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First Friday Night Special #47: An Invitation to “A Little Maintenance & A Little Playful Inquiry” (the “missing” invitation w/excerpt & links) September 6, 2024

Posted by ajoyfulpractice in Art, Books, Buddhism, California, Changing Perspectives, Depression, Faith, Fitness, Gratitude, Healing Stories, Health, Hope, Japa, Japa-Ajapa, Life, Loss, Love, Meditation, Minneapolis, Minnesota, Music, Mysticism, One Hoop, Pain, Philosophy, Suffering, Traditional Chinese Medicine, Tragedy, Twin Cities, Vairagya, Vipassana, Wisdom, Writing, Yin Yoga, Yoga.
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Many blessings to everyone and especially to anyone working to maintain friendship, peace, freedom, understanding, and wisdom — especially when it gets hot (inside and outside).

Stay safe! Hydrate and nourish your heart, body, and mind.

This is the “missing” invitation for the “First Friday Night Special” on September 6th. It includes a related excerpt. You can request an audio recording of this Somatic Yoga Experience (SYE) practice via a comment below or (for a slightly faster reply) you can email myra (at) ajoyfulpractice.com.

In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es).

Donations are tax deductible; class purchases are not necessarily deductible.

Check out the “Class Schedules” calendar for upcoming classes.

“How you do yoga is how you do life.”

— my first yoga teachers

Earlier this week, I referenced a classical, philosophical analogy which identifies the senses as wild mustangs (or elephants); the mind/brain as reins; the body as a chariot; the mind/intellect as the charioteer; and the Atman-Self as the passenger along for the ride. You may consider your mind-body in a very pragmatic and utilitarian way — as the vehicle that gets you from point A to point B; from the place where you are born to your final destination. On the other hand, you could be someone who is more about the journey than the destination; someone who likes joy rides and scenic routes. Either way, having a mind-body is just like having anything else: maintenance is required. Sometimes you will seek out a professional; however, there are times when it behooves you to do something yourself — or, at the very least, to know what needs to be done.

While I used the analogy as it appears in the Indian philosophies, my yoga buddy Peggy mentioned that a similar (albeit, slightly different) analogy appears in Plato’s Phaedrus, in which Socrates and Phaedrus discuss the parts of the soul/psyche* (i.e., the charioteer as the intellect; one winged horse as the rational or moral mind; and one winged horse as the passionate, sense-driven mind). Her comments were particularly serendipitous since “Phaedrus” is the name that Robert Pirsig used to refer to his younger self in Zen and the Art of Motorcycle Maintenance: An Inquiry into Values.

Born in Minneapolis, Minnesota, today (September 6th) in 1928, Robert Pirsig noticed that one’s philosophy about motorcycle maintenance can extend into other types of maintenance. In fact, in Zen and the Art of Motorcycle Maintenance: An Inquiry into Values, he wrote as much (if not more) about the physical and mental health of the riders on the road trip as he did about the health of the motorcycles they rode and the society in which they rode.

He also illustrated how a slightly irritating, little thing (like a drip of water) can become the source of great frustration when not addressed; how that frustration can manifest as anger towards others; and that — even when you need a professional to take care of the big things — there is wisdom in taking care of the little things along the way.

“It occurred to me that maybe I was the odd one on the subject, but that was disposed of too. Most touring cyclists know how to keep their machines tuned. Car owners usually won’t touch the engine, but every town of any size at all has a garage with expensive lifts, special tools and diagnostic equipment that the average owner can’t afford. And a car engine is more complex and inaccessible than a cycle engine so there’s more sense to this. But for John’s cycle, a BMW R60, I’ll bet there’s not a mechanic between here and Salt Lake City. If his points or plugs burn out, he’s done for. I know he doesn’t have a set of spare points with him. He doesn’t know what points are. If it quits on him in western South Dakota or Montana I don’t know what he’s going to do.”

“I might have thought this was just a peculiar attitude of theirs about motorcycles but discovered later that it extended to other things — .”

— quoted from Zen and the Art of Motorcycle Maintenance: An Inquiry into Values by Robert Pirsig

The following excerpt is from the 2022 version of a 2020 post:

“It’s like a road trip. The vehicle is moving but we are still inside the vehicle; the scenery is still, but appears to be moving. Everything merges and converges while we are still. Do you see where we’re going?

It’s OK if you don’t. This is kind of like that old joke where someone says, ‘I’m not lost. I know exactly where we are. We’re in the car.’ Now, consider what happens if we could get out of the box or cage we’re in and become part of the scenery. Not walking necessarily, but riding. So that the scenery is simultaneously still and moving… but so are we. And, just like with a moving meditation, there is some part of us that always stays still.”

Click here to read the 2022 post about Robert Pirsig (b. 09/06/1928). 

“The real cycle you’re working on is a cycle called yourself. The machine that appears to be ‘out there’ and the person that appears to be ‘in here’ are not two separate things. They grow toward Quality or fall away from Quality together.”

— quoted from Zen and the Art of Motorcycle Maintenance: An Inquiry into Values by Robert Pirsig

The September First Friday Night Special features a Somatic Yoga Experience (SYE) with some Yin Yoga. It is accessible and open to all.

NOTE: There is a little more movement during this practice than in a typical First Friday Night Special.

Prop wise, you may need props at the beginning and end of the practice. A chair is recommended for this practice if you have low back issues. You can practice without props or use “studio” props and/or “householder” props. Example of Commercial props: 1 – 2 blankets, 2 – 3 blocks, a bolster, a strap, and an eye pillow. Example of Householder props: 1 – 2 blankets or bath towels, 2 – 3 books (similar in size), 2 standard pillows (or 1 body pillow), a belt/tie/sash, and a face towel. A water bottle can be used if a ball is not handy.

You may want extra layers (as your body may cool down during this practice). Having a wall, chair, sofa, or coffee table may be handy for this practice.

Friday’s playlist is available on YouTube and Spotify. [Look for “09062024 The Art of Moving Maintenance”]

NOTE: On the YouTube playlist, the outro for the practice is “Pirsig’s Pursuit” by Chris Foster, which I did not find on Spotify.

If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can dial 988 (in the US) or call 1-800-273-TALK (8255) for the Suicide and Crisis Lifeline. You can also call this TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.

White Flag is a new app, which I have not yet researched, but which may be helpful if you need peer-to-peer (non-professional) support.

If you are a young person in crisis, feeling suicidal, or in need of a safe and judgement-free place to talk, you can also click here to contact the TrevorLifeline (which is staffed 24/7 with trained counselors).

“The place to improve the world is first in one’s own heart and head and hands, and then work outward from there.”

— quoted from Zen and the Art of Motorcycle Maintenance: An Inquiry into Values by Robert Pirsig

*NOTE: When Dr. Sigmund Freud used Plato’s analogy to refer to the parts of the psyche, he identified the charioteer as the ego; the superego as the critical and moralizing horse; and the id as the horse motivated by the desires of the senses.

### BREATHE: You need air in your tires and wind in your sails. ###

More Than Love from Althea & Arthur (the “missing” Sunday post) *w/an extra 2025 note* August 26, 2024

Posted by ajoyfulpractice in "Impossible" People, Abhyasa, Art, Books, Changing Perspectives, Faith, Fitness, Gratitude, Harlem Globetrotters, Healing Stories, Health, Hope, Life, Loss, Love, Meditation, Men, Music, One Hoop, Pain, Philosophy, Poetry, Suffering, Tragedy, Vairagya, Vipassana, Wisdom, Women, Writing, Yoga.
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Many blessings to everyone and especially to anyone observing the Dormition (Theotokos) Fast; and/or working to cultivate friendship, peace, freedom, understanding, and wisdom — especially when it gets hot (inside and outside).

Stay hydrated & be kind, y’all!

This is the “missing” for Sunday, August 25th. Technically, it is also the “long lost” post for the 2021 practice. You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email myra (at) ajoyfulpractice.com.

In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es).

Donations are tax deductible; class purchases are not necessarily deductible.

Check out the “Class Schedules” calendar for upcoming classes.

III.24. Extraordinary strength, resulting from samyama on the concept of physical strength (the aphorism specifically mentions the strength of an elephant, which was undoubtedly the strongest creature in Patanjali’s world), but it might also include mental, moral, or spiritual strength. This could be interpreted as an exceptional form of mind-body control or as a mind-matter interaction effect. Swami Satchidananda sums up this siddhi with the comment, ‘You can lighten yourself; you can make yourself heavy. It’s all achieved by samyama. Do it; try it. Nice things will happen’ (p.188).”

III.37. Siddhis may appear to be supernormal, but they are normal. This is not a description of a siddhi, but rather a caution to avoid regarding or attaining the siddhis as unnatural or supernormal, as that could become a distraction to sustaining and deepening samadhi.”

— quoted from the “Taxonomy” section of “Part I: From Legendary Yoga Superpowers… Chapter 7: The Siddhis” in Supernormal: Science, Yoga, and the Evidence for Extraordinary Psychic Abilities by Dean Radin, PhD

In the Yoga Sūtras, Patanjali defined yoga (“union”) as a moment when all the internal chatter fades away (YS 1.2) and devoted a whole chapter to describing the powers that come when you focus-concentrate-meditate on a single thing and harness the power of the entire mind-body. He also outlined a process by which one can become completely absorbed into (or merged with) the point of their focus-concentration-meditation. Some of it sounds magical, extraordinary, or supernatural; but, it’s actually extra ordinary and very much supernormal. The ability to be single-minded and absorbed into something (or someone) is something we all do at various times in our lives.

We do it when we are “in the zone” and we do it when we are in the “first blush” of love.

Being in the zone is what athletes call it when you are in the moment, see exactly what needs to be done, and can do it in a way that almost appears effortless. Things just fall into place. Sometimes it even feels effortless and magical to the person that is in the zone. (YS 4.29) Other times, an athlete may find themselves running into the same obstacles and hinderances described in the Yoga Sūtras (YS 1.30-1.31) — not realizing that they need to practice non-attachment. Patanjali recommended focusing on the breath and, thousands of years later, a tennis player and coach recommended the same thing.

“It is said that in breathing humans recapitulate the rhythm of the universe. When the mind is fastened to the rhythm of breathing, it tends to become absorbed and calm. Whether on or off the court, I know of no better way to begin to deal with anxiety than to place the mind on one’s breathing process.”

— quoted from the “Focus During a Match” section of “7. Concentration: Learning to Focus” in The Inner Game of Tennis: The Classic Guide to the Mental Side of Peak Performance by W. Timothy Gallwey

Letting go of your own ego and getting out of your own way are foundational lessons in The Inner Game of Tennis: The Classic Guide to the Mental Side of Peak Performance (1974) by W. Timothy Gallwey. A tennis player and coach, Mr. Gallwey used his own experiences to help others play better psychologically — because sometimes you can up your game by changing what you are doing mentally, emotionally, and even energetically. Years after The Inner Game of Tennis was published (and after he published a companion book in 1976), Mr. Gallwey found that people were applying his book to other areas and in other disciplines. So he wrote Inner Skiing (1977), The Inner Game of Golf (1981), The Inner Game of Winning (1985), The Inner Game of Music (1986), and The Inner Game of Work: Focus, Learning, Pleasure, and Mobility in the Workplace (1999), and The Inner Game of Stress: Outsmart Life’s Challenges, Fulfill Your Potential, Enjoy Yourself  (2009). In each book, the bottom line is to get to a place where the mind is quiet.

Which brings us back to the other time when everything else disappears: love.

Love, nothing else matters — except in tennis.

“Perhaps this is why it is said that great poetry is born in silence. Great music and art are said to arise from the quiet depths of the unconscious, and true expressions of love are said to come from a source which lies beneath words and thoughts. So it is with the greatest efforts in sports; they come when the mind is as still as a glass lake.

Such moments have been called ‘peak experiences’ by the humanistic psychologist Dr. Abraham Maslow.”

— quoted from the “‘Trying Hard’: A Questionable Virtue” section of “3. Quieting Self 1” in The Inner Game of Tennis: The Classic Guide to the Mental Side of Peak Performance by W. Timothy Gallwey

Full disclosure: When I was growing up, I was the only person in my immediate family who didn’t play tennis. So, there are a bunch of things about tennis that just don’t make sense to me. For instance, why does “love” mean “zero” in tennis? There are a lot of different theories about why “love” equals “zero” in tennis. Some of these theories don’t have a lot of supporting evidence; they just seem like old wives tales that may or may not be true. They stick around, however, because they are funny. For instance, there is the idea that English speakers were mispronouncing the French word l’ œuf (“egg”) — so it sounded like they were saying “love” — and that the number zero looks like an egg. This is sometimes paired with the idea that if you make a bunch of mistakes (and score no points) you’ve laid a goose egg. The biggest problem with this theory is that when in France, where tennis was first developed, people simply used the word zéro.

Another prevalent (and possibly more credible) theory about the term, that dates back to the 1700s, is that when you have no score, but you still give it all you’ve got, then you are playing for the love of the game. This is a slightly more credible theory, because, according to the Webster’s 1828 Dictionary, the word “amateur” comes from the Latin words anator (“a lover”) and amo (“to love”), referring to a person who does something for love rather than for money.

Of course, every professional begins as an amateur and one could argue that every professional wants to feel the way they did when they were an amateur — as if nothing else matters, but that moment and the love of the game in that moment. And, this is where things get interesting; because, in tennis, the most prestigious tournaments are “open” to amateurs and professionals. They all play for the same stakes. They all play with love so palpable it can make other people fall in love with the game. Some even play with the kind of passion that can also change the face of the game.

“I always wanted to be somebody. If I made it, it’s half because I was game enough to take a lot of punishment along the way and half because there were a lot of people who cared enough to help me.”

— quoted I Always Wanted to Be Somebody by Althea Gibson, edited by Ed Fitzgerald

Born today in 1927, Althea Gibson was a professional tennis player as well as a professional golfer. In 1949, she was the first Black woman and the second Black athlete (after Dr. Reggie Weir) to play in the National Indoor Championships hosted by the United States Lawn Tennis Association (USLTA, now known as the USTA). While she earned a full athletic scholarship to Florida A&M University (FAMU) and was considered an elite athlete all around the world, her race and ethnicity meant that she was not able to play in some of the most prestigious competitions in the world. To be clear, USTA had anti-discrimination rules in the 1950s; however, to qualify for certain tournaments, a player had to have a certain amount of points. In order to earn those points, a player had to play (and place) at a number of tournaments. Of course, some tournaments were held at clubs that were white-only — which meant that a player like Althea Gibson couldn’t play.

The first crack in that glass ceiling came when American Tennis Association (ATA) officials and 18 time Grand Slam championship-winner Alice Marble very publicly lobbied for Althea Gibson to be the first African-American to receive an invitation to the Nationals. Three days after her 23rd birthday, Ms. Gibson made her debut at Forest Hills and won. The world took notice; even though she ultimately lost the next match (in a delayed round) to Louise Brough, the then three-time defending Wimbledon champion, who also lobbied for inclusion.

Six years later, in 1956, Althea Gibson became the first African-American to win a Grand Slam event when she won the singles crown at the French Championships (now known as the French Open). She and Angela Buxton (from the United Kingdom) also won the doubles. Later that season, she won the championships in Rome, Italy; New Delhi, India; and Ceylon (now Sri Lanka). The following year, and the year after that, she won both Wimbledon and the US Nationals (which preceded the US Open) and was named “Female Athlete of the Year” by the Associated Press. (1957 was also the year she beat Louise Brough, who by then had won 35 major championships.)

“According to [American sculpture Eric] Goulder, each [of the five granite blocks] represents the ‘boxes’ society puts people in. [Althea] Gibson’s image emerges from the highest one, which balances on its corner to emphasize how she transformed the world’s view of African American athletes.

‘Her shoulder is exposed to make clear that those who followed stand on her shoulder,’ said Goulder. The final box, which is aligned differently from the others, is meant to show that the world has changed, but not entirely.

Its inscription reads: ‘I hope that I have accomplished just one thing: that I have been a credit to tennis and my country.’”

— quoted from the August 26, 2019, Reuters article “Trailblazer Althea Gibson honoured with statue at U.S. Open” by Arlyn Gajilan

Overall, Althea Gibson won a total of 11 Grand Slam events — including five singles titles, five doubles titles, and one mixed doubles title. In 1964, she became the first African-American woman to join the Ladies Professional Golf Association (LPGA) tour, where she broke course records and was among the 50 money winners for fives years. She was inducted into the International Tennis Hall of Fame (in 1971); was one of the first six inductees into the International Women’s Sports Hall of Fame (in 1980); and, in 2007, on the 50th anniversary of her first victory at the US National Championships, she was inducted into the US Open Court of Champions.

Althea Gibson was also inducted into the the Florida Sports Hall of Fame, the Black Athletes Hall of Fame, the Sports Hall of Fame of New Jersey, the New Jersey Hall of Fame, the International Scholar-Athlete Hall of Fame, and the National Women’s Hall of Fame. Additionally, she received a Candace Award from the National Coalition of 100 Black Women (in 1988) and was the first woman to receive the National Collegiate Athletic Association’s Theodore Roosevelt Award (in 1991). In 2000, Sports Illustrated placed her at #30 on their “100 Greatest Female Athletes” list. In 2013, the United States Postal Service honored her with a postage stamp and, in 2019, a bust of her was unveiled outside of the USTA Billie Jean King National Tennis Center in Flushing Meadows, where the US Open is now held.

“In a statement Sunday, tennis champion and activist Billie Jean King had this to say: ‘We all know people who influence us and, if we are lucky, we meet a few in our lives who improve us. Althea Gibson improved my life and the lives of countless others. She was the first to break so many barriers, and from the first time I saw her play, when I was 13 years old, she became, and remained, one of my true heroines.

‘It was truly an inspiration for me to watch her overcome adversity. Her road to success was a challenging one, but I never saw her back down. Althea did a lot for people in tennis, but she did even more for people in general.’”

— quoted from the September 29, 2003, Chicago Tribune article “Althea Gibson” (by the Chicago Tribune staff)

Even though Ms. Gibson broke so many color barriers that people compared her to Jackie Robinson, she couldn’t overcame all the obstacles put in her way. Despite winning multiple times at Wimbledon, she and her doubles partner, Angela Buxton, who was Jewish, were denied membership to the All England Club on more than one occasion.1 While many of the competitors that she beat were receiving endorsement deals, similar deals never came her way. That sort of racism and prejudice led her to join the LPGA, but even there she ran into literal barriers to entry. Sometimes she was not allowed to compete. Sometimes she had to change clothes in her car, because the clubs, hotels, and dressing rooms were segregated and no accommodations were available to her. While the highest earners (during the years she played on the tour) averaged, almost $35,000 a year, Althea Gibson’s lifetime golf earnings were under $25,000 (plus or minus a car she won at a Dinah Shore tournament).

Despite the ongoing challenges, Althea Gibson kept persevering. Maybe one of the reasons she never seemed to back down was because she was always fighting to survive. She dropped out of school when she was 13 years old and ran away from home because her father was abusive. At one point she lived in a Catholic shelter for abused children. By that time, she was already a paddle tennis champion in New York City and her neighbors had pooled their resources together to purchase her a junior membership and lessons at the Cosmopolitan Tennis Club in the Sugar Hill section of Harlem. But, young Althea didn’t initially love tennis. It was a means to an end; it was one of her many means of escape.

“‘Being a champ is all well and good,’ I would tell the well-meaning people who asked me about my retirement, ‘but you can’t eat a crown. Nor can you send the Internal Revenue Service a throne clipped to their tax forms. The landlord and grocer and tax collector are funny that way: they like cold cash. I may be the Queen of Tennis right now, but I reign over an empty bank account, and I’m not going to fill it by playing amateur tennis, even if I remain champ from now until Judgement Day.’”

— quoted from “So Much to Live For” in So Much to Live For by Althea Gibson with Richard Curtis

In addition to being an accomplished athlete, Althea Gibson was also a singer, a saxophone player, an actor, a sports analyst, and an author. She turned to all of those mediums in an effort to support herself and pushed the limits of everything she did so that each industry was better than she found it. She even opened for the Harlem Globetrotters by playing exhibition games with Karol Fageros and ran for public office. For much of her adult life, she was also a mentor and coach. She facilitated Pepsi Cola’s national mobile tennis project in underprivileged areas and ran multiple other clinics and tennis outreach programs. She inspired her competitors, as well as players in subsequent generations: like Billie Jean King and Serena and Venus Williams.

The Williams sisters, in particular, sought advice on how to play and how to deal with racism (on and off the court). In fact, Serena Williams won her first (of six) US Open titles in 1999, shortly after faxing a letter and a series of questions to Ms. Gibson. In 2000 and 2001, Venus Williams followed in Althea Gibson’s footsteps by winning back-to-back championships at Wimbledon and the US Open. Like Evonne Goolagong, the Australian Aboriginal (Wiradjuri) athlete who became the second non-White woman to win a Grand Slam championship (in 1971), the Williams Sisters and other African-American athletes experienced a different financial landscape than Althea Gibson, but they still had to deal with racism and prejudice.

“You can’t compare tennis with baseball, basketball, or football. When Jackie Robinson broke the color line in 1947 with the Brooklyn Dodgers, dozens of good baseball players in the Negro leagues were waiting to follow. When Althea Gibson, the first prominent black in tennis, won national grass-court titles at Forest Hills in 1957 and 1958, there was no reservoir of black talent waiting to walk in if the door ever opened. Blacks had no identification the sport — on or off the court.”

— quoted from “3. The Passage” in Off the Court by Arthur Ashe with Neil Amdur

Another person Althea Gibson inspired was Arthur Ashe, who who won the US Amateur Championships today in 1968. A couple of weeks later, on September 9th, the Army lieutenant at West Point, followed in Althea Gibson’s footsteps: winning the first US Open and becoming the first African-American man to win a Grand Slam event. He also became the first person (period) to win the US Amateur and the US Open in the same calendar year. These were not his first, nor his last, groundbreaking achievements in tennis. In 1963, he was the first Black player selected for the US Davis Cup team and, so far, he has been the only Black man to win the singles titles at Wimbledon, the US Open, and the Australian Open.

Up until 1968, the US National Championship events were held at a variety of locations and only open to amateurs. When it became the US Open, it was open to professionals as well as to amateurs — which is what Arthur Ashe was at the time. In fact, he was the underdog, going up against a professional. He was also active duty, during a war — his younger brother Johnnie accepted an extra tour in Vietnam, which allowed him to compete since the United States had a policy against sending brothers into a war zone. First Lieutenant Ashe’s amateur status meant that his prize money went to the runner up.

“‘Money makes me happy.’ Who would make such a crass remark? I did, in my book Portrait in Motion, written with Frank DeFord. But the truth is that I’m glad I have enough money to live comfortably, and I enjoyed adding to my bank account as I earned money on the tennis court and in various business deals when I was a professional. I was not born poor, but my father was hardly rich. I long ago decided that, on the whole, I much prefer having money to not having it. In that sense, it makes me happy.

On the other hand, I also learned a long time ago what money can and cannot do for me. From what we get, we can make a living; what we give, however, makes a life.

— quoted from “6. The Striving and Achieving” in Days of Grace: A Memoir by Arthur Ashe and Arnold Rampersad

Arthur Ashe was inducted into the Virginia Sports Hall of Fame (in 1979), the Intercollegiate Tennis Association (ITA) Hall of Fame (in 1983), and the  International Tennis Hall of Fame (in 1985). In 1975, he received the inaugural Player of the Year Award from the Association of Tennis Professionals (ATP) and was named the BBC Overseas Sports Personality of the Year. In 1977, other players on the ATP-tour awarded him the ATP Sportsmanship Award. In December 1992, just a few months before he died, he received the “Sports Legend” Award from the American Sportscasters Association. In 1993, he was posthumously awarded the Presidential Medal of Freedom by President Bill Clinton, the Congressional Black Caucus Foundation’s George Thomas “Mickey” Leland Award, and ATP’s Arthur Ashe Humanitarian of the Year Award by the ATP. He was also an author and an Emmy Award winner. In 1997, the newly constructed Arthur Ashe Stadium became the largest venue at the USTA Billie Jean King National Tennis Center in Flushing Meadows, home of the US Open. “Soul in Flight,” a statue sculpted by Eric Fishl, was unveiled in 2000 as a memorial to Arthur Ashe and to the spirit of sportsmanship and humanitarianism that he embodied. In 2005, the United States Postal Service issued a commemorative stamp in his honor.

Throughout his career, Arthur Ashe was an activist. He was part of the Civil Rights Movement in the United States and also part of the anti-apartheid movement in South Africa. He also advocated for Haitian refugees and was a campaign chairman for the American Heart Association. In 1983, he contracted HIV after a blood transfusion during heart bypass surgery and, when he announced his diagnosis in April of 1992, he became a very public HIV/AIDS advocate and educator. He also founded the Arthur Ashe Foundation for the Defeat of AIDS and the Arthur Ashe Institute for Urban Health.

“Perhaps my favorite prayer-poem by Howard Thurman is ‘The Threads In My Hand.’ The speaker of the poem says that he holds only one end of a number of threads, which come to him from ‘many ways, linking my life with others.’ Some threads come from the sick and troubled, some from the dreaming and ambitious; still others are knotted beyond the speaker’s  power to understand and unravel. But one thread is different from all others:

One thread is a strange thread—it is my steadying thread;
When I am lost, I pull it hard and find my way.
When I am saddened, I tighten my grip and gladness glides along its quivering path;
When the waste places of my spirit appear in arid confusion,
the thread becomes a channel of newness in life.
One thread is a strange thread—it is my steadying thread.
God’s hand holds the other end…”

— quoted from “10. The Threads in My Hands” in Days of Grace: A Memoir by Arthur Ashe and Arnold Rampersad

In chapter 10 of Days of Grace: A Memoir, Arthur Ashe described himself as “a fortunate, blessed man… [with] no problems” — aside from two really major health problems. Those two health problems were not the one’s most commonly associated with tennis players. In fact, neither Arthur Ashe nor Althea Gibson seemed to have dealt with the one of the health issues most commonly associated with a non-contact sports like tennis: “tennis elbow” — which is a bit of misnomer. While 50% of tennis players report elbow pain — 75% of which is considered true “tennis elbow” — tennis players only make up about 10% of all the cases of nationwide. In other words, you can have “tennis elbow” even if you’ve never played tennis. It’s simply a repetitive stress issue. So, if you do certain movements repeatedly, without stability, you could end up with tendonitis or tendinosis. Tennis, even when done on a table, is very asymmetrical; making unilateral stability a priority.

But, neither of these record-breaking seemed to have a problem with tendonitis or tendinosis. Unfortunately and ironically, Althea Gibson and Arthur Ashe both had cardiovascular issues.

Two cerebral hemorrhages, in the late 1980s, a stroke in 1992, and related medical expenses left Althea Gibson in dire straits. No help was forthcoming when she reached out to various tennis organizations; however, Angela Buxton, her former doubles partner, was able to engage the tennis community and raised nearly $1 million in donations from around the world. In 2003, she suffered a heart attack and then, later that year, died from complications related to respiratory and bladder infections.

Arthur Ashe had a family history of cardiovascular disease and was 36 years old when he suffered his first heart attack in 1979. His heart was in such bad condition, despite his athleticism, that he needed a quadruple bypass. A few months later, he had to delay his return to tennis, because of chest pains. In 1983, he had a second bypass surgery — which is when it is believed he contracted HIV. Paralysis in his right arm led to a battery of tests, exploratory brain surgery, and the HIV diagnosis. Due to the stigma associated with HIV and AIDS, Arthur Ashe and his wife initially decided that the best way to protect their young daughter was by not publicly disclosing his diagnosis. In the fall of 1992, he had a second heart attack and learned that a newspaper was planning to release his diagnosis. A few months later, in 1993, he died from AIDS-related pneumonia.

“By the time you read this letter from me to you for the first time, I may not be around to discuss with you what I have written here. Perhaps I will still be with you and your mother, sharing in your daily lives, in your joys and in your sorrows. However, I may be gone. You would doubtless be sad that I am gone, and remember me clearly for a while. Then I will exist only as a memory already beginning to fade in your mind. Although it is natural for memories to fade, I am writing this letter in the hope that your recollection of me will never fade completely.”

— quoted from “11. My Dear Camera” in Days of Grace: A Memoir by Arthur Ashe and Arnold Rampersad

As I mentioned before, I grew up as the non-playing member of a tennis-loving family. Most of the time I didn’t mind not playing tennis, because I was absorbed in other things. I loved other things. There was one time, however, when I was really grateful that I didn’t play — and so were my parents.

It was during a time when we were living in the Maryland-D.C. area, late 70s or early 80s. If memory serves me2 — and if I go by the 1981 publication date of Off the Court — I was probably have been as old as 12 or 13. Either way, I was small (spoiler alert: I have always been small). Since I wasn’t playing in the tournament, I wasn’t restricted to certain areas the way my brothers were restricted. So, my parents lifted me over the fence with a copy of Arthur Ashe’s autobiography. Being the man that he was, he didn’t hesitate to sign it.

It was a very memorable day that I will never forget, but, to him, it was: “Just another day at the office…”

“…he told the Baltimore Sun’s Jim Caffrey[,] ‘I never get too excited about winning anything; it’s just my philosophy of life.’”

— quoted from the August 13, 2017, Andscape (“#RememberWhensdays”) article, “The day Arthur Ashe became the first black man to win the US Open: Ashe earned the top ranking in the country with the five-set victory” by Rhiannon Walker

Sunday’s playlist is available on YouTube and Spotify. [Look for “08252021 Love from Althea & Arthur”]

NOTES: 1The All England Lawn Tennis and Croquet Club (AELTC), also known as the All England Club, is a private members’ club in Wimbledon, London, England. Established on July 23, 1868, the majority of the nearly 600 members are are Full Members — who, along with Life Members and Honorary Members, make up no more than 500 members. A little over 50 members are Temporary Members of Junior Temporary Members.

To be placed on the waiting list, full and temporary membership candidates must submit an application with formal letters of support from four existing full members, “two of whom must have known the applicant for at least three years.” While some honorary members are occasionally elected by the club’s committee, “past [Wimbledon] Singles Champions, other eminent Lawn Tennis players…” are typically (and automatically) invited to become honorary members. While Black players and Jewish players were theoretically eligible to join the club in 1951 and 1952, respectively, neither Althea Gibson nor her doubles partner Angela Buxton (who retired at the age of 22, because of tenosynovitis) ever made the cut.

2In July 2025, my father randomly texted me about getting Arthur Ashe’s autograph. He remembered it being on a program, which would have made me a lot younger than the age I remembered.

CORRECTION: During the 2024 practice, I referred to Arthur Ashe as a photographer; however, I was confusing him with his wife, the photographer and graphic artist Jeanne Moutoussamy.

Extreme heat can not only make people lethargic and unmotivated, it can also lead to extreme agitation and anxiety-based fear. We may find it hard to think, hard to feel (or process our feelings), and/or hard to control our impulses. If you are struggling in the US, help is available just by dialing 988.

If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can dial 988 (in the US) or call 1-800-273-TALK (8255) for the Suicide and Crisis Lifeline. You can also call this TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.

White Flag is a new app, which I have not yet researched, but which may be helpful if you need peer-to-peer (non-professional) support.

If you are a young person in crisis, feeling suicidal, or in need of a safe and judgement-free place to talk, you can also click here to contact the TrevorLifeline (which is staffed 24/7 with trained counselors).

(### ###)

Another Afternoon of Knowing, Searching, & Doing (the “missing” Wednesday post w/excerpts and links) August 21, 2024

Posted by ajoyfulpractice in Art, Books, Changing Perspectives, Healing Stories, Health, Hope, Life, Love, One Hoop, Pain, Philosophy, Poetry, Suffering, Wisdom, Writing, Yoga.
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Many blessings to everyone and especially to anyone observing the Dormition (Theotokos) Fast and/or exploring friendship, peace, freedom, and wisdom — especially when it gets hot (inside and outside).

Stay hydrated & be kind, y’all!

This is the “missing” for Wednesday, August 21st. Technically, it is also a portion of the “long lost” post for the 2021 practice. It includes some previously posted information. You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email myra (at) ajoyfulpractice.com.

In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es).

Donations are tax deductible; class purchases are not necessarily deductible.

Check out the “Class Schedules” calendar for upcoming classes.

“By the time it came to the edge of the Forest, the stream had grown up, so that it was almost a river, and being grown-up, it did not run and jump and sparkle along as it used to do when it was younger, but moved more slowly. For it knew now where it was going, and it said to itself, ‘There is no hurry. We shall get there some day.’ But all the little streams higher up in the Forest went this way and that, quickly, eagerly, having so much to out before it was too late.”

— quoted from “Chapter Six, In Which – Pooh Invents a New Game and Eeyore Joins In” of The House at Pooh Corner by Alan Alexander Milne, with decorations by Ernest Howard Shephard

One day, a couple had a baby. They were expecting a girl and planned to call her “Rosemary.” But, it turned out they were having a boy. They decided to call him “Billy” — and while they did call him “Billy Moon,” they never intended to christen him “William.” Instead, the couple each picked a name. Born in Chelsea, London, England, today in 1920, the little baby boy was christened Christopher Robin Milne.

You may have heard of him.

Like his father, he was an author, as well as a bookseller, who wrote The Enchanted Places (1974), The Path Through the Trees (1979), The Hollow on the Hill (1982), The Windfall (1985), and The Open Garden (1988). Also like his father, Alan Alexander Milne, Christopher served in the military — although, it was a little harder for the younger Milne to join the British Army since he had health issues and failed his medical exam. At some point in his life he was diagnosed with an autoimmune disease called myasthenia gravis, which is a neuromuscular junction disease that creates muscle weakness and can lead to double vision. The elder Milne pulled some strings and young Christopher was able to join the 2nd Training Battalion of the Royal Engineers. After serving in the Middle East and Italy, being wounded, he eventually returned to Trinity College, Cambridge University, where he earned a degree in English.

But, that’s probably not why you’ve heard of him.

If you’ve heard of him, it’s probably not because he, like his father, married a woman from the de Sélincourt family — A. A. married Dorothy “Daphne” de Sélincourt, in 1913, and Christopher married Lesley (a first cousin), in 1948. Nor is it likely — although it is possible — that you know of him because (like his parents), he and his wife had one child, a daughter named Clare. I say that it is possible, but not likely, to have heard of Christopher Milne through his daughter Clare, because Clare had cerebral palsy and was an advocate for people with disabilities. In fact, Clare and her mother established the Clare Milne Trust in 1999, in order to provide grants to charities and organizations that “support people of all ages with a disability who live in Devon or Cornwall [and] help them to live a full and active life.” The trust started distributing grants in 2002; so, it’s possible (although, not probable) that that’s how you heard of Christopher Milne.

But, I’m willing to bet a whole jar of honey that you first heard of Christopher Robin Milne, because of his toys.

“Every child has his Pooh, but one would think it odd if every man still kept his Pooh to remind him of his childhood. But my Pooh is different, you say: he is the Pooh. No, this only makes him different to you. My toys were and are to me no more than yours were and are to you, not different to me. I do not love them more because they are known to children in Australia or Japan. Fame has nothing to do with love.”

— quoted from “12. The Toys” in The Enchanted Places by Christopher Milne

Christopher Milne received the first of those toys today in 1921. It was a Teddy bear named Edward, naturally. Later that year, one of his first Christmas presents was a stuffed grey donkey, Eeyore. Sometime that same year, he also received Piglet. Much later, his parents gave him three more stuffed animals: Kanga, Roo, and Tigger. At some point, the family went to the London Zoo to see a Canadian black bear named Winnipeg. Then, when he was around five years old, Mr. Milne and his family moved to a country home in East Sussex. The house was surrounded by woods and things the little boy was eager to explore.

To entertain his son, A. A. Milne wrote little verses, including one called “Teddy Bear,” which appeared in Punch when Christopher Robin was three years old. When the family moved, the senior Mr. Milne started incorporating the woods around their East Sussex home into the poems and stories about Christopher Robin, Winnie the Pooh, and the other stuffed animals. Owl and Rabbit (and maybe Small) — and definitely the Heffalump were made up. Alice was not; she was young Christopher’s nanny, Olive “Nou” Rand Brockwell. Much to everyone’s surprise — and much to A. A. Milne’s chagrin — the stories, with those lovely “decorations” by E. H. Shephard, garnered more accolades than for his plays, articles, and adult novels.

But, what could he do about that?

”Forty years ago such letters were addressed to my father, and I can well remember seeing them on the breakfast table every morning and watching him open them…. He would read them silently, then pass them, one at a time, to my mother.

‘What do you think?’

‘Probably Wol.’

‘I thought so too.

So ‘Wol’ it often was.

You may remember the occasion. Rabbit had found the notice saying GON OUT BACKSON BISY BACKSON and had taken it round to Owl for his advice. You may even remember the actual lines. Owl asks:

‘What did you do?’

‘Nothing’

‘The best thing,’ said Owl wisely.

Somehow, so often, nothing did seem the best thing to do.

— quoted from the “Introduction” in The Enchanted Places by Christopher Milne

Click on the excerpt title below for the 2022 post dedicated to A. A. Milne (featuring a related video from my “Nine Days” series).

Searching…. (the “missing” Tuesday post w/a little extra)

But, what of the little boy?

The little boy grew up, as little boys do. His parents were concerned by how all the attention affected their still young son — who, it must be said, kind of hated the attention. He was bullied when he was in Boxgrove School (a boarding school) and even more so when he went to Stowe School. Eventually, as I mentioned before, he went to college, then to war, and then back to college. He got married and had his daughter. Much to his mother’s surprise, Christopher Milne opened Harbour Bookshop, in Dartmouth, on August 25. 1951. The bookstore was a success. In fact, up until its last owners closed the shop in 2011, it was the only independent bookshop in Dartmouth for the better part of 60 years.

While Christopher Milne maintained a relationship with his father up until A. A. Milne’s death in 1956 (shortly before Clare was born), he was estranged from his mother from 1956 until her death in 1971. He had no interest in returning to Cotchford Farm, his childhood home in East Sussex, or his father’s royalties. With the exception of Roo, who was lost when Mr. Milne was 9, the original stuffed animals were all donated to the New York Public Library.

A portion of the following was posted last year.

”Yet the little boy did grow up and it is the grown-up little boy who is writing now. And something of what he was by nature and something of what he became as a result of his experience will colour his words.”

— quoted from the “Introduction” in The Enchanted Places by Christopher Milne

In 1974, the very grown-up Christopher Milne wrote The Enchanted Places to bridge the gap between what people know — or think they know — about a boy and his toys and the man that grew up. That bridge is full of “a few precious things / [that] Seem to follow throughout all our lives.” Some of those things are specific, tangible and describable: toys, games, people. Some of those things are unspecific: a feeling created and then remembered. The bridge is also made up of barely describable and absolutely indescribable things.

As Patanjali pointed out in Yoga Sūtras 2.18 – 2.20), everything in the world is made up of these things. So, there is always a bridge and every one of us has a story (or stories) that make up our bridge. Those stories are filled (if we are lucky) with friends — like Christopher Robin, Pooh, Piglet, Owl, Eeyore, Rabbit, Kanga, Roo, Tigger, the Heffalump, and (even) Small and Alice — and afternoons of just knowing, doing “nothing” (or something).

“Christopher Robin came down from the Forest to the bridge, feeling all sunny and careless, and just as if twice nineteen didn’t matter a bit, as it didn’t on such a happy afternoon, and he thought if he stood on the bottom rail of the bridge, and leant over, and watched the river slipping slowly away beneath him, then he would suddenly know everything there was to be known, and he would be able to tell Pooh, who wasn’t quite sure of it. But when he got to the bridge and saw all the animals there, then he knew that it wasn’t that kind of afternoon, but the other kind, when you wanted to do something.

— quoted from “Chapter Six, In Which – Pooh Invents a New Game and Eeyore Joins In” of The House at Pooh Corner by Alan Alexander Milne, with decorations by Ernest Howard Shephard

Wednesday’s playlist available on YouTube and Spotify. [Look for “08212021 An Afternoon of Just Knowing”]


“If ever there is a tomorrow when we’re not together…there is something you must always remember: you are braver than you believe, stronger than you seem, and smarter than you think…”

— Christopher Robin to Winnie-the-Pooh (in the Walt Disney movie, Pooh’s Grand Adventure: The Search for Christopher Robin, written by Carter Crocker and Karl Geurs 

Yes, it’s true, one of the most famous Christopher Robin / Winnie-the-Pooh quote was not written by A. A. Milne (nor was it written while he was still alive). You can click on the excerpt title above to find out more and/or click here to check out my 2016 post about someone who likes to explore enchanted places.

Click here to pick up the thread and learn about two writers born on August 22nd.

Extreme heat (and a lot of changes) can not only make people lethargic and unmotivated, they can also lead to extreme agitation and anxiety-based fear. We may find it hard to think, hard to feel (or process our feelings), and/or hard to control our impulses. If you are struggling in the US, help is available just by dialing 988.

If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can dial 988 (in the US) or call 1-800-273-TALK (8255) for the Suicide and Crisis Lifeline. You can also call this TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.

White Flag is a new app, which I have not yet researched, but which may be helpful if you need peer-to-peer (non-professional) support.

If you are a young person in crisis, feeling suicidal, or in need of a safe and judgement-free place to talk, you can also click here to contact the TrevorLifeline (which is staffed 24/7 with trained counselors).

### Do You Know For What or Whom You Are Looking? ###

Holchaj yIjatlh. (“Speak in their language.”) [a post-practice Monday post with excerpts] August 20, 2024

Posted by ajoyfulpractice in "Impossible" People, Art, Books, Changing Perspectives, Depression, Healing Stories, Health, Hope, Life, Movies, Music, One Hoop, Peace, Philosophy, Science, TV, Wisdom, Writing, Yoga.
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Many blessings to everyone and especially to anyone observing the Dormition (Theotokos) Fast (and the Second “Feast of the Saviour” in August) and/or exploring friendship, peace, freedom, and wisdom — especially when it gets hot (inside and outside).

Stay hydrated & be kind, y’all!

This is a post-practice post related to the practice on Monday, August 19th. The 2024 prompt question was, “What is a television show that you previously and/or currently watch that informs (or informed) your world view?” This post contains spoilers (in the last paragraph before the excerpts) related to a 1989 television show. You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email myra (at) ajoyfulpractice.com.

In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es).

Donations are tax deductible; class purchases are not necessarily deductible.

Check out the “Class Schedules” calendar for upcoming classes.

“Captain’s log, supplemental. We are holding position pending the arrival of Admiral Haftel from Starfleet Research. Commander Data is completing his final neural transfers to the android he has named Lal which I have learned, in the language Hindi, means beloved.”

— quoted from Star Trek Deep: Next Generation, “The Offspring” – (season 3, episode 16, aired March 12, 1990), voiced by Sir Patrick Stewart (OBE) as Captain Jean-Luc Picard

As noted in the posts excerpted at the end of this post, August 19th is the anniversary of the birth of birth Philo T. Farnsworth (b. 1906) and Gene Roddenberry (b. 1901). The former was an American inventor who revolutionized television; the latter revolutionized what we watch on television. In previous years, a couple of obvious thematic elements from the August 18th practice extended into the August 19th practice: the idea of exploring space(s) and the benefits of exploring and encountering different cultures. However, there was an underlying element that I never really emphasized (in either class): languages.

Sure, I often reference the fact that our minds and bodies communicate in the language of sensation and I have been known to joke that, in the absence of a universal translator, we have to study that language of sensation. But, I never really got into the fact that people can’t really “have their say” if they are speaking in a language that is not understood. Nor did I really get into the fact that television exposed more people to more languages and that certain television shows and movies (like those in the Star Trek franchise) exposed more people to the importance of speaking other languages — specifically, the respect that is communicated when we literally and figuratively/physically “Holchaj yIjatlh. (Speak in their language).”

This oversight is super ironic when you consider how much I love languages and how often I talk about shabda (“word”), which is the power “to give a form to sound, assign meaning to each segment of sound, and to store both sound and meaning in memory….[and] the capacity to communicate both sound and its meaning to others. We also have the capacity to give a visual form to each segment of sound and the meaning associated with it.” Furthermore, I often point out that shabda is also the power related to visual words, i. e., written words, symbols, and sign language. However, it wasn’t until I saw the Google Doodle dedicated to Dorothy “Dot” Miles (née Squire) that I started to think about the limitations of universal translators in the Star Trek franchise… and, since we’re being real, in their current day iterations.1

“Her sister Gwenda (Wendy) wrote about her birth…, ‘I remember the day Dorothy was born and I knew exactly how she got there! The Irwin’s van brought her along with the groceries….’”

— quoted from “A Word from the Miles Estate” – provided to the Google site by the Dorothy Miles Estate, written by Liz Deverill (Dorothy’s niece)

Born in Holywell, Flintshire, Wales on August 19, 1931, Dorothy “Dot” Miles (née Squire) was a Welsh poet and activist in the Deaf community. She contracted meningococcal (also known as cerebrospinal) meningitis and lost her hearing when she was 8 years old. Even though she was the youngest of five (surviving children), born in a small market town in Wales, she was able to attend the Royal School for the Deaf (now known as Seashell Trust) in Stockport, Greater Manchester, North West England, and the Mary Hare School in Newbury, Berkshire, England. When she was 25, a British non-profit’s scholarship enabled her to attend Gallaudet College in Washington, D. C. — and it was there that her early love of music, theatre, and words really shined.

In addition to being a member of the Gallaudet’s honor society (as a junior) and being listed in the 1961 edition of “Who’s Who in American Colleges and Universities,” Dot Miles edited student magazines, wrote prize-winning poetry and prose, won prizes for her acting, and got married (and separated). She also wrote Gallaudet’s “Bison Song” and a poem called “Language for the Eye” — which inspired the 2024 Google Doodle illustrated by Korean American storyteller Youmee Lee (who is also deaf). After graduating with her bachelor’s degree and working as a teacher and counselor for deaf adults, Ms. Miles joined the National Theatre of the Deaf (NTD), in 1967, where she worked in wardrobe and as a script translator. She also wrote poetry (for deaf and hearing audiences) and worked with NTD’s Little Theatre of the Deaf, which produced shows for children and teenagers. She eventually attended Connecticut College — where she wrote her Master’s thesis about deaf theatre in the United States — and then (briefly) moved to Los Angeles.

When she returned to the UK, in 1977, Dot Miles started working in television. She worked with Open Door, which was produced by the BBC’s Community Programme Unit, and performed her poem “Language for the Eye” on the May 10, 1979, episode presented by National Union of the Deaf. She also helped develop the BBC’s See Hear series and, along with Terry Ruane (who also lost his hearing due to a childhood bout of some form of meningitis) wrote specials for the series. In addition to her work in the arts, Dot Miles worked with the British Deaf Association (BDA), helped establish the Council for the Advancement of Communication with Deaf People (CACDP) and compiled teaching manuals and a BDA dictionary.

After her death, people near and dear to her formed the Dorothy Miles Cultural Centre, now known as Dot Sign Language, which “continues to bridge the gap between the Deaf and the hearing world…. [and] is dedicated to raising both Deaf awareness and the profile of BSL as a language in its own right.”  In honor of Dot Miles and her work, the seaside resort town of Rhyl (in Flintshire) placed a Purple Plaque (Welsh: Placiau Porffor) on the poet’s childhood home (in April 2024), declaring her one of the Menywod Nodedig Yng Nghymru / Remarkable Women of Wales.”

“…people meet and part.
The word becomes the action in this language of the heart.”

— quoted from the English translation of the poem “Language for the Eye” by Dorothy Miles

As far as I can tell, Dot Miles was a polyglot who knew four languages: Welsh, English, British Sign Language (BSL), and American Sign Language (ASL). Since she was interested in languages and theatre — and in sharing her poetry with people who used different languages — it would not surprise me to learn that she knew about the hundreds of other sign languages and dialects (even if she didn’t know them). There are, in fact, about 300 sign languages used around the world. This includes some (but not all) language families, like the French Sign Language Family, and the languages therein — like French Sign Language, Italian Sign Language, Quebec Sign Language, American Sign Language, Irish Sign Language, Russian Sign Language, Dutch Sign Language (NGT), Spanish Sign Language, Mexican Sign Language, Brazilian Sign Language (LIBRAS), Catalan Sign Language, Ukrainian Sign Language, Austrian Sign Language (along with its twin Hungarian Sign Language and its offspring Czech Sign Language) and others. That estimate also includes some (but not all) dialects and some village languages, as well as some Deaf-community and school languages. I am not sure if that estimate includes any speech-taboo languages2; but, suffice to say, there are a lot of sign languages. And, knowing one does not mean that you can use the other; any more than knowing one romance language means you can completely understand another.

And, getting back to my earlier point, the universal translators in Star Trek do not translate sign language.

“WOMAN: Precisely. Our way of communicating has developed over the centuries and its one that I find quite harmonious.

PICARD: Then Riva the mediator —

WOMAN: Is deaf.

PICARD: Deaf?

WOMAN: Born, and hope to die.

PICARD: And the three of you speak for him?

CHORUS: Yes.

SCHOLAR: We serve as translators. We convey not only his thoughts, but his emotional intent as well. I am the Scholar. I represent the intellect, and speak in matters of judgement, philosophy, logic. Also, I am the dreamer, the part that longs to see the beauty beyond the truth which is always the first duty of art. I am the poet who —

ADONIS: Artists, they tend to ramble, neglect the moment. I am passion, the libido. I am the anarchy of lust, the romantic and the lover. I am also the warrior, the perfect line which never wavers.

WOMAN: I am that which binds all the others together. I am harmony, wisdom, balance.

PICARD: Remarkable. And so these —

(Riva steps forward, angry)

SCHOLAR: Speak to me!

PICARD: What?

SCHOLAR: Speak directly to me.

PICARD: The uniqueness of this presentation provoked this inadvertent breach in protocol. No insult was intended.

SCHOLAR: Then none is perceived.”

— quoted from Star Trek Deep: Next Generation, “Loud as a Whisper” – (season 2, episode 5, aired January 9, 1989), conversation between Captain Jean-Luc Picard (played by Sir Patrick Stewart, OBE), Riva (played by Howie Seago), and the Chorus (played by Marnie Mosiman as Woman/That Which Binds Them, Thomas Oglesby as Scholar/Dreamer/Artist, and Leo Damian as Passion/Warrior)

While the universal translators in Star Trek only translate spoken languages — and, even then, only “known” languages — a sign language is a very important plot element in the Star Trek: The Next Generation episode entitled, “Loud as a Whisper.” The episode features Riva, a peace negotiator/ambassador who is deaf and so good at his job that (prior to this episode) the Klingons added a new word to their vocabulary: peacemaker. Riva knows a sign language, however, he travels with his own personal Greek chorus who are connected to him telepathically. They are known as “the scholar, the warrior, and that which binds them [woman].” SPOILER ALERT: When something happens to the Riva’s chorus, someone has to step in to learn the sign language — because, again, the universal translators only work with spoken words.

More importantly, communication needs to be as seamless as possible in order to negotiate peace.

Click on the excerpt titles below for the 2020 post and the 2023 note related to Philo T. Farnsworth and Gene Roddenberry.

qaStaH nuq (“What’s happening?”)

bISeH’eghlaH’be’chugh latlh Dara’laH’be‘ (“If you cannot control yourself, you cannot command others”)

“RIKER: So none of the background which we have provided would be helpful in understanding why they continue to fight?

SCHOLAR: The portfolio will indicate that the conflict is over a piece of land, or wealth, or some other tangible asset. But we both know that is not the case.

RIKER: They’ve been at war for so long, it has become personal.

SCHOLAR: Exactly. The basis for peace must also be personal….”

— quoted from Star Trek Deep: Next Generation, “Loud as a Whisper” – (season 2, episode 5, aired January 9, 1989), conversation between First Officer William T. Riker (played by Jonathan Frakes), Riva (played by Howie Seago), and the Chorus (played by Thomas Oglesby as Scholar/Dreamer/Artist, Marnie Mosiman as Woman/That Which Binds Them, and Leo Damian as Passion/Warrior)

There is no playlist for the Common Ground Meditation Center practices.

The “Courage filled” playlist used in previous years is available on YouTube and Spotify. [Look for “08192020 To Boldly Go with Courage”]

PLAYLIST NOTE: The YouTube playlist includes an interview with Gene Roddenberry and the Dorothy Miles poem “Language for the Eye” (which is also below).

NOTES:

1 Google Translate and related apps are the closest things we (currently) have to a universal translator. Obviously, they do not allow us to hear someone else’s words as if they are speaking in the language of our choice; however, they can be voice activated and can play a recording of words typed (or pasted) into the app. There are apps that translate (into and out of) a variety of sign languages — however, they are not standard to (i.e., built into) cell phones like Google Translate and the iPhone’s Translate.

2 According to Wikipedia, speech-taboo languages “are developed by the hearing community and only used secondarily by the deaf.”

Dorothy Miles struggled with her mental health. Sadly, she was not able to receive help when she needed it most. If you are struggling in the US, help is available just by dialing 988.

If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can dial 988 (in the US) or call 1-800-273-TALK (8255)for the Suicide and Crisis Lifeline. You can also call this TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.

White Flag is a new app, which I have not yet researched, but which may be helpful if you need peer-to-peer (non-professional) support.

If you are a young person in crisis, feeling suicidal, or in need of a safe and judgement-free place to talkyou can also click here to contact the TrevorLifeline (which is staffed 24/7 with trained counselors).

CORRECTION & 2024 UPDATE: There are currently twelve Star Trek television series, thirteen feature films (with additional ones already in development or production), an extensive collection of books, games, and toys – not to mention college curriculum and language courses.

### roj vay’ ###

The McGuffin’s MacGuffin, redux & reprised (the “missing” Tuesday post) August 13, 2024

Posted by ajoyfulpractice in Abhyasa, Art, Books, Buddhism, Changing Perspectives, Faith, Healing Stories, Hope, Life, Mantra, Meditation, Movies, Music, One Hoop, Pain, Peace, Philosophy, Science, Suffering, Tragedy, Vairagya, Wisdom, Writing, Yoga.
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Many blessings to anyone observing Tisha B’Av and to everyone cultivating friendship, peace, freedom, and wisdom — especially when it gets hot (inside and outside).

Stay hydrated & be kind, y’all!

This is the “missing” for Tuesday, August 13th. Technically, it is also the “long lost” post for 2023 and a portion of the 2022 practice. It includes some previously posted information. You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email myra (at) ajoyfulpractice.com.

In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es).

Donations are tax deductible; class purchases are not necessarily deductible.

Check out the “Class Schedules” calendar for upcoming classes.

“Upanishad is the subtler, mystical or yogic teachings of the philosophy and practices leading to the direct experience of the center of consciousness, the absolute reality. ‘Upa’ means ‘near;’ ‘ni’ means ‘down;’ ‘shad’ means ‘to sit.’ Thus, Upanishad is to sit down near the teacher to discuss, learn, practice and experience the means and goals of Yoga sadhana or practices. The Upanishads are also known as Vedanta, which means the end or culmination of the Vedas.”

— quoted from the “Upanishad” page by Swami Jnaneshvara Bharati (“Swami J”)

Often translated as “sitting near devotedly,” “Upanishad” is the Sanskrit word assigned to a collection of sacred texts, the earliest of which were compiled (starting) in the last centuries of the 1st millennium BCE. The stories within the Upanishads were originally part of an oral tradition and they explain and explore the Vedas (which are more sacred texts). Scholars believe there were originally over 200 Upanishads, with some overlapping material; however, some have been lost. Of the 108 studied and practiced today, ten to twelve (depending on the tradition) are consider “major” and complete. Each one begins and ends with an invocation known as a Shantipat: a path of peace.

We start each practice with the “Teaching Shantipat” and I often bring awareness to the end: “Shanti Shanti Shanthi Om” / “Peace [within us], Peace [all around us], Peace [to and from everything and every one we encounter] With our conscious, subconscious, and unconscious mind and on every plane of existence.” The last “Shanthi” is emphatic, drawn out, and sometimes explained as “Peace [because I said so]” or “Peace [because I demand it].”

While the endings are the same, the beginnings of each of the shantipats are different. They are situational. So, today, I bring your awareness to the beginning of the “Teaching Shantipat.”

“May all of us together be protected….

— quoted from the beginning of the “Teaching Shantipat,” chanted in Sanskrit by Richard Freeman (when we are in the studio)

The beginning of the “Teaching Shantipat.” is interesting (to me), because it is very similar to the beginning of the metta meditation: “May I be safe and protected.”

I find it very interesting that this invocation begins with a desire, a wish, a prayer for safety and protection. You could even think of it as a commitment — similar to ahiṃsā (“non-harming” or “non-violence”), which is the very first yama (external “restraint” or universal commandment) at the beginning of the Yoga Philosophy. The underlying implication to all of this is that there is something — or someone — from which we need to be protected; that there is some danger of which we must be mindful. In other words, it is almost a warning that there is something to fear.

Fear is an emotional response to a perceived threat. It doesn’t matter if what we perceive turns out not to be a threat; because, the emotion is real. The emotional reaction causes a physiological response: it activates the sympathetic nervous system, which causes a chemical change in the brain and a change in organ function. These changes are designed to protect and ensure survival, causing us to fight or flee or freeze (which is a form of collapse). This can all take place in a blink of an eye and in a heartbeat — even, again, when the perceived threat turns out to not be a threat and/or not a threat to survival. Although the initial reaction can occur in an instant, it takes a while to come down off of the adrenaline high and, depending on the reality and nature of the threat, the effects of the trauma can be life-long.

“It is not that you must be free from fear. The moment you try to free yourself from fear, you create resistance against fear. Resistance in any form does not end fear. What is needed, rather than running away or controlling or suppressing, is understanding fear; that means, watch it, learn about it, come directly into contact with it, not how to escape from it, not how to resist it.”

— Jiddu Krishnamurti

Yoga Sūtras 2.3 and 2.9 describe ābhiniveśāḥ (“resistance to loss, fear of death of identity, desire for continuity, clinging to the life of”) as the fifth and final afflicted/dysfunctional thought pattern that leads to suffering. This is consistent with the Ashtavakra Gita, which states “All sorrow comes from fear. / From nothing else. // When you know this, / You become free of it, / And desire melts away.” (AG 11.5) According to the Eastern philosophies, like Yoga and Buddhism, the remedy to fear is wisdom, which is considered to be the opposite of fear.

Wisdom is the ability, knowledge, and skill to respond to a given situation with awareness. Without wisdom, we react as if everything and everyone is a threat to our life, our livelihood, and those we love. We become like a “timid man” who flees because he perceives everything picked up by our senses as a tiger. (AG 18.45) We see this fear-based behavior each and every day, even when we don’t recognize that that is what we are seeing/experiencing. Wisdom, in this case, can also be defined as vidyā (“correct knowledge”) about ourselves and the nature of everything. It gives us the ability to pause, take a breath, and possibly discover that “Just as a coil of rope / Is mistaken for a snake, / So you are mistaken for the world” (AG 1.10) and that “a man without desires is a lion.” (AG 18.46)

“‘Work hard in the world, Arjuna, but for work‘s sake only. You have every right to work but you should not crave the fruits of it. Although no one may deny you the outcomes of your efforts, you can, through determination, refuse to be attached to or affected by the results, whether favorable or unfavorable. 

“‘The central points of issue, Arjuna, are desire and lack of inner peace. Desire for the fruits of one‘s actions brings worry about possible failure — the quivering mind I mentioned. When you are preoccupied with end results you pull yourself from the present into an imagined, usually fearful future. Then your anxiety robs your energy and, making matters worse, you lapse into inaction and laziness.’”

— Krishna speaking to Arjuna (2.47) in The Bhagavad Gita: A Walkthrough for Westerners by Jack Hawley

“You gain strength, courage and confidence by every experience in which you really stop to look fear in the face…. You must do what you think you cannot do.”

— quoted from You Learn by Living: Eleven Keys for a More Fulfilling Life by Eleanor Roosevelt

This tricky thing about fear is that the mind-intellect can perceive and process things in the past, present, and/or future; which means we may find ourselves having a fear-based reaction to something in the past or something that has not (and may never) happen. This is why fear can prevent us from achieving our goals and desires. It can also cause us to build walls — emotionally, energetically, symbolically, and physically. In fact, construction of the Berlin Wall, which began today on Sunday, August 13, 1961, was at the intersection of a lot of fear.

Remember, during the Potsdam Conference at the end of World War II, the Allies decided to split Berlin and the rest of Germany into four different regions controlled by four different nations. The Soviet-controlled areas became the German Democratic Republic (GDR or DDR; German: Deutsche Demokratische Republik), also known as East Germany. The areas controlled by United States, the United Kingdom, and France became the Federal Republic of Germany (German: Bundesrepublik Deutschland), sometimes called Bonn Republic (German: Bonner Republik), and known as West Germany. East and West Berlin, as well as East and West Germany, ended up with vastly different socioeconomic and political cultures. Right off the bat, people on the East side would travel to East Berlin in order to crossover to West Berlin and then, from there, gained access to the rest of the “Free World.” In fact, prior to the wall being constructed approximately 3.5 million people defected from East Berlin — at a rate of about one thousand a day.

The wall did not go up all at once. It started off as a little over 100 miles of barbed wire and fencing put up in the wee hours of that Sunday morning in 1961: 156 km (97 mi) between the western regions and the eastern regions and another 43 km (27 mi) of wire dividing the cities of Berlin. Then a 6-foot tall wall of blocks was constructed, with bunkers. Within nine years, that 6-foot wall of blocks had become a 3.6-meter (11.8-foot) tall wall, with the barbed wire (and guards in the towers). The final wall included 155 km (96 miles) of wall around West Berlin and another 111.9 km (69.5 miles) of barrier between West Berlin and East Germany.

The wall decreased the number of defections; however, it did not completely prevent them. Between 1961 and 1989, when the Berlin Wall “fell,” about 100,000 people attempted to defect and approximately five thousand succeeded. An estimated 136 — 200 people died attempting to escape. Many of the deaths were in and around a gap created between two concrete walls which formed the 27 miles of barrier dividing Berlin. Known as the “death strip,” the gap was full of anti-vehicle trenches, guard dog runs, floodlights, and trip-wire machine guns. It was also overseen by guards in watchtowers who were ordered to shoot on sight.

Remember, although decades had passed, the construction of the Berlin Wall happened in the wake of World War II. People were still processing the trauma caused by the violence of the war and of the Holocaust, which were themselves the source and result of fear.

“However, if the process of non-violence is to be effective in counteracting violence, we must first describe and outline it clearly and methodically. Because violent thoughts always precede a violent act, an act of non-violence will be effective only if it is preceded by non-violent thoughts. Violence is an active phenomenon, whereas non-violence is mistakenly thought to be passive – simply the absence of violence. But passive non-violence has no power to extinguish the fire if violence. Non-violence must be as active as violence itself.”

— commentary on Yoga Sūtra 2.33 from The Practice of the Yoga Sutra: Sadhana Pada by Pandit Rajmani Tigunait, PhD

“The opposite of racist isn’t ‘not racist.’ It is ‘anti-racist.’ What’s the difference? One endorses either the idea of a racial hierarchy as a racist, or racial equality as an anti-racist. One either believes problems are rooted in groups of people, as a racist, or locates the roots of problems in power and policies, as an anti-racist. One either allows racial inequities to persevere, as a racist, or confronts racial inequities, as an anti-racist. There is no in-between safe space of ‘not racist.’”

 — quoted from How to Be an Antiracist by Ibram X. Kendi, PhD

When I first heard about Dr. Ibram X. Kendi, who was born in Jamaica, New York City on August 13, 1982, I thought the term “antiracist” was something new. In reality, however, Dr. Kendi recommends and teaches an idea that goes back to the beginning of the yoga philosophy. (NOTE: I’m not saying he’s teaching “yoga,” even though he is working to bring people together. I’m saying that he is teaching ancient wisdom.)

This wisdom is not simply bringing awareness to a situation and neither is it not doing something overtly harmful. It is bringing awareness to what is happening beneath the surface and actively, skillfully, moving in the opposite direction. Again, the premise behind “cultivating the opposites” is that, over time, we neutralize the force of past actions and, as a result, our habits and thoughts change. When our habits and thoughts change, the world changes. Doing this work can be scary — in fact, you may already feel yourself tightening up just at the thought. But, we must remember that being fearless is not the absence of fear, it is how we show up when we experience fear.

“Courage is the strength to do what is right in the face of fear, as the anonymous philosopher tells us. I gain insight into what’s right from antiracist ideas. I gain strength from fear. While many people are fearful of what could happen if they resist, I am fearful of what could happen if I don’t resist, I am fearful of cowardice. Cowardice is the inability to amass the strength to do what is right in the face of fear. And racist power has been terrorizing cowardice into us for generations.”

— quoted from How to Be an Antiracist by Ibram X. Kendi, PhD 

None of this is about being reckless and putting ourselves (or others) in danger. Neither is it about ignoring reality. Instead, the philosophers and leaders quoted throughout this post encourage us to face our fears. Again, this is not new advice. As noted above, it is the same advice found in ancient texts from India and (as noted below) it is the same advice found in the teachings of the Stoics. In fact, I imagine that if you research all the indigenous and modern cultures in the world, you will find lessons on fear and advice on cultivating fearlessness that is very, very similar.

Furthermore, we have plenty of opportunities to practice studying, observing, learning about, and understanding our fears. We can do it on the mat or the cushion; we can do it as we move through our days; and we can do it when some form of entertainment push our buttons.

“[Spoken: Alfred Hitchcock]
Thus far, this album has provided musical accompaniment to make your passing pleasant
Our next number is designed to drown out the sound of shovels
Music to be buried by
[Music begins]

Of course, your assassin may have made burial unnecessary
So, if you are completely encased in cement
And are teetering on the edge of a pier
Please try not to pay attention to this next number
It is not meant for you
As for the others, if you spend your evenings watching murder instead of doing it yourself
You may recognize this”

— quoted from Track 5, “Alfred Hitchcock Television Theme” on the album Alfred Hitchcock Presents Music to Be Murdered By by Alfred Hitchcock and Jeff Alexander (narration written by James Allardice; “Funeral March Of A Marionette” by Charles Gounod adapted by Jeff Alexander and Stanley Wilson) 

Born today in London, today in 1899, Sir Alfred Hitchcock KBE liked to play with fear(s) and push people’s fear buttons. He directed and produced movies like The Lodger: A Story of the London Fog (1927); Blackmail (1929), was the first British “talkie;” The 39 Steps (1935); The Lady Vanishes (1938); Rebecca (1940); Shadow of a Doubt (1943);  Strangers on a Train (1951), Dial M for Murder and Rear Window (both released in 1954); Psycho (1960); To Catch a Thief and The Trouble with Harry (both released in 1955); Vertigo (1958); North by Northwest (1959), and The Birds (1963). He was also the producer and host of the television anthology Alfred Hitchcock Presents (1955–65) and often made cameo appearances in his own movies. Like so many directors and producers, he liked to work with certain people, including Cary Grant and James Stewart (who were each in four movies) and Ingrid Bergman and Grace Kelly (who were each in three movies).

In addition to having nine of his films selected for preservation in the United States National Film Registry (as of 2021), Alfred Hitchcock received the British Academy of Film and Television Arts (BAFTA) Fellowship in 1971, the American Film Institute (AFI) Life Achievement Award in 1979, and was knighted in December of that 1979, just a few months before he died on April 29, 1980. His work also earned him six Academy Awards and an additional 40 Academy Award nominations — including five in the Best Director category.

Despite never winning the Academy Award for Best Director, the “Master of Suspense” did such a good job at manipulating emotional responses that even hearing the music (often composed by Bernard Herrmann), seeing a murder of crows or a rear window, and/or being in the shower can start tightening up the body. His name, voice, and infamous silhouette became so synonymous with his work that they can also activate the fear response. Another common Hitchcockian element was a simple plot device that existed long before he was born. It became more popular and more well-known by a name coined by the screenwriter Angus MacPhail1: MacGuffin (or McGuffin).

“Hitchcock explained how the MacGuffin got its name:

‘Two men are traveling on a train to Scotland. One of them is carrying an odd parcel. The other man says, “What have you there?” and the other answers, “A MacGuffin.”

‘“What’s a MacGuffin?”

‘“It’s a special device designed to trap wild lions in the Scottish Highlands.”

‘“But there aren’t any lions in the Scottish Highlands.”

‘“Then, there is no MacGuffin.”

‘The MacGuffin, you see, is only important if you think it’s important, and that’s my job as a director, to make you think it’s important.’”

— quoted from “II. British Films: Cub Director” in It’s Only a Movie: Alfred Hitchcock: A Personal Biography by Charlotte Chandler2

A McGuffin (or MacGuffin) can be anything — or anyone — that people in the movie are seeking. It could be a briefcase (or something inside a suitcase). It could be a jewel-encrusted statuette. It could be $40,000 or, as some people see it, a place in the snow where $920,000 was buried. It could be state secrets. It could be A Girl. While the MacGuffin (or McGuffin) motivates the characters and keeps the plot moving, it is the exact opposite of Checkov’s gun because it is ultimately inconsequential. The characters seem to forget about it or just put it aside. In fact, sometimes it is as if it was never in the story. Other times it is just never revealed to the audience.

A McGuffin (or MacGuffin) should not be confused with a “red herring,” because it is not intended to confuse or misdirect the audience. However, to be clear, Sir Alfred’s movies also include red herrings — sometimes in the form of suspenseful music or shadows that keep the audience primed for something to happen. In other words, the MacGuffin (or McGuffin) motivates the characters and puts them in their situations, while the red herring conditions the audience to fear on command.

“Hitchcock’s example of the MacGuffin emphasizes its impossible status: not only is the object that one [never has], but one cannot even isolate it as an idea. It remains necessarily empty, and yet functions as an engine for the Hitchcockian narrative. The emptiness of the MacGuffin as an object permits spectators to locate their satisfaction in the striving that it unleashes rather than identifying satisfaction with the discovery of its secret.”

— quoted from “The Empty Object” in “27. Hitchcock’s Ethics of Suspense: Psychoanalysis and the Devaluation of the Object” by Todd McGowan (as published in A Companion to Alfred Hitchcock, edited by Thomas Leitch and Leland Poague)

Take a moment to bring your awareness to what happens when you experience fear.

Are you someone who runs away from it… or towards it? Are you someone who likes to be fearless and play? Are you someone who tears down walls and barriers? Or, are you someone who builds walls?

“This great Nation will endure as it has endured, will revive and will prosper. So, first of all, let me assert my firm belief that the only thing we have to fear is fear itself – nameless, unreasoning, unjustified terror which paralyzes needed efforts to convert retreat into advance.”

“Only a foolish optimist can deny the dark realities of the moment.”

— quoted from the March 4, 1933, Inaugural Speech by President Franklin Delano Roosevelt

“What conflicts with the courage of wisdom is desires and fears. The Stoics developed a profound doctrine of anxiety which also reminds us of recent analyses. They discovered that the object of fear is fear itself. ‘Nothing,’ says Seneca, ‘is terrible in things except fear itself.’ And Epictetus says, ‘For it is not death or hardship that is a fearful thing, but the fear of death and hardship.’ Our anxiety puts frightening masks over all men and things. If we strip them of these masks their own countenance appears and the fear they produce disappears. This is true even of death. Since every day a little of our life is taken from us–since we are dying every day–the final hour when we cease to exist does not itself bring death; merely completes the death process. The horrors connected with it are a matter of imagination. They vanish when the mask is taken from the image of death.

— quoted from “Chapter 1. Being and Courage – Courage and Wisdom: The Stoics” in The Courage To Be (pub. 1952) by Paul Tillich

Tuesday’s playlist is available on YouTube and Spotify. [Look for “08132022 The McGuffin’s MacGuffin”]

NOTES:
1 Angus MacPhail worked with Sir Alfred Hitchcock on Aventure Malgache (1944, uncredited writer); Bon Voyage (1944, writer); Spellbound (1945, writer for adaptation); The Man Who Knew Too Much (1956, uncredited contributing writer); and The Wrong Man (1956, screenwriter). He very briefly worked on the script development for Vertigo, which may be why the movie opens with San Francisco detective John “Scottie” Ferguson (as played by James Stewart) involved in a rooftop chase.

2 Alfred Hitchcock used variations of this MacGuffin story on more than one occasion, including during a lecture at Columbia University in New York City (in 1939) and in a series of interviews. In some versions the conclusion was that there were no lions in the Scottish Highlands because the device in the parcel worked.

“We are very afraid of being powerless. But we have the power to look deeply at our fears, and then fear cannot control us. We can transform our fear. Fear keeps us focused on the past or worried about the future. If we can acknowledge our fear, we can realize that right now we are okay. Right now, today, we are still alive, and our bodies are working marvelously. Our eyes can still see the beautiful sky. Our ears can still hear the voices of our loved ones.”

— quoted from Fear: Essential Wisdom for Getting Through the Storm by Thich Nhat Hanh

Extreme heat (and traumatic events) can not only make people lethargic and unmotivated, they can also lead to extreme agitation and anxiety-based fear. We may find it hard to think, hard to feel (or process our feelings), and/or hard to control our impulses. If you are struggling in the US, help is available just by dialing 988.

If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can dial 988 (in the US) or call 1-800-273-TALK (8255) for the Suicide and Crisis Lifeline. You can also call this TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.

White Flag is a new app, which I have not yet researched, but which may be helpful if you need peer-to-peer (non-professional) support.

If you are a young person in crisis, feeling suicidal, or in need of a safe and judgement-free place to talk, you can also click here to contact the TrevorLifeline (which is staffed 24/7 with trained counselors).

### BE Fearless & PLAY. BE WISE.###

The McGuffin’s MacGuffin, redux & reprised (mostly the music) *UPDATED w/link* August 13, 2024

Posted by ajoyfulpractice in Art, Books, Changing Perspectives, Healing Stories, Life, Meditation, Movies, Music, One Hoop, Peace, Philosophy, Suffering, Wisdom, Yoga.
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Many blessings to anyone observing Tisha B’Av and to everyone cultivating friendship, peace, freedom, and wisdom — especially when it gets hot (inside and outside).

Stay hydrated & be kind, y’all!

“May all of us together be protected….

— excerpt from the beginning of the “Teaching Shantipat,” chanted in Sanskrit by Richard Freeman (when we are in the studio)

CLICK HERE FOR THE RELATED POST.

Please join me today (Tuesday, August 13th) at 12:00 PM or 7:15 PM for a yoga practice on Zoom. You can use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below or by emailing myra (at) ajoyfulpractice.com.

Tuesday’s playlist is available on YouTube and Spotify. [Look for “08132022 The McGuffin’s MacGuffin”]

“Hitchcock’s example of the MacGuffin emphasizes its impossible status: not only is the object that one [never has], but one cannot even isolate it as an idea. It remains necessarily empty, and yet functions as an engine for the Hitchcockian narrative. The emptiness of the MacGuffin as an object permits spectators to locate their satisfaction in the striving that it unleashes rather than identifying satisfaction with the discovery of its secret.”

— quoted from “The Empty Object” in “27. Hitchcock’s Ethics of Suspense: Psychoanalysis and the Devaluation of the Object” by Todd McGowan (as published in A Companion to Alfred Hitchcock, edited by Thomas Leitch and Leland Poague)

Extreme heat (and hard memories) can not only make people lethargic and unmotivated, they can also lead to extreme agitation and anxiety-based fear. We may find it hard to think, hard to feel (or process our feelings), and/or hard to control our impulses. If you are struggling in the US, help is available just by dialing 988.

If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can dial 988 (in the US) or call 1-800-273-TALK (8255) for the Suicide and Crisis Lifeline. You can also call this TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.

White Flag is a new app, which I have not yet researched, but which may be helpful if you need peer-to-peer (non-professional) support.

If you are a young person in crisis, feeling suicidal, or in need of a safe and judgement-free place to talk, you can also click here to contact the TrevorLifeline (which is staffed 24/7 with trained counselors).

In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es).

Donations are tax deductible; class purchases are not necessarily deductible.

Check out the “Class Schedules” calendar for upcoming classes.

### 🎶 ###

A Quick Note & EXCERPT: “The Practice of Observing Where You Are (and keeping notes)” August 10, 2024

Posted by ajoyfulpractice in Art, Changing Perspectives, Healing Stories, Hope, Life, Meditation, One Hoop, Philosophy, Science, Vipassana, Wisdom, Yoga.
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Many blessings to everyone and especially to anyone navigating the road(s) with friendship, peace, freedom, and wisdom — especially when it gets hot (inside and outside).

Stay hydrated & be kind, y’all!

“When I have got some more observations of it I shall bee [sic] able to tell you how long it will last and where it will pass[. At] present I dare not pretend to that knowledge.”

— quoted from a letter to “to Crompton [for Newton]” dated “December 15th (1680)” by John Flamsteed, the first Astronomer Royal

Every mindfulness-based practice is an opportunity for observation — for noticing what we notice and bringing awareness to our awareness. These practices are also a way to better study cause and effect, on and off the mat. One of the underlying intentions, especially during this year’s Saturday practices, is to notice cause and effect in order to better understand our trajectory — which, in turn, can help us navigate through life with a little more intentionality.

August 10th is the day the cornerstone for the Royal Observatory, Greenwich was laid (in 1675); the day Ferdinand Magellan set sail today (in 1519), with the intention of circumnavigating the globe; and the day the United States Congress passed legislation (in 1846) that established the Smithsonian Institution.

Click on the excerpt title below for more about observation, navigation, and preservation.

FTWMI: The Practice of Observing Where You Are (and keeping notes)

Please join me today (Saturday, August 10th) at 12:00 PM for a yoga practice on Zoom. You can use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email myra (at) ajoyfulpractice.com.

Saturday’s playlist available on YouTube and Spotify. [Look for “04192020 Noticing Things”]

NOTE: This is a 2-for-1 playlist. You can start with Track #1 or Track #14.

Extreme heat can not only make people lethargic and unmotivated, it can also lead to extreme agitation and anxiety-based fear. We may find it hard to think, hard to feel (or process our feelings), and/or hard to control our impulses. If you are struggling in the US, help is available just by dialing 988.

If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can dial 988 (in the US) or call 1-800-273-TALK (8255) for the Suicide and Crisis Lifeline. You can also call this TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.

White Flag is a new app, which I have not yet researched, but which may be helpful if you need peer-to-peer (non-professional) support.

If you are a young person in crisis, feeling suicidal, or in need of a safe and judgement-free place to talk, you can also click here to contact the TrevorLifeline (which is staffed 24/7 with trained counselors).

In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es).

Donations are tax deductible; class purchases are not necessarily deductible.

Check out the “Class Schedules” calendar for upcoming classes.

### YOU WILL REACH YOUR DESTINATION! ###

A Note, Links, & Excerpt On The Cornerstones of Friendship & Liberty (a post-practice Monday post) August 5, 2024

Posted by ajoyfulpractice in "Impossible" People, Art, Books, Buddhism, Changing Perspectives, Faith, Healing Stories, Hope, Life, One Hoop, Pain, Philosophy, Suffering, Women, Writing, Yoga.
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Many blessings to everyone and especially to anyone cultivating friendship, peace, freedom, and wisdom — especially when it gets hot (inside and outside). Stay hydrated, y’all!

This is a post-practice post related to the practice on Monday, August 5th. The 2024 prompt question was, “How long is your longest, ongoing friendship with someone perceived as being very different from you?” You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email myra (at) ajoyfulpractice.com.

In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es).

Donations are tax deductible; class purchases are not necessarily deductible.

Check out the “Class Schedules” calendar for upcoming classes.

“No man can read a fine author, and relish him to his very bones, while he reads, without subsequently fancying to himself some ideal image of the man and his mind. And if you rightly look for it, you will almost always find that the author himself has somewhere furnished you with his own picture. For poets (whether in prose or verse), being painters of Nature, are like their brethren of the pencil, the true portrait-painters, who, in the multitude of likenesses to be sketched, do not invariably omit their own; and in all high instances, they paint them without any vanity, though, at times, with a lurking something, that would take several pages to properly define.

— quoted from “Hawthorne and His Mosses” [a review of the Nathaniel Hawthorne’s short story collection, Mosses from an Old Manse] by Herman Melville, published pseudonymously by “a Virginian Spending July in Vermont” (as printed in The Literary World on August 17 and 24, 1850)

As I mentioned a little over a month ago, friendship is highly regarded in the Eastern philosophies. The Buddha described sangha (“community”) as one of the three jewels; in other words, it is something of great value. In Yoga and Sāmkhya, two of the six Indian philosophies, the ability to “cultivate a good heart” (i.e., make friends) is so valued it is considered a great power that all humans possess. An underlying element to that discussion, and similar discussions about friendship, is how much easier it is to cultivate a friendship when the people involved are in close proximity and share similar backgrounds (as well as similar expectations).

All that is not to say that it’s impossible to make friends with someone who is different from you. However, consider how much easier it is to connect with someone when you can (literally) see yourself in their visage and when you share the same interests, the same passions, the same vocations and occupations — not to mention similar traumas — and have enough time to discover those similarities. This is exactly what happened when Herman Melville and Nathaniel Hawthorne met on August 5,1850, just a few days after Mr. Melville’s 31st birthday.

I submit it, then, to those best acquainted with the man personally, whether the following is not Nathaniel Hawthorne,–to to himself, whether something involved in it does not express the temper of this mind,–that lasting temper of all true, candid men–a seeker, not a finder yet:–

A man now entered, in neglected attire, with the aspect of a thinker, but somewhat too rough-hewn and brawny for a scholar. His face was full of sturdy vigor, with some finer and keener attribute beneath; though harsh at first, it was tempered with the glow of a large, warm heart, which had force enough to heat his powerful intellect through and through. He advanced to the Intelligencer, and looked at him with a glance of such stern sincerity, that perhaps few secrets were beyond its scope.”

— quoted from “Hawthorne and His Mosses” [a review of the Nathaniel Hawthorne’s short story collection, Mosses from an Old Manse] by Herman Melville, published pseudonymously by “a Virginian Spending July in Vermont” (as printed in The Literary World on August 17 and 24, 1850)

The authors were part of a small group planning to picnic on the top of Monument Mountain in the Berkshires. When a thunderstorm sent the group rushing into a cave for shelter, the two writers had time to talk: time to talk about their love of literature, writing, and the sea. Perhaps they also had time to discuss the fact that they both lost their fathers when they were young. Mr. Hawthorne’s father died when the author was 4, and Mr. Melville’s when he was 13 (although the latter felt his father’s emotional absence long before his father’s death). Maybe they even discussed their decisions to change the spelling of their surnames. (Although that is highly unlikely.)

Mr. Hawthorne was a bit older (at forty-six) and had already worked for the U. S. Customs Service, for which Mr. Melville would also work a few years after their meeting. Additionally, they were in a community of writers and already familiar with each others work. In fact, they had reviewed each others work. So, their meeting was not impossible or improbable. Neither was it impossible that Nathaniel Hawthorne invited Herman Melville to spend more time in the Berkshires. In fact, given all the other factors, it was possible, even probable, that they would decide to live near each other and cultivate a very deep and close friendship for about two years. It is also not that surprising that, during those two years, they were both very prolific as writers and wrote (and/or published) some of their most popular works.

But, what if they lived on opposite sides of the Atlantic Ocean? You know, long before the internet. What if they spoke different languages and had different (cultural) experiences? Although the probability  would have been smaller, it is still possible that they could have appreciated each other’s work. It’s even possible that one could have offered the other a symbolic token of friendship, as Herman Melville did when he dedicated Moby Dick, or The Whale: “In Token of My Admiration for his Genius, This Book is Inscribed to Nathanial [sic] Hawthorne.” While not as probable, it would have been possible — especially when we consider an even grander symbolic token of friendship traveled across the ocean about 35 years after the writers met. And, the people involved in that transatlantic friendship overcame what seemed like an impossible obstacle.

The cornerstone of the Statue of Liberty’s pedestal was placed on a rainy Bedloe’s Island on August 5, 1884.

Click on the excerpt title below to discover why Lady Liberty and Mrs. Gertrude E. Rush (born today in 1880) are today’s “impossible people.”

FTWMI: The Impossible Cornerstones of Liberty

“Here at our sea-washed, sunset gates shall stand
A mighty woman with a torch, whose flame
Is the imprisoned lightning, and her name
Mother of Exiles. From her beacon-hand
Glows world-wide welcome; her mild eyes command
The air-bridged harbor that twin cities frame.”

— quoted from the poem “The New Colossus” by Emma Lazarus

There is no playlist for the Common Ground Meditation Center practices.

The 2023 playlist is available on YouTube and Spotify. [Look for “06172020 The Lady’s Power”]

If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can dial 988 (in the US) or call 1-800-273-TALK (8255) for the Suicide and Crisis Lifeline. You can also call this TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.

White Flag is a new app, which I have not yet researched, but which may be helpful if you need peer-to-peer (non-professional) support.

If you are a young person in crisis, feeling suicidal, or in need of a safe and judgement-free place to talk, you can also click here to contact the TrevorLifeline (which is staffed 24/7 with trained counselors).

CORRECTION: During some of the practices, I misspoke when referencing the year the cornerstone was laid at Bedloe’s Island.

### WE ARE EACH OTHER’S MIRROR ###

First Friday Night Special #46: Saying Yes to Life and to the “Impossible” & EXCERPT: “The Powerful Possibilities That Come From ‘A Brother’s Love’” August 2, 2024

Posted by ajoyfulpractice in "Impossible" People, Art, Books, Changing Perspectives, Dharma, Faith, Healing Stories, Hope, James Baldwin, Life, Loss, Love, One Hoop, Pain, Peace, Philosophy, Suffering, Traditional Chinese Medicine, Wisdom, Writing, Yin Yoga, Yoga.
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Many blessings to everyone and especially to anyone cultivating peace, freedom, and wisdom — especially when it gets hot (inside and outside). Stay hydrated, y’all!

The light that’s in your eyes / reminds me of the skies / that shine above us every day—so wrote a contemporary lover, out of God knows what agony, what hope, and what despair. But he saw the light in the eyes, which is the only light there is in the world, and honored it and trusted it; and will always be able to find it; since it is always there, waiting to be found. One discovers the light in darkness, that is what darkness is for; but everything in our lives depends on how we bear the light. It is necessary, while in darkness, to know that there is a light somewhere, to know that in oneself, waiting to be found, there is a light. What the light reveals is danger, and what it demands is faith.”

“What a journey this life is! dependent, entirely, on things unseen.”

— quoted from the essay “Nothing Personal” by James Baldwin (b. 1924), original published as part of a collaboration with Richard Avedon

Born today in Harlem, New York, in 1924, the author James Baldwin was — by his own words (see excerpt below) — an impossible person. He was someone who said yes to life and yes to the light inside of himself. He was someone, as Maya Angelou pointed out, who lived with his whole heart and encouraged others to do the same.

To live with one’s whole heart is the original meaning of “courage,” a word James Baldwin put in the same category as words like “artist,” “integrity,” “nobility,” “peace,” and “integration.” Words that, he said (in the speech “The Artist’s Struggle for Integrity”), “[depend] on choices one has got to make, for ever and ever and ever, every day.”

Of course, to make those choices wisely, we need to have some semblance of balance — especially as it relates to the heart.

Click on the excerpt title below for more.

FTWMI: The Powerful Possibilities That Come From “A Brother’s Love”

“I have slept on rooftops and in basements and subways, have been cold and hungry all my life; have felt that no fire would ever warm me, and no arms would ever hold me. I have been, as the song says, ‘buked and scorned and I know that I always will be. But, my God, in that darkness, which was the lot of my ancestors and my own state, what a mighty fire burned! In that darkness of rape and degradation, that fine flying froth and mist of blood, through all that terror and in all that helplessness, a living soul moved and refused to die. We really emptied oceans with a home-made spoon and tore down mountains with our hands. And if love was in Hong Kong, we learned how to swim.

It is a mighty heritage, it is the human heritage, and it is all there is to trust. And I learned this through descending, as it were, into the eyes of my father and my mother. I wondered, when I was little, how they bore it—for I knew that they had much to bear. It had not yet occurred to me that I also would have much to bear; but they knew it, and the unimaginable rigors of their journey helped them to prepare me for mine. This is why one must say Yes to life and embrace it wherever it is found—and it is found in terrible places; nevertheless, there it is; and if the father can say, Yes. Lord, the child can learn that most difficult of words, Amen.

— quoted from the essay “Nothing Personal” by James Baldwin (b. 1924), original published as part of a collaboration with Richard Avedon

Please join me tonight (Friday, August 2, 2024), 7:15 PM – 8:20 PM (CST) for “Saying Yes to Life and to the ‘Impossible.’” You can use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email myra (at) ajoyfulpractice.com.

This Yin Yoga practice is accessible and open to all.

Prop wise, this is a kitchen sink practice. You can practice without props or you  can use “studio” and/or “householder” props. Example of “Studio” props: 1 – 2 blankets, 2 – 3 blocks, a bolster, a strap, and an eye pillow. Example of “Householder” props: 1 – 2 blankets or bath towels, 2 – 3 books (similar in size), 2 standard pillows (or 1 body pillow), a belt/tie/sash, and a face towel.

You may want extra layers (as your body may cool down during this practice). Having a wall, chair, sofa, or coffee table may be handy for this practice.

Friday’s playlist is available on YouTube and Spotify.

NOTE: The playlist tracks are slightly different in length and duration. Start with track 1, 8, or 10.

If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can dial 988 (in the US) or call 1-800-273-TALK (8255) for the Suicide and Crisis Lifeline. You can also call this TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.

White Flag is a new app, which I have not yet researched, but which may be helpful if you need peer-to-peer (non-professional) support.

If you are a young person in crisis, feeling suicidal, or in need of a safe and judgement-free place to talk, you can also click here to contact the TrevorLifeline (which is staffed 24/7 with trained counselors).

In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es).

Donations are tax deductible; class purchases are not necessarily deductible.

Check out the “Class Schedules” calendar for upcoming classes.

### MORE LOVE ###

Quick Note & EXCERPT: “Dà shǔ ‘Major Heat’” July 23, 2024

Posted by ajoyfulpractice in Art, Books, Healing Stories, Health, Life, Music, One Hoop, Philosophy, Religion, Science, Traditional Chinese Medicine, Wisdom, Yin Yoga, Yoga.
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Many blessings to everyone and especially to anyone practicing peace, freedom, and wisdom — especially when it gets hot (inside and outside). Stay hydrated, y’all!

“The center of most ancient cultures, from China in the second century B.C. to the twentieth-century native America, was the earth. Human welfare was attached to the rains upon the soil, the wind of the heaves and pliable trees embedded in an abundant forest. Chief Seattle, in 1854, summed up this ancient view of how humanity stands in relation to the world” ‘This we know – the earth does not belong to man, man belongs to the earth. All things are connected like the blood unites one family. Whatever befalls the earth befalls the sons of the earth. Man did not weave the web of life; he is merely a strand of it. Whatever he does to the web, he does to himself.’”

— quoted from “Chapter Three – Philosophy in the East: The Doctor As Gardener” in Between Heaven and Earth: A Guide to Chinese Medicine by Harriet Beinfield, L.Ac. and Efrem Korngold, L.Ac., O. M. D.

Since Raymond Chandler was born today in 1888 (and the first Batman Day was today in 2014), it is time to put on your detective’s hat and investigate what happens when it gets hot (inside and outside).

Click on the excerpt title below for the entire 2023 post.

Dà shǔ “Major Heat” 2023 (an updated and revised post) *UPDATED*

Please join me today (Tuesday, July 23rd) at 12:00 PM or 7:15 PM for a yoga practice on Zoom. You can use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below or by emailing myra (at) ajoyfulpractice.com.

Tuesday’s playlist is available on YouTube and Spotify. [Look for “08222021 Fire Thread”]

“It’s not who I am underneath, but what I do, that defines me.”

— Batman (Christian Bale), quoted from the movie Batman Begins (written by Christopher Nolan and David S. Goyer, based on characters created by artist Bob Kane and writer Bill Finger)

Extreme heat can not only make people lethargic and unmotivated, it can also lead to extreme agitation and anxiety-based fear. We may find it hard to think, hard to feel (or process our feelings), and/or hard to control our impulses. If you are struggling in the US, help is available just by dialing 988.

If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can dial 988 (in the US) or call 1-800-273-TALK (8255) for the Suicide and Crisis Lifeline. You can also call this TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.

White Flag is a new app, which I have not yet researched, but which may be helpful if you need peer-to-peer (non-professional) support.

If you are a young person in crisis, feeling suicidal, or in need of a safe and judgement-free place to talk, you can also click here to contact the TrevorLifeline (which is staffed 24/7 with trained counselors).

In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es).

Donations are tax deductible; class purchases are not necessarily deductible.

Check out the “Class Schedules” calendar for upcoming classes.

### H2O ###