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The Center of the Puzzle (the “missing” Tuesday post) July 18, 2021

Posted by ajoyfulpractice in Changing Perspectives, Healing Stories, Kundalini, Life, Mathematics, One Hoop, Philosophy, Science, Tantra, Vairagya, Wisdom.
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[This is the “missing” post for Tuesday, July 13th. You can request an audio recording of Monday’s practice via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.

In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.

Check out the “Class Schedules” calendar for upcoming classes. If you are using an Apple device/browser and the calendar is no longer loading, please email me at myra (at) ajoyfulpractice.com at least 20 minutes before the practice you would like to attend.]

 

“How is life like a puzzle? Or not like a puzzle?”

 

 

– quoted from the beginning of the practices on May 19th and July 13th

 

If we really think about it, it is not just our lives that are like puzzles. Our practice, our mind-body, even our relationships are like puzzles. There are all these different shaped pieces that sometimes fit together and sometimes don’t fit together. There are all these pieces that look like they could fit together, but don’t actually fit. Then there are all those little clues – like hard edges and different color schemes or patterns – that indicate what fits and what doesn’t fit.

When you are solving a puzzle (especially if it has a lot of pieces and/or it has an intricate design), it’s always helpful to have a picture of the finished product. It’s also nice to know that you have all the pieces (or, at the very least, that you know what pieces you have and which pieces are missing). In this way, our physical bodies – and, therefore, our physical practice of yoga are very much like a puzzle. We know the ankle bone is connected to the shin bone; the shin bone is connected to the knee bone; the knee bone is connected to the thigh bone; the thigh bone is connected to the hip bone; the hip bone is connected to the back bone; and that this construction is duplicated in the upper body. We also know that the muscles, nerves, tendons, and other connecting tissues fit together (and work together) in certain ways.

For instance, we know that the hamstrings and quadriceps work together to extend and flex the knee when we walk. We also know that if one leg is shorter (or stronger) than the other that that difference will affect the way we walk and will affect other parts of our bodies – even parts we don’t automatically recognize as being connected. The same is true if we are missing all or part of one leg or if all or part of one leg isn’t mobile. Even if you consider yourself “able-bodied,” you have probably had an injury that affected your mobility – or maybe you went hiking and messed up your shoe in a way that affected your gait. Or, maybe, you just got a rock in your shoe. Either way, take a moment to think back and consider how the change in one area affected all your other areas as you moved.

“The Cube is an imitation of life itself – or even an improvement on life.”

 

 

– Ernö Rubik

When it comes to our physical practice of yoga, our sequencing considers how the mind-body is mentally and physically connected and we also consider the energetic aspects of how we are connected. By building each āsana (“seat” or pose) from the ground up, we are able to ensure maximum amount of stability so that we can stretch and/or strengthen with intention and integrity. Similarly, we build the sequence from the ground up so that the mind-body is prepared to do each subsequent set of āsanas. This awareness of how things are connected is particularly important when we are practicing vinyāsa and/or implementing vinyāsa karma in order to achieve a “peak pose.”

While vinyāsa is often translated into English as “flow,” it literally means “to place in a special way.” Classically speaking, the poses are placed so that we exaggerate the body’s natural tendencies and, therefore, engage natural movement (even when moving in a way we might not normally move off the mat). When we forget the intention behind the movement we may find ourselves moving in a way that is counterintuitive and contraindicated by our basic anatomy and the fundamentals of kinesiology. Moving “in a way that is counterintuitive” can be subjective and is not always a bad thing. We definitely learn and grow when we play around with different types of movement. Also, while doing the same practice over and over again can be a great way to gauge progress and master a certain skill, getting “outside of the box” can also highlight bad habits that we’ve been “practicing.” Ultimately, one should always listen to the teacher within and consider if they are really ready to do certain things – especially since, not being mentally ready to do something can be just as dangerous as not being physically ready to do something.

On the flip side, movement that is contraindicated may not always be obvious – especially if we move fast enough and use momentum, rather than alignment and breath, to “muscle” into a pose. However, moving too much and too fast often results in injury. This can be a problem with some “flow” (or even “vinyasa”) practices that are not alignment and breath-based. Remember, just because we can do something (if we do it fast enough and with enough muscular force), doesn’t mean we it’s a good idea. Ideally, a practice works its way towards a “peak.” Maybe that peak is Śavāsana and a deep-seated meditation or maybe it’s a “peak pose” – i.e., something that a random person couldn’t walk into a room and do without being warmed up. Either way, this is where vinyāsa karma comes in handy. Vinyāsa karma literally means “to place the step in a special way.” In other words, it is a step by step progression towards a goal and it is a practice that can be utilized even in sequences where there is no “flow.”

Naturally, we can come at the physical practice of yoga (hatha yoga, regardless of the style or tradition) from a purely physical viewpoint and sequence accordingly. However, the system of yoga includes a mental and subtle body awareness which can also be accessed and harnessed through the poses and movement. Kundalini, Tantra, and Svaroopa are some of the yoga systems that specifically engage the energetic and subtle body through the practice of āsana; however, there can be tantric elements in any yoga practice that considers the way the mind-body-spirit is “woven” together. For instance, when I mention how the energy of our “first family, tribe, and community of birth” contributes to how we cultivate friendships with people we may perceive as “Other,” that is an element of tantra. When we warm up the core in order to have more stability in balancing poses, that is an element of tantra. When we open up the body in order to loosen up areas that may be holding stagnant energy, that also is an element of tantra. Notice, (especially as it relates to the last example) that any of these examples can happen outside of a “vinyasa” practice. Notice, also, that there is no reference to balancing the different types of energy associated the difference sides of the body… although, that too is tantra.

“The problems of puzzles are very near the problems of life.”

 

– Ernö Rubik

So, you can see how our mind-bodies and, therefore our practice, are like puzzles – like a giant Rubik’s Cubes. On a certain level, however, our lives – and relationships – are different from a physical puzzle; because we don’t start with a picture of the finished product and we don’t know if we have all the pieces. Let’s be honest, we don’t even know if all the pieces we have are for a single puzzle. Despite these differences, we can take a page from the life of the creator of one of the most popular toys of the 80’s: we can visualize the picture we want; see what fits and what doesn’t fit; be open to the possibilities that are around us and inside of us; and use the tools at hand.

Born in Budapest, Kingdom of Hungary on July 13, 1944, Ernö Rubik started off as an architect and architect professor. He studied at the Secondary School of Fine and Applied Arts, the Budapest University of Technology and Economics (where he joined the architecture faculty), and the Hungarian Academy of Applied Arts and Design, also known as the Moholy-Nagy University of Art and Design (where was a member of the Faculty of Interior Architecture and Design). As a professor, he wanted to build a three dimensional model he could use to help his architecture students develop spatial awareness and solve design problems. He started off with 27 wooden blocks, which would have worked great if he just wanted a static three dimensional model. But, Rubik wanted something he could easily move into a variety of shapes. That was his vision.

Now, one thing to keep in mind is that this particular creator didn’t just have a background in architecture (with an emphasis on sculpture). He was also the son of two parents who were themselves creators: his father being a world-renowned engineer of gliders and his mother being a poet. Although, Rubik is quick to credit his father as one of his inspirations, it’s best not to ignore the fact that he grew up watching both of his parents creating things that delighted others.

So, he had a vision and he had pieces to his “puzzle.” He even knew how everything fit together. He just didn’t know how everything would move together. Then one day, while walking on a cobblestone bridge in Budapest, he looked down and realized if the core of his model resembled the cobblestones he could twist and turn the pieces accordingly. Violá!

Ernö Rubik had the vision (a “picture” of the final product); the pieces and how they fit together; and he was open to different possibilities so that when (metaphorically speaking) he stumbled on the cobblestone, he recognized the opportunity. Finally, because of his father’s experience as an inventor, he knew how to apply for a patent and what was needed to take something to market. Even though he ran into a few problems along the way – after all, he was doing all of this under a communist regime – he eventually licensed his invention, the “Magic Cube” to the U. S. based Ideal Toys. Invented on May 19, 1974 and renamed “Rubik’s Cube” in 1979, the toy was introduced to the world in 1980. The toy was so popular that it led Ernö Rubik to create more three dimensional puzzles, including Rubik’s Magic, Rubik’s Snake, and Rubik’s 360.

“If you are curious, you’ll find the puzzles around you. If you are determined, you will solve them.”

 

 

– Ernö Rubik

Even though all of Ernö Rubik’s puzzles can be viewed through a geometric and mathematical lens – and even though they mostly rely on the engagement of a central core – there are some differences between the puzzles. Rubik’s 360 requires a certain amount of manual dexterity that is not required to manipulate the other toys and Rubik’s Snake can be a bit like origami, in that the toy can be made into different shapes. But, perhaps the most puzzling of all is the original Rubik’s Magic.

The original Rubik’s Magic has eight interwoven black tiles with rainbow rings painted on the front and the back. In its “unsolved” (flat, rectangular) state, the front of the tiles show three rings side-by-side and the back of the tiles show pieces of three rings that will be interlocking when the puzzle is solved. The puzzle can be manipulated to make a ton of different shapes, like a star, a box, a bench, and even a toy chest. In fact, in the “solved” position, the rectangle becomes heart-shaped. The tiles fold and unfold horizontally and vertically, in tandem and individually – which means they flip into each other, over each other, twist, and can be rolled like a wheel. Later iterations of the puzzle featured images (like the Simpsons going to the beach, Harry Potter playing quidditch, and dinosaurs) that create a bit of a story.  

Take a moment to consider what happens if your life is like the images on a Rubik’s Magic. Yes, you might see your life as disconnected circles or you might see yourself as separate from the other people around you. Consider, however, what twists and turns, flips and rolls, get you connected. Or, more accurately, get you to recognize that you are already connected. If you see one side of you Magic as the image of how your life is at this moment, consider that the other side is the image of some goal, desire, or experience you’d like to achieve. The pieces are there, again, you just have to flip, twist, turn, and roll things so that you’re relaxing on the beach or grabbing the golden snitch.

Again, the pieces are already there; it’s all just a matter of “placing things in a special way.” When we look at our lives – or even other people’s lives (if you check out the link above) – through the energetic system of our practice, we start to develop more awareness about the puzzle. We even might start to realize that we are the center of the puzzle.

 

“Our whole life is solving puzzles.”

                                                                                          

– Ernö Rubik

 

 

Tuesday’s  playlist available on YouTube and Spotify. [Look for the “06032020 How Can We See, Dr. Wiesel” playlist.] 

 

 

 

“A good puzzle, it’s a fair thing. Nobody is lying. It’s very clear, and the problem depends just on you.”

 

 

– Ernö Rubik

 

 

 

### Only A Little Puzzling ###

 

 

The Effort to Free/Liberate Yourself – a philosophical perspective (a “missing” post) July 6, 2021

Posted by ajoyfulpractice in Books, Buddhism, Changing Perspectives, Depression, Faith, Gratitude, Healing Stories, Health, Hope, Life, Loss, Meditation, Mysticism, Pain, Peace, Philosophy, Science, Suffering, Tantra, Tragedy, Vairagya, Wisdom, Writing, Yoga.
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[This is the “missing” post for Monday, July 5th. You can request an audio recording of Monday’s practice via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.

In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.

Check out the “Class Schedules” calendar for upcoming classes. If you are using an Apple device/browser and the calendar is no longer loading, please email me at myra (at) ajoyfulpractice.com at least 20 minutes before the practice you would like to attend.]

“The liberating current brings us excitement, energy, and novelty, while the descending current brings us peace, grace, and stability. In order for either of these pathways to really be complete, all of the chakras need to be open and active. Liberation without limitation leaves us vague, scattered, and confused. We may have wonderful ideas and lots of knowledge, but we are unable to bring these fruits to any tangible completion. On the other hand, limitation without liberation is dull and stifling. We become caught in repetitive patterns, clinging to security and fearing change.”


– quoted from  “Chapter 1 – And the Wheel Turns: Liberation and Manifestation” of Wheels of Life: A Users Guide to the Chakra System by Anodea Judith, Ph.D.

Sometimes in yoga, I talk about the inhale literally being an “inspiration” (from the Latin, by way of Old French and Middle English) whereby we are filled with spirit. The exhale is, by the same logic (Latin by way of late Middle English), an “expiration” whereby something is literally expiring, returning to the source. Some of you have even heard me say, “Inhale down your spine, in the direction of the manifesting current; taking all the possibilities of the Universe and making them your unique experience. Exhale back up your spine, in the direction of the liberating current, taking your unique experiences (and efforts) back to the source.” In Wheels of Life: A Users Guide to the Chakra System, Anodea Judith explores the fact that “we must limit” in order to manifest – and the ancient texts back her up in the idea that there are ways in which we are limited. There are ways we can have a lot, but we can’t have it all.

If we think of the source of all things – whatever that means to you at this moment – then we’re thinking of the source of unlimited possibilities. We’re thinking of something infinite and something limited only by our imagination/understanding – which is finite. On the flip side, we are not omnipotent and/or omnipresent. We can experience multiple sensations at one time, but we can only truly focus-concentrate-meditate on one thing at a time. While our initial possibilities are limitless, our whole lives are built around the experience of “narrowing things down.” So, we do.

There’s nothing wrong with narrowing things down and establishing boundaries. That’s all part of the human experience. Being human means we are constantly swinging like a pendulum between having everything and having nothing – in every area of our lives. We run into problems, however, when we don’t recognize (and appreciate) what we have; when we operate from a perspective of scarcity instead of a point of abundance. We run into problems when we are paralyzed by what we don’t have and/or by something that hasn’t happened.

“The more you can increase fear of drugs, crime, welfare mothers, immigrants and aliens, the more you control all of the people.”


– Dr. Noam Chomsky

“Optimism is a strategy for making a better future. Because unless you believe that the future can be better, it’s unlikely you will step up and take responsibility for making it so. If you assume that there is no hope, you guarantee that there will be no hope. If you assume that there is an instinct for freedom, that there are opportunities to change things, then there is a possibility that you can contribute to making a better world.”


– quoted from Latin America: From Colonization to Globalization by Noam Chomsky (in conversation with Heinz Dieterich, with additional collaboration by Edward Herman; introduction by Denise Glasbeek and Julian Semphill)

Like a lot of people associated with the United States, I spent the last week-plus thinking, contemplating, and discussing the concept of freedom, liberation, and independence. On a certain level, I do that all the time; but there is an acute awareness between PRIDE, Juneteenth, and the Fourth of July – and I start thinking about those concepts on a lot of different levels. The most obvious level in this context, of course, is the legal aspect. However, last Tuesday I referenced the nine obstacles (and their four accompanying physical-mental experiences) outlined in Patanjali’s Yoga Sūtras and, if you go back, those obstacles and ailments are kind of floating under all of this week’s posts, classes, discussions, and meditations. Because, as it turns out, our minds are one of the biggest obstacles to anyone of us experiencing true freedom, liberation, and independence.

Tonight (Monday, July 5th), as well as during the Juneteenth class and in the First Friday Night Special post-practice blog post, I shared the story of how circus elephants are trained not to move beyond a designated circumference.  It’s a story I’ve seen and heard a lot of people tell, but I first came across it because of Steve Ross’s yoga practice. The story is a great reminder about how powerful the mind is, how it can literally stop us in our tracks. And, while we might name an endless list of things holding us down and holding us back, it really comes down to one thing: our relationship with fear.

Fear is an emotional response to a perceived threat. I say it all the time: The threat doesn’t have to be real, but the emotional and embodied experience is real. Additionally, a perceived threat can be in the past and yet the emotionally embodied experience can still actively experienced in the present (and, as Lisa Nichols points out, projected into the future). Both fear of failure and fear of success can paralyze us, because at a very early age we were taught that fear equals danger and, when we feel the associated sensations, we have to be still or turn back.

Yes, on a neurophysiology level, fear activates our sympathetic nervous system which activates our fight-flight-freeze response. However, adults teach children what to fear and how to respond to that fear. We know not to stick our hand in the fire or on a hot stove for the same reason we know to look both ways before crossing the street: someone taught us to fear the consequences. Similarly, we teach those who come after us. As we grow through life, we keep the tool of fear – sometimes even more than we use the tool that is our awareness. Eventually, these lessons in fear are just like everything else we experience in life; they hardwire our brains and create samskaras (“mental impressions”).

We view our experiences through previous experiences. Over time our reactions to certain sensations (including certain thoughts) feels instinctual – even though  they’re conditioned. Over time, there’s very little (if any) difference between the way we react to the possibility of failing, falling flat on our face, and/or embarrassing our self  and the we  react to the possibility of a snake in our path.

“As a rope lying in darkness, about whose nature one remains uncertain, is imagined to be a snake or a line of water, so Atman is imagined in various ways.


When the real nature of the rope is ascertained, all misconceptions about it disappear and there arises the conviction that it is nothing but a rope. Even so is the true nature of Atman determined.”


– quoted from “Chapter 2 – Vaitathya Prakarana (The Chapter on Illusion)” (verses 17 and 18) of Mandukya Upanishad [English translation by Swami Nikhilananda]
   

Remember, I’m talking about the possibility here. I’m talking about the point when the brain goes, “What is that?” Someone can tell you, “Oh, that’s just a big hank of rope someone left out when they pulled their boat in,” but, if you’ve lived around water moccasins your whole life, the adrenaline might already be pumping. It may not even matter that you’re in a part of the world that doesn’t have cottonmouths. You’ve been conditioned – by yourself and others – to stay safe. Just the idea of something we fear can bring up the sensations. In fact, just reading the words above might have caused your body to tense up in preparation. (I know just typing it does the same for me!)

Sacred texts from India, like the Upanishads (“sitting near” devotedly) and the Ashtavakra Gita (The Song of the Man with 8-Bends in His Limbs), often use the idea of a snake to describe our experience with māyā (“illusion”). Interestingly, Death sometimes shows up in Hindu mythology as a snake called Yama, which can be translated into English as “binder” and is also the same Sanskrit word used for the first limb of the Yoga Philosophy (Yamas), which consists of five “external restraints.” In other words, the snake we see in the road is a limitation – even if it’s not a snake.

“It is not that you must be free from fear. The moment you try to free yourself from fear, you create resistance against fear. Resistance in any form does not end fear. What is needed, rather than running away or controlling or suppressing or any other resistance, is understanding fear; that means, watch it, learn about it, come directly into contact with it. We are to learn about fear, not how to escape from it, not how to resist it.”


– Jiddu Krishnamurti

I don’t think J. Krishnamurti was telling people to walk up on something that might be a snake and poke it with your finger – just as the writers of the Vedic texts were not necessarily telling people to put themselves in dangerous situations in order to confirm the nature of reality versus illusion. Instead, the practice is about going deeper into the mind-body experience. Where, for instance, do you hold your tension, discomfort, and dis-ease? Where do you hold your fear, anger, disappointment, grief, and confusion? Where, as I asked people on Zoom, do you not feel free, liberated, and independent?

Breathe into those spaces where you don’t feel free, liberated, or independent. Remember, your awareness and your breath are tools you carry with you everywhere. Don’t be a fool! Use those tools! Use the inhale to explore those places where you are holding tightness and create space around those places. Maybe imagine that you are blowing into those areas like you blow into a balloon and feel that expansion. Then, use your exhale to let something go. You may not be ready to let go of everything – and, it’s important to acknowledge that. Just release what you can release and let go of whatever is ready to go.

“There’s a darkness
Living deep in my soul
It’s still got a purpose to serve”


– quoted from the song “Put Your Lights On” by Santana and Everlast

One of my favorite songs, and one of the star-studded collaborations included on Santana’s record-breaking album Supernatural, was written by Everlast. The title comes from what we do when we’re driving as the sun sets, when we start driving at night, or when it starts to rain: We put our lights on so we can see and be seen. We put our lights on to avoid danger. We put our lights on so we can be less afraid. One of my favorite verses (quoted above) is a reminder that sometimes we need the limitation. Remember, fear is an important neurophysiological tool – that’s why it’s such a great teaching tool. However, we can’t let the tool rule our whole life. Sometimes we have to remember, as the angel in the song also reminds us, “I got nothing to fear.”

When we can, and when we are willing, letting go of something – some attachment to the past, some fear of the unknown – makes us like the elephant that looks down and realizes there’s no stake, no chain, and no shackle. We’re free!

I’ve heard stories about elephants that are considered “escape artists” and no amount of “training,” no matter how brutal, can keep them from testing the limits of their binds. Most elephants, however, never seem to look down. I’ll admit I don’t know a lot about pachyderms. I know the location of their eyes limits them in some way, as does bright lights; so, maybe they can’t see around their trunk and tusks. But, the most likely scenario (especially in cases where the shackle is removed) is that they have been conditioned to fear what happens if they go beyond the originally established boundary.

Ultimately, the circus elephants are limited by their mind-body connection. As are we; which means, if we want to be truly free, in a physical-mental and emotional-energetic way, we have to recognize our stakes to pull them up. We have to recognize our chains to break them. We have to recognize our shackles to release ourselves.

“‘You are the one witness of everything and are always completely free. The cause of your bondage is that you see the witness as something other than this.

If one thinks of oneself as free, one is free, and if one thinks of oneself as bound, one is bound. Here this saying is true, “Thinking makes it so.”’”


– quoted from the Ashtavakra Gita (1.7, 1.11) [English translation by John Richards]

There is no playlist for the Common Ground Practice.

Do you need your high beams or your parking lights (to see your chains)?

“We may think that if we ignore our fears, they’ll go away. But if we bury worries and anxieties in our consciousness, they continue to affect us and bring us more sorrow. We are very afraid of being powerless. But we have the power to look deeply at our fears, and then fear cannot control us. We can transform our fear….


Fear keeps us focused on the past or worried about the future. If we can acknowledge our fear, we can realize that right now we are okay. Right now, today, we are still alive, and our bodies are working marvelously. Our eyes can still see the beautiful sky. Our ears can still hear the voices of our loved ones.”


– quoted from “Introduction – Fearlessness” of Fear: Essential Wisdom for Getting Through the Storm by Thich Nhat Hanh

### Let Wisdom Speak Over Fear ###

To Whom Are You/We Listening? (a “missing” post) June 28, 2021

Posted by ajoyfulpractice in Books, Buddhism, Changing Perspectives, Dharma, Faith, Fitness, Healing Stories, Health, Hope, Life, Loss, Meditation, Minneapolis, Minnesota, Music, Pain, Philosophy, Religion, Suffering, Tragedy, TV, Twin Cities, Wisdom, Women, Yoga.
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[Pardon me while I catch up! This is the “missing” post related to Saturday, May 29th. You can request an audio recording of the related practice(s) via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.

In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.

Check out the “Class Schedules” calendar for upcoming classes. If you are using an Apple device/browser and the calendar is no longer loading, please email me at myra (at) ajoyfulpractice.com at least 20 minutes before the practice you would like to attend.]

“And He said: ‘Go out and stand in the mountain before the Lord, Behold! the Lord passes, and a great and strong wind splitting mountains and shattering boulders before the Lord, but the Lord was not in the wind. And after the wind an earthquake-not in the earthquake was the Lord. After the earthquake fire, not in the fire was the Lord, and after the fire a still small sound.’”

Melachim I / 1 Kings (19:11-12)

Like Patanjali, Saint John of the Cross recognized that the mind-body is constantly bombarded with information via sensations. Patanjali refers to cittavŗitti nirodhah (“ceasing the fluctuations of the mind”). Saint John of the Cross recommended “it is best to learn to silence the faculties and cause them to be still, so that God may speak.” In both cases, the ultimate aim is not to hear the noise of the “wind splitting mountains and shattering boulders,” nor is it to hear the sound of the earthquake or the fire; the ultimate goal is to hear the still quiet voice of the Divine, whatever that means to you at this moment. People have different beliefs about the source(s) of the quiet, and how you can know the good voices from the evil. But, I’m not going to get into all that today. I’m just going to ask some “simple” questions.

Are you listening to the obvious noise or are you listening to a small sound/whisper? To what little, still quiet voice inside of yourself do you listen? Just as importantly, to what little voices outside of yourself do you listen? By that I mean: To whom are you/we listening? And why are you listening to those the voices? Are they simply the ones that that get heard?

“We shall listen, not lecture; learn, not threaten. We will enhance our safety by earning the respect of others and showing respect for them”

– quoted from the “A New Vision” – 2008 Democratic Party Presidential Nominee Acceptance Address by Ted Sorenson (written for The Washington Monthly as “the speech of his dreams”)

I get asked some weird, bizarre, and wonderfully insightful questions – on and off the mat. Sometimes these questions are hyper-intrusive. Other times they are questions asked out of general curiosity and asked in ways that make me really curious, get me thinking. One of those really insightful questions, asked out of general curiosity, came from a dear friend who was a friend before really taking my classes. After taking a class one day, this friend approached me and essentially asked if I ever played female musicians. I do and I did. However, with a few exceptions (like on International Women’s Day), my playlists were (and sometimes still are) overwhelmingly male and, with a few exceptions (like on Cinco de Mayo), my playlists were (and sometimes still are) overwhelmingly white. I can break this down even more, but you get the point: I’m an “American” girl, living in an “American” world.

Even before I literally did the math, which surprised me, I told my friend that it would be naïve of me to say, “This is what I like and this is why I like it,” without pointing out that part of why I like what I like is because it’s what I hear – and what I hear is based on an industry standard that is based on a societal standard determined by a ruling class. Being an “American” girl, living in an “American” world means that I am subject to a white, male, heterosexual gaze (and ear) – and on a certain level, I’m comfortable with that. However, the main reason I’m comfortable with that is because that’s been my primary culture for most of my life. (Please keep in mind, that I put “American” in quotes, not because American culture is monolithic, but because the stereotype of what is American is pretty monochromatic.)

Now, here’s where things get a little twisted; because if the statements above resonate with you, you may not think twice about it (just as I didn’t think twice until questioned about it). If you resemble the statements above, then you’re probably pretty comfortable with my early (and even some current) playlists, because it’s also the music to which you are accustomed to hearing – especially if you are around my same age or slightly older. Even more to the point, you may not have ever questioned why I didn’t play more African-American, Latin, and/or more female musicians. You might have even accepted the fact that I’m from Texas as the reason why I play so much country.

But, the question wasn’t really about the “why.” I mean, it’s informative and can raise awareness, but we can’t go back and change history. I can’t go back and change the vinyl I listened to as a child and/or the first cassette tapes I received as a Christmas present. Ultimately, the question from my friend wasn’t about the past. Ultimately, the question for me was: How do you react/respond now that the question has come up?

“Speak up for those who cannot speak for themselves; ensure justice for those being crushed. Yes, speak up for the poor and helpless, and see that they get justice.”

Proverbs 31:8-9 (NLT), under “The sayings of King Lemuel contain this message, which his mother taught him.” Proverbs 31:1 (NLT)

I could have been offended and even felt threatened by the question and the resulting self-inquiry. Instead, I did the math…. And, not gonna lie, I was a little shocked. Then I did a little more soul searching and decided I could do a little more “soul” searching when it came to the music I used to tell the stories I tell on and off the mat. I could do my part, in more little corner of the world, to ensure a few more voices are heard.

Ironically, the playlist for this particular practice is mostly instrumental. It may not be obvious when the composer is not male and it may not be obvious when a composer is not white. In fact, one of the female composers sometimes shows up on playlists as “Various Artists” – which, I guess, is akin to “Anonymous” in the literary world. Then too, there’s the whole issue of the orchestra’s demographics.

There was a time, not that long ago, when orchestras in the Western world were predominantly white and predominantly male. There was a definite bias in hiring and I can say that with a good degree of certainty because once orchestras started using blind auditions as part of their hiring process, the number of women in symphonies astronomically increased. Granted, sometimes this process to eliminate bias required musicians to not only play behind a screen, but to also to take off their shoes.

The exponential increase in female musicians started in the 1980’s, but has not been completely replicated when it comes to race. While women represented 5-6% of some major American orchestras in 1970, they now make up 30%, even 50%, of some orchestras. This is a statistical change that is not explained away by a change in orchestration. On the flip side, Black and Latino musicians are still not represented in American orchestras in a way that reflects the community around them. In fact, when it comes to race, some of the orchestra pits in American look pretty much the way they did in 1969.

For example, 52 years ago, when 2 Black musicians accused the New York Philharmonic of racial discrimination, the orchestra had only one Black musician, the first one they had ever hired: 30-year old Sanford Allen, a violinist who had started studying at the Julliard School of Music at age 10. This time last year, the Philharmonic still only had one Black musician: Anthony McGill, an internationally renowned clarinetist, who had performed as the Metropolitan Opera Orchestra’s principal clarinetist for 10 years BEFORE he was hired as the Philharmonic’s first Black principal. Notably, Mr. McGill’s older brother, Demarre McGill, is also a professional musician. In fact, the elder (by 4 years) Mr. McGill is the principal flautist with the Seattle Symphony – a position he previously held with BOTH the Dallas Symphony and the San Diego Symphony.

The McGill brothers were exposed to orchestral music at a young age and started playing at a young age. Additionally, they had talent, perseverance, the resources to audition, and access to private conservatories and summer programs. All of which put them in an industry “pipeline” designed to land in an orchestra pit. Some people have argued that there are other talented non-white musicians out there – but that they don’t have access to the pipeline or the resources to audition. Others argue that the talent is coming – slowly, but surely – into the pipeline. If the latter is correct, and it’s only a matter of time, then the question becomes when will they be heard? When will they have the resources to be heard?

Yoga Sūtra 3.21: kāyarūpasamyamāt tadgrāhyaśaktistambhe cakşuhprakāśāsamprayoge’ntardhānam

– “If one makes samyama on the form of one’s own physical body, obstructing its illumination or visual characteristic to the eyes of the beholder, then one’s body becomes invisible.”

Yoga Sūtra 3.22: etena śabdādyantardhānamuktam

– “By this same [practice] the suspension or disappearance of one’s own [spoken] words and other senses can be explained.”

I have heard that Yoga Sūtra 3.22 is a “thread” that doesn’t often get heard. That’s a little pun based on the fact that the sūtra in question is a continuation of the previous aphorism and asserts that the same practice that allows one to make themselves invisible can also be use to make one undetectable by the other senses – specifically, one becomes unheard. Ironically, this particular line is not included in all translations. Sometimes it is left out completely. In other cases, it is wrapped up in one of the other lines.

I’ll be honest, I mentioned it in the previous practice (on not being seen), because I really considered just bundling it all together with 3.21. In the end, however, I decided to let this power be heard for a few big reasons: (a) it is a siddhi that is based on shabda (“word”), which is itself a “power unique to being human;” (b) I was kind of amused by the irony of it getting left out (i.e., not heard); (c) I am consistently frustrated (even angered) by the voices that go unheard; and (d) I am consistently inspired when marginalized voices are heard.

Regarding those last two points, Saturday, May 29th was almost exactly a week before a “First Friday Night Special” when I was going to focus on the throat chakra, which is related to personal will/determination as it relates to universal will/determination. It is also related to expression – one’s ability to speak and be heard; to make one’s needs and desires known to the world. Furthermore, I knew that it was just a few days before the 100th anniversary of the Tulsa Massacre that decimated Black Wall Street. The anniversary (and events leading up to the anniversary) highlighted how voices (and stories) that had been silenced for years were finally being heard. What I didn’t foresee was that during that same week, at least three other events would bring awareness to moments when people are heard versus what happens when people are silenced.

First, the remains of 215 children were found buried at the site of the Kamloops Indian Residential School, which was the largest Indian “boarding” school in British Columbia Canada. It was operated by the Roman Catholic Church from 1890 to 1969 and by the Canadian government from 1969 until 1978, when it was closed. Although many people in the United States are unfamiliar with these schools – as they are not discussed in polite company (i.e., in most public and private school systems) – there were over 350 such schools in the United States and 130 such schools in Canada from the end of the 19th century all the way through the end of the 20th century. In Canada alone, over 150,000 First Nation children were placed in these schools – which were established with the specific intent of eradicating Indian culture and, in doing so, decimating the Indian populace as strong people, families, and communities.

Between me initially writing this post and actually posting it, remains of at least 751 more people have been discovered in unmarked mass graves at the location of a different school in Canada.

A friend who was helping an organization tell the stories of some of the children forcibly enrolled in these schools mentioned them a few years back and we talked about how little awareness there was around the schools and their mission. Like my friend, I was as appalled by the existence of these schools as I was by the fact that some of them were still in operation in 1996. According to an Indian Country Today article by Mary Annette Pember, Canada’s Truth and Reconciliation commission estimated “that up to 6,000 children died at the schools from disease, abuse, starvation, and other ills.” Read those Canadian numbers again and consider the ramifications when it comes to similar unheard stories in the United States (which had over 2.5 times as many schools).

“U.S. boarding schools were often woefully underfunded. Conditions at the schools — poor food, clothing, housing as well as close sleeping quarters — contributed to the spread of disease and sometimes death.

According to researchers, many schools failed to keep accurate records of student deaths. Parents of those who died were often notified after the child’s burial, if they were notified at all; few could afford travel expenses to pick up their children’s remains.

Additionally, school superintendents were urged to avoid incurring expenses related to returning children’s remains home to their families.”

– quoted from the June 6, 2021 Indian Country Today article entitled, “‘We won’t forget about the children’ – Additional unmarked graves likely at US Indian boarding schools” by Mary Annette Pember

Around the same time the news was filled with stories about the deaths of First Nations children, the valedictorian of Lake Highlands High School (in Dallas, Texas) was getting ready for her graduation ceremony. For a variety of reasons, the school’s protocol was that graduation speeches had to be approved and so, as was required, Paxton Smith sent her speech about TV and the media through the proper channels and it was included in the “podium book.” However, her graduation happened less than two weeks after Texas Governor Greg Abbott signed a new restriction into law that bans abortions “as soon as a fetal heartbeat can be detected,” which is at about six weeks. As Ms. Smith noted in the unapproved speech she ended up delivering, the law takes away a person’s choice before they may even realize they are pregnant – and this is true even if the pregnancy is the result of rape and/or incest. By her own admission, Ms. Smith expected her microphone to be cut – but it wasn’t. She was allowed to complete her short speech and express her concern about her future and the future of her peers.

On the flip side, the last thing retired Army Lieutenant Colonel Barnard Kemter expected was that his microphone would be cut during a Memorial Day observation in Hudson, Ohio. Just like Paxton Smith, the veteran who served in the United States Army for 30 years (including during the Persian Gulf War) submitted his speech to the appropriate channels. Even though the chair of the Memorial Day Parade committee and president of the Hudson American Legion Auxiliary asked him to remove a portion of his speech, the Lieutenant Colonel thought it was important for people to hear about the history of Memorial Day; the whole history, including how it got started. For a variety of reason, he expected his keynote speech to be heard in its entirety. Instead, when he reached the point in his speech where he talked about the first Memorial Day observation, retired Army Lieutenant Colonel Barnard Kemter’s speech was cut. In a single moment, he was denied his First Amendment Right. More to the point, he was denied one of the very rights he fought and served to protect. He was also denied the respect that some would say should come hand-in-hand with serving in the military. Why wasn’t he heard (clearly)? Because someone wanted the unheard story of freed Blacks having a parade after giving a proper burial to Union troops to stay unheard.

“The throat chakra has been referred to as the Holy Grail of the chakras because it holds information from all the chakras…. Within the sacred container of the throat chakra, all of this energy and information is ‘metabolized’ – broken down and put back together into a form that becomes your unique expression in the world.”

– quoted from “chapter 5: The Chakras – Your Body’s Energy Stations” in Energy Medicine: Balancing Your Body’s Energies for Optimal Health, Joy, and Vitality by Donna Eden with David Feinstein, Ph.D.

More often than not, when we talk about the neck and throat in our physical practice of yoga, we end up focusing on the heart and heart openers. Which means that a lot of time we access the throat chakra by accessing the heart chakra – and they are inextricably connected, physically and energetically. On the physical side, when we do back bends / heart openers, we are extending the spine. This extension includes the cervical spine, which can sometimes present a problem. Since the neck is usually the most flexible part of the spin it can get hyper-extended, over flexed, over extended, and over rotated. On the energetic side, it can get blocked.

Ideally, if the cervical spine is simply continuing the extension of the rest of your spine, then fully bending backwards (through your whole spine) would bring the top (or back) of your head to your feet and there would still be a hand’s-breadth worth of space at the back of your neck. Consider, however, how often you do a backbend and find your head collapsing back against the tops of your shoulders – essentially compressing the base of the cervical spine instead of extending it. It’s good, every now and again, to check in with your neck to see if it is in line with the rest of your spine or if it is doing its own things.

Checking the alignment of our neck is a good idea even when we don’t completely recognize that we are in spinal extension. Our head, on average, weighs about 12 lbs., but when we drop the head forward (or back) we compound the pressure on our neck. Drop your chin down and the weight/force on the cervical spine increases about 10 lbs. for every inch. In other words, look down so your head drops an inch and now there’s ~22 lbs. of weight on your neck. Look down another inch and now you’ve increased the load to ~32 lbs. – and so it goes. The angle may not seem like much; but, consider what happens when you spend hours looking down at a computer or a book – especially if you are also hunched over or slouching as you look down. For that matter, consider how much extra weight you’re adding to your upper body when you look down during a push up or plank!

Thinking about all that added pressure may remind you to take more breaks to roll out your neck and shrug your shoulders throughout your day – which is great – but don’t forget that all that looking down is also shortening some of your neck muscles and weakening some of your neck muscles. The result of that imbalance in the front and back of your neck may mean your muscles are straining when you’re in a neutral position, because they are not in the habit of holding your head up properly. This can result in neck and shoulder pain, which may in turn cause (stress) headaches. All that looking down and hunching over also means that we are, essentially, hiding our hearts.

“This is a vulnerable place, because the throat chakra is where the inside comes out.”

– quoted from “Chakra Five: Sound – The Communication Chakra” by Anodea Judith, PhD

In learning about the energetic connections between the mind-body-spirit, as outlined by Yoga and Āyurveda as the come to us from India, I was taught that when addressing a particular area make sure you address the areas directly above and directly below. In other words, if you are focusing on the 5th chakra (throat), you would also address the 4th (heart) and 6th (third eye). Inevitably this brings awareness to the whole mind-body – especially when your focus is something like the 5th chakra, which pretty much requires you to address the whole body. And I mean that symbolically as well as energetically, physically, and mentally.

Remember, each part of the (physical) mind-body is metaphorically and energetically connected to one of 7 major energy wheels (chakras)*, which in turn are metaphorically and energetically connected to part of our lived experience. The 1st chakra is related to our lower body, our roots – metaphorically and energetically associated with our first family, tribe, and community of birth. Just as we can be biologically connected to people we have never met and will never meet, we can also be energetically connected to people we have never met and will never meet. Hence, an adoptee may deal with genetic and energetic situations related to people that don’t “recognize” as family.

The 2nd chakra, the sacral chakra (lower abdominal and pelvic regions), is the associated with our sacred relationships – in particular, the relationships we make outside of our tribe and community of birth; people we might think of as our “chosen family.” (NOTE: All relationships are sacred; awareness of this simply highlights connections we may overlook. It can also include relationships we make with our first family grouping once we are an adult.) Moving into our upper abdominal cavity, we encounter the 3rd chakra (solar plexus) – metaphorically and energetically associated with our personality, our sense of self, and our self-esteem (ego). These are all tangible and describable parts of our lived experience and, for the most part, fall into the category of being “specific” in nature/manifestation.

The 4th chakra, the heart chakra, is related to our ability to embrace others, ourselves, a moment, and the world. This area is also related to the way we give and receive love, as well as the way we offer our gifts to the world… or not. When we start moving into manifestations of the heart, we start moving into emotional experiences that may or may not be tangible. In fact, we start moving into a category of things that are “unspecific” in nature and towards a category of things that manifest in a way that is “barely describable” – or, only indicated by signs.

Remember, we may not be able to touch a parent’s love for their child, but we can see it and we can experience the feeling of it. Because of this, we often marry these emotional experiences to the outward expressions of what is felt on the inside – which brings us to the 5th chakra, the throat chakra. When we start going deeper into the energetic dynamics of the throat, we find that we are not exploring how we express our needs, desires, and will/determination in a vacuum. No, the throat chakra is connected to how we express our needs, desires, and will/determination as we engage, interact, and/or surrender to (or balance) the needs, desires, and will/determination of others.

The third eye center, or 6th chakra, is the “seat of intuition” and related to one’s ability to perceive the Truth. The crown chakra, or 7th chakra, is related to the present moment. Both of which are “real,” but not tangible (as in touchable) or perceivable through the senses. When it comes to the throat chakra, we want to be able to perceive the Truth, in this present moment, so that we can speak the Truth, right here and right now.

In summary, I often point out that where we come from or start in life plays are part in how we make friends and with whom we make friends (even when it comes down to geography and logistics); where we come from and the friends we make along the way plays a part in how we see and understand ourselves and our place in the world; how we see ourselves and the support we get (or don’t get) from our family and friends plays a part in how we embrace the world and whether or not we offer our gifts and unique expressions/viewpoints to the world – as well as how well we compromise or “play” with others – and all of that plays a part in our understanding of the Truth when we encounter it as well as our ability/willingness to stay in the present moment versus having a penchant for being stuck in the past or constantly daydreaming (without any effort to manifest those dreams).

So, let’s say you (or a person you know) have a strong foundation in life. As a child you had what you needed and, sometimes, you even got what you wanted. If someone told you “no,” there was an explanation that your 5-year old brain may not have completely understood, but trusted and accepted. You may have taken some things for granted, but you mostly appreciate what you had (and have). You have great, supportive relationships, and a solid sense of self that comes with self awareness. You know you have love, joy, and kindness to offer the world and so you offer it to the best of your ability. You may have some self doubt – that’s natural and human – however, for the most part, you are determined to do certain things in life. Now, consider how you (or this person you know) speak up for yourself and others. Think about how the person above “says something” when they “see something” and something needs to be said.

[*NOTE: Some systems describe a several layers of chakras beyond those physically connected to the mind-body, but still connected to our lived experiences. The first of these (purely) metaphysical wheels is the 8th chakra, which is sometimes associated with a sense of wholeness – as in, being fully connected with the Divine. Consider how not feeling you have a stable foundation in life, not feeling connected to others and/or yourself, and not pursuing your dreams (or speaking up for yourself) can make you gullible (i.e., easily fooled or tricked); more inclined to focus on the past or an unrealistic future; and/or consistently seek out ways in which you can feel more connected and more powerful.]

“What happens to a dream deferred?

Does it dry up

like a raisin in the sun?

Or fester like a sore—

And then run?”

– quoted from the poem “Harlem” by Langston Hughes

During this practice, I asked if not being heard is like Langston Hughes’s “a dream deferred.” Do those who go unheard eventually explode, as the poem concludes? My answer is yes; because, as uncomfortable as it might make us – and as much as we might not like to hear it or admit it – we can’t deny that there are a lot of voices we are just now starting to hear. We are just now starting to hear some voices from the hills and from the mountains, and we are just now starting to hear some voices from the cities. We are just now starting to hear these loud (explosive) voices, because we weren’t paying attention when they were quiet (or being silenced).

There may be some voices we wish we had heard sooner. We may appreciate what they have to say; we may feel enriched by their perspectives; and we might think they would be less angry if they had been heard sooner. And then there are those equally angry voices that we wish would shut up, because we don’t appreciate their perspectives; we don’t believe we will be enriched by what they have to say; and we may not understand why they are so angry.

My dharma-buddy Stacy was recently featured on a podcast (see below) where she talked about how uncomfortable it is to talk to someone who has recently, and/or over the years, expressed opinions you find abhorrent. Maybe it’s a racist uncle. Maybe it’s a misogynistic friend or a classist neighbor. Maybe it’s your radically-left leaning, militant aunt. Either way, we’ve all been there and we’ve all had that moment where we decide not to speak up, because we don’t want things to become more twisted and uncomfortable.

Then, because we (or someone) didn’t speak up, the situation gets worse and more people get hurt. People start asking why we (or someone) didn’t speak up; why we (or someone) let the pain and suffering continue to happen – maybe even causing direct harm to more people. We may even find ourselves in situations where the finger pointing becomes victim blaming and shaming and not only are we not addressing the original issue, we’re not even addressing the situation that manifested as people not feeling comfortable speaking up and speaking out. Some of the greatest leaders in the history of the world have indicated that it is our responsibility to speak up. If we accept that as gospel truth then we also have to acknowledge the responsibility of listening and making sure voices (including our own) are being heard.

“There are in the white South millions of people of goodwill whose voices are yet unheard, whose course is yet unclear, and whose courageous acts are yet unseen. Such persons are in Montgomery today. These persons are often silent today because of fear of social, political, and economic reprisals. In the name of God, in the interest of human dignity, and for the cause of democracy, I appeal to these white brothers to gird their courage, to speak out, to offer the leadership that is needed. Here in Montgomery we are seeking to improve the whole community, and we call upon the whites to help us….  If you fail to act now, history will have to record that the greatest tragedy of this period of social transition was not the strident clamor of the bad people, but the appalling silence of the good people.”

– quoted from the December 3, 1959 Address at the Fourth Annual Institute on the Nonviolence and Social Change of Bethel Church, Montgomery Alabama by Reverend Martin Luther King, Jr.

What does it take to be heard? Well, first you have to speak. What does it take to speak? You have to have fortitude; which can come from that strong foundation, strong support, and that strong sense of self. You have to recognize that you’re not going to change every heart and every mind. Simultaneously, you have to know your heart and mind so that, even if what you say makes people uncomfortable, it is said from the heart, with love and kindness. Part of that practice of speaking from the heart – expressing your heart – is recognizing that everyone won’t agree with you or even understand you. And, that’s ok. As one of my sister-in-laws has said, repeatedly, “Sometimes it’s not for you to understand.”

You have to be aware that sometimes you’re going to get it wrong. Maybe your basic premise is flawed or maybe you have the right idea, but express it in a way that’s not wise, skillful, or wholesome. You have to recognize that other people’s needs and desires are based on their lived experiences – which are different from your lived experiences. But, with all that, you have to be determined to be heard. Finally, you need someone who is willing (determined even) to listen – and maybe even to give you their platform.

“SM: …I just talk with her about how, I imagine how difficult that will be; given that she has not been able to make her voice heard with someone that she is close to, with someone that she knows. And that that is a great place to start.  It’s like metta practice: Don’t doubt the power of such a seemingly small interaction – that the impact ripples out. So, talk to your friends and family, who articulate a perspective or viewpoint that is different than yours; without trying to convince them that their way is wrong, without trying to change their mind. Again, genuinely engaging with interest: How did you come to have that perspective? How do you imagine that impacts these people? Like, genuinely, with interest to understand.

DH: So courage doesn’t necessarily mean flipping tables or, you know, throwing cutlery. It can just be inquiring with real interest, as opposed to just an outright confrontation.

SM: Absolutely. And it may have that same intensity for that friend as it would for me, say, in my workplace proposing a whole anti-racist curriculum.”

– quoted from the Ten Percent Happier with Dan Harris episode “#350: How to Be Courageous” – featuring Stacy McClendon

Ultimately, there are lots of things – physically, emotionally, and energetically speaking – that keep us from…well, speaking. Sometimes there’s too much energy, too much engagement, and at other times there is not enough. Sometimes when we want to talk about a certain subject or be heard on a certain issue, we find we have a scratchy throat or that we’re losing our voice. Other times, we just can’t seem to find the right words… or we can’t get the words out and we stutter. Sometimes another person’s will/determination to be heard is stronger than ours – sometimes because they believe they should be (and/or have the right) to be heard.

Going back to the Patanjali’s sūtra, the “ability” to not be heard can feel like a loss of power, but what if it enables a transfer of power? What if enables more to be heard? What if it enables more understanding?

May 29th is the anniversary of the birth of President John F. Kennedy. Born in 1917, President Kennedy is credited with writing Profiles in Courage while recovering from back surgery during his tenure as a United States Senator. He even won the 1957 Pulitzer Prize for Biography, despite the fact that the book was not included in a list of finalists. The short book features profiles of eight United States Senators who spoke up for what they believed to be right, even though their actions, words, and deeds were not necessarily popular with their constituents and/or party. They spoke for what they believed to be right even when they found themselves under attack and without a position. Heart openers and the idea behind the book are usually my focus on President Kennedy’s birthday, and might even seem to be a good point of entry for Yoga Sūtra 3.22 – except for that really inconvenient part of the story people don’t often mention.

At the beginning of 1953, Ted Sorenson became the chief legislative aide to the then-freshman Senator John F. Kennedy. Eventually, he would become President Kennedy’s special counselor, adviser, and primary speechwriter. Along with Georgetown University professor Jules Davids, he was initially (and publicly) recognized as someone who aided the Senator in writing Profiles in Courage. He even received some remuneration for his “research” and assistance. These days, however, many historians acknowledge that while the idea was Kennedy, the final product was almost all Sorenson. Likewise, a poem featured in the miniseries 11.22.63 is almost always credited to Stephen King, who wrote the book of the same name – even though the poem does not appear in the book. The original poem was, in fact, written by Bridget Carpenter and then edited by Stephen King as he reviewed her script.

It is nice to get credit where credit is due, but these examples are also a good reminder that we all have a voice – even if we are using sign language, even if we are using a computer – we have a way to be “heard,” to share the power of our words. So remember, you have been invited in and honor what you have to say, and honor what those around you are saying.

“We did not ask for this room or this music. We were invited in. Therefore, because the dark surrounds us, let us turn our faces to the light. Let us endure hardship to be grateful for plenty. We have been given pain to be astounded by joy. We have been given life to deny death. We did not ask for this room or this music. But because we are here, let us dance.”

– a poem by Bridget Carpenter and Stephen King, featured in the miniseries 11.22.63

Saturday’s playlist is available on YouTube and Spotify. [Look for “10202020 Pratyahara”]

On having the heart to have a heart-to-heart (the aforementioned podcast)

### LISTEN SILENCE LISTEN ###

First Friday Night Special #8: “Having Our Say / Let’s Get Loud” June 4, 2021

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“This is a vulnerable place, because the throat chakra is where the inside comes out.”

– quoted from “Chakra Five: Sound – The Communication Chakra” by Anodea Judith, PhD

“The throat chakra has been referred to as the Holy Grail of the chakras because it holds information from all the chakras…. Within the sacred container of the throat chakra, all of this energy and information is ‘metabolized’ – broken down and put back together into a form that becomes your unique expression in the world.”

– quoted from “chapter 5: The Chakras – Your Body’s Energy Stations” in Energy Medicine: Balancing Your Body’s Energies for Optimal Health, Joy, and Vitality by Donna Eden with David Feinstein, Ph.D.

“Surrender Personal Will to Divine Will”

– Fifth Chakra Sacred Truth, quoted from Anatomy of the Spirit: The Seven Stages of Power and Healing by Caroline Myss, Ph.D.

The throat chakra is obviously and often associated with communication – “having one’s say,” saying something, speaking truth to power, “using your words,” etc. Interestingly, Caroline Myss also associates it with personal will (and determination) and, in particular, the constant balancing act (she sometimes uses the word “struggle”) between Personal Will and Divine Will (you can also think Universal Will or Immanent Will). While we can see the balance in the person who always seems to say the right thing at the right time and in the right way (wise speech and all), we are more likely to notice the imbalance inherent in someone who doesn’t speak up for themselves, is silenced by others, or speaks too much. We may notice, in ourselves, tightness in the neck and/or throat when we are dealing with certain situations and/or people. Additionally, we see evidence of fifth chakra imbalance when someone is negatively characterized because they say what’s on their mind.

The 19th Amendment to the United States Constitution, which gave women the right to vote, was approved by Congress today in 1919. It was passed with 56 “ayes” and 25 “nays,” in large part because of 24-year old Harry T. Burn, Sr. of Tennessee, the Republican Representative from Tennessee who was the youngest congressman and who was expected to vote against the amendment. Mr. Burn voting “nay” would have killed the legislation; however, if anyone had gone deeper than what was being communicated on the outside (by the red carnation on his lapel), they would have known that Mr. Burn’s vote was inspired by the strong-willed words of his mother: Febb E. Burn.

“Your every choice, thought and feeling has biological, environmental, social, personal and global consequence. Actions motivated by personal will that trusts Divine authority, gives you the richest power.”

– quoted from “Morning Visual Meditation” (focus for Chakra 5) by Caroline Myss

Please join me for a very vocal “First Friday Night Special” tonight (June 4th), 7:15 PM – 8:20 PM (CST) that focuses on the neck and throat (chakra). Use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You will need to register for the 7:15 PM class if you have not already done so. Give yourself extra time to log in if you have not upgraded to Zoom 5.0. You can request an audio recording of this practice via a comment below or by emailing myra (at) ajoyfulpractice.com.

If you are using an Apple device/browser and the “Class Schedules” calendar is no longer loading, you may need to upgrade your browser, or you can email me at myra (at) ajoyfulpractice.com at least 20 minutes before the practice you would like to attend.

This practice is accessible and open to all. We will “warm up” the body with poses, mantras, and a little “guided inquiring/journaling.”

Prop wise, this can be a kitchen sink practice. It will be especially handy to have something you can sit upon; a blanket or towel; and extra layers (as your body may cool down during this practice). I also encourage you to have something with which you can take notes.

Friday’s playlist is available on YouTube and Spotify. (NOTE: The YouTube playlist features video footage not available on Spotify. The Spotify playlist currently contains extra tracks added by the app.)

In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). (Donations to Common Ground are tax deductible; class purchases and donations directly to me are not necessarily deductible.)

### HAM, HAM, HAM ###

Svādyāya III: Being In the Middle (the “missing” Wednesday post) May 21, 2021

Posted by ajoyfulpractice in "Impossible" People, Art, Books, Changing Perspectives, Dharma, Faith, Healing Stories, Hope, Langston Hughes, Life, Lorraine Hansberry, Music, One Hoop, Philosophy, Poetry, Religion, Suffering, Tragedy, Wisdom, Writing, Yoga.
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[This is the super-sized “missing” post related to Wednesday, May 19th. You can request an audio recording of Wednesday’s practice via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.

In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.

Check out the “Class Schedules” calendar for upcoming classes.]

“A good puzzle, it’s a fair thing. Nobody is lying. It’s very clear, and the problem depends just on you.”

– Ernö Rubik

How is life like a puzzle? Or not like a puzzle?

Ernö Rubik, the Hungarian architect and architect professor who invented the Rubik’s Cube today in 1974, didn’t set out to be an inventor – let alone the inventor of one of the most popular toys of the 80’s. His original intention was to build a three dimensional model he could use to help his architecture students develop spatial awareness and solve design problems. The only problem was that he wanted to be able to move the parts around without taking the model apart and putting it back together. One day, while walking on a cobblestone bridge in Budapest, he looked down and realized if the core of his model resembled the cobblestones he could twist and turn the pieces accordingly.

Physically speaking, we humans have parts that are similar to the core of the Rubik’s cube – and even the Rubik’s snake. But, if you go a little deeper, you will find that we are not only connected in a physical (body) way, we also have mental, emotional, energetic, and spiritual connections that bind us to our current time and place and also provide support as we move through our practice and through our lives.

Obviously, Western science has a physical and energetic mapping system. As do the traditional sciences like the systems that come from China, Africa, and India. For example, yoga and Ayurveda, as they come to us from India, provide an energetic mapping system through which we can view and process our lives and experiences. This mapping system consists of nadis (energy “channels” or “rivers”) which house our vitality/spirit; chakras (energy “wheels”), which are the intersecting points of the three major nadis; and marma (“secret” or “vulnerable”) points. The nadis and chakras are part of the subtle body. The marma points are pressure points where the subtle/energetic body meets the physical/tangible body – and are typically found where tendons, bones, muscles, joints, veins, nerves, and other tissues come together. They can be healing points (because they are places where vital energy should flow, but can become stagnant); however, they are also “kill” points – which is why they are called secret.

In our yoga practice, I often mention how seven chakras are energetically and symbolically connected to the body and to our lived experiences. For example, the 1st chakra is associated with our lower bodies (toes, feet, ankles, knees, legs, and pelvic floor) and energetically and symbolically connected to our first family, tribe, and community of birth. I will often point out, as well, that just as we can be genetically connected to people we have never met and will never meet, we can be energetically connected to people we have never met and will never meet. Notice that this area, physically and energetically, provides our foundational support in life.

According to this same paradigm, the 2nd chakra (hips and lowest portion of the abdominal cavity) is connected to the friends we make outside of our early support system (and, I believe, the friendships we choose to make as adults with people who may be in that first group). Take a moment to consider how where you start in life plays a part in how you “cultivate a good heart” (i.e., make friends) with people who are perceived as being different from you. (Or not.) Take a moment to consider that, even with the proliferation of internet access, geography (again, where we come from) also plays a part in who is able to make up our close circle of friends. (Remember, Linda Brown had a diverse group of friends in her neighborhood, but did not go to school with them and, therefore, had different experiences from them – differences that shaped the course of her life.)

The 3rd chakra (solar plexus or middle and upper abdominal cavity) is energetically connected to our ego, of self, personality, self esteem, and how we see ourselves in the world. This area is even, to a certain degree, connected to how we think others perceive us. Take a moment to consider how where you come from and the friends you make along the way play a part in how you see and understand yourself.

Notice, for a moment, how all of these areas are related to our physical stability and how each area of experience builds on the other areas our lives – just as our body stacks up on itself. This building process continues through the heart chakra (which is connected to our capacity to love and extend ourselves and our gifts to others); the throat chakra (connected to will and determination); the third eye or 6th chakra (connected to our sense of Truth); and the crown or 7th chakra (connected to our sense of this present moment).

Considering these connections, as I suggested in the first three examples, can be a form of svādyāya (“self-study”). However, to really go deep, we might consider the lived experiences of other people and our physical-mental responses to those lived experiences. Take, for instance, the lived experiences of Johns Hopkins, Malcolm X, and Lorraine Hansberry – all of whom were born on May 19th in different parts of the United States of America.

While we could view their lives through the “lens” of each chakra, I am really just focusing here on the first three – which are related to foundational support and connection/bonding. If you were practicing with me (or reading the blog) over the last month and half, you will have noticed references to the Tree of Life and to how in Kabbalah (Jewish mysticism), seven of the 10 sefirot (“emanations” of the Divine) can be overlapped with parts of the body. One of those parts being the pelvic and abdominal regions, which is associated with yesod (“foundation” and “bonding”). Notice, that if you are sitting (especially if you are sitting on the floor), there is a direct overlap between the first through third chakras and the area associated with yesod.

“[JOSEPH] ASAGAI: Just sit awhile and think… Never be afraid to sit awhile and think.”

– quoted from A Raisin in the Sun by Lorraine Hansberry

Johns Hopkins was born May 19, 1795, on his family’s 500-acre tobacco plantation (White’s Hall, named after the originally owner of the land) in what is now Gambrills, Maryland. The Samuel Hopkins and Hannah Janney Hopkins had eleven children and were part of the Religious Society of Friends (Quakers). They also owned slaves, but in theory the family freed their slaves in 1807 – when Johns Hopkins was 12 years old – in accordance with their Quaker beliefs. According to the often repeated stories, Johns (and his siblings) worked in the field with indentured and freed Blacks from the time he was 12, until he left home at 17.

I hesitate to mention that last bit; first, because it may be more legend than truth. Second, because even if the stories are true, the Hopkins siblings and the Blacks had very different experiences. However, it’s a connection (a 3rd chakra connection) and it’s interesting to consider how the school-aged siblings – Johns, in particular, felt when they had to quit school in order to work in the fields. It would also be interesting to know what became of those indentured and freed Blacks (and their descendant)… but I don’t currently know that information.

What I do know, is that Johns left home at 17, went to work for a paternal uncle who owned a wholesale grocery, fell in love with his first cousin (who he couldn’t marry), and eventually started a business with a fellow Quaker, Benjamin P. Moore (not to be confused with the Irish immigrant who started the paint company with his brothers). When Moore left the business, Johns and three of his brothers started building their own wholesale empire.

Eventually, Johns Hopkins became wealthy enough to provide for his extended family; bail out the City of Baltimore and a railroad company when they ran into financial difficulties, and retire at 52. The millionaire entrepreneur, investor, and philanthropist died childless and unmarried (as did his first cousin, Elizabeth). However, he left bequests to provide for his extended family (including Elizabeth, for whom he provided a home) and his longest serving servant (James Jones). He is also left bequests that founded a number of organizations including Johns Hopkins Hospital (which was instructed to admit “the indigent poor – “without regard to sex, age or color”) and Johns Hopkins University (the country’s first research university), as well as a nursing school, an academic press, and an orphanage for African-American children that became a training school before it was closed. Those bequests, which went into effect when Johns Hopkins died on Christmas Eve 1873 at the age of 78, totaled about $7 million (which would be the equivalent of approximately $147.5 million today).

Johns Hopkins and the institutions that he founded with his bequests have a complicated legacy. Again, there is the whole origin story – which would explain some of his future actions… but, then again, there’s evidence that the story isn’t completely true. He is remembered as an abolitionist (which would be in keeping with his Quaker roots), who supported President Abraham Lincoln (even when it caused him some grief with other businessmen); however, there is evidence that he personally owned slaves at least 3 years after his retirement. Then there’s the legacy of the institutions that bear(ed) his name, including Johns Hopkins Hospital – which is where Henrietta Lacks was able to be treated for cancer and where cells were taken from her cervix (2nd chakra) for research purposes (without her knowledge or consent).

“I am a man!”

– a declaration of humanity that dates back to the abolitionists movement and was used as a slogan during the South African anti-apartheid and American Civil Rights movements, as well as being a legal point during the Dred Scott and Chief Standing Bear cases in the United States

“P. S. 153, Harlem School Teacher [portrayed by Mary Alice]: May 19th we celebrate Malcolm X’s birthday, because he was a great, great Afro-American. And Malcolm X is you. All of you. And you are Malcolm X.

[Students in P. S. 153, Harlem classroom and Soweto classroom [portrayed by John David Washington, Aaron Blackshear, Nilyne Fields, Rudi Bascomb, Muhammad Parks, Chinere Parry, Ian Quiles, Sharmeek Martinez, Ashanti (uncredited), and 1 uncredited actor]: I am Malcolm X!

Soweto Teacher [portrayed by Nelson Mandela]: As brother Malcolm said, We declare our right on this earth to be a man, to be a human being, to be given the rights of a human being, to be respected as a human being, in this society, on this earth, in this day, which we intended to bring into existence…

Malcolm X: … by any means necessary.”

– quoted from the movie Malcolm X (or X) directed by Spike Lee, co-written by Spike Lee and Arnold Perl, based on The Autobiography of Malcolm X by Malcolm X and Alex Haley

Born Malcolm Little on March 19, 1925, in Omaha, NE, Malcolm X was the fourth of seven children born to Earl Little (who had three children from a previous marriage) and Louise Helen Little (who was an immigrant from the West Indies). Malcolm’s parents were active members of the Universal Negro Improvement Association and African Communities League (UNIA-ACL), a Black nationalist fraternal organization founded by Pan-African Marcus Garvey. By the time he was 2 years old, the family had been uprooted twice (moving to Milwaukee, Wisconsin and then Lansing, Michigan), because of threats from the Klu Klux Klan, in response to Earl Little’s speeches. Around the time he was 4, the family moved again after their home burned down under suspicious circumstances – circumstances that the Little patriarch directly connected to the Black Legion, a Midwestern offshoot of the KKK.

When Malcolm was 6, his father died in a streetcar incident that was officially declared an accident, that one insurance company called a suicide, and that the Little matriarch directly connected to the Black Legion. The family did benefit from a smaller life insurance policy; they received $18 a month for a little over four years. Strapped for cash, the family made ends meet by renting out a portion of their garden and hunting. By the time he was 12, Malcolm’s mother thought she would re-marry – only to have the man disappear after she became pregnant. She had a mental breakdown and was institutionalized when he was 13 years. The Little children were split up and sent into foster care.

“Education is an important element in the struggle for human rights. It is the means to help our children and our people rediscover their identity and thereby increase their self respect. Education is our passport to the future, for tomorrow belongs to those who prepare for it today.”

– quoted from a speech at the Audubon Ballroom on June 28, 1964, marking the founding of the Organization of Afro-American Unity (OAAU), by Malcolm X

Malcolm X dropped out of school when a teacher told him he couldn’t be lawyer because of his race (only she used a racial slur when she said it) and he started working the odd jobs hustle. Eventually he moved to Roxbury (the African-American neighborhood which, centuries earlier, had been the starting place of William Dawes’s “Midnight Ride” for freedom) to live with one of his older half-sisters, Ella Little-Collins. But, he didn’t say long; eventually moving to Flint, Michigan and then to Harlem in New York City. It was in Harlem that people started calling him “Detroit Red” to distinguish him from the other redhead working at Jimmy’s Chicken Shack, “Chicago Red” (the aspiring comedian who became famous as Red Foxx).

And the hustle to survive and support himself (you know, 1st chakra stuff) continued – only by the time he reached Harlem (and his late teens / early twenties) the hustle had turned unquestionably illegal and violent. He celebrated his 21st birthday in prison and was transferred to a second prison by the time he was 23. It was in prison, where people initially called him “Satan,” that Malcolm X became associated with the Nation of Islam, publically spoke out against the Korean War – and in favor of communism – and got rid of the “white slavemaster name which… [had been] imposed upon my paternal forebearers.”

By the time he was 25 (and still in prison), the Federal Bureau of Investigation (FBI) had started a file on him. After serving six of an eight-to-ten year sentence in prison, he was paroled and actively working (and recruiting) for the Nation of Islam. By the time he was 28, he was under surveillance by the FBI (which is, you know, 2nd chakra stuff).

Malcolm was making a name for himself within the Nation of Islam (and within the halls of the FBI), but he didn’t make it onto the general public’s radar until 1957, when he intervened after four African-American men were arrested. Three of the men were Nation of Islam members who had tried to verbally stop New York police officers who were beating the fourth man, Reese V. Poe, who was not a member of the Nation. One of the Nation of Islam members, Johnson X Hinton, was severely beaten and incarcerated without medical treatment – until Malcolm intervened. The police were alarmed by the way in which he spoke up, coordinated Johnson’s medical treatment, arranged for all four men to be bailed out, and seemed to control the angry crowd of several thousand (when he got them to peacefully, and relatively silently, disperse with a simple hand single gesture).

[Side Note: Johnson X Hinton was “released” the next morning. He immediately required more medical attention. While he survived his injuries, he needed multiple brain surgeries and lived the rest of his life with a metal plate in his head. An all-white jury would eventually award him $70,000, which (at the time) was the largest NYPD payout for a brutality case.]

At 32, Malcolm was under surveillance by the FBI and the NYPD (who had started running background checks with the prisons and in the cities where he had live). When Malcolm objected to the fact that none of the police officers involved in the assault were indicted, the NYPD sent undercover agents to join the Nation of Islam. That extra layer of conflict was also reflected within the Nation – as Malcolm’s prominence increased so too did the in-fighting. By his late 30’s, he was pulling away from the Nation, turning towards Sunni Islam, and softening his stance on some of his more militant opinions (like the role of white people in the movement for equality).

With financial assistance from his half-sister (Ella), he completed the hajj (spiritual “pilgrimage” to Mecca) in 1964. He also travelled to various parts of Africa (several times), France, and the United Kingdom – giving speeches and interviews throughout his travels and in the United States. Whereas he had called himself Malcom Shabazz when he first joined the Nation of Islam and publically used Malcolm X, after his hajj went by the name El Hajj Malik el-Shabazz. His wife, Betty X (née Sanders) also changed her last name Shabazz (and adopted a new first name after her hajj in 1965). Malcolm and Betty would have six daughters, including twins who were born about seven months after Malcolm was assassinated. His four oldest daughters witness his murder.

The assassination of Malcolm X, while the 39-year old was giving a speech in the Audubon Ballroom, came after a series of threats (some of which were recorded by the FBI) and an escalation in violence, including a fire that burned the Shabazz home down – just like his childhood home had been burned down. Only this time, the suspected culprits were Black nationalists instead of white nationalists. Three members of the Nation of Islam were arrested and convicted for his murder – although the one who admitted his guilt proclaimed the other two innocent and the other two maintained their innocence. Tens of thousands of people attended the public viewing and funeral, which was also broadcasted into the street and on live television.

Unlike with his father’s suspicious death, people are still investigating conspiracy theories surrounding the suspicious death of Malcolm X – including why NYPD officers reportedly entered the Audubon Ballroom on February 21, 1965, after shots were fired, without a single gun drawn.

“Tonight, during the few moments that we have, we’re going to have a little chat, like brothers and sisters and friends, and probably enemies too, about the prospects for peace – or the prospects for freedom in 1965. As you notice I almost slipped and said peace. Actually, you can’t separate peace from freedom because no one can be at peace unless he has his freedom. You can’t separate the two – and this is the thing that makes 1965 so explosive and dangerous.”

– quoted from the “Prospects for Freedom in 1965” speech at the Militant Labor Forum on January 7, 1965 by Malcolm X

In the case of Malcolm X, life replicated life. In the case Lorraine Vivian Hansberry, who was born in Chicago, Illinois on May 19, 1930, art imitated life. She was the youngest of four children born to Carl Augustus Hansberry (a successful real estate broker) and Nannie Louise (née Perry) Hansberry (a driving school teacher and member of the ward committee). The Hansberrys were supporters of the Urban League and the NAACP in Chicago, as well as active members of the Chicago Republican Party. Their home was frequently visited by prominent members of the African-American community, including known Civil Rights activists.

That home was the source of a lot of external (i.e., 2nd chakra) conflict as it was located in the Washington Park Subdivision on the South Side of Chicago, in what was originally an exclusively white neighborhood. There were restrictive covenants in place to enforce segregation, but occasionally a Black family could convince someone to sell them the house. Money talks and, not coincidentally, the first African-American to move into the neighborhood was a banker and realtor (Jesse Binga) whose wife (Eudora Johnson) inherited $200,000 from her notorious gambling kingpin brother (John “Mushmouth” Johnson). The Binga’s home was bombed at least five times – in what was an otherwise peaceful neighborhood.

The Great Depression caused a decrease in the number of white families who were financial able to purchase homes in the neighborhood, but there were relatively affluent Black families – like the Hansberrys – were in a better financial position and had the realtor knowledge to get around the covenants, which they did when Lorraine was 8 years old. The only problem was getting around the covenants didn’t get around racist and hostile neighbors. In addition to the physical, in-person, hostilities, some of the neighbors tried to take legal action to prevent the family from moving in. The family persisted. Eventually, the elder Hansberry sued the neighbors under the premise that the restrictive covenants (and the neighbors’ behavior) violated the 14th Amendment rights of born and naturalized Black citizens of the United States.

The case was ultimately decided by the Supreme Court (1940) in favor of Carl Hansberry. It would become the inspiration for Lorraine’s award-winning Broadway play, A Raisin in the Sun. The play made a 29-year old Lorraine the youngest playwright, the first Black playwright, and the fifth woman to win a New York Drama Critics’ Circle Award. It would be almost twenty years before another play by a Black woman to be performed on Broadway and, unless I am missing something, it would be 22 years before another Black playwright (South African Athol Fugard) won the New York Drama Critics’ Circle Award.

“Thus, twenty-five years ago, [my father] spent a small personal fortune, his considerable talents, and many years of his life fighting, in association with NAACP attorneys, Chicago’s ‘restrictive covenants’ in one of this nation’s ugliest ghettos. That fight also required our family to occupy disputed property in a hellishly hostile ‘white neighborhood’ in which literally howling mobs surrounded our house. One of their missiles almost took the life of the then eight-year old signer of this letter. My memories of this ‘correct’ way of fighting white supremacy in America include being spat at, cursed and pummeled in the daily trek to and from school. And I also remember my desperate and courageous mother, patrolling our household all night with a loaded German Luger [pistol], doggedly guarding her four children, while my father fought the respectable part of the battle in the Washington court.”

– quoted from To Be Young, Gifted, and Black: Lorraine Hansberry in Her Own Words by Lorraine Hansberry (adapted by Robert Nimroff, with an introduction by James Baldwin)  

Unlike Johns and Malcolm, Lorraine was college educated. She attended the University of Wisconsin-Madison where she became active in the Communist Party (much to the chagrin of her mother – her father had died of a cerebral hemorrhage when she was 15) and desegregated a dormitory. After graduating from college, she moved to New York and started writing for the Black  (and Pan-African) newspaper Freedom, under the tutelage of people who had frequented her childhood home, like W. E. B. Du Bois, Paul Robeson, and Langston Hughes (whose poem “Harlem” provided the inspiration for the title of her award winning play). Her work at Freedom not only inspired her to write plays and poems, it also gave her exposure and opportunity.

Some of that exposure and opportunity resulted in an FBI security file being started when she was 22. A year later, she was put under surveillance because she started making plans to attend a 1953 peace conference in Montevideo. Three years later her “Italian” haircut was suspicious and a year before the Broadway premiere of A Raisin in the Sun, FBI Director J. Edgar Hoover ordered New York’s Special Agent in charge to “[p]romptly conduct [a] necessary investigation in an effort to establish whether the play…is in any way controlled or influenced by the Communist Party and whether it in any way follows the Communist line” and a Philadelphia Special Agent (who was an “expert” in such things) was ordered to actually attend a touring (pre-Broadway) performance and write a report. Like the majority the white audience with whom they watched the Walnut Street Theatre performance, the special agent missed a lot of the nuance and Pan-African messages picked up by the New York audiences (not to mention modern audiences).

Still, when all was said and done, no less than five – count them, 5!!!!! – FBI offices were engaged in investigations and surveillance of a not yet 30-year old playwright. And for all that power and energy, they seemed to have missed more than just the Pan-African messages in Lorraine’s critically acclaimed play.

“What happens to a dream deferred?

      Does it dry up
      like a raisin in the sun?
      Or fester like a sore—”

– quoted from the poem “Harlem” by Langston Hughes

Lorraine was briefly married to Robert Nemiroff, a Jewish theatre producer, songwriter, book editor, publisher, and activist. They spent their wedding night protesting the execution of Julius and Ethel Rosenberg (who were accused of being spies for the Soviet Union) and she would often credit him as being one of her creative muses. Even after their divorce (and his second marriage), they maintained a professional relationship and he became her literary executor after her death of pancreatic cancer (3rd chakra) at the age of 34.

In addition to producing a variety of incarnations of A Raisin in the Sun (and some of her other finished works), Nemiroff compiled some of Lorraine’s writings into the autobiographical play To Be Young, Gifted, and Black and the book of (essentially) the same name. In 1964, he donated her personal and professional papers to the New York Public Library – but restricted access to all journals, letters, essays, and articles related to the fact that she was a (once closeted) lesbian who supported LGBTQIA+ civil rights. (Ironically, even though Lorraine lived the last few years of her life out, to some, she may not have been out to the FBI.) Over a decade after Nemiroff’s death, his daughter (Joi Gresham, from his second marriage) lifted the restrictions so that they could be included in research about Lorraine’s life and legacy.

That legacy not only included a commitment to encouraging young writers and supporting the civil rights of Blacks and LGBTQIA+ Americans, but also the basic human rights of all people in the world. She was a fan of the work of Simone de Beauvoir; believed that women who were “twice oppressed” needed to be “twice militant;” and publicly condemned the United States’ bombings of Hiroshima and Nagasaki.

“Write if you will: but write about the world as it is and as you think it ought to be and must be—if there is to be a world. Write about all the things that men have written about since the beginning of writing and talking—but write to a point. Work hard at it, care about it. Write about our people: tell their story. You have something glorious to draw on begging for attention. Don’t pass it up. You have something glorious to draw on begging for attention. Don’t pass it up. Use it. Good luck to you. The Nation needs your gifts.” 

– quoted from the speech “To Be Young, Gifted, and Black” by Lorraine Hansberry (given to Readers Digest / United Negro College Fund creative writing contest winners, New York City, May 1, 1964)

At the beginning of the practice (and this blog post), I asked you how your life was like (or not like a puzzle) – which takes us back the cube* and its inventor. Ernö Rubik once said, If you are curious, you’ll find the puzzles around you. If you are determined, you will solve them.”

All three of the people profiled above shared a problem, a problem we also share: How do we find create a society that lives up to its legendary origin story? We each have our experiences – which result in certain perspectives – and we each have certain gifts, which we can share with the world. To share our gifts, however, we sometimes have to understand what shapes our perspectives – and what shapes the perspectives of the people around us. To understand what shapes us, we have to go deeper into the core and how we’re all connected.*

Wednesday’s playlist is available on YouTube and Spotify.

Here’s a video giving a more contemporary view of banking, housing, and the importance of telling our stories (even, or especially, when they highlight inequity around class as well as race and gender). This video is one of two I’ve added to the “A Place to Start May 29, 2020” playlist.

“HOEDERER: …. I wasn’t the one who invented lying. It grew out of a society divided into classes, and each one of us has inherited it from birth. We shall not abolish lying by refusing to tell lies, but by using all means at hand to abolish classes.  

HUGO: All means are not good.

HOEDERER: All means are good when they are effective.”

– quoted from Act 5 of the play Les Mains sales (Dirty Hands) by Jean-Paul Sartre, premiered in Paris on April 2, 1948 (by 1963, the American English translation of “Ce n´est pas en refusant de mentir que nous abolirons le mensonge : c´est en usant de tous les moyens pour supprimer les classes.” had become a mirror of Frantz Fanon’s 1960 declaration to end colonialism)

Errata: In going back through my notes, I realized that I made several mistakes during the Zoom classes. Those are corrected above, including any misstatement about Johns Hopkins birth year and any misquoting of my yoga-buddy and fellow teacher Sandra Razieli.

*NOTE: Using the cube as an underlying metaphor for race and gender relations in the United States is a bit problematic, I know. And, before anybody suggests taking all the stickers off – so color doesn’t matter – let me just say, “Nope.” The metaphor doesn’t need to be perfect; especially when you consider that the critical element here is how things are working on the inside.

Some formatting updated, May 2025. The embedded video is currently private.

### Be grounded, connected, and present ###

This is one way you can hear me SINGING BOUT MY STUFF October 18, 2020

Posted by ajoyfulpractice in "Impossible" People, Art, Bhakti, Books, Changing Perspectives, Confessions, Dharma, Faith, Gratitude, Healing Stories, Health, Hope, Life, Lorraine Hansberry, Meditation, Movies, Music, Mysticism, Ntozake Shange, One Hoop, Pain, Philosophy, Suffering, Tantra, Texas, Wisdom, Women, Writing, Yoga.
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“Our minds and all that functions through our minds generate a continual stream of micro and macro activities through the complex of our non-stop brain. Our emotions are always active. We are constantly making choices, consciously and unconsciously. And – think about this – our “choices continue to make choices.” How’s that for a thought? But it’s pure truth. And because it’s truth, we need to find a way to evaluate the micro and macro impact of our thoughts, attitudes, belief patterns – the whole of our energetic personality and nature – as the energetic reflection of the landscape of our physical life.”

– quoted from “What Can You Heal in Five Minutes” (from the 2014 Online Salon) by Caroline Myss

The way the world communicated (and was entertained) changed dramatically today in 1954 when Texas Instruments and the Regency Division of Industrial Development Engineering Associates (IDEA Inc.) introduced the Regency Model TR-1, the first commercial transistor radio, to markets in New York and Los Angeles. When the device first went on sale (on November 1st) it cost $49.95 – which was a lot of money back in the 1950’s – but almost 100,000 of the pocket radios were sold in the first year and a technology (as well as an entertainment) revolution had begun.

Prior to the “pocket-sized” TR-1, radios were mostly considered a piece of household furniture. They were essentially big dressers or medium sized jewelry boxes that housed circuitry centered around breakable vacuum tubes. The tubes used a lot of energy, took a long time to warm, and were incredibly fragile. There were “portable” tube radios, but they were about the size and weight of a lunchbox; were powered by several heavy, non-rechargeable batteries; and they didn’t even pretend to be shock resistant. So, few people invested in them. Instead, families huddled around the radio, waited for it to warm-up, and paid attention to the energy output (especially during the war).

No one really thought about listening (or even watching) something they whole family wasn’t going to hear (or see). Furthermore, no one (outside of the electronics industry) really thought about walking around with your personal choice of music, news, podcasts, and other forms of entertainment streaming out of our pockets 24/7. That possibility, that is our reality, became reality because of the introduction of transistors.

Like the old-fashioned vacuum tubes, transistors are devices used to amplify and switch (and also convert) electronic signals and electrical power. Unlike the tubes, transistors are made of semiconductor material which means that that they have an electrical conductivity value which falls between a metal conductor and an insulator (like glass). One of the main benefits to using semiconductor material in electronics is that its ability to conduct electrical current increases as it heats up (meaning its resistivity decreases), which is the opposite of metals. Semiconductor devices, like transistors, offer a lot of versatility and flexibility – especially when you want to pass current in more than one direction – and provided the radios with an “instant-on” capability. All of which allows people to conveniently and quickly share their stories.

“Our psyches are governed by archetypal patterns, containers of myths and symbols that continually feed our unconscious. Our health and well-being feeds off of the stories we tell ourselves, stories that are created, generated, and rooted in our myths. Every person I talk to tells me a story in some way about his or her life and that story inevitably contains at least one symbol or hints at one myth. As each of the participants of the Help Desk told me a bit about themselves, I listened for both the details they were sharing as well as any symbols or metaphors in their descriptions through which I could then identify an archetypal pattern. We can’t stop ourselves from revealing our archetypes. All of these systems that combine to make up each human life need to be understood in terms of how they speak to each other, how they participate in acts of creation, how they interact with the creative mechanisms of our psyche and soul, and how their sensitivities influence the development of physical illnesses. And further, how do we interact with this extraordinary system of life that is US when it comes to healing an illness?

I view the realm of health and healing through this lens now. In fact, it’s more of a parallel reality in that the real power of who we are truly exists in the realm of energy, or our energy field. Our health is regulated by far more than chemicals and nutrition, as we know. But adding on knowledge about the chakras, for instance, is hardly enough to span the spectrum of all that we have come to discover about the depth and width of our interior selves. Speaking about “chakras”, for instance, represents a great deal more than energy dots laid over the physical anatomy. The recognition of our energy anatomy – of energy consciousness itself – represents an entirely different paradigm of how we need to consider the nature of our concept of power.”

– quoted from “What Can You Heal in Five Minutes” (from the 2014 Online Salon) by Caroline Myss

The physical practice of yoga (hatha yoga, regardless of style or tradition) is simultaneously physical-mental, emotional-energetic, and psychic-symbolic. In the same way we are not always aware of how are mind-body communicates with itself and ourselves, we are not always aware of how we are communicating with others. The practice, however, gives us the opportunity to start paying attention to not only how we communicate, but also why we communicate. Every part of our being has a story to tell (and a method to tell it); every part of our story is connected to someone else’s story; and they way the stories are told (or not) determines how we think of the story, the storyteller, and the other players.

Consider, for instance, the story of the transistor radio. If you didn’t know the significance of today and someone mentioned transistor radios, your first thought might not be Texas Instruments or IDEA. Instead, your first thought might be SONY. Because not long after Texas Instruments and IDEA went on to new innovations, a Japanese company rebranded itself and (in 1957) introduced the TR-63, a smaller and cheaper transition radio that conveniently preceded with a global “music” mania. And that mania, is not only the stuff of musical legends, it’s the stuff that makes up the story.

Today is the anniversary of the birth of Ntozake Shange. Born today in 1948, she was an award winning playwright and novelist who changed her name to the Zulu words meaning “she comes with her own things” and “who walks like a lion.” The beginning of her story predates the transistor radio, but it is a definite element in her stories. The remainder of this post is part of a 2018 Kiss My Asana offering.

“somebody/anybody
sing a black girl’s song
bring her out
to know herself
to know you
but sing her rhythms
carin/struggle/hard times”

– The Lady in Brown with all the other Ladies from for colored girls who have considered suicide/when the rainbow is enuf  by Ntozake Shange

“somebody almost walked off wid alla my stuff

not my poems or a dance i gave up in the street

but somebody almost walked off wid alla my stuff

like a kleptomaniac workin hard & forgettin while stealin

this is mine!

this aint yr stuff

now why don’t you put me back

& let me hang out in my own

Self”

– The Lady in Green from for colored girls who have considered suicide/when the rainbow is enuf by Ntozake Shange

I said it before, and I’ll say it again: The danger in not telling your story isn’t only that it might not be told, it’s also that someone else might tell your story. Someone else might, to quote the choreopoem, run off with all of your stuff. And, if someone else tells your story, they may (at best) leave out your rhythm, your tone, and what is most important to you. At worse, however, someone else telling your story can objectify you or turn you into a caricature, a living breathing stereotype come to life on the page – or on the stage.

Up until recently, certain individuals had a hard time telling their own stories in a way that they could be heard, seen, and validated. They didn’t have the money, the prestige, or the influence. I say this knowing full well that certain marginalized groups (people of color, women – of almost any color, GLBTQI, people who practice certain faiths, people who have been abused by people with power, the physically disabled, and the mentally disabled…just to name a few) still have a harder time getting their stories told, heard, seen, and validated than people who identify in a way that is not marginalized. Slowly but surely, that is changing. Still, as hard as it is, it would be harder were it not for people like Lorraine Hansberry and Ntozake Shange and works like Hansberry’s A Raisin in the Sun and Shange’s choreopoem for colored girls who have considered suicide/when the rainbow is enuf.

“Write if you will: but write about the world as it is and as you think it ought to be and must be—if there is to be a world. Write about all the things that men have written about since the beginning of writing and talking—but write to a point. Work hard at it, care about it. Write about our people: tell their story. You have something glorious to draw on begging for attention. Don’t pass it up. Don’t pass it up. Use it. Good luck to you. The Nation needs your gifts.”

– from a speech to Readers Digest/United Negro Fund creative writing contest winners (May 1, 1964) by Lorraine Hansberry

Lorraine Hansberry’s A Raisin in the Sun was inspired by real life events. It was also the first play written by a Black woman (and directed by a Black person) to appear on Broadway (1959). At some point during high school, I read excerpts from Lorraine Hansberry’s play What Use Are Flowers? and her autobiography To Be Young, Gifted and Black: Lorraine Hansberry in Her Own Words. Reading her words, I thought, “I could be that. I could write, I could act, and I could represent the world…as I see it.” I can only imagine where I would be if that idea – of being on stage while putting my work on stage – hadn’t been cemented in my mind. But, there it was, an inspiration not unlike the Langston Hughes poem that inspired the title of Hansberry’s most famous play. And, like a raisin in the sun, my dream kinda got deferred.

I auditioned for The Sunshine Boys during my first semester of college. The directors kept asking me to read with different people who were auditioning, which I took as a good sign. Unbeknownst to me, they weren’t considering me for a role on stage. Instead, the directors asked if I would be their assistant. I said yes and then found myself in the role of their stage manager… and their producer and their publicist. Fast forward 7 years and I was working as a professional stage manager for the writer/director who’s most famous play was the second Broadway play written by a Black woman: Ntozake Shange.

hey man

where are you goin wid alla my stuff?!

this is a woman’s trip & i need my stuff”

– The Lady in Green from for colored girls who have considered suicide/when the rainbow is enuf by Ntozake Shange

In 1974, Shange and four other women started performing the choreopoems that would become for colored girls…. Seventeen years after Hansberry’s Broadway premiere, Shange’s work found its way to the Great White Way. (I say, [It] found its way,” but in truth, Ntozake is (to this day) a force of creative nature and moving across the country was the least of the things she did to shepherd her work.) Twenty years after she wrote and first started to perform the poems, Shange was in Houston directing a revival.

Ntozake Shange was not the first arts and entertainment legend with whom I worked – and she would not be the last – but holy cow did she leave an indelible impression. I worked with her twice and both times I was struck by her unwavering commitment to her own vision. While it is not unusual for a director to be strong, fierce, and artistically determined, she was one of the first woman (not to mention one of the first women of color) with whom I worked who was unapologetic about who she was and what she wanted. Also notable, she saw the world and, therefore, presented the world in a very different way from the mainstream. She was (and is) defiantly herself, singing her songs, dancing to her own rhythms, and – in doing so – giving us permission to do the same.

Everybody has a rhythm, a cadence, a pace of life and one big part of the physical practice of yoga is to find your rhythm and to move to it. Your breath sets your pace, but even within the pace there is room to (physically) harmonize. Find your pace, find you rhythm, and let the movement tell your story.


Please join me for a 65-minute virtual yoga practice on Zoom today (Sunday, October 18th) at 2:30 PM. I am in the process of updating the links from the “Class Schedules” calendar; however, the Meeting IDs in the calendar are the same and are correct. PLEASE NOTE: Zoom 5.0 is in effect. If you have not upgraded, you will need to give yourself extra time to log into Zoom. You can always request an audio recording of this practice (or any practice) via email or a comment below.

Today’s playlist is available on YouTube and Spotify. (This is the playlist “07112020 An Introduction.”)

In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)

### “I found god in myself
and i loved her
i loved her fiercely” (NS) ###