Many blessings to everyone and especially to anyone cultivating friendship, peace, freedom, understanding, and wisdom — especially when it gets hot (inside and outside).
Stay safe! Hydrate and nourish your heart, body, and mind.
The following post-practice compilation post is related to Monday, September 1st, which was Labor Day in the United States and parts of Canada. Some of the excerpted posts include videos.
The 2025 prompt question was, “What part of your mind-body or life does a little, but gets a lot of your attention & what part does a lot of work, but doesn’t get commensurate attention?”You can request an audio recording of this practice or a previous practice via a comment below or (for a slightly faster reply) you can email myra(at) ajoyfulpractice.com.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es).
Donations are tax deductible; class purchases are not necessarily deductible.
“I am opposing a social order in which it is possible for one man who does absolutely nothing that is useful to amass a fortune of hundreds of millions of dollars, while millions of men and women who work all the days of their lives secure barely enough for a wretched existence.”
— Eugene V. Debs, quoted from his statement to the Federal Court (Cleveland, Ohio), after being convicted of violating the Sedition Act, September 18, 1918
The first Monday in September is Labor Day in the United States and parts of Canada.
Between September 1, 2024 and September 1, 2025, the Labor Action Tracker counted strikes in 586 locations, plus additional labor protests in 683 locations; bringing the labor actions total to 1296 locations.
(NOTE: The total locations matches the same total locations as last year, however, the summary mechanism has changed.)
Click on the excerpt below for more details about the Labor Action Tracker and how modern day strikes and protests can lead to better working conditions.
“Deeply Listening, Yoga And the hidden systems Of the body Make themselves known.
Deeply Listening, The wisdom Of all sacred scriptures in the world Is revealed.
Oh my soul, Those who surrender themselves in Love To the Divine Continuously blossom and bloom.
Deeply Listening Sorrows And errors Depart.”
— quoted from Japji Sahib: The Song of the Soul by Guru Nanak (Translated by Ek Ong Kaar Kaur Khalsa)
Our practices, on and off the mat or cushion, give us the opportunity to pay attention to how the mind-body works — and to really listen, deeply.
Listening deeply is one of the important lessons in the Japji Sahib (known in English as The Song of the Soul) an ancient Sikh text at the beginning of the Guru Granth Sahib, which is the Adi Granth or primary sacred text / scripture in Sikhism. Originally compiled and printed by Guru Arjan, the fifth Sikh guru, on August 29, 1604, it was placed in the Golden Temple in the city of Amritsar, Punjab, India, today (September 1st) in 1604.
There is no playlist for the Common Ground Meditation Center practices.
The following (2) playlists include the Japji Sahib:
A vinyasa playlist is available on YouTube and Spotify. [Look for “09012024 Deep Listening”]
MUSIC NOTE: The playlist contains John Metcalfe’s album Tree (with the remixes); however, one track has been moved. The story behind the album is beautiful (and it is about working). Additionally, I encourage you to deeply listen to Track #11 (which is the Japji Sahib).
A First Friday playlist is available on YouTube and Spotify. [Look for “09012023 Trusting, Listening… Deeply”]
MUSIC NOTE: You can start with Track #1, #2, #3, or #5. These are instrumental tracks. Track #4 is the Japji Sahib.
“If you Trust what you hear When you listen, Then you will know What you see, How to understand And act.”
— quoted from Japji Sahib: The Song of the Soul by Guru Nanak (Translated by Ek Ong Kaar Kaur Khalsa)
Extreme heat can not only make people lethargic and unmotivated, it can also lead to extreme agitation and anxiety-based fear. We may find it hard to think, hard to feel (or process our feelings), and/or hard to control our impulses. If you are struggling in the US, help is available just by dialing 988.
If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can dial 988 (in the US) or call 1-800-273-TALK (8255)for the Suicide and Crisis Lifeline. You can also call this TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.
White Flag is an app, which I have not yet researched, but which may be helpful if you need peer-to-peer (non-professional) support.
NOTE: The translation by Ek Ong Kaar Kaur Khalsa is the foundation for The End of Karma: 10 Days to Perfect Peace, Tranquility, and Joy by Dharma Singh Khalsa, M. D., which I quote during the practice.
### BREATHE, WORK, LISTEN, REST (& do it all over again) ###
For Those Who Missed It: This post-practice post for Friday, September 1st, is a revised (and slightly expanded) version of a 2020 post. You can request an audio recording of either practice via a comment below or (for a slightly faster reply) you can email myra(at) ajoyfulpractice.com.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.
“Life’s but a walking shadow, a poor player That struts and frets his hour upon the stage, And then is heard no more. It is a tale Told by an idiot, full of sound and fury, Signifying nothing.”
– Macbeth in Act V, Scene V of Macbeth by William Shakespeare
Philosophies and major religions from all over the world emphasize the importance of being dedicated to the truth. In the Yoga Philosophy, that dedication to the truth, satya, is the second yamā (external “restraint” / universal commandment). Yet, despite that emphasis, there is a lot of disinformation, misinformation, manipulated information, lack of information, and fakery in the world. Sometimes there is so much that it can seem hard to know the truth.
We can spend an extraordinary amount of time sifting and searching through all the disinformation, misinformation, manipulated information, lack of information, and fakery in the world and, in the end, feel like the aforementioned Scottish king and the inspiration for a novel by William Faulkner. It’s so frustrating that we may settle down for a moment and give up. Or, we may rest awhile, only to dive back in. But, really, those are two bad choices.
A third option is the oft overlooked option of being still, being quite, and turning inward instead of outward. Yes, it is often overlooked and yet, every philosophy and major religion in the world emphasizes the idea that we carry the truth with us. The truth is inside of us. So, the key to seeking the truth isn’t turning outward, it is turning inward.
“Be still and know that I am God.”
– quoted from Tehillim – Psalms (46:11, in some Hebrew texts; 46:10 in Christian texts)
“…really pay attention to what’s happening internally…. Meditation is learning how to get so still, and so calm, tranquil, through the directing of the attention, to this present moment, that we begin to see really deeply…. And so we go more and more and more deeply into the nature of things, and when that happens, and reactivity ceases, then responsiveness arises.”
– quoted from the dharma talk and Q&A entitled “Suffering and the End of Suffering” by Gina Sharpe
Guru Nanak was the 15th Century founder of Sikhism and the first of the ten Sikh Gurus. According to Dr. Dharma Singh Khalsa*, Guru Nanak (before he was a guru) “went for his morning bath in a river near his home in northern India. He entered the water and was not seen again for three days. His family feared that he’d drowned. Then he reappeared and began singing the very verses you’ll find within these pages.” Those verses are the Japji Sahib.
Known in English as The Song of the Soul, the Japji Sahib is an ancient Sikh text at the beginning of the Guru Granth Sahib, which is the Adi Granth or primary sacred text / scripture in Sikhism. Originally compiled and printed by Guru Arjan, the fifth Sikh guru, on August 29, 1604, it was placed in the Golden Temple in the city of Amritsar, Punjab, India, today (September 1st) in 1604. Over the years, most of the ten Sikh Gurus have added their commentary and exposition, which is the majority of the Guru Granth Sahib.
Every aspect of this sacred text is part of it’s wisdom. It was originally compiled in Gurmukhī, a script which literally means “from the mouth of the teacher.” The title, the Guru Granth Sahib, indicates that it is the book that “holds” the teacher or “remover of darkness” – and it is considered a living teacher. As indicated by it’s name, the Japji Sahib is intended to be chanted.
“Deeply Listening, Yoga And the hidden systems Of the body Make themselves known.
Deeply Listening, The wisdom Of all sacred scriptures in the world Is revealed.
Oh my soul, Those who surrender themselves in Love To the Divine Continuously blossom and bloom.
Deeply Listening Sorrows And errors Depart.”
– quoted from Japji Sahib: The Song of the Soul by Guru Nanak (Translated by Ek Ong Kaar Kaur Khalsa)
Remember, when we do the 108 Sun Salutations I refer to it as japa-ajapa, which is “repeat and repeat” or “repeat and remember.” Jap also means “understand.” This type of repetition is a form of meditation which is also recommended in the Yoga Sūtra (1.27 – 1.28). It allows the mind to use the repetition as a path and gateway into stillness.
I say “a path and gateway” because there are steps. One doesn’t just mumble a few words a few times and find themselves instantly still and quiet. First, you have to get past the place where your mind is trying to wrap itself around the fact that you are repeating the same thing over and over again. Then, you have to sift through the object that is the word, the meaning of the word, and the fact that you are focused on the object and the meaning of the word. Eventually, you start to internalize the word and let go of some of the outside distractions. Finally, you reach a state of pure cognition where it is possible for you and the word to be absorbed into each other – in other words, you become the word. A dedicated, uninterrupted practice (also recommended by Patanjali) is helpful in this practice; however, the most important element is trusting and listening.
“By trusting What you hear When you listen, The Truth Of your Inner Consciousness Will saturate your psyche With wisdom And deep understanding.
By trusting What you hear When you listen, You shall dwell In all mansions Of learning.”
– quoted from Japji Sahib: The Song of the Soul by Guru Nanak (Translated by Ek Ong Kaar Kaur Khalsa)
This Restorative Yoga practice is accessible and open to all.
Prop wise, we use a small ball (e.g., tennis ball, massage ball, etc.) at the the beginning of the practice. Additionally, this is a kitchen sink practice.You can practice without props or you can use “studio” and/or “householder” props. Example of “Studio” props: 1 – 2 blankets, 2 – 3 blocks, a bolster, a strap, and an eye pillow. Example of “Householder” props: 1 – 2 blankets or bath towels, 2 – 3 books (similar in size), 2 standard pillows (or 1 body pillow), a belt/tie/sash, and a face towel.
You may want extra layers (as your body may cool down during this practice). Having a wall, chair, sofa, or coffee table may be handy.
MUSIC NOTE: You can start with Track #1, #2, #3, or #5. These are instrumental tracks.
*CONTENT NOTE: The translation by Ek Ong Kaar Kaur Khalsa is the foundation for The End of Karma: 10 Days to Perfect Peace, Tranquility, and Joy by Dharma Singh Khalsa, M. D. During the 2023 practice, I quoted chants from Chapters 12, 10, 14, and 39. The one in Chapter 13 is also one of my favorites.
“Life’s but a walking shadow, a poor player That struts and frets his hour upon the stage, And then is heard no more. It is a tale Told by an idiot, full of sound and fury, Signifying nothing.”
– Macbeth in Act V, Scene V of Macbeth by William Shakespeare
There is so much disinformation, misinformation, manipulated information, lack of information, and fakery in the world that it can seem hard sometimes to know the truth. We can spend an extraordinary amount of time sifting and searching through all the disinformation, misinformation, manipulated information, lack of information, and fakery in the world and, in the end, feel like the aforementioned Scottish king and the inspiration for a novel by William Faulkner. It’s frustrating. We may settle down for a moment and give up or we may rest awhile only to dive back in. But, really, those are two bad choices.
A third option is the oft overlooked option of being still, being quite, and turning inward instead of outward. Yes, every philosophy and major religion in the world emphasizes the importance of being dedicated to the truth. (This is the yamā or external restraint / universal commandment of satya in the 8-limb philosophy of yoga.) Every philosophy and major religion in the world also emphasizes that we carry the truth with us; it is inside of us. So, the key to seeking the truth isn’t turning outward, it is turning inward.
“Be still and know that I am God.”
– Tehillim – Psalms (46:11, in some Hebrew texts; 46:10 in Christian texts)
“…really pay attention to what’s happening internally…. Meditation is learning how to get so still, and so calm, tranquil, through the directing of the attention, to this present moment, that we begin to see really deeply…. And so we go more and more and more deeply into the nature of things, and when that happens, and reactivity ceases, then responsiveness arises.”
– Gina Sharpe, Suffering and the End of Suffering
Japji Sahib, known in English as The Song of the Soul, is an ancient Sikh text composed by Guru Nanak, the 15th Century founder of Sikhism and the first of the ten Sikh Gurus. The text was originally published in 1604 and, as indicated by the name is intended to be chanted. Remember, when we do the 108 Sun Salutations I refer to it as japa-ajapa, which is “repeat and repeat” or “repeat and remember.” Jap also means “understand.” This is a form of meditation which is also recommended in the Yoga Sūtra (1:27 – 1:28) and it allows the mind to use the repetition as a path and gateway into stillness.
I say “a path and gateway” because there are steps. One doesn’t just mumble a few words a few times and find themselves instantly still and quiet. You first have to get through the place where your mind is trying to wrap itself around the fact that you are repeating the same thing, over and over. It has to sift through the object that is the word, the meaning of the word, and the fact that you are focused on the object and the meaning of the word. Then, you start to internalize the word and let go of some of the outside distractions. Finally, you reach a state of pure cognition where, possibly, you and the word are absorbed into each other – in other words, you are the word. A dedicated, uninterrupted practice (also recommended by Patanjali) is helpful in this practice; however, the most important element is trusting and listening.
“By trusting What you hear When you listen, The Truth Of your Inner Consciousness Will saturate your psyche With wisdom And deep understanding.
By trusting What you hear When you listen, You shall dwell In all mansions Of learning.”
– quoted from Japji Sahib: The Song of the Soul by Guru Nanak (Translated by Ek Ong Kaar Kaur Khalsa)
“If you Trust what you hear When you listen, Then you will know What you see, How to understand And act.”
– quoted from Japji Sahib: The Song of the Soul by Guru Nanak (Translated by Ek Ong Kaar Kaur Khalsa)
Please join metoday (Tuesday, July 28th) at 12 Noon or 7:15 PM for a virtual yoga practice on Zoom where we will listen deeply. Use the link from the “Class Schedules” calendar if you run into any problems checking into the class. Give yourself extra time to log in if you have not upgraded to Zoom 5.0. You can request an audio recording of this practice via a comment below.
Tuesday’s playlist is available on YouTube and Spotify. (Since the mantras that I typically use in class are not available, this is an instant replay of the playlist dated 04192020. It is actually two playlists and, if you can handle it, I recommend the “Music for 18 Musicians” – which can also be found without interruptions. Another option is to practice without music, which I also highly recommend.)
“Moments of great calm, Kneeling before an alter Of wood in a stone church”
– from “Kneeling” by R. S. Thomas, with accompanying music composed by Hilary Tann, featuring Guy Johnston
From the very moment we are born, we are moving towards stillness. Since the practice is a reflection of life (and “how we do yoga is how we do life”), it makes sense that the moment we hit the mat…we are moving towards stillness. Savasana, the seat of the corpse or Dead Man’s Pose, is the peak pose for almost every practice – even when it is not advertised as such – and despite the t-shirts, it is the pose that most often gets skipped (or shorted).
So, what are we missing?
To find out what we’re missing, let’s very intentionally and very deliberately move towards stillness. Join me on the Zoom mat, Sunday at 2:30 PM for a 65-minute practice featuring the poetry of R. S. Thomas (b. 3/29/1913), a man once described as ” a poet of…the unanswered prayer, the bleak trek through darkness….”
The (slightly belated) “practice preview” below is part of my offering for the 2019 Kiss My Asana yogathon. I encourage you to set aside at least 5 minutes a day during April, to practice with today’s theme or concept as inspiration. You can practice in a class or on your own, but since the Kiss My Asana yogathon raises resources as well as awareness, I invite you to join me at a donation-based class on May 4th.
I also challenge you to set aside a certain amount every day that you practice with this concept/theme in mind. It doesn’t matter if you set aside one dollar per practice or $25 – set aside that amount each time you practice and donate it by April 30th.
Founded by Matthew Sanford, Mind Body Solutions helps those who have experienced trauma, loss, and disability find new ways to live by integrating both mind and body. They provide classes, workshops, and outreach programs. They also train yoga teachers and offer highly specialized training for health care professionals. By participating in the Kiss My Asana yogathon you join a global movement, but in a personal way. In other words, you practice yoga. Or, as this year’s tag line states….
do yoga. share yoga. help others.
***
“Movement is a language spoken by us all. Movement is a universal language that belongs to everybody If only we open our senses and listen. Listening is what is required, listening without interference, listening without judgment, listening in silence and allowing the movement to pass through the body in the moment, because everything inside us and around us is in motion, constant motion. This is when the body doesn’t lie because it is listening to its truth and manifesting it.”
“….Then there is movement, Change, as slowly the cloud bruises Are healed by sunlight, or snow caps A black mood; but gold at evening To cheer the heart. All through history”
– from “The Other View from the Window” by R. S. Thomas, with accompanying music composed by Hilary Tann, featuring Guy Johnston
It may seem odd, to some, that on International Dance Day (4/29) I was thinking about stillness – and silence. The thing is, as a yoga teacher and practitioner who likes to keep things in context, I am hyper aware that the physical practice of yoga is traditionally a way to prepare the mind-body for stillness and silence. Not for nothing that Patanjali defined yoga as “citta vritti nirodaha” (ceasing the fluctuations of the mind). Also remember, the practice is a mirror of our lives and we are, from the moment we are born, moving towards stillness. In that context, our “final pose” is always our peak pose.
Yes, yes, I know – the “final pose” is the pose that people routinely skip or that teachers (myself included) sometimes give the least amount of time. And yet, the “final pose” is the most important pose; it is the time when the mind-body has an opportunity to absorb and process the work/effort of the practice. It is when we rest, when the parasympathetic nervous system is paramount, that we digest. We digest what we consume physically – in terms of food, drink, air, etc. – and also what we consume through experience. The parasympathetic nervous system is also associated with creation.
“For the first twenty years you are still growing, Bodily that is; as a poet, of course, You are not born yet. It’s the next ten You cut your teeth on to emerge smirking For your brash courtship of the muse.”
– from “To a Young Poet” by R. S. Thomas*
“early April out in my bathrobe and gardening boots”
– Hilary Tann
R. S. Thomas was a Welsh poet and Anglican priest whose poetry is often compared to the landscape of Wales and the work ethic of the Welsh people. He was born March 29, 1913 – so, not an April poet to the date, but the timing of his birthday does get me thinking about poetry and poets at their essence.
Hilary Tann was born November 2, 1947 – so not an April poet either. But, she is a Welsh-born composer who lives and teaches in Upstate New York. In 2015, Tann released a composition set to seven (7) of Thomas’s poems. The music manages to capture the essence of the poems – as well as the poet. Perhaps it helps that Tann is also a published haiku poet who has been inspired by the same natural elements as Thomas. It definitely doesn’t hurt that Thomas himself recites the poems. But regardless of why it works, practicing to Seven Poems of Stillness is like practicing in an empty, abandoned cathedral with the wind carrying in a voice and notes that seem to echo one another. When one ends and the other begins you might question that you ever heard the other: it is as if they are one and the same.
“There are nights that are so still that I can hear the small owl calling far off and a fox barking miles away.”
– from “The Other” by R. S. Thomas, with accompanying music composed by Hilary Tann, featuring Guy Johnston
Above I placed the words “final pose” in quotes, because although I often refer to Savasana (or its modification) as the final pose, the truth is it’s really the penultimate pose: Every practice inevitably ends not with Savasana, but with a seated (on your sits-bones) pose. The physical practice ends where the breathing practice and the seated meditation practice begin.
“…It is then that I lie in the lean hours awake listening to the swell born somewhere in the Atlantic rising and falling, rising and falling”
– from “The Other” by R. S. Thomas, with accompanying music composed by Hilary Tann, featuring Guy Johnston
FEATURED POSE for April 29th: Thunderbolt Pose (Vajrasana) or Hero Pose (Virasana)
As I mentioned in this year’s April 8th offering, seiza (which literally means “proper sitting”) in Zen Buddhism is a kneeling position. It places the body in a similar position to one the body is in when kneeling on a kneeler in a church pew or at a prie-dieu (literally “pray to God”) desk. It is one of the few poses not contraindicated by a full stomach and is prenatal approved. With modifications, these poses are accessible to almost anyone. (The big exception to practice these poses would be certain – but not all – knee issues.)
The big differences between Thunderbolt Pose (Vajrasana) and Hero Pose (Virasana) are the placement of the knees and feet, which in turn affects the placement of the hips. For Thunderbolt Pose, both the feet and the knees are pressed together. For Hero Pose, the knees touch, but the feet (and shins) are spread wider than the hips. If you have tight quads, tight hips, and or knee issues, you will need props for these poses. Helpful props for Thunderbolt and Hero include a bench, meditation cushion, blankets, and/or blocks. You do not necessarily need all of these – and you can definitely get creative with common household objects instead of using “yoga props.” If you feel these poses are not for you, even with props, you can practice by sitting in a chair.
To come into either pose, start on your hands and knees, with your toes pointed away from the knees. You’ll either bring your knees and feet together, for Thunderbolt, or bring your knees together and spread your feet apart, for Hero. (Note, the position of the knees and feet is the opposite of the Auspicious Pose described in the April 8th offering.) For Thunderbolt, sit on the heels. For Hero Pose, sit in the space between the heels. If the hips don’t touch the ground in Hero Pose, place a prop underneath the hips. In both poses, you want the hips grounded. If the ankles are uncomfortable (in either pose), place a rolled up blanket, towel, or shirt (even socks) under the ankles and feet. Another ankle option (for Thunderbolt only) is to curl the toes under so that the toes point towards the knees. If there is too much pressure on the knees (in either pose) place rolled up blankets, towels, or shirts between the hips and the shins/heels.
Once you’re seated in the pose, spread the toes and press down into your foundation in order to extend the spine. Ribs and hips are reaching away from each other. Engage your pelvic floor and your core. Relax your shoulders and jaw. Hands rest on the thighs, with palms up if you want a little energy or palms down if you want to be grounded. With the chin parallel to your legs, close your eyes if that is comfortable for you. Listen to at least one (1) of the Seven Poems of Stillness.
Each track of Seven Poems of Stillness is 2:25 – 4.36 minutes long. The entire composition is 24:53 – which is a pretty nice length for a seated meditation. Whenever you feel like you’re done with the pose, lean forward and ease out of the pose. Take a moment to stretch out your legs, maybe rotate your ankles or flex and point your toes. If you are practicing both poses, start with Thunderbolt.
“Moments of great calm, Kneeling before an alter Of wood in a stone church”
– from “Kneeling” by R. S. Thomas, with accompanying music composed by Hilary Tann, featuring Guy Johnston
(*NOTE: To a Young Poet is not one of the seven featured “stillness” poems, but as a little something extra, here’s a beautiful variation of it.)