First Friday Night Special #47: An Invitation to “A Little Maintenance & A Little Playful Inquiry” (the “missing” invitation w/excerpt & links) September 6, 2024
Posted by ajoyfulpractice in Art, Books, Buddhism, California, Changing Perspectives, Depression, Faith, Fitness, Gratitude, Healing Stories, Health, Hope, Japa, Japa-Ajapa, Life, Loss, Love, Meditation, Minneapolis, Minnesota, Music, Mysticism, One Hoop, Pain, Philosophy, Suffering, Traditional Chinese Medicine, Tragedy, Twin Cities, Vairagya, Vipassana, Wisdom, Writing, Yin Yoga, Yoga.Tags: 988, Atma, Chris Foster, mental health, Peggy, Phaedrus, Philosophy, Plato, psyche, Robert Pirsig, Self, Sigmund Freud, Socrates, Soul, yoga, Zen Buddhism
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Many blessings to everyone and especially to anyone working to maintain friendship, peace, freedom, understanding, and wisdom — especially when it gets hot (inside and outside).
Stay safe! Hydrate and nourish your heart, body, and mind.
This is the “missing” invitation for the “First Friday Night Special” on September 6th. It includes a related excerpt. You can request an audio recording of this Somatic Yoga Experience (SYE) practice via a comment below or (for a slightly faster reply) you can email myra (at) ajoyfulpractice.com.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es).
Donations are tax deductible; class purchases are not necessarily deductible.
Check out the “Class Schedules” calendar for upcoming classes.
“How you do yoga is how you do life.”
— my first yoga teachers
Earlier this week, I referenced a classical, philosophical analogy which identifies the senses as wild mustangs (or elephants); the mind/brain as reins; the body as a chariot; the mind/intellect as the charioteer; and the Atman-Self as the passenger along for the ride. You may consider your mind-body in a very pragmatic and utilitarian way — as the vehicle that gets you from point A to point B; from the place where you are born to your final destination. On the other hand, you could be someone who is more about the journey than the destination; someone who likes joy rides and scenic routes. Either way, having a mind-body is just like having anything else: maintenance is required. Sometimes you will seek out a professional; however, there are times when it behooves you to do something yourself — or, at the very least, to know what needs to be done.
While I used the analogy as it appears in the Indian philosophies, my yoga buddy Peggy mentioned that a similar (albeit, slightly different) analogy appears in Plato’s Phaedrus, in which Socrates and Phaedrus discuss the parts of the soul/psyche* (i.e., the charioteer as the intellect; one winged horse as the rational or moral mind; and one winged horse as the passionate, sense-driven mind). Her comments were particularly serendipitous since “Phaedrus” is the name that Robert Pirsig used to refer to his younger self in Zen and the Art of Motorcycle Maintenance: An Inquiry into Values.
Born in Minneapolis, Minnesota, today (September 6th) in 1928, Robert Pirsig noticed that one’s philosophy about motorcycle maintenance can extend into other types of maintenance. In fact, in Zen and the Art of Motorcycle Maintenance: An Inquiry into Values, he wrote as much (if not more) about the physical and mental health of the riders on the road trip as he did about the health of the motorcycles they rode and the society in which they rode.
He also illustrated how a slightly irritating, little thing (like a drip of water) can become the source of great frustration when not addressed; how that frustration can manifest as anger towards others; and that — even when you need a professional to take care of the big things — there is wisdom in taking care of the little things along the way.
“It occurred to me that maybe I was the odd one on the subject, but that was disposed of too. Most touring cyclists know how to keep their machines tuned. Car owners usually won’t touch the engine, but every town of any size at all has a garage with expensive lifts, special tools and diagnostic equipment that the average owner can’t afford. And a car engine is more complex and inaccessible than a cycle engine so there’s more sense to this. But for John’s cycle, a BMW R60, I’ll bet there’s not a mechanic between here and Salt Lake City. If his points or plugs burn out, he’s done for. I know he doesn’t have a set of spare points with him. He doesn’t know what points are. If it quits on him in western South Dakota or Montana I don’t know what he’s going to do.”
“I might have thought this was just a peculiar attitude of theirs about motorcycles but discovered later that it extended to other things — .”
— quoted from Zen and the Art of Motorcycle Maintenance: An Inquiry into Values by Robert Pirsig
The following excerpt is from the 2022 version of a 2020 post:
“It’s like a road trip. The vehicle is moving but we are still inside the vehicle; the scenery is still, but appears to be moving. Everything merges and converges while we are still. Do you see where we’re going?
It’s OK if you don’t. This is kind of like that old joke where someone says, ‘I’m not lost. I know exactly where we are. We’re in the car.’ Now, consider what happens if we could get out of the box or cage we’re in and become part of the scenery. Not walking necessarily, but riding. So that the scenery is simultaneously still and moving… but so are we. And, just like with a moving meditation, there is some part of us that always stays still.”
Click here to read the 2022 post about Robert Pirsig (b. 09/06/1928).
“The real cycle you’re working on is a cycle called yourself. The machine that appears to be ‘out there’ and the person that appears to be ‘in here’ are not two separate things. They grow toward Quality or fall away from Quality together.”
— quoted from Zen and the Art of Motorcycle Maintenance: An Inquiry into Values by Robert Pirsig
The September First Friday Night Special features a Somatic Yoga Experience (SYE) with some Yin Yoga. It is accessible and open to all.
NOTE: There is a little more movement during this practice than in a typical First Friday Night Special.
Prop wise, you may need props at the beginning and end of the practice. A chair is recommended for this practice if you have low back issues. You can practice without props or use “studio” props and/or “householder” props. Example of Commercial props: 1 – 2 blankets, 2 – 3 blocks, a bolster, a strap, and an eye pillow. Example of Householder props: 1 – 2 blankets or bath towels, 2 – 3 books (similar in size), 2 standard pillows (or 1 body pillow), a belt/tie/sash, and a face towel. A water bottle can be used if a ball is not handy.
You may want extra layers (as your body may cool down during this practice). Having a wall, chair, sofa, or coffee table may be handy for this practice.
Friday’s playlist is available on YouTube and Spotify. [Look for “09062024 The Art of Moving Maintenance”]
NOTE: On the YouTube playlist, the outro for the practice is “Pirsig’s Pursuit” by Chris Foster, which I did not find on Spotify.
If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can dial 988 (in the US) or call 1-800-273-TALK (8255) for the Suicide and Crisis Lifeline. You can also call this TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.
White Flag is a new app, which I have not yet researched, but which may be helpful if you need peer-to-peer (non-professional) support.
If you are a young person in crisis, feeling suicidal, or in need of a safe and judgement-free place to talk, you can also click here to contact the TrevorLifeline (which is staffed 24/7 with trained counselors).
“The place to improve the world is first in one’s own heart and head and hands, and then work outward from there.”
— quoted from Zen and the Art of Motorcycle Maintenance: An Inquiry into Values by Robert Pirsig
*NOTE: When Dr. Sigmund Freud used Plato’s analogy to refer to the parts of the psyche, he identified the charioteer as the ego; the superego as the critical and moralizing horse; and the id as the horse motivated by the desires of the senses.
### BREATHE: You need air in your tires and wind in your sails. ###
More Than Love from Althea & Arthur (the “missing” Sunday post) *w/an extra 2025 note* August 26, 2024
Posted by ajoyfulpractice in "Impossible" People, Abhyasa, Art, Books, Changing Perspectives, Faith, Fitness, Gratitude, Harlem Globetrotters, Healing Stories, Health, Hope, Life, Loss, Love, Meditation, Men, Music, One Hoop, Pain, Philosophy, Poetry, Suffering, Tragedy, Vairagya, Vipassana, Wisdom, Women, Writing, Yoga.Tags: 988, Abhyasa, AIDS, Alice Marble, Althea Gibson, Angela Buxton, anti-Semitism, Arlyn Gajilan, Arnold Rampersad, Arthur Ashe, Billie Jean King, Black History Month, Camera Ashe, cardiovascular, Chicago Tribune staff, Dean Radin, Dr. Abraham Maslow, Dr. Reggie Weir, Ed Fitzgerald, Eric Fishl, Eric Goulder, Evonne Goolagong, Frank DeFord, Grand Slams, heart, HIV, Howard Thurman, inner game, Jeanne Moutoussamy, Johnnie Ashe, Louise Brough, Love, Men's Health, military, Neil Amdur, positive psychology, Racism, Rhiannon Walker, Richard Curtis, Serena Williams, siddhis, Swami Satchidananda, tennis, tennis elbow, Vairagya, Venus Williams, W. Timothy Gallwey, Yoga Sutra 1.2, Yoga Sutra 3.24, Yoga Sutra 3.37, Yoga Sutra 4.29, yoga sutras, Yoga Sutras 1.30-1.31
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Many blessings to everyone and especially to anyone observing the Dormition (Theotokos) Fast; and/or working to cultivate friendship, peace, freedom, understanding, and wisdom — especially when it gets hot (inside and outside).
Stay hydrated & be kind, y’all!
This is the “missing” for Sunday, August 25th. Technically, it is also the “long lost” post for the 2021 practice. You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email myra (at) ajoyfulpractice.com.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es).
Donations are tax deductible; class purchases are not necessarily deductible.
Check out the “Class Schedules” calendar for upcoming classes.
“III.24. Extraordinary strength, resulting from samyama on the concept of physical strength (the aphorism specifically mentions the strength of an elephant, which was undoubtedly the strongest creature in Patanjali’s world), but it might also include mental, moral, or spiritual strength. This could be interpreted as an exceptional form of mind-body control or as a mind-matter interaction effect. Swami Satchidananda sums up this siddhi with the comment, ‘You can lighten yourself; you can make yourself heavy. It’s all achieved by samyama. Do it; try it. Nice things will happen’ (p.188).”
“III.37. Siddhis may appear to be supernormal, but they are normal. This is not a description of a siddhi, but rather a caution to avoid regarding or attaining the siddhis as unnatural or supernormal, as that could become a distraction to sustaining and deepening samadhi.”
— quoted from the “Taxonomy” section of “Part I: From Legendary Yoga Superpowers… Chapter 7: The Siddhis” in Supernormal: Science, Yoga, and the Evidence for Extraordinary Psychic Abilities by Dean Radin, PhD
In the Yoga Sūtras, Patanjali defined yoga (“union”) as a moment when all the internal chatter fades away (YS 1.2) and devoted a whole chapter to describing the powers that come when you focus-concentrate-meditate on a single thing and harness the power of the entire mind-body. He also outlined a process by which one can become completely absorbed into (or merged with) the point of their focus-concentration-meditation. Some of it sounds magical, extraordinary, or supernatural; but, it’s actually extra ordinary and very much supernormal. The ability to be single-minded and absorbed into something (or someone) is something we all do at various times in our lives.
We do it when we are “in the zone” and we do it when we are in the “first blush” of love.
Being in the zone is what athletes call it when you are in the moment, see exactly what needs to be done, and can do it in a way that almost appears effortless. Things just fall into place. Sometimes it even feels effortless and magical to the person that is in the zone. (YS 4.29) Other times, an athlete may find themselves running into the same obstacles and hinderances described in the Yoga Sūtras (YS 1.30-1.31) — not realizing that they need to practice non-attachment. Patanjali recommended focusing on the breath and, thousands of years later, a tennis player and coach recommended the same thing.
“It is said that in breathing humans recapitulate the rhythm of the universe. When the mind is fastened to the rhythm of breathing, it tends to become absorbed and calm. Whether on or off the court, I know of no better way to begin to deal with anxiety than to place the mind on one’s breathing process.”
— quoted from the “Focus During a Match” section of “7. Concentration: Learning to Focus” in The Inner Game of Tennis: The Classic Guide to the Mental Side of Peak Performance by W. Timothy Gallwey
Letting go of your own ego and getting out of your own way are foundational lessons in The Inner Game of Tennis: The Classic Guide to the Mental Side of Peak Performance (1974) by W. Timothy Gallwey. A tennis player and coach, Mr. Gallwey used his own experiences to help others play better psychologically — because sometimes you can up your game by changing what you are doing mentally, emotionally, and even energetically. Years after The Inner Game of Tennis was published (and after he published a companion book in 1976), Mr. Gallwey found that people were applying his book to other areas and in other disciplines. So he wrote Inner Skiing (1977), The Inner Game of Golf (1981), The Inner Game of Winning (1985), The Inner Game of Music (1986), and The Inner Game of Work: Focus, Learning, Pleasure, and Mobility in the Workplace (1999), and The Inner Game of Stress: Outsmart Life’s Challenges, Fulfill Your Potential, Enjoy Yourself (2009). In each book, the bottom line is to get to a place where the mind is quiet.
Which brings us back to the other time when everything else disappears: love.
Love, nothing else matters — except in tennis.
“Perhaps this is why it is said that great poetry is born in silence. Great music and art are said to arise from the quiet depths of the unconscious, and true expressions of love are said to come from a source which lies beneath words and thoughts. So it is with the greatest efforts in sports; they come when the mind is as still as a glass lake.
Such moments have been called ‘peak experiences’ by the humanistic psychologist Dr. Abraham Maslow.”
— quoted from the “‘Trying Hard’: A Questionable Virtue” section of “3. Quieting Self 1” in The Inner Game of Tennis: The Classic Guide to the Mental Side of Peak Performance by W. Timothy Gallwey
Full disclosure: When I was growing up, I was the only person in my immediate family who didn’t play tennis. So, there are a bunch of things about tennis that just don’t make sense to me. For instance, why does “love” mean “zero” in tennis? There are a lot of different theories about why “love” equals “zero” in tennis. Some of these theories don’t have a lot of supporting evidence; they just seem like old wives tales that may or may not be true. They stick around, however, because they are funny. For instance, there is the idea that English speakers were mispronouncing the French word l’ œuf (“egg”) — so it sounded like they were saying “love” — and that the number zero looks like an egg. This is sometimes paired with the idea that if you make a bunch of mistakes (and score no points) you’ve laid a goose egg. The biggest problem with this theory is that when in France, where tennis was first developed, people simply used the word zéro.
Another prevalent (and possibly more credible) theory about the term, that dates back to the 1700s, is that when you have no score, but you still give it all you’ve got, then you are playing for the love of the game. This is a slightly more credible theory, because, according to the Webster’s 1828 Dictionary, the word “amateur” comes from the Latin words anator (“a lover”) and amo (“to love”), referring to a person who does something for love rather than for money.
Of course, every professional begins as an amateur and one could argue that every professional wants to feel the way they did when they were an amateur — as if nothing else matters, but that moment and the love of the game in that moment. And, this is where things get interesting; because, in tennis, the most prestigious tournaments are “open” to amateurs and professionals. They all play for the same stakes. They all play with love so palpable it can make other people fall in love with the game. Some even play with the kind of passion that can also change the face of the game.
“I always wanted to be somebody. If I made it, it’s half because I was game enough to take a lot of punishment along the way and half because there were a lot of people who cared enough to help me.”
— quoted I Always Wanted to Be Somebody by Althea Gibson, edited by Ed Fitzgerald
Born today in 1927, Althea Gibson was a professional tennis player as well as a professional golfer. In 1949, she was the first Black woman and the second Black athlete (after Dr. Reggie Weir) to play in the National Indoor Championships hosted by the United States Lawn Tennis Association (USLTA, now known as the USTA). While she earned a full athletic scholarship to Florida A&M University (FAMU) and was considered an elite athlete all around the world, her race and ethnicity meant that she was not able to play in some of the most prestigious competitions in the world. To be clear, USTA had anti-discrimination rules in the 1950s; however, to qualify for certain tournaments, a player had to have a certain amount of points. In order to earn those points, a player had to play (and place) at a number of tournaments. Of course, some tournaments were held at clubs that were white-only — which meant that a player like Althea Gibson couldn’t play.
The first crack in that glass ceiling came when American Tennis Association (ATA) officials and 18 time Grand Slam championship-winner Alice Marble very publicly lobbied for Althea Gibson to be the first African-American to receive an invitation to the Nationals. Three days after her 23rd birthday, Ms. Gibson made her debut at Forest Hills and won. The world took notice; even though she ultimately lost the next match (in a delayed round) to Louise Brough, the then three-time defending Wimbledon champion, who also lobbied for inclusion.
Six years later, in 1956, Althea Gibson became the first African-American to win a Grand Slam event when she won the singles crown at the French Championships (now known as the French Open). She and Angela Buxton (from the United Kingdom) also won the doubles. Later that season, she won the championships in Rome, Italy; New Delhi, India; and Ceylon (now Sri Lanka). The following year, and the year after that, she won both Wimbledon and the US Nationals (which preceded the US Open) and was named “Female Athlete of the Year” by the Associated Press. (1957 was also the year she beat Louise Brough, who by then had won 35 major championships.)
“According to [American sculpture Eric] Goulder, each [of the five granite blocks] represents the ‘boxes’ society puts people in. [Althea] Gibson’s image emerges from the highest one, which balances on its corner to emphasize how she transformed the world’s view of African American athletes.
‘Her shoulder is exposed to make clear that those who followed stand on her shoulder,’ said Goulder. The final box, which is aligned differently from the others, is meant to show that the world has changed, but not entirely.
Its inscription reads: ‘I hope that I have accomplished just one thing: that I have been a credit to tennis and my country.’”
— quoted from the August 26, 2019, Reuters article “Trailblazer Althea Gibson honoured with statue at U.S. Open” by Arlyn Gajilan
Overall, Althea Gibson won a total of 11 Grand Slam events — including five singles titles, five doubles titles, and one mixed doubles title. In 1964, she became the first African-American woman to join the Ladies Professional Golf Association (LPGA) tour, where she broke course records and was among the 50 money winners for fives years. She was inducted into the International Tennis Hall of Fame (in 1971); was one of the first six inductees into the International Women’s Sports Hall of Fame (in 1980); and, in 2007, on the 50th anniversary of her first victory at the US National Championships, she was inducted into the US Open Court of Champions.
Althea Gibson was also inducted into the the Florida Sports Hall of Fame, the Black Athletes Hall of Fame, the Sports Hall of Fame of New Jersey, the New Jersey Hall of Fame, the International Scholar-Athlete Hall of Fame, and the National Women’s Hall of Fame. Additionally, she received a Candace Award from the National Coalition of 100 Black Women (in 1988) and was the first woman to receive the National Collegiate Athletic Association’s Theodore Roosevelt Award (in 1991). In 2000, Sports Illustrated placed her at #30 on their “100 Greatest Female Athletes” list. In 2013, the United States Postal Service honored her with a postage stamp and, in 2019, a bust of her was unveiled outside of the USTA Billie Jean King National Tennis Center in Flushing Meadows, where the US Open is now held.
“In a statement Sunday, tennis champion and activist Billie Jean King had this to say: ‘We all know people who influence us and, if we are lucky, we meet a few in our lives who improve us. Althea Gibson improved my life and the lives of countless others. She was the first to break so many barriers, and from the first time I saw her play, when I was 13 years old, she became, and remained, one of my true heroines.
‘It was truly an inspiration for me to watch her overcome adversity. Her road to success was a challenging one, but I never saw her back down. Althea did a lot for people in tennis, but she did even more for people in general.’”
— quoted from the September 29, 2003, Chicago Tribune article “Althea Gibson” (by the Chicago Tribune staff)
Even though Ms. Gibson broke so many color barriers that people compared her to Jackie Robinson, she couldn’t overcame all the obstacles put in her way. Despite winning multiple times at Wimbledon, she and her doubles partner, Angela Buxton, who was Jewish, were denied membership to the All England Club on more than one occasion.1 While many of the competitors that she beat were receiving endorsement deals, similar deals never came her way. That sort of racism and prejudice led her to join the LPGA, but even there she ran into literal barriers to entry. Sometimes she was not allowed to compete. Sometimes she had to change clothes in her car, because the clubs, hotels, and dressing rooms were segregated and no accommodations were available to her. While the highest earners (during the years she played on the tour) averaged, almost $35,000 a year, Althea Gibson’s lifetime golf earnings were under $25,000 (plus or minus a car she won at a Dinah Shore tournament).
Despite the ongoing challenges, Althea Gibson kept persevering. Maybe one of the reasons she never seemed to back down was because she was always fighting to survive. She dropped out of school when she was 13 years old and ran away from home because her father was abusive. At one point she lived in a Catholic shelter for abused children. By that time, she was already a paddle tennis champion in New York City and her neighbors had pooled their resources together to purchase her a junior membership and lessons at the Cosmopolitan Tennis Club in the Sugar Hill section of Harlem. But, young Althea didn’t initially love tennis. It was a means to an end; it was one of her many means of escape.
“‘Being a champ is all well and good,’ I would tell the well-meaning people who asked me about my retirement, ‘but you can’t eat a crown. Nor can you send the Internal Revenue Service a throne clipped to their tax forms. The landlord and grocer and tax collector are funny that way: they like cold cash. I may be the Queen of Tennis right now, but I reign over an empty bank account, and I’m not going to fill it by playing amateur tennis, even if I remain champ from now until Judgement Day.’”
— quoted from “So Much to Live For” in So Much to Live For by Althea Gibson with Richard Curtis
In addition to being an accomplished athlete, Althea Gibson was also a singer, a saxophone player, an actor, a sports analyst, and an author. She turned to all of those mediums in an effort to support herself and pushed the limits of everything she did so that each industry was better than she found it. She even opened for the Harlem Globetrotters by playing exhibition games with Karol Fageros and ran for public office. For much of her adult life, she was also a mentor and coach. She facilitated Pepsi Cola’s national mobile tennis project in underprivileged areas and ran multiple other clinics and tennis outreach programs. She inspired her competitors, as well as players in subsequent generations: like Billie Jean King and Serena and Venus Williams.
The Williams sisters, in particular, sought advice on how to play and how to deal with racism (on and off the court). In fact, Serena Williams won her first (of six) US Open titles in 1999, shortly after faxing a letter and a series of questions to Ms. Gibson. In 2000 and 2001, Venus Williams followed in Althea Gibson’s footsteps by winning back-to-back championships at Wimbledon and the US Open. Like Evonne Goolagong, the Australian Aboriginal (Wiradjuri) athlete who became the second non-White woman to win a Grand Slam championship (in 1971), the Williams Sisters and other African-American athletes experienced a different financial landscape than Althea Gibson, but they still had to deal with racism and prejudice.
“You can’t compare tennis with baseball, basketball, or football. When Jackie Robinson broke the color line in 1947 with the Brooklyn Dodgers, dozens of good baseball players in the Negro leagues were waiting to follow. When Althea Gibson, the first prominent black in tennis, won national grass-court titles at Forest Hills in 1957 and 1958, there was no reservoir of black talent waiting to walk in if the door ever opened. Blacks had no identification the sport — on or off the court.”
— quoted from “3. The Passage” in Off the Court by Arthur Ashe with Neil Amdur
Another person Althea Gibson inspired was Arthur Ashe, who who won the US Amateur Championships today in 1968. A couple of weeks later, on September 9th, the Army lieutenant at West Point, followed in Althea Gibson’s footsteps: winning the first US Open and becoming the first African-American man to win a Grand Slam event. He also became the first person (period) to win the US Amateur and the US Open in the same calendar year. These were not his first, nor his last, groundbreaking achievements in tennis. In 1963, he was the first Black player selected for the US Davis Cup team and, so far, he has been the only Black man to win the singles titles at Wimbledon, the US Open, and the Australian Open.
Up until 1968, the US National Championship events were held at a variety of locations and only open to amateurs. When it became the US Open, it was open to professionals as well as to amateurs — which is what Arthur Ashe was at the time. In fact, he was the underdog, going up against a professional. He was also active duty, during a war — his younger brother Johnnie accepted an extra tour in Vietnam, which allowed him to compete since the United States had a policy against sending brothers into a war zone. First Lieutenant Ashe’s amateur status meant that his prize money went to the runner up.
“‘Money makes me happy.’ Who would make such a crass remark? I did, in my book Portrait in Motion, written with Frank DeFord. But the truth is that I’m glad I have enough money to live comfortably, and I enjoyed adding to my bank account as I earned money on the tennis court and in various business deals when I was a professional. I was not born poor, but my father was hardly rich. I long ago decided that, on the whole, I much prefer having money to not having it. In that sense, it makes me happy.
On the other hand, I also learned a long time ago what money can and cannot do for me. From what we get, we can make a living; what we give, however, makes a life.”
— quoted from “6. The Striving and Achieving” in Days of Grace: A Memoir by Arthur Ashe and Arnold Rampersad
Arthur Ashe was inducted into the Virginia Sports Hall of Fame (in 1979), the Intercollegiate Tennis Association (ITA) Hall of Fame (in 1983), and the International Tennis Hall of Fame (in 1985). In 1975, he received the inaugural Player of the Year Award from the Association of Tennis Professionals (ATP) and was named the BBC Overseas Sports Personality of the Year. In 1977, other players on the ATP-tour awarded him the ATP Sportsmanship Award. In December 1992, just a few months before he died, he received the “Sports Legend” Award from the American Sportscasters Association. In 1993, he was posthumously awarded the Presidential Medal of Freedom by President Bill Clinton, the Congressional Black Caucus Foundation’s George Thomas “Mickey” Leland Award, and ATP’s Arthur Ashe Humanitarian of the Year Award by the ATP. He was also an author and an Emmy Award winner. In 1997, the newly constructed Arthur Ashe Stadium became the largest venue at the USTA Billie Jean King National Tennis Center in Flushing Meadows, home of the US Open. “Soul in Flight,” a statue sculpted by Eric Fishl, was unveiled in 2000 as a memorial to Arthur Ashe and to the spirit of sportsmanship and humanitarianism that he embodied. In 2005, the United States Postal Service issued a commemorative stamp in his honor.
Throughout his career, Arthur Ashe was an activist. He was part of the Civil Rights Movement in the United States and also part of the anti-apartheid movement in South Africa. He also advocated for Haitian refugees and was a campaign chairman for the American Heart Association. In 1983, he contracted HIV after a blood transfusion during heart bypass surgery and, when he announced his diagnosis in April of 1992, he became a very public HIV/AIDS advocate and educator. He also founded the Arthur Ashe Foundation for the Defeat of AIDS and the Arthur Ashe Institute for Urban Health.
“Perhaps my favorite prayer-poem by Howard Thurman is ‘The Threads In My Hand.’ The speaker of the poem says that he holds only one end of a number of threads, which come to him from ‘many ways, linking my life with others.’ Some threads come from the sick and troubled, some from the dreaming and ambitious; still others are knotted beyond the speaker’s power to understand and unravel. But one thread is different from all others:
One thread is a strange thread—it is my steadying thread;
When I am lost, I pull it hard and find my way.
When I am saddened, I tighten my grip and gladness glides along its quivering path;
When the waste places of my spirit appear in arid confusion,
the thread becomes a channel of newness in life.
One thread is a strange thread—it is my steadying thread.
God’s hand holds the other end…”
— quoted from “10. The Threads in My Hands” in Days of Grace: A Memoir by Arthur Ashe and Arnold Rampersad
In chapter 10 of Days of Grace: A Memoir, Arthur Ashe described himself as “a fortunate, blessed man… [with] no problems” — aside from two really major health problems. Those two health problems were not the one’s most commonly associated with tennis players. In fact, neither Arthur Ashe nor Althea Gibson seemed to have dealt with the one of the health issues most commonly associated with a non-contact sports like tennis: “tennis elbow” — which is a bit of misnomer. While 50% of tennis players report elbow pain — 75% of which is considered true “tennis elbow” — tennis players only make up about 10% of all the cases of nationwide. In other words, you can have “tennis elbow” even if you’ve never played tennis. It’s simply a repetitive stress issue. So, if you do certain movements repeatedly, without stability, you could end up with tendonitis or tendinosis. Tennis, even when done on a table, is very asymmetrical; making unilateral stability a priority.
But, neither of these record-breaking seemed to have a problem with tendonitis or tendinosis. Unfortunately and ironically, Althea Gibson and Arthur Ashe both had cardiovascular issues.
Two cerebral hemorrhages, in the late 1980s, a stroke in 1992, and related medical expenses left Althea Gibson in dire straits. No help was forthcoming when she reached out to various tennis organizations; however, Angela Buxton, her former doubles partner, was able to engage the tennis community and raised nearly $1 million in donations from around the world. In 2003, she suffered a heart attack and then, later that year, died from complications related to respiratory and bladder infections.
Arthur Ashe had a family history of cardiovascular disease and was 36 years old when he suffered his first heart attack in 1979. His heart was in such bad condition, despite his athleticism, that he needed a quadruple bypass. A few months later, he had to delay his return to tennis, because of chest pains. In 1983, he had a second bypass surgery — which is when it is believed he contracted HIV. Paralysis in his right arm led to a battery of tests, exploratory brain surgery, and the HIV diagnosis. Due to the stigma associated with HIV and AIDS, Arthur Ashe and his wife initially decided that the best way to protect their young daughter was by not publicly disclosing his diagnosis. In the fall of 1992, he had a second heart attack and learned that a newspaper was planning to release his diagnosis. A few months later, in 1993, he died from AIDS-related pneumonia.
“By the time you read this letter from me to you for the first time, I may not be around to discuss with you what I have written here. Perhaps I will still be with you and your mother, sharing in your daily lives, in your joys and in your sorrows. However, I may be gone. You would doubtless be sad that I am gone, and remember me clearly for a while. Then I will exist only as a memory already beginning to fade in your mind. Although it is natural for memories to fade, I am writing this letter in the hope that your recollection of me will never fade completely.”
— quoted from “11. My Dear Camera” in Days of Grace: A Memoir by Arthur Ashe and Arnold Rampersad
As I mentioned before, I grew up as the non-playing member of a tennis-loving family. Most of the time I didn’t mind not playing tennis, because I was absorbed in other things. I loved other things. There was one time, however, when I was really grateful that I didn’t play — and so were my parents.
It was during a time when we were living in the Maryland-D.C. area, late 70s or early 80s. If memory serves me2 — and if I go by the 1981 publication date of Off the Court — I was probably have been as old as 12 or 13. Either way, I was small (spoiler alert: I have always been small). Since I wasn’t playing in the tournament, I wasn’t restricted to certain areas the way my brothers were restricted. So, my parents lifted me over the fence with a copy of Arthur Ashe’s autobiography. Being the man that he was, he didn’t hesitate to sign it.
It was a very memorable day that I will never forget, but, to him, it was: “Just another day at the office…”
“…he told the Baltimore Sun’s Jim Caffrey[,] ‘I never get too excited about winning anything; it’s just my philosophy of life.’”
— quoted from the August 13, 2017, Andscape (“#RememberWhensdays”) article, “The day Arthur Ashe became the first black man to win the US Open: Ashe earned the top ranking in the country with the five-set victory” by Rhiannon Walker
Sunday’s playlist is available on YouTube and Spotify. [Look for “08252021 Love from Althea & Arthur”]
NOTES: 1The All England Lawn Tennis and Croquet Club (AELTC), also known as the All England Club, is a private members’ club in Wimbledon, London, England. Established on July 23, 1868, the majority of the nearly 600 members are are Full Members — who, along with Life Members and Honorary Members, make up no more than 500 members. A little over 50 members are Temporary Members of Junior Temporary Members.
To be placed on the waiting list, full and temporary membership candidates must submit an application with formal letters of support from four existing full members, “two of whom must have known the applicant for at least three years.” While some honorary members are occasionally elected by the club’s committee, “past [Wimbledon] Singles Champions, other eminent Lawn Tennis players…” are typically (and automatically) invited to become honorary members. While Black players and Jewish players were theoretically eligible to join the club in 1951 and 1952, respectively, neither Althea Gibson nor her doubles partner Angela Buxton (who retired at the age of 22, because of tenosynovitis) ever made the cut.
2In July 2025, my father randomly texted me about getting Arthur Ashe’s autograph. He remembered it being on a program, which would have made me a lot younger than the age I remembered.
CORRECTION: During the 2024 practice, I referred to Arthur Ashe as a photographer; however, I was confusing him with his wife, the photographer and graphic artist Jeanne Moutoussamy.
Extreme heat can not only make people lethargic and unmotivated, it can also lead to extreme agitation and anxiety-based fear. We may find it hard to think, hard to feel (or process our feelings), and/or hard to control our impulses. If you are struggling in the US, help is available just by dialing 988.
If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can dial 988 (in the US) or call 1-800-273-TALK (8255) for the Suicide and Crisis Lifeline. You can also call this TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.
White Flag is a new app, which I have not yet researched, but which may be helpful if you need peer-to-peer (non-professional) support.
If you are a young person in crisis, feeling suicidal, or in need of a safe and judgement-free place to talk, you can also click here to contact the TrevorLifeline (which is staffed 24/7 with trained counselors).
(### • ###)
The McGuffin’s MacGuffin, redux & reprised (the “missing” Tuesday post) August 13, 2024
Posted by ajoyfulpractice in Abhyasa, Art, Books, Buddhism, Changing Perspectives, Faith, Healing Stories, Hope, Life, Mantra, Meditation, Movies, Music, One Hoop, Pain, Peace, Philosophy, Science, Suffering, Tragedy, Vairagya, Wisdom, Writing, Yoga.Tags: 988, Ahimsa, ahimsā, Alfred Hitchcock, Angus MacPhail, antiracism, Ashtavakra Gita, Berlin Wall, Bhagavad Gita, Charles Gounod, Charlotte Chandler, Eleanor Roosevelt, Epictetus, fear, fearless, fearless play, Franklin Delano Roosevelt, Ibram X. Kendi, Jack Hawley, James Allardic, Jeff Alexander, klishtaklishta, klişţāklişţāh, Leland Poague, MacGuffin, nervous system, Pandit Rajmani Tigunait, Paul Tillich, Potsdam Conference, Richard Freeman, Seneca, Shantipat, Stanley Wilson, Swami J, Swami Jnaneshvara Bharati, Thích Nhất Hạnh, Thich Nhat Hanh, Thomas Leitch, Todd McGowan, trauma, Upanishads, Wookiefoot, yama, Yoga Sutra 2.3, Yoga Sutra 2.9, ābhiniveśāḥ
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Many blessings to anyone observing Tisha B’Av and to everyone cultivating friendship, peace, freedom, and wisdom — especially when it gets hot (inside and outside).
Stay hydrated & be kind, y’all!
This is the “missing” for Tuesday, August 13th. Technically, it is also the “long lost” post for 2023 and a portion of the 2022 practice. It includes some previously posted information. You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email myra (at) ajoyfulpractice.com.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es).
Donations are tax deductible; class purchases are not necessarily deductible.
Check out the “Class Schedules” calendar for upcoming classes.
“Upanishad is the subtler, mystical or yogic teachings of the philosophy and practices leading to the direct experience of the center of consciousness, the absolute reality. ‘Upa’ means ‘near;’ ‘ni’ means ‘down;’ ‘shad’ means ‘to sit.’ Thus, Upanishad is to sit down near the teacher to discuss, learn, practice and experience the means and goals of Yoga sadhana or practices. The Upanishads are also known as Vedanta, which means the end or culmination of the Vedas.”
— quoted from the “Upanishad” page by Swami Jnaneshvara Bharati (“Swami J”)
Often translated as “sitting near devotedly,” “Upanishad” is the Sanskrit word assigned to a collection of sacred texts, the earliest of which were compiled (starting) in the last centuries of the 1st millennium BCE. The stories within the Upanishads were originally part of an oral tradition and they explain and explore the Vedas (which are more sacred texts). Scholars believe there were originally over 200 Upanishads, with some overlapping material; however, some have been lost. Of the 108 studied and practiced today, ten to twelve (depending on the tradition) are consider “major” and complete. Each one begins and ends with an invocation known as a Shantipat: a path of peace.
We start each practice with the “Teaching Shantipat” and I often bring awareness to the end: “Shanti Shanti Shanthi Om” / “Peace [within us], Peace [all around us], Peace [to and from everything and every one we encounter] With our conscious, subconscious, and unconscious mind and on every plane of existence.” The last “Shanthi” is emphatic, drawn out, and sometimes explained as “Peace [because I said so]” or “Peace [because I demand it].”
While the endings are the same, the beginnings of each of the shantipats are different. They are situational. So, today, I bring your awareness to the beginning of the “Teaching Shantipat.”
“May all of us together be protected….”
— quoted from the beginning of the “Teaching Shantipat,” chanted in Sanskrit by Richard Freeman (when we are in the studio)
The beginning of the “Teaching Shantipat.” is interesting (to me), because it is very similar to the beginning of the metta meditation: “May I be safe and protected.”
I find it very interesting that this invocation begins with a desire, a wish, a prayer for safety and protection. You could even think of it as a commitment — similar to ahiṃsā (“non-harming” or “non-violence”), which is the very first yama (external “restraint” or universal commandment) at the beginning of the Yoga Philosophy. The underlying implication to all of this is that there is something — or someone — from which we need to be protected; that there is some danger of which we must be mindful. In other words, it is almost a warning that there is something to fear.
Fear is an emotional response to a perceived threat. It doesn’t matter if what we perceive turns out not to be a threat; because, the emotion is real. The emotional reaction causes a physiological response: it activates the sympathetic nervous system, which causes a chemical change in the brain and a change in organ function. These changes are designed to protect and ensure survival, causing us to fight or flee or freeze (which is a form of collapse). This can all take place in a blink of an eye and in a heartbeat — even, again, when the perceived threat turns out to not be a threat and/or not a threat to survival. Although the initial reaction can occur in an instant, it takes a while to come down off of the adrenaline high and, depending on the reality and nature of the threat, the effects of the trauma can be life-long.
“It is not that you must be free from fear. The moment you try to free yourself from fear, you create resistance against fear. Resistance in any form does not end fear. What is needed, rather than running away or controlling or suppressing, is understanding fear; that means, watch it, learn about it, come directly into contact with it, not how to escape from it, not how to resist it.”
— Jiddu Krishnamurti
Yoga Sūtras 2.3 and 2.9 describe ābhiniveśāḥ (“resistance to loss, fear of death of identity, desire for continuity, clinging to the life of”) as the fifth and final afflicted/dysfunctional thought pattern that leads to suffering. This is consistent with the Ashtavakra Gita, which states “All sorrow comes from fear. / From nothing else. // When you know this, / You become free of it, / And desire melts away.” (AG 11.5) According to the Eastern philosophies, like Yoga and Buddhism, the remedy to fear is wisdom, which is considered to be the opposite of fear.
Wisdom is the ability, knowledge, and skill to respond to a given situation with awareness. Without wisdom, we react as if everything and everyone is a threat to our life, our livelihood, and those we love. We become like a “timid man” who flees because he perceives everything picked up by our senses as a tiger. (AG 18.45) We see this fear-based behavior each and every day, even when we don’t recognize that that is what we are seeing/experiencing. Wisdom, in this case, can also be defined as vidyā (“correct knowledge”) about ourselves and the nature of everything. It gives us the ability to pause, take a breath, and possibly discover that “Just as a coil of rope / Is mistaken for a snake, / So you are mistaken for the world” (AG 1.10) and that “a man without desires is a lion.” (AG 18.46)
“‘Work hard in the world, Arjuna, but for work‘s sake only. You have every right to work but you should not crave the fruits of it. Although no one may deny you the outcomes of your efforts, you can, through determination, refuse to be attached to or affected by the results, whether favorable or unfavorable.
“‘The central points of issue, Arjuna, are desire and lack of inner peace. Desire for the fruits of one‘s actions brings worry about possible failure — the quivering mind I mentioned. When you are preoccupied with end results you pull yourself from the present into an imagined, usually fearful future. Then your anxiety robs your energy and, making matters worse, you lapse into inaction and laziness.’”
— Krishna speaking to Arjuna (2.47) in The Bhagavad Gita: A Walkthrough for Westerners by Jack Hawley
“You gain strength, courage and confidence by every experience in which you really stop to look fear in the face…. You must do what you think you cannot do.”
— quoted from You Learn by Living: Eleven Keys for a More Fulfilling Life by Eleanor Roosevelt
This tricky thing about fear is that the mind-intellect can perceive and process things in the past, present, and/or future; which means we may find ourselves having a fear-based reaction to something in the past or something that has not (and may never) happen. This is why fear can prevent us from achieving our goals and desires. It can also cause us to build walls — emotionally, energetically, symbolically, and physically. In fact, construction of the Berlin Wall, which began today on Sunday, August 13, 1961, was at the intersection of a lot of fear.
Remember, during the Potsdam Conference at the end of World War II, the Allies decided to split Berlin and the rest of Germany into four different regions controlled by four different nations. The Soviet-controlled areas became the German Democratic Republic (GDR or DDR; German: Deutsche Demokratische Republik), also known as East Germany. The areas controlled by United States, the United Kingdom, and France became the Federal Republic of Germany (German: Bundesrepublik Deutschland), sometimes called Bonn Republic (German: Bonner Republik), and known as West Germany. East and West Berlin, as well as East and West Germany, ended up with vastly different socioeconomic and political cultures. Right off the bat, people on the East side would travel to East Berlin in order to crossover to West Berlin and then, from there, gained access to the rest of the “Free World.” In fact, prior to the wall being constructed approximately 3.5 million people defected from East Berlin — at a rate of about one thousand a day.
The wall did not go up all at once. It started off as a little over 100 miles of barbed wire and fencing put up in the wee hours of that Sunday morning in 1961: 156 km (97 mi) between the western regions and the eastern regions and another 43 km (27 mi) of wire dividing the cities of Berlin. Then a 6-foot tall wall of blocks was constructed, with bunkers. Within nine years, that 6-foot wall of blocks had become a 3.6-meter (11.8-foot) tall wall, with the barbed wire (and guards in the towers). The final wall included 155 km (96 miles) of wall around West Berlin and another 111.9 km (69.5 miles) of barrier between West Berlin and East Germany.
The wall decreased the number of defections; however, it did not completely prevent them. Between 1961 and 1989, when the Berlin Wall “fell,” about 100,000 people attempted to defect and approximately five thousand succeeded. An estimated 136 — 200 people died attempting to escape. Many of the deaths were in and around a gap created between two concrete walls which formed the 27 miles of barrier dividing Berlin. Known as the “death strip,” the gap was full of anti-vehicle trenches, guard dog runs, floodlights, and trip-wire machine guns. It was also overseen by guards in watchtowers who were ordered to shoot on sight.
Remember, although decades had passed, the construction of the Berlin Wall happened in the wake of World War II. People were still processing the trauma caused by the violence of the war and of the Holocaust, which were themselves the source and result of fear.
“However, if the process of non-violence is to be effective in counteracting violence, we must first describe and outline it clearly and methodically. Because violent thoughts always precede a violent act, an act of non-violence will be effective only if it is preceded by non-violent thoughts. Violence is an active phenomenon, whereas non-violence is mistakenly thought to be passive – simply the absence of violence. But passive non-violence has no power to extinguish the fire if violence. Non-violence must be as active as violence itself.”
— commentary on Yoga Sūtra 2.33 from The Practice of the Yoga Sutra: Sadhana Pada by Pandit Rajmani Tigunait, PhD
“The opposite of racist isn’t ‘not racist.’ It is ‘anti-racist.’ What’s the difference? One endorses either the idea of a racial hierarchy as a racist, or racial equality as an anti-racist. One either believes problems are rooted in groups of people, as a racist, or locates the roots of problems in power and policies, as an anti-racist. One either allows racial inequities to persevere, as a racist, or confronts racial inequities, as an anti-racist. There is no in-between safe space of ‘not racist.’”
— quoted from How to Be an Antiracist by Ibram X. Kendi, PhD
When I first heard about Dr. Ibram X. Kendi, who was born in Jamaica, New York City on August 13, 1982, I thought the term “antiracist” was something new. In reality, however, Dr. Kendi recommends and teaches an idea that goes back to the beginning of the yoga philosophy. (NOTE: I’m not saying he’s teaching “yoga,” even though he is working to bring people together. I’m saying that he is teaching ancient wisdom.)
This wisdom is not simply bringing awareness to a situation and neither is it not doing something overtly harmful. It is bringing awareness to what is happening beneath the surface and actively, skillfully, moving in the opposite direction. Again, the premise behind “cultivating the opposites” is that, over time, we neutralize the force of past actions and, as a result, our habits and thoughts change. When our habits and thoughts change, the world changes. Doing this work can be scary — in fact, you may already feel yourself tightening up just at the thought. But, we must remember that being fearless is not the absence of fear, it is how we show up when we experience fear.
“Courage is the strength to do what is right in the face of fear, as the anonymous philosopher tells us. I gain insight into what’s right from antiracist ideas. I gain strength from fear. While many people are fearful of what could happen if they resist, I am fearful of what could happen if I don’t resist, I am fearful of cowardice. Cowardice is the inability to amass the strength to do what is right in the face of fear. And racist power has been terrorizing cowardice into us for generations.”
— quoted from How to Be an Antiracist by Ibram X. Kendi, PhD
None of this is about being reckless and putting ourselves (or others) in danger. Neither is it about ignoring reality. Instead, the philosophers and leaders quoted throughout this post encourage us to face our fears. Again, this is not new advice. As noted above, it is the same advice found in ancient texts from India and (as noted below) it is the same advice found in the teachings of the Stoics. In fact, I imagine that if you research all the indigenous and modern cultures in the world, you will find lessons on fear and advice on cultivating fearlessness that is very, very similar.
Furthermore, we have plenty of opportunities to practice studying, observing, learning about, and understanding our fears. We can do it on the mat or the cushion; we can do it as we move through our days; and we can do it when some form of entertainment push our buttons.
“[Spoken: Alfred Hitchcock]
Thus far, this album has provided musical accompaniment to make your passing pleasant
Our next number is designed to drown out the sound of shovels
Music to be buried by
[Music begins]
Of course, your assassin may have made burial unnecessary
So, if you are completely encased in cement
And are teetering on the edge of a pier
Please try not to pay attention to this next number
It is not meant for you
As for the others, if you spend your evenings watching murder instead of doing it yourself
You may recognize this”
— quoted from Track 5, “Alfred Hitchcock Television Theme” on the album Alfred Hitchcock Presents Music to Be Murdered By by Alfred Hitchcock and Jeff Alexander (narration written by James Allardice; “Funeral March Of A Marionette” by Charles Gounod adapted by Jeff Alexander and Stanley Wilson)
Born today in London, today in 1899, Sir Alfred Hitchcock KBE liked to play with fear(s) and push people’s fear buttons. He directed and produced movies like The Lodger: A Story of the London Fog (1927); Blackmail (1929), was the first British “talkie;” The 39 Steps (1935); The Lady Vanishes (1938); Rebecca (1940); Shadow of a Doubt (1943); Strangers on a Train (1951), Dial M for Murder and Rear Window (both released in 1954); Psycho (1960); To Catch a Thief and The Trouble with Harry (both released in 1955); Vertigo (1958); North by Northwest (1959), and The Birds (1963). He was also the producer and host of the television anthology Alfred Hitchcock Presents (1955–65) and often made cameo appearances in his own movies. Like so many directors and producers, he liked to work with certain people, including Cary Grant and James Stewart (who were each in four movies) and Ingrid Bergman and Grace Kelly (who were each in three movies).
In addition to having nine of his films selected for preservation in the United States National Film Registry (as of 2021), Alfred Hitchcock received the British Academy of Film and Television Arts (BAFTA) Fellowship in 1971, the American Film Institute (AFI) Life Achievement Award in 1979, and was knighted in December of that 1979, just a few months before he died on April 29, 1980. His work also earned him six Academy Awards and an additional 40 Academy Award nominations — including five in the Best Director category.
Despite never winning the Academy Award for Best Director, the “Master of Suspense” did such a good job at manipulating emotional responses that even hearing the music (often composed by Bernard Herrmann), seeing a murder of crows or a rear window, and/or being in the shower can start tightening up the body. His name, voice, and infamous silhouette became so synonymous with his work that they can also activate the fear response. Another common Hitchcockian element was a simple plot device that existed long before he was born. It became more popular and more well-known by a name coined by the screenwriter Angus MacPhail1: MacGuffin (or McGuffin).
“Hitchcock explained how the MacGuffin got its name:
‘Two men are traveling on a train to Scotland. One of them is carrying an odd parcel. The other man says, “What have you there?” and the other answers, “A MacGuffin.”
‘“What’s a MacGuffin?”
‘“It’s a special device designed to trap wild lions in the Scottish Highlands.”
‘“But there aren’t any lions in the Scottish Highlands.”
‘“Then, there is no MacGuffin.”
‘The MacGuffin, you see, is only important if you think it’s important, and that’s my job as a director, to make you think it’s important.’”
— quoted from “II. British Films: Cub Director” in It’s Only a Movie: Alfred Hitchcock: A Personal Biography by Charlotte Chandler2
A McGuffin (or MacGuffin) can be anything — or anyone — that people in the movie are seeking. It could be a briefcase (or something inside a suitcase). It could be a jewel-encrusted statuette. It could be $40,000 or, as some people see it, a place in the snow where $920,000 was buried. It could be state secrets. It could be A Girl. While the MacGuffin (or McGuffin) motivates the characters and keeps the plot moving, it is the exact opposite of Checkov’s gun because it is ultimately inconsequential. The characters seem to forget about it or just put it aside. In fact, sometimes it is as if it was never in the story. Other times it is just never revealed to the audience.
A McGuffin (or MacGuffin) should not be confused with a “red herring,” because it is not intended to confuse or misdirect the audience. However, to be clear, Sir Alfred’s movies also include red herrings — sometimes in the form of suspenseful music or shadows that keep the audience primed for something to happen. In other words, the MacGuffin (or McGuffin) motivates the characters and puts them in their situations, while the red herring conditions the audience to fear on command.
“Hitchcock’s example of the MacGuffin emphasizes its impossible status: not only is the object that one [never has], but one cannot even isolate it as an idea. It remains necessarily empty, and yet functions as an engine for the Hitchcockian narrative. The emptiness of the MacGuffin as an object permits spectators to locate their satisfaction in the striving that it unleashes rather than identifying satisfaction with the discovery of its secret.”
— quoted from “The Empty Object” in “27. Hitchcock’s Ethics of Suspense: Psychoanalysis and the Devaluation of the Object” by Todd McGowan (as published in A Companion to Alfred Hitchcock, edited by Thomas Leitch and Leland Poague)
Take a moment to bring your awareness to what happens when you experience fear.
Are you someone who runs away from it… or towards it? Are you someone who likes to be fearless and play? Are you someone who tears down walls and barriers? Or, are you someone who builds walls?
“This great Nation will endure as it has endured, will revive and will prosper. So, first of all, let me assert my firm belief that the only thing we have to fear is fear itself – nameless, unreasoning, unjustified terror which paralyzes needed efforts to convert retreat into advance.”
“Only a foolish optimist can deny the dark realities of the moment.”
— quoted from the March 4, 1933, Inaugural Speech by President Franklin Delano Roosevelt
“What conflicts with the courage of wisdom is desires and fears. The Stoics developed a profound doctrine of anxiety which also reminds us of recent analyses. They discovered that the object of fear is fear itself. ‘Nothing,’ says Seneca, ‘is terrible in things except fear itself.’ And Epictetus says, ‘For it is not death or hardship that is a fearful thing, but the fear of death and hardship.’ Our anxiety puts frightening masks over all men and things. If we strip them of these masks their own countenance appears and the fear they produce disappears. This is true even of death. Since every day a little of our life is taken from us–since we are dying every day–the final hour when we cease to exist does not itself bring death; merely completes the death process. The horrors connected with it are a matter of imagination. They vanish when the mask is taken from the image of death.”
— quoted from “Chapter 1. Being and Courage – Courage and Wisdom: The Stoics” in The Courage To Be (pub. 1952) by Paul Tillich
Tuesday’s playlist is available on YouTube and Spotify. [Look for “08132022 The McGuffin’s MacGuffin”]
NOTES:
1 Angus MacPhail worked with Sir Alfred Hitchcock on Aventure Malgache (1944, uncredited writer); Bon Voyage (1944, writer); Spellbound (1945, writer for adaptation); The Man Who Knew Too Much (1956, uncredited contributing writer); and The Wrong Man (1956, screenwriter). He very briefly worked on the script development for Vertigo, which may be why the movie opens with San Francisco detective John “Scottie” Ferguson (as played by James Stewart) involved in a rooftop chase.2 Alfred Hitchcock used variations of this MacGuffin story on more than one occasion, including during a lecture at Columbia University in New York City (in 1939) and in a series of interviews. In some versions the conclusion was that there were no lions in the Scottish Highlands because the device in the parcel worked.
“We are very afraid of being powerless. But we have the power to look deeply at our fears, and then fear cannot control us. We can transform our fear. Fear keeps us focused on the past or worried about the future. If we can acknowledge our fear, we can realize that right now we are okay. Right now, today, we are still alive, and our bodies are working marvelously. Our eyes can still see the beautiful sky. Our ears can still hear the voices of our loved ones.”
— quoted from Fear: Essential Wisdom for Getting Through the Storm by Thich Nhat Hanh
Extreme heat (and traumatic events) can not only make people lethargic and unmotivated, they can also lead to extreme agitation and anxiety-based fear. We may find it hard to think, hard to feel (or process our feelings), and/or hard to control our impulses. If you are struggling in the US, help is available just by dialing 988.
If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can dial 988 (in the US) or call 1-800-273-TALK (8255) for the Suicide and Crisis Lifeline. You can also call this TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.
White Flag is a new app, which I have not yet researched, but which may be helpful if you need peer-to-peer (non-professional) support.
If you are a young person in crisis, feeling suicidal, or in need of a safe and judgement-free place to talk, you can also click here to contact the TrevorLifeline (which is staffed 24/7 with trained counselors).
### BE Fearless & PLAY. BE WISE.###
EXCERPT: “A Little Grace [plus] Compassion and Peace (with regards to Ralph Waldo Emerson)” July 15, 2024
Posted by ajoyfulpractice in Buddhism, Changing Perspectives, Dharma, Faith, Healing Stories, Life, Meditation, One Hoop, Pema Chodron, Philosophy, Religion, Suffering, Vairagya, Wisdom, Yoga.Tags: Harvard Divinity School, Ralph Waldo Emerson, Religion, shenpa, transcendentalism, yoga philosophy, yoga practice
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Many blessings to everyone and especially to anyone practicing peace, freedom, and wisdom (inside and outside).
This is a post-practice post related to the practice on Monday, July 15th. The 2024 prompt question was, “When is it hard for you to offer compassion (to yourself and/or to someone else)?” You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email myra (at) ajoyfulpractice.com.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es).
Donations are tax deductible; class purchases are not necessarily deductible.
Check out the “Class Schedules” calendar for upcoming classes.
“The intuition of the moral sentiment is an insight of the perfection of the laws of the soul. These laws execute themselves. They are out of time, out of space, and not subject to circumstance. Thus; in the soul of man there is a justice whose retributions are instant and entire. He who does a good deed, is instantly ennobled. He who does a mean deed, is by the action itself contracted. He who puts off impurity, thereby puts on purity. If a man is at heart just, then in so far is he God; the safety of God, the immortality of God, the majesty of God do enter into that man with justice. If a man dissemble, deceive, he deceives himself, and goes out of acquaintance with his own being. A man in the view of absolute goodness, adores, with total humility. Every step so downward, is a step upward. The man who renounces himself, comes to himself.”
— quoted from the 1838 “Divinity School Address” by Ralph Waldo Emerson
On July 15, 1838, Ralph Waldo Emerson addressed the Harvard Divinity School graduating class. Click on the excerpt title below to find out why that speech pushed so many people’s buttons (and got him banned from his alma mater for 27 years… and 6 days).
A Little Grace & FTWMI: Compassion and Peace (with regards to Ralph Waldo Emerson)
There is no playlist for the Common Ground Meditation Center practices.
If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can dial 988 (in the US) or call 1-800-273-TALK (8255) for the Suicide and Crisis Lifeline. You can also call this TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.
White Flag is a new app, which I have not yet researched, but which may be helpful if you need peer-to-peer (non-professional) support.
If you are a young person in crisis, feeling suicidal, or in need of a safe and judgement-free place to talk, you can also click here to contact the TrevorLifeline (which is staffed 24/7 with trained counselors).
### Peace In, Peace Out ###
A Quick Note & Excerpts About Practicing the R’s July 14, 2024
Posted by ajoyfulpractice in Abhyasa, Buddhism, Changing Perspectives, Dharma, Faith, Healing Stories, Hope, Life, Meditation, One Hoop, Pain, Peace, Pema Chodron, Philosophy, Suffering, Tragedy, Vairagya, Wisdom, Writing, Yoga.Tags: 988, Anushka Fernandopulle, attachment, Buddhism, compassion, compassionate abiding, Elephant Journal, loving-kindness, lovingkindness, Matt Caron, Metta, non-attachment, Pema Chödrön, Pema Chodron, shenpa, Shenpa & The Practice of Getting Unhooked, yoga philosophy
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Many blessings to everyone and especially to anyone practicing peace, freedom, and wisdom (inside and outside).
“Somebody says a mean word to you and then something in you tightens — that’s the shenpa. Then it starts to spiral into low self-esteem, or blaming them, or anger at them, denigrating yourself. And maybe if you have strong addictions, you just go right for your addiction to cover over the bad feeling that arose when that person said that mean word to you. This is a mean word that gets you, hooks you. Another mean word may not affect you but we’re talking about where it touches that sore place — that’s a shenpa. Someone criticizes you — they criticize your work, they criticize your appearance, they criticize your child — and, shenpa: almost co-arising.”
— Pema Chödrön
For the record, I am not going to say, practice, teach (or preach) anything I haven’t been teaching, practicing, and saying (or preaching) for years. Maybe I will tweak the phrasing. Maybe you will hear/see/understand things in a special way — thereby gaining new insight. Either way, regardless of all that is happening in the world, it still comes back to this: Sometimes the only thing you can do is not make it worse.
Yes, sometimes we can do things that make our life and the lives around us better. Sometimes we can write legislation, vote for legislation, and/or vote for people who write and/or vote for legislation that creates more opportunity for peace, freedom, prosperity, and wisdom. Sometimes we can create organizations or work, volunteer, and/or donate to organizations that cultivate peace, freedom, prosperity, and wisdom. There are, however, times when we are too poor — in spirit, heart/courage, skills, and/or material resources — to do anything other than send “thoughts and prayers.”
All that being, I am of the mindset that we can not know what we are able to do and/or what is the best way to respond — rather than react — until we sit down, get still, get quiet, and get honest about our intentions. Once we are grounded and centered, then we can act accordingly. In other words, practice the four R’s:
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RECOGNIZE (that your buttons have gotten pushed and you have the urge/impulse to react).
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REFRAIN (from doing anything, especially that knee jerk reaction).
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RELAX (maybe breathe peace in and breath peace out, or do use a centering prayer).
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RESOLVE (to move forward with mindfulness and intention).
This is the practice taught by the American Tibetan Buddhist nun Pema Chödrön, who was born today in 1936. I often add another R (or two):
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REMEMBER (your intention and why you are doing the thing you are doing).
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RECOGNIZE (again, that sometimes the only thing you can do is not make it worse).
You may be thinking, I don’t have time for all that “navel gazing” and introspection. And, yes, there are definitely times that require a quick response. At the same time, if you make this practice a habit, it only takes a split second to engage when you really need it.
CLICK ON THE EXCERPT TITLES BELOW FOR MORE!
“By trying this, we learn exactly where we are open and where we are closed. We learn quickly where we would do well to just practice abiding compassionately with our own confused feelings, before we try to work with other people, because right now our efforts would probably make a bigger mess. I know many people who want to be teachers, or feed the homeless, or start clinics, or try in some way to truly help others. Despite their generous intentions, they don’t always realize that if they plan to work closely with people they may be in for a lot of difficulty—a lot of feeling hooked. The people they hope to help will not always see them as saviors. In fact, they will probably criticize them and give them a hard time. Teachers and helpers of all kinds will be of limited use if they are doing their work to build up their own egos.”
— quoted from “Unlimited Friendliness: Three steps to genuine compassion” (Winter 2009 issue of Tricycle) by Pema Chödrön
Please join me for a 65-minute virtual yoga practice on Zoom today (Sunday, July 14th) at 2:30 PM. Use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below or by emailing myra (at) ajoyfulpractice.com.
Sunday’s playlist is available on YouTube and Spotify. [Look for “07142020 Compassion & Peace for Pema”]
“Prince Guatama, who had become Buddha, saw one of his followers meditating under a tree at the edge of the Ganges River. Upon inquiring why he was meditating, his follower stated he was attempting to become so enlightened he could cross the river unaided. Buddha gave him a few pennies and said: “Why don’t you seek passage with that boatman. It is much easier.”
— quoted from Matt Caron and from Elephant Journal
If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can dial 988 (in the US) or call 1-800-273-TALK (8255) for the Suicide and Crisis Lifeline. You can also call this TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.
White Flag is a new app, which I have not yet researched, but which may be helpful if you need peer-to-peer (non-professional) support.
If you are a young person in crisis, feeling suicidal, or in need of a safe and judgement-free place to talk, you can also click here to contact the TrevorLifeline (which is staffed 24/7 with trained counselors).
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es).
Donations are tax deductible; class purchases are not necessarily deductible.
Check out the “Class Schedules” calendar for upcoming classes.
### OM SHANTI SHANTI SHANTIHI OM ###
FTWMI: “The Center of the Puzzle” July 13, 2024
Posted by ajoyfulpractice in Changing Perspectives, Healing Stories, Kundalini, Life, Mathematics, One Hoop, Philosophy, Science, Tantra, Vairagya, Wisdom.Tags: anatomy, chakras, Ernő Rubik, hatha yoga, kinesiology, Rubik's Cube, Rubik's Magic, Tantra, vinyasa, vinyasa krama, yoga
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Many blessings to everyone and especially to anyone putting together the pieces for peace, freedom, and wisdom (inside and outside).
For Those Who Missed It: The following was originally posted in 2021. Class details (and some formatting) have been updated/changed or added.
“How is life like a puzzle? Or not like a puzzle?”
— quoted from the beginning of the practices on May 19th and July 13th
If we really think about it, it is not just our lives that are like puzzles. Our practice, our mind-body, even our relationships are like puzzles. There are all these different shaped pieces that sometimes fit together and sometimes don’t fit together. There are all these pieces that look like they could fit together, but don’t actually fit. Then there are all those little clues — like hard edges and different color schemes or patterns — that indicate what fits and what doesn’t fit.
When you are solving a puzzle (especially if it has a lot of pieces and/or it has an intricate design), it’s always helpful to have a picture of the finished product. It’s also nice to know that you have all the pieces (or, at the very least, that you know what pieces you have and which pieces are missing). In this way, our physical bodies — and, therefore, our physical practice of yoga are very much like a puzzle. We know the ankle bone is connected to the shin bone; the shin bone is connected to the knee bone; the knee bone is connected to the thigh bone; the thigh bone is connected to the hip bone; the hip bone is connected to the back bone; and that this construction is duplicated in the upper body. We also know that the muscles, nerves, tendons, and other connecting tissues fit together (and work together) in certain ways.
For instance, we know that the hamstrings and quadriceps work together to extend and flex the knee when we walk. We also know that if one leg is shorter (or stronger) than the other that that difference will affect the way we walk and will affect other parts of our bodies — even parts we don’t automatically recognize as being connected. The same is true if we are missing all or part of one leg or if all or part of one leg isn’t mobile. Even if you consider yourself “able-bodied,” you have probably had an injury that affected your mobility — or maybe you went hiking and messed up your shoe in a way that affected your gait. Or, maybe, you just got a rock in your shoe. Either way, take a moment to think back and consider how the change in one area affected all your other areas as you moved.
“The Cube is an imitation of life itself — or even an improvement on life.”
— Ernö Rubik
When it comes to our physical practice of yoga, our sequencing considers how the mind-body is mentally and physically connected and we also consider the energetic aspects of how we are connected. By building each āsana (“seat” or pose) from the ground up, we are able to ensure maximum amount of stability so that we can stretch and/or strengthen with intention and integrity. Similarly, we build the sequence from the ground up so that the mind-body is prepared to do each subsequent set of āsanas. This awareness of how things are connected is particularly important when we are practicing vinyāsa and/or implementing vinyāsa karma in order to achieve a “peak pose.”
While vinyāsa is often translated into English as “flow,” it literally means “to place in a special way.” Classically speaking, the poses are placed so that we exaggerate the body’s natural tendencies and, therefore, engage natural movement (even when moving in a way we might not normally move off the mat). When we forget the intention behind the movement we may find ourselves moving in a way that is counterintuitive and contraindicated by our basic anatomy and the fundamentals of kinesiology. Moving “in a way that is counterintuitive” can be subjective and is not always a bad thing. We definitely learn and grow when we play around with different types of movement. Also, while doing the same practice over and over again can be a great way to gauge progress and master a certain skill, getting “outside of the box” can also highlight bad habits that we’ve been “practicing.” Ultimately, one should always listen to the teacher within and consider if they are really ready to do certain things — especially since, not being mentally ready to do something can be just as dangerous as not being physically ready to do something.
On the flip side, movement that is contraindicated may not always be obvious — especially if we move fast enough and use momentum, rather than alignment and breath, to “muscle into” a pose. However, moving too much and too fast often results in injury. This can be a problem with some “flow” (or even “vinyasa”) practices that are not alignment and breath-based. Remember, just because we can do something (if we do it fast enough and with enough muscular force), doesn’t mean we it’s a good idea. Ideally, a practice works its way towards a “peak.” Maybe that peak is Śavāsana and a deep-seated meditation or maybe it’s a “peak pose” — i.e., something that a random person couldn’t walk into a room and do without being warmed up. Either way, this is where vinyāsa karma comes in handy. Vinyāsa karma literally means “to place the step in a special way.” In other words, it is a step by step progression towards a goal and it is a practice that can be utilized even in sequences where there is no “flow.”
Naturally, we can come at the physical practice of yoga (hatha yoga, regardless of the style or tradition) from a purely physical viewpoint and sequence accordingly. However, the system of yoga includes a mental and subtle body awareness which can also be accessed and harnessed through the poses and movement. Kundalini, Tantra, and Svaroopa are some of the yoga systems that specifically engage the energetic and subtle body through the practice of āsana; however, there can be tantric elements in any yoga practice that considers the way the mind-body-spirit is “woven” together. For instance, when I mention how the energy of our “first family, tribe, and community of birth” contributes to how we cultivate friendships with people we may perceive as “Other,” that is an element of tantra. When we warm up the core in order to have more stability in balancing poses, that is an element of tantra. When we open up the body in order to loosen up areas that may be holding stagnant energy, that also is an element of tantra. Notice, (especially as it relates to the last example) that any of these examples can happen outside of a “vinyasa” practice. Notice, also, that there is no reference to balancing the different types of energy associated the difference sides of the body… although, that too is tantra.
“The problems of puzzles are very near the problems of life.”
— Ernö Rubik
So, you can see how our mind-bodies and, therefore our practice, are like puzzles — like a giant Rubik’s Cubes. On a certain level, however, our lives — and relationships — are different from a physical puzzle; because we don’t start with a picture of the finished product and we don’t know if we have all the pieces. Let’s be honest, we don’t even know if all the pieces we have are for a single puzzle. Despite these differences, we can take a page from the life of the creator of one of the most popular toys of the 80’s: we can visualize the picture we want; see what fits and what doesn’t fit; be open to the possibilities that are around us and inside of us; and use the tools at hand.
Born in Budapest, Kingdom of Hungary on July 13, 1944, Ernö Rubik started off as an architect and architect professor. He studied at the Secondary School of Fine and Applied Arts, the Budapest University of Technology and Economics (where he joined the architecture faculty), and the Hungarian Academy of Applied Arts and Design, also known as the Moholy-Nagy University of Art and Design (where was a member of the Faculty of Interior Architecture and Design). As a professor, he wanted to build a three dimensional model he could use to help his architecture students develop spatial awareness and solve design problems. He started off with 27 wooden blocks, which would have worked great if he just wanted a static three dimensional model. But, Rubik wanted something he could easily move into a variety of shapes. That was his vision.
Now, one thing to keep in mind is that this particular creator didn’t just have a background in architecture (with an emphasis on sculpture). He was also the son of two parents who were themselves creators: his father being a world-renowned engineer of gliders and his mother being a poet. Although, Rubik is quick to credit his father as one of his inspirations, it’s best not to ignore the fact that he grew up watching both of his parents creating things that delighted others.
So, he had a vision and he had pieces to his “puzzle.” He even knew how everything fit together. He just didn’t know how everything would move together. Then one day, while walking on a cobblestone bridge in Budapest, he looked down and realized if the core of his model resembled the cobblestones he could twist and turn the pieces accordingly. Violá!
Ernö Rubik had the vision (a “picture” of the final product); the pieces and how they fit together; and he was open to different possibilities so that when (metaphorically speaking) he stumbled on the cobblestone, he recognized the opportunity. Finally, because of his father’s experience as an inventor, he knew how to apply for a patent and what was needed to take something to market. Even though he ran into a few problems along the way — after all, he was doing all of this under a communist regime — he eventually licensed his invention, the “Magic Cube” to the U. S. based Ideal Toys. Invented on May 19, 1974 and renamed “Rubik’s Cube” in 1979, the toy was introduced to the world in 1980. The toy was so popular that it led Ernö Rubik to create more three dimensional puzzles, including Rubik’s Magic, Rubik’s Snake, and Rubik’s 360.
“If you are curious, you’ll find the puzzles around you. If you are determined, you will solve them.”
— Ernö Rubik
Even though all of Ernö Rubik’s puzzles can be viewed through a geometric and mathematical lens — and even though they mostly rely on the engagement of a central core — there are some differences between the puzzles. Rubik’s 360 requires a certain amount of manual dexterity that is not required to manipulate the other toys and Rubik’s Snake can be a bit like origami, in that the toy can be made into different shapes. But, perhaps the most puzzling of all is the original Rubik’s Magic.
The original Rubik’s Magic has eight interwoven black tiles with rainbow rings painted on the front and the back. In its “unsolved” (flat, rectangular) state, the front of the tiles show three rings side-by-side and the back of the tiles show pieces of three rings that will be interlocking when the puzzle is solved. The puzzle can be manipulated to make a ton of different shapes, like a star, a box, a bench, and even a toy chest. In fact, in the “solved” position, the rectangle becomes heart-shaped. The tiles fold and unfold horizontally and vertically, in tandem and individually — which means they flip into each other, over each other, twist, and can be rolled like a wheel. Later iterations of the puzzle featured images (like the Simpsons going to the beach, Harry Potter playing quidditch, and dinosaurs) that create a bit of a story.
Take a moment to consider what happens if your life is like the images on a Rubik’s Magic. Yes, you might see your life as disconnected circles or you might see yourself as separate from the other people around you. Consider, however, what twists and turns, flips and rolls, get you connected. Or, more accurately, get you to recognize that you are already connected. If you see one side of you Magic as the image of how your life is at this moment, consider that the other side is the image of some goal, desire, or experience you’d like to achieve. The pieces are there, again, you just have to flip, twist, turn, and roll things so that you’re relaxing on the beach or grabbing the golden snitch.
Again, the pieces are already there; it’s all just a matter of “placing things in a special way.” When we look at our lives — or even other people’s lives (if you check out the link above) — through the energetic system of our practice, we start to develop more awareness about the puzzle. We even might start to realize that we are the center of the puzzle.
“Our whole life is solving puzzles.”
— Ernö Rubik
Please join me today (Saturday, July 13th) at 12:00 PM for a yoga practice on Zoom. You can use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email myra (at) ajoyfulpractice.com.
Saturday’s playlist available on YouTube and Spotify. [Look for the “06032020 How Can We See, Dr. Wiesel” playlist.]
“A good puzzle, it’s a fair thing. Nobody is lying. It’s very clear, and the problem depends just on you.”
— Ernö Rubik
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es).
Donations are tax deductible; class purchases are not necessarily deductible.
Check out the “Class Schedules” calendar for upcoming classes.
### Only A Little Puzzling ###
FTWMI: Rigid Bodies I & II (the “missing” post(s) & First Friday Night Special #45 Invitation) July 5, 2024
Posted by ajoyfulpractice in Abhyasa, Books, Buddhism, Changing Perspectives, Karma, Music, One Hoop, Pema Chodron, Philosophy, Science, Vairagya, Wisdom, Writing, Yoga.Tags: Albert Einstein, Andrew Motte, Caroline Myss, Daniel Adee, David Brewster, Dr. Henry Pemberton, Dr. Robert Hooke, fear, Galileo Galilei, hatha yoga, Johannes Kepler, Karma, laws of motion, liberation, Miles Davis, N. W. Chittenden., Nicolaus Copernicus, physics, pranayama, Sally Ride, Sir Isaac Newton, yoga
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Many blessings to everyone and especially to anyone planting seeds for peace, freedom, and wisdom (inside and outside).
For Those Who Missed It: This following was originally posted in 2023 as a “missing” post for July 5, 2023 (and also for 2022). It includes playlists for both sets of practices, some slight revisions, and some additional context related to the First Friday Night Special #45: “Seats for a ‘Rigid Body.’” You can request an audio recording of either practice via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.
Check out the “Class Schedules” calendar for upcoming classes.)
“Every body continues in its state of rest, or uniform motion in a right line, unless compelled to change that state by forces impressed upon it.”
— “Law 1” quoted from “Axioms, or Laws of Motion” in Philosophiæ Naturalis Principia Mathematica by Sir Isaac Newton
NOTE: Some editions use the term “straight line.”
Take a moment to relax, maybe place your hand(s) on your belly, and observe what happens if nothing gets in the way. Notice how your tension-free belly rises and falls as the breath enters and leaves the body. Notice how the “force” of the breath, which is a symbol of our life and a symbol of our spirit, is an agent of change — physically, mentally, emotionally, and even energetically.
You can use your breath, forcefully, to break up and/or release tension. Similarly, lengthening the breath and observing the breath (all of which can be described as prāņāyāma) change things when we are practicing on the mat. The way we breathe and the awareness of our breath can also be an agent of change off the mat. We just have to pay attention and stay focused to things that are naturally occurring.
However, paying attention, staying focused, and even breathing deeply in and breathing deeply out can be challenging in certain situations… especially situations involving challenging people… rigid bodies, if you will.
“I most gladly embrace your proposal of a private correspondence. What’s done before many witnesses is seldom without some further concerns than that for truth; but what passes between friends in private, usually deserves the name of consultation rather than contention; and so I hope it will prove between you and me….
But in the mean time, you defer too much to my ability in searching into this subject. What Descartes did was a good step. You have added much several ways, and especially in considering the colours of thin plates. If I have seen farther, it is by standing on the shoulders of giants.”
— quoted from a letter marked “Cambridge, February 5, 1675-76” from Sir Isaac Newton to Dr. Robert Hooke, as published in Memoirs of the Life, Writings, and Discoveries of Sir Isaac Newton by David Brewster
Sir Isaac Newton was just a 43-year old “natural philosopher” when he published the first edition of his Philosophiæ Naturalis Principia Mathematica (Mathematical Principles of Natural Philosophy) today in 1687. The treatise included definitions of terms, his laws of motion, and a law of universal gravitation. It was partially based on Sir Isaac Newton’s own observations of the natural world and partially based on the theories, definitions, and observations of others. Those others, which Sir Isaac Newton referred to as “giants,” included Galileo Galilei and Johannes Kepler — whose laws of planetary motion were themselves modifications of the observations and heliocentric theory of Nicolaus Copernicus, yet another giant.
All of the aforementioned natural philosophers — or scientists, as we now call people who study matter and the mechanics of matter in space and time (i.e., physics) — started with phenomena that was naturally occurring; could be observe in nature; and could be duplicated on some level. Then they went deeper… or farther, depending on your perspective. For Sir Isaac Newton, going deeper and farther meant having discussions with some his peers and even with some people who were skeptical of his work. He even had an ongoing correspondence with one of his master teachers and precious jewels — someone we might refer to as a “rigid body.”
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An object at rest remains at rest, and object in motion remains in motion (at the same speed and in the same direction, unless acted upon by an unbalanced force).
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The acceleration of an object is dependent upon two variables – the net force acting upon the object and the mass of the object.
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For every action there is an equal and opposite reaction.
— Sir Isaac Newton’s Laws of Motion
In physics, a “rigid body” (or “rigid object”) is a solid collection of matter that (a) does not change in size or shape or (b) changes at such a miniscule level that it is not perceptible. In quantum mechanics, the focus is on a collection of points — which, on a very rudimentary level, takes us back to the original definition. Focusing on a collection of points means highlighting a consistent distance between points that allows for the external appearance of stillness. In Albert Einstein’s theory of special relativity, nothing is absolutely rigid and, therefore, something is only considered “rigid” if it is not moving at the speed of light. This latter understanding means that the issue of something (or someone) being rigid becomes an issue of perception (and relativity).
Just like with the laws of motion — and, in particular with “The Law of Inertia” (i.e., the first law), the idea of a “rigid body” is physical science that can be observed on and off the mat. We can observe it in the way we move — physically, mentally, emotionally, and even energetically. We can observe it in the way holding a pose is perceived as “stillness,” even though there is movement and change. If we just go a little deeper, we start to notice cause-and-effect and how the laws of motion are also the laws of karma. For example, if we do something nice for someone, they can do something equally nice for someone else. When we really pay attention, we start to notice the the ways things (and people) change over time — even when they appear not to change.
“Every relationship you develop, from casual to intimate, helps you become more conscious. No union is without spiritual value.”
— quoted from “Morning Visual Meditation” (Chakra 2) by Caroline Myss
According to Eastern philosophies, like Yoga and Buddhism, everything is an opportunity for practice. In fact, the Yoga Sūtras include many reminders that everything is an opportunity to learn more about ourselves, about our true nature, and about the universe. Yoga Sūtra 2.18 specifically states that everything is an opportunity to liberate ourselves. Additionally, more than one Yoga teacher has made the connection between stiff minds and stiff bodies, as well as to how being too mechanical in our practice can lead to stagnation in the practice. This is basically the first law of motion (and a little bit of the third)
So, what do we do when we interact with someone who seems resistant to change and/or to seeing things from different perspectives?
We could view them as master teachers, precious jewels, and/or rigid bodies.
Master teachers give us a master classes in ourselves. Precious jewels — like a grain of sand or salt in the shell of an oyster, clam, or other shelled mollusks — can be that irritating source of something we eventually view as valuable. It’s all a matter of perspective. One way to cultivate this perspective is by viewing another person as our reflection. If we are interacting with someone who appears to be “hooked,” we might recognize that we are (possibly) also “hooked” — which is the first step in getting “unhooked.” Similarly, if we feel like we are banging our head up against a brick wall and start seeing someone as a “rigid body,” we might ask ourselves: What/where is the change we are not perceiving?
Remember, according to Albert Einstein’s theory of relativity, nothing is absolutely rigid. Ergo, change is always happening… somewhere.
It is happening inside the mind-body of people we may consider rigid; it is also happening inside of our own mind-body. We are not responsible for the change that is happening (or not happening) inside of someone else. However, when we notice the possibility of change inside of ourselves, the question then becomes, do you resist the change or embrace the change? Answering that question does not mean that we give up on our ideas or conform to the way someone else thinks. No, it means going deeper and farther… like Sir Isaac Newton.
“‘But this I immediately discovered in him,’ adds [Dr. Henry Pemberton*], still further, ‘which at once both surprised and charmed me. Neither his extreme great age, nor his universal reputation had rendered him stiff in opinion, or in any degree elated. Of this I had occasion to have almost daily experience. The remarks I continually sent him by letters on his Principia, were received with the utmost goodness. These were so far from being anyways displeasing to him, that, on the contrary, it occasioned him to speak many kind things of me to my friends, and to honour me with a public testimony of his good opinion.’ A modesty, openness, and generosity, peculiar to the noble and comprehensive spirit of Newton. ‘Full of wisdom and perfect in beauty,’ yet not lifted up by pride nor corrupted by ambition. None, however, knew so well as himself the stupendousness of his discoveries in comparison with all that had been previously achieved; and none realized so thoroughly as himself the littleness thereof in comparison with the vast region still unexplored.”
— quoted from “Life of Sir Isaac Newton” by N. W. Chittenden, as published in Newton’s Principia: The Mathematical Principles of Natural Philosophy; To which is added, Newton’s System of the World by Isaac Newton, translated into English by Andrew Motte (first American edition; New York: published [1848] Daniel Adee, c1846)
*NOTE: Dr. Henry Pemberton edited the third edition of the Philosophiæ Naturalis Principia Mathematica (Mathematical Principles of Natural Philosophy).
Up until the twentieth century (and the publication of Albert Einstein’s theory of relativity), the Philosophiæ Naturalis Principia Mathematica (Mathematical Principles of Natural Philosophy) was the starting point for many scientist as they observed and explored the natural movement of the world. In many ways, that first edition was also Sir Isaac Newton’s starting point.
After sharing his ideas and theories, Sir Isaac Newton went back, reviewed his work, and published a second edition of the Philosophiæ Naturalis Principia Mathematica (Mathematical Principles of Natural Philosophy), with annotation and corrections, in 1713. He published a third edition in 1726. Eventually, he was recognized as one of the world’s greatest mathematicians and physicists and his Principia became the foundation for classical mechanics — one of the cornerstones of modern physics.
Eventually, Sir Isaac Newton became one of the “giants.”
“A short time before his death he uttered this memorable sentiment: ‘I do not know what I may appear to the world; but to myself I seem to have been only like a boy playing on the sea-shore, and diverting myself in now and then finding a smoother pebble or a prettier shell than ordinary, while the great ocean of truth lay all undiscovered before me.’ How few ever reach the shore even, much less find ‘a smoother pebble or a prettier shell!’”
— quoted from “Life of Sir Isaac Newton” by N. W. Chittenden, as published in Newton’s Principia: The Mathematical Principles of Natural Philosophy; To which is added, Newton’s System of the World by Isaac Newton, translated into English by Andrew Motte (first American edition; New York: published [1848] Daniel Adee, c1846)
The July First Friday Night Special features a Restorative practice (** with a chair, table, or bench**). It is accessible and open to all.
Prop wise, as noted above, I recommend using a chair, table, or bench for this practice. It can also be a kitchen sink practice. You can practice without props or you can use “studio” and/or “householder” props. Example of “Studio” props: 1 – 2 blankets, 2 – 3 blocks, a bolster, a strap, and an eye pillow. Example of “Householder” props: 1 – 2 blankets or bath towels, 2 – 3 books (similar in size), 2 standard pillows (or 1 body pillow), a belt/tie/sash, and a face towel.
You may want extra layers (as your body may cool down during this practice).
Friday’s playlist is available on YouTube and Spotify. [Look for “07052024 Seats for a ‘Rigid Body’”]
NOTE: The first tracks are slightly different in length and duration on each platform. I set the practice to the YouTube track. Additionally, the YouTube playlist includes an extra video.
EXTRA MUSIC NOTES:
The playlist for Wednesday, July 5, 2023, is available on YouTube and Spotify. [Look for “10202020 Pratyahara”]
The playlist for Tuesday, July 5, 2022, is also available on YouTube and Spotify. [Look for “05262020 Fearless Play with Miles & Sally”]
### Feel Free… To Move ###
Quick Notes & EXCERPT: “What’s Behind Your Curtain?” (a post-practice Monday note) June 24, 2024
Posted by ajoyfulpractice in Changing Perspectives, Daoism, Faith, Healing Stories, Health, Hope, Life, Mysticism, One Hoop, Philosophy, Religion, Science, Taoism, Traditional Chinese Medicine, Vairagya, Wisdom, Yin Yoga, Yoga.Tags: 988, change, Day Of the Holy Spirit, Five Elements, Henry Ward Beecher, Ivan-Kupala, Ivana-Kupala, Kupala, Lin Yutang, Midsummer, Saint John's Day, samskāras, vasanas, vāsanā, Wuxing, Yanka Kupala
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Happy Pride! Happy Midsummer! Many blessings to everyone and especially to anyone observing Saint John’s Day, Ivana-Kupala, Day Of the Holy Spirit, and/or cultivating peace, freedom, and wisdom (inside and outside).
This is a post-practice post related to the practice on Monday, June 24th. It includes an excerpt from a related 2020 post and a final note1 about Ivana-Kupala and Day of the Holy Spirit (which was not in the original post). The 2024 prompt question was, “Which do you pick: fire, earth, metal, water, wood, or all of the above?” You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email myra (at) ajoyfulpractice.com.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es).
Donations are tax deductible; class purchases are not necessarily deductible.
Check out the “Class Schedules” calendar for upcoming classes.
“No emotion, any more than a wave, can long retain its own individual form.”
— Abolitionist, suffragist, and minister Henry Ward Beecher (b. 06/24/1813)
Eastern philosophies (and their sister sciences) bring awareness to the fact that everything is a manifestation of energy and, also, that everything is constantly changing. The inhale becomes the exhale; the exhale becomes the inhale. Or, you can look at it as the inhale ends the exhale and the exhale ends the inhale. Either way, the same energy that builds/creates can also destroy.
For example, if we look at the five elements theory (in Taoism)2, every element in nature is an agent that has the ability to create (or generate) another element and, also, to conquer (or overcome) a third element. Earth produces metals which hold water which can be used to grow wood which produces fire which produces the earth. That’s the most common “creative cycle.” There are several ways to flip this around for a controlling/destroying cycle, including: wood depletes/stabilizes the earth; earth controls the flow of water; water extinguishes fire; fire melts metal; and metal cuts wood.
These are things that just natural happen in Nature.
While we are also manifestations of energy, constantly changing, and part of Nature, we have the ability to actively engage change, embrace change, or resist change. We have the ability to build or destroy — using the exact same elements. On a certain level, however, we are limited by our previous experiences — experiences which form our understanding of our current and (on a certain level) our future experiences.
Consider that your previous experiences determine how you understand the examples above and, therefore, how you use them. Did you notice that I referred to them as agents? Did you consider them as materials? As emotions? As energies? As symbols? As all of the above?
More importantly, with regard to this particular practice, did you consider that all of these elements are used in cleansing rituals and traditions around the world? Specifically, they are related to celebrations related to June 24th celebrations of Midsummer’s Day, Saint John’s Day, and Ivana-Kupala.
NOTES:
1aIvanа-Kupala is a Slavic summer holiday that combines the pagan celebration and fertility rituals of Kupala (and midsummer) with Christian observations of the Feast Day of Saint John the Baptist. In Czech Republic, Poland, Slovakia, and parts of Ukraine, the 2024 celebrations fell on the evening of June 23rd through June 24th (as opposed to on July 6th and 7th in countries using the Gregorian calendar (e.g., Russia, Belarus, and parts of Ukraine). The name of the holiday is derived from a Slavic name for “John” and the Slavic word for “to bathe.” One of the elemental aspects of the celebrations focuses on the combination of water and fire (specifically, Saint John’s fire).
1bIn some Orthodox Christian traditions using the Julian calendar, June 24, 2024 (on the Gregorian calendar), was the Day Of the Holy Spirit, which is celebrated the day after Pentecost. In parts of the Bible, the Holy Spirit is represented by water and in other parts as fire.
2The five elements theory is found in Chinese Medicine and in Chinese philosophies other than Taoism. However, unlike the four elements theory found in places like ancient Greece, India, Africa, and some First Nations, air/wind is not treated as a separate element.
CLICK ON THE TITLE BELOW for the 2020 post about Midsummer’s Day, Saint John’s Day, and how our previous experiences color our current perspective.
“It is not so much what you believe in that matters, as the way in which you believe it and proceed to translate that belief into action.”
— quoted from “Chapter I: The Awakening” in The Importance of Living by Lin Yutang
There is no playlist for the Common Ground Meditation Center practices.
If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can dial 988 (in the US) or call 1-800-273-TALK (8255) for the Suicide and Crisis Lifeline. You can also call this TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.
White Flag is a new app, which I have not yet researched, but which may be helpful if you need peer-to-peer (non-professional) support.
If you are a young person in crisis, feeling suicidal, or in need of a safe and judgement-free place to talk, you can also click here to contact the TrevorLifeline (which is staffed 24/7 with trained counselors).
### BREATHE ###
FTWMI: Here Be The Wild Things (a post-practice Monday re-post) June 10, 2024
Posted by ajoyfulpractice in Art, Books, Changing Perspectives, Faith, Healing Stories, Life, Music, Pain, Philosophy, Religion, Suffering, Vairagya, Wisdom, Writing, Yoga.Tags: 988, addiction, Alcoholics Anonymous, Anne Smith, asana, Bill Wilson, Counting the Omer, disability, Dr. Bob Smith, Dragon Boat Festival, Eastertide, Eugene Glenn, G. Alan Marlatt, Holocaust, In the Night Kitchen, Loss, Maurice Sendak, Mindfulness, Outside Over There, psychiatry, psychoanalysis, recovery, Richard Gottlieb, Stanton Peele, survivors, trauma, Where The Wild Things Are, yoga practice
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Happy Pride! Many blessings to everyone and especially to anyone observing Eastertide; Counting the Omer, and/or working to cultivate peace, freedom, and fulfillment (inside and outside).
For Those Who Missed It: The following was originally posted in 2020 and is related to the practice on Monday, June 10th. Some formatting, links, and 2024-related information have been updated or added. The 2024 prompt question was, “What is your concept of a sacred space?” You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email myra (at) ajoyfulpractice.com.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es).
Donations are tax deductible; class purchases are not necessarily deductible.
Check out the “Class Schedules” calendar for upcoming classes.
“And so we have…this critical problem as human beings of seeing to it that the mythology—the constellation of sign signals, affect images, energy-releasing and -directing signs—that we are communicating to our young will deliver directive messages qualified to relate them richly and vitally to the environment that is to be theirs for life, and not to some period of man already past, some piously desiderated future, or—what is worst of all—some querulous, freakish sect or momentary fad. And I call this problem critical because, when it is badly resolved, the result for the miseducated individual is what is known, in mythological terms, as a Waste Land situation. The world does not talk to him; he does not talk to the world. When that is the case, there is a cut-off, the individual is thrown back on himself, and he is in prime shape for that psychotic break-away that will turn him into either an essential schizophrenic in a padded cell, or a paranoid screaming slogans at large, in a bughouse without walls.”
— quoted from A Joseph Campbell Companion: Reflections on the Art of Living by Joseph Campbell
How do we keep from becoming, to paraphrase Joseph Campbell, a screaming paranoid person? How do we face trauma, loss, and disability with a smile on our face, as Wayman Tisdale did? Maybe we have to go all the way back to the womb to figure out why some people survive the challenging circumstances they face in life. Maybe we have to go back even farther than that to see why some people just inherently know how to stay connected to their “inside stuff” even when life throws them one curve ball after another fast ball. Whatever the reason some people rebound and some people don’t (or don’t as easily as others), trying to figure out that reason has fascinated people since the beginning of time.
Children’s book author and illustrator Maurice Sendak, born today in 1928, in Brooklyn, New York, once said, “I only have one subject. The question I am obsessed with is: How do children survive?” Like the poets mentioned during the June 7th class, Mr. Sendak wrote about what he saw — and what he saw was a family decimated by the Holocaust and trying to acclimate to a new country and a new culture. He saw kids being kids, being alive and full of so much life despite the overwhelming and pervasive feeling of perpetual mourning. The adults called the unruly children “vilde chaya,” which is Yiddish for “wild animal.” Mr. Sendak turned it into “wild things” and wrote a children’s book that become the center of a trilogy about (you guessed it) how children survive and thrive.
“I grew up in a house that was in a constant state of mourning.”
— Maurice Sendak, quoted from a 2002 interview with children’s book historian Leonard Marcus
“’And now,’ cried Max, ‘let the wild rumpus start!’”
— quoted from Where The Wild Things Are by Maurice Sendak
Where The Wild Things Are, published in 1963, tells the story of preschool-age Max who, as adults would have said during my childhood, gets a little too big for his britches. He is sent to his room without his dinner because he can’t behave and, as children do, he lets his imagination take over. His bedroom becomes a magical land full of wild animals, beasts, monsters….
[In 2020] My amazing friend Julie K just sent me a recent essay in The New Yorker about metaphorical monsters. I found it problematic because the identity of the monsters is too vague. Mr. Sendak, however, was always very clear; the monsters in his first book were the perpetually mourning and stern adults in his family. He just exaggerated them into something endearingly grotesque. As Max manages his emotions, becoming “king of all wild things” (a. k. a. the “most wild thing of all”), he finds his way back to the regular world. Managing one’s emotions, it turns out, is the secret to making one’s way back to the regular world.
“Your sacred space is where you can find yourself again and again. You really don’t have a sacred space, a rescue land, until you find somewhere to be that’s not a wasteland, some field of action where there is a spring of ambrosia—a joy that comes from inside, not something external that puts joy into you—a place that lets you experience your own will and your own intention and your own wish so that, in small, the Kingdom is there. I think everybody, whether they know it or not, is in need of such a place.”
— quoted from A Joseph Campbell Companion: Reflections on the Art of Living by Joseph Campbell
“There should be a place where only the things you want to happen, happen.”
— quoted from Where The Wild Things Are by Maurice Sendak
As I mentioned before, Where The Wild Things Are was the first of a three-part series to be published, but it is actually the centerpiece to the trilogy. In The Night Kitchen (published in 1970) follows toddler-age Mickey as he falls, naked, into the Night Kitchen, where he has to avoid getting baked into the cake batter and eaten up. Max, again, is preschool-age. Outside Over There (published in 1981) features pre-adolescent Ida, who shirks her responsibility and then has to face the consequences of making things right. It is interesting to note that while there is always a symbol of a mother and evidence of a mother’s love in all three books, Ida is the only real-live human girl featured prominently in the books and she is given (in the book) the mother’s role of caregiver — a role she initially fails to take seriously.
“When Papa was away at sea and Mama in the arbor, Ida played her wonder horn to rock the baby still – but never watched.”
— quoted from Outside Over There by Maurice Sendak
Maurice Sendak’s trilogy is recognized as a series which traces the psychological development of children. Each protagonist has age appropriate responsibilities, feelings, thoughts, and emotions. Each protagonist also has to navigate and find balance between the (age appropriate) expectations of the simultaneously present yet absent parent(s) and their feelings, thoughts, and emotions. One of the emotions that figures prominently, especially in Where The Wild Things Are, is rage and one of the themes that figures prominently in the books is how to manage emotions like rage. Because, as I sated before, managing one’s emotions is the secret to making one’s way back to the regular world. It is the boon, as it were, of this particular hero’s journey/cycle.
“But it is more than mere survival that Sendak aspires to, for his children and for himself. He asks the question of resilience: How do children surmount and transform in order to prosper and create? It is tempting to imagine that Sendak conceives of the trajectory of his own life and art as a model for the way he has handled these questions in his works.”
— quoted from a 2009 The Psychologist article by psychoanalyst Richard Gottlieb
When Where The Wild Things Are was turned into a movie, therapists like Richard Gottlieb offered their clinical take on the book and the movie. Psychoanalyst and attorney Stanton Peele noted in a 2009 article for Psychology Today that Dr. G. Alan Marlatt, a psychologist who focused on addiction, “specifically developed mindfulness as a relapse prevention technique, one that assists addicted people to combat cravings. In brief, a user may imagine the urge to use again as a physical challenge – like a wave – that he or she rides out.” Then, Stanton Peele called Mr. Sendak’s work “a model of mindfulness.” For his part, Richard Gottlieb did not think it was an accident that Mr. Sendak’s work was so psychologically applicable. In fact, he specifically highlighted various “psychological proddings and teachings” which influenced Maurice Sendak’s life — including the fact that his partner (for over 50 years) was psychoanalyst Eugene Glenn — and shared bits of conversations with colleagues who also see the value in the book.
“I’m not the milk and the milk’s not me. I’m Mickey!”
— Mickey, quoted from In The Night Kitchen by Maurice Sendak
Call it a coincidence, a cowinkydink, God winking, or serendipity, but it is interesting to note that Maurice Sendak, whose seminal book has been hailed and praised by addiction experts, was born on the anniversary of Dr. Bob Smith’s last drink, which is also the anniversary of Alcoholics Anonymous. Today in 1935, Bill Wilson and Dr. Smith’s wife Anne gave a severely hung-over Smith (a. k. a. “Dr. Bob”) a beer so that he would be “steady enough” to go into surgery. Hours beyond when the surgery should have ended, Smith announced that yes, the surgery was successful and that he had spent the remaining time reaching out to creditors and others he had hurt when he was drinking. Founded by Smith and Wilson, with support from Smith’s wife Anne, Alcoholics Anonymous is a 12-step rehabilitation program that has helped some people cope with alcoholism. It is also the model for other 12-step programs. While I have not counted the steps as they apply to Maurice Sendak’s work, there are very definite parallels in the way the main characters acknowledge their problems, turn inward, and offer restitution and express remorse. There are also, in the books and in recovery, humongous amounts of love and forgiveness (in particular, self-love and self-forgiveness).
“If Ida backwards in the rain would only turn around again and catch those goblins with a tune, she’d spoil their kidnap honeymoon!”
— quoted from Papa’s song in Outside Over There by Maurice Sendak
NOTE: For some people, a sacred space is on the outside; for some it is on the inside; and for some it is both. For some it is all of that mixed in with tradition, ritual, and intention. Ultimately, to go back to the words of Joseph Campbell and Maurice Sendak, it is a place where everything falls into place — where we have good “luck.” It is a place we have to find and/or cultivate, as we do in our practice and as some people do during the Dragon Boat Festival.
The 2024 practice coincided with the Dragon Boat Festival in China and other parts of Southeast Asia. Held on the fifth day of the fifth month of the lunar calendar, the celebration (and it’s counterparts in places like Korea, Japan, and Vietnam), features dragon boat races, dumplings, and what some consider “the poor man’s fireworks.” Since double fives (in Chinese) is considered inauspicious, some people will make a point to protect their homes and/or offices by adorning their doors with garlic and flowers that repel insects. Some will also stick pins in pictures of five poisonous animals — a snake, centipede, scorpion, lizard, toad, and/or spider — as a way to ward off illness or bad fortune.
“Quiet down there!”
— Mickey, quoted from In The Night Kitchen by Maurice Sendak
There is no playlist for the Common Ground Meditation Center practices.
Since music soothes the wild beasts, the goblins, and the cooks, the 2020 playlist is available on YouTube and Spotify. [Look for “06102020 Here Be The Wild Things”]
MUSIC NOTE: YouTube is the original playlist and includes the video below.
My all time favorite rendition!
If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can dial 988 (in the US) or call 1-800-273-TALK (8255) for the Suicide and Crisis Lifeline. You can also call this TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.
White Flag is a new app, which I have not yet researched, but which may be helpful if you need peer-to-peer (non-professional) support.
If you are a young person in crisis, feeling suicidal, or in need of a safe and judgement-free place to talk, you can also click here to contact the TrevorLifeline (which is staffed 24/7 with trained counselors).
### “I’LL EAT YOU UP!”• “I LOVE YOU!” ###
FTWMI: The Journey Continues… (with an excerpt) June 5, 2024
Posted by ajoyfulpractice in Books, Buddhism, Changing Perspectives, Faith, Healing Stories, Hope, Life, Meditation, Music, Mysticism, One Hoop, Pain, Peace, Philosophy, Religion, Shavuot, Suffering, Super Heroes, Vairagya, Wisdom, Writing, Yoga.Tags: Betty Sue Flowers, Bill Moyers, Counting the Omer, David Grubin, Elizabeth Meryman-Brunner, George Lucas, Gina Sharpe, Harold Bloom, Joseph Campbell, Judith Suzanne Davidson Moyers, Malchut, monomyth, Moses, Ruth Bader Ginsburg, Star Wars
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Happy Pride! Many blessings to everyone and especially to anyone observing Eastertide and Apodosis of Prepolovenie (mid-Pentecost); Counting the Omer, and/or working as a force of peace, freedom, and fulfillment (inside and outside).
“I’ve always been interested in the relations of mind and body, growing up as I did in a culture that separated them distinctly. In science class we studied the material world, which we expected would someday be understood and predicted down to the last molecule. In philosophy we studied models of reality, based on the rational mind, that took no notice of conditions male and female, sick and well, rich and poor. And then in church we learned that we would someday take off this body as we might a suit of clothes and live as disembodied souls. Yet every day in this divided world of mind and body, our language betrayed our limitations of our categories.”
— quoted from the “Introduction” of Healing and the Mind by Bill Moyers (Editor, Betty Sue Flowers; Executive Editor, David Grubin; Art Research, Elizabeth Meryman-Brunner)
For Those Who Missed It: The following is a slightly revised 2023 post related to Sunday, June 5, 2022. It is the third post related to Bill Moyers (and the second one originally posted for the first time in 2023). Links or excerpts for the earlier posts are embedded below. Class details and extra quotes, plus some links and formatting, have been updated or added. References to religious observations have also been revised for 2024.
“Joseph Campbell said that all the great myths, the primitive myths, the great stories, have to be regenerated if they’re going to have any impact…. Are you conscious of doing that?”
— Bill Moyers, quoted from the transcript of “The Mythology of Star Wars, with George Lucas”
Let’s talk about heroes, heroines, and great adventures. I love them! I can’t say I was a huge fan of The NeverEnding Story, but I did appreciate the idea and, when I was a kid, I always got a kick out of “choose your own adventure” books. I also loved Star Wars, Star Trek, Italo Calvino’s If on a Winter’s Night a Traveler, and almost any series of books with reoccurring characters who went places I had never gone, had experiences I never had, and met people I had never met. Part of what I loved was that I recognized the places, the experiences, and the people. How could I not? After all, they were all the same — just using different names, and dressed up in different clothes and faces.
I don’t remember exactly when I first heard about Joseph Campbell or Harold Bloom; but, their works around literature, mythology, and anthropology (as it intersects literature and mythology) seem to be like long shadows towards the end of the day. They’re always there, you just can’t always see them. Towards the end of college, I took a publishing course and one of the people in my small group ended up working at a major publishing house. A few months later, he sent me a big box full of books. Joseph Campbell’s A Hero with a Thousand Faces was one of those books. I knew about it, but had never read it.
If you watch movies, read comics and/or books, or just like listening to someone weave a good adventure, odds are you fall into one or more of the following categories: (1) you love heroes because you’re always looking for someone to save you; (2) you love adventure and fancy yourself as someone who — given the right means and opportunity — could save yourself or someone else; and/or (3) you love the life lessons found within a good story.
After all, every good story comes with at least one life lesson. That’s one of the boons of living vicariously through a fictional or historical character.
“LUCAS: I guess it’s more specific in Buddhism, but it is a notion that’s been around before that. When I wrote the first Star Wars, I had to come up with a whole cosmology: What do people believe in? I had to do something that was relevant, something that imitated a belief system that has been around for thousands of years, and that most people on the planet, one way or another, have some kind of connection to. I didn’t want to invent a religion. I wanted to try to explain in a different way [than] the religions that have already existed. I wanted to express it all.
MOYERS: You’re creating a new myth?
LUCAS: I’m telling an old myth in a new way. Each society takes that myth and retells it in a different way, which relates to the particular environment they live in. The motif is the same. It’s just that it gets localized. As it turns out, I’m localizing it for the planet. I guess I’m localizing it for the end of the millennium more than I am for any particular place.”
— quoted from the Time Magazine article “Of Myth and Men” by Bill Moyers; George Lucas (published April 18, 1999; based on “The Mythology of Star Wars, with George Lucas”)
Born on June 5, 1934, in Hugo, Oklahoma (and primarily raised in Marshall, Texas), Bill Moyers is more than a journalist who has spent a lot of time talking to and about heroes. He is even more than a journalist who has also spent a lot of time talking to and about people who create heroes. But, he has done all of that… and more.
In addition to being an ordained minister, he served as the 13th White House Press Secretary (working with both Presidents John F. Kennedy and Lyndon B. Johnson). Along with his wife, Judith Suzanne Davidson Moyers, he has produced a variety of programming, including Joseph Campbell and the Power of Myth (filmed on George Lucas’s Skywalker Ranch, in 1988); The Mythology of Star Wars, with George Lucas (also filmed at Skywalker Ranch, in 1999); Faith and Reason; and Healing and the Mind. He has also produced and facilitated conversations about a wide range of topics, including evil, racism, prayer, democracy, poetry, art, and the experiences of U. S. Supreme Court Associate Justice Ruth Bader Ginsberg. His many books include Listening to America: A Traveler Rediscovers His Country, A World of Ideas : Conversations With Thoughtful Men and Women About American Life Today and the Ideas Shaping Our Future, A World of Ideas II: Public Opinions from Private Citizens, The Language of Life (which is a conversation with poets), Genesis: A Living Conversation, and the book based on the series Healing and the Mind.
More often than not, when I lead a practice on Bill Moyers’s birthday, it centers around Joseph Campbell’s monomyth and references superheroes from comic books and movies. My intention is to highlight how we are all the hero(ine) of our own story — and, additionally, how we can also be someone else’s hero. Sometimes, I even reference a specific historical and/or religious figure.
I could, just as easily, reference someone close to me — as Bill Moyers did when he wrote Healing and the Mind.
“When my brother died in 1966, my father began a grieving process that lasted almost twenty-five years. For all that time he suffered from chronic, debilitating headaches. I took him to some of the country’s major medical facilities, but no one could cure him of his pain. At one point during that ongoing search for a help, a doctor tried to teach him that his headaches were somehow related to his grief. But my father persisted in treating his pain exclusively as a medical problem, and the headaches continued to torment him.”
— quoted from the “Introduction” of Healing and the Mind by Bill Moyers (Editor, Betty Sue Flowers; Executive Editor, David Grubin; Art Research, Elizabeth Meryman-Brunner)
Technically speaking, the Hero’s Journey is always about moving into a new time, a new era, or a new season of life. It’s about coming out of an old season, shedding the old skin, and moving forward with that “Ultimate Boon” — that life lesson that serves the heroine and their community. While I often compare the hero journey of people like the Buddha, Hanuman, Moses, Jesus, or even Penelope, the parallels do not stop with the beginning of their lives and their “calling” to alleviate the suffering of the people in their community. In fact, an additional parallel is found in what some might consider the end of the journey: a path (i.e., a set of instructions or commandments), which can be seen as their own calling/journey.
Click on the title above for more about Bill Moyers, healing, and “the last appointment.”
“We must be willing to get rid of the life we’ve planned, so as to have the life waiting for us. The old skin has to be shed before the new one can come.”
— quoted from A Joseph Campbell Companion: Reflections on the Art of Living by Joseph Campbell
Every adventure begins in the “Ordinary World.” It’s not a perfect world; it’s just the everyday, mundane world. If everything and everyone were perfect, there would not be a “Call to Adventure.” But there is a call. In real life, individual people have things they are called to do and then there is a philosophical call issued to everyone who is exposed to systems like the the Noble Eightfold Path (in Buddhism); the 8-Limbs of the Yoga Philosophy (as codified in Patanjali’s Yoga Sūtras); the various paths of yoga (as described in the Bhagavad Gita); and/or the teachings in the Torah, the Christian New Testament, and/or the Qur’ān.
Of course, in the monomyth, the hero or heroine initially refuses the call. The “Refusal of Call” happens everyday in modern times and in biblical history — and for the same reasons. It is a refusal to give up the status quo. It is the rejection of a new way of living. Think of Moses (and Joshua) returning from the Mount to find that the newly freed Hebrew people are actively breaking their newly established covenant. According to Shemot – Exodus (32:1), the people were motivated by fear — specifically, fear of the unknown and fear of loss. If we go deep inside ourselves, we may find that similar fears cause each of us to stray from our chosen path. In Buddhism, all clinging leads to suffering. In the Yoga Sūtras, Patanjali described five types of attachment that lead to suffering. The final type, described in Yoga Sūtra 2.9, is fear of loss/death — and getting beyond that is part of the practice and, also, another practice from another year.
“GEORGE LUCAS: What happens is that no matter how you do it, when you sit down to write something all other influences you’ve had in your life come into play. The things that you like, the things that you’ve seen, the things — the observations you’ve made. That’s ultimately what you work with when you’re writing. And you — you are influenced by the things that you like. Designs that you like, characters you like, moments that you remember, that you were moved by. It’s — it’s like trying to compose a — a symphony in a way.”
— George Lucas responding to a question Bill Moyers asked about the creative process, quoted from the transcript of “The Mythology of Star Wars, with George Lucas”
In some ways, every mindfulness-based practice is like sitting down to write: things come up and all of those things, in the moment, become part of the practice. In fact, one of the lojong (“mind-training”) aphorisms in Tibetan Buddhism is “Whatever you meet unexpectedly, join with meditation.” (16) Additionally, the theme is that “localizing” that George Lucas referenced when talking about how Star Wars fit into the rubric. The theme details, the poses and sequences, even the duration of the practice are simply the unique details of the moment. But, every practice is the same journey.
For every mindfulness-based practice, breath is the “Supernatural Aid” that facilitates our transition from the external to the internal and then back again (“Crossing the [First or Second] Threshold”). Every practice takes us deeper into our own belly — which can also be that metaphorical “Belly of the Whale.” While they may not all be physically challenging, the practice is a “Road of Trials” with the opportunity to experience the deep love and acceptance of the “Goddess” and the “Atonement of the Father.” There is always the “Temptation” to stay in Śavāsana (“Seat of the Corpse” or Dead Man’s Pose); to give up mid-way through the practice; or to just not show up. These can be seen as the “Refusal to Return.” There is also the temptation to do more simply because it is suggested.
Finally, every practice has that final Śavāsana-moment — and, even if we are not actually in Śavāsana, that moment symbolizes the death of the practice: an “Apostasis.” All the preparation, all the getting ready leads to a moment of meditation that, ultimately, brings an understanding of every plane of existence and freedom from suffering: that’s the “Ultimate Boon” — that is what allows someone to be “Master of Two Worlds.”
In 2024, Bill Moyer’s birthday coincides with Day 43 for people in the Jewish community who are Counting the Omer. This is the first day of the final week, a week devoted to the seventh sefirah or divine (“eminations,” attributes, or manifestations) in the practice: Malchut.
Malchut can be translated as “mastery” or “stewardship” as well as “kingship/queenship.” In Jewish mysticism it is energetically and symbolically connected with the mouth, hands, and feet. The (external) parts of us that we use to physically do things in the world.
Mastery or stewardship in the hero journey leads to the ultimate freedom: “Freedom to Live.” The final stage of the journey is partially defined as the freedom to live “in the moment, neither anticipating the future, nor regretting the past” — which is also one of the goals of Eastern philosophies like Yoga and Buddhism, to be fully present in the moment.
“…really pay attention to what’s happening internally…. Meditation is learning how to get so still, and so calm, tranquil, through the directing of the attention, to this present moment, that we begin to see really deeply…. And so we go more and more and more deeply into the nature of things, and when that happens, and reactivity ceases, then responsiveness arises.”
— Gina Sharpe, Suffering and the End of Suffering
Please join me today (Wednesday, June 5th) at 4:30 PM or 7:15 PM for a yoga practice on Zoom. You can use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email myra (at) ajoyfulpractice.com.
Wednesday’s playlist is available on YouTube and Spotify. [Look for “06052022 Hero(ine)’s Journey”]
“[At the Institute of Medicine at the National Academy of Sciences] Experts in the field of endocrinology, immunology, neuroscience, psychology, psychiatry, and epidemiology gathered to compare notes, findings, and doubts. Why is it, they wondered, that about 60 percent of the outpatient visits to primary care physicians are related to stress or mind/body interactions? That perhaps one in five primary care visits are attributable ‘to major depressive anxiety disorders’? I read of one such meeting where a notable declared that ‘if this were a medical disorder that wasn’t being diagnosed or treated, the situation would be regarded as scandalous.”
— quoted from the “Introduction” of Healing and the Mind by Bill Moyers (Editor, Betty Sue Flowers; Executive Editor, David Grubin; Art Research, Elizabeth Meryman-Brunner)
If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can dial 988 (in the US) or call 1-800-273-TALK (8255) for the Suicide and Crisis Lifeline. You can also call this TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.
White Flag is a new app, which I have not yet researched, but which may be helpful if you need peer-to-peer (non-professional) support.
If you are a young person in crisis, feeling suicidal, or in need of a safe and judgement-free place to talk, you can also click here to contact the TrevorLifeline (which is staffed 24/7 with trained counselors).
GEORGE LUCAS: […] The average human being has much more awareness of the other cultures that exist — co-exist with them on this planet, and that certain things go across cultures, and entertainment is one of them. And film and the stories that I tell cut across all cultures, are seen all around the world.”
— quoted from the transcript of “The Mythology of Star Wars, with George Lucas”
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es).
Donations are tax deductible; class purchases are not necessarily deductible.
Check out the “Class Schedules” calendar for upcoming classes.