Sitting, Breathing… in a Room [the “missing” Tuesday post] January 26, 2022

Posted by ajoyfulpractice in "Impossible" People, Abhyasa, Art, Books, Changing Perspectives, Depression, Dharma, Food, Healing Stories, Hope, Life, Loss, Movies, Mysticism, One Hoop, Pain, Peace, Philosophy, Suffering, Tragedy, Vairagya, Vipassana, Wisdom, Women, Writing, Yoga.
Tags: bandhas, Carl Jung, Dr. Toya Webb, Haţha Yoga Pradipika, Matthew Sanford, Maty Ezraty, MBSR, mental health, Michael Cunningham, Moon Knight, Pancham Sinh, siddhis, The Air I Breathe, trauma, Virginia Woolf
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Warning: This post references to mental health and a person who experienced severe emotional distress.

This is the “missing” post for Tuesday, January 25^th. Links in the 4^th paragraph of the “Coda” will connect you to other websites. You can request an audio recording of the practice via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.

In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.

Check out the “Class Schedules” calendar for upcoming classes.)

Coda:

Do you ever think about what yoga and Virginia Woolf have in common? No? Just me? Ok, that’s fine; it’s not the first time – and will not be the last time that I make what, on the surface, appears to be a really random connection. It’s not even the first (and probably won’t be the last) time this week. However, in circling back to this practice and this theme, I found myself thinking a little more about mental health and the implications of having space, time, and the other resources to focus, concentrate, contemplate, and meditate.

Last year, this practice fell on Monday, 12521 (making it a palindrome practice). While I waited until the following day to reference Carl Jung’s thoughts on yoga and mental health, those thoughts are always hovering in the back of my mind. And yes, that is the second time this week I’ve mentioned the psychiatrist and psychoanalysis on the blog. However, he and his work have come up at least three times this week. Starting with a conversation I had with my brother.

As some of you know, my youngest brother is one of the coolest people I know. He is cool on a lot of different levels, including being pretty Zen in temperament. But, he doesn’t have a regular practice yoga or meditation practice and he doesn’t really talk about those things with people who do (except me). Over the weekend, he asked me about something he read regarding yoga, meditation, and people who have experienced trauma. Our conversations, as they often do, oscillated between the experiences of real people and the experiences of a certain Marvel comic book character. We talked a little about the emotional ramifications of sitting and breathing… and the things that come up when one is essentially alone with their thoughts. It’s a double-edged sword, as Dr. Jung pointed out – as Patanjali, Vyasa, and other early yoga scribes pointed out. So, we talked about the importance of practicing with care and awareness.

Today there is trauma-sensitive yoga, trauma-informed yoga, MBSR (Mindfulness-Based Stress Reduction), HeartMath®, and people who just practice yoga with an awareness that stuff comes up. I mean; we’ve all been through something and when you’ve been through something, stuff comes up. The more intense the trauma-related experience was, the more intense it can be when stuff comes up. Every practice doesn’t work for every person (even Patanjali pointed this out at the beginning of the fourth section of the Yoga Sūtras); but every person needs some way to process what they have experienced – whether they consider it traumatic or not.

Journaling is helpful. Talking to someone is helpful. Connecting with nature is helpful. Sitting and breathing is helpful. You may not need (or want) a “trauma-” label associated with your method of processing, but if you find yourself being overwhelmed by emotion, do something: Ask for help! Maybe a teacher engaged in mindfulness-based practices can help you. Maybe you have a spiritual and/or religious guide who can help you. Maybe you need a mental health professional. Either way, remember that sensation is information; it’s the way the mind-body tells our stories.

Matthew Sanford, the founder of Mind Body Solutions, talks about “healing stories” – the stories we tell ourselves (and each other) to explain our experiences. Those stories are one of the ways we process our stuff. Dr. Toya Webb reminds us that we are “always listening [to the story we tell ourselves] – whether it is destructive or productive.” Maty Ezraty, a master yoga teacher, said that every practice is like a good story.

Consider all of this as you read the following revised version of last year’s post entitled, “Who’s Afraid of Breathing?”

“surājye dhārmike deśe subhikṣhe nirupadrave |
dhanuḥ pramāṇa-paryantaṃ śilāghni-jala-varjite |
ekānte maṭhikā-madhye sthātavyaṃ haṭha-yoghinā || 12 ||

The Yogī should practise [sic] Haṭha Yoga in a small room, situated in a solitary place, being 4 cubits square, and free from stones, fire, water, disturbances of all kinds, and in a country where justice is properly administered, where good people live, and food can be obtained easily and plentifully.”

– quoted from “Chapter 1. On Āsanas” of the Haţha Yoga Pradipika, translated by Pancham Sinh (1914)

“… a woman must have money and a room of her own if she is to write fiction…”

– quoted from the essay “A Room of One’s Own,” as it appears in A Room of One’s Own And, Three Guineas by Virginia Woolf

In October 1928, Virginia Woolf gave two speeches to two different student societies at Newnham College and Girton College, which at the time were two of the all-women colleges at the University of Cambridge. (NOTE: Newnham is still an all-women’s college. Girton started accepting men in 1971 and started allowing men to be “Mistress,” or head of the college, in 1976.) The speeches were about women and fiction – and specifically detailed why there were so few women writers who had earned acclaimed (and, to certain degree, why those that did often did so anonymously or with “male” names). She also highlighted the absurd trichotomy between the two wildly archetypical way women are portrayed in literature and the reality of the very different types of women in the room, let alone in the world.

Born Virginia Stephen in Kensington, England, Janaury 25, 1882, Ms. Woolf speculated about the works that might have come from a woman (say, in Shakespeare’s time) who had a helpmate to take care of the cooking, cleaning, children, and other household business. She also talked about the social constraints that not only prevented a woman from devoting copious time to the practical application of her craft, writing, but also the social constraints and inequalities that could result in what would amount to writer’s block. All this, she detailed, even before she addressed the issue of a market place predisposed to highlight male writers – and she introduced her ideas by establishing two (really three) of the things a woman would need to overcome the obstacles of society: (time), space, and money.

When I first started going deeper into my physical practice of yoga, I looked into some of the classic texts within the tradition. One of those texts was the Haţha Yoga Pradipika (Light on the Physical Practice of Yoga), a 15^th Century text that focuses on āsanas (“seats” or poses), prāņāyāma (breath awareness and control), mudrās (“seals” or “gestures”), and Samādhi (that ultimate form of “meditation” that is absorption). Throughout the text, and in particular in the chapter on mudrās, there is a breakdown of how energy, power, or vitality moves through the body and the benefits of harnessing that power.

I would eventually appreciate how the text is almost a summary of the earlier Yoga Sūtras, but (as an English lit major), what struck me first was how similar these early instructions – related to a practice that can be used to cultivate clarity and harness the power of the mind – were to Virginia Woolf’s advice to women writers.

“athāsane dṝdhe yoghī vaśī hita-mitāśanaḥ |
ghurūpadiṣhṭa-mārgheṇa prāṇāyāmānsamabhyaset || 1 ||

Posture becoming established, a Yogî, master of himself, eating salutary and moderate food, should practise [sic] Prâṇâyâma, as instructed by his guru.”

– quoted from “Chapter 2. On Prāņāyāma” of the Haţha Yoga Pradipika, translated by Pancham Sinh (1914)

“I feel a thousand capacities spring up in me. I am arch, gay, languid, melancholy by turns. I am rooted, but I flow.”

– quoted from “Susan” in The Waves by Virginia Woolf

Just as Virginia Woolf addressed misconceptions about women in her essays and fiction, the translator Pancham Sinh addressed some misconceptions about people who practice yoga and the practice of prāņāyāma in an introduction to the Haţha Yoga Pradipika. Part of the introduction is an admonishment to people who would study the practice, but do not practice it, stating, “People put their faith implicitly in the stories told them about the dangers attending the practice, without ever taking the trouble of ascertaining the fact themselves. We have been inspiring and expiring air from our birth, and will continue to do so till death; and this is done without the help of any teacher. Prāņāyāma is nothing but a properly regulated form of the otherwise irregular and hurried flow of air, without using much force or undue restraint; and if this is accomplished by patiently keeping the flow slow and steady, there can be no danger. It is the impatience for the Siddhis which cause undue pressure on the organs and thereby causes pains in the ears, the eyes, the chest, etc. If the three bandhas be carefully performed while practicing [sic] the Prāņāyāma, there is no possibility of any danger.”

Siddhis are the powers or “accomplishments” achieved from continuous practice. They range from being able to extend peace out into the world and understanding all languages; to being able to levitate and know the inner workings of another’s heart and mind; to the six “powers unique to being human.” Bandhas are “locks” and refer to internal engagements used to seal sections of the body in order to control the flow of prāņā. The three major bandhas referred to in the text are the same engagements I encourage when I tell people to “zip up” and engage the pelvic floor and lower abdominal cavity (mūla bandha), the mid and upper abdominal cavity (uḍḍīyana bandha), and the throat (jālandhara bandha). I typically refer to a fourth – pada bandha – which is a seal for the feet; however, in classical texts the fourth bandha is the engagement of the three major bandhas (root, abdominal, and throat) at the same time.

Before anyone gets it twisted, let’s be clear that this introduction is not advice to grab a book and follow instructions without the guidance of a teacher. In fact, Pancham Sinh specifically advised people to find a teacher who practiced and indicated that while one could follow the directions from a (sacred) book, there are some things that cannot be expressed in words. There are some things that can only be felt.

This is consistent with Patanjali’s explanation that the elements and senses that make up the “objective world” can be “divided into four categories: specific, unspecific, barely describable, and absolutely indescribable.” (YS 2.19) That is to say, there are some things that have specific sense-related reference points; some things that can be referred back to the senses, but only on a personal level; some things that have no reference points, but can be understood through “a sign” or comprehension of sacred text; and some things which cannot be described, because there is no tangible reference point and/or “sign” – there is only essence.

One of the things we can feel, but not touch, is emotion. Emotions can come with visceral experiences and, in that way, can fall into the “unspecific” category. More often than not, however, what we feel is “barely describable” (or even indescribable) – and yet, writers are always trying to describe or capture the essence of what is felt. As the author of nine novels (including one published shortly after her death), five short story collections (most of which were published after her death), a hybrid novel (part fiction, part non-fiction), three book-length essays, a biography, and hundreds of articles, reviews, and essays, Virginia Woolf constantly endeavored to describe what she felt and what she felt she saw others feeling. Even more salient, she often focused on the disconnection between what her characters felt and what they could describe about what they felt.

The author’s efforts were hindered, or aided (depending on one’s viewpoint), by the fact that she experienced so much trauma and heartbreak; much of which led to emotional despair. She was possibly (probably) abused by one of her half-brothers from an early age. Then she suffered a mental breakdown at the age of 13, after her mother died. Then she had to deal with the death of her half-sister and a maternal role model just two years later. When her father he died, in 1904, she had another breakdown, the severity of which landed her in the country for a period of convalescence. It was during this period that she began to write in earnest (even though the doctors had recommended that she only write letters) and that she would meet Leonard Woolf, the author whom she would marry in 1912. The writing helped, in that she seemed to find some mental and emotional stability for about 15 years. But, she would experience another breakdown after correcting the proofs of her first novel, The Voyage Out. The novel was published by her half-brother’s publishing company (yes, that aforementioned half-brother) and introduced the world to “Clarissa Dalloway,” the protagonist of her fourth novel.

“evaṃ vidhe maṭhe sthitvā sarva-chintā-vivarjitaḥ |
ghurūpadiṣhṭa-mārgheṇa yoghameva samabhyaset || 14 ||

Having seated in such a room and free from all anxieties, he should practise [sic] Yoga, as instructed by his guru.”

– quoted from “Chapter 1. On Āsanas” of the Haţha Yoga Pradipika, translated by Pancham Sinh (1914)

“You cannot find peace by avoiding life.”

– quoted from The Hours: a novel by Michael Cunningham

It is interesting to me that while the instruction for the Haţha Yoga Pradipika instructed a person to practice when they were “free from…disturbances of all kinds” (HYP 1.12); “free from dirt, filth and insects” (HYP 1.13); and “free from all anxieties” (HYP 1.14), the vast majority of people practicing in the modern world do so in order to free themselves from the various maladies that plague them. Additionally, I find it interesting that historians, teachers of literature, and even psychiatrists spend a lot of time (theoretically) diagnosing a young woman (Virginia Woolf) who may have been experiencing (and working through) the most natural of emotions; natural, given her circumstances.

Were her emotions extreme and potentially dangerous? Yes, by all accounts – including her own words and her death – her emotions were extreme and dangerous; as were her circumstances. Initially, she was able to work through her distress because she had the support of those to whom she was connected. In the end, however, she was left alone and feeling disconnected.

The Air I Breathe, one of my favorite movies, was released in the United States Janaury 25, 2008. Inspired by the idea that emotions are like fingers on a hand, the main characters are known to the audience as Happiness, Pleasure, Sorrow, Love, and Fingers – and their stories are interconnected, even though they don’t necessarily realize it. In fact, some of the most desperate actions in the movie are motivated by fear and a sense of isolation. Promotional materials for the movie proclaimed, “We are all strangers / We are all living in fear / We are all ready to change” and in the movie Happiness asks, “So where does change come from? And how do we recognize it when it happens?” Happiness also says, “I always wondered, when a butterfly leaves the safety of its cocoon, does it realize how beautiful it has become? or does it still just see itself as a caterpillar? I think both the statement and the questions could be applied to so many, if not all, of Virginia Woolf’s characters. They could also be applied to all of us in the world right now.

“‘For,’ the outsider will say, ‘in fact as a woman, I have no country. As a woman I want no country. As a woman my country is the whole world.’ And if, when reason has had its say, still some obstinate emotion remains, some love of England dropped into a child’s ears… this drop of pure, if irrational, emotion she will make serve her to give to England first what she desires of peace and freedom for the whole world.”

– quoted from the novel-essay “Three Guineas,” as it appears in The Selected Works of Virginia Woolf by Virginia Woolf

As I have mentioned before, I consider the 8-Limbed Yoga Philosophy to have very real-time, practical applications and I normally think of the physical practice as an opportunity to practice, explore, and play with the various elements of the philosophy. I will even sometimes use aspects of alignment as a metaphor for situations in our lives off the mat. Given ~~this last year~~ the last few years, however, I have really started to consider how āsana instructions from classic texts like The Yoga Sūtras of Patanjali and the Haţha Yoga Pradipika, can be more practically applied to the most basic aspects of everyday life.

For instance, if we spend our time on the mat cultivating a “steady/stable, comfortable/easy/joyful” foundation in order to breathe easier and more deeply, doesn’t it make sense to spend some time cultivating the same type of foundation in our lives?
Going out a little more, if we do not have the luxury or privilege of practicing “in a country where justice is properly administered, where good people live, and food can be obtained easily and plentifully,” doesn’t it behoove us to create that land?
Finally, what happens if we (to paraphrase yoga sūtras 2.46-47) establish a baseline for stability and then loosen up a little bit and focus on the infinite? Patanjali and the authors of the other sacred texts told us we would become more of who we are: leaner in body, healthier, brighter, more joyful, “clearer, stronger, and more intuitive.” In other words: peaceful and blissful.

“lōkāḥ samastāḥ sukhinōbhavantu”

– A mettā (loving-kindness) chant that translates to “May all-beings, everywhere, be happy and be free.”

Tuesday’s playlist is available on YouTube and Spotify.

“vapuḥ kṝśatvaṃ vadane prasannatā
nāda-sphuṭatvaṃ nayane sunirmale |
aroghatā bindu-jayo|aghni-dīpanaṃ
nāḍī-viśuddhirhaṭha-siddhi-lakṣhaṇam || 78 ||

When the body becomes lean, the face glows with delight, Anâhatanâda manifests, and eyes are clear, body is healthy, bindu under control, and appetite increases, then one should know that the Nâdîs are purified and success in Haṭha Yoga is approaching.”

– quoted from “Chapter 1. On Āsanas” of the Haţha Yoga Pradipika, translated by Pancham Sinh (1914)

“The human frame being what it is, heart, body and brain all mixed together, and not contained in separate compartments as they will be no doubt in another million years, a good dinner is of great importance to good talk. One cannot think well, love well, sleep well, if one has not dined well.”

– quoted from the essay “A Room of One’s Own,” as it appears in A Room of One’s Own And, Three Guineas by Virginia Woolf

If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can call 1-800-273-TALK (8255). You can also call the TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.

If you are a young person in crisis, feeling suicidal, or in need of a safe and judgement-free place to talk, contact the TrevorLifeline (which is staffed 24/7 with trained counselors).

“Realize that there is freedom in telling your story and that there is power in your words.”

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– quoted from the November 2018 TedxDelthorneWomen talk entitled, “Change Your Perspective and Change Your Story” by Dr. Toya Webb

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### OM SHANTI, SHANTI, SHANTHI OM ###

Seeking… (the “missing” Wednesday post) January 20, 2022

Posted by ajoyfulpractice in Art, Books, Dharma, Donate, Faith, Gratitude, Healing Stories, Health, Hope, Karma, Life, Love, Music, Mysticism, One Hoop, Pain, Philosophy, Poetry, Science, Suffering, Super Heroes, Wisdom, Women, Writing, Yoga.
Tags: Deborah Evans Price, Dolly Lama, Dolly Parton, Moderna vaccine, Robbie Williams (yoga), Robin Roberts, Stephen Smith
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Portions of the following were originally posted in 2021. However, this is an expanded and updated version, because…. Well, you’ll see.

This is the post for Wednesday, January 19^th. You can request audio recording of Wednesday’s practices via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.

In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.]

“Find out who you are and do it on purpose.”

– Dolly Parton

“When I’m inspired, I get excited because I can’t wait to see what I’ll come up with next.”

– Dolly Parton

There are certain puns, specifically homonym puns, that work really well in class but don’t work at all when read. For instance, when you read “the Dolly Lama,” you might think it’s a type-o and that I meant “Llama” – and that I somehow got confused about the animal when talking about the famous cloned sheep. However, when I explain that “Lama” is a term for “teacher” and an honorific specifically used in Tibetan Buddhism things become a little clearer. Hearing it, you might think I’m saying “Dalai Lama,” but, when you read it – and I refer to her as she – there’s no confusion about the identity of this famous teacher.

Born January 19, 1946, Dolly Rebecca Parton is a seeker, a dreamer, a reader, a writer, a producer, an entrepreneur, a shopper, a philanthropist, a healer, and a teacher – although she has referred to herself as “A poor sinful creature.” Over the years, I had somehow forgotten that she was also someone who practiced yoga. You might wonder how I could forget something like that, but in all fairness, the November/December 1984 Yoga Journal article that talked about musicians and actors practicing yoga in Nashville didn’t include a picture of Dolly actually practicing any poses.

If you imagine that for a moment – Dolly in Virabhadrasana II – you’re not likely to forget the image. Especially since she continually proves herself as a warrior and a “Hero Friend.”

“As the two of us stretched and shared for 90 minutes each morning, I’d get the strangest feeling that there were four of us there, two teachers and two students: me teaching Dolly yoga techniques, Dolly teaching me the value of laughter, spontaneity, nonjudgement, trust – and so much more. Then we’d slip out of our roles and slip into meditation, the four of us becoming two, becoming one.”

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– quoted from the Nov/Dec 1984 Yoga Journal article entitled, “Yoga’s Nashville Connection: Well-being and fame co-exist, say these ‘top 10’ hit-makers from country music city.” by Robbie Williams

Reading my list of descriptors, you might think, “Oh, Myra, you left out that she’s a musician, a singer.” But, honestly, when I read about the life of Dolly Parton – the well lived life of the “Dolly Lama” – I feel like her being a singer and a musician are the least interesting things about her. Saying that her music is one of the least interesting things about her does not, in any way, take away or dimension her accomplishments as a musician. Dolly Parton and her fans have assured that nothing can do that!

She has written over 3,000 songs and sold more than 100 million records worldwide. As I update this, she has won eleven Grammys (including a Lifetime Achievement Award) and received 51 Grammy nominations. She has also won ten out of 45 Country Music Awards (CMA) and is one of only seven women to win the CMA’s Entertainer of the Year Award. (Seven, that is, since you don’t count Taylor Swift and Barbara Mandrell twice and the Chicks are counted as a single group.)

Additionally, Dolly has thirteen Academy of Country Music Awards (including Entertainer of the Year); several People’s Choice Awards; at least three American Music Awards; and was inducted into the Grand Ole Opry in 1969, the Nashville Songwriters Hall of Fame in 1986, the Country Music Hall of Fame in 1999, and a plethora of other hall of fames – including the Happiness Hall of Fame in 2016. Her influence has also been acknowledged by Ms. Magazine and Time, plus she has stars on the Hollywood Walk of Fame and Nashville StarWalk. Oh, and then there’s that statue in her hometown!

While she is not an EGOT (a winner of an Emmy, Grammy, Oscar and Tony), she has been nominated at least once for all four awards. She’s also the focus of a podcast, Dolly Parton’s America, but for anyone thinking she’s just an American Country music star, keep in mind that her biggest audience (170,000 people) was in Scotland.

Also, keep in mind that she’s not done yet! She’s still living and still writing. She’s still innovating… which is why I’ll keep updating.

She’s also still married, which might be a surprise for people who just know a song or two. Dolly Parton married Carl Thomas Dean on May 30, 1966. He’s not much for the spotlight and, last time I checked, had only seen her perform live once, but they’ve made it work for (going on) 56 years… and counting. She has said that he’s very romantic and that it’s their first marriage; then – with her customary twang – explained that it’s also their LAST marriage. And that right there, his romance combined with her humor (and twang), might be part of the reason their marriage works.

“I’m more successful now than I was then, but I still feel like the same girl. I’m just a working girl. I never think of myself as a star because, as somebody once said, ‘A star is nothing but a big ball of gas,’ – and I don’t want to be that.”

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– Dolly Parton’s response when asked how different she was from 1964 when she first arrived in Nashville, in an October 24,2014, billboard article entitled, “Dolly Parton Q & A: The Country Legend on 50 Years in Nashville and Why She Supports Her Gay Fans” by Deborah Evans Price

Another reason behind her successful marriage might be that Dolly Parton has never forgotten where she came from and has a heart that is, metaphysically speaking, bigger than her whole body. In that previously referenced Yoga Journal article from 1984, Robbie Williams noted, “Dolly Parton is very clear on her beliefs, priorities, and loyalties, and she seems to have identified her divine assignment in this lifetime.” In fact, the article goes on to describe signs and encounters that indicated Dolly knew at an early age that she had a great mission. That mission, in her own words: “channeling love energy ‘so I’ll stay happy and loving, and, hopefully, make other people happy, too.'”

Through her Dollywood Foundation, she has raised money and awareness for disaster relief (close to her home in Tennessee and overseas); HIV/AIDS related charities; cancer treatment; the ethical treatment of animals; and bald eagle conservation. She has also donated her time, energy, and considerable talent to these causes. Not to mention the fact that she has used her considerable wealth and clout to create jobs in economically-depressed areas. In 2020, she donated $1 million towards COVID-19 research and encouraged others (if they could afford it) to do the same. A few months later, Vanderbilt University announced that her donation helped fund the research that produced the Moderna vaccine.

Dolly Parton reads about 50 books a year and promotes literacy through her foundation. In fact, one of the biggest ongoing Dollywood Foundation programs is Dolly Parton’s Imagination Library, which gives each enrolled child a book a month, from birth until they reach kindergarten (age 5). As of today (as I update this), 1,930,492 children in the United States, Canada, the United Kingdom, Australia, and the Republic of Ireland have received 172,752,307 books!

Can you imagine the imagination that is driven by so much reading??

Can you imagine how so imagination changes the world?

“It was [ahead of its time]; and it did a lot of good. But, it evidently didn’t do enough good because we’re going to always have the same problems in the workplace with women and men….and there’s still work to be done. I still believe that women should get paid equal and should be treated with respect. I’m all about that, you know, and I don’t get out and have to preach it or march in the streets, I write about it.”

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– Dolly Parton talking about the importance of the movie 9 to 5, in a 2019 ABC News Special entitled “Dolly Parton: Here She Comes Again!” with Robin Roberts

It is Dolly Parton’s imagination and hard work that have driven her to create so much wonder, beauty, and fun in the world. In addition to everything else – including helping to raise several of her 11 siblings (she is the fourth of 12) – Dolly Parton has written eight books, including her first novel and a cookbook; appeared in eight films; and created a theme park, a water park, multiple entertainment centers, and a production company. That novel (Run, Rose, Run), which was co-written with James Patterson and will be released on March 7, 2022, has it’s own soundtrack – consisting of 12 original songs by Dolly Parton.

“We cannot direct the wind, but we can adjust the sails.”

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– Dolly Parton

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“If you don’t like the road you’re walking, start paving another one.”

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– Dolly Parton

Eleven years ago, I was blogging as I practiced for a Yoga Journal challenge for the new year and I mentioned celebrating the Dolly Lama’s birthday, as I do. In that 2011 post, I admitted, “I can’t exactly call myself an uber-fan when it comes to Dolly Parton, but I like her and I can’t imagine being in a room with her for two seconds and not smiling. I also can’t imagine being a room with her for two minutes and not laughing. Plus, she’s inspiring. She is unapologetic about where she comes from, what she looks like, or how she sounds. There’s a lesson in that. She believes in having fun and being passionate about something. There’s a lesson in that. She’s also a lesson in giving and in looking within for the answers we seek. That last part is key, because (again) we are our own ultimate teacher. We just have to take the time to do a little self-study.”

I stand (and stan) by all of that. (Although, in hindsight, maybe I’m more of a fan than I thought. But, honestly, it’s hard not to be.)

Given all of the above – not to mention the fact that I’ve left some things out – you may be thinking, “What hasn’t Dolly Parton done?” Well, glad you asked. She has never posed nude for Playboy (or anybody else) – despite being asked repeatedly. She did, however, appear on the October 1978 cover… completely covered by a Playboy bunny outfit.

A bunny outfit that recently reappeared for Carl Dean’s birthday!

She has also, as I previously alluded, had a cloned sheep named in her honor. Dolly, because it was created using the breast tissue of an adult sheep.

“You’d be surprised how much it costs to look this cheap!”

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– Dolly Parton

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“People say, ‘How you stay looking so young?’ I say, ‘Well, good lighting, good doctors, and good makeup.’”

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– Dolly Parton in a February 2019 BBC “Newsnight” interview with Stephen Smith

Wednesday’s playlist is available on YouTube and Spotify. [Look for “01192021 The Dolly Lama’]

NOTE: The playlists are slightly different, because the YouTube playlists includes some additional videos “after the practice” of songs included in the practice portion of the playlist.

“The way I see it, if you want the rainbow, you gotta put up with the rain.”

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– Dolly Parton

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“When the big things in your life get messy, you need to get up and get out. I make a point to appreciate all the little things in my life. I go out and smell the air after a good, hard rain. I re-read passages from my favorite books. I hold the little treasures that somebody special gave me. These small actions help remind me that there are so many great, glorious pieces of good in the world.”

– quoted from Dream On: Celebrate the Dreamer in You by Dolly Parton

“If you see someone without a smile today, give ’em yours.”

*

– Dolly Parton

*

### DREAM ON, DREAMER ###

Seeking… (mostly the music) January 19, 2022

Posted by ajoyfulpractice in "Impossible" People, Books, Healing Stories, Hope, Karma Yoga, Life, Music, One Hoop, Pain, Philosophy, Suffering, Super Heroes, Wisdom, Women, Writing, Yoga.
Tags: Dolly Lama, Dolly Parton
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“When the big things in your life get messy, you need to get up and get out. I make a point to appreciate all the little things in my life. I go out and smell the air after a good, hard rain. I re-read passages from my favorite books. I hold the little treasures that somebody special gave me. These small actions help remind me that there are so many great, glorious pieces of good in the world.”

*

– quoted from Dream On: Celebrate the Dreamer in You by Dolly Parton

Please join me today (Wednesday, January 19^th) at 4:30 PM or 7:15 PM for a yoga practice on Zoom. Use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You will need to register for the 7:15 PM class if you have not already done so. Give yourself extra time to log in if you have not upgraded to Zoom 5.0. You can request an audio recording of this practice via a comment below or by emailing myra (at) ajoyfulpractice.com.

Wednesday’s playlist is available on YouTube and Spotify. [Look for “01192021The Dolly Lama”]

In the spirit of generosity (“dana”), the Zoom classes, playlists, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). If you don’t mind me knowing your donation amount you can also donate to me directly. Donations to Common Ground are tax deductible; class purchases and donations directly to me are not necessarily deductible.)

“If you see someone without a smile today, give ’em yours.”

*

– Dolly Parton

### ###

Nom de Destiné, Part “Deux” (mostly a surprise) January 10, 2022

Posted by ajoyfulpractice in 9-Day Challenge, Abhyasa, Changing Perspectives, Confessions, Healing Stories, Japa-Ajapa, Life, New Year, Philosophy, Wisdom, Women, Yoga.
Tags: habits, intentions, resolutions, samskaras, vasanas, yoga
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This video is actually related to the last two Sunday practices and is, in it’s own right, the beginning of a separate practice. I hope you will join me for the experience!

You can request an audio recording of either of the regular Sunday practices via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.

In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)

Check out the “Class Schedules” calendar for upcoming classes.

Click here for music links to the January 9, 2022 practice. Click here for the 2021 post related to January 9^th.

### Be You Now ###

Nom de Destiné, Part “Deux” (mostly the music w/ a link) January 9, 2022

Posted by ajoyfulpractice in Changing Perspectives, Healing Stories, Life, Music, Philosophy, Wisdom, Women, Yoga.
Tags: gender, Simone de Beauvoir, yoga
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“One is not born, but rather becomes, a woman.”

*

– quoted from “Part IV – The Formative Years: Chapter XII. Childhood” in The Second Sex by Simone de Beauvoir

Please join me for a 65-minute virtual yoga practice on Zoom today (Sunday, January 9^th) at 2:30 PM. You can use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.

Sunday’s playlist is available on YouTube and Spotify. [Look for “01102021 Being, The Habit”]

Click here for 2021 post related to this date.

### ###

First Friday Night Special #15: “A Reflective Moment” (a post practice post) January 9, 2022

Posted by ajoyfulpractice in Books, Changing Perspectives, Dharma, Healing Stories, Hope, Langston Hughes, Life, Love, Mathematics, Movies, Music, Mysticism, One Hoop, Pain, Religion, Science, Suffering, Wisdom, Women, Writing, Yin Yoga, Yoga.
Tags: Alice Walker, Beau Lotto, Charlotte D. Hunt, Charlotte Osgood Mason, Dale Carnegie, Dr. Alan Locke, Dr. Franz Boas, Dr. Margaret Mead, Dr. Ruth Benedict, Galileo Galilei, Harlem Renaissance, HBCUs, Howard University, Johannes Kepler, Jupiter, Jupiter's moons, Kidneys, Mary Helen Washington, Nicolaus Copernicus, Ruby McCollum, Stillman Drake, Tycho Brahe, Urinary Bladder, Yin Yoga, Zeta Phi Beta, Zora Neale Hurston
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Happy 2022, Everyone!

This is the post for the “First Friday Night Special” #15 from January 7^th. This practice featured a YIN Yoga sequence focusing on the Urinary Bladder and Kidney meridians (but with a little more back bending than the last two Yin Yoga practices.

You can request an audio recording of Friday’s practice via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.

In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.

Check out the “Class Schedules” calendar for upcoming classes.]

“You cannot teach a man anything. You can only help him to find it within himself.”

– Galileo Galilei, as quoted in How to Win Friends and Influence People by Dale Carnegie

Yoga practice (on or off the mat) is an opportunity to grow and to learn about one’s self and the world around us. It’s a safe time and place to turn inward and observe how our mind-bodies respond and react to ourselves and the world around us. It’s a great time to is a place to explore, experiment, learn, and play. For this reason, I sometimes liken the practice (on the mat) to time in a laboratory or classroom, or even on a playground. And I think it’s appropriate to show up with a sense of curiosity, wonder, possibilities, and faith – prepared to see what happens.

Curiosity, wonder, possibilities, faith, and preparation are concepts that I have repeatedly highlighted during this week’s practices, because they are concepts shared by explorers, (physical) scientists, philosophers, and the (religious and/or spiritually) faithful. When we show up on the mat, we have the opportunity to be all of the above and also to embody all of those attributes. We have the opportunity, as Dr. Beau Lotto has said (in defining science), to “play with purpose.” We can look at that “purpose” as finding out more about ourselves; however, in the Yoga Sūtras, Patanjali makes it very clear that by going deeper into ourselves, we go deeper in to the world. We are, after all, microcosms of the world… which is a microcosm of the solar system… which is a microcosm of the galaxy… which is a microcosm of the universe. Which is kind of a long way to say that by observing our self, we can learn about the cosmos.

Just because we can, theoretically, learn about the cosmos by going deeper into ourselves, does not mean that we are the center of the universe. Some ancient philosophers perpetuated a geocentric model of the Universe, whereby everything revolved around Earth. In 1543, one of the last things Nicolaus Copernicus did was present a mathematical “theory” – based on observation – indicating that the Sun was actually the center of everything. This heliocentric model created a paradigm shift for almost everyone in the Western world, with the exception of the Catholic Church… and it’s scientists. In fact, as the Scientific Revolution ushered in more advanced technology and better observations, scientists like Tycho Brahe used their more accurate data to develop a geoheliocentric model, whereby the Sun still revolved around the Earth, but everything else revolved around the Sun.

Other scientists, in other countries, had developed similar models based on their own observations, but the Tychonic model was more than a collection of data points. In some ways, it was a desperate attempt to stay in the Church’s favor and to hold on to the old status quo. However, when Tycho unexpectedly died in October of 1601 (from an issue related to his urinary bladder and kidneys, see the practice), his assistant Johannes Kepler took over his work. Kepler and Tycho had a decent working relationship, but Kepler was convinced Tycho was coming to the wrong conclusions and proceeded accordingly as the imperial mathematician. Galileo Galilei, also a believer in Copernicus’s ideas, would further expand the ideas of Kepler. He did so, through more observations and the realization of what he was seeing.

“But now, Most Serene Prince, we are able to augur truer and more felicitous things for Your Highness, for scarcely have the immortal graces of your soul begun to shine forth on earth than bright stars offer themselves in the heavens which, like tongues, will speak of and celebrate your most excellent virtues for all time. Behold therefore, four stars reserved for your illustrious name, and not of the common sort and multitude of the less notable fixed stars, but of the illustrious order of wandering stars, which, indeed, make their journeys and orbits with a marvelous speed around the star of Jupiter, the most noble of them all, with mutually different motions, like children of the same family, while meanwhile all together, in mutual harmony, complete their great revolutions every twelve years about the center of the world, that is, about the Sun itself. Indeed, it appears that the Maker of the Stars himself, by clear arguments, admonished me to call these new planets by the illustrious name of Your Highness before all others. For as these stars, like the offspring worthy of Jupiter, never depart from his side except for the smallest distance, so who does not know the clemency, the gentleness of spirit, the agreeableness of manners, the splendor of the royal blood, the majesty in actions, and the breadth of authority and rule over others, all of which qualities find a domicile and exaltation for themselves in Your Highness? Who, I say, does not know that all these emanate from the most benign star of Jupiter, after God the source of all good?”

– quoted from Sidereus Nuncius by Galileo Galilei

Despite (or because of) the fact that he was in the middle of a long lineage of notable astronomers, mathematicians, physicists, and engineers, Galileo Galilei is the one remembered as the Father of observational astronomy, modern physics, the scientific method, and modern science. The Indigo Girls even called him “the King of Insight,” which makes sense when you consider that “insight” is “seeing things in a special way.” Thanks to advancements in telescope technology, Galileo was able to see things others had not seen. Similar to the Magi, he looked up instead of down (as others did) and sometime between December of 1609 and the beginning of January of 1610, he noticed three bright, shiny objects near Jupiter. At first he thought he was seeing stars (or new planets), invisible to the naked eye, but clear when using a telescope that magnified up to 20x. Over time, however, he chronicled the movement of these “stars” and realized there were four, not three, and that they weren’t giving off their own light, they were reflecting light. They weren’t stars/suns; they were moons orbiting Jupiter.

And, as it turns out, there were more than four – but that’s another story, for a different day.

Galileo first mentioned the celestial orbs in a letter dated January 7, 1610. He tracked and documented the movement of the spheres from January 8^th until March 2^nd. After seeking the counsel of an advisor to Cosimo II de’ Medici (the Grand Duke of Tuscany from 1609-1621), Galileo named the objects the “Medicean Stars” and published his findings on March 13, 1610. In order to secure the Medici’s as patrons, he had a copy of his work, and the telescope he used the see the heavens, delivered to the Grand Duke a few days later. In 1632, he would dedicate his Dialogue Concerning the Two Chief World Systems to Cosimo’s oldest son, Ferdinando II de’ Medici (the Grand Duke of Tuscany from 1621-1670). This “dialogue” exploring the scientific merits of the Copernican view of things (heliocentric) versus the Ptolemaic view of things (geocentric) eventually landed Galileo Galilei in hot water with the Catholic Church.

A German astronomer, Simon Marius, made similar observations in December of 1609 and started documenting his observations on December 29^th (according to the Julian calendar). Even though he was exonerated, because his documentation started on January 8^th (according to the Gregorian calendar), Simon Marius’s reputation was tainted by accusations of plagiarism and an ongoing dispute with Galileo. If you have ever been confused by the names of Jupiter’s moons – Io, Europa, Ganymede, and Callisto (names suggested to Marius by Johannes Kepler) vs I, II, III, IV (as Galileo noted them in his notebooks and discussion) – you can blame it on the calendars… or the scientists’ egos.

“There was no doubt in Galileo’s mind of the authenticity and importance of the discoveries he announced, and since he wished to have them reach astronomers and philosophers all over Europe as quickly as possible he addressed his book to them and wrote it in Latin. He called it the Sidereus Nuncius, which was generally taken to mean ‘the messenger of the stars,’ not only by Galileo’s contemporaries but by the translators in succeeding generations. Several booklets appeared in reply with titles referring to this ‘messenger,’ and there were allusions to this idea in many poems and literary works. Galileo did not correct these authors, but he may not have meant the title to be so interpreted. Several years later a Jesuit critic assailed him for having presented himself as the ambassador of heaven; in the margin of his copy of this attach Galileo noted that the word nuncius means ‘message’ as well as ‘messenger,’ and asserted that he had intended only the humbler meaning. On the basis of this and other evidence, modern scholars have suggested that the word in question has always been mistranslated in this title.”

– quoted from “Introduction: First Part” in Discoveries and Opinions of Galileo, Translated with an Introduction and Notes by Stillman Drake

It may seem like a “stretch” to connect Galileo Galilei (and the moons of Jupiter) with one of the most influential voices of the Harlem Renaissance; however, in many ways, Zora Neale Hurston was first and foremost an observational researcher. Born January 7, 1891, her science was people and her “message” was for the people. She was an anthropologist, as well as an author of fiction, plays, short stories, and essays. Like Galileo, she changed the way people saw the world. In her case, she changed the way African-Americans and Caribbeans were portrayed in literature. Also like Galileo, she based her work on real time observations.

Prior to the Harlem Renaissance, Black people in America were mostly portrayed as stereotypes and caricatures, often without any redeeming independent qualities or motivations. Ms. Hurston’s own lived experiences didn’t fit into those commonly circulated boxes. She was born in Notasulga, Alabama and moved to Eatonville, Florida – one of the first all-Black incorporated towns in the United States – when she was three. Her father was a man of certain means, who became the town’s mayor and the Baptist minister of the town’s largest church. When her mother died (when Zora Neale Hurston was thirteen), and her father married soon after, the future writer was shipped off to boarding schools and relatives in in Jacksonville, Florida.

The stark difference between her two environments and the class differences between her primary family and her extended family was notable. Furthermore, those differences left an impact on a young woman who’s curiosity was being fueled by her education. After graduating from the high school division of a prominent HBCU (Historically Black Colleges and Universities), she started her undergraduate degree at Howard University, another prominent HBCU, and started establishing herself as an influential part of the literati. She was one of the early members of Zeta Phi Beta, the third African-American sorority; co-founded the university’s student newspaper, The Hilltop (which was the first, and is still the only, HBCU daily paper); and was invited to join Dr. Alan Locke’s literary club, The Stylus.

“’Love is lak de sea. It’s uh movin’ thing, but still and all, it takes its shape from de shore it meets, and it’s different with every shore.’”

– Janie Crawford in Their Eyes Were Watching Gog by Zora Neale Hurston

She left Howard without her bachelor’s degree, but was eventually offered a scholarship to Columbia University’s Bernard College. She was the only black student at the all women’s college. Once again, she was in a unique position to observe the differences between people and cultures; but, what really interested her were the similarities. She studied ethnography and conducted research with Dr. Franz Boas, known as the “Father of American Anthropology” and Dr. Ruth Benedict, and was a student during the time that Dr. Margaret Mead was finishing up her graduate studies. She earned her Bachelor of Arts in anthropology in 1928 and spent an additional two years pursuing a graduate degree at Columbia.

It was while she was conducting research with “Papa Franz” that Zora Neale Hurston discovered her scholastic approach to research wouldn’t get her very far in the field(s). It was also during this time that she received the patronage of Charlotte Osgood Mason, a white socialite and philanthropist who also supported other Harlem Renaissance artists, like Langston Hughes. Like Galileo, Ms. Hurston found that the support of the wealthy was a double-edged sword; because the “Godmother” of the Harlem Renaissance wanted control over the artists and their work – even scholastic research around music, folklore, hoodoo (also known as “Lowcountry Voodoo”), and other aspects of Southern culture. Trying to balance the academic requirements of her advisor, along with the demands of her patron – not to mention her newly formed friendships within the Black arts community and her own burgeoning career as an author – proved to be too much, especially since she was also a newlywed.

“Research is formalized curiosity. It is poking and prying with a purpose. It is a seeking that he who wishes may know the cosmic secrets of the world and they that dwell therein.

I was extremely proud that Papa Franz felt like sending me on that folklore search. As is well known, Dr. Franz Boas of the Department of Anthropology of Columbia University, is the greatest anthropologist alive, for two reasons. The first is his insatiable hunger for knowledge and then more knowledge; and the second is his genius for pure objectivity. He has no pet wishes to prove. His instructions are to go out and find what is there. He outlines his theory, but if the facts do not agree with it, he would not wrap a jot or dot of the findings to save his theory. So knowing all this, I was proud that he trusted me….

My first six months were disappointing. I found out later that it was not because I had no talents for research, but because I did not have the right approach.”

– quoted from the autobiographical essay “Research” in Dust Tracks On A Road: An Autobiography by Zora Neale Hurston

Ultimately, however, she didn’t need the degree so much as she needed the experience and the material. Her work includes the semi-autobiographical novel Jonah’s Gourd Vine, published in 1934, and Mules and Men, an autoethnographical collection of African-American folklore, in 1935. She received support from the Guggenheim Foundation in order to conduct research about voodoo in Jamaica and Haiti, which resulted in Tell My Horse: Voodoo and Life in Haiti and Jamaica (published in 1938). Her published views on race relations and, in particular, how race relations in the United States affected women of color led her to cover the trial of Ruby McCollum for the Pittsburgh Courier (Fall – Winter, 1953). In 1937, she published Their Eyes Were Watching God, her best known (and arguably) most influential novel, and followed that up, two years later, with Moses, Man of the Mountain, a re-telling and re-centering of The Second Book of Moses, Called Exodus (from the Bible) based on an African-American perspective – which, given the timing, has also been viewed as an overall criticism of fascism and the Nazi regime.

Throughout her career, Zora Neale Hurston received criticism for using dialects, for her conservative political views, and for [not doing enough for the Black race]. Even though the she was influential during the Harlem Renaissance, Zora Neale Hurston spent her final days in a welfare home and was buried in an unmarked grave. Pulitzer Prize-winner Alice Walker, and Hurston-scholar Charlotte D. Hunt commissioned a grave marker for the woman who had inspired them and were responsible for helping new generations discover short stories like “Spunk” (1925) and the folklore in Every Tongue Got To Confess: Negro Folk-tales from the Gulf States (collected in the 1920’s and published posthumously in 2001).

“Ships at a distance have every man’s wish on board. For some they come in with the tide. For others they sail forever on the same horizon, never out of sight, never landing until the Watcher turns his eyes away in resignation, his dreams mocked to death by Time. That is the life of men.

Now, women forget all those things they don’t want to remember, and remember everything they don’t want to forget. The dream is the truth. Then they act and do things accordingly. ”

– quoted from Their Eyes Were Watching God by Zora Neale Hurston

Friday’s playlist is available on YouTube and Spotify

“And when [Nanny] gained the privacy of her own little shack she stayed on her knees so long she forgot she was there herself. There is a basin in the mind where words float around on thought and thought on sound and sight. Then there is a depth of thought untouched by words, and deeper still a gulf of formless feelings untouched by thought.”

– quoted from Their Eyes Were Watching God by Zora Neale Hurston

“’I love myself when I am laughing.

And then again when I am looking mean and impressive.’”

– “Zora Neale Hurston, in a letter to Carl Van Vechten, December 10, 1934, referring to a series of photographers he had taken of her” as quoted in I Love Myself when I Am Laughing.. and Then Again when I Am Mean and Impressive: A Zora Neale Hurston Reader Edited by Alice Walker (Introduction by Mary Helen Washington)

### Love No Matter What ###

Light in the Darkness (a Monday post practice post) December 14, 2021

Posted by ajoyfulpractice in "Impossible" People, Baha'i, Bhakti, Buddhism, Changing Perspectives, Chanukah, Dharma, Faith, Food, Gratitude, Healing Stories, Health, Hope, Karma, Life, Loss, Mathematics, Meditation, Music, Mysticism, One Hoop, Pain, Peace, Philosophy, Ramadan, Religion, Rosh Hashanah, Science, Suffering, Surya Namaskar, Tragedy, Twin Cities, Volunteer, Wisdom, Women, Yoga.
Tags: 108, arithmancy, arithmomancy, asana, Beresh't, Bhagavad Gita, Eleanor Roosevelt, Feast Day of Saint Lucia, Friedrich Nietzsche, Genesis, holidays, Jack Hawley, light, Maccabeats, Marian Feast Days, Matisyahu, novena, numerology, Patanjali, Saint Lucy's Day, Tadasana, The Acts of the Apostles, Yoga Sutra 1.36, Yoga Sutra 2.44
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Happy Holidays!

This post practice post for Monday, December 13^th. You can request an audio recording of Monday’s practice via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.

In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.

Check out the “Class Schedules” calendar for upcoming classes.]

“He who fights with monsters should look to it that he himself does not become a monster. And if you gaze long into an abyss, the abyss also gazes into you.”

– #146 quoted from “CHAPTER IV. APOPHTHEISMS AND INTERLUDES” of Beyond Good and Evil: Prelude to a Philosophy of the Future by Friedrich Nietzsche (b. 10/15/1844)

For many years, when it was time to set our personal intentions during the practice, I would reference something/someone related to the practice and/or something/someone related to current events. It didn’t matter if it was a local tragedy or something unfathomable on the other side of the planet; it made sense to me to offer a little kindness and compassion. Be it a man made or a natural disaster, it made sense to remember that no matter what I or the people around me were experiencing somewhere in there world there was someone who could benefit from our positive energy.

For a moment, we formed a cosmic “prayer circle” and many of you told me that that practice resonated with you. Some of you would even come up to me afterwards and say that you too had been thinking about the plight of someone that normally wouldn’t have crossed your mind. It wasn’t an excuse not to reach out a helping hand when we could. In fact, it was sometimes the opposite. It was a good reminder of hope and charity and, also, that we are all part of something more: a larger community than the one right in front of our noses.

But then the pandemic hit – and it didn’t make sense to offer our energy, condolences, thoughts, and prayers in the same way. It didn’t seem fair for me to highlight one person or one group of people when we were all directly affected. Sure, some people were still more affected than others. But who was I to say “look over here, look over there” when we were all suffering?

So, perhaps over the last 21 months the offering, the dedication, has felt a little more personal. Perhaps it was less of a reminder that we were all in this together, and more of a reminder that, as First Lady Eleanor Roosevelt said, “We have to face the fact that either all of us are going to die together or we are going to learn to live together and if we are to live together we have to talk.” Maybe you had to remind yourself to be more intentional about your energy.

Either way, it was still an opportunity to extend a little bit of our hope, love, kindness, compassion, hope, and joy into the world. It was still a much needed moment… a moment to metaphorically stare into the light. Because Friedrich Nietzsche’s words are no less true when we flip them around. In fact, flipping them around highlights two parts of the yoga practice, as outlined by Patanjali: turning inward to study yourself and to focus on your own light.

Yoga Sūtra 2.44: svādhyāyādişţadevatāsamprayogah

– “From self-study comes the opportunity to be in the company of bright beings [of our choice].”

The following is an expanded version of a portion of a post related to the practice on December 13, 2020. Some class details and references have been updated.

Yoga Sutra 1.36: viśokā vā jyotişmatī

– “Or [fixing the mind] on the inner state free of sorrow and infused with light, anchors the mind in stability and tranquility.”

How does one keep the faith? This is a question we can ask at any time, but it becomes a particularly significant question when we are faced with doubt or fear. Or darkness. We all have moments of doubt, of fear, of darkness. Those moments can come from the inside and also from the outside, from things that are going on all around us. Those are the times, I think, when it is good to remember the words of Yoga Sūtra 1:36 which instructs us to focus on our inner light. However, even if you are not familiar with this thread, every culture and every spiritual (and religious) tradition has a story that serves as a similar reminder – and, during the darkest times of the year – people in the Northern Hemisphere bring out these stories, re-tell them, and celebrate them.

There are some aspects of light celebration in Samhain, the pagan holiday marking summer’s end. But, in truth, this year’s celebrations of light started with Diwali, the 5-day Indian festival of lights. Next up was Chanukah, which starts at sunset each year on the 25^th of Kislev. Last year (in 20210), the 8-day festival of light in the Jewish tradition overlapped the (Western Christian) Feast Day of Saint Lucia (also known as Saint Lucy’s Day) on December 13^th – and I noted that we were getting double the light. Of course, that might have implied that this year we would have less light.

But that’s not really how light works – and that’s not really how light celebrations work. If anything, this year’s celebration of Saint Lucy was an opportunity to highlight one person’s contribution during a challenging time, a dark period in history (if you will).

“And God said, ‘Light will be,’ and light was.”

– Transliteration of the Hebrew from Bereishit – Genesis (1:3), most commonly translated as “And God said, ‘Let there be light,’ and there was light.”

Saint Lucy’s Day is also a day centered around faith, persecution, and the miracles that come from someone doing what they can in the midst of so much “can’t.” It is mostly celebrated in Scandinavian countries and Italy, as well as places like the Twin Cities where there is a large Scandinavian population, as well as a strong Catholic, Lutheran, and/or Anglican presence. Prior to calendar reformation, it was celebrated on the shortest day of the year – meaning, the day surrounded by the most darkness.

The day honors a 4^th century virgin-martyr who would bring food and drink to Christians hiding from religious persecution. Lucy herself was persecuted, and that part of the story is a little gory – although, notably, full of miracles. She is often depicted wearing a white robe or dress with a red sash, both the colors of which are symbols of her purity, piety, and her martyrdom. Being chosen to wear her symbols and to represent Saint Lucy or her court (including the “star boys”) is an honor not because of what was done to her, but because of her faith led her to alleviate the suffering of others.

“The world that we live in, so much cold and strife
One little light to warm another life
Fill the darkest night with the brightest light
Cause it’s time for you to shine
A little dedication, a small illumination
Just one person to change a whole nation
Let me see the light”

– quoted from “Shine” by the Maccabeats

In 4^th century Syracuse (Roman Empire), the best places to hide were in the Roman catacombs, the very epitome of darkness on every level. So that her hands were free to carry the food and drink, Lucy (whose Latin name, Lucia, shares a root with the Latin word for “light”) would wear a wreath of candles around her head. Being the source of her own light, while carrying a feast, required her to stand and move very carefully, very deliberately, and very intentionally – almost as if she was in Tādāsana (“Mountain Pose”).

When we practice āsanas (“seats” or poses), a significant amount of energy and awareness goes into how we sit (or stand). This deliberation and intention allows us to pay attention to our breath (which is a symbol of our spirit and life force) and also to extend and direct our breath (and therefore our spirit and life force). In a sense, we are careful about how we stand specifically so that we can be intentional about how we use our energy. Another way to think of this is that how we move and hold our body, as well as how we breathe and pay attention to our breath, allows us to very intentionally, deliberately, and mindfully start to focus on our inner light. When we focus-concentrate-meditate on our inner light, it appears to get brighter. In fact, over time, our inner light begins to shine out into the world – but, first we have to be able to see it.

“What’s the reason we’re alive
The reason we’re alive

Bound to stumble and fall
But my strength comes not from man at all
Bound to stumble and fall
But my strength comes not from man at all

Do you believe in miracles
Am I hearin’ you? Am I seein’ you?
Eight nights, eight lights and these rites keep me right
Bless me to the highest heights with your miracle

Eight is the number of infinity
One more than what you know how to be”

– quoted from the song “Miracle” by Matisyahu

While I realize that posting two days in a row about the divine symbolism of numbers may lead to certain conclusions, let me be clear on two points. First, I like numbers and appreciate the science of equations (maybe as much or more than the average person), but I can’t really call myself a mathematician. Likewise, even though I often encounter numerical symbolism when I study religion and philosophy, I can’t say that I know very much about numerology or arithmomancy (also called arithmancy). All that said, when I keep hearing about certain things I perk up and pay attention. So, I’ve started getting curious about the number 9.

I was born on the 9^th of a month, as were some of my favorite people; but I’ve also had a love-hate relationship with the number. It’s not 7; which has a lot of personal significance for me, is sometimes considered a symbol of humans, and is related to a lot of aspects of (and stories within) the Abrahamic religions as well as several energetic and/or spiritual systems.

It’s not eight, which is associated with infinity.

It’s not a 10.

It’s 9.

Sure, it’s the highest single digit natural, or cardinal, number. It also pops up a lot in relation to harshad (“joy bringer”) numbers like 18, 27, and 108. Of course, I remember that the holy month of Ramaḍān is the ninth month of the Islamic calendar. But I missed (or forgot) the fact that the Baháʼí Faith considers it a symbol of completion – so much so that it is incorporated into the faith’s name and sacred buildings. Similar reverence in relation to completion is found in Hinduism. In fact, four times a year there are periods of nine nights (and 10 days) that are devoted to Durga, the mother goddess, with each night dedicated to various manifestations of God as mother.

Sure, somewhere in the back of my brain, I knew that the Buddha had nine virtues; that (in Christianity) there are nine Fruits of the Holy Spirit and nine “Choirs of Angels” (divided into three spheres of three); and that the Enneagram is a nine-pointed system. But I had forgotten, or not given much thought, to how the number nine pops up in prayer.

I hadn’t given much thought to the fact that one of the prayers offered during some Jewish services actually comes with extra blessings on Rosh Hashanah – bringing the total blessings to nine. Neither had I contemplated the numerical significance of “the nine days” (Tisha HaYamim) of mourning preceding Tish’a B’Av, the ninth day of the month of Av (the eleventh on the Hebrew calendar) and how that date marks the anniversary of the destruction of the First and Second Temples in Jerusalem (in 423 BCE and 70 CE, respectively). And, honestly, I didn’t know that other significant historical events and tragedies in Jewish history happened on that date – the ninth day of the eleventh month, which is eerily reflective of the tragedies and historical events associated with Schicksalstag (the ninth day of the eleventh month on the Gregorian calendar).

There’s more… a lot more that I didn’t know. However, here’s a little more that I knew, but hadn’t really thought about: A novena is a nine-day (or nine-week) period of prayer within some Christian traditions.

The word “novena” is used to describe the period, the practice, and the prayer(s). It comes from the Latin novem, meaning “nine,” and it is a period meant to parallel the time described in The Acts of the Apostles (1:13-14, NIV) when the twelve Apostles “all joined together constantly in prayer, along with the women and Mary the mother of Jesus, and with his brothers.” They did this, per Jesus’s instructions (and with a little guidance from some “angels”) in preparation of receiving gifts (or powers) from the Holy Spirit. Of course, as indicated above, the practice of praying (and even fasting) for nine days predates Christianity – some historians even track to the practice back to the Roman Empire (again, as it relates to mourning).

In a modern context, novenas are often used to request a Divine gift or as part of a larger ritual. They are often associated with Marian Feast Days – sometimes being recited in anticipation of a feast day and sometimes starting on the feast day. For example, some people started a novena on November 29^th and completed it on December 8^th. Others, started praying (a different novena, see below) on December 13^th.

Western science has shown that there is power in prayer and meditation. Said power is also magnified when people gather together (even virtually) and/or engage in prayer and meditation at the same time. So, while you could pray a novena at any time (and it is believed that there is power in that practice), there is more power at certain times. That extra power comes from an exponential increase in energy going towards light (instead of darkness) when we all focus, concentrate, meditate together.

Kind of like when set our personal intentions and dedications towards the beginning of our āsana practice.

“O St Lucy, preserve the light of my eyes so that I may see the beauties of creation, the glow of the sun, the colour of the flowers and the smile of children.

Preserve also the eyes of my soul, the faith, through which I can know my God, understand His teachings, recognize His love for me and never miss the road that leads me to where you, St Lucy, can be found in the company of the angels and saints.”

– quoted from A Novena Prayer to St Lucy, Protector of the Eyes

There is no playlist for the Common Ground Meditation Center practice.

“‘Remember, dear friend, that I am subtly inherent in everything, everything in the universe! I am the all-illuminating light of the sun, the light in the moon, the brilliance in the fire – all light is Mine. I am even the consciousness of light, and indeed, I am the consciousness of the entire cosmos.’”

– The Bhagavad Gita: A Walkthrough for Westerners (15:12) by Jack Hawley

MARK YOUR CALENDARS! I will once again offer two New Year’s Day practices on January 1^st (2022). You can start the New Year with 108 Sun Salutations at 10:00 AM or a Yin+Meditation practice beginning at 5:00 PM. There will also be a reflective “First Friday Night Special” on January 7^th. All times are Central Standard. Log-in details will be updated on the “Class Schedules” calendar.

### Keep Shining! ###

Miracles in December (the Sunday post) December 13, 2021

Posted by ajoyfulpractice in Art, Bhakti, Books, Changing Perspectives, Faith, First Nations, Healing Stories, Hope, Kirtan, Music, Mysticism, Peace, Philosophy, Religion, Science, Wisdom, Women, Yoga.
Tags: EXO, Fernando Ojeda, Gregorian calendar, His Excellency Don Juan de Zumárraga y Arrazola O. F. M., Huitzilopochtli, Johann Sebastian Bach, John Cage, Julian calendar, K-pop, Marian Feast Days, Mexico City, Nahuatl, Our Lady of Guadalupe, Pythagoras, Quetzalcóatl, San Juan Diego Cuāuhtlahtoātzin, Stuart Chase, Tepeyac Hill, Virgin Mary, Whitney Houston
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This is the post for Sunday, December 12^th. You can request an audio recording of Sunday’s practice via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.

In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.

Check out the “Class Schedules” calendar for upcoming classes.)

“I try to find you, who I can’t see
I try to hear you, who I can’t hear

Then I start to see things I couldn’t see
Hear things I couldn’t hear
Because after you left
I received a power I didn’t have before”

– quoted from the song “Miracles in December” by EXO

‘Tis the season for miracles!

Ok, let’s be real. If you look at a calendar – you will find that there a plethora of miracles in every season. In fact, the Roman Catholic Church has a whole calendar that, essentially, celebrates miracles attributed to various people. This time of year, however, there seems to be a concentration of miracles – or maybe it just feels that way because so many of the miracles are similar and/or connected.

On Wednesday, I mentioned that within the Roman Catholic tradition there are almost 20 Marian feast days (i.e., days honoring the Virgin Mary), excluding local and regional days devoted to this holy mother. I even mentioned that December 9^th, like December 8^th, is a day when some people in the world celebrate the miracle of this blessed woman’s birth, a birth… which was itself a miracle. Of course, when most people (even many Christians) think of the miracle of birth, they think of the newborn baby and, in this context, they think of Jesus. Interestingly, December 12^th is also a Marian feast day in the Roman Catholic tradition. It is a day associated with several miracles that occurred over a series of days (beginning on the aforementioned December 9^th) in 1531, culminating with the fourth (or fifth) miraculous apparition occurring on December 12^th.

Or, at least that’s how the story has been told for almost 500 years.

But, it turns out there was more to the story.

And whether you believe the story or not*, it’s a tale full of compelling evidence. One could even say that the “balance of probabilities” or “preponderance of the evidence” was enough to convince a man who identified himself as being “poor” (possibly in spirit) and who was not inclined to believe his own senses.

“For those who believe, no proof is necessary. For those who do not believe, no proof is possible.”

– Stuart Chase

An important part of this story is the timeline.* However, before we get started, we need to clarify the timeline. In October of 1582, Papal-governed nations like Italy, Spain, Portugal, France, and the Polish-Lithuanian Commonwealth switched to the Gregorian calendar. Up until then, these nations – as well as their colonies – used the Julian calendar. So, keep in mind that even though the events of our story took place according to the Julian calendar, most people today celebrate according to the Gregorian calendar.

That said, our story begins on Saturday, December 9, 1531, when an Indigenous man in what is now Mexico City was walking to mass. His journey took Juan Diego Cuāuhtlahtoātzin across Tepeyac Hill, which many modern people believe had been a sacred Aztec site associated with a mother goddess. Please keep in mind that this future saint, Juan Diego, was an adult and Spanish missionaries had only been in his country for about eight years. So, if historians are correct, he would have known the significance of the site. Either way, as he was walking along his way, he started hearing birds singing. It was an odd time of year to hear this type of birdsong and so it made him pause.

Perhaps he looked around for the source. Have you ever done that? Heard some beautiful sounds in nature (or maybe something that startled you) and you looked around to verify what you were hearing? Perhaps that’s what San Juan Diego did in 1531. Only, instead of birds, he saw the vision of a young woman. She was dressed in clothes that would have been familiar to him and she spoke his language (Nahuatl), but what she said was strange. She identified herself as the virgin mother – which was weird, because she didn’t look like the pictures and descriptions that came courtesy of the priests. She was not fair-haired or fair-skinned. She looked and spoke more like Juan Diego’s people. Stranger even than her appearance was that she wanted this poor man to go to the Franciscan bishop and ask that a chapel be built where she appeared.

Now, a little back story about this bishop might be handy (just so you can understand his possible state of mind). His Excellency Don Juan de Zumárraga y Arrazola O. F. M. was born into a noble Basque family in Spain. I’m unclear when he entered the priesthood; however, several significant things happened when he was approaching 60 years old. First, he was named as custodian of a convent. That same year, 1527, he was appointed as a judge in a court investigating witches and recommended by the Holy Roman Emperor (Charles V) to be the first bishop of Mexico (New Spain). A year later he was in the “New World,” but only had the title(s) of bishop-elect and “Protector of the Indians.” His role was not officially consecrated until April of 1533 – which means that in 1531, during the time of our story – he could not fully execute his duties. Oh, also there was dissension in the ranks and the ever-present possibility of a socio-political and religious mutiny.

So, here comes Juan Diego with his message from the Divine Mother. To be clear, he was a reluctant messenger from the very beginning, but he was even more so after visiting the bishop-elect, who (naturally) did not believe him. I say “naturally,” because even if Juan Diego was 100% convinced of his mission, the bishop-elect and “Protector of the Indians” would have been skeptical. He may have wondered why this “poor” indigenous man would be blessed with a visitation instead of someone like him, who had devoted his life to God and the Church. He might have questioned Juan Diego’s description of the woman. Finally, his previous experience serving with the court that examined witches, may have made him skeptical of anything that might be considered “hallucinatory,” especially if it was related to women.

On his way back home, defeated, discouraged, and doubtful, San Juan Diego again saw and spoke with the lady on the hill. At some point, he even pulled a Moses and suggested that someone else would be better suited for the job of messenger. But no, the blessed mother was sending him; the man whose surname (Cuāuhtlahtoātzin) means “He who speaks like an eagle.”

“Do you hear what I hear?
Said the little lamb to the shepherd boy
Do you hear what I hear? (Hear what I hear)
Ringing through the night, shepherd boy
Do you hear what I hear (Hear what I hear)
A song, a song, high above the trees
With a voice as big as the sea
With a voice as big as the sea”

– 1^st verse of “Do You Hear What I Hear” by Whitney Houston

The next day, Sunday, December 10^th, Juan Diego went back to speak to His Excellency Don Juan de Zumárraga y Arrazola. Again, he was not believed; but this time the man who would become the first bishop and the first archbishop of Mexico told Juan Diego to go back to Tepeyac Hill and ask for proof. He wanted some form of religious currency – and here, I don’t mean a bribe: he wanted a verifiable miracle.

As instructed, Juan Diego went to the hill to request proof, which he was told he would receive if he came to the hill the next day. Unbeknownst to him, the bishop elect sent servants or guards to follow him, but “some how” they lost him. Of course, the servants or guards weren’t going to admit that they lost an indigenous “peasant.” So, they went back and told the bishop-elect that Juan Diego was a liar who had made the whole thing up. They accused him of a number of things that would be considered heretical and blasphemous. If this story were happening today, he might have been accused of “pushing a woke (or liberal) agenda” – because who else but a social justice warrior would request a church devoted to a brown-skinned Madonna.

Now, here’s where the story takes a turn, because Juan Diego does not return to Tepeyac Hill on Monday, December 11^th. It’s not that he didn’t believe or didn’t take his task seriously, it’s not that he didn’t care. But, he did have a more urgent need to address: his beloved uncle Juan Diego Bernardino was deathly ill. This uncle, who had taken him in after his parents died, needed someone to take care of him; and so Juan Diego did what was needed. At some point, however, it became clear that San Juan Diego’s physical ministrations were not enough. That Tuesday morning, December 12^th, he left home to find a priest who could administer the last rites.

Imagine his grief. Imagine his pain. Also, imagine the urgency of his quest and the shame. Yes, he felt shame and embarrassment, because he hadn’t gone back to the hill to get the proof requested by the bishop-elect. He was also in a hurry and so he tried to figure out another route. Some other way that he could reach the church and find a priest without being stopped by the vision. But, to no avail. Our Lady of Guadalupe was still waiting for him.

“¿No estoy yo aquí que soy tu madre?”

[“Am I not here, I who am your mother?”]

– Spanish quoted from the front entrance of the modern (or new) Basílica de Nuestra Señora de Guadalupe, based on the 17^th century Nahuatl text Nican Mopohua (Here Is Told)

The vision of the Divine Mother told him that his uncle had recovered. (Later he would learn that his uncle Juan Diego Bernardino had also received a visit from the Blessed Mother.) Our Lady of Guadalupe told the future saint that if he went up to the top of the hill, where it was the coldest, he would find proof that he could take back to the bishop-elect. Juan Diego did as he was told and found the peak covered in roses. These were roses that were not indigenous to the area. Fragrant roses that could not be bought at any supermarket or mercado in the area. Flower covered in morning dew – even though it was too cold and out of season for such flowers to grow. As astounded as he must have been (and relieved because his uncle was well), he managed to gather as many flowers as he could carry in his tilma (or cloak) and brought them to the vision. She touched each flower and placed them back in his blanket-like cape.

Now, to be clear, at this point in the story, Juan Diego had experienced these miracles with almost every one of his senses. He has heard them, seen them, smelled them, and felt them. He has thought about them and remembered them with clarity. One could argue that the only sense not engaged was his sense of taste; but since smell and taste are closely connected, we can’t exclude the possibility that the fragrant flowers left and impression on his tongue.

Yet, there was more.

After some resistance (mostly from the servants or guards at the Church), Juan Diego was admitted into the bishop’s chambers. When he opened his tilma the roses fell out onto the flower. More roses than he could have carried and, again, roses that were out of season and not available in the area. Some say they were Castilian roses, meaning they were indigenous to Spain and, theoretically, would have been recognizable to His Excellency Don Juan de Zumárraga y Arrazola O. F. M. as such.

But, there was more.

When the roses fell on the floor, they revealed an image in the tilma: a vibrant image of the Virgin Mary as she appeared to Juan Diego. She appeared to be mestiza, a mixture of two ethnicities: Aztec and Spanish. Her dark hair was parted to indicate that she was a virgin. Her blue-green mantilla or veil was covered in stars, indicating that she came from Heaven and also (by their pattern) establishing the date and time of her appearance. Her hands were in prayer with her fingers pointed to the cross that she wore at the top of her dress. A black ribbon tied beneath her hands and above her belly indicated that she was encinta, “enclosed in the ribbon” – which means she was pregnant. Four-petaled and eight-petaled flowers covered the cloth over her belly and the lower portion of her dress. She stood in the clouds, in front of the sun (which some say represents Huitzilopochtli, the Aztec god of the sun and of war). She also stood on top of the moon (some say crushing the Aztec’s Quetzalcóatl, the feathered serpent moon god) with a shoe that looks like the tilma. Finally, the edge of her mantilla and the edge of her dress were held up by “an angel with eagle wings” who wore a shirt and cross that matched hers.

I say “finally,” but – to be clear – I’ve only highlighted some (but not all) of the most obvious elements of the image. An image that scientists have said was not painted and has no (significant) brushstrokes. An image that, though I refer to it in the past tense above, reportedly looks almost** exactly the same as it did when it was first revealed (almost 500 years ago) – despite the fact that it was not protected from the elements for over one hundred years.

Also, I’ve left out explanations for a lot of the symbols, a note about Her name, and a few things that would not have been obvious when the image was first revealed. For example, the eyes of Our Lady of Guadalupe are shaped like a real person’s eyes and modern science has revealed that they contain two images: reflections of two scenes which include the images of people like San Juan Diego and His Excellency Don Juan de Zumárraga y Arrazola.

Then there are the flowers…

“Each celestial body, in fact each and every atom, produces a particular sound on account of its movement, its rhythm or vibration. All these sounds and vibrations form a universal harmony in which each element, while having it’s own function and character, contributes to the whole.”

– quote attributed to Pythagoras (of Samos)

The arrangement of the stars and flowers held significance right off the bat. Some of the flowers even look different when viewed at different angles, but a Mexico accountant (recently) discovered that there’s more to the arrangement than date, time, topography, and religious symbolism. According to Fernando Ojeda, a member of the Instituto Superior de Estudios Guadalupanos (ISEG), the arrangement is, well, an actual arrangement. It’s music.

Analyzing the image from a mathematical perspective, Fernando Ojeda found that it was symmetrical and maintained the golden ratio. When he asked what would be considered the “most symmetrical” instrument, someone told him it was a piano. So, he framed a copy of the image with a golden triangle and had a musical colleague overlap the image with a drawing of a piano so that they could transcribe the stars and flowers into music notes. Then, Fernando Ojeda plugged the notes into a computer program and (with the help of some classical musicians) produced what could easily be described as something heavenly.

I know, I know. Even if you believe all the rest of the story, you might be skeptical of this last bit. Especially if you know about John Cage and the wind chimes. However, when the ISEG analysts reportedly applied these same methods to paintings from the 16th and 17th century, the painted stars and flowers did not produce anything that would have met with Bach’s approval.

“[Music] should have no other end and aim than the glory of God and the re-creation of the soul, where this is not kept in mind, there is no true music, but only an infernal clamour and ranting.”

– Johann Sebastian Bach (b. 1685)

Sunday’s playlist is available on YouTube only. Spotify users can find similar music on the Mother’s Day 2020 playlist.

[NOTE: I could not find “the music of the mantle” on Spotify, but it’s embedded/linked below along with a third track that is not on the Mother’s Day playlist.]

I can’t help wondering, is this the music (of the birds) that San Juan Diego heard?

A longer version…

“Miracles in December”

*NOTE: Many scholars and theologians are skeptical about the story of Our Lady of Guadalupe. Some of the skepticism surrounds the timeline and the fact that the first written account didn’t appear until the 17th century. There is also some confusion about the name, confusion that is heightened by translating into (and out of) languages that don’t share an original culture. Some of that language confusion all revolves around a misunderstanding about what is a title and what is a name.

**NOTE: Acid was spilled on the tilma in 1791, but it appears that there was minimum damage and/or (as some people believe) the image healed itself. The visions crown has been altered. Scientists have disagreed about how much the image has faded or flaked over the years, but consistently agree that it seems to be very little.

### WHAT DO YOU BELIEVE? ###

A Day for Children (a Sunday post practice post) November 15, 2021

Posted by ajoyfulpractice in "Impossible" People, Books, Changing Perspectives, Dharma, Faith, Healing Stories, Hope, Life, Men, Pain, Philosophy, Suffering, Tragedy, Wisdom, Women, Writing, Yoga.
Tags: Bal Diwas, Bālāsana, Chacha Nehru, Children's Day, Crosby Stills Nash & Young, Jawaharlal Nehru, Nehru-Gandhi family, Pandit Nehru, santosha, shoshin, Wookiefoot
add a comment

This is the post for Sunday, November 14^th. You can request an audio recording of Sunday’s practice via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.

In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.

Check out the “Class Schedules” calendar for upcoming classes.]

“You must have read many fairy tales and stories of long ago. But the world itself is the greatest fairy tale and story of adventure that was ever written. Only, we must have eyes to see and ears to hear and a mind that opens out to the life and beauty of the world.”

.

– quoted from the November 1958 “Letter to the Children of India” by Prime Minister of India Jawaharlal Nehru, signed “Chacha Nehru”

How many of the fairy tales, stories of adventure, and lessons from childhood do you remember today? How many of them have you internalized and used as you’ve navigated your way through life? How many have you gone back and re-read, as an adult, only to find you remembered things differently or have a different understanding as an adult? It happens to all of us. We learn so much about the world and so much about ourselves as children, but there’s a lot we don’t fully understand until later in life. Then, just as we are (maybe) starting to figure out the lessons of life, we find ourselves teaching others. The problem with teaching children, however, is that sometimes we’ve forgotten the best parts of being a child. And, sometimes, we are so busy teaching children how to be adults, that we forget to celebrate what it means to be a child.

Both Buddhism and the Yoga Philosophy highlight the mindset of a child with practices like shoshin (“beginner’s mind”) and santōsha (“contentment”), respectively. However, being the adults that we are, we can take these practices so seriously that we lose the wonder. We forget to celebrate childhood… and children. We forget that there is wisdom (and strength) in being a child. And so, sometimes, we need to literally put ourselves in the position of a child.

“So we must also think of their country and of many other countries in the world and remember that everywhere there are children like you going to school and play, sometimes quarrelling but always making friends again. You can read about these countries in your books and when you grow up, many of you will visit them. Go there as friends and you will find friends to greet you.”

.

– quoted from the November 1958 “Letter to the Children of India” by Prime Minister of India Jawaharlal Nehru, signed “Chacha Nehru”

Take a yoga class – almost any yoga class – for about a year, and at some point you’re going to come across a position you naturally found yourself in as a kid: Bālāsana, “Child’s Pose” or (quite literally) the “Child Seat.” The Sanskrit word shares roots with the Sanskrit word for “strength” and the “force [of an army]” as well as a medicinal plant, which is why some traditions call it “Leaf Pose.” In sacred philosophical texts, like some of the Upanishads, bālā is the word used for “boy” or “young child,” and so it is also associated with the power of wisdom. And while I just said, you could take almost any yoga class for about a year and come across “Child’s Pose,” in some styles and traditions it will be the very first pose on the very first day.

To get into the pose, you bring your big toes to touch behind you, sit on your heels, and then fold forward until your forehead and nose touch down and your arms rest by your hips. There are some extended variations where the arms rest on the floor over your head and there are some variations where the knees are spread wide. Some people can do it without props; some people can only do it with props; and some people do it with props even when they can do it without them. However, how ever one does it, it is a pose that we’ve all pretty much been in at some point in our lives. In that sense, it’s like a lot of other yoga poses; in that it occurs naturally in nature.

True and funny story, though: You won’t find the pose in very many texts on the physical practice of yoga, regardless of the style or tradition – and definitely not in any of the early texts (even though it seems very similar to the seated and supine poses found in classical texts). Even more interesting, to me, is the fact that when you do find the pose it is considered an energetically “neutralizing” pose and assigned a difficulty level of 1 (meaning relatively easy). However, the pose offers a lot of benefits and can be quite difficult for some people.

For example, if you have knee issues; tight hips; tight quads; ankle issues; some digestive issues (particularly stomach issues); and/or issues like claustrophobia, you might find the pose really challenging. Some of these challenges can be overcome by sitting on a prop like a block or using a bolster to support your head, torso, and hips. You could also use a rolled up towel or blanket to support your head and even place a rolled up towel or blanket between the backs of thighs and the calves (i.e., between your hips and your heels). In some cases, you might feel best when siting in a chair with your toes tucked back (if that is accessible to you) and then folding over a table – with or without something to cushion your head. In the absence of props, you could rest your head on your stacked fists, hands, or forearms.

An option I often give, for people who are not pregnant, is to just lie flat (with or without props). Lying flat on your belly can provide the same opportunity (that Child’s Pose does) to physically and mentally rest between challenges. It can also help you get centered at the beginning of the practice and can provide similar release in the low back, the neck, and – depending on the arm placement – the shoulders. Laying flat can also be a similar way to mentally and emotionally decompress and turn inward. However, there are some benefits to practicing Bālāsana (and it’s play-cousin “Puppy Dog”) that you won’t experience when you lie down flat. For instance, Child’s Pose not only helps you release your low back, it also helps to stretch the entire length of the spine. It also helps to stretch out the quadriceps, knees, hips, ankles, and tops of the feet. According to some modern texts on āsana, Child’s Pose and it’s play-cousins (like “Puppy Dog” and “Downward Facing Hero”) relieve breathlessness, dizziness, fatigue, stress, and headaches; reduces high blood pressure; reduces acidity and flatulence; and alleviates menstrual pain and depression associated with menstruation.

I usually say “Child’s Pose is a modification for every pose,” because not only can you hang out / rest in Child’s Pose until you’re ready to re-join the sequence, but also the extension of the torso creates the opportunity to approximate the engagement of other poses. The adaptability of “Child’s Pose” is very much reminiscent of the flexibility and adaptability of an actual child – which we have all been. Funny thing, though: what happens on the mat is a reflection of what happens off the mat. Just like we can progress and mature in our practice in such a way that we forget the beauty and possibilities of a pose, we can progress and mature in life in a way that can cause us to forget the beauty and possibilities of life.

“As I write I think of the vast army of children all over the world, outwardly different in many ways, speaking different languages, wearing different kinds of clothes and yet so very like on another. If you bring them together, they play or quarrel. But even their quarrelling is some kind of play. They do not think of differences amongst themselves.”

.

– quoted from the November 1958 “Letter to the Children of India” by Prime Minister of India Jawaharlal Nehru, signed “Chacha Nehru”

There are several days throughout the year when children are celebrated. November 14th is India’s Children’s Day (Bal Diwas), which is observed every year on the anniversary of the birth of Jawaharlal Nehru, India’s First Prime Minister. Prime Minister Nehru was born [on this day] in 1889 and was a prominent figure in India’s independence movement. He was known as “Pandit Nehru,” because of his Kashmiri Pandit heritage, and had such an affinity for the children of his country (and they for him) that Indian kids called him Chacha Nehru (Hindi for “Uncle Nehru”). He advocated for the rights, care, and education of children – who are the light of the world. He specifically supported the idea that a well-rounded education resulted in a better society and considered children the foundation (and strength) of the nation.

Prime Minister Nehru was born into wealth and was able to pass wealth and other resources down to his children. His early childhood included governesses and private tutors, as well as exposure to Indian philosophy and theosophy (which was created in the United States). In fact, his family was friendly with Anne Besant, one of the leaders of the Theosophical Society, and he was initiated into the society at the age of thirteen. He studied natural science at the Trinity College, Cambridge, and graduated with an honours before moving to London and studying law at the Honourable Society of the Inner Temple. He was called to the Bar (i.e., qualified to practice law) in 1912 and returned to India where he planned to follow in his father’s footsteps, at least as a lawyer. However, his father, Motilal Nehru, would eventually serve two terms as president of the Indian National Congress (1919 and 1928); India was changing; and all of his studies about politics, economics, socialism, and philosophy ended up interesting the young barrister more than the existing laws. He not only became involved in the Congress, supported Mahatma Gandhi’s efforts for social change in South Africa, and campaigned against indentured servitude and other forms of British-enforced discrimination against Indians.

Later, the future prime minister would be jailed for following Gandhi’s example and illegally making salt and he continually fought for India’s independence. As prime minister, Jawaharlal Nehru changed laws in order to criminalize caste discrimination; increase the legal rights and freedom of women; and provide more education opportunities for previously disenfranchised populations. He also attempted to redistribute land wealth; maintain a political friendship with Great Britain; and establish India as a secular, global power.

The Nehru family’s involvement in Indian politics did not end with father and son. Jawaharlal Nehru married Kamala Kaul, who became an activist and organizer in her own right. In addition to reading his speeches to the public when he was jailed, she organized women’s groups in boycotting non-Indian vendors and created a dispensary to treat activists, their families, and the surrounding community. She and her popularity in India were, ultimately, recognized as a threat to British rule. Vijaya Lakshmi Pandit (née Nehru), the oldest of Prime Minister Nehru’s younger sisters, was the first woman appointed as the (6th) Governor of Maharashtra (1962-1964) and the (8th) President of the United Nations General Assembly (1953-1954). In addition to taking over her brother’s seat in Parliament in Lok Sabha (1967-1971), she also served as India’s diplomat to the Soviet Union and the United States (as well as the United Nations.

Krishna Nehru Hutheesing, the youngest of the Nehru siblings, was also an activist; however, she may be most well known as the biographer of her brother and her niece. That niece – Jawaharlal and Kamala Nehru’s daughter – Indira Gandhi held several political offices and became India’s 3rd Prime Minister and the only woman (to date) to hold the office. While a BBC poll named her “Woman of the Millennium” in 1999 and a 2020 issue of Time magazine listed her as one of the 100 powerful women of the 20th century because of her leadership, her times in office were marked by strife, calls for revolution, and suspension of civil liberties. She served from 1966-1977 and was re-elected for a third term in January of 1980. She served until her assassination, by her own bodyguards, on October 31, 1984. Her son, Rajiv Gandhi, was immediately appointed as her successor and served as India’s 6th Prime Minister until December of 1989. He was India’s youngest prime minister and his time in office was also full of controversy, scandal, and civil rights issues; but he continued to hold other political offices until his assassination on May 21, 1991. His widow and their son have also served in Congress, parliament, and other political offices.

“A moment comes, which comes but rarely in history, when we step out from the old to the new, when an age ends, and when the soul of a nation, long suppressed, finds utterance.”

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– quoted from “Tryst with Destiny” address to the Constituent Assembly of India in New Dehli, August 14 – 15, 1947, by Jawaharlal Nehru

Thinking back to the practice about fate and destiny, we can look at a family’s legacy and see the lessons that are passed from parent to child and then on to the following generations. Looking at the political legacy of the Nehru-Gandhi (which is only politically connected to Mahatma Gandhi’s family), we can clearly see an emphasis on education and social / political engagement. Additionally, we can look at letters, speeches, and family recollections to find which lessons were direct and deliberate and which lessons were inferred. Either way, it is interesting to notice what sticks.

It is not uncommon, as we have even seen in the United States, for parents to encourage their children to follow in their footsteps. But what happens when the child has different interests? Even more importantly, what happens when a child is encouraged to follow their own interests no matter where they might lead? It is, after all, possible to serve – and even to promote social change – without going into politics. In this day and age it is possible for a child to serve – and even to promote social change – in ways that were not available to their parents…. even in ways that were beyond their parents’ imaginations.

Children, and children’s lives, are full of possibilities. But those possibilities can be limited by our imaginations and our conditioning. Here I am specifically referring to the imaginations and conditioning of adults. We have, after all, learned to see the world in a limited fashion; while children are still learning how to see the world. It’s possible that we do them, and us, a disservice when we forget that there are other was to see them and ourselves. It’s possible that we do them, and us, a disservice when we forget to discover what’s beneath the labels, superficial layers, and trivialities that we use to separate ourselves from each other. It’s possible that we do them, and us, a disservice when we forget to keep our minds open with wonder and curiosity. We are, after all, all microcosms, little worlds.

“Our country is a little world in itself, with an infinite variety of places for us to discover. I have travelled a great deal in the country and I have grown in years. I wish I had more time, so that I could visit all the nooks and corners of India. I would like to go there in the company of bright young children whose minds are opening out with wonder and curiosity. I should like to go with them not so much to the great cities of India as to the hills and and the forests and the great rivers and the old monuments, all of which tell us something of India’s story.”

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– quoted from the November 1958 “Letter to the Children of India” by Prime Minister of India Jawaharlal Nehru, signed “Chacha Nehru”

Sunday’s playlist is available on YouTube and Spotify.

“If we meet other people in a friendly way, they also become friendly. But if we are afraid of them or if we show our disliking to them, they behave in the same manner. These are simple truths which the world has known for ages.”

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– quoted from the November 1958 “Letter to the Children of India” by Prime Minister of India Jawaharlal Nehru, signed “Chacha Nehru”

“This is based on a true story. While hiking in the hills of Rishikesh in India, we encountered a holy man who approached with light in his eyes and love in his heart… just beaming with inspiration. He spoke as if he were channeling the divinity ever present in that wonderful country and spoke these words… “Light of sun in the sky sends the message: Be Fearless and Play!” We were fascinated and inspired by his simple but insightful words.”

– quoted from the liner notes for the song “Be Fearless and Play” by Wookiefoot

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### Be Mindful What You “Teach Your Children Well” ~ with all respect to CSN&Y ###

Lesson 1.34 October 25, 2021

Posted by ajoyfulpractice in Books, Buddhism, Changing Perspectives, Healing Stories, Health, Life, Meditation, Minneapolis, Minnesota, Philosophy, Science, Vipassana, Wisdom, Women, Writing, Yoga.
Tags: Anne Tyler, pranayama, yoga sutra 1.34
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“‘Breathing lessons – really,’ [Fiona] said, dropping to the floor with a thud. ‘Don’t they reckon I must know how to breathe by now?’”

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– quoted from Breathing Lessons by Anne Tyler

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“‘Oh honey, you’re just lucky they offer such things,’ Maggie told her…. ‘I mean you’re given all these lessons for the unimportant things–piano-playing, typing. You’re given years and years of lessons in how to balance equations, which Lord knows you will never have to do in normal life. But how about parenthood? Or marriage, either, come to think of it. Before you can drive a car you need a state-approved course of instruction, but driving a car is nothing, nothing, compared to living day in and day out with a husband and raising up a new human being.’”

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– quoted from Breathing Lessons by Anne Tyler

Please join me today (Monday, October 25^th) at 5:30 PM for a 75-minute virtual yoga practice on Zoom. Use the link from the “Class Schedules” calendar if you run into any problems checking into the class. Give yourself extra time to log in if you have not upgraded to Zoom 5.0. You can request an audio recording of this practice via a comment below.

There is no playlist for the Common Ground practice.

The author Anne Tyler turned 80 today! Here’s last year’s post inspired by our lives and her writing.

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### Breathe In (Know That You Are Breathing In); Breathe Out (Know That You Are Breathing Out) ###

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A Joyful Practice

Sitting, Breathing… in a Room [the “missing” Tuesday post] January 26, 2022

Coda:

“surājye dhārmike deśe subhikṣhe nirupadrave |dhanuḥ pramāṇa-paryantaṃ śilāghni-jala-varjite |ekānte maṭhikā-madhye sthātavyaṃ haṭha-yoghinā || 12 ||

– quoted from “Chapter 1. On Āsanas” of the Haţha Yoga Pradipika, translated by Pancham Sinh (1914)

“… a woman must have money and a room of her own if she is to write fiction…”

– quoted from the essay “A Room of One’s Own,” as it appears in A Room of One’s Own And, Three Guineas by Virginia Woolf

“athāsane dṝdhe yoghī vaśī hita-mitāśanaḥ |ghurūpadiṣhṭa-mārgheṇa prāṇāyāmānsamabhyaset || 1 ||

Posture becoming established, a Yogî, master of himself, eating salutary and moderate food, should practise [sic] Prâṇâyâma, as instructed by his guru.”

– quoted from “Chapter 2. On Prāņāyāma” of the Haţha Yoga Pradipika, translated by Pancham Sinh (1914)

“I feel a thousand capacities spring up in me. I am arch, gay, languid, melancholy by turns. I am rooted, but I flow.”

– quoted from “Susan” in The Waves by Virginia Woolf

“evaṃ vidhe maṭhe sthitvā sarva-chintā-vivarjitaḥ |ghurūpadiṣhṭa-mārgheṇa yoghameva samabhyaset || 14 ||

Having seated in such a room and free from all anxieties, he should practise [sic] Yoga, as instructed by his guru.”

– quoted from “Chapter 1. On Āsanas” of the Haţha Yoga Pradipika, translated by Pancham Sinh (1914)

“You cannot find peace by avoiding life.”

– quoted from The Hours: a novel by Michael Cunningham

– quoted from the novel-essay “Three Guineas,” as it appears in The Selected Works of Virginia Woolf by Virginia Woolf

“lōkāḥ samastāḥ sukhinōbhavantu”

– A mettā (loving-kindness) chant that translates to “May all-beings, everywhere, be happy and be free.”

“vapuḥ kṝśatvaṃ vadane prasannatānāda-sphuṭatvaṃ nayane sunirmale |aroghatā bindu-jayo|aghni-dīpanaṃnāḍī-viśuddhirhaṭha-siddhi-lakṣhaṇam || 78 ||

When the body becomes lean, the face glows with delight, Anâhatanâda manifests, and eyes are clear, body is healthy, bindu under control, and appetite increases, then one should know that the Nâdîs are purified and success in Haṭha Yoga is approaching.”

– quoted from “Chapter 1. On Āsanas” of the Haţha Yoga Pradipika, translated by Pancham Sinh (1914)

“The human frame being what it is, heart, body and brain all mixed together, and not contained in separate compartments as they will be no doubt in another million years, a good dinner is of great importance to good talk. One cannot think well, love well, sleep well, if one has not dined well.”

– quoted from the essay “A Room of One’s Own,” as it appears in A Room of One’s Own And, Three Guineas by Virginia Woolf

“Realize that there is freedom in telling your story and that there is power in your words.”

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– quoted from the November 2018 TedxDelthorneWomen talk entitled, “Change Your Perspective and Change Your Story” by Dr. Toya Webb

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### OM SHANTI, SHANTI, SHANTHI OM ###

Seeking… (the “missing” Wednesday post) January 20, 2022

“Find out who you are and do it on purpose.”

– Dolly Parton

“When I’m inspired, I get excited because I can’t wait to see what I’ll come up with next.”

– Dolly Parton

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– quoted from the Nov/Dec 1984 Yoga Journal article entitled, “Yoga’s Nashville Connection: Well-being and fame co-exist, say these ‘top 10’ hit-makers from country music city.” by Robbie Williams

“I’m more successful now than I was then, but I still feel like the same girl. I’m just a working girl. I never think of myself as a star because, as somebody once said, ‘A star is nothing but a big ball of gas,’ – and I don’t want to be that.”

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– Dolly Parton’s response when asked how different she was from 1964 when she first arrived in Nashville, in an October 24,2014, billboard article entitled, “Dolly Parton Q & A: The Country Legend on 50 Years in Nashville and Why She Supports Her Gay Fans” by Deborah Evans Price

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– Dolly Parton talking about the importance of the movie 9 to 5, in a 2019 ABC News Special entitled “Dolly Parton: Here She Comes Again!” with Robin Roberts

“We cannot direct the wind, but we can adjust the sails.”

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– Dolly Parton

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“If you don’t like the road you’re walking, start paving another one.”

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– Dolly Parton

“You’d be surprised how much it costs to look this cheap!”

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– Dolly Parton

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“People say, ‘How you stay looking so young?’ I say, ‘Well, good lighting, good doctors, and good makeup.’”

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– Dolly Parton in a February 2019 BBC “Newsnight” interview with Stephen Smith

“The way I see it, if you want the rainbow, you gotta put up with the rain.”

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– Dolly Parton

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– quoted from Dream On: Celebrate the Dreamer in You by Dolly Parton

“If you see someone without a smile today, give ’em yours.”

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– Dolly Parton

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### DREAM ON, DREAMER ###

Seeking… (mostly the music) January 19, 2022

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– quoted from Dream On: Celebrate the Dreamer in You by Dolly Parton

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– Dolly Parton

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Nom de Destiné, Part “Deux” (mostly a surprise) January 10, 2022

Click here for music links to the January 9, 2022 practice. Click here for the 2021 post related to January 9th.

### Be You Now ###

Nom de Destiné, Part “Deux” (mostly the music w/ a link) January 9, 2022

“One is not born, but rather becomes, a woman.”

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– quoted from “Part IV – The Formative Years: Chapter XII. Childhood” in The Second Sex by Simone de Beauvoir

Click here for 2021 post related to this date.

“surājye dhārmike deśe subhikṣhe nirupadrave |
dhanuḥ pramāṇa-paryantaṃ śilāghni-jala-varjite |
ekānte maṭhikā-madhye sthātavyaṃ haṭha-yoghinā || 12 ||

“athāsane dṝdhe yoghī vaśī hita-mitāśanaḥ |
ghurūpadiṣhṭa-mārgheṇa prāṇāyāmānsamabhyaset || 1 ||

“evaṃ vidhe maṭhe sthitvā sarva-chintā-vivarjitaḥ |
ghurūpadiṣhṭa-mārgheṇa yoghameva samabhyaset || 14 ||

“vapuḥ kṝśatvaṃ vadane prasannatā
nāda-sphuṭatvaṃ nayane sunirmale |
aroghatā bindu-jayo|aghni-dīpanaṃ
nāḍī-viśuddhirhaṭha-siddhi-lakṣhaṇam || 78 ||

Click here for music links to the January 9, 2022 practice. Click here for the 2021 post related to January 9^th.

“The world that we live in, so much cold and strife
One little light to warm another life
Fill the darkest night with the brightest light
Cause it’s time for you to shine
A little dedication, a small illumination
Just one person to change a whole nation
Let me see the light”

“What’s the reason we’re alive
The reason we’re alive

Bound to stumble and fall
But my strength comes not from man at all
Bound to stumble and fall
But my strength comes not from man at all

Do you believe in miracles
Am I hearin’ you? Am I seein’ you?
Eight nights, eight lights and these rites keep me right
Bless me to the highest heights with your miracle

Eight is the number of infinity
One more than what you know how to be”