilot), Ronald McNair (Mission Specialist), Ellison Onizuka (Mission Specialist), Judith Resnik (Mission Specialist), Gregory Jarvis (Payload Specialist), and Christa McAuliffe (Payload Specialist / teacher). This year, I ended the practice with the words of S. Christa McAullife who said, “If you’re offered a seat on a rocket ship, don’t ask what seat. JUST GET ON!” and “Reach for the stars. Reach for it! Push yourself as far as you can.”
**Spoiler Alert (that’s not really spoiling the movie): Theoretically and hypothetically (because this doesn’t happen in the movie), if the couple in Serendipity were seeking something that ended up getting torn apart, and the pieces were used to make a painting/collage that was placed in a museum — without anyone knowing the source of the material for the collage, then them discovering the information they sought could be considered serendipitous because they weren’t looking for a painting/collage.
*** CORRECTION: I sometimes refer to Elvis’s appearance on Stage Show as his first television appearance; however, it was his first time on a nationally broadcasted show. He had previously appeared on a local broadcast, Louisiana Hayride, that aired on KSLA-TV (in Shreveport, La) on March 5, 1955.
### “I’m gonna pick up the pieces” ~ Ed Sheeran###
Many blessings to all, and especially to those observing Lent and/or the 19-Day Fast. May we all find unity throughout this “Season for Nonviolence” and all other seasons!
“Some ideas may resonate, others may not. A few may awaken an inner knowing you forgot you had. Use what’s helpful. Let go of the rest.
Each of these moments is an invitation to further inquiry: looking deeper, zooming out, or in. Opening possibilities for a new way of being.”
— quoted from the prelude to The Creative Act: A Way of Being by Rick Rubin
What would happen if every practice — and, really, everything we did — started with the reminder above (which comes courtesy of a person who has been meditating for almost fifty years)? I think it would help us be more mindful and, perhaps, more intentional. I think, also, that it would make us a little more in tune to how we feel and to what changes the way we feel. Since a catalyst creates and/or increases a fundamental shift without itself undergoing a permanent change, we can use our heightened awareness to go back, again and again, to that catalyst; whether it is a person, place, or a thing… like a good piece of music.
“‘The right sound reaches its hand out and finds its way. So much of what I do is just being present and listening for that right sound.’”
— Rick Rubin, quoted from The New York Times article, “The Music Man,” by Lynn Hirschberg (Sept. 2, 2007)
A good piece of musical work can inspire you, touch you, and can express what you’re feeling even when you can’t put those feelings into words. A good piece of music can pump us up; hold us when we’re feeling down; and make sense of things that are twisted and upside down. Good music may start with the lyrics or the musical notes, but what ultimately sticks with us is the way it sounds… the way it feels… and when it comes to a recording, the way music sounds and feels has as much to do with the way it’s mixed and produced as it does with the way it’s written and composed.
Again, I don’t know the math, but I feel safe in saying that however you do the math, odds are that, on any given day, my playlist contains music in some way connected to producer who has been described as looking like a hippie Guru, a ZZ Top impersonator, and a medium-sized (teddy) bear. Known as “The Loudness King,” as well as “DJ Double R,” Frederick Jay “Rick” Rubin was born today in 1963. While my high school and college buddies were making mixed tapes, Rick Rubin, spent his senior year in college creating a record label: Def Jam Recordings.
“‘When I’m listening, I’m looking for a balance that you could see in anything. Whether it’s a great painting or a building or a sunset. There’s just a natural human element to a great song that feels immediately satisfying. I like the song to create a mood.’”
— Rick Rubin quoted in The New York Times article, “The Music Man,” by Lynn Hirschberg (Sept. 2, 2007)
You might associate Def Jam with rap music. In reality, however, DJ Double R has produced everything from rap to jazz to country to pop to opera to kirtan. He has won at least 8 Grammy Awards, including the Grammy Award for Album of the Year for his work with The Chicks (2007) and with that other famous chick, Adele (2012). He also won the Grammy Award for Producer of the Year, Non-Classical in 2007 and 2009, and, in 2007, he was named as one of the “100 Most Influential People in the World” by Time Magazine.
Rick Rubin once said, “‘I do not know how to work a board. I don’t turn knobs. I have no technical ability whatsoever….But I’m there when they need me to be there. My primary asset is I know when I like something or not. It always comes down to taste. I’m not there to hold their hands and baby-sit, but I’m there for any key creative decisions.’” I’m not sure that I 100% believe the first claim, but I absolutely see evidence of everything else. Music produced by Mr. Rubin often has extreme dynamics in sound, hence his “Loudness King” moniker — even though what often balances the loudness is extremes of quiet. It’s the dichotomy that works for our brains. In fact, since our brains crave that kind of stimuli, those extremes make songs like “Walk This Way” (his collaboration between Run-D.M.C. and Aerosmith) the adult version of a lullaby.
That collaboration, one of his most famous, is typical Rick Rubin: outside the box – in a way that no one else thinks of doing, but then wishes they had. He sees it as breaking down boundaries and part of that is pushing people out of their comfort zones, which often produces a sound that is uniquely an artist’s style and yet, simultaneously, different. Getting pushed out of his box was definitely the experience Ed Sheeran had when working with the legendary producer on x. At one point Mr. Sheeran was afraid that, as good as the songs sounded, they wouldn’t be playable on the radio. So, he wrote and recorded additional music that fit more in the “pop Top 40” paradigm.
“From the first hip-hop records he produced for L L Cool J and the Beastie Boys, he insisted on classic song structure. ‘Before Def Jam, hip-hop records were typically really long, and they rarely had a hook,’ [Rubin] continued. ‘Those songs didn’t deliver in the way the Beatles did. By making our rap records sound more like pop songs, we changed the form. And we sold a lot of records.’”
— quoted from The New York Times article, “The Music Man,” by Lynn Hirschberg (Sept. 2, 2007)
When Rick Rubin left Def Jam Recordings, he planned to start a new label called “Def American Recordings.” While his focus had started to turn more and more toward rock and metal, DJ Double R was not leaving his roots behind. Remember, he started with punk and rap music — like that of the Beastie Boys. Yes, the Beastie Boys actually started with experimental hardcore punk music and evolved into hip-hop stylists. In fact, Rick Rubin was instrumental (a-ahem) in their transition. (Alas, as I noted during the practice, my favorite Beastie Boys album is more jazz than punk or hip-hop and is not produced by Mr. Rubin.) After he become friends with DJ Jazzy Jay and starting a partnership with Russell Simmons, his Def Jam Recordings took off — releasing their first full-length album (L. L. Cool J’s Radio) and signing groups like Public Enemy. When he started Def American Recordings, he continued his relationships with L. L. Cool J, Public Enemy, and Run-D.M.C. — but he quickly ended his relationship with “def.”
A decade after he brought the word to the awareness of the general public, Rick Rubin felt like “def” had lost its meaning. In 1993, when he learned “def” was in the dictionary, he decided to hold an actual funeral for the word — complete with a casket; a horse-drawn hearse; a grave and engraved headstone; a New Orleans-style first and second line (played by six-piece brass band); and a eulogy by Reverend Al Sharpton. Among the 1500+ in attendance were Black Panthers and celebrity “mourners” like The Amazing Kreskin, Tom Petty, Rosanna Arquette, Flea from the Red Hot Chili Peppers, Sir Mix-A-Lot, and pallbearer Mo Ostin (Warner Brothers Records chairman).
“Sharpton’s eulogy summarized the Death of Def in eloquent style, stating that def meant ‘more than excellent. Like, def-iantly excellent with a bang. Now the bang is out of def. It’s lost its exclusivity to the in, def-iant crowd. It died of terminal acceptance.’”
— quoted from the article “Loud End for Def Records” by Wimana (Imo Wimana Chadband), posted on the Raptology.com February 5, 2020
In many ways, the funeral (on August 27, 1993) was a spectacular way to launch his new labels new name: American Recordings. One of the other ways he decided to make a name for his new label was to “find” an artist who was also ready to be “reintroduced” to the world. He wanted someone legendary, but not in the same season they had been in when they first made a name for themselves. He wanted someone like Johnny Cash. Ultimately, Rick Rubin would produce six Johnny Cash “American Recordings,” two of which were released after Johnny Cash’s death. The albums were critical and commercial successes, earning the 2003 Grammy for Best Male Country Vocal (“Give My Love to Rose”); the 2003 Country Music Association award for Single of the Year (for a cover of Nine Inch Nails’ “Hurt” — the music video of which also won the 2004 Grammy Award for Best Short Form Music Video); the 2003 Grammy Nomination for Best Country Collaboration with Vocals (for a cover of Simon and Garfunkel’s “Bridge over Troubled Water, with Fiona Apple); and a plethora of other awards and nominations.
While Rick Rubin attributes a couple of his nicknames to the fact that he has a long beard, his work has contributed to this idea that he is a “teacher.” He often gives advice about the creative process and spent 8 years working on The Creative Act: A Way of Being (2023). Mr. Rubin said that the book was meant to be “… about what to do to make a great work of art. Instead, it revealed itself to be a book on how to be.”
“We’re making something with our hearts and souls, and then we’re sharing it with the world. And if people like it, it’s great, and if they don’t, we wouldn’t change it, because we’ve made it with our hearts and souls, and it’s true. It’s a true thing we’re doing.”
— Rick Rubin, quoted from an NPR, All Things Considered interview with Rachel Martin entitled “Rick Rubin on taking communion with Johnny Cash and not rushing creativity” (December 10, 2023)
Please join me for a 65-minute virtual yoga practice on Zoom today (Sunday, March 10th) at 2:30 PM.Use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below or by emailing myra (at) ajoyfulpractice.com.
Sunday’s playlist is available on YouTube and Spotify. [Look for “Songs for the DJ’s Adventure”]
Kirtan is a form of Bhakti Yoga (or union through devotion/love) and involves chanting with music. One of the Rick Rubin-produced songs on the March 10th playlist is a Krishna Das kirtan version of “Brindavan Hare Ram,” which appears on Breath of the Heart. In the album’s liner notes, Krishna Das noted that the melody appeared on a previous album and that when he mentioned missing the singer and his daughter (after they died), “…Ram Dass said, ‘You tell that story wrong.’ / He was right. / Aren’t they [here] in this music,/in this song of longing and unbearable / sweetness. Don’t they live in our lives and sing in our song, in the One Life which breathes in all of us?”
Rick Rubin expressed this same sentiment after Johnny Cash died. He said he “would close his eyes and hear Cash’s voice as he said the benediction. ‘It was like hearing a song that you love,’ Rubin said. ‘He was there with me.’” (ibid, Hirschberg)
*NOTE: This is a remix of one part of a 2021 post. It includes new information and quotes.
Many blessings to all, and especially to those observing Lent and/or the 19-Day Fast during the “Season for Nonviolence” and all other seasons!
“When people pull back from worldly pleasures their knowledge of the Divine grows, and this knowing causes the yearning for pleasure to gradually fade away. But inside, they may still hanker for pleasures. Even those minds that know the path can be dragged away from it by unruly senses.
Much of one’s spiritual discipline must therefore focus on taming wayward senses and being ever vigilant against the treacherousness of the senses. The refinement of an individual or a society is measured by the yardstick of how well greed and desires are controlled.”
— Krishna speaking to Arjuna (2.59 – 60) in The Bhagavad Gita: A Walkthrough for Westerners by Jack Hawley
Please join me today (Tuesday, March 5th) at 12:00 PM or 7:15 PM for a yoga practice on Zoom. You can use the link from the “Class Schedules”calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below or by emailing myra (at) ajoyfulpractice.com.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)
Many blessings to all, and especially to those observing Lent, St. David’s Day, and/or the 19-Day Fast during this “Season for Nonviolence” and all other seasons!
This is the post-practice post for tonight’s “First Friday Night Special.” You can request an audio recording of tonight’s Restorative Yoga practice via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible.
“Brothers and sisters, Be joyful, and keep your faith and your creed, and do the little things that you have seen me do and heard about. I on the third day of the week on the first of March shall go the way of my fathers. Farewell in the Lord.”
— based on “62. The Assembly of Mourners” in Rhygyvarch’s Life of St. David (circa later 11th century)
I want you to do a little thing, just a little thing: relax you jaw.
You might have to move it around first and/or open it wide first; but, then, soften the lower portion of your face.
Now, take a deep breath in and, as your exhale, relax your shoulders. I know, I know, that’s a second (and a third) thing; but, still just a little thing.
If you do one more little thing — like, say, relaxing your fingers — you may start to notice how little things can make a big difference.
For many people, this time of year is when they do something that is a little different from the things they do throughout the rest of the year. Maybe they just do a little Spring cleaning. Maybe, as many people are doing right now, they give up something for Lent and/or they observe the Baháʼí Faith 19-Day Fast. Maybe, as many people will soon be doing, they fast during Great Lent, Passover, or the holy month of Ramaḍān. Maybe, as many people will soon be doing, they fast and celebrate during Maha Shivaratri.
Each of those examples requires time, effort, and patience. Furthermore, from the outside, doing any of these things requires something that can look like a little inconvenience and/or an imposition. However, in each of the participating communities, these rituals and traditions are a big deal. There is a material and a symbolic aspect of each example, which means that doing little things can lead to big benefits.
The March First Friday Night Special features a Restorative Yoga practice. It is accessible and open to all.
Friday’s playlist is available on YouTube and Spotify. [Look for “03032023 Liminal & Lofty Redux”]
Prop wise, this is a kitchen sink practice. You can practice without props or you can use “studio” and/or “householder” props. Example of “Studio” props: 1 – 2 blankets, 2 – 3 blocks, a bolster, a strap, and an eye pillow. Example of “Householder” props: 1 – 2 blankets or bath towels, 2 – 3 books (similar in size), 2 standard pillows (or 1 body pillow), a belt/tie/sash, and a face towel.
You may want extra layers (as your body may cool down during this practice).
“Happy New Year!” “Happy Spring Festival!” Many blessings to everyone observing (or getting ready to observe) Lent. Peace, ease, and acceptance to all throughout this “Season for Nonviolence” and all other seasons!
This is the “missing” post for Sunday, February 18th. It includes some previously posted information (updated for 2024) and links to related posts. You can request a recording of the related practice(s) via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice. Donations are tax deductible.
“Think of a space in your heart, and in the midst of that space think that a flame is burning. Think of that flame as your own soul and inside the flame is another effulgent light, and that is the Soul of your soul, God. Meditate upon that in the heart. Chastity, non-injury, forgiving even the greatest enemy, truth, faith in the Lord, these are all different Vrittis. Be not afraid if you are not perfect in all of these; work, they will come. He who has given up all attachment, all fear, and all anger, he whose whole soul has gone unto the Lord, he who has taken refuge in the Lord, whose heart has become purified, with whatsoever desire he comes to the Lord, He will grant that to him. Therefore worship Him through knowledge, love, or renunciation.”
— quoted from “Chapter VIII: Raja-Yoga in Brief” in The Complete Works of Swami Vivekananda, Volume 1, Raja-Yoga by Swami Vivekananda
For some people (even some people observing Lent, the Spring Festival, and/or Navaratri), Sunday, February 18th was, once again, just another Sunday. For some people, however, there were celebrations and observations that have particular significance for people in certain regions. They are rituals and traditions that mark a change in season and, in the last two cases, the beginning of peace.
In Belgium, northern France, and parts of Germany and Switzerland, the first Sunday of Lent is referred to as Funkensonntag. Sometimes translated as “Spark Sunday” or as “Bonfire Sunday,” it is a day when people build Lenten (bon)fires in order to burn their Christmas trees and other debris left over from winter. Effigies of the Winter Witch and Old Man Winter are also tossed into the bonfires, making this tradition a way to welcome — even hasten — the arrival of Spring.
Since the Orthodox and Western Christian traditions use a different calendars, there have been times when the First Sunday of Lent in the Western Christian traditions is Shrove Sunday, the last Sunday before Great Lent. It is also known as “Cheesefare Sunday” and “Forgiveness Sunday,” which puts extra emphasis on fasting, prayers, and letting go of past transgressions, sins, animosity, and rivalries. Even this year, when the Christian calendars do not overlap in the aforementioned way, people in all the traditions are engaged in the elements of kriyā yoga (“yoga in action”): that combination of tapah (“heat, austerity, or discipline”), svādhyāya (“self-study”), and īśvarapraņidhāna (“trustful surrender to [God]”).
“Those Samâdhis with which we ended our last chapter are very difficult to attain; so we must take them up slowly. The first step, the preliminary step, is called Kriya-yoga. Literally this means work, working towards Yoga.”
— quoted from the commentary on Yoga Sūtra 2.1, in Raja Yoga by Swami Vivekananda
In 2024, Funkensonntag overlapped with the ninth day/night of Navaratri. The Hindu celebration of the nine feminine manifestations of the Divine is also a story about Durga/Parvati in different stages of life. Each manifestation is a symbolic milestone (and a reminder that women “contain multitudes”). The final day is devoted to Siddhidhatri, whose name literally means “land/earth of achievements.” She is “Giver of Perfection,” believed to be endowed with all the siddhis (“abilities”) in the Universe and, also, to be able to bestow all of them. However, She typically only gives nine of the multitudes. In art and literature, she is sometimes depicted as being half of Shiva (with Him being half of Her), meaning that they are the embodiment the yin/yang symbol. When they are shown together in this way, they are each known as Ardhanarishvara, Ardhanaranari, or similar names that all highlight the fact that They are partially a woman.
During the big celebrations of Navaratri (in the Spring and Fall) the final day is a double celebration — which may mean more feasting in some regions and more fasting in others. Magha Navaratri is one of the celebrations referred to as Gupta Navaratri meaning it is “hidden/secret” — again, not because no one knows about it, but because it is not as obvious as the bigger celebrations. Even one of the biggest days during this particular Gupta Navaratri is hidden in the middle! Vasant Panchami or Sri Panchami, a festival marking the beginning of Spring, occurs on the fifth day of Magha Navaratri.
“On the eve of the ninth day, a pair of sugarcane plants are usually placed one on each side of the offering table or the front door of the house. This pair of the sugarcane symbolises unity, cooperation and strength. The cane itself is a symbol of harmony and a token which can bring good ‘sweet’ results.”
— quoted from “SECTION ONE: CHINESE – Chapter 2. Chinese Community and Culture in Singapore (Variation of Practices during Chinese New Year: Hoikkien) by Soon Su-Chuin, Elvin Xing Yifu and Tong Chee Kiong, as published inThe Singapore Ethnic Mosiac: Many Cultures ,One People edited by Mathew Matthews
The ninth day of the Lunar New Year is the birthday of the Jade Emperor, who is known as the “Ruler of Heaven and Earth.” While he is a prominent figure some religious traditions and is honored throughout in the Lunar New Year celebrations, most people — even people who celebrate the 15-day Spring Festival — have gone back to business as usual by the ninth day of the Lunar New Year. People may do something in private, especially if they are hosting their son-in-law(s); but, for most people, it is not a special day off. There are, however, some people whose celebrations of the Jade Emperor’s birthday are so significant that they rival the festivities at the beginning of the Lunar New Year and the end of the Spring Festival.
The following (revised) excerpt is from a 2021 post:
“Legend has it that the Hokkien people (also known as Hoklo, Banlam, and Minnan people) found themselves under attack. The Hokkien were not warriors, but they came in close proximity with warriors because they were known for building great ships. One version of their story states that the events occurred while they were being hunted and killed during the Song Dynasty (between 960 and 1279 CE). Another version indicates that they were caught between warring factions. Ultimately, to escape the carnage, they decided to hide in a sugar cane field — which, in some versions of the story, just miraculously appeared. The whole community hid until there were no more sounds of horses, warriors, or battle. Legend has it that they emerged on the ninth day of the Lunar New Year, which is the Jade Emperor’s Birthday.
Sometimes referred to as ‘Heavenly Grandfather’ and ‘Heavenly Duke,’ the Jade Emperor is recognized as the ruler of heaven and earth in some Chinese religions and mythology. In Taoism, he is one of the Three Pure Ones or the Three Divine Teachers. Fujian province (in China), Penang (in Malayasia), and Taiwan are three areas where there is a large concentration of Hokkien people and, therefore, places where the ninth day of the Lunar New Year is a large celebration. In some places the celebrations begin at 11 PM on the eighth night and can be so large that they eclipse the celebrations of the first day of the Lunar New Year (in those areas). In fact, the ninth day is actually called ‘Hokkien New Year.’
Those who are religious will go to a temple and engage in a ritual involving prostration, kneeling, bowing, incense, and offerings. For many there is a great feast full of fruits, vegetables, noodles, and (of course) sugar cane. The sugar cane is an important element of the Jade Emperor’s birthday celebrations and rituals — not only because of the aforementioned story of survival, but also because the Hokkien word for ‘sugarcane’ (kam-chià, 甘蔗) is a homonym for (or sounds like) a Hokkien word for ‘thank you’ (kamsiā, 感谢), which literally means ‘feeling thankful.’
Every version of the Hokkien people’s survival story is a great reminder that we can give thanks no matter how hard, how challenging, how infuriating, and/or how tragic our situation. Take [2020, or last year], for instance: When we look back at all the hard stuff, all the grief, all the fear, all the anger, all the disappointment, and all of the trauma, we can get distracted and forget that there were moments of sweetness. There were moments of kindness, moments of love, moments of birth and rebirth, moments of compassion, moments of hope, and moments of joy. In other words, in spite of all the hard stuff, there were moments of sweetness. Take a moment to remember one of those moments; and feel thankful.”
“‘Although we may not have an image of this deity in our temple, as long as devotees have the Jade Emperor in their hearts, their prayers will be heard,’ said [the Kwan Imm Temple’s] principal Shi Fa Zhuo.”
— quoted from The Star article entitled “Legend Behind Hokkien New Year emphasizes unity and solidarity” by Grace Chen (2/24/2018)
Sunday’s playlist is available on YouTube and Spotify. [Look for “Lunar New Year Day 9 & Funkensonntag 2024”]
### “I want a little sugar in my bowl
I want a little sweetness down in my soul
I could stand some lovin’, oh so bad
Feel so funny, I feel so sad” ~Nina Simone ###
“Happy Spring Festival!” Many blessings to everyone observing (or getting ready to observe) Lent. Peace, ease, and inspiration to all throughout this “Season for Nonviolence” and all other seasons!
“Well, sir, you were not doing yoga in that moment. You were in an asana class, but you weren’t doing yoga.
If you’re actually using asana as a tool of yoga — if you’re doing yoga — it is much, much, less likely that you’re going to be hurting yourself, whether you’re a man or a woman or young or old or whatever. Because, yoga practice, if we look at the tradition and what the teachings say about, it has to do with a certain attitude towards our actions; a certain consciousness, a certain introspection, a certain what we call svādhyāyād. And when you have this svādhyāyād, you are putting, you are being put in touch, automatically, with: number one, how you can move beyond your limitations; but, also, number two, what limitations you need to respect and not try to push past.
And this is where swadhyaya becomes the intermediate phrase in the tapaḥsvādhyāyeśvarapraṇidhānāni definition of yoga. Where tapas is talking about the things that we can change and īśvarapraṇidhānādvā is talking about the things that we must surrender to. And svādhyāyād is talking about, well, the wisdom to know the difference. So this is the great serenity prayer of yoga practice. It’s the same exact idea.”
— Leslie Kaminoff, quoted from a Yoga Anatomy class discussion [in the video excerpt entitled “William J. Broad is not doing ‘Yoga’ – Leslie Kaminoff on ‘Women’s Flexibility Is a Liability’”]
The following excerpt is from a 2022 post:
“In the process of considering what it means to be human, we have to also address what it means to live life as humans. Here, we can use the words of either Scott – because life is‘a simple thing’ and ‘life is difficult.’ Then we need to add in the fact that life is a beautiful thing, a hard thing, a challenging thing. Life can also be messed up, twisted, upside down, and backwards – and not always in a fun way. Life is full of dichotomy and full of contradictions. It can be, and often is, out of balance. What’s more, the way we live our lives can also be all of these things – at the same time… which can make life really hard.
It can also make it hard to do the right thing.
We would like to think that when we do the right thing everything will just fall into place. We would like to think that life will be easier if we make the right decision, at the exact right time, and do the right things. I mean, that’s what we’re taught, right? That’s the secret, right?
Sure, yes. I stand behind the idea of being in the flow. Here’s the thing though: In order for things to fall into place, they have to be set up in a certain way – which requires work, effort. That’s the part of the lesson we always seem to skip over. But, there is no getting around it. It doesn’t matter how many wonderful opportunities fall into your lap, you still have to use the opportunities. You still have to do the work.”
— “That which is to be overcome is sorrow that is yet to come.”
Please join me today (Tuesday, February 20th) at 12:00 PM or 7:15 PM for a yoga practice on Zoom. You can use the link from the “Class Schedules”calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below or by emailing myra (at) ajoyfulpractice.com.
Tuesday’s playlist is available on YouTube and Spotify. [Look for “02202022 Effort and Effect”]
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)
“Happy Spring Festival!” Many blessings to everyone observing (or getting ready to observe) Lent. “Nine days and nine nights of blessings and happiness if you are celebrating Gupta (Magha) Navaratri!” Peace and ease to all throughout this “Season for Nonviolence” and all other seasons!
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice. Donations are tax deductible.
“Here are some of the forms in which love manifests itself. First there is reverence. Why do people show reverence to temples and holy places? Because He is worshipped there, and His presence is associated with all such places. Why do people in every country pay reverence to teachers of religion? It is natural for the human heart to do so, because all such teachers preach the Lord. At bottom, reverence is a growth out of love; we can none of us revere him whom we do not love.”
— quoted from “CHAPTER IV. THE FORMS OF LOVE — MANIFESTATION” in The Complete Works of Swami Vivekananda — Volume 3: Para-Bhakti or Supreme Devotion by Swami Vivekananda
The word “reverence” may seem like an odd choice for the “Season for Nonviolence” principle of the day for February 14th. It comes to English by way of Middle English and Old French, from the Latin word meaning “to stand in awe of.” It a word used to describe a feeling or emotion of deep respect and can also be the actions that come from said emotions. Since it is often associated with religion and religious practices, we can easily see Bhakti Yoga (“union” through “devotion”) as reverence in action. What we may not immediately recognize is that an awareness and respect of something (and/or someone) other than ourselves is deeply embedded in the Yoga Philosophy. It is the underlying foundation of all of the yamas (external “restraints” or universal commandments) and most — if not all — of the niyamas (internal “observations”). In fact, the yamas and niyamas are sometimes referred to as “respect for others” and “respect for yourself.”
Just consider, for a moment, how different the world would be if we actually did have more respect for others and ourselves. Just consider, for a moment, what would happen — or not happen — if, instead of putting conditions (and labels) on our love, we put more respect on the way we manifested the energy of love.
“Such is the power of love. When a man has forgotten himself altogether, and does not feel that anything belongs to him, then he acquires the state of Tadiyata; everything is sacred to him, because it belongs to the Beloved. Even in regard to earthly love, the lover thinks that everything belonging to his beloved is sacred and so dear to him. He loves even a piece of cloth belonging to the darling of his heart In the same way, when a person loves the Lord, the whole universe becomes dear to him, because it is all His.”
— quoted from “CHAPTER IV. THE FORMS OF LOVE — MANIFESTATION” in The Complete Works of Swami Vivekananda — Volume 3: Para-Bhakti or Supreme Devotion by Swami Vivekananda
While people may not automatically think of reverence when they are celebrating Saint Valentine’s Day as a commercial holiday, it is important to remember that the day wasn’t initially associated with romantic love. It is actually a Christian feast day. It also was not the only (religious) holiday being observed on the 14th this year. It was also Ash Wednesday — which is the beginning of Lent in the Western Christian traditions; the fifth day of the Lunar New Year; and the fifth day and night of Navaratri, the Hindu celebration of the Divine as a woman.
These cultural and/or religious observations are “moveable feasts” (or fasts, in some cases), which do not always occur on the same day on the Gregorian calendar. (See link above for more on secular events.) Additionally, these rituals and traditions may appear very different on the outside and be rooted in different theology; however, at the heart of them all is the desire for deeper connections and that powerful love best described as “reverence.”
“The moment I have realised God sitting in the temple of every human body, the moment I stand in reverence before every human being and see God in him — that moment I am free from bondage, everything that binds vanishes, and I am free.”
— quoted from the lecture “Practical Vedanta (Part II),” delivered in London (Nov. 12, 1896), as published in The Complete Works of Swami Vivekananda — Volume 2: Practical Vedanta and other lectures by Swami Vivekananda
Hinduism is not the only religion where the feminine aspects of the Divine are celebrated. It’s not even the only religion where an observation related to a woman, as the Divine, is associated with a period of nine days/nights. To my knowledge, however, Navaratri (“nine nights”) is unique in that it celebrates many different aspects of a single woman. Each night/day is associated with a different manifestation of Durga/Parvati, the mother goddess, and is part of nine-part story cycle/journey that ends with a demon-king being destroyed. The fifth day is devoted to Skandamata, who is a fierce mother as protector — who simultaneously holds her baby, rides a lion, and keeps her eyes (especially her third eye) open for any and all danger.
In 2024, the fifth day of Navaratri also happens to be the fifth day of the Lunar New Year.
A variation of the following was previously posted.
For many people celebrating the Lunar New Year, the fifth day is the day to go back to work after a four-day holiday. Businesses opening back up are met with great fanfare: parades, music, and fireworks. There’s also the promise of “lucky money,” in red envelopes; which business owners will give to their customers — who will then promptly spend some of the money in the business. Some people will also celebrate the birthday of all cows. This fifth day is particularly auspicious in parts of China where it is recognized as the birthday of the God of Wealth.
Of course, all this focus on wealth, indulgences, and vices, makes me think about the things we like and the things we don’t like — and how those preferences contribute to our overall experiences of life.
Yoga Sūtra 2.7: sukhānuśayī rāgah
— “Affliction that has pleasure as its resting ground is attachment.”
Yoga Sūtra 2.8: duhkhānuśayī dveşah
— “Affliction that has pain as its resting ground is aversion.”
Very early on in our human lives, people start to establish preferences. There are things (and people) we like and things (and people) we don’t like — and we will spend an extraordinary amount of time creating situations and environments full of the things (and people) we like and free of the things (and people) we don’t like. When things are not to our liking we experience suffering that we often attribute to things not being the way we want them. However, according to Eastern philosophies, believing things (or people) can make us happy or miserable is ignorant. Specifically, in the Yoga Philosophy, this is avidyā (“ignorance”) related to the true nature of things, which is a dysfunctional or afflicted thought pattern. Avidyā is seen as the bedrock of four other types of dysfunctional/afflicted thought patterns — two or which are rāga (“attachment” or what we like) and devşa (“aversion” or what we don’t like) and it is these afflictions (kleśāh) which lead to our suffering.
To experience freedom from craving and liberation from avidyā, and the subsequent suffering, Patanjali’s recommendations include abhyāsa (a devoted and uninterrupted “practice” done with trustful surrender devotion) and vairāgya (“non-attachment”). What is always interesting to me is that when you combine abhyāsa and vairāgya with the niyamas (internal “observations”) you end up with a practice that can look very much like Lent.
“Remember that you are dust, and to dust you shall return.”
— Ceremonial words used on Ash Wednesday (drawn from Genesis 3:19)
“Repent and believe in the Gospel.”
— Ceremonial words used on Ash Wednesday (drawn from The Gospel According to Mark 1:15), Roman Catholic tradition after 1969
According to Merriam-Webster Dictionary, the word “Lent comes from the Middle English word lente, meaning ‘springtime,’ which is itself descended from the Old English lencten.” (Italics are mine.) It is also the past tense and past participle of “lend,” but we will get into that symbolism in a week or so. In most Christian traditions, Lent is a 40-day period (46 when Sundays* are counted) when people actively focus on their spiritual life and connection to God by fasting, praying, and either giving up something — something to which they have a strong attachment (or aversion) — and/or doing something positive. When people give something up they will often donate the money they would have spent on whatever they gave up.
The 40-day ritual is a mirror of the days Jesus spent in the desert and is an opportunity for Christian contemplation, discernment, and self-reflection. Like the observation of Passover, the holy month of Ramadān, and the Baháʼí Nineteen-Day Fast, observing Lent falls under the rubric of what Patanjali described as kriyā yoga (“yoga in action”): a combination of tapah (“heat, austerity, or discipline”), svādhyāya (“self-study”), and īśvarapraņidhāna (“trustful surrender to [God]”).
In many Western Christian traditions, the Lenten season officially begins with Ash Wednesday, which is a day of fasting and prayer — and it is also the day when people truly begin to get ready for Easter. Many take a moment out of their day to attend Mass or services and to receive ashes, which are traditionally made from the previous year’s Palm Sunday fronds. In a ritual that has ties to Judaism and Biblical times, the ashes are a sign of penance and preparation. They are sometimes sprinkled on the crown of the head; however, the more common practice in modern times is for a priest or pastor to use the ashes to make the sign of the cross on a person’s forehead. People are not required to wear the mark of the cross throughout the remainder of their day; however, many choose to maintain that link and reminder.
The practice is considered sacramental in the Roman Catholic tradition, but the ashes and receiving the ashes are not sacraments; which means they serve as a symbol and preparation aide for holy sacraments, as well as a reminder of the grace of the sacraments. The fact that receiving ashes is not a sacrament also means that, in the Roman Catholic tradition, anyone (including non-Catholics and those who have been excommunicated by the Church) may receive ashes.
Of course, if you are unfamiliar with these religious traditions and rituals, you may find it odd that people are walking around with a mark on their face. Or, perhaps you recognize the mark as a symbol of their faith, but you’ve been unclear about the symbolic significance (as mentioned above) or even why the Lenten season — like the other religious observations mentioned above — can be so powerful that the rituals and traditions have endured the test of time.
To understand the latter, we need to consider the desire for spiritual nourishment and then go a little deeper into that very common aspect of being human that I mentioned before: having preferences, and the absolute freedom that comes from trustful surrender.
“When I was in college, my Jewish roommates used to tell me what to give up for Lent….
Since then, for over 20 years my friend Rob has phoned me every Ash Wednesday to assign me a Lenten sacrifice. The sacrifices have grown easier over the years since Rob is running out of things for me to give up. For a few years he favored spices. One Lent I was suppose to avoid anything with oregano. It sounded easy until it dawned on me that pizza was out of the question for six weeks. Having another person choose your sacrifice adds an extra dimension to Lent. Since my penance is not within my control, it feels a little more spiritual. As with far more serious struggles in life, like an illness or the loss of a job, things outside our control are the most difficult to deal with. They are, in traditional Christian theology, crosses that eventually need to be accepted, much as Jesus finally accepted his cross.
When I was dealing with a long illness, I once complained to an older priest that I didn’t want that particular cross. He said, well it wouldn’t be much of a cross if you wanted it, would it?”
— Father James Martin quoted from the interview “Priest Lets Friend Choose His Sacrifice for Lent” with Melissa Block on NPR’s All Things Considered (2/28/2006)
Wednesday’s playlist is available on YouTube and Spotify. [Look for “One More for Ash Wednesday & Day 5 2024”]
*NOTE: Sundays during Lent are considered anniversaries of Easter and the Resurrection; therefore, they are not counted as days of penance.
It’s Mardi Gras, y’all! It’s also Shrove Tuesday and the last week of Shrovetide, for those who are feeling more prayerful!! “Happy Spring Festival!” Nine days and nine nights of blessings and happiness if you are celebrating Gupta (Magha) Navaratri!” Peace and ease to all on Galentine’s Day, Black Love Day, and during this “Season for Nonviolence” and all other seasons!
This is the “missing” post for Tuesday, February 13th. It includes some previously posted information (updated for 2024) and embedded links to related posts (one of which will be added after this is posted). You can request a recording of the related practice(s) via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice. Donations are tax deductible.
The Tuesday before Lent has many names, but for a lot of people it is Mardi Gras, French for “Fat Tuesday,” the end of the Carnival season and the day before the Lenten season in Western Christian traditions. It is also known as Shrove Tuesday or (especially in the UK) Pancake Tuesday. It is a “moveable feast,” meaning the date on the secular calendar changes depending on the date of Easter each year. It also means that it coincides with different events each year. This year, Mardi Gras and Shrove Tuesday (in the Western Christian traditions) overlapped the “Season for Nonviolence” and coincided with day Galileo Galilee returned to Rome in 1633; the day Wendall P. Dabney started publishing The Union in 1907; the fourth day of Navaratri; the fourth day of the Lunar New Year; Galentine’s Day; and Black Love Day.
These observations, traditions, and rituals are very different on the outside, however, they are all inspired by similar beliefs and the very human desire for deeper connections with something Divine, something more than one’s self. While not religious, even Galentine’s Day (which is about celebrating friendship) and Black Love Day (which is about African Americans connecting/reconnecting with each other in a loving and kind way) are about making and reinforcing deeper connections within a community. And there’s the rub: While some people may think of community as being Divine, others think of “God.”
I would normally add, “Whatever that means to you at this moment” — which, on a certain level, is still valid in this discussion — but, one of the things these holidays underscore is that people have very different ideas about the identity of the ruler of heaven and earth. What the major religions seem to agree upon, however, is the idea that there is a Divine entity who can present as anthropomorphic (with human features, emotions, and motivations); that there are certain ways to connect with the Divine; and that some preparation is needed to make that connection.
Navaratri, the “nine nights” and days of celebration in the Hindu tradition, is different from the other celebrations, because it is a celebration that focuses on Durga, the divine mother, in various manifestations. The fourth day is dedicated to the Goddess Kushmanda who, it is said, “created the world with her divine smile” — a smile that also powers the sun. She is recognized as Shakti (the creative force) and associated with good health (specifically with improving health), wealth, and strength.
Although, I haven’t gone into it in detail, this year, the names of each of Durga’s forms is symbolic and each form is associated with different colors, which have symbolic meanings. Similarly, symbolic colors and names are part of the Lunar New Year celebrations and significant to the ways people prepare for the Lenten season.
“[Kushmanda] also lives in our hearts. The fact that she is smiling reminds us that we too are our most creative when we are smiling and feeling positive, courageous (a quality of heart), and strong. The fact that this goddess, like Chandraghanta, rides a lion shows that the power of love is just as potent as the fire of transformation. It reminds us that the ability to love comes from inner strength. When we feel clouded by fear, anger, and grief, it can be difficult to imagine one day having the strength to love again. But Kushmanda is here to remind us that, no matter how brokenhearted we may feel at time, the power of love lives within us, and we can tap into it and become our creative best at any time.”
— quoted from the “Knowing Kushmanda” section of “Chapter 4 — The Art of Loving Your True Self” in The Way of the Goddess: Daily Rituals to Awaken Your Inner Warrior and Discover Your True Self by Ananta Ripa Ajmera
For a lot of people who are celebrating the Lunar New Year, the fourth day is the day when things start going back to normal (whatever that is these days). People go back to work and back to school. People who were able to travel to see family start heading back home (or are already home). Even those celebrating the Spring Festival for 15 days will rein in the festivities a bit. However, each day still has significance and special rituals. For instance, the fourth day of the Lunar New Year is the birthday of all sheep (in some Chinese traditions) and also the day when the Kitchen God returns to the hearth.
According to one set of stories, the Kitchen God was once a man who was full of everything except virtues like humility (the principle of the day for the “Season for Nonviolence”). After gaining a certain amount of power and wealth, he abandoned his first wife and married a younger woman. Years after the original couple divorced, the man fell on hard times. He lost his wealth, his power, his second wife, and his eyesight. He became a beggar on the streets. One day, the stories tell us, the man’s first wife saw her former husband begging in the streets. She was a woman of great kindness and compassion and so she invited him to her simple home and offered him a shower, some food, and a moment of warmth by the fire.
Remember, the old man could no longer see; so, he didn’t know that this generous woman was the same woman he had treated so poorly. Full, clean, and sitting by the fire, however, he started to talk about his first wife. He lamented about his first marriage and the life they could have had if he hadn’t dumped her. In the process of soothing her now sobbing former husband, the woman revealed her identity and said that she forgave him. Miraculously, the man was suddenly able to see; but he was so distraught that he threw himself into the kitchen stove.
Legend has it, the woman could only save his leg — which became the fireplace poker — and the man became the “Kitchen God,” who leaves the kitchen alter just before the New Year and returns to heaven in order to give the Jade Emperor an accounting of each household’s activities during the previous year. In the final days of the old year, people clean up their homes — so the alter(s) will be ready for the return of their ancestors and the household deities. Sometimes, people will smear honey on the lips of the Kitchen God so that his report is extra sweet. Then, the Kitchen God and other household gods return (later in the afternoon or early evening) on the fourth day of the New Year.
I always imagine that some years the Kitchen God’s report is really, really, wild. Can you imagine? Seriously, imagine what he would say about the way we have treated each other over the last few years. Sure, some of us might not be portrayed too badly; but others of us….
More to the point, consider what might be included if the Kitchen God reported on Mardi Gras, Carnival, and Shrove Tuesday celebrations.
“Laissez les bons temps rouler!”
— Louisiana French for “Let the good times roll!”
As I mentioned before, the Tuesday before Lent can be a moveable feast day of indulgence, when people treat themselves to anything and everything — but especially the things they are planning to give up during Lent. It is, simultaneously, a day of self-examination, repentance, and amendments for Christians who are focused on “shriving.”“Shrove” comes from the word “shrive,” meaning “to absolve.” While people observing Shrove Tuesday or Pancake Day may indulge in “fatty foods,” they often do so with an eye on symbolism. Different countries and cultures have different traditional recipes, but the recipes generally include what can be considered symbols of the four pillars of Christianity: eggs for creation; flour as the staff of life or mainstay of the human diet; salt for wholesomeness; and milk for purity. Some churches will even make a point of ringing the bells on this day to “call the faithful to confession” — and to remind people to begin frying up the pancakes.
Carnival season begins with Three Kings’ Day (also known as Twelfth Night or Epiphany in some traditions) and ends with the biggest celebrations of the season, Mardi Gras (not to mention Lundi Gras)! In much of the Americas, Carnival and Mardi Gras are traditionally celebrated with parades, beads, masks and costumes, and parties from sunrise to sunset. Of course, Brazilian Carnival in Rio de Janeiro is the largest and most well known Carnival celebration — while New Orleans is practically synonymous with Mardi Gras. However, in the mid-80’s, Sydney Gay and Lesbian Mardi Gras in Australia started drawing large numbers of celebrants from around the world.
In New Orleans, it is customary to celebrate with a King Cake, featuring a little plastic baby figurine. The person who finds the baby is promised health and wealth — and is often expected to provide the following year’s King Cake. While many people toss or “request” beads during the parades, very few people remember that there was a time when the beads were made of glass and that the bead colors had special meanings: purple for justice; gold for power; and green for faith.
“… don’t tell no lie! Cause we gonna have fun, y’all, on Mardi Gras! … I’m not gonna tell no lie. We not gonna let Katrina, y’all, turn us ’round.”
— Theodore “Bo” Dollis, “Big Chief” of The Wild Magnolias opening the song “Brother John Is Gone / Herc-Jolly-John” on Our New Orleans: A Benefit Album
Carnival and Mardi Gras have outlasted gangs, political coups, police strikes, hurricanes, and other natural disasters. In 2021, while much of New Orleans was shut down, the good times still rolled on — just not in a way that would turn Mardi Gras into a super spreader. Remember, as glutinous as the tradition may appear on the outside, its roots are deeply embedded in something more than the desires of the flesh. Thus, just as has been the case with so many other cultural traditions and religious rituals, the pandemic forced people to figure out how to honor the traditions while maintaining social distancing guidelines.
One New Orleans business owner decided to follow the normal parade route — but in his car and in the early, early morning. Of course, he was blasting New Orleans jazz all the way! Many others tweeted and created virtual events. Then there were the thousands of people who decorated their homes and businesses in the same way they would have decorated their krewe’s floats: They called it “Yardi Gras!”
In some ways, the creativity and ingenuity to work around challenging conditions while still holding on to what one values is very much part of the human spirit — and very much indicative of the spirit of New Orleans. It is is also a reflection of the seasons themselves: Shrovetide, Carnival, the “Fat” celebrations, and Lent are all about the dichotomy between what feeds the body and what feeds the soul. Of course, all this focus on wealth, indulgences, and vices, makes me think about the things we like and the things we don’t like — and how those preferences contribute to our overall experiences of life.
Remember, all of these observations, celebrations, rituals, and traditions are about making connections that transcend our mundane existence and alleviate suffering.
Tuesday’s playlist is available on YouTube and Spotify. [Look for “Mardi Gras 2023”]
NOTE:The first before/after music track hits different on YouTube. If you know, you know. Some before/after music has been added for the Spring Festival!
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)
“Chag sameach!” to those who are able to celebrate Tu BiShvat. Peace and blessings to everyone!!
For Those Who Missed It: This is the second part of “Doing: Lessons in unexpected, ridiculously inconvenient, unplayable things (& ‘impossible’ people).” Some content has been added. A version of the following was originally posted in 2022 (and reposted, in a different context, in 2023). You can click on the aforementioned years to find the previous contexts.
“Thus svadhyaya means ‘to study, examine, and reflect on ourselves, our internal states, the objects of our senses, and the current condition of our body and mind, as well as on the thoughts, feelings, and options that are so dear to us.’ For the sake of simplicity, we can translate svadhyaya as ‘self-study.’ Self-study requires that we make an inventory of our physical and mental resources and assess the vitality of our body and the rate at which we are expending it. It also requires that we remain vigilant and avoid dissipating the power of our mind with unwholesome activities.”
— commentary on Yoga Sūtra 2.1 from The Practice of the Yoga Sūtra: Sadhana Pada by Pandit Rajmani Tigunait, PhD
How do you react when things don’t go your way? What happens when you are very specific about what you want and/or what you need, but then you don’t get either? Are you quick to anger? Or, do you get “hangry” when you haven’t eaten and you have to deal with irritating situations? Do you “see red” at the drop of the hat or the blink of an eye? If so, there are (obviously) practices for that.
There are also handy tips (even if you don’t have a mindfulness-based practice). For instance, it’s ideal to get a good night sleep, eat when you need to, and — as much as you are able — avoid situations and people that push your buttons. Of course, just to be on the safe side, you could just not leave your house on days where you might be easily irritated.
But, what if people are not only expecting you leave your house, they are expecting you to travel across the ocean and put on a show?
And, what if it was a show that had never been performed before?
“You always want to make it as good as it can be, but… But when you have problems that you can’t do anything about, one after another, you start forgetting what you’re actually doing, until it’s time. And that’s one of the secrets….”
— Keith Jarrett in a 2007 interview about his (01/24/1975) Köln Concert
In the 1970’s, 15-year old Vera Brandes started organizing jazz concerts and tours. At around 17, the German teenager started organizing the New Jazz in Cologne concert series. The fifth concert was scheduled for 11:30 PM on January 24, 1975, and it was going to be the first jazz concert at the 1,400-seat Cologne Opera House. The concert would feature a twenty-nine year old jazz pianist named Keith Jarrett, performing improvised solo piano pieces. Yes, that’s right, he was going to make it up as we went along — and the sold out concert would be recorded. (According to last.fm, the tickets were 4 DM [Deutsche Mark] or $5; Wikipedia indicates the 4 DM equaled $1.72.)
Here’s a few other salient details about the American pianist: He has perfect pitch and garnered some international attention (as a classical pianist) when he was in high school in Pennsylvania. He started playing gigs in Boston while attending Berklee College of Music and moved to New York City after about a year. In the Big Apple, he started making a name for himself, playing with jazz greats like Art Blakey and the Jazz Messengers, Jack DeJohnette, and the Charles Lloyd Quartet. By the mid-to-late 1960’s, he was playing and recording with his own trios and that’s around the time that Miles Davis invited him to join his jams (alternating and/or playing with Chick Corea).
Keith Jarrett and his own band of musicians — Charlie Haden, Paul Motian, (eventually) Dewey Redman, and a handful of other similarly accomplished musicians (including Sam Brown) — recorded over a dozen albums for Atlantic Records from 1971 to 1976. In that same time period, one iteration of the quartet recorded an album for Columbia Records; but then the label dropped him — theoretically so they could promote Herbie Hancock. Right around the same time the Columbia-door closed, another two others doors opened: Keith Jarrett and his quartet got a contract with Impulse! Records and he was contacted by Manfred Eicher, a German record producer and co-founder of ECM Records.
ECM stands for “Edition of Contemporary Music” and the label is known for high quality jazz and classic music – and musicians who give the side-eye to labels. It was a great creative dwelling place for musicians like Keith Jarrett and Steve Reich, whose music I have also used in some practices. The professional relationship between Keith Jarrett and Manfred Eicher led to the “European quartet” collaborations, solo piano albums, and, eventually, to that legendary concert in Cologne, Germany.
Here’s another important thing to know about Keith Jarrett: He has a reputation for being very, very particular about concert conditions. He doesn’t like audience distractions, especially when he is improvising, so — at the height of his career — audience members were given cough drops during winter concerts and he would sometimes play in the dark to prevent people from taking pictures. He is known for vocalizing while he plays jazz (but not, notably, when he plays classical music) and reportedly led people in group coughs.
Now, imagine you are a musician like this — one who knows their stuff and is also very particular about the instruments you play — and you are presented “the unplayable piano” just hours before you’re meant to play a groundbreaking concert. What if you were also hungry, tired, and sick?
Would you see red? Or would you “accidentally” find goodness?
“KJ: When I was a teenager, my youngest brother had a lot of issues, and didn’t go to school. He couldn’t go outside, so he couldn’t have friends, so he was basically a prisoner in my mother’s house. There was an upright piano there. And occasionally, my brother, knowing zero — meaning really zero — about piano, would work out anger or frustration, which he must have had gobs of, by going to the keyboard and just playing some shit. He didn’t know what notes he was hitting or what would come out. But I realized there were moments that were so good and they came from his ignorance. I’m not sure he even knew they were good moments. But I found myself thinking: how would a pianist ever — how do you approach that if you know the instrument?
DS: How do you find the accidental goodness?”
— Keith Jarrett in response to David Shenk’s question about having a willingness or eagerness to fail, in “Keith Jarrett, Part II: The Q&A” by David Shenk (published in The Atlantic, October 13, 2009)
Keith Jarrett is known for eschewing electronic instruments and equipment. Obviously, he appreciates the “need” for recording equipment and he has recorded music while playing electronic instruments. But, it’s not his jam — and it’s definitely not the kind of thing he would request for a solo piano concert in an opera house in 1975. No, someone like Keith Jarrett, at that point in his career, for that concert, would request the piano equivalent of a Rolls-Royce. And that’s exactly what he did; he requested a Bösendorfer Model 290 Imperial, also known as the Imperial Bösendorfer or just as the 290.
The 290 is Bösendorfer’s flagship piano. It is an exquisitely beautiful concert grand piano with an equally memorable sound. In fact, it was specifically designed to be grander than any other piano on the market in 1909. And I mean that in every sense of the word grand. It has 97-keys and a full 8-range octave. For 90 years, it was the only concert grand piano of it’s kind. In 1975, it was easily recognizable by any professional pianist… but probably not by random stagehands (who hadn’t had any reason to deal with such a piano) and possibly not by a teenage concert organizer (who also hadn’t had any reason to deal with such a piano).
Keith Jarrett, however, immediately knew that something was off when he arrived at the Cologne Opera House to find a Bösendorfer baby grand on the stage. To make matters worse, he was tired after traveling and not sleeping for two days, his back hurt, and he was suffering from food poisoning. To add insult to injury, the piano was badly out-of-tune and basically broken. Some of the keys and the foot pedals, one of the distinguishing features on the 290, didn’t work properly. It was simply a rehearsal piano or something someone had put in a backstage corner to warm up their hands before the curtain went up. It was too late to find and move a new piano. Even if they could find what had been requested — or something close, like the Bösendorfer (which would have been 5 keys shorter) — it was raining and Vera Brandes was warned that moving such an instrument in that type of weather would make it impossible to tune in time for the concert.
“Don’t play what’s there. Play what’s not there.”
— Miles Davis
Improvisation – in comedy and in music – is known for things like not breaking the flow (so, not saying “no”); and the concept of “yes, and…;” staying present; and being open to change. But, Keith Jarrett had made up his mind. He said no to that baby grand piano. He declared it categorically “unplayable” and said the concert needed to be canceled. And there’s no indication, anywhere, that he was being a diva. He was just being realistic given his history and his frame of reference. The fact that he was sick and tired just made everything worse.
But the indomitable Vera Brandes had a different history and a different field of possibility. She convinced him that she could find someone to tune (and repair) the piano onstage, which she did. She sent Keith Jarrett and Manfred Eicher to a restaurant to grab a quick bite to eat. In some interviews, Keith Jarrett has said that they didn’t eat much because (a) he wasn’t feeling well, (b) there was a mix-up at the restaurant and their meal was delayed, and (c) they had to get back to the theatre. At some point along the way, they decided to keep the recording engineers — because they were going to get paid no matter what — and record what the musician expected to be a horrible and embarrassing disaster of the first order.
But it wasn’t. It wasn’t not even close.
Instead, the three improvised movements, plus the encore of “Memories of Tomorrow,” became the best selling solo album in jazz history and one of the best-selling piano albums. In the Spring 2019 issue of Daedalus, Dr. Gerald Lyn Early, who has consulted on several Ken Burns documentaries (including Baseball and Jazz), pointed out that Keith Jarrett’s solo concerts changed the sound and people’s understanding of jazz (not to mention, who played it); “…made solo piano playing commercially viable by showing that there was a considerable audience for it[;]” and “…proved that the public was willing to take such records seriously….”
From the very first notes, which sound like the warning tones the audience heard in the lobby before the show, Keith Jarrett carried the audience on a sonorous piano journey unlike anything they had ever heard. The album has been praised by musicians, critics, and publishers alike. It was included in Robert Dimery’s book 1001 Albums You Must Hear Before You Die. Eventually, much to the composers dismay, parts of the composition became movie soundtracks. Many wanted Keith Jarrett to transcribe and publish a score of the concert, which he finally, begrudgingly, agreed to do in 1990. The transcribed score, however, came with a very intentional caveat.
“For instance, on pages 50 and 51 of Part IIa there is no way to obtain, on paper, the real rhythmic sense of this section. There is much more going on on the recording, but this “going on” does not always translate into notes on paper. Many notes are inferred by the rhythmic sense; others depend on the harmonics or attack of the previous note(or notes). So, writing down all the notes would give more of a false view of the sense of this section than selecting some notes. And yet, even this selection cannot reveal the real sense of this section as an improvisation, where listening is what determines the music’s strength.
So – we are at, let us say, a picture of an improvisation (sort of like a print of a painting). You cannot see the depth in it, only the surface.
As a result of all of this, I am recommending that any pianist who intends to play THE KÖLN CONCERT use the recording as the final-word reference.
Good luck!”
— quoted from the “Preface” to THE KÖLN CONCERT: Original Transcription, Piano by Keith Jarrett
Please join me today (Wednesday, January 24th) at 4:30 PM or 7:15 PM for a yoga practice on Zoom. You can use the link from the “Class Schedules”calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email myra(at) ajoyfulpractice.com.
**HEADS UP: Houston is experiencing severe storms and power outages.**
Wednesday’s playlist is available on YouTube and Spotify. [Look for “0123-24/2022 Doing: Lessons in…”]
[NOTE: If it is accessible to you, please consider using the Spotify playlist (or this link with a Premium YouTube account) for the original music referenced in the practice. Even better, if you already have the album!
An authorized original recording is not available on YouTube (in the US) without a “Premium” membership and, after listening to several different “interpretations” — which do not / cannot include the vocalizations — I decided the Fausto Bongelli sounded the closest to the original. Sadly, one movement is missing and so I used a recording by Tomasz Trzcinkinski, who was the first person to record the music using the transcription. There are also now transcriptions for other instruments — which I didn’t sample, even though I think some of them would be lovely. There are also “covers” using electronic instruments, which I’m considering a hard pass (even if it seems contradictory to the theme), out of respect for the composer. ]
You can, as I did, also listen to the Cautionary Tales with Tim Harford episode entitled, “Bowie, Jazz and the Unplayable Piano” where ever you get your podcasts. My 2022 post includes a little information about how I came across the episode. NOTE: The related quote below is from a different episode of that same podcast.
“[Charles Lim is] a neuroscientist a surgeon a jazz saxophonist and one of very few people whose actually, studied the improvising brain. Lim researches people as they improvise inside brain scanners called FMRI machines…..
Through these experiments Lim and other neuroscientists have been discovering hints of what goes on in an improvising brain. There’s a distinctive pattern in the prefrontal cortex — which seems to be the seat of consciousness, memory, morality, humor, and even the sense of self. But, the pattern isn’t that the prefrontal cortex is lighting up during improvisation; on the contrary. Broad areas of it shutting down: the dorsolateral areas, either side of the top of your forehead, and the lateral orbital areas behind your eyes. Improvisers are escaping their internal restraints. They’re letting go.
Most of us go through our days holding back our mental impulses to swear or lash out. All this requires a degree of self-control; so that filtering is a good thing. But you can have too much of a good thing, says Charles Lim. Too much filtering can squash our creativity. Improvisers shut down their inner critics and allow new ideas to flow out. The improvising brain is disinhibited — although, not so crudely as the drunk brain. That is why improvisers can produce flashes of pure brilliance. It’s also why improvisation feels so risky….”
— quoted from the Cautionary Tales podcast episode “Martin Luther King Jr; the Jewelry Genius; and the Art of Public Speaking” by Tim Harford
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)
###
A Joyful Practice 