“[It was] a perfect event in my life because it let me live the kinds of dreams I had of seeing an equitable society. I was able to live my life, which I would have done anyway, but without Stonewall I would have had more opposition. So it turns out the times were on my side, which left me with a basically happy life.”
– Martin “Marty” Boyce
It started off like any other regular Friday. People got up, got dressed, went to work (on Wall Street) or to school. Some wrote poetry or songs in a café. Some gathered on a street corner hoping to score their next meal. It was a regular Friday, and people were looking forward to the weekend. They came home or went to a friend’s place. They changed clothes – that was the first spark of something special… but it was still just a regular Friday. People were going to go out, have a good time, sing, dance, gather with friends (maybe do it again on Saturday night), and then spend some time recovering so that, on Monday, they could go back to being regular.
It was a regular Friday… that became an extraordinary Saturday, because at around 1:20 AM on Saturday, June 28, 1969, four policeman dressed in dark suits, two patrol officers in uniform, a detective, and a deputy inspector from the New York Police Department walked into the Stonewall Inn and announced that they were “taking the place!” It was a raid.
“I was never afraid of the cops on the street, because I was not an obvious person. I was not flaunting my homosexuality to anyone. I wasn’t holding hands. It would never have occurred to me to try and have a confrontation with them [because] you don’t want to be arrested for any stupid reason. I never had any problems with the police. I never had problems with anyone anywhere, until that night…. I never ever gave it a thought of [Stonewall] being a turning point. All I know is enough was enough. You had to fight for your rights. And I’m happy to say whatever happened that night, I was part of it. Because [at a moment like that] you don’t think, you just act.”
– Raymond Castro
In some ways, there was still nothing special. The Stonewall Inn, located on Christopher Street in the Greenwich Village neighborhood of Lower Manhattan was a Mafia owned “private bottle bar” frequented by members of the GLBTQIA+ community. It was raided on a regular basis, usually at a standard time. Because the bar was Mafia owned, it would normal get a heads up (from someone who knew the raid was coming – wink, wink, nudge, nudge) and just before the raid was scheduled the lights would come up so people could stop holding hands or dancing (both of which were illegal for same sex partners) and any illegal alcohol could be hidden. The police would separate people based on clothing and then a female officer would take anyone wearing a dress into the bathroom in order to check their genitalia. Some people were arrested, but many would go back to the party once the police had taken their leave.
The raid that happened this morning in 1969 was different. There was no warning. No lights came up. No then-illegal activity was hidden. Unbeknownst to the patrons, four undercover officers (two men and two women) had previously been in the bar gathering visual evidence. The police started rounding people up and, also, letting some people go. They were planning to close the bar down. The only problem was…people didn’t leave. The people who were released stayed outside in the street, watching what was happening, and they were eventually joined by hundreds more.
“I changed into a black and white cocktail dress, which I borrowed from my mother’s closet. It was mostly black, empire-waisted, with a white collar. I used to dress with a bunch of older queens and one of them lent me black fishnet stockings and a pair of black velvet pumps…. The cop looked at me and said, ‘Hey, you!’ and I said, ‘Please, it’s my birthday, I’m just about to graduate from high school, I’m only 18,’ and he just let me go! [I was] scared to death that my father would see me on the television news in my mother’s dress.”
– Yvonne (also known as Maria) Ritter
At times the crowd was eerily quiet. But then, as Mafia members were brought out, they started to cheer. When employees were brought out, someone yelled, “Gay power,” and someone started to sing. An officer shoved a person in a dress and she started hitting him over the head with her purse. The crowd was becoming larger… and more restless. At some point people started throwing beer bottles and pennies (as a reference to the police being bribed by the Mafia.) This was becoming a problem, but an even bigger problem was when the police found out the second van was delayed. They were stuck.
Then, things went from bad to worse when some of the 13 people arrested (including employees and people not wearing what was considered “gender appropriate clothing”) resisted. One of the women, a lesbian of color, managed to struggle and escape multiple times. At some point there were four officers trying to contain her. When a police officer hit her over the head, she yelled at the crowd, “Why don’t you guys do something?” And they did.
Police officers barricaded themselves and several people they were arresting (some of whom were just in the neighborhood) inside of the bar for safety. The NYPD’s Tactical Patrol Force was called out to free the officers and detainees trapped inside the Stonewall Inn. One witness said that the police were humiliated…and out for blood. The police’s own escalation, in trying to contain the violence, was met with a Broadway chorus style kick-line… and more violence. The escalation continued. At times, people were chasing the police.
The ensuing protests/riots lasted through the weekend and, to a lesser degree, into the next week. The bar re-opened that next night and thousands lined up to get inside. There was more vandalism and more violence, but on Saturday night (June 28th) there were also public displays of affection: at that time, illegal same-sex public displays of affection. People were out.
“It was a rebellion, it was an uprising, it was a civil rights disobedience – it wasn’t no damn riot!”
– Stormé DeLarverie
The Stonewall Uprising, the riots and the ensuing protests and celebrations were not the first of their kind. Three years earlier, the Mattachine Society had organized “sip-ins” where people met at bars and openly declared themselves as gay. That kind of organized, peaceful civil disobedience was happening all over the country during the 60’s. It was a way to break unjust laws and it temporarily reduced the number of police raids. However, the raids started up again.
Stormé DeLarverie, Marsha P. Johnson, Zazu Nova, Jackie Hormona, Martin “Marty” Boyce, Sylvia Rivera, Raymond Castro, John O’ Brian, and Yvonne “Maria” / “Butch” Ritter were among the people involved in the Stonewall Uprising. The musician Dave Van Ronk (who famously arranged the version of “House of the Rising Sun” made famous by Bob Dylan) was not gay, but he was arrested. Alan Ginsberg, who was gay, would witness the riots and applaud the people who were taking a stand. Village Voice columnist Howard Smith was a straight man who had never been inside the Stonewall Inn until he grabbed his press credentials and made his way into the center of the uprising. Craig Rodwell (owner of the Oscar Wilde Memorial Bookshop) and Fred Sargent (the bookstores manager) started writing and distributing leaflets on behalf of the Mattachine Society. They also drummed up media interest. In addition to Rodwell and Sargent, Dick Leitsch (a member of the Mattachine Society), John O’Brien, and Martha Shelley (a member of the Daughters of Bilitis) would start organizing so that the protest that turned into a riot would come full circle as a protest that created change.
A year later, June 28, 1970, thousands of people returned to Stonewall Inn. They marched from the bar to Central Park in what was then called “Christopher Street Liberation Day.” The official chant was, “Say it loud, gay is proud.” And, I’m betting there was at least one kick line.
Please join me for a 65-minute virtual yoga practice on Zoom today (Sunday, June 28th) at 2:30 PM to celebrate Pride. You can use the link from the “Class Schedules” calendar if you run into any problems checking into the class. PLEASE NOTE: Zoom 5.0 is in effect. If you have not upgraded, you will need to give yourself extra time to log into Zoom. You can always request an audio recording of this practice (or any practice) via email or a comment below.
– from the poem “Making Contact” by Virginia Satir
For those of you who missed the memo: I am a huge fan of the work of therapist and author Virginia Satir. Born yesterday (June 26th) in 1916, she is known as the “Mother of Family Therapy” and placed her work in “family reconstruction” and “family sculpting” under the umbrella of “Becoming More Fully Human.” She developed the Virginia Satir Change Process Model, which was adopted by corporations in the 1990’s and 2000s as a change management model, and the Human Validation Process Model. Similar to other existential therapist (although I’m not sure she ever used such a label), Satir found that when people came into therapy the presenting, or “surface,” problem was seldom the real problem. Instead, her work revolved around the idea that the real issue was how they coped with situations in their lives. Additionally, she documented that people’s self-esteem played a part in how they coped with conflict and challenges. So, here again, the issue comes down to functional versus dysfunctional thought patterns and how those thought patterns manifest into words and deeds that alleviate suffering or cause suffering.
When Satir worked with patients she would utilize role playing as well as meditations. The role playing was to get family members to consider each other’s perspectives and, in doing so, cultivate empathy and better understanding. The guided meditations were a way for people to recognize that they already had (inside of themselves) the tools/toolkit – or abilities – needed to overcome challenges and obstacles within their relationships. They also empowered people to use the tools that were inside of them, and to cultivate those tools. However, Satir did not see her work as being limited to “traditional” families; she believed that if her work could heal a family unit, it could also heal the world. They key, again, was offering people that “greatest gift” and figuring out what people really wanted and/or needed.
“It is now clear to me that the family is a microcosm of the world. To understand the world, we can study the family: issues such as power, intimacy, autonomy, trust, and communication skills are vital parts underlying how we live in the world. To change the world is to change the family.”
– from The New Peoplemaking by Virginia Satir
Satir was born on the anniversary of the birth of the award winning novelist Pearl S. Buck, who was also known as Sai Zhenzhu. Born in Hillsboro, West Virginia in 1892, Buck spent most of her life in China. Her experiences in China, both as a young child of missionaries and as an adult, resulted in a plethora of novels, short stories, children’s books, and biographies that exposed Western readers to the people, culture, and landscape of China. She won the Nobel Prize in Literature and was the first woman to win the Pulitzer Prize.
Buck was a humanitarian who wrote about everything from women’s rights and immigration to Communism, war and the atomic bomb. Her work was a form of activism, but she didn’t regulate her actions to the page alone. When it came to Asian, mixed-race, special needs, and international adoptions, Buck was more than a writer – she was a parent. In addition to advocating against racial and religious matching in adoptions, Buck adopted six children of various ethnicities and nationalities. (Previously, she had given birth to one special needs daughter. So, she was a mother of seven.) She also co-founded Welcome House, Inc., the first international, inter-racial adoption agency (with author James Michener, lyricist and producer Oscar Hammerstein II, and interior designer and decorator Dorothy Hammerstein); established the Pearl S. Buck Foundation to support children who were not eligible for adoption, and opened Opportunity Center and Orphanage (aka Opportunity House) to advocate for the rights of orphans in South Korea, Thailand, Philippines, and Vietnam. Buck believed that families formed from love (as opposed to blood, race, religion, or nationality) and that they were living expressions of democracy – something she felt the United States could not unequivocally express during the Jim Crow era. In 1991, Welcome House and the foundation merged to form Pearl S. Buck International to continue Buck’s legacy.
“I was indignant, so I started my own damned agency!”
– Pearl S. Buck explaining why she started Welcome House in 1949 (after multiple agencies told she could not adopt Robbie, a mixed race 15-month old boy, because his skin was brown)
“What lingers from the parent’s individual past, unresolved or incomplete, often becomes part of her or his irrational parenting.”
– from Peoplemaking by Virginia Satir
Take another look at the poem at the top of this post. No, don’t read it… just look at it. What do you see? More specifically, who do you see? Granted, your device, your eyes, or even your brain may not see what I see. But, consider what you might see. What if you saw yourself? What if you saw someone you loved? What if you saw someone you didn’t like? Even if you don’t see what I see, the underlying meaning is the same: there is an individual, with open arms, wanting, needing, and waiting to be seen.
“We need 4 hugs a day for survival. We need 8 hugs a day for maintenance. We need 12 hugs a day for growth.”
– Virginia Satir
“We must not allow other people’s limited perceptions to define us.”
– from The New Peoplemaking by Virginia Satir
If you want to talk about people who did not let other people’s limited perceptions define them, let’s talk about Helen Keller and the people that surrounded her. Born in Tuscumbia, Alabama, today in 1880, Keller lost both her ability to see and her ability to hear when she was 19 months old. She fell ill with what might have been scarlet fever or meningitis and while she lost two of her senses, Keller was far from dumb. She figured out a way to use signs to communicate with Martha Washington (the Black six-year old daughter of her family’s cook, not to be confused with the 1st lady) and by the age of seven she had developed more than 60 signs – which her family also understood. Furthermore, she could identify people walking near her based on the vibrations and patterns of their steps – she could even identify people by sex and age.
“When one door of happiness closes, another opens; but often we look so long at the closed door that we do not see the one which has been opened for us… Happiness is a state of mind, and depends very little on outward circumstances.”
– from To Love This Life: Quotations by Helen Keller by Helen Keller (with Forward by Jimmy Carter)
Keller’s mother, Kate Adams Keller, learned about Laura Bridgman (who was a deaf and blind adult) from Charles Dickens’ travelogue American Notes for General Circulation. The Kellers were eventually referred to Alexander Graham Bell who, in turn, introduced them to Anne Sullivan (who was also visually impaired, due to a bacterial infection). Keller and Sullivan would form a 49-year relationship that evolved over time. Even when Sullivan got married, Keller (possibly) got engaged, and illness required additional assistance from Polly Thomson, the women worked and lived together. Keller would go on to learn to speak and became a lecturer, as well as an author and activist. Sullivan would be remembered as an extraordinary educator whose devotion and ability to adjust to her student’s needs is memorialized in school names and movies like The Miracle Worker and Monday After the Miracle. Keller (d. 06/01/1968), Sullivan (10/20/1936), and Thomson (03/20/1960) are interred together at the Washington National Cathedral.
“At that time the compliments he paid me were so generous that I blush to remember them. But now that I have come out for socialism he reminds me and the public that I am blind and deaf and especially liable to error. I must have shrunk in intelligence during the years since I met him.”
– from “How I Became a Socialist” by Helen Keller (published in The New York Call 11/03/1912)
Helen Keller, like Pearl S. Buck, is notable for many reasons, but both women were (and still can be) considered controversial when you think about their family histories and some of their views. Buck was described as “a thorn in the side of the welfare establishment” and her award-winning novel The Good Earth is considered by some to be literary propaganda. Keller’s father, and at least one of her grandfathers, served in the Confederate Army and she was a related to Robert E. Lee. She was a suffragist, a pacifist, a radical socialist, an advocate for people with disabilities, and a supporter of birth control – but/and she also believed in eugenics. Yes, history has shown us some pretty messed up examples of people believing in eugenics, the idea that we could genetically pre-select character traits in order to create a better society. Besides the basic humanitarian issues, one of the problems with eugenics is that at its core there is a lack of faith in humanity.
In referencing the coincidence that she was related to the first teacher of the deaf in Zurich, Keller wrote in her autobiography, “… it is true that there is no king who has not had a slave among his ancestors, and no slave who has not had a king among his.” There is clarity in knowing, deep inside, that you are connected to both sides of the coin. That clarity comes from going deep inside one’s self. If we pay attention to what’s going on inside of our own hearts we have a compass that steers us right – at least, that is the message of contemplatives.
“After long searches here and there, in temples and in churches, in earths and in heavens, at last you come back, completing the circle from where you started, to your own soul and find that He for whom you have been seeking all over the world, for whom you have been weeping and praying in churches and temples, on whom you were looking as the mystery of all mysteries shrouded in the clouds, is nearest of the near, is your own Self, the reality of your life, body, and soul. That is your own nature. Assert it, manifest it.”
– from “ The Real Nature of Man” speech, delivered in London and published in The Complete Works of Swami Vivekananda (Volume 2, Jnana-Yoga) by Swami Vivekananda
Yoga Sutra 2.26: vivekakhyātiraviplavā hānopāyah
– “The clear, unshakeable awareness of discerning knowledge (insight) is the means to nullifying sorrow (created by ignorance).”
Please join me for a little discernment in the form of a 90-minute virtual yoga practice on Zoom today (Saturday, June 27th) at 12:00 PM. You can use the link from the “Class Schedules” calendar if you run into any problems checking into the class. Give yourself extra time to log in if you have not upgraded to Zoom 5.0. You can request an audio recording of this practice via a comment below.
Today’s playlist is available on YouTube and Spotify. (This playlist is dated 06032020.)
“And so we have…this critical problem as human beings of seeing to it that the mythology—the constellation of sign signals, affect images, energy-releasing and -directing signs—that we are communicating to our young will deliver directive messages qualified to relate them richly and vitally to the environment that is to be theirs for life, and not to some period of man already past, some piously desiderated future, or—what is worst of all—some querulous, freakish sect or momentary fad. And I call this problem critical because, when it is badly resolved, the result for the miseducated individual is what is known, in mythological terms, as a Waste Land situation. The world does not talk to him; he does not talk to the world. When that is the case, there is a cut-off, the individual is thrown back on himself, and he is in prime shape for that psychotic break-away that will turn him into either an essential schizophrenic in a padded cell, or a paranoid screaming slogans at large, in a bughouse without walls.”
– from A Joseph Campbell Companion: Reflections on the Art of Living by Joseph Campbell
How do we keep from becoming, to paraphrase Joseph Campbell, a screaming paranoid person? How do we face trauma, loss, and disability with a smile on our face, as Wayman Tisdale did? Maybe we have to go all the way back to the womb to figure out why some people survive the challenging circumstances they face in life. Maybe we have to go back even farther than that to see why some people just inherently know how to stay connected to their “inside stuff” even when life throws them one curve ball after another fast ball. Whatever the reason some people rebound and some people don’t (or don’t as easily as others), trying to figure out that reason has fascinated people since the beginning of time.
Children’s book author and illustrator Maurice Sendak, born today in 1928, in Brooklyn, New York, once said, “I only have one subject. The question I am obsessed with is: How do children survive?” Like the poets mentioned during Sunday’s class (06/07/2020), Sendak wrote about what he saw – and what he saw was a family decimated by the Holocaust and trying to acclimate to a new country and a new culture. He saw kids being kids, being alive and full of so much life despite the overwhelming and pervasive feeling of perpetual mourning. The adults called the unruly children “vilde chaya,” which is Yiddish for “wild animal.” Sendak turned it into “wild things” and wrote a children’s book that become the center of a trilogy about (you guessed it) how children survive and thrive.
“I grew up in a house that was in a constant state of mourning.”
– Maurice Sendak in a 2002 interview with children’s book historian Leonard Marcus
“’And now,’ cried Max, ‘let the wild rumpus start!’”
– from Where The Wild Things Are by Maurice Sendak
Where The Wild Things Are, published in 1963, tells the story of preschool-age Max who, as adults would have said during my childhood, gets a little too big for his britches. He is sent to his room without his dinner because he can’t behave and, as children do, he lets his imagination take over. His bedroom becomes a magical land full of wild animals, beasts, monsters….
My amazing friend Julie K just sent me a recent essay in The New Yorker about metaphorical monsters. I found it problematic because the identity of the monsters is too vague. Sendak, however, was always very clear; the monsters in his first book were the perpetually mourning and stern adults in his family. He just exaggerated them into something endearingly grotesque. As Max manages his emotions, becoming “king of all wild things” (a. k. a. the “most wild thing of all”), he finds his way back to the regular world. Managing one’s emotions, it turns out, is the secret to making one’s way back to the regular world.
“Your sacred space is where you can find yourself again and again. You really don’t have a sacred space, a rescue land, until you find somewhere to be that’s not a wasteland, some field of action where there is a spring of ambrosia—a joy that comes from inside, not something external that puts joy into you—a place that lets you experience your own will and your own intention and your own wish so that, in small, the Kingdom is there. I think everybody, whether they know it or not, is in need of such a place.”
– from A Joseph Campbell Companion: Reflections on the Art of Living by Joseph Campbell
“There should be a place where only the things you want to happen, happen.”
– from Where The Wild Things Are by Maurice Sendak
As I mentioned before, Where The Wild Things Are was the first of a three-part series to be published, but it is actually the centerpiece to the trilogy. In The Night Kitchen (published in 1970) follows toddler-age Mickey as he falls, naked, into the Night Kitchen, where he has to avoid getting baked into the cake batter and eaten up. Max, again, is preschool-age. Outside Over There (published in 1981) features pre-adolescent Ida, who shirks her responsibility and then has to face the consequences of making things right. It is interesting to note that while there is always a symbol of a mother and evidence of a mother’s love in all three books, Ida is the only real-live human girl featured prominently in the books and she is given (in the book) the mother’s role of caregiver – a role she initially fails to take seriously.
“When Papa was away at sea and Mama in the arbor, Ida played her wonder horn to rock the baby still – but never watched.”
– from Outside Over There by Maurice Sendak
Maurice Sendak’s trilogy is recognized as a series which traces the psychological development of children. Each protagonist has age appropriate responsibilities, feelings, thoughts, and emotions. Each protagonist also has to navigate and find balance between the (age appropriate) expectations of the simultaneously present yet absent parent(s) and their feelings, thoughts, and emotions. One of the emotions that figures prominently, especially in Where The Wild Things Are, is rage and one of the themes that figures prominently in the books is how to manage emotions like rage. Because, as I sated before, managing one’s emotions is the secret to making one’s way back to the regular world. It is the boon, as it were, of this particular hero’s journey/cycle.
“But it is more than mere survival that Sendak aspires to, for his children and for himself. He asks the question of resilience: How do children surmount and transform in order to prosper and create? It is tempting to imagine that Sendak conceives of the trajectory of his own life and art as a model for the way he has handled these questions in his works.”
– from a 2009 The Psychologist article by psychoanalyst Richard Gottlieb
When Where The Wild Things Are was turned into a movie, therapists like Richard Gottlieb offered their clinical take on the book and the movie. Psychoanalyst and attorney Stanton Peele noted in a 2009 article for Psychology Today that Dr. G. Alan Marlatt, a psychologist who focused on addiction, “specifically developed mindfulness as a relapse prevention technique, one that assists addicted people to combat cravings. In brief, a user may imagine the urge to use again as a physical challenge – like a wave – that he or she rides out.” Then, Peele called Sendak’s work “a model of mindfulness.” For his part, Gottlieb did not think it was an accident that Sendaks’ work was so psychologically applicable. In fact, he specifically highlights various “psychological proddings and teachings” which influenced Sendak’s life – including the fact that his partner (for over 50 years) was psychoanalyst Eugene Glenn – and shares bits of conversations with colleagues who also see the value in the book.
“I’m not the milk and the milk’s not me. I’m Mickey!”
– Mickey in In The Night Kitchen by Maurice Sendak
Call it a coincidence, a coinkydink, God winking, or serendipity, but it is interesting to note that Maurice Sendak, whose seminal book has been hailed and praised by addiction experts, was born on the anniversary of Dr. Bob Smith’s last drink, which is also the anniversary of Alcoholics Anonymous. Today in 1935, Bill Wilson and Smith’s wife Anne gave a severely hung-over Smith (a. k. a. “Dr. Bob”) a beer so that he would be “steady enough” to go into surgery. Hours beyond when the surgery should have ended, Smith announced that yes, the surgery was successful and that he had spent the remaining time reaching out to creditors and others he had hurt when he was drinking. Founded by Smith and Wilson, with support from Smith’s wife Anne, Alcoholics Anonymous is a 12-step rehabilitation program that has helped some people cope with alcoholism. It is also the model for other 12-step programs. While I have not counted the steps as they apply to Maurice Sendak’s work, there are very definite parallels in the way the main characters acknowledge their problems, turn inward, and offer restitution and express remorse. There are also, in the books and in recovery, humongous amounts of love and forgiveness (in particular, self-love and self-forgiveness).
“Quiet down there!”
– Mickey In The Night Kitchen by Maurice Sendak
“If Ida backwards in the rain would only turn around again and catch those goblins with a tune, she’d spoil their kidnap honeymoon!”
– Papa’s song in Outside Over There
Please join me today (Wednesday, June 10th) at 4:30 PM or 7:15 PM for a practice inspired by the inner workings of a child’s heart and mind.Use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You will need to register for the 7:15 PM class if you have not already done so. Give yourself extra time to log in if you have not upgraded to Zoom 5.0. You can request an audio recording of this practice via a comment below.
Since music soothes the wild beasts, the goblins, and the cooks, Wednesday’s playlist is available on YouTube and Spotify. (NOTE: YouTube is the original playlist and includes the video below.)
“The best way to help mankind is through the perfection of yourself.”
– from A Joseph Campbell Companion: Reflections on the Art of Living by Joseph Campbell
“Democracy doesn’t work without citizen activism and participation. Tickle-down politics doesn’t work much better than trickle-down economics. Moreover, civilization happens because we don’t leave things to other people. What’s right and good doesn’t come naturally. You have to stand up and fight for it as if the cause depends on you, because it does.”
– from Moyers on America: A Journalist and His Times by Bill Moyers
Bill Moyers, born today in 1934, is more than a journalist. He is an ordained minister who served as the 13th White House Press Secretary (working with both Presidents John F. Kennedy and Lyndon B. Johnson) and produced, along with his wife, “Joseph Campbell and the Power of Myth” (filmed on George Lucas’s Skywalker Ranch, in 1988), “Mythology of Star Wars, with George Lucas” (also filmed at Skywalker Ranch, in 1999), and “Faith and Reason.” A big fan of Moyers, Campbell, Lucas – as well as faith and reason – I look forward to celebrating June 5th of every year with a yoga practice which features the symbols and archetypes of the Hero’s Journey / Cycle. Even when I don’t teach on the 5th, I usually practice the mandala, which moves through the core elements of every adventure story, as outlined by Joseph Campbell: Being in the Ordinary World, Call to Adventure, Refusal of Call, Supernatural Aid, Crossing the Threshold, Belly of the Whale, Road of Trials, Meeting the Goddess, Temptation, Atonement (usually with the Father), Apotheosis, Refusal of Return, Magic Flight, Rescue from Without, Crossing the Return Threshold, Master of Two Worlds, and Freedom to Live.
In mid-April, my friend Julie K. sent me this pandemic version of the hero’s journey, which I was going to use as a fun way to highlight today’s post. Fast forward to the last couple of weeks and this very creative take on an old classic seems dated and, for some, not that relevant.
“All my life I’ve prayed the Lord’s Prayer, but I’ve never prayed, ‘Give me this day my daily bread.’ It is always, ‘Give us this day our daily bread.’ Bread and life are shared realities. They do not happen in isolation.”
– from “Pass the Bread,” baccalaureate address at Hamilton College (20 May 2006), as quoted in “Moyers on Democracy” by Bill Moyers
Don’t get me wrong. How each of us recognizes ourselves as the hero of our own story and how we engage each stage of the hero’s cycle is still relevant. We can still identify our version of the “Ordinary World” – it’s just that how we defined that world on Memorial Day or May 26th is very different from the way we defined it on April 15th. Now, we’ve all heard the Call and, while some answered the call right away and started moving into the mythical world that eventually leads us to a boon/reward for society, some of us are still in the “Refusal of Call” stage. Which is, dare I say, OK; because we are all going to get there. Part of the Role of the “Supernatural Aid” is to pull, us, drag us, push us – sometimes, kicking and screaming – into this experience.
“We must be willing to get rid of the life we’ve planned, so as to have the life waiting for us. The old skin has to be shed before the new one can come.”
– from A Joseph Campbell Companion: Reflections on the Art of Living by Joseph Campbell
What happens next is always painful, often dangerous, consistently challenging, and (eventually) satisfying/rewarding. (At least, that’s the promise of the myth.) There will be moments when we are not sure we can (or want) to keep going and times when we experience some relief (or the great love of the Goddess) and we want to stay right where we are – even if it is in the “Belly of the Whale.” But, in the end, we are promised a boon, a reward, something that we can bring back to our community – something that serves all of mankind. We are also promised that, through this experience, we will become the “Master of Two Worlds,” and that mastery leads to the ultimate freedom: Freedom to Live. This final stage is partially defined as the freedom to live “in the moment, neither anticipating the future, nor regretting the past” – which is also one of the goals of Eastern philosophies like yoga and Buddhism, to be fully present in the moment.
“…really pay attention to what’s happening internally…. Meditation is learning how to get so still, and so calm, tranquil, through the directing of the attention, to this present moment, that we begin to see really deeply…. And so we go more and more and more deeply into the nature of things, and when that happens, and reactivity ceases, then responsiveness arises.”
– Gina Sharpe, Suffering and the End of Suffering
“Allow yourself that conceit – to believe that the flame of democracy will never go out as long as there’s one candle in one citizen’s hand.”
– from Moyers on America: A Journalist and His Times by Bill Moyers
If you need a little of that “Supernatural Aid” or to feel the divine love of the Goddess, get on the mat or the cushion. Take a walk. Sit by the water. Or, check out the free (outdoor) acupuncture happening on Saturday (11 AM – 5 PM, see details here). Either way, I’ll see you when you cross the threshold.
(“Ramadān Mubarak, Blessed Ramadān!” to anyone who is observing the month of Ramadan.)
“‘Remember, dear friend, that I am subtly inherent in everything, everything in the universe! I am the all-illuminating light of the sun, the light in the moon, the brilliance in the fire – all light is Mine. I am even the consciousness of light, and indeed, I am the consciousness of the entire cosmos.’”
– The Bhagavad Gita: A Walkthrough for Westerners (15:12) by Jack Hawley
Yoga Sutra 1.36: viśokā vā jyotişmatī
– “Or [fixing the mind] on the inner state free of sorrow and infused with light, anchors the mind in stability and tranquility.”
“Kuraib reported that Ibn ‘Abbas spent a night in the house of the Messenger of Allah (may peace be upon him) and he said: The Messenger of Allah may peace be upon him) stood near the water-skin and poured water out of that and performed ablution in which he neither used excess of water nor too little of it, and the rest of the hadith is the same, and in this mention is also made (of the fact) that on that night the Messenger of Allah (may peace be upon him) made supplication before Allah in nineteen words. Kuraib reported: I remember twelve words out of these, but have forgotten the rest. The Messenger of Allah said: ‘Place light in my heart, light in my tongue, light in my hearing, light in my sight, light above me, light below me, light on my right, light on my left, light in front of me, light behind me, place light in my soul, and make light abundant for me.’”
– Sahih Muslim 7673 (Book 4 Hadith Muslim 1680)
In a 2012 “Ramadān Reflection” in the Huffington Post, Imam Khalid Latif mentions the importance of searching for the Night of Power when it comes to the last days of Ramadān. My understanding is that, regardless of our faith or overall beliefs, we have to actively participate in our fate and in our practices. We have to actively seek in order to find. So, while, I could point out all the different ways in which “light” comes up in different religious and spiritual practices, while I could outline a little comparative analysis between the sacred texts of the Abrahamic religions and songs by Yusuf Islam, Santana and Everlast, Matisyahu, and the Maccabeats, I’m not going to do it. Instead, I’m going to encourage you to seek and see what you find.
True, you can follow the links (above) and maybe find something new (or remember something you had forgotten). However, more than anything, I encourage you to sit with your own history and tradition for a moment and consider what comes up. How does light come up? When and where does light come up? How do your internalized references to light compare to those I’ve mentioned (above and below)? How do you describe those moments when you put your light on and let it shine?
“I used to trust nobody, trusting even less their words, Until I found somebody, there was no one I preferred, My heart was made of stone, my eyes saw only misty grey, Until you came into my life girl, I saw everyone that way. Until I found the one I needed at my side, I think I would have been a sad man all my life.
I think I see the light coming to me, Coming through me giving me a second sight. So shine, shine, shine, Shine, shine, shine, Shine, shine, shine.”
– from “I Think I See the Light” by Cat Stevens/Yusuf Islam
As I recently (and virtually) discussed with two dear friends (as well as in classes), the similarities between the three Abrahamic religions – Judaism, Christianity, and Islam – is no coincidence. These traditions share historical, spiritual, and liturgical roots. How do we explain, however, these same similarities when they come up in non-Abrahamic religions? Yes, yes, the cynical parts of us can say that language and customs were co-opted in order for missionaries to more easily conquer and convert. But, how do we explain that the elemental foundations – the opportunity to co-opt – already existed? How do we explain, for instance, the focus on light other than it is a fundamental and universal experience? We can be cynical for days, but at some point we have to “step into the light, baby.”
“‘O Allah ! place light in my heart, light in my hearing, light in my sight, light on my right, light on my left, light in front of me, light behind me, light above me, light below me, make light for me,’ or he said: ‘Make me light.’”
– Sahih Muslim 7673 (Book 4 Hadith Muslim 1677)
Please join me today (Wednesday, May 20th) at 4:30 PM or 7:15 PM, if you are interested being the light you want to see in the world.Use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You will need to register for the 7:15 PM class if you have not already done so.
Wednesday’s playlist is available on YouTube and Spotify.
Two quick notes about the music: First, while the most of the musicians featured on the playlists during these final days of Ramadān are Muslim there are some exceptions. One of the notable exceptions – notable, because she is the only female soloist and the only non-Muslim singer on the list – is Reba McEntire. Her song “Pray for Peace” is on the playlist because she released it during the month of Ramadān in 2014 – but not just randomly in the month, the song was released in the last ten days of the month! Second, there are some songs on the playlist that are Nasheeds (meaning they are religiously moral songs) that, in some traditions, are meant to be sung without instrumentation or only with percussion. I have, however, included orchestrated versions of these songs, because this seems to have worked best in an in-studio setting. As far as I know, percussion or voice only recordings of each song are available (if you want to build your own playlist). Alternatively, you can practice without the music.
Please let me know if you would like an audio recording of the practices related to the month of Ramadān.
(“Ramadān Mubarak, Blessed Ramadān!” to anyone who is observing the month of Ramadan.)
SUNNAH [Arabic; also “sunna” and “sunnat”] – Habit or Practice, refers to a collection of traditional social and legal practices and customs within Islam.
HADITH [Arabic] – Speech, Narrative, Talk, or Discourse, refers to one of the primary sources of Islamic belief, theology, and law. It contains the words and recorded actions of “the Prophet (peace and blessings of Allah be upon him)” which make up the SUNNAH.
QUR’ĀN [Arabic; also “Quran” and “Koran”] – The Recitation, refers to the primary sacred text of Islam as it was reveled by Allah (God). It consists of 114 “sūrahs” (or portions).
RAMADĀN [Arabic] – derived from root word meaning “scorching heat” or “dryness” and refers to the 9th month of the Islamic calendar, which is a month of fasting, prayer, reflection, and community. It is also one of the 99 “Beautiful Names of Allah” (also known as “99 Attributes of Allah”).
In the Yoga Sutras, when Patanjali codifies the 8-Limb philosophy of Yoga, there are certain elements that he combines in order to emphasize their power. For instance, the philosophy begins with 5 Yamas (“External Restraints” or “Universal Commandments”) and 5 Niyamas (“Internal Observations”) and Patanjali combines the last five niyamas (tapas, svādyāya, īshvarapraņidhāna) to form Kriyā Yoga, which is a prescription for union. This prescription, or path, to the ultimate union – Union with Divine – is a cleansing ritual consisting of tapas (“heat”, “discipline”, and “austerity”, as well as the practices that build heat, discipline, and austerity); svādyāya (“self-study” – which is reflection); and īshvarapraņidhāna(“trustful surrender to the Divine”). Examples of kriyā yoga – that is to say, rituals made up of these exact three elements – exist outside of yoga and include observing a silent retreat (Buddhism), giving up leavened bread during Passover (Judaism), fasting for Yom Kippur (Judaism), fasting during Lent (Christianity), observing the 19 Day fast (Bahá’í), and fasting during the month of Ramadān.
“Use your time wisely. Spend it only in pursuit of things that are good. Hold the world in your hand if you so desire, but never let the world use your heart as its abode. Your understanding of the world around you will be based off of how you take care of the world within you. Treat your heart as something precious and let only what is good for [it] have the privilege of receiving its love.”
– Imam Khalid Latif in a 2013 “Ramadān Reflection” for Huffington Post
People who are not familiar with the tenets of Islam are often surprised to learn they believe things that Muslims believe. For instance, in Islam there are Six Articles of Faith: a belief in the Oneness of God, a belief in Revealed Books, a belief in the Prophets of Islam (which include Abraham, Jesus, and Mohammed), a belief in the Days of Resurrections, a belief in Angels, and a belief in Qadair (“predestination”). The Five Pillars of Islam (in Sunni order), which make up the framework of worship and signs of faith, include: the Islamic Creed (a declaration of faith, proclaiming one God); daily prayers; alms giving; fasting during the month of Ramadān; and a Pilgrimage to Mecca (the holy city). To comply with that 4th pillar, those who are able must refrain from eating, drinking, cursing, violence, any of the vices (including sarcasm and gossip), and engaging in sexual activity from dawn to sunset during the 9th month of the Islamic calendar, which is a lunar-based calendar. The month lasts 29 – 30 days and the fast begins with the sighting of the crescent moon. Like some of the instances mentioned above, this is a moveable feast… I mean, fast – although, at the end of each day and at the end of the month there is an eid or “feast” to break the fast.
“We sent it [the Qur’ān] down on the Night of Power. And what can make you know what is the Night of Power? The Night of Power is better than a thousand months.
The Angels and the Spirit [the inspiration] descend therein by their Lord’s leave for every affair.
Peace! It is till the rising of the dawn.”
– Sūrah Qadr (“Portion 97 of the Qur’ān”) 1 – 5
Even though Islam is one of the three Abrahamic religions with very definite historical (and theological) ties to Christianity and Judaism – and even though I have known Muslims throughout my life – I did not spend a lot of time studying Islam in the earlier part of my life. I did a lot of soul searching before I decided to teach a series of yoga classes focused on the theme of Islam and the observation of the month of Ramadān. Even though I sometimes have Muslim students in my classes, I knew that it was unlikely that any would attend during the month – which meant these practices would mostly be for people whose only intersection with Islam might be the news, passing someone in the locker room or some other publicly accessible space, and/or random encounters at school or work. Contrary to popular belief, there are conservatives (even conservative Christians) who attend yoga classes (even my yoga classes) and so I knew that there might be some people in the practice who were Islamophobic or regularly associated with people who were Islamophobic. So, in many ways, the practice served as an “explanatory comma” as well as an opportunity for svādyāya (“self-study”). As I was not expecting many Muslim students, but wanted to really touch on some key elements, I decided to lead these classes at the end of the month, which is the most powerful time of the month.
Laylat al-Qadr, translated as “Night of Power,” “Night of Destiny,” “Night of Value,” Night of Measure,” Night of Decree” or “Night of Honour” is commemorated as the anniversary of the Qur’ān being reveled to the angel Gabriel in a verse-by-verse recitation, which Gabriel then recited to the Prophet Muhammad (peace and blessings of Allah be upon him) over the last 23 years of his (the Prophet’s) life. It is also considered the night when a certain evil spirit can do no harm/evil, when past transgressions are forgiven, and when Allah decides everyone’s destiny. (Notice the similarity to the High Holidays in Judaism?) It is a night so powerful that people will stay up all night praying because it is believed their prayers are more powerful on this most holy night.
There’s just one problem….
No one knows which night is the holiest night.
“Many Muslims will give emphasis to the 27th of Ramadān… but, the opinions on what day it is varies. The Qur’ān doesn’t mention a specific date for Laylat al-Qadr and the Prophet Muhammad’s recommendation: to ‘Seek it in the last 10 days, on the odd nights,’ indicates the importance of searching for it.”
– Imam Khalid Latif in a 2012 Ramadān Reflection” for Huffington Post
Some people set their eyes on this past Sunday, while others will be praying tonight (Tuesday, May 19th) as it is the 27th night of the month of Ramadān. There are at least 1.8 billion Muslims in the world (almost a quarter of the world) and about 3.5 million Muslims (or a little over 1%) in the United States. Even when you consider that the pandemic (and the fact that illness is an exception to fasting) means not everyone is fasting or praying; that’s still a lot of people fasting and praying. It’s an even larger number of people when you consider that some non-Muslims are also observing.
“Whoever establishes the prayers on the night of Qadr out of sincere faith and hoping to attain Allah’s rewards (not to show off) then all his past sins will be forgiven.”
– Sahih al-Bukhari 35 (Vol. 1 Book 2 Hadith Bukhari 35)
All that is to say, tonight is the night we’re going to open our eyes, or hearts, our bodies, and our minds. If you’re interested and available, please join metoday (Tuesday, May 19th) at 12 Noon or 7:15 PM for a yoga practice on Zoom. Use the link from the “Class Schedules” calendar if you run into any problems checking into the class.
Two quick notes about the music: First, while the most of the musicians featured on the playlists during these final days of Ramadān are Muslim there are some exceptions. One of the notable exceptions – notable, because she is the only female soloist and the only non-Muslim singer on the list – is Reba McEntire. Her song “Prayer for Peace” is on the playlist because she released it during the month of Ramadān in 2014 – but not just randomly in the month, the song was released in the last ten days of the month! Second, there are some songs on the playlist that are Nasheeds (meaning they are religiously moral songs) that, in some traditions, are meant to be sung without instrumentation or only with percussion. I have, however, included orchestrated versions of these songs, because this seems to have worked best in an in-studio setting. I mean no disrespect by this choice. As far as I know, percussion or voice only recordings of each song are available (if you want to build your own playlist). Alternatively, you can practice without the music.
(“Ramadan Mubarak, Blessed Ramadan!” to anyone who is observing Ramadan. I typically talk about Ramadan at the end of the season, so keep your eyes open for the night of power.)
“Be happy for this moment. This moment is your life.”
– Omar Khayyám
One of the most influential polymaths of the Middle Ages – a mathematician, astronomer, and scientist who wrote treatises on algebra and astronomy and whose calendar calculations still provide the basis for calendars used in Iran and Afghanistan – is primarily remembered in the West as a poet. One wonders if Omar Khayyám (born today, Mary 18, 1048) would find it amusing or annoying that when most people outside of his homeland think of him they think not of cubic equations or Euclidean geometry and the parallel axiom, but of quatrains, complete poems written in four lines. I personally think he might be amused, especially considering the fact that many historians believe he wrote the poems as a diversion, a little personal entertainment to relieve stress. Some historians even have good solid reasons to believe that many of the quatrains attributed to Khayyám were not actually written by him. Especially since the poems did not start appearing in the public sphere until 43 years after Khayyám’s death.
“The inner spiritual message is for all mankind, no matter what form it is contained in. The message is greater than any sect’s way of understanding it and goes out to all, just as the Sun shines on everyone, sinner and saint.
Fitzgerald’s first translation of the Rubáiyát was inspired for the benefit of all mankind. Allah works in mysterious ways. Whenever he wants something to come through in a pure way, it will happen in spite of everything.”
– from Who is the Potter? A Commentary on The Rubáiyát of Omar Khayyám by Abdullah Dougan (based on translations by Edward FitzGerald)
Khayyám’s popularity in the West is primarily due to a collection of translations by Edward FitzGerald. FitzGerald, an aspiring English poet and writer, was a contemporary of William Makepeace Thackeray and Lord Alfred Tennyson, but his literary aspirations never met with the acclaim of his friends. His friend and professor, Edward Byles Cowell (a noted translator of Persian poetry and the first professor of Sanskrit at Cambridge University) sent FitzGerald the quatrains in the form of two manuscripts: the Bodleian (containing 158 quatrains) and the “Calcutta” manuscript. While the initial pamphlet of the Rubáiyát, didn’t receive much fanfare, it would eventually become so popular that FitzGerald approved four editions of the “collection of poems written in four lines” and a fifth would be publish after his death. According to a 2009 article in the book review section of The Telegraph, The Rubáiyát has been published in at least 650 editions, with illustrations by 150 artists, and translated into 70 languages. All this, plus, it has been set to music by no less than 100 composers.
“Even if a man had lived for a hundred years and had changed his religion, philosophy, and beliefs twice a day, he could scarcely have given expression to such a range of ideas.”
– commentary by Sadegh Hedayat in In Search of Omar Khayyám by Ali Dashti (translated by L. P. Elwell-Sutton)
Edward FitzGerald was a Christian skeptic and his skepticism comes through the translations loud and clear, as if he found a kindred spirit in the Persian poet. On the flip side, some see Omar Khayyám as a Sufi mystic – even though, he was reviled by prominent Sufi leaders during his lifetime. Lines like “Who is the Potter, pray, and who is the Pot?” further the confusion as they can be seen as a very definitely acknowledgement of a Divine Creator or as a philosophical question posed by a writer who believes God is a construct of man. Those religious and spiritual contradictions, the sheer volume of poems, and the lack of provenance are some of the problems critics have with all of the quatrains being attributed to Omar Khayyám. In fact, while there are 1,200 – 2,000 quatrains attributed to Khayyám, prominent scholars have estimated that the actual number of verified lines is 121 – 178, as little as 14 – 36.
In addition to some poems, and his work in math and astrology, Omar Khayyám wrote several philosophical essays about existence, knowledge, and natural phenomena. One such essay, on free will and determination, is entitled “The necessity of contradiction in the world, determinism and subsistence” – which puts a whole other spin on the poems if, in fact, he wrote them as a kind of brain candy.
“Myself when young did eagerly frequent Doctor and Saint, and heard great argument About it and about: but evermore Came out by the same door where in I went.
With them the seed of Wisdom did I sow, And with mine own hand wrought to make it grow; And this was all the Harvest that I reap’d– “I came like Water, and like Wind I go.”
– XXVII and XXIX from The Rubáiyát by Omar Khayyám
You can come to the practice as a physical-mental exercise, as a spiritual exercise, or even as a mathematical exercise. The question is: will you leave it the same way you came to it? What will shift, what will change along the way? These are the questions we ask each and every time we step on the mat. Please join me on the virtual mat today (Monday, May 18th) at 5:30 PM for a 75-minute yoga practice on Zoom.
This is a 75-minute Common Ground Meditation Center practice that, in the spirit of generosity (dana), is freely given and freely received. You can use the link from the “Class Schedules” calendar if you run into any problems checking into the class. If you are able to support the center and its teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” my other practices, or you can purchase class(es). Donations are tax deductible, class purchases are not necessarily.)
There is no playlist for the Common Ground practices.
(“Ramadan Mubarak, Blessed Ramadan!” to anyone who is observing Ramadan. I typically talk about Ramadan at the end of the season, so keep your eyes open.)
“I stopped explaining myself when I realized other people only understand from their level of perception.”
– Anonymous
“…we lived in an integrated neighborhood and I had all of these playmates of different nationalities…. I just couldn’t understand what was happening because I was so sure that I was going to go to school with Mona and Guinevere, Wanda, and all of my playmates.”
– Linda Brown, quoted in a “Black/White and Brown” produced by KTWU Channel 11 (May 3, 2004)
For a long time, most of my life, I didn’t get it. How could I get it, as odd as it is to understand, it was outside of my experience.
I am related to some of the smartest people I know –and I know a lot of really smart people. My father has a PhD and taught doctors, his mother was a school teacher, my maternal great-grandmother and both grandmothers taught Sunday school, and my mother worked with doctors and lawyers – so I didn’t get why they made such a big deal about my grades or my education. I appreciated it when my parents arranged things so I could enroll in special programming (like “Research and Development”), but sometimes I kind of took it for granted. Going to a private school, for instance, was just what my brothers and I did sometimes. Granted, one of my brothers ended up in private school after my parents were informed he would be bused to a “Black school” as part of a desegregation plan in the 80’s (which I thought was beyond silly, but I didn’t spend too much time thinking about why the plan existed (in the mid-80’s!!!). I didn’t get it; it was outside of my experience.
My maternal grandfather owned bars in Houston, like the Sportsman, and supper clubs, like The Club Supreme, which was part of the “Chitlin’ Circuit” (venues owned and operated by and for African-American audiences during segregation). I grew up hearing about the great talents he booked and about people like Sammy Davis, Jr., Harry Belafonte, and the Supremes stopping by the house for dinner. Sometimes I would walk into Club Supreme, look down the dark and dusty ballroom to the stage at the back and imagine what it was like in its heyday. When I walked next door to the Sportsman, owners/editors of newspapers, bankers, and business owners seemed to not only know my name, but also my GPA. Sometimes I thought it was weird – especially when they would tell me they were holding a job for me when I graduated from college – but mostly I just thought part of being a grandfather was being proud of your grandchildren; I figured he must talk about me to his customers because that’s what grandfathers did. I didn’t get it; it was outside of my experience.
“I was kind of afraid at first. I didn’t talk about it very much, I guess, because I was afraid it would get back to someone who would make trouble.”
– Linda Brown, age 17, in a 1961 New York Times interview
In May 2004, I finally started to get it. It was the 50th Anniversary of Brown v. Board of Education of Topeka and as people were celebrating, remembering, and producing documentaries, I was doing the math. In doing the math, I finally really understood that Black people not being able to go to the school of their choice wasn’t part of some distant history lesson. It was part of living history – it was part of my family history. The teachers, administrators, farmers, businessmen and businesswomen, police officers, doctors, nurses, insurance agents, authors, truckers, military personnel, farmers, and preachers in my family successfully did what they did – not because they had the economic and educational advantages that they gave me, but in spite of not having what I took for granted. My parents grew up in the South, in the shadow of Brown v Board, in a state where the Attorney General actively worked to keep school segregation legal despite the U. S. Supreme Court’s landmark ruling. The people who worked behind the bar and sat on the barstools at my grandfather’s clubs knew me not because my Paw-Paw was some random grandfather proud of his random grandchildren, but because they all understood what I did not: my brothers, cousins, and I were symbols of progress and change. We were proof that the world – or at least our little corner of the world – was getting better, more equitable and more just.
When my grandfather died, people seemed to come out the woodwork. I kind of expected the elders. What I didn’t expect were the people my age, people who wanted to remember and celebrate a businessman in the community who had financially supported the education of young people in the community. They came to celebrate and remember, because they got it.
“None of us got where we are solely by pulling ourselves up by our bootstraps. We got here because somebody – a parent, a teacher, an Ivy League crony or a few nuns – bent down and helped us pick up our boots.”
– Supreme Court Justice (and former NAACP chief counsel) Thurgood Marshall referencing his SCOTUS successor in a Newsweek interview (dated October 28, 1991)
Linda Brown, the student at the center of Brown v Board, was actually part of three school segregation related lawsuits: the one SCOTUS ruled on today in 1954; Brown II in 1955; and a case filed by the adult Linda Brown in 1978 (Brown III), which was re-opened and appealed through the late 80’s / early 90’s. The first case, officially filed as “Oliver Brown, et al v Board of Education of Topeka, et al,” was a class action lawsuit filed by Thurgood Marshall, the NAACP’s chief counsel, for thirteen parents on behalf of 20 school-aged children. However, the case itself was a test case and symbolic of several cases across the country. The case in Kansas was selected by the NAACP as the pilot case, because it was considered more Midwestern than Southern, the Brown’s neighborhood was desegregated (but the local school was not), and Oliver Brown was selected as the named plaintiff because he was a man. (The idea being that a male plaintiff might be considered more seriously by the courts and the ruling might carry more national weight if inequality could be proven outside of the South.)
While the unanimous 1954 ruling is celebrated as a landmark victory, it was more symbolic than anything else. The Supreme Court first ruled that there was no such thing as “separate, but equal” – at least not as schools existed at that time. Then, in 1955, SCOTUS ordered states to desegregate “with all deliberate speed” – but, here again there was no timetable and the interpretation of the very poetic phrase was left not to the NAACP or the plaintiffs, but to the states.
“It’s disheartening that we are still fighting. But we are dealing with human beings. As long as we are, there will always be those who feel the races should be separate.”
– Linda Brown, in a 1994 New York Times article (around 40th anniversary)
Look around today and you will see the legacy of Brown v Board. There is some positive, some signs of progress; there is also some negative. Were Linda Brown still alive today, she could easily file another lawsuit…on behalf of her grandchildren or even her great-grandchildren. Part of the legacy of Brown v Board is living in the shadow of the Plessy v Ferguson concept of “separate but equal.” We can say it’s the shadow that makes us appreciate the light; but, at some point we need more light.
“I didn’t understand what was happening then, but it was clear that Brown versus Board of Education was a necessary victory. It might have been a little flame, but it served to set off a mighty flame. To me, the impact of Brown is best seen in the increasing numbers of black professionals today. These are the people that, after 1954, were able to have some degree of choice. This surely made a difference in their aspirations and their achievements.”
– Linda Brown, in a April 29, 2004 speech (marking the 50th anniversary) at Chautauqua Institution
Please join me for a 65-minute virtual yoga practice on Zoom today (Sunday, May 17th) at 2:30 PM, to celebrate progress, to remember those who made it possible, and to raise awareness so that we understand what is needed to move forward together. You can use the link from the “Class Schedules” calendar if you run into any problems checking into the class. Today’s playlist is available on YouTube and Spotify.
(“Ramadan Mubarak, Blessed Ramadan!” to anyone who is observing Ramadan. I typically talk about Ramadan at the end of the season, so keep your eyes open.)
“We are kept all as securely in Love in woe as in weal, by the Goodness of God.”
“All shall be well, and all shall be well, and (in) all manner of thing(s) shall be well.”
– from Chapters 1 and 27 Revelations of Divine Love (Revelations of Love in 16 Shewings) by Julian of Norwich
Hurray! It’s finally here; one of my favorite days, devoted to one of my favorite people: the Roman Catholic feast day for St. Julian of Norwich. (Her Lutheran feast day is May 8th.) Julian (which may or may not have been her given name) was a 14th century anchoress who is always going to make my Top 10 list of favorite mystics/contemplatives. Scratch that, she always makes my ever-changing Top 5. Let’s be honest; she’s always in the Top 3. And her life and writing are very relevant – and very similar – to what we are experiencing today.
Julian is noteworthy not only because she is the author of the oldest surviving book written in English by a woman, but also because she lived an extraordinary life – most of it in seclusion. As an anchoress (sometimes referred to as anchorite or anchoret) she withdrew from the secular world, for religious reasons, and spent the majority of her life in a tiny cell in the “corner” of a church in the city of Julian. You can think of her as a hermit-in-place. Taking a vow of stability, as anchoresses did, and even being given a symbolic funeral – as anchorites would be considered “dead to the world” – were very common practice in the Middle Ages. Julian’s experience, however, was a little atypical.
While we typically think of anchorites as living in seclusion, with even more isolation than people who retreat into an abbey or convent, Julian lived in the bustling city of Norwich. As a spiritual counselor and model of devout life, she was permitted to engage with the populace through the window of her cell and provide people with what they needed, whether that be clothing for the poor, spiritual advice, and/or prayers. She could also accept alms, food, and other gifts as she served the community. We have it on great authority that not only did the locals take advantage of Julian’s spiritual guidance, but that she was sought out by mystics and others, like Margery Kempe, who would be remembered in their own right. Additionally, the city of Norwich was full of poverty, famine, social conflict, religious schism, and disease during her lifetime so, we can conclude that, for a hermit, Julian was quite busy.
“These Revelations were shewed to a simple creature unlettered, the year of our Lord 1373, the Thirteenth day of May. Which creature afore desired three gifts of God. The First was mind of His Passion; the Second was bodily sickness in youth, at thirty years of age; the Third was to have of God’s gift three wounds.”
– from Chapter 2 of Revelations of Divine Love (Revelations of Love in 16 Shewings) by Julian of Norwich
At some point in her life, Julian asked God for three gifts. At 30-and-a-half, Julian became so ill that she believed she was going to die. Her conclusion was based, in part, by the fact that in her short lifetime Norwich had experienced the Black Death three times – the first time when she was 6 years old and at one point resulting in the death of a third of the population. Also, she was very, very sick. She was so sick that she was given last rites on May 8, 1373. During these very scary and traumatic moments – moments all believed would be her last – Julian received her three gifts from God: (1) to experience the Passion (“suffering”) and love of Christ; (2) to experience personal suffering/illness in youth; and (3) to receive the spiritual wounds of true contrition, genuine compassion, and a sincere longing for God. She received her gifts in the form of 16 “shewings” and, when she recovered wrote them all down.
“He shewed me a little thing, the quantity of an hazel-nut, in the palm of my hand; and it was as round as a ball. I looked thereupon with eye of my understanding, and thought: What may this be? And it was answered generally thus: It is all that is made. I marvelled how it might last, for methought it might suddenly have fallen to naught for little. And I was answered in my understanding: It lasteth, and ever shall for that God loveth it. And so All-thing hath the Being by the love of God.”
“In this Little Thing I saw three properties. The first is that God made it, the second is that God loveth it, the third, that God keepeth it. But what is to me verily the Maker, the Keeper, and the Lover, — I cannot tell; for till I am Substantially oned to Him, I may never have full rest nor very bliss: that is to say, till I be so fastened to Him, that there is right nought that is made betwixt my God and me.”
– from Chapter 5 of Revelations of Divine Love (Revelations of Love in 16 Shewings) by Julian of Norwich
There are two official copies of Julian’s Revelations of Divine Love (A Revelation of Love in 16 Shewings), a short version (“short text”) and a longer version (“long text”). The Short Text is believed to be the one she initially wrote after her recovery and the Long Text is believed to have been written over time, and with some encouragement. Both versions were copied over time, during Julian’s lifetime, and sometimes given as gifts.
One might expect that Julian’s writings were scary and filled with doom and horror, but they are not. In fact, both versions are full of hope and trust in God’s goodness. Additionally, Julian comes across as intelligent, sensitive, and very much grounded in reality. Even though she includes theological points, like presenting God as Father and Mother, which were not authorized by the Church, Julian was neither sanctioned nor criticized as a heretic. In fact, like Saint Teresa of Ávila, another remarkable Christian mystic who happened to be a woman, Julian was encouraged by the church to write and distribute her work. Both women, within their texts, downplayed their intellect and influence and yet are remembered while some of the religious leaders of their time have been forgotten. Another curious thing to note is that, unlike other scholars and religious authors of the time, Julian wrote in English (not Latin).
“We shall suddenly be taken from all our pain and from all our woe, and of His Goodness we shall come up above, where we shall have our Lord Jesus for our meed and be fulfilled with joy and bliss in Heaven.”
“I saw that God rejoiceth that He is our Father, and God rejoiceth that He is our Mother, and God rejoiceth that He is our Very Spouse and our soul is His loved Wife. And Christ rejoiceth that He is our Brother, and Jesus rejoiceth that He is our Saviour. These are five high joys, as I understand, in which He willeth that we enjoy; Him praising, Him thanking, Him loving, Him endlessly blessing.”
– from Chapters 1 and 52 of Revelations of Divine Love (Revelations of Love in 16 Shewings) by Julian of Norwich
Over the years, my friend Lori and I have discussed Julian and her work, and the circumstances within which she worked her spiritual magic. We have, over the years, craved the ability to retreat while simultaneously still serving a purpose in the world. We have also, over the years, wondered at the mindset and fortitude required to not only ask for the gifts Julian requested, but also to receive them and utilize them as she did. This, to paraphrase the Rev. Dr. Cynthia Bourgeault (a modern day contemplative and mystic), is not for sissies.
Now, here we are, and Lori and I recently discussed – via the wonders of technology – that we are all experiencing some of Julian’s circumstances. The whole world is experiencing some of Julian’s circumstances and, while we may not request or even want her gifts, we can definitely appreciate her lessons and what they have to teach us. Regardless of our spirituality or religiosity, we can definitely benefit from her “shewings” of divine love.
“It is thus logical that God, being our Father, be also our Mother. Our Father desires, our Mother operates and our good Lord the Holy Ghost confirms; we are thus well advised to love our God through whom we have our being, to thank him reverently and to praise him for having created us and to pray fervently to our Mother, so as to obtain mercy and compassion, and to pray to our Lord, the Holy Ghost, to obtain help and grace.
I then saw with complete certainty that God, before creating us, loved us, and His love never lessened and never will. In this love he accomplished all his works, and in this love he oriented all things to our good and in this love our life is eternal.
With creation we started but the love with which he created us was in Him from the very beginning and in this love is our beginning.”
– from Chapter 59 of Revelations of Divine Love (Revelations of Love in 16 Shewings) by Julian of Norwich
Please join me today (Wednesday, May 13th) at 4:30 PM or 7:15 PM, if you are interested in seeing what may be “shewn.” Use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You will need to register for the 7:15 PM class if you have not already done so. Wednesday’s playlist is available on YouTube and Spotify.
Kiss My Asana, the yogathon that benefits Mind Body Solutions and their adaptive yoga program is officially over. But, I still owe you two posts and you can still do yoga, share yoga, help others by donating to my KMA campaign through May 15th.
You can also check out the all-humanity, Kick-Off gathering featuring insights from MBS founder Matthew Sanford, conversation with MBS students, and a mind-body practice for all. If you’re not familiar with MBS, this will give you a glimpse into the work, the people, and the humanity of the adaptive yoga program which I am helping to raise $50K of essential support.
(“Ramadan Mubarak, Blessed Ramadan!” to anyone who is observing Ramadan. I typically talk about Ramadan at the end of the season, so keep your eyes open.)
“Furthermore, Subhūti, in the practice of compassion and charity a disciple should be detached. That is to say, he should practice compassion and charity without regard to appearances, without regard to form, without regard to sound, smell, taste, touch, or any quality of any kind. Subhuti, this is how the disciple should practice compassion and charity. Why? Because practicing compassion and charity without attachment is the way to reaching the Highest Perfect Wisdom, it is the way to becoming a living Buddha.”
– The Diamond Sutra (4)
“By this name it shall be revered and studied and observed. What does this name mean? It means that when the Buddha named it, he did not have in mind any definite or arbitrary conception, and so named it. This Sutra is hard and sharp, like a diamond that will cut away all arbitrary conceptions and bring one to the other shore of Enlightenment.”
– The Diamond Sutra (13)
I have heard that the oldest (surviving) book with a printed date is a Chinese copy of The Diamond That Cuts Through Illusion, a sacred Buddhist text commonly known as The Diamond Sutra. It was translated from Sanskrit and printed today (May 11th) in 868 A. D. on a 17-and-a-half-foot-long grey scroll using a block printer commissioned by one Wang Jie. A handwritten note along the lower right hand side of the scroll indicates that it was “Reverently made for universal free distribution by Wand Jie on behalf of his two parents.” The text itself indicates that there is great merit in being a “person who simply observed and studied this Sutra and, out of kindness, explained it to others.” (DS 24)
While the merit is great even if a person only understands and explains “four lines of this Sutra” (DS 8 & 12), it is a relatively accessible and short text, at about 6,000 words. The Diamond Sutra consists of a conversation between the Buddha and his pupil Subhūti, during which there is a continuous emphasis on the temporal and illusory nature of all things – including the teachings within the text! Despite the temporal and illusory nature of all things (including the teachings within the text) – or maybe because of it – there is great wisdom here. Wisdom that is summed up in the Tom Waits song “Diamond in Your Mind:” always keep a diamond in your mind (no matter the situation or circumstance).
This text can be studied and explained, out of kindness, with dialogue similar to the Buddha and Subhūti’s conversation. It can be explored through a deep seated mediation. Or, it can be studied, explained, and explored through a little movement – maybe even a little heart-centered dance.
“They say that dance and architecture are the two primary arts. That means that you have to have the gesture, the effort – the real effort – to communicate with another being and you must also have a tree to shelter under in case of storm or sun.”
– Martha Graham on Technique
“To walk out of one’s door each morning requires that you believe you are needed beyond your four walls and can offer something. To be grateful for the opportunity to simply walk out and live a life offers blessings and insight.”
– Martha Graham in 1990 telephone and in-person interviews with James Grissom
Martha Graham, born today (May 11th) in 1894 was a revolutionary dancer and choreographer, whose passion was partially inspired by her father’s work as a doctor, who used movement as a treatment for nervous disorders, and the art of Russian abstract artist Wassily Kandinsky. Her greatest influence, however, was the work of Ruth St. Denis and Ted Shawn. Graham once said, “Everything I did was influenced by Denishawn.” And, like St. Denis, Graham would go on to leave an indelible mark not only on dance, but also on music, theatre, and performance art.
Graham developed a technique based on the importance of breathing and movement that was, she said, “fraught with inner meaning, with excitement and surge.” The Graham Technique is based on the idea of “contraction and release” (which is one way to describe the body’s natural response to breathing); combined with “spiraling” (diagonally positioning parts of the body, via a 45⁰ rotation of the spine, that is reminiscent of Kandinsky’s paintings) and Doris Humphrey’s “fall and recovery” (Humphrey’s principle regarding an individual’s constant engagement with gravity, as well as the life-death experience of living). Even though a Graham dancer’s hands and feet can have specific placement, the movement of the arms and legs (as well as the hands and feet) begins in the core, with awareness of the heart.
“The palm of the hand should be forward, and straight out (in) the audience. I give you myself, I give you what I have to give; that’s what it really means.”
– Martha Graham instructing dancers during rehearsal
“When I was young I studied with Martha Graham; not to learn to dance, but to learn to move on the stage. If Martha Graham could have had her way, she would have taught us all how to move – through life. That has been and will be her goal: proper movement through life, the relationship of the body to the mind and the body to the spirit. Martha Graham is a compulsive student of the human heart.”
–actor Gregory Peck on Martha Graham (in a documentary)
The mind needs what it needs to understand something, even ourselves, until it no longer needs a reference point. (People who attended Saturday’s practice will notice a theme here.) The Diamond Sutra tells us that the concepts of a self or no-self, as well as the ideas that all beings are separated or connected, are such reference points. They are used in the text “the way that a raft is used to cross the river. Once the river has been crossed over, the raft is of no more use, and should be discarded.” (DS 6) Martha Graham used dance as a bridge – a way to express life experiences and emotions, as they were simultaneously shared and unique. Here, with the bridge as well as with the raft, there is the opportunity to go back and forth until you have what you need to live nobly through this thing we call life.
“Each one of us has all of life in us. And it is our choice to decide what we will reveal…. How many drops of blood have gone into the making of you? How much memory is in that drop of blood?”
– Martha Graham on life, living, and dancing
“Art is memory. It is the excavation of so many memories we have had–of our mothers, our best and worst moments, of glorious experiences we have had with friends or films or music or dance or a lovely afternoon on a sloping, green hill. All of this enters us and, if we are artists, must be shared, handed over to others. This is why it is so important to know what came before you. It is also important to understand that things will follow you, and they may come along and make your work look pedestrian and silly. This is fine; this is progress. We have to work with what life presents to us, and we have to work as well as we can while we can”
– Martha Graham in a 1990 telephone interview with James Grissom
Please join me for Graham-Diamond-Sutra inspiredvirtual yoga practice on Zoom today (Monday, May 11th) at 5:30 PM. This is a 75-minute Common Ground Meditation Center practice that, in the spirit of generosity (dana), is freely given and freely received. You can use the link from the “Class Schedules” calendar if you run into any problems checking into the class. If you are able to support the center and its teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” my other practices, or you can purchase class(es). Donations are tax deductible, class purchases are not necessarily.)
There is no playlist for the Common Ground practices (however, today, I do offer additional inspiration).
Kiss My Asana, the yogathon that benefits Mind Body Solutions and their adaptive yoga program is officially over. But, I still owe you two posts and you can still do yoga, share yoga, help others by donating to my KMA campaign through May 15th.
You can also check out the all-humanity, Kick-Off gathering featuring insights from MBS founder Matthew Sanford, conversation with MBS students, and a mind-body practice for all. This practice is all about the compassion the Buddha speaks of in The Diamond Sutra and includes a focus on spinal breathing that would make Martha Graham dance. If you’re not familiar with MBS, this will give you a glimpse into the work, the people, and the humanity of the adaptive yoga program which I am helping to raise $50K of essential support.
“There is a vitality, a life force, a quickening that is translated through you into action, and there is only one of you in all time, this expression is unique, and if you block it, it will never exist through any other medium; and be lost. The world will not have it. It is not your business to determine how good it is, not how it compares with other expression. It is your business to keep it yours clearly and directly, to keep the channel open. You do not even have to believe in yourself or your work. You have to keep open and aware directly to the urges that motivate you. Keep the channel open.”
– Martha Graham to biographer Agnes de Mille (printed in Martha: The Life and Work of Martha Graham, 1992)
A Joyful Practice 