Many blessings to everyone and especially to anyone celebrating Counting the Omer, and/or observing the Mid-Pentecost or Prepolovenie.
“I’m telling an old myth in a new way. Each society takes that myth and retells it in a different way, which relates to the particular environment they live in. The motif is the same. It’s just that it gets localized.”
— George Lucas (b. 05/14/1944) in the Mythology of Star Wars with George Lucas & Bill Moyers
George Lucas was born today in 1944.
Click on the excerpt titles below (in “story order”) for posts about the new ways this director, writer, producer, and philanthropist tells an old myth (and how it applies to the practice).
“Great evil can only be fought by the strong. People need spiritual fuel as much as they need food, water, and air. Happiness, love, joy, hope — these are the emotions that give us the strength to do what we need to do.”
— quoted from Star Wars: Leia, Princess of Alderaan by Claudia Gray
“Yes, everybody can do it…. It’s just the Jedi who take the time to do it…. Like yoga. If you want to take the time to do it, you can do it; but the ones that really want to do it are the ones who are into that kind of thing. Also like karate.”
— George Lucas answering questions in a Return of the Jedi story conference, July 13 – 17, 1981 (quoted in The Making of Star Wars: Return of the Jedi by J. W. Rinzler (2013)
Please join me today (Wednesday, May 14th) at 4:30 PM or 7:15 PM for a yoga practice on Zoom. You can use the link from the “Class Schedules”calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email myra(at) ajoyfulpractice.com.
Wednesday’s playlist is available on YouTube and Spotify. [Look for “05142022 That Same Force”]
If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can dial 988 (in the US) or call 1-800-273-TALK (8255)for the Suicide and Crisis Lifeline. You can also call this TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.
White Flag is a new app, which I have not yet researched, but which may be helpful if you need peer-to-peer (non-professional) support.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)
May the 4th be with you, especially to anyone who knows what that means, or is Counting the Omer or observing the second week of Pascha and/or celebrating the Myrrh-bearing Women!
Peace and many blessings to everyone!!
“Jo and I discovered that alignment and precision increase mind-body integration regardless of paralysis. The mind is not strictly confined to a neurophysiological connection with the body. If I listen inwardly to my whole experience (both my mind’s and my body’s), my mind can feel my legs.
This is one of those truths that is easy to pass by, like the existence of dinosaurs. But in fact, it should dumbfound us – that, on some level, something as simple as the more precise distribution of gravity can transcend the limits set by a dysfunctional spinal cord. When I move from a slumped position to a more aligned one, my mind becomes more present in my thighs and feet. This happens despite my paralysis. It is simply a matter of learning to listen to a different level of presence, to realizing that the silence within my paralysis is not loss. In fact, it is both awake and alive.”
— Matthew Sanford writing in Waking: A Memoir of Trauma and Transcendence about his yoga practice (2006)
Bring your awareness to your ethics, your values, and your moral code or compass. You bring those to the mat and they (technically) the beginning of the practice — just like the yamāḥ (external “restraints” or “universal commandments”) and niyamāḥ (“internal observations”).
Now, bring your awareness to your foundation, whatever is touching the mat, touching the floor, touching a prop, even a chair — that’s your asāna (“seat” or pose).
Having a stable or steady, easy, comfortable, or joyful seat or pose allows you to focus on your breath — and that awareness of breath, that extension of breath (which is a Force in and of itself), is prāṇāyāmaḥ.
Right there! Those are the first four limbs of the 8-limb philosophy of Yoga. According to Patanjali’s Yoga Sūtras (and other texts and scriptures), practicing yoga will strengthen your mind-body-spirit and enhance your ability to do certain things that are described as “powers unique to being human.”
There are also siddhis, supernormal “powers” or abilities that, frankly, sound like something out of the Marvel Universe… or, like Jedi Knight Tricks.
Today is May the Fourth, a special day for people who appreciate Star Wars. Click on the excerpt titles below for more.
“Yes, everybody can do it…. It’s just the Jedi who take the time to do it…. Like yoga. If you want to take the time to do it, you can do it; but the ones that really want to do it are the ones who are into that kind of thing. Also like karate. Also another misconception is that Yoda teaches Jedi, but he is like a guru; he doesn’t go out and fight anybody…. Well, he is a teacher, not a real Jedi. Understand that?”
— George Lucas answering questions in a Return of the Jedi story conference, July 13 – 17, 1981 (quoted in The Making of Star Wars: Return of the Jedi by J. W. Rinzler (2013)
NOTE: This practice features poses described by Matthew Latkiewicz. If you are thinking, “This is not the class I’m looking for” or “I have a bad feeling about this,” please note that some of wisdom and information is available in pre-recorded practices from other dates.
Please join me for a 65-minute virtual yoga practice on Zoom today (Sunday, May the 4th) at 2:30 PM.Use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below or by emailing myra(at) ajoyfulpractice.com.
Sunday’s playlist is available on YouTube and Spotify. [Look for “May the 4th Be With You 2021”]
If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can dial 988 (in the US) or call 1-800-273-TALK (8255)for the Suicide and Crisis Lifeline. You can also call this TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.
White Flag is a new app, which I have not yet researched, but which may be helpful if you need peer-to-peer (non-professional) support.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)
Happy Pride! Many blessings to everyone and especially to anyone observing Eastertide and Apodosis of Prepolovenie (mid-Pentecost); Counting the Omer, and/or working as a force of peace, freedom, and fulfillment (inside and outside).
“I’ve always been interested in the relations of mind and body, growing up as I did in a culture that separated them distinctly. In science class we studied the material world, which we expected would someday be understood and predicted down to the last molecule. In philosophy we studied models of reality, based on the rational mind, that took no notice of conditions male and female, sick and well, rich and poor. And then in church we learned that we would someday take off this body as we might a suit of clothes and live as disembodied souls. Yet every day in this divided world of mind and body, our language betrayed our limitations of our categories.”
— quoted from the “Introduction” of Healing and the Mind by Bill Moyers (Editor, Betty Sue Flowers; Executive Editor, David Grubin; Art Research, Elizabeth Meryman-Brunner)
For Those Who Missed It: The following is a slightly revised 2023 post related to Sunday, June 5, 2022. It is the third post related to Bill Moyers (and the second one originally posted for the first time in 2023). Links or excerpts for the earlier posts are embedded below. Class details and extra quotes, plus some links and formatting, have been updated or added. References to religious observations have also been revised for 2024.
“Joseph Campbell said that all the great myths, the primitive myths, the great stories, have to be regenerated if they’re going to have any impact…. Are you conscious of doing that?”
— Bill Moyers, quoted from the transcript of “The Mythology of Star Wars, with George Lucas”
Let’s talk about heroes, heroines, and great adventures. I love them! I can’t say I was a huge fan of The NeverEnding Story, but I did appreciate the idea and, when I was a kid, I always got a kick out of “choose your own adventure” books. I also loved Star Wars, Star Trek, Italo Calvino’s If on a Winter’s Night a Traveler, and almost any series of books with reoccurring characters who went places I had never gone, had experiences I never had, and met people I had never met. Part of what I loved was that I recognized the places, the experiences, and the people. How could I not? After all, they were all the same — just using different names, and dressed up in different clothes and faces.
I don’t remember exactly when I first heard about Joseph Campbell or Harold Bloom; but, their works around literature, mythology, and anthropology (as it intersects literature and mythology) seem to be like long shadows towards the end of the day. They’re always there, you just can’t always see them. Towards the end of college, I took a publishing course and one of the people in my small group ended up working at a major publishing house. A few months later, he sent me a big box full of books. Joseph Campbell’s A Hero with a Thousand Faces was one of those books. I knew about it, but had never read it.
If you watch movies, read comics and/or books, or just like listening to someone weave a good adventure, odds are you fall into one or more of the following categories: (1) you love heroes because you’re always looking for someone to save you; (2) you love adventure and fancy yourself as someone who — given the right means and opportunity — could save yourself or someone else; and/or (3) you love the life lessons found within a good story.
After all, every good story comes with at least one life lesson. That’s one of the boons of living vicariously through a fictional or historical character.
“LUCAS: I guess it’s more specific in Buddhism, but it is a notion that’s been around before that. When I wrote the first Star Wars, I had to come up with a whole cosmology: What do people believe in? I had to do something that was relevant, something that imitated a belief system that has been around for thousands of years, and that most people on the planet, one way or another, have some kind of connection to. I didn’t want to invent a religion. I wanted to try to explain in a different way [than] the religions that have already existed. I wanted to express it all.
MOYERS: You’re creating a new myth?
LUCAS: I’m telling an old myth in a new way. Each society takes that myth and retells it in a different way, which relates to the particular environment they live in. The motif is the same. It’s just that it gets localized. As it turns out, I’m localizing it for the planet. I guess I’m localizing it for the end of the millennium more than I am for any particular place.”
— quoted from the Time Magazine article “Of Myth and Men” by Bill Moyers; George Lucas (published April 18, 1999; based on “The Mythology of Star Wars, with George Lucas”)
Born on June 5, 1934, in Hugo, Oklahoma (and primarily raised in Marshall, Texas), Bill Moyers is more than a journalist who has spent a lot of time talking to and about heroes. He is even more than a journalist who has also spent a lot of time talking to and about people who create heroes. But, he has done all of that… and more.
In addition to being an ordained minister, he served as the 13th White House Press Secretary (working with both Presidents John F. Kennedy and Lyndon B. Johnson). Along with his wife, Judith Suzanne Davidson Moyers, he has produced a variety of programming, including Joseph Campbell and the Power of Myth (filmed on George Lucas’s Skywalker Ranch, in 1988); The Mythology of Star Wars, with George Lucas (also filmed at Skywalker Ranch, in 1999); Faith and Reason; and Healing and the Mind. He has also produced and facilitated conversations about a wide range of topics, including evil, racism, prayer, democracy, poetry, art, and the experiences of U. S. Supreme Court Associate Justice Ruth Bader Ginsberg. His many books include Listening to America: A Traveler Rediscovers His Country, A World of Ideas : Conversations With Thoughtful Men and Women About American Life Today and the Ideas Shaping Our Future, A World of Ideas II: Public Opinions from Private Citizens, The Language of Life (which is a conversation with poets), Genesis: A Living Conversation, and the book based on the series Healing and the Mind.
More often than not, when I lead a practice on Bill Moyers’s birthday, it centers around Joseph Campbell’s monomyth and references superheroes from comic books and movies. My intention is to highlight how we are all the hero(ine) of our own story — and, additionally, how we can also be someone else’s hero. Sometimes, I even reference a specific historical and/or religious figure.
I could, just as easily, reference someone close to me — as Bill Moyers did when he wrote Healing and the Mind.
“When my brother died in 1966, my father began a grieving process that lasted almost twenty-five years. For all that time he suffered from chronic, debilitating headaches. I took him to some of the country’s major medical facilities, but no one could cure him of his pain. At one point during that ongoing search for a help, a doctor tried to teach him that his headaches were somehow related to his grief. But my father persisted in treating his pain exclusively as a medical problem, and the headaches continued to torment him.”
— quoted from the “Introduction” of Healing and the Mind by Bill Moyers (Editor, Betty Sue Flowers; Executive Editor, David Grubin; Art Research, Elizabeth Meryman-Brunner)
Technically speaking, the Hero’s Journey is always about moving into a new time, a new era, or a new season of life. It’s about coming out of an old season, shedding the old skin, and moving forward with that “Ultimate Boon” — that life lesson that serves the heroine and their community. While I often compare the hero journey of people like the Buddha, Hanuman, Moses, Jesus, or even Penelope, the parallels do not stop with the beginning of their lives and their “calling” to alleviate the suffering of the people in their community. In fact, an additional parallel is found in what some might consider the end of the journey: a path (i.e., a set of instructions or commandments), which can be seen as their own calling/journey.
Click on the title above for more about Bill Moyers, healing, and “the last appointment.”
“We must be willing to get rid of the life we’ve planned, so as to have the life waiting for us. The old skin has to be shed before the new one can come.”
— quoted from A Joseph Campbell Companion: Reflections on the Art of Living by Joseph Campbell
Every adventure begins in the “Ordinary World.” It’s not a perfect world; it’s just the everyday, mundane world. If everything and everyone were perfect, there would not be a “Call to Adventure.” But there is a call. In real life, individual people have things they are called to do and then there is a philosophical call issued to everyone who is exposed to systems like the the Noble Eightfold Path (in Buddhism); the 8-Limbs of the Yoga Philosophy (as codified in Patanjali’s Yoga Sūtras); the various paths of yoga (as described in the Bhagavad Gita); and/or the teachings in the Torah, the Christian New Testament, and/or the Qur’ān.
Of course, in the monomyth, the hero or heroine initially refuses the call. The “Refusal of Call” happens everyday in modern times and in biblical history — and for the same reasons. It is a refusal to give up the status quo. It is the rejection of a new way of living. Think of Moses (and Joshua) returning from the Mount to find that the newly freed Hebrew people are actively breaking their newly established covenant. According to Shemot – Exodus (32:1), the people were motivated by fear — specifically, fear of the unknown and fear of loss. If we go deep inside ourselves, we may find that similar fears cause each of us to stray from our chosen path. In Buddhism, all clinging leads to suffering. In the Yoga Sūtras, Patanjali described five types of attachment that lead to suffering. The final type, described in Yoga Sūtra 2.9, is fear of loss/death — and getting beyond that is part of the practice and, also, another practice from another year.
“GEORGE LUCAS: What happens is that no matter how you do it, when you sit down to write something all other influences you’ve had in your life come into play. The things that you like, the things that you’ve seen, the things — the observations you’ve made. That’s ultimately what you work with when you’re writing. And you — you are influenced by the things that you like. Designs that you like, characters you like, moments that you remember, that you were moved by. It’s — it’s like trying to compose a — a symphony in a way.”
— George Lucas responding to a question Bill Moyers asked about the creative process, quoted from the transcript of “The Mythology of Star Wars, with George Lucas”
In some ways, every mindfulness-based practice is like sitting down to write: things come up and all of those things, in the moment, become part of the practice. In fact, one of the lojong (“mind-training”) aphorisms in Tibetan Buddhism is “Whatever you meet unexpectedly, join with meditation.” (16) Additionally, the theme is that “localizing” that George Lucas referenced when talking about how Star Wars fit into the rubric. The theme details, the poses and sequences, even the duration of the practice are simply the unique details of the moment. But, every practice is the same journey.
For every mindfulness-based practice, breath is the “Supernatural Aid” that facilitates our transition from the external to the internal and then back again (“Crossing the [First or Second] Threshold”). Every practice takes us deeper into our own belly — which can also be that metaphorical “Belly of the Whale.” While they may not all be physically challenging, the practice is a “Road of Trials” with the opportunity to experience the deep love and acceptance of the “Goddess” and the “Atonement of the Father.” There is always the “Temptation” to stay in Śavāsana (“Seat of the Corpse” or Dead Man’s Pose); to give up mid-way through the practice; or to just not show up. These can be seen as the “Refusal to Return.” There is also the temptation to do more simply because it is suggested.
Finally, every practice has that final Śavāsana-moment — and, even if we are not actually in Śavāsana, that moment symbolizes the death of the practice: an “Apostasis.” All the preparation, all the getting ready leads to a moment of meditation that, ultimately, brings an understanding of every plane of existence and freedom from suffering: that’s the “Ultimate Boon” — that is what allows someone to be “Master of Two Worlds.”
In 2024, Bill Moyer’s birthday coincides with Day 43 for people in the Jewish community who are Counting the Omer. This is the first day of the final week, a week devoted to the seventh sefirah or divine (“eminations,” attributes, or manifestations) in the practice: Malchut.
Malchut can be translated as “mastery” or “stewardship” as well as “kingship/queenship.” In Jewish mysticism it is energetically and symbolically connected with the mouth, hands, and feet. The (external) parts of us that we use to physically do things in the world.
Mastery or stewardship in the hero journey leads to the ultimate freedom: “Freedom to Live.” The final stage of the journey is partially defined as the freedom to live “in the moment, neither anticipating the future, nor regretting the past” — which is also one of the goals of Eastern philosophies like Yoga and Buddhism, to be fully present in the moment.
“…really pay attention to what’s happening internally…. Meditation is learning how to get so still, and so calm, tranquil, through the directing of the attention, to this present moment, that we begin to see really deeply…. And so we go more and more and more deeply into the nature of things, and when that happens, and reactivity ceases, then responsiveness arises.”
— Gina Sharpe, Suffering and the End of Suffering
Please join me today (Wednesday, June 5th) at 4:30 PM or 7:15 PM for a yoga practice on Zoom.You can use the link from the “Class Schedules”calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email myra(at) ajoyfulpractice.com.
Wednesday’s playlist is available on YouTube and Spotify. [Look for “06052022 Hero(ine)’s Journey”]
“[At the Institute of Medicine at the National Academy of Sciences] Experts in the field of endocrinology, immunology, neuroscience, psychology, psychiatry, and epidemiology gathered to compare notes, findings, and doubts. Why is it, they wondered, that about 60 percent of the outpatient visits to primary care physicians are related to stress or mind/body interactions? That perhaps one in five primary care visits are attributable ‘to major depressive anxiety disorders’? I read of one such meeting where a notable declared that ‘if this were a medical disorder that wasn’t being diagnosed or treated, the situation would be regarded as scandalous.”
— quoted from the “Introduction” of Healing and the Mind by Bill Moyers (Editor, Betty Sue Flowers; Executive Editor, David Grubin; Art Research, Elizabeth Meryman-Brunner)
If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can dial 988 (in the US) or call 1-800-273-TALK (8255)for the Suicide and Crisis Lifeline. You can also call this TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.
White Flag is a new app, which I have not yet researched, but which may be helpful if you need peer-to-peer (non-professional) support.
GEORGE LUCAS: […] The average human being has much more awareness of the other cultures that exist — co-exist with them on this planet, and that certain things go across cultures, and entertainment is one of them. And film and the stories that I tell cut across all cultures, are seen all around the world.”
— quoted from the transcript of “The Mythology of Star Wars, with George Lucas”
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es).
Donations are tax deductible; class purchases are not necessarily deductible.
May the 4th be with you, especially to anyone who knows what that means, or is observing Great Lent on Great Saturday and/or Counting the Omer.
“It moves through and surrounds every living thing. Close your eyes…. Feel it….it’s always been there. It will guide you.”
— Maz Kanata quoted in The Force Awakens
During the 2024 Saturday practices, we have been exploring the chakra (energetic “wheel”) system as a way to better understand our lives. Today’s practice marks the beginning of our look at the fifth chakra, which is the throat chakra. While the Viśuddha is associated with will and determination, it is most commonly associated with all things related to sound, communication, and the ability to speak and be heard (as well as to hear what is being said).
In other words, it all comes down to vibration.
Every science, philosophy, and religion recognizes some Force as the foundation of everything. In yoga, that force it is commonly identified as AUM. Since the yoga path for the fifth chakra is mantra, we will be making some noise this month as we explore some of the different mantras associated with the chakras.
But, first, since May the 4th is a special day for teachers like me (short, a little funny looking, with enormous eyes and/or glasses), we will strengthen our awareness of the Force.
“The act of living generates a force field, an energy. That energy surrounds us; when we die, that energy joins with all the other energy. There is a giant mass of energy in the universe that has a good side and a bad side. We are part of the Force because we generate the power that makes the Force live. When we die, we become part of that Force, so we never really die; we continue as part of the Force.”
— George Lucas explaining “The Force” in a production meeting for the Empire Strikes Back (quoted in Star Wars: The Anointed Screenplays by Laurent Bouzereau (1997)
Please join me today (Saturday, May the 4th) at 12:00 PM for a yoga practice on Zoom if you are interested in a virtual yoga practice (in which the Force is strong). You can use the link from the “Class Schedules”calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email myra(at) ajoyfulpractice.com.
Saturday’s playlist is available on YouTube and Spotify. [Look for “May the 4th Be With You 2021”]
NOTE: This practice features poses described by Matthew Latkiewicz. If you are thinking, “This is not the class I’m looking for” or “I have a bad feeling about this,” please note that some of wisdom and information is available in pre-recorded practices from other dates.
“Yoda : Yes, run! Yes, a Jedi’s strength flows from the Force. But beware of the dark side. Anger, fear, aggression; the dark side of the Force are they. Easily they flow, quick to join you in a fight. If once you start down the dark path, forever will it dominate your destiny, consume you it will, as it did Obi-Wan’s apprentice.
Luke : Vader… Is the dark side stronger?
Yoda : No, no, no. Quicker, easier, more seductive.
Luke : But how am I to know the good side from the bad?
Yoda : You will know… when you are calm, at peace, passive. A Jedi uses the Force for knowledge and defense, NEVER for attack.”
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es).
This is the “long lost” post related to Sunday, June 5, 2022. It is the third post related to Bill Moyers (and the second one being posted for the first time). Links for the 2021 post are embedded below. You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.
“Joseph Campbell said that all the great myths, the primitive myths, the great stories, have to be regenerated if they’re going to have any impact…. Are you conscious of doing that?”
– Bill Moyers, quoted from the transcript of “The Mythology of Star Wars, with George Lucas”
Let’s talk about heroes, heroines, and great adventures. I love them! I can’t say I was a huge fan of The NeverEnding Story, but I did appreciate the idea and, when I was a kid, I always got a kick out of “choose your own adventure” books. I also loved Star Wars, Star Trek, Italo Calvino’s If on a Winter’s Night a Traveler, and almost any series of books with reoccurring characters who went places I had never gone, had experiences I never had, and met people I had never met. Part of what I loved was that I recognized the places, the experiences, and the people. How could I not? After all, they were all the same – just using different names, and dressed up in different clothes and faces.
I don’t remember exactly when I first heard about Joseph Campbell or Harold Bloom, but their works around literature, mythology, and anthropology (as it intersects literature and mythology) seem to be like long shadows towards the end of the day. They’re always there, you just can’t always see them. Towards the end of college, I took a publishing course and one of the people in my small group ended up working at a major publishing house. A few months later, he sent me a big box full of books. Joseph Campbell’s A Hero with a Thousand Faces was one of those books. I knew about it, but had never read it.
If you watch movies, read comics and/or books, or just like listening to someone weave a good adventure, odds are you fall into one or more of the following categories: (1) you love heroes because you’re always looking for someone to save you; (2) you love adventure and fancy yourself as someone who could save yourself or someone else – given the right means and opportunity; and/or (3) you love the life lessons found within a good story. After all, every good story comes with at least one life lesson. That’s one of the boons of living vicariously through a fictional or historical character.
“LUCAS: I guess it’s more specific in Buddhism, but it is a notion that’s been around before that. When I wrote the first Star Wars, I had to come up with a whole cosmology: What do people believe in? I had to do something that was relevant, something that imitated a belief system that has been around for thousands of years, and that most people on the planet, one way or another, have some kind of connection to. I didn’t want to invent a religion. I wanted to try to explain in a different way [than] the religions that have already existed. I wanted to express it all.
MOYERS: You’re creating a new myth?
LUCAS: I’m telling an old myth in a new way. Each society takes that myth and retells it in a different way, which relates to the particular environment they live in. The motif is the same. It’s just that it gets localized. As it turns out, I’m localizing it for the planet. I guess I’m localizing it for the end of the millennium more than I am for any particular place.”
– quoted from the Time Magazine article “Of Myth and Men” by Bill Moyers; George Lucas (published April 18, 1999; based on “The Mythology of Star Wars, with George Lucas”)
Born on June 5, 1934, in Hugo, Oklahoma (and primarily raised in Marshall, Texas), Bill Moyers is more than a journalist who has spent a lot of time talking to and about heroes. He is even more than a journalist who has also spent a lot of time talking to and about people who create heroes. But, he has done all of that… and more.
In addition to being an ordained minister, he served as the 13th White House Press Secretary (working with both Presidents John F. Kennedy and Lyndon B. Johnson). Along with his wife, Judith Suzanne Davidson Moyers, he has produced a variety of programming, including Joseph Campbell and the Power of Myth (filmed on George Lucas’s Skywalker Ranch, in 1988); The Mythology of Star Wars, with George Lucas (also filmed at Skywalker Ranch, in 1999); Faith and Reason; and Healing and the Mind. He has also produced and facilitated conversations about a wide range of topics, including evil, racism, prayer, democracy, poetry, art, and the experiences of U. S. Supreme Court Associate Justice Ruth Bader Ginsberg. His many books include Listening to America: A Traveler Rediscovers His Country, A World of Ideas : Conversations With Thoughtful Men and Women About American Life Today and the Ideas Shaping Our Future, A World of Ideas II: Public Opinions from Private Citizens, The Language of Life (which is a conversation with poets), Genesis: A Living Conversation, and the book based on the series Healing and the Mind.
More often than not, when I lead a practice on Bill Moyers’s birthday, it centers around Joseph Campbell’s monomyth and references superheroes from comic books and movies. My intention is to highlight how we are all the hero(ine) of our own story – and, additionally, how we can also be someone else’s hero. Sometimes, I even reference a specific historical and/or religious figure. Someone like Moses.
I mentioned Moses, specifically, because sunset on Saturday (June 4, 2022) marked the beginning of Shavuot. Known in English as the “Festival of Weeks,” Shavuot is the anniversary, the celebration, and the commemoration of the Jewish people receiving the Torah at Mount Sinai. It occurs on the 50th day after the 2nd night of Passover – making it a moveable feast – and is the culmination of the counting of the weeks, which is observed by the Counting of the Omer. Since the 49 days of counting make up a spiritual journey of preparation, Shavuot marks the end of one journey and the beginning of a new journey. Or, you could think of it more specifically as the beginning of a new time.
Technically speaking, the Hero’s Journey is always about moving into a new time, a new era, or a new season of life. It’s about coming out of an old season, shedding the old skin, and moving forward with that “Ultimate Boon” – that life lesson that serves the heroine and their community. While I often compare Moses’ hero journey to the hero journey of the Buddha (or Jesus), the parallels do not stop with the beginning of their lives and their “calling” to alleviate the suffering of the people in their community. In fact, an additional parallel is found in what some might consider the end of the journey: a path (i.e., a set of instructions or commandments), which can be seen as their own calling/journey.
“We must be willing to get rid of the life we’ve planned, so as to have the life waiting for us. The old skin has to be shed before the new one can come.”
– quoted from A Joseph Campbell Companion: Reflections on the Art of Living by Joseph Campbell
Every adventure begins in the “Ordinary World.” It’s not a perfect world; it’s just the everyday, mundane world. If everything and everyone were perfect, there would not be a “Call to Adventure.” But there is a call. In real life, individual people have things they are called to do and then there is a philosophical call issued to everyone who is exposed to systems like the the Noble Eightfold Path (in Buddhism); the 8-Limbs of the Yoga Philosophy (as codified in Patanjali’s Yoga Sūtras); the various paths of yoga (as described in the Bhagavad Gita); and/or the teachings in the Torah, the Christian New Testament, and/or the Qur’ān.
Of course, in the monomyth, the hero or heroine initially refuses the call. The “Refusal of Call” happens everyday in modern times and in biblical history – and for the same reasons. It is a refusal to give up the status quo. It is the rejection of a new way of living. Think of Moses (and Joshua) returning from the Mount to find that the newly freed Hebrew people are actively breaking their newly established covenant. According to Shemot – Exodus (32:1), the people were motivated by fear – specifically, fear of the unknown and fear of loss. If we go deep inside ourselves, we may find that similar fears cause each of us to stray from our chosen path. In Buddhism, all clinging leads to suffering. In the Yoga Sūtras, Patanjali described five types of attachment that lead to suffering. The final type, described in Yoga Sūtra 2.9, is fear of loss/death – and getting beyond that is part of the practice and, also, another practice from another year.
“GEORGE LUCAS: What happens is that no matter how you do it, when you sit down to write something all other influences you’ve had in your life come into play. The things that you like, the things that you’ve seen, the things — the observations you’ve made. That’s ultimately what you work with when you’re writing. And you — you are influenced by the things that you like. Designs that you like, characters you like, moments that you remember, that you were moved by. It’s — it’s like trying to compose a — a symphony in a way.”
– George Lucas responding to a question Bill Moyers asked about the creative process, quoted from the transcript of “The Mythology of Star Wars, with George Lucas”
In some ways, every mindfulness-based practice is like sitting down to write: things come up and all of those things, in the moment, become part of the practice. In fact, one of the lojong (“mind-training”) aphorisms in Tibetan Buddhism is “Whatever you meet unexpectedly, join with meditation.” (16) Additionally, the theme is that “localizing” that George Lucas referenced when talking about how Star Wars fit into the rubric. The theme details, the poses and sequences, even the duration of the practice are simply the unique details of the moment. But, every practice is the same journey.
For every mindfulness-based practice, our breath is the “Supernatural Aid” that facilitates our transition from the external to the internal and then back again. Every practice takes us deeper into our own belly – which can also be that metaphorical “Belly of the Whale.” While they may not all be physically challenging, the practice is a “Road of Trials” with the opportunity to experience the deep love and acceptance of the “Goddess” and the “Atonement of the Father.” There is always the “Temptation” to stay in Śavāsana (“Seat of the Corpse” or Dead Man’s Pose); to give up mid-way through the practice; or to just not show up. There is also the temptation to do more simply because it is suggested.
Finally, every practice has that final Śavāsana-moment – and, even if we are not actually in Śavāsana, that moment symbolizes the death of the practice: an “Apostasis.” All the preparation, all the getting ready leads to a moment of meditation that, ultimately, brings an understanding of every plane of existence and freedom from suffering: that’s the “Ultimate Boon” – that is what allows someone to be “Master of Two Worlds.
That mastery or stewardship leads to the ultimate freedom: “Freedom to Live.” The final stage of the journey is partially defined as the freedom to live “in the moment, neither anticipating the future, nor regretting the past” – which is also one of the goals of Eastern philosophies like Yoga and Buddhism, to be fully present in the moment.
“…really pay attention to what’s happening internally…. Meditation is learning how to get so still, and so calm, tranquil, through the directing of the attention, to this present moment, that we begin to see really deeply…. And so we go more and more and more deeply into the nature of things, and when that happens, and reactivity ceases, then responsiveness arises.”
– Gina Sharpe, Suffering and the End of Suffering
The playlist for this practice is available on YouTube and Spotify. [Look for “06052022 Hero(ine)’s Journey”]
GEORGE LUCAS: […] The average human being has much more awareness of the other cultures that exist — co-exist with them on this planet, and that certain things go across cultures, and entertainment is one of them. And film and the stories that I tell cut across all cultures, are seen all around the world.”
– quoted from the transcript of “The Mythology of Star Wars, with George Lucas”
Happy Purim! Many blessings to all, and especially to those observing Lent, Great Lent, the Baháʼí 19-Day Fast, and/or Purim during this “Season for Non-violence” and all other seasons!
For Those Who Missed It: This “missing” post for Monday, March 6th, is an abridged version of a 2022 post about Purim. (But this is not the story you think it is!) A link to the original post is embedded below (at the point where I shortened it. There is also a lottery link that connects to an outside source. You can request an audio recording of any of these practices via a comment belowor (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.
“It is perfectly true, as the philosophers say, that life must be understood backwards. But they forget the other proposition, that it must be lived forwards.”
– quoted from Journals (IV A 164), 1843 by Søren Kierkegaard
You know how there are some stories, like the Star Wars movies, that begin as one thing and then over time and generations become something else? That question can be answered as it relates to the story, but here I am specifically talking about the sequence.* When the original movie came out in May of 1977, it was just Star Wars. When the next movies came out – in May of 1980 and May of 1983 – they had their own titles. However, if someone referred to them numerically, they would be first, second, and third (or 1, 2, and 3). Fast forward over two decades from the originally released movie and there were prequels, which (while I am loath to admit they exist) changed the order of things. Fast forward another decade (going on two) and there were (pretty amazing) sequels to the originally released movies. The story continues… and I love that.
I love of stories and storytelling. I think it’s fascinating that we meet each other in the middle of our stories and simultaneously work forwards and back. We don’t always think about it, but the way the Star Wars movies were released is actually how we meet and how most of the stories we read, hear, and watch work too. It’s very rare that we meet characters at the beginning of creation. A story usually begins in the middle or at the end. So, part of what I love about storytelling is how the storyteller (or the story) chooses to unfold the tale. In fact, part of the beauty of the story is watching it unfold.
One of my favorite stories – in part, because the way the story unfolds is part of the story – is the story people tell on Purim. It is the story in and around The Megillah or The Megillat Esther.
In case you are unfamiliar with the holiday and the story, Purim [פּוּרִים] is a Hebrew word meaning “lots” – as in “casting lots” or “lottery.” It is a Jewish holiday that commemorates the story told in the Megillah (“scroll”) of Esther, which is the story of how Queen Esther saved the Jewish people from the evil plot of a man whose actions are good examples of someone who was narcissistic, power hungry, and also anti-Semitic. The “Book of Esther” is not only found in the Hebrew Bible it is also one of the five megillot (“scrolls”) that make up part of the Christian Old Testament. Some people think of it as a great story about the power of a woman – and while it is that, it is also something more; because the story has a lot of “hidden” elements.
The story is quite literally about things that “someone” decided to “hide and hide” [הַסְתֵּ֨ר אַסְתִּ֤יר].
“Another approach, found already in rabbinic literature, takes the absence of God as a positive statement made by the author. The Rabbis, and numerous other readers since, understood the literary absence of God to be merely a surface-level fact, and in fact to be a subtle argument for the hiddenness of God, rather than his absence. A Talmudic comment (in B. Hullin 139b) playfully asks, ‘What is the source for Esther in the Torah?’ The answer given is that Esther was foretold in Deuteronomy 31:18: ‘I will indeed hide (haster astir) my face on that day.’ In part this is a pun, linking the name Esther to the Hebrew phrase ‘I will indeed hide’ (haster astir), but in part it is a serious theological claim: where did the Torah foretell a story with no God?”
– quoted from “8. Diaspora revisions: rethinking Exodus and rethinking God – Entering the fray: Esther as a political book” in Esther in Ancient Jewish Thought by Aaron Koller
People celebrate Purim by dressing up in costume – hiding one’s true identity – and having a party or feast. People may also have a parade and a pageant. The costuming and the party (even the parades and pageants) are all, symbolically, part of the story. To add yet another symbol from the story, the feasting includes hamantaschen, a yummy triangular shaped pastry that I always think of as Haman’s hat, but which literally means “Haman’s pockets.” In some Jewish communities they are referred to as “Haman’s ears.”
The story is symbolically reinforced in many different ways during the celebration of Purim, because the biggest part of the holiday is the story itself. In fact, listening to a public reading of the Book of Esther, in the evening (since the holiday starts at sunset) and in the morning, is one of four mitzvoh (“commandments”) related to Purim. The other three take place during the day and are sending food gifts to friends; giving charity to the poor; and eating a festive meal.
While I don’t read the actual text** to people during the practice, I do tell the story. And for years, I have used the music to help me tell the story – just like I do with all the other stories. Up until this year 2022, however, my Purim playlist was a little… shall we say, problematic. Because there was something hidden in my playlist – and not in a good way.
“This desert rose Whose shadow bears the secret promise This desert flower No sweet perfume ever tortured me more than this And now she turns This way she moves in the logic of all my dreams This fire burns I realize that nothing’s as it seems”
– quoted from the song “Desert Rose” by Sting
Some of my playlists have always reflected the culture behind the story or theme of the day. For instance, my Saint Patrick’s Day playlist is full of Irish musicians and musicians with Irish heritage, just like my Cinco de Mayo playlist is full of musicians with Mexican heritage. As I’ve previously mentioned on the blog, I’ve very deliberately made some playlists multi-cultural to highlight the fact that so many cultures celebrate things like light overcoming darkness. Then, years ago, a friend’s comment really made me consider why my playlists mostly featured men. Despite all that, I never really considered that there was something off about my Purim playlist.
And, that takes us back to why certain songs were popular, while other also very good songs were not as popular.
“It’s so not an accident that most of the kirtan and ‘yoga music artists’ on our playlists are NOT from within the tradition. (It is called erasure and happens to people of color in our own traditions ALL THE TIME.)”
– quoted from a January 2022 message entitled “What Are You Listening to? On Decolonizing Your Yoga Playlists” by Susanna Barkataki
Susanna Barkataki is a yoga advocate, a teacher, a public speaker, and the author of Embrace Yoga’s Roots: Courageous Ways to Deepen Your Yoga Practice. In her book, her articles, and her classes, she encourages students and teachers to (re)connect to yoga’s ancient roots. She strongly recommends that teachers consider why they do the things they do (and say the things they say) when teaching. She also suggests that teachers take a look at how some of the things we say and do are the result of colonization and cultural erasure. However, she does not simply point to how elements of our modern, Western-centric practice are problematic. She also offers tools and solutions. For instance, she specifically points to music and highlights the fact that those of us using kirtan – which is a form of bhakti or devotional yoga – are almost always using non-traditional musicians. Sometimes, even using musicians that mispronounce the Sanskrit words.
To be clear, Ms. Barkataki uses the words “cultural erasure,” but it’s a concept I’ve always known as whitewashing. And, above and beyond anything else, she encourages us all to be mindful about the choices we make. Being mindful meant that when I was getting ready for Purim this last year, I realized that in most of the ways that counted, my culturally-specific playlist was specifically the wrong culture.
In my effort to pick songs that told the story, I neglected to pick Jewish musicians. Even worse, given the context of the story, my original playlist included several songs with Arabic lyrics and/or Arabic-related references that had nothing to do with Jewish heritage. To be clear about my own hubris, I knew this… I just leaped over the issue. In some ways, my mental gymnastics included the fact that those songs could be about a Jewish woman like Esther. They could very easily have been songs written by people who didn’t know their beautiful “Persian” queen was born Hadassah. Anything is possible.
However, the reality was that they were just popular songs that were also really good, worked with the practice, and could fit the story. They were songs that I knew, because I had heard them on the radio.
“Erasure is when the originators of a particular tradition are surpassed, replaced or ignored. Why? Because it makes it easier to colonize and exploit our cultural and spiritual wisdom and wealth.”
– quoted from a January 2022 message entitled “What Are You Listening to? On Decolonizing Your Yoga Playlists” by Susanna Barkataki
I recently heard a young, up-and-coming artist compare achieving a huge milestone to winning the lottery. For sure, I can see that. Especially when you consider how many people commented on the fact that this artist hit this much deserved milestone before his much lauded collaborator. (Don’t misunderstand me, I’m a big fan of both artists, but there’s something more than talent at play here.) I think having a hit song is also like that. Because while there is a lot of hard work that goes into creating a hit song, there’s also a lot of luck. It’s like that old adage: you can’t win if you don’t play. Of course, most people who play, don’t win – at least not really big – and it’s the same thing with being a big star in music.
The existence of streaming services and social media means that a lot of hustle and marketing on the part of the artist (and their community) can get an artist noticed today, in a way they couldn’t get noticed 20-plus years ago. That attention can really push a song up the charts. However, we’re still in a time time when songs are hits (in part) because they are played on the radio. And for all that hustle, many songs are played on the radio because of the way the musician looks. This is true across genres. This is even more so when it comes to music in and from certain countries and cultures. Being talented and having the “right” size, complexion, ethnicity, and (on a certain level) gender and sexuality, is like hitting the Powerball®.
““The Multi-State Lottery Association encourages all lottery players to be responsible in their amount of play.
For some people gambling can become a problem. If you or someone you know has a gambling problem, there are a number of helpful resources listed below.
National Council on Problem Gambling 24 Hour Confidential National Helpline Call: 1-800-522-4700 Chat: ncpgambling.org/chat Text: 1-800-522-4700
– quoted from the “Play Responsibly” tab on the Powerball® website
While I’ve been known to play bingo in a church basement (for charity and the chance to win a homemade quilt), I’m not really one to play the lottery. My limited understanding is that there’s a lot of different ways you can win with a Powerball®. However, just like with music and other things that could make you wealthy beyond your dreams, you have to be responsible and avoid the scams. You have to balance the temptation and your desire with reality. The reality, again, being that if you don’t play, you don’t win; but most people don’t win… big.
If you’re talented and have the aforementioned equivalent of the Powerball®, you can do things other people can’t do. You can write songs that make people re-think the world. You can sing songs other people not only wouldn’t think to sing, but might be afraid to sing. You can inspire people to sing your songs… even when they don’t always understand you. To me, Bob Dylan and his eponymous first album are a great example of a musical Powerball®.
There is no playlist for the Common Ground Meditation practice.
The 2022 playlist is available on YouTube and Spotify. [Look for “Purim 2022”]
*NOTE: Here’s a funny aside (related to the original 2022 post). In 2020, just as we started locking down for the pandemic, I blogged and posted a playlist about stories and music. That would have been Part I, except that it was for March 22nd – which means that if I ever get everything posted in sequential order it would be Part III (after the Purim or Saint Patrick’s Day post and the Bob Dylan post).
**NOTE: Since I don’t actually read the Purim text during the practice, I almost always leave out the part where Haman is begging for his life and the King misreads the situation. In some ways, it is an important part of the cause-and-effect of the narrative – and it definitely brings up another aspect of how our perceptions affect our stories – but it’s comes at the end so I often overlook it.
May peace, balance, compassion, and gratitude endure.
“Yoda : Yes, run! Yes, a Jedi’s strength flows from the Force. But beware of the dark side. Anger, fear, aggression; the dark side of the Force are they. Easily they flow, quick to join you in a fight. If once you start down the dark path, forever will it dominate your destiny, consume you it will, as it did Obi-Wan’s apprentice.
Luke : Vader… Is the dark side stronger?
Yoda : No, no, no. Quicker, easier, more seductive.
Luke : But how am I to know the good side from the bad?
Yoda : You will know… when you are calm, at peace, passive. A Jedi uses the Force for knowledge and defense, NEVER for attack.”
*
– quoted from The Empire Strikes Back
Please join me today (Wednesday, May the 4th) at 4:30 PM or 7:15 PM for a yoga practice on Zoom.Use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You will need to register for the 7:15 PM class if you have not already done so. Give yourself extra time to log in if you have not upgraded to Zoom 5.0. You can request an audio recording of this practice via a comment below or by emailing myra (at)ajoyfulpractice.com.
Wednesday’s playlist is available on YouTube and Spotify. [Look for “May the 4th Be With You 2021”]
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)
Many blessings to all, and especially to those observing Lent, Great Lent, and/or starting a new year!
This is the “missing” post for Wednesday, March 16th, which was when I talked about Purim, with a little note related to Thursday, March 17th and Saturday, March 19th! (But this is not the story you think it is.)You can request an audio recording of any of these practices via a comment belowor (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.
“It is perfectly true, as the philosophers say, that life must be understood backwards. But they forget the other proposition, that it must be lived forwards.”
*
– quoted from Journals (IV A 164), 1843 by Søren Kierkegaard
You know how there are some stories, like the Star Wars movies, that begin as one thing and then over time and generations become something else? That question can be answered as it relates to the story, but here I am specifically talking about the sequence.* When the original movie came out in May of 1977, it was just Star Wars. When the next movies came out – in May of 1980 and May of 1983 – they had their own titles. However, if someone referred to them numerically, they would be first, second, and third (or 1, 2, and 3). Fast forward over two decades from the originally released movie and there were prequels, which (while I am loath to admit they exist) changed the order of things. Fast forward another decade (going on two) and there were (pretty amazing) sequels to the originally released movies. The story continues… and I love that.
I love of stories and storytelling. I think it’s fascinating that we meet each other in the middle of our stories and simultaneously work forwards and back. We don’t always think about it, but the way the Star Wars movies were released is actually how we meet and how most of the stories we read, hear, and watch work too. It’s very rare that we meet characters at the beginning of creation. A story usually begins in the middle or at the end. So, part of what I love about storytelling is how the storyteller (or the story) chooses to unfold the tale. In fact, part of the beauty of the story is watching it unfold.
One of my favorite stories – in part, because the way the story unfolds is part of the story – is the story people tell on Purim. It is the story in and around The Megillah or The Megillat Esther.
In case you are unfamiliar with the holiday and the story, Purim [פּוּרִים] is a Hebrew word meaning “lots” – as in “casting lots” or “lottery.” It is a Jewish holiday that commemorates the story told in the Megillah (“scroll”) of Esther, which is the story of how Queen Esther saved the Jewish people from the evil plot of a man whose actions are good examples of someone who was narcissistic, power hungry, and also anti-Semitic. The “Book of Esther” is not only found in the Hebrew Bible it is also one of the five megillot (“scrolls”) that make up part of the Christian Old Testament. Some people think of it as a great story about the power of a woman – and while it is that, it is also something more; because the story has a lot of “hidden” elements.
The story is quite literally about things that “someone” decided to “hide and hide” [הַסְתֵּ֨ר אַסְתִּ֤יר].
“Another approach, found already in rabbinic literature, takes the absence of God as a positive statement made by the author. The Rabbis, and numerous other readers since, understood the literary absence of God to be merely a surface-level fact, and in fact to be a subtle argument for the hiddenness of God, rather than his absence. A Talmudic comment (in B. Hullin 139b) playfully asks, ‘What is the source for Esther in the Torah?’ The answer given is that Esther was foretold in Deuteronomy 31:18: ‘I will indeed hide (haster astir) my face on that day.’ In part this is a pun, linking the name Esther to the Hebrew phrase ‘I will indeed hide’ (haster astir), but in part it is a serious theological claim: where did the Torah foretell a story with no God?”
*
– quoted from “8. Diaspora revisions: rethinking Exodus and rethinking God – Entering the fray: Esther as a political book” in Esther in Ancient Jewish Thought by Aaron Koller
People celebrate Purim by dressing up in costume – hiding one’s true identity – and having a party or feast. People may also have a parade and a pageant. The costuming and the party (even the parades and pageants) are all, symbolically, part of the story. To add yet another symbol from the story, the feasting includes hamantaschen, a yummy triangular shaped pastry that I always think of as Haman’s hat, but which literally means “Haman’s pockets.” In some Jewish communities they are referred to as “Haman’s ears.”
The story is symbolically reinforced in many different ways during the celebration of Purim, because the biggest part of the holiday is the story itself. In fact, listening to a public reading of the Book of Esther, in the evening (since the holiday starts at sunset) and in the morning, is one of four mitzvoh (“commandments”) related to Purim. The other three take place during the day and are sending food gifts to friends; giving charity to the poor; and eating a festive meal.
While I don’t read the actual text** to people during the practice, I do tell the story. And for years, I have used the music to help me tell the story – just like I do with all the other stories. Up until this year, however, my Purim playlist was a little… shall we say, problematic. Because there was something hidden in my playlist – and not in a good way.
“This desert rose Whose shadow bears the secret promise This desert flower No sweet perfume ever tortured me more than this And now she turns This way she moves in the logic of all my dreams This fire burns I realize that nothing’s as it seems”
*
– quoted from the song “Desert Rose” by Sting
Some of my playlists have always reflected the culture behind the story or theme of the day. For instance, my Saint Patrick’s Day playlist is full of Irish musicians and musicians with Irish heritage, just like my Cinco de Mayo playlist is full of musicians with Mexican heritage. As I’ve previously mentioned on the blog, I’ve very deliberately made some playlists multi-cultural to highlight the fact that so many cultures celebrate things like light overcoming darkness. Then, years ago, a friend’s comment really made me consider why my playlists mostly featured men. Despite all that, I never really considered that there was something off about my Purim playlist.
And, that takes us back to why certain songs were popular, while other also very good songs were not as popular.
“It’s so not an accident that most of the kirtan and ‘yoga music artists’ on our playlists are NOT from within the tradition. (It is called erasure and happens to people of color in our own traditions ALL THE TIME.)”
*
– quoted from a January 2022 message entitled “What Are You Listening to? On Decolonizing Your Yoga Playlists” by Susanna Barkataki
Susanna Barkataki is a yoga advocate, a teacher, a public speaker, and the author of Embrace Yoga’s Roots: Courageous Ways to Deepen Your Yoga Practice. In her book, her articles, and her classes, she encourages students and teachers to (re)connect to yoga’s ancient roots. She strongly recommends that teachers consider why they do the things they do (and say the things they say) when teaching. She also suggests that teachers take a look at how some of the things we say and do are the result of colonization and cultural erasure. However, she does not simply point to how elements of our modern, Western-centric practice are problematic. She also offers tools and solutions. For instance, she specifically points to music and highlights the fact that those of us using kirtan – which is a form of bhakti or devotional yoga – are almost always using non-traditional musicians. Sometimes, even using musicians that mispronounce the Sanskrit words.
To be clear, Ms. Barkataki uses the words “cultural erasure,” but it’s a concept I’ve always known as whitewashing. And, above and beyond anything else, she encourages us all to be mindful about the choices we make. Being mindful meant that when I was getting ready for Purim this year, I realized that in most of the ways that counted, my culturally-specific playlist was specifically the wrong culture.
In my effort to pick songs that told the story, I neglected to pick Jewish musicians. Even worse, given the context of the story, my original playlist included several songs with Arabic lyrics and/or Arabic-related references that had nothing to do with Jewish heritage. To be clear about my own hubris, I knew this… I just leaped over the issue. In some ways, my mental gymnastics included the fact that those songs could be about a Jewish woman like Esther. They could very easily have been songs written by people who didn’t know their beautiful “Persian” queen was born Hadassah. Anything is possible.
However, the reality was that they were just popular songs that were also really good, worked with the practice, and could fit the story. They were songs that I knew, because I had heard them on the radio.
“Erasure is when the originators of a particular tradition are surpassed, replaced or ignored. Why? Because it makes it easier to colonize and exploit our cultural and spiritual wisdom and wealth.”
*
– quoted from a January 2022 message entitled “What Are You Listening to? On Decolonizing Your Yoga Playlists” by Susanna Barkataki
I recently heard a young, up-and-coming artist compare achieving a huge milestone to winning the lottery. For sure, I can see that. Especially when you consider how many people commented on the fact that this artist hit this much deserved milestone before his much lauded collaborator. (Don’t misunderstand me, I’m a big fan of both artists, but there’s something more than talent at play here.) I think having a hit song is also like that. Because while there is a lot of hard work that goes into creating a hit song, there’s also a lot of luck. It’s like that old adage: you can’t win if you don’t play. Of course, most people who play, don’t win – at least not really big – and it’s the same thing with being a big star in music.
The existence of streaming services and social media means that a lot of hustle and marketing on the part of the artist (and their community) can get an artist noticed today, in a way they couldn’t get noticed 20-plus years ago. That attention can really push a song up the charts. However, we’re still in a time time when songs are hits (in part) because they are played on the radio. And for all that hustle, many songs are played on the radio because of the way the musician looks. This is true across genres. This is even more so when it comes to music in and from certain countries and cultures. Being talented and having the “right” size, complexion, ethnicity, and (on a certain level) gender and sexuality, is like hitting the Powerball®.
““The Multi-State Lottery Association encourages all lottery players to be responsible in their amount of play.
For some people gambling can become a problem. If you or someone you know has a gambling problem, there are a number of helpful resources listed below.
National Council on Problem Gambling 24 Hour Confidential National Helpline Call: 1-800-522-4700 Chat: ncpgambling.org/chat Text: 1-800-522-4700
– quoted from the “Play Responsibly” tab on the Powerball® website
While I’ve been known to play bingo in a church basement (for charity and the chance to win a homemade quilt), I’m not really one to play the lottery. My limited understanding is that there’s a lot of different ways you can win with a Powerball®. However, just like with music and other things that could make you wealthy beyond your dreams, you have to be responsible and avoid the scams. You have to balance the temptation and your desire with reality. The reality, again, being that if you don’t play, you don’t win; but most people don’t win… big.
If you’re talented and have the aforementioned equivalent of the Powerball®, you can do things other people can’t do. You can write songs that make people re-think the world. You can sing songs other people not only wouldn’t think to sing, but might be afraid to sing. You can inspire people to sing your songs… even when they don’t always understand you. To me, Bob Dylan and his eponymous first album are a great example of a musical Powerball®.
Bob Dylan’s debut studio album, Bob Dylan, was released March 19, 1962. I didn’t use it for the anniversary this year – because I thought it would distract from this past Saturday’s sūtra study – but, normally I use one of the playlists that I also use on Bob Dylan’s birthday (hint, hint). It’s a playlist that combines music from the original album, which only included two original Bob Dylan songs, with Bob Dylan songs covered and/or made famous by others. It’s good way, I think, to highlight the fact that Dylan is as inspired as he is inspirational.
Bob Dylan, the album, was actually recorded November 20th and 22nd of 1961, and only featured two original Dylan songs. The other eleven tracks were covers or traditional folk songs (including Negro spirituals). While Bob Dylan did arrange some of the folk songs, there’s one arrangement that he famously, uhmm… “borrowed” (without permission) from folk singer Dave Van Ronk. Exactly a month after recording the album, Bob Dylan had an informal recording session in a Minneapolis, Minnesota hotel room with Bonnie Beecher and Tony Glover. Those bootleg recordings may or may not have been distributed out of someone’s trunk, but they were the equivalent of modern-day artists streaming their music. They got people excited about Bob Dylan as a musician and may be considered a better glimpse (than the studio album) of what was to come from the artist.
The bootleg recordings did not, however, drum up enough attention to really sell Bob Dylan. The album has never been super popular (chart wise) in the US or the UK. Neither did it, initially, receive a lot of critical recognition or attention. However, some reviewers did compare Dylan – as well as his voice and his style – to Elvis Presley.
Which is weird to me.
Don’t get me wrong, I’m a Bob Dylan fan (on a lot of different levels). I even dig that first album. However, the comparison to Elvis is curious, when you really think about it. Because (to me) the only thing Bob Dylan and Elvis Presley had in common, especially when compared to other also talented musicians at the time, was that elusive Powerball® of talent, drive, and other people’s perceptions.
“How does it feel, how does it feel? To be without a home Like a complete unknown, like a rolling stone”
*
– quoted from the song “Like a Rolling Stone” by Bob Dylan
The playlist for Wednesday (March 16th) is available on YouTube and Spotify. [Look for “Purim 2022”]
I plan to post the Bob Dylan playlist for Tuesday, May 24th.
*NOTE: Here’s a funny aside. In 2020, just as we started locking down for the pandemic, I blogged and posted a playlist about stories and music. That would have been Part I, except that it was for March 22nd – which means that if I ever get everything posted in sequential order it would be Part III (after the Purim or Saint Patrick’s Day post and the Bob Dylan post).
**NOTE: Since I don’t actually read the Purim text during the practice, I almost always leave out the part where Haman is begging for his life and the King misreads the situation. In some ways, it is an important part of the cause-and-effect of the narrative – and it definitely brings up another aspect of how our perceptions affect our stories – but it’s comes at the end so I often overlook it.
(“Ramadan Mubarak, Blessed Ramadan!” to anyone who is observing Ramadan. I typically talk about Ramadan at the end of the season, so keep your eyes open.)
“The practices of yoga designed to harmonize the … forces in our body and mind.”
– definition of “Hatha Yoga” in Glossary of The Practice of the Yoga Sutra: Sadhana Padaa: Sadhana Pada by Pandit Rajmani Tigunait, PhD
“The way towards realisation through rigorous discipline.”
– definition of “Hatha Yoga” in Glossary of Light on Yoga: Yoga Dipika by B. K. S. Iyengar
Hatha Yoga refers to the physical practice of yoga, regardless of the style or tradition. Although, in the West it is a term often used to describe a practice which does not fit into a specific style or tradition. In other words, rather than describing a class as “not-Ashtanga-vinyasa-Power-Sivananda-Tantra-Vini–Bikram-Hot-Tibetan-Nidra-Nada-Svaroopa-Yin…” it is easier to say, “This is Hatha Yoga.”
Some people, even teachers, mistakenly use the term as a synonym for “easy yoga.” However, easy is relative and trust me when I tell you that if you look at classical texts on the physical practice, like the Hatha Yoga Pradipika (circa 14th century C.E.) and The Gheranda Samhita (circa 16th century C.E), you will find some poses that very few Westerners would refer to as easy! These classical texts echo earlier Tantric texts and may not be influenced by Vedanta (or “end of the Vedas”) philosophy. For this reason, some teachers will describe their classes as one of the aforementioned styles and/or traditions and also as Hatha. All in all though, this use of the term sometimes focuses more on what you’re not doing rather than on what you are doing.
Take a moment to consider what you are doing on the mat.
HA – Sun
ŢHA – Moon
HAŢHA – Force
YOGA – Union, yoking
If you look up to the heavens, we see the sun and the moon (as well as all the other heavenly bodies). Why don’t they collide? For that matter, why do all of the planets and their moons circle around the sun without colliding into each other? Basic science explains that there is a gravitational force that simultaneously connects (yokes) the elements of the solar system together and keeps these same elements from crashing into each other. Really, each heavenly body exerts a certain amount of force on the other bodies, while also being influenced by the force of others. For instance, the force of the Sun pulls the Earth into its orbit, while the rotation of the Earth and the force of the Sun keep the Earth’s Moon in place and the rotation of the Moon affects the waters of the Earth. There is a fine balance that keeps everything moving in the right directions. Yet, these forces are different, even opposites.
The sun, the solar energy, is considered active, male, right side, yang, energizing, hot, effort; and is associated with inhaling, daytime, pleasure, delight, the body, and analytical/critical thinking. The moon, the lunar energy, is considered passive, female, left side, yin, restorative, cool, relaxation; and is associated with exhaling, nighttime, pain, suffering, the mind, and creativity. The list goes on. However, the separate particulars are not the most important parts here.
“We cannot say that that the sun which is shining in the sky and the image which is on the ground are one but we cannot say these are two either. The wave in the lake and the water wavering are not one but not two either. The Lamp and the light of the Lamp are not one but not two either. The air which is flowing and the touch of the air are not one but not two either. Such a relationship is termed as non-dualism in Vedanta. The Brahma and the Universe are not one but not two either. The souls of two persons are not one but not distinct either. The creation and the creator are not one but not two either. According to Vedanta this happening is like the dance and the dancer.”
– from The Paradise Never Lost by Pramod Bharati
The first important part is to remember that these opposites co-exist; we need one to have and understand the other. The second important part is that these opposites co-exist inside of us and all around us. Finally, when put together, the two root words refer to a state of separation inherent in duality that must be overcome in order to achieve awareness of the underlying connectivity that is also inherent in duality. They are Martin Buber’s Ich-und-Du, and so to understand ourselves we have to understand and respect the connection. We also need to understand the fine balance that keeps everything moving in the right directions.
An object at rest remains at rest, and object in motion remains in motion (at the same speed and in the same direction, unless acted upon by an unbalanced force).
The acceleration of an object is dependent upon two variables – the net force acting upon the object and the mass of the object.
For every action there is an equal and opposite reaction.
– Sir Isaac Newton’s Laws of Motion
Sir Isaac Newton’s first law of motion is sometimes called “The Law of Inertia” and we experience it when we are stuck in a bad relationship or a job that no longer serves us, but we can’t seem to make a change. We experience it when we’re stuck on the couch, the futon, the La-Z-Boy recliner, or the floor and have no desire to go for a walk or a run or a bicycle ride, even though we know some movement will feel good and is good for us. We also experience it when we do something for 28, 30, 35, or 40 days and feel the momentum of repeated behavior settling us into a new habit.
On a personal level, we experience the second law, when we have a compelling reason to change our behavior or action – or a more compelling reason to maintain the status quo.
We experience that third law when we breathe (inhale and exhale), as well as when we eat/drink and then defecate/urinate. We also experience it when we focus on one element, one aspect of our selves to the exclusion of the other parts of ourselves and things get out of balance. When things get out of balance they start to fall apart and/or collapse into each other. We need the balance – the balance of opposites – just like everything else in the universe. We need the Force.
“Great evil can only be fought by the strong. People need spiritual fuel as much as they need food, water, and air. Happiness, love, joy, hope — these are the emotions that give us the strength to do what we need to do.”
– from Leia, Princess of Alderaan by Claudia Gray
Today, Monday, May the 4th, is a special day for teachers like me (short, funny looking, with enormous eyes or glasses). If you’re interested in a virtual yoga practice (in which the Force is strong) today (Monday, May the 4th) at 5:30 PM, please join me on Zoom. You can use the link from the “Class Schedules” calendar if you run into any problems checking into the class.
While I know there are some who are thinking, “This is not the class I’m looking for” or “I have a bad feeling about this” – and others who will be disappointed because we won’t be practicing with the phenomenal soundtrack – I promise there will be wisdom. And, maybe, sound effects. Although today’s class is not a Kiss My Asana class, here’s a preview from last year’s class.
There is no playlist for the Common Ground practices.
Kiss My Asana, the yogathon that benefits Mind Body Solutions and their adaptive yoga program is officially over. But, I still owe you two posts and you can still do yoga, share yoga, help others by donating to my KMA campaign.
You can also check out yesterday’s all-humanity, Kick-Off gathering featuring insights from MBS founder Matthew Sanford, conversation with MBS students, and a mind-body practice for all. If you’re not familiar with MBS, this will give you a glimpse into the work, the people, and the humanity of the adaptive yoga program which I am helping to raise $50K of essential support.
The “practice preview” below is part of my offering for the 2019 Kiss My Asana yogathon AND (since the Kiss My Asana yogathon raises resources as well as awareness) it is an invitation to join me for a donation-based class on May 4th.
Founded by Matthew Sanford, Mind Body Solutions helps those who have experienced trauma, loss, and disability find new ways to live by integrating both mind and body. They provide classes, workshops, and outreach programs. They also train yoga teachers and offer highly specialized training for health care professionals. By participating in the Kiss My Asana yogathon you join a global movement, but in a personal way. In other words, you practice yoga. Or, as this year’s tag line states….
do yoga. share yoga. help others.
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“Do. Or do not. There is no try.”
– Yoda* in The Empire Strikes Back
“It moves through and surrounds every living thing. Close your eyes…. Feel it….it’s always been there. It will guide you.”
– Maz Kanata* in The Force Awakens
“This level of energetic sensation is what guides my teaching of yoga all these years later. I can teach a walking person the subtleties of a standing pose, for example, because of my energetic experience. I can ‘feel’ the poses, feel how the physical instructions are intended to amplify, guide, and direct the flow of energy. When I teach, I give instructions and then observe not just whether the physical actions are occurring, but also whether the intended energetic release is happening through the student’s mind-body relationship. If the energy of the pose is not flowing correctly, I can often adjust the student and enhance his or her experience.”
– Matthew Sanford writing in Waking: A Memoir of Trauma and Transcendence about teaching yoga (2006)
What struck me the first time I took a class with Matthew Sanford, and continues to strike me whenever I have the good fortune to take a class from him, is that he teaches from the inside-out – instead of from the outside-in. What I mean by that, is that while a good number of us get on our mats and focus on the outside in order to go inward, Matthew starts inside and works his way to the outside. He was not my first teacher to teach like that. When I started practicing yoga, I was fortunate enough to have a couple of teachers, including my first teacher (Robert Boustany) who taught in a similar fashion. But, when I first started practicing yoga, I didn’t know there were teachers who practiced and taught in a different way.
Also, let’s be honest, when I started practicing yoga, I didn’t really get what my teachers were doing or how they were doing it. I just assumed that if you practiced (the physical practice) eventually you would start to understand the energetic practice. Years later I would discover that that’s just not so: Some people can practice for decades and never realize what it is that’s actually happening inside themselves. And, perhaps, some people don’t believe or care.
“The act of living generates a force field, an energy. That energy surrounds us; when we die, that energy joins with all the other energy. There is a giant mass of energy in the universe that has a good side and a bad side. We are part of the Force because we generate the power that makes the Force live. When we die, we become part of that Force, so we never really die; we continue as part of the Force.”
– George Lucas explaining “The Force” in a production meeting for the Empire Strikes Back (quoted in Star Wars: The Anointed Screenplays by Laurent Bouzereau (1997)
“That I could feel such things so quickly – the loud rush produced by simply taking my legs wide, the upward energetic release produced when hands-in-prayer was done with yogic precision – meant that those phantom feelings had not left me. Instead, they had been waiting in silence, waiting for me to let them back into my conscious experience. Consciousness does not abandon us. It is only denied.”
– Matthew Sanford writing in Waking: A Memoir of Trauma and Transcendence about his first yoga experience with Jo Z (2006)
When I first started practicing yoga, I was surrounded by professional dancers and musicians – people/athletes who used their bodies for work. I was the odd duck, not because I was the least flexible person in the room, but because I had the least body awareness. Part of what made those first practices so dynamic and compelling, was the focus on what we could do.
Think about that for a moment. For 60 – 75 minutes, everybody’s mind-body was focused on what each of us could do in that moment. Nothing else mattered. The practice was intentionally personal and accessible. It never occurred to me that yoga could be, or would be, anything else. However, after I went through my first yoga teacher training and started teaching, I realized something that astounded me and broke my heart: not everybody knew yoga could be accessible. Not everybody knew there were different ways of practicing. And, as a result, people would not practice (or would stop practicing) because of something they couldn’t do.
“Yes, everybody can do it…. It’s just the Jedi who take the time to do it…. Like yoga. If you want to take the time to do it, you can do it; but the ones that really want to do it are the ones who are into that kind of thing. Also like karate. Also another misconception is that Yoda teaches Jedi, but he is like a guru; he doesn’t go out and fight anybody…. Well, he is a teacher, not a real Jedi. Understand that?”
– George Lucas answering questions in a Return of the Jedi story conference, July 13 – 17, 1981 (quoted in The Making of Star Wars: Return of the Jedi by J. W. Rinzler (2013)
“Jo and I discovered that alignment and precision increase mind-body integration regardless of paralysis. The mind is not strictly confined to a neurophysiological connection with the body. If I listen inwardly to my whole experience (both my mind’s and my body’s), my mind can feel my legs.
This is one of those truths that is easy to pass by, like the existence of dinosaurs. But in fact, it should dumbfound us – that, on some level, something as simple as the more precise distribution of gravity can transcend the limits set by a dysfunctional spinal cord. When I move from a slumped position to a more aligned one, my mind becomes more present in my thighs and feet. This happens despite my paralysis. It is simply a matter of learning to listen to a different level of presence, to realizing that the silence within my paralysis is not loss. In fact, it is both awake and alive.”
– Matthew Sanford writing in Waking: A Memoir of Trauma and Transcendence about his yoga practice (2006)
May the 4th is a special day for Star Wars fans and a day when I love to teach “Star Wars Yoga” inspired by Matthew Latkiewicz. When I realized one of the days I was considering teaching a Kiss My Asana donation-based class was May the 4th, I almost rescheduled. At first I thought, ‘How can I make the class fun, informative, and accessible?’ Then I thought, ‘How can I not?’
MAY THE FOURTH KISS MY ASANA
May final 2019 Kiss My Asana donation-based class will be Saturday, May 4th ((4:00 PM – 6:00 PM) at Flourish pilates+yoga+bodywork, 3347 42nd Ave S, Minneapolis) Please join me on this very special day when will explore the power of the Force that surrounds, penetrates, and binds everyone – regardless of size, shape or physical and mental abilities. This practice will include partner work and is open to all abilities. Space is limited.
NOTE: This space contains an accessible bathroom.
Please RSVP to myra(at)ajoyfulpractice(dot)com if you would like to join this practice.
(*NOTE: Ever notice how some of the most memorable “wise teachers” in Star Wars are short, funny looking and have enormous eyes (or glasses)? No? Okay. Maybe it’s just me.)
FEATURED POSE for May the 4th: Downward Facing Wookie
Downward Facing Wookie is a pose with several variations, many of which can be practiced without warming up. Most variations are also prenatal approved.
If you are coming into the classical version (what most people will think of as Adho Mukha Svanasana or Downward Facing Dog), start in Table Top with hands and knees on the mat. Stack shoulders over elbows, elbows over wrists and hips over knees with the feet the same distance apart as the knees. Inhale and lengthen the spine, maybe even moving into Cow Pose (to exaggerate the spinal extension) and then exhale to use the arms and legs to push the hips up into the air. You want your body in the shape of an upside down “V” or a capital “A” without the bar across the center. Check to make sure fingers and toes are spread wide with the middle fingers pointed forward, most of the weight in the hands concentrated on the thumb and first fingers, and the big toes behind the thumbs or behind the middle fingers. To stretch out the spine, bend the knees slightly and find what feels like Cow Pose. (Don’t make it about looking up; make it about extending the spine.) Once the spine is long, ribs reaching away from the hips, see if you can straighten the legs. Even if the legs stay slightly bent, push the spine towards the things, the shoulders towards the hips, the hips towards the ceiling, the thighs towards the space behind you, and let the heels release towards the earth. Balance the effort between the arms and legs. This is a full body stretch. Gaze at your nose, your belly button, or the space between your toes – but make sure your neck is still long and ears are between the straight arms.
If you have wrist issues, you can use a wrist guard (which looks like the floorboard for a door) or a towel / blanket to lift the wrists up higher than the fingers. Another option for wrist and shoulder issues is to practice with the elbows and forearms on the ground, with elbows shoulder width apart. All other alignment is the same for this variation that is sometimes referred to as Dolphin Dog.
Downward Facing Wookie is a standing pose, an arm balance, a forward fold, a back bend, and an inversion. If you want to skip the inversion, one option is to stand arms length from a wall (with finger tips barely touching the wall) and then hinge from the hips until the palms are flat on the wall and the ears are between the arms. The same alignment principles apply as with the earlier variations; push through the heels of the hands and the heels of the feet to get the spine as long as possible. This variation can also be practiced with forearms on the wall.
Another option is to practice in a seated position. One seated variation, whether you are in a chair or in Staff Pose (Dandasana) is to stretch the arms over your head and then flex the wrists so that the palms are pushed up towards the ceiling (fingers will point behind you). In this variation, push through the heels, thighs, and hips in order to extend the spine and push the palms up. All the same alignment principles apply.
There is also a variation of Downward Facing Wookie that can be done with the feet on the wall, but that’s a variation will save for another time.
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A Joyful Practice 