Many blessings to everyone and especially to anyone observing Eastertide, Counting the Omer, and/or working as a force of peace, freedom, and fulfillment (inside and outside).
“Don’t say things. What you are stands over you the while, and thunders so that I cannot hear what you say to the contrary. A lady of my acquaintance said, ‘I don’t care so much for what they say as I do for what makes them say it.’”
— quoted from the essay “Social Aims” in Letters and Social Aims by Ralph Waldo Emerson (b. 1803)
Yesterday, a group of United States veterans reportedly spent part of their Memorial Day weekend in Greensboro, North Carolina with the intention of asking people at the Republican National Convention to honor the basic principles of the “republic, for which it stands” and they were (reportedly) escorted out of the area. Even if I don’t talk about it, this practice is about that and the about the idea of still serving even after one’s official service is over — and about how people react to that.
Four years ago today, George Floyd was murdered in Minneapolis. Even if I don’t talk about it, this practice is about that and the about the importance of treating someone you perceive as being different from you with respect — and about how we seem to keep forgetting that.
Two hundred, twenty-one years ago today, Ralph Waldo Emerson was born in Boston, Massachusetts. I often say that I am blown away by the fact that his words are still relevant to our present circumstances. And, even if I don’t talk about it, this practice is about that.
The excerpt below is from a 2021 post. Click on the title for the entire post.
Please join me today (Saturday, May 25th) at 12:00 PM for a yoga practice on Zoom. You can use the link from the “Class Schedules”calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email myra(at) ajoyfulpractice.com.
Saturday’s playlist is available on YouTube and Spotify. [Look for “05252022 Pratyahara II”]
Thank you to everyone who Kiss[ed] My Asana!
We surpassed the overall fundraiser goals & one of my personal goals!!! Whether you showed up in a (Zoom) class, used a recording, shared a post or video, liked and/or commented on a post or video, and/or made a donation — you and your efforts are appreciated! Thank you!!!
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es).
Donations are tax deductible; class purchases are not necessarily deductible.
Many blessings to everyone and especially to anyone observing the Bright Saturday, Counting the Omer, and/or working for peace (inside and outside).
For Those Who Missed It: The following was originally posted in 2023. Some formatting has changed. Class details, links, and an extra video have been added for 2024.
“Furthermore, Subhūti, in the practice of compassion and charity a disciple should be detached. That is to say, he should practice compassion and charity without regard to appearances, without regard to form, without regard to sound, smell, taste, touch, or any quality of any kind. Subhuti, this is how the disciple should practice compassion and charity. Why? Because practicing compassion and charity without attachment is the way to reaching the Highest Perfect Wisdom, it is the way to becoming a living Buddha.”
— The Diamond Sutra (4)
“By this name it shall be revered and studied and observed. What does this name mean? It means that when the Buddha named it, he did not have in mind any definite or arbitrary conception, and so named it. This Sutra is hard and sharp, like a diamond that will cut away all arbitrary conceptions and bring one to the other shore of Enlightenment.”
— The Diamond Sutra (13)
I have heard that the oldest (surviving) book with a printed date is a Chinese copy of The Diamond That Cuts Through Illusion, a sacred Buddhist text commonly known as The Diamond Sutra. It was translated from Sanskrit and printed today (May 11th) in 868 A. D. on a 17-and-a-half-foot-long grey scroll using a block printer commissioned by one Wang Jie. A handwritten note along the lower right hand side of the scroll indicates that it was “Reverently made for universal free distribution by Wand Jie on behalf of his two parents.” The text itself indicates that there is great merit in being a “person who simply observed and studied this Sutra and, out of kindness, explained it to others.” (DS 24)
While the merit is great even if a person only understands and explains “four lines of this Sutra” (DS 8 & 12), it is a relatively accessible and short text, at about 6,000 words. The Diamond Sutra consists of a conversation between the Buddha and his pupil Subhūti, during which there is a continuous emphasis on the temporal and illusory nature of all things — including the teachings within the text! Despite the temporal and illusory nature of all things (including the teachings within the text) — or maybe because of it — there is great wisdom here. Wisdom that is summed up in the Tom Waits song “Diamond in Your Mind”: always keep a diamond in your mind (no matter the situation or circumstance).
This text can be studied and explained, out of kindness, with dialogue similar to the Buddha and Subhūti’s conversation. It can be explored through a deep seated mediation. Or, it can be studied, explained, and explored through a little movement — maybe even a little heart-centered dance.
“They say that dance and architecture are the two primary arts. That means that you have to have the gesture, the effort – the real effort – to communicate with another being and you must also have a tree to shelter under in case of storm or sun.”
— Martha Graham on Technique
“To walk out of one’s door each morning requires that you believe you are needed beyond your four walls and can offer something. To be grateful for the opportunity to simply walk out and live a life offers blessings and insight.”
— Martha Graham in 1990 telephone and in-person interviews with James Grissom
Martha Graham, born today (May 11th) in 1894 was a revolutionary dancer and choreographer, whose passion was partially inspired by her father’s work as a doctor, who used movement as a treatment for nervous disorders, and the art of Russian abstract artist Wassily Kandinsky. Her greatest influence, however, was the work of Ruth St. Denis and Ted Shawn. Graham once said, “Everything I did was influenced by Denishawn.” And, like St. Denis, Graham would go on to leave an indelible mark not only on dance, but also on music, theatre, and performance art.
Graham developed a technique based on the importance of breathing and movement that was, she said, “fraught with inner meaning, with excitement and surge.” The Graham Technique is based on the idea of “contraction and release” (which is one way to describe the body’s natural response to breathing); combined with “spiraling” (diagonally positioning parts of the body, via a 45⁰ rotation of the spine, that is reminiscent of Kandinsky’s paintings) and Doris Humphrey’s “fall and recovery” (Humphrey’s principle regarding an individual’s constant engagement with gravity, as well as the life-death experience of living). Even though a Graham dancer’s hands and feet can have specific placement, the movement of the arms and legs (as well as the hands and feet) begins in the core, with awareness of the heart.
“The palm of the hand should be forward, and straight out (in) the audience. I give you myself, I give you what I have to give; that’s what it really means.”
— Martha Graham instructing dancers during rehearsal
“When I was young I studied with Martha Graham; not to learn to dance, but to learn to move on the stage. If Martha Graham could have had her way, she would have taught us all how to move – through life. That has been and will be her goal: proper movement through life, the relationship of the body to the mind and the body to the spirit. Martha Graham is a compulsive student of the human heart.”
— actor Gregory Peck on Martha Graham (in a documentary)
The mind needs what it needs to understand something, even ourselves, until it no longer needs a reference point. (People who attended a practice on May 9, 2020, or May 3, 2024, will notice a theme here.) The Diamond Sutra tells us that the concepts of a self or no-self, as well as the ideas that all beings are separated or connected, are such reference points. They are used in the text “the way that a raft is used to cross the river. Once the river has been crossed over, the raft is of no more use, and should be discarded.” (DS 6) Martha Graham used dance as a bridge — a way to express life experiences and emotions, as they were simultaneously shared and unique. Here, with the bridge as well as with the raft, there is the opportunity to go back and forth until you have what you need to live nobly through this thing we call life.
“Each one of us has all of life in us. And it is our choice to decide what we will reveal…. How many drops of blood have gone into the making of you? How much memory is in that drop of blood?”
— Martha Graham on life, living, and dancing
“Art is memory. It is the excavation of so many memories we have had–of our mothers, our best and worst moments, of glorious experiences we have had with friends or films or music or dance or a lovely afternoon on a sloping, green hill. All of this enters us and, if we are artists, must be shared, handed over to others. This is why it is so important to know what came before you. It is also important to understand that things will follow you, and they may come along and make your work look pedestrian and silly. This is fine; this is progress. We have to work with what life presents to us, and we have to work as well as we can while we can”
— Martha Graham in a 1990 telephone interview with James Grissom
Please join me today (Saturday, May the 11th) at 12:00 PM for a yoga practice on Zoom featuring a sequence inspired by Graham Technique. You can use the link from the “Class Schedules”calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email myra(at) ajoyfulpractice.com.
Saturday’s playlist is available on YouTube and Spotify. [Look for “05112021 Martha and the Diamond”]
NOTE: The original 2020 post included additional inspiration, which I will add to the YouTube playlist.
“There is a vitality, a life force, a quickening that is translated through you into action, and there is only one of you in all time, this expression is unique, and if you block it, it will never exist through any other medium; and be lost. The world will not have it. It is not your business to determine how good it is, not how it compares with other expression. It is your business to keep it yours clearly and directly, to keep the channel open. You do not even have to believe in yourself or your work. You have to keep open and aware directly to the urges that motivate you. Keep the channel open.”
— Martha Graham to biographer Agnes de Mille (printed in Martha: The Life and Work of Martha Graham, 1992)
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es).
For Those Who Missed It: This post-practice post for Friday, September 1st, is a revised (and slightly expanded) version of a 2020 post. You can request an audio recording of either practice via a comment below or (for a slightly faster reply) you can email myra(at) ajoyfulpractice.com.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.
“Life’s but a walking shadow, a poor player That struts and frets his hour upon the stage, And then is heard no more. It is a tale Told by an idiot, full of sound and fury, Signifying nothing.”
– Macbeth in Act V, Scene V of Macbeth by William Shakespeare
Philosophies and major religions from all over the world emphasize the importance of being dedicated to the truth. In the Yoga Philosophy, that dedication to the truth, satya, is the second yamā (external “restraint” / universal commandment). Yet, despite that emphasis, there is a lot of disinformation, misinformation, manipulated information, lack of information, and fakery in the world. Sometimes there is so much that it can seem hard to know the truth.
We can spend an extraordinary amount of time sifting and searching through all the disinformation, misinformation, manipulated information, lack of information, and fakery in the world and, in the end, feel like the aforementioned Scottish king and the inspiration for a novel by William Faulkner. It’s so frustrating that we may settle down for a moment and give up. Or, we may rest awhile, only to dive back in. But, really, those are two bad choices.
A third option is the oft overlooked option of being still, being quite, and turning inward instead of outward. Yes, it is often overlooked and yet, every philosophy and major religion in the world emphasizes the idea that we carry the truth with us. The truth is inside of us. So, the key to seeking the truth isn’t turning outward, it is turning inward.
“Be still and know that I am God.”
– quoted from Tehillim – Psalms (46:11, in some Hebrew texts; 46:10 in Christian texts)
“…really pay attention to what’s happening internally…. Meditation is learning how to get so still, and so calm, tranquil, through the directing of the attention, to this present moment, that we begin to see really deeply…. And so we go more and more and more deeply into the nature of things, and when that happens, and reactivity ceases, then responsiveness arises.”
– quoted from the dharma talk and Q&A entitled “Suffering and the End of Suffering” by Gina Sharpe
Guru Nanak was the 15th Century founder of Sikhism and the first of the ten Sikh Gurus. According to Dr. Dharma Singh Khalsa*, Guru Nanak (before he was a guru) “went for his morning bath in a river near his home in northern India. He entered the water and was not seen again for three days. His family feared that he’d drowned. Then he reappeared and began singing the very verses you’ll find within these pages.” Those verses are the Japji Sahib.
Known in English as The Song of the Soul, the Japji Sahib is an ancient Sikh text at the beginning of the Guru Granth Sahib, which is the Adi Granth or primary sacred text / scripture in Sikhism. Originally compiled and printed by Guru Arjan, the fifth Sikh guru, on August 29, 1604, it was placed in the Golden Temple in the city of Amritsar, Punjab, India, today (September 1st) in 1604. Over the years, most of the ten Sikh Gurus have added their commentary and exposition, which is the majority of the Guru Granth Sahib.
Every aspect of this sacred text is part of it’s wisdom. It was originally compiled in Gurmukhī, a script which literally means “from the mouth of the teacher.” The title, the Guru Granth Sahib, indicates that it is the book that “holds” the teacher or “remover of darkness” – and it is considered a living teacher. As indicated by it’s name, the Japji Sahib is intended to be chanted.
“Deeply Listening, Yoga And the hidden systems Of the body Make themselves known.
Deeply Listening, The wisdom Of all sacred scriptures in the world Is revealed.
Oh my soul, Those who surrender themselves in Love To the Divine Continuously blossom and bloom.
Deeply Listening Sorrows And errors Depart.”
– quoted from Japji Sahib: The Song of the Soul by Guru Nanak (Translated by Ek Ong Kaar Kaur Khalsa)
Remember, when we do the 108 Sun Salutations I refer to it as japa-ajapa, which is “repeat and repeat” or “repeat and remember.” Jap also means “understand.” This type of repetition is a form of meditation which is also recommended in the Yoga Sūtra (1.27 – 1.28). It allows the mind to use the repetition as a path and gateway into stillness.
I say “a path and gateway” because there are steps. One doesn’t just mumble a few words a few times and find themselves instantly still and quiet. First, you have to get past the place where your mind is trying to wrap itself around the fact that you are repeating the same thing over and over again. Then, you have to sift through the object that is the word, the meaning of the word, and the fact that you are focused on the object and the meaning of the word. Eventually, you start to internalize the word and let go of some of the outside distractions. Finally, you reach a state of pure cognition where it is possible for you and the word to be absorbed into each other – in other words, you become the word. A dedicated, uninterrupted practice (also recommended by Patanjali) is helpful in this practice; however, the most important element is trusting and listening.
“By trusting What you hear When you listen, The Truth Of your Inner Consciousness Will saturate your psyche With wisdom And deep understanding.
By trusting What you hear When you listen, You shall dwell In all mansions Of learning.”
– quoted from Japji Sahib: The Song of the Soul by Guru Nanak (Translated by Ek Ong Kaar Kaur Khalsa)
This Restorative Yoga practice is accessible and open to all.
Prop wise, we use a small ball (e.g., tennis ball, massage ball, etc.) at the the beginning of the practice. Additionally, this is a kitchen sink practice.You can practice without props or you can use “studio” and/or “householder” props. Example of “Studio” props: 1 – 2 blankets, 2 – 3 blocks, a bolster, a strap, and an eye pillow. Example of “Householder” props: 1 – 2 blankets or bath towels, 2 – 3 books (similar in size), 2 standard pillows (or 1 body pillow), a belt/tie/sash, and a face towel.
You may want extra layers (as your body may cool down during this practice). Having a wall, chair, sofa, or coffee table may be handy.
MUSIC NOTE: You can start with Track #1, #2, #3, or #5. These are instrumental tracks.
*CONTENT NOTE: The translation by Ek Ong Kaar Kaur Khalsa is the foundation for The End of Karma: 10 Days to Perfect Peace, Tranquility, and Joy by Dharma Singh Khalsa, M. D. During the 2023 practice, I quoted chants from Chapters 12, 10, 14, and 39. The one in Chapter 13 is also one of my favorites.
“Life’s but a walking shadow, a poor player That struts and frets his hour upon the stage, And then is heard no more. It is a tale Told by an idiot, full of sound and fury, Signifying nothing.”
– Macbeth in Act V, Scene V of Macbeth by William Shakespeare
There is so much disinformation, misinformation, manipulated information, lack of information, and fakery in the world that it can seem hard sometimes to know the truth. We can spend an extraordinary amount of time sifting and searching through all the disinformation, misinformation, manipulated information, lack of information, and fakery in the world and, in the end, feel like the aforementioned Scottish king and the inspiration for a novel by William Faulkner. It’s frustrating. We may settle down for a moment and give up or we may rest awhile only to dive back in. But, really, those are two bad choices.
A third option is the oft overlooked option of being still, being quite, and turning inward instead of outward. Yes, every philosophy and major religion in the world emphasizes the importance of being dedicated to the truth. (This is the yamā or external restraint / universal commandment of satya in the 8-limb philosophy of yoga.) Every philosophy and major religion in the world also emphasizes that we carry the truth with us; it is inside of us. So, the key to seeking the truth isn’t turning outward, it is turning inward.
“Be still and know that I am God.”
– Tehillim – Psalms (46:11, in some Hebrew texts; 46:10 in Christian texts)
“…really pay attention to what’s happening internally…. Meditation is learning how to get so still, and so calm, tranquil, through the directing of the attention, to this present moment, that we begin to see really deeply…. And so we go more and more and more deeply into the nature of things, and when that happens, and reactivity ceases, then responsiveness arises.”
– Gina Sharpe, Suffering and the End of Suffering
Japji Sahib, known in English as The Song of the Soul, is an ancient Sikh text composed by Guru Nanak, the 15th Century founder of Sikhism and the first of the ten Sikh Gurus. The text was originally published in 1604 and, as indicated by the name is intended to be chanted. Remember, when we do the 108 Sun Salutations I refer to it as japa-ajapa, which is “repeat and repeat” or “repeat and remember.” Jap also means “understand.” This is a form of meditation which is also recommended in the Yoga Sūtra (1:27 – 1:28) and it allows the mind to use the repetition as a path and gateway into stillness.
I say “a path and gateway” because there are steps. One doesn’t just mumble a few words a few times and find themselves instantly still and quiet. You first have to get through the place where your mind is trying to wrap itself around the fact that you are repeating the same thing, over and over. It has to sift through the object that is the word, the meaning of the word, and the fact that you are focused on the object and the meaning of the word. Then, you start to internalize the word and let go of some of the outside distractions. Finally, you reach a state of pure cognition where, possibly, you and the word are absorbed into each other – in other words, you are the word. A dedicated, uninterrupted practice (also recommended by Patanjali) is helpful in this practice; however, the most important element is trusting and listening.
“By trusting What you hear When you listen, The Truth Of your Inner Consciousness Will saturate your psyche With wisdom And deep understanding.
By trusting What you hear When you listen, You shall dwell In all mansions Of learning.”
– quoted from Japji Sahib: The Song of the Soul by Guru Nanak (Translated by Ek Ong Kaar Kaur Khalsa)
“If you Trust what you hear When you listen, Then you will know What you see, How to understand And act.”
– quoted from Japji Sahib: The Song of the Soul by Guru Nanak (Translated by Ek Ong Kaar Kaur Khalsa)
Please join metoday (Tuesday, July 28th) at 12 Noon or 7:15 PM for a virtual yoga practice on Zoom where we will listen deeply. Use the link from the “Class Schedules” calendar if you run into any problems checking into the class. Give yourself extra time to log in if you have not upgraded to Zoom 5.0. You can request an audio recording of this practice via a comment below.
Tuesday’s playlist is available on YouTube and Spotify. (Since the mantras that I typically use in class are not available, this is an instant replay of the playlist dated 04192020. It is actually two playlists and, if you can handle it, I recommend the “Music for 18 Musicians” – which can also be found without interruptions. Another option is to practice without music, which I also highly recommend.)
May your breath be smooth, slow, serene, and with no pauses;
May the flow of thoughts in your mind not disturb you;
May your meditation today bring you peace, happiness, and bliss.”
– Intention for meditation, set by Swami Jnaneshvara
There’s a lot going on right now, inside and outside; a lot to notice. So, perhaps you’ve noticed something is different, but haven’t mentioned it. Perhaps you have noticed the things that are the same, and appreciated them. Yet, even as we’ve spent the last few days very deliberately and very intentionally noticing things, perhaps you haven’t noticed one of the things that has changed.
In all fairness, there are a number of reasons why you might not have even encountered the specific change of which I speak. The biggest reason you might not have noticed the change is that you might not be using the playlist and/or you might not be listening to the before/after class music.
Over the years, music has become part of the ritual of the practice. A friend once remarked that she came into one of the studios at the Y and didn’t see me, but she heard a Garth Brooks song playing over the stereo and knew I was somewhere in the building. Some people have told me that don’t really like the outdoor classes (because there is no music) and others have said they prefer no music. Some people have said they never even notice the music, and then there are the times where it is just a little too loud.
Still, many people have remarked that the chanting at the end of the playlist really sets the tone and gets them in the right mindset. And that, ultimately, is why the music is there before and after the class. It helps to bring us into the space and into the moment; it helps us transition from the profane to the sacred and then back to the mundane – but this time taking a piece of the sacred with us.
“May all of us together be protected;
may all of us together be nourished;
may we work together with great energy;
my our study together be brilliant and effective;
may we not hate or dispute with one another;
may there be peace within us, peace all around us, peace to and from everything and everyone we encounter.”
– “Teaching Santipat,” chanted by Richard Freeman (when we are in the studio)
“Lokah Samastah Sukhino Bhavantu – May All-Beings, Everywhere, Be Happy & Be Free”
– Metta (Loving-kindness) mantra often chanted at the end of the practice
That said, sometimes I change the chanting at the end of the playlist. Don’t get me wrong; we still start with the practice with the English translation of the “Teaching Santipat” (a.k.a. “the group intention”), but there are times when I want to set the tone in a slightly different way before I ever say a word. So, I’ll change the ending that leads to the beginning. More often than not it’s just a simple change, like replacing the Santipat for the “Gayatri Mantra” on the days when we are focusing on the light. Other times, there’s a bit of a story, like a prologue, that I want to subtly and subliminally convey. And, usually, people notice the change (because it’s pretty obvious) – but not this time.
I’ve collected a pretty massive amount of music over the years – not professional DJ massive – but I have a lot of music and I am always buying more. As I mentioned this past Saturday, however, sometimes music on my playlist is not available on Spotify and/or YouTube. No one knows, unless I mention it, when I make a little switch – especially since I try to stick with the same composer and, obviously, maintain the same motif, tempo, and timing. And I only mention it now, because I want you to notice something is different.
“In the conscious, unconscious, and subconscious mind, I bow to the lotus feet of our great teacher,
Who uncovers our true self and awakens happiness Like a Shaman in the Jungle he brings total complete well-being. He can even heal the most awful poison of conditioning and illusion.
The upper body of human shape, carrying a mussel horn (original tone), a discus (infinity) and a sword (power of differentiation) having 1000 bright heads, I bow to Patanjali.”
– Ashtanga mantra, used to open Ashtanga practices all over the world
In searching for alternative pieces over this last month, I have discovered new songs from two of my favorite contemporary composers, Bear McCreary and Alexandra Stréliski, and also discovered the lyrics to a song, “Merci Bon Dieu,” that I had only ever used as an instrumental piece. In the case of the latter, it turns out the lyrics reinforced the reason I had so often slotted the instrumental piece into certain playlists and, in the case of the former, well…let’s just say I’m going to be buying more music when this is all said and done.
But that’s all lagniappe, just a little something extra that tells you a bit about my process. The real focus today, is what I’m offering and that’s the chant at the end of the YouTube and Spotify playlists. It is not, however, the “Teaching Santipat” recorded by Richard Freeman, which I normally I use in the practice and which I still recite at the beginning. As far as I’ve ever been able to tell, the version I use in the studio is only available on a CD set I purchased years ago when I wanted to add more chanting to my practice. Instead, what appears in the online playlists is a bit of kirtan recorded by Krishna Das.
“Mere Gurudev,” can be translated as “My Ultimate Teacher” or, literally, “My Teacher-God.” I have heard the chant was originally written by an unnamed Indian woman, who (as you will see by the words) intended it as an offering and a tribute to her teacher, Maharaji, Neem Karoli Baba.
Maharaji was a lifelong practitioner of bhakti yoga (“union through devotion” or “union through love”), which includes the practice of kirtan (mantras chanted with music). He was the teacher of Ram Das, Bhagavan Das, Lama Surya Das, Jai Uttal, Trevor Hall, and Krishna Das, as well as a host of entertainers and business moguls. Maharaji was reportedly so touched by the woman’s offering that he immediately asked for someone to write it down and for everyone to learn it. The Krishna Das version (which may exclude one of the original verses) translates as follows:
“My Gurudev, I offer these flowers of my faith at your feet Whatever I have, you have given to me, and I dedicate it all to you.
I have no love, nor do I know you.* I don’t even have the strength to worship you, But this mind of mine, this body of mine, my every atom is dedicated to you.
You are the only one in my heart and my thoughts. You are the one who I call out to. Now Make me your instrument…all I am I offer to you.”
– “Mere Gurudev” recorded in Sanskrit by Krishna Das
*earlier translation = “I have no love for you, nor any desire for you”
I was taught, and I believe, that our ultimate (and best) teacher is inside of us. That may mean different things to different people, but I don’t believe it makes it any less true. Part of what is true about that, is that I carry (as we all do) the lessons of all of our teachers – regardless of what they taught us. I was also taught, and also believe, that each and every one of us is simultaneously student and teacher to those around us. Meaning you all are as much my teachers as I am yours. Rather than using an online version of the “Teaching Santipat” that didn’t really resonate with me, I decided to add this bit of kirtan to the end of each playlist as a reminder, during this unsettling time, that what I offer is a gift to my teachers.
Thank you, for accepting these gifts.
“Namaste.”
– salutation / benediction meaning “I bow Thou”
If you are interested and available, please join me class today (Tuesday, April 21st) at 12 Noon or at 7:15 PM on Zoom. Some of the new Zoom security protocols are definitely kicking in; so, please use the link from the “Class Schedules” calendar if you run into any problems. Tuesday’s playlist is the same as Sunday’s playlist (dated 04192020) and is available on YouTube and Spotify.
You may notice that the playlist is longer than normal – that’s because it is actually two (2) different playlists. If you are using the music, you get to choose your musical experience.
My apologies to anyone who was expecting the “In Memoriam (Musicians)” practice I have previously led on April 21st (in 2017, for instance). If you go to The Roots YouTube channel, you will find thatQuestLove has stocked the Wrecka Stow and made up for my omission, 5x over.
It’s Almost Time to Kiss My Asana (cause the yogathon starts Saturday, April 25th!
Founded by Matthew Sanford, Mind Body Solutions helps those who have experienced trauma, loss, and disability find new ways to live by integrating both mind and body. They provide classes, workshops, and outreach programs. They also train yoga teachers and offer highly specialized training for health care professionals. This year’s yogathon is only a week long. Seven days, at the end of the month, to do yoga, share yoga, and help others. By participating in the Kiss My Asana yogathon you join a global movement, but in a personal way. In other words, you practice yoga… for 7 days
Teacher, teacher, tell me your Kiss My Asana story!
You don’t need to wait until the end of the month, however, to consider how you might participate. Start thinking now about how you can add 5 minutes of yoga (or meditation) to your day, how you can learn something new about your practice, or even how you would teach a pose to someone close to you – or even to one of your Master Teachers/Precious Jewels.
To give you some ideas, consider that in past years my KMA offerings have included donation-based classes and (sometimes) daily postings. Check out one of my previous offerings dated April 21st (or thereabouts):
Awareness comes in many shapes and sizes – and the opportunity to deepen your awareness is always one breath away. So…
TAKE THE DEEPEST BREATH YOU’VE TAKEN ALL DAY!
Now, deepen your awareness. Notice what you notice.
Sometimes, deepening your awareness is just that simple: take a deep breath and start listening to the sensations/information within you and all around you. Sometimes, you will find – as I often do – that you are surrounded by stories. Stories that can make you laugh, or cry, or think out loud. As I recently mentioned to some high school students in Hopkins, our lives, minds, and bodies are full of drama, hilarity, and sorrow. We just have to pay attention. Listen deeply to the stories, the music, the poems that are in you and all around you – and you will always be inspired.
Of course, if it were that “easy” to be inspired – all the time – we might not ever step outside of the box….You know, that box… the one we call our house or car or office or regular routines. Or ourselves. These boxes are made, metaphorically and physically, to extend and expand the same way our bodies do when we inhale. And, every time we inhale we are, literally, being inspired. Yet, it is just as easy to miss the inspiration as it is to notice it. Why? Because when we live in a world where we celebrate the times our “cup overflowth,” we are in fact, celebrating ourselves as the university professor with the overflowing cup.
“In the beginner’s mind there are many possibilities, but in the expert’s mind there are few. ” – Zen Mind, Beginner’s Mind by Shunryu Suzuki
Shoshin is the Zen Buddhist concept of “beginner’s mind” – which I associate with yoga’s practice of santosha, the niyama (internal observation). It’s when you show up with the awe and wonder of a child; when you’re just curious to see what happens if….
In The Artist’s Way, Julia Cameron talks about establishing regular “artist’s dates” with yourself. Doing something you don’t typically do – or don’t typically do by yourself – is a great way to empty your cup and then fill it back up again. Even if you don’t think of yourself as an artist, going on an artist’s date can give you a new perspective. And hat new perspective may be exactly what you need to go deeper.
The events listed below (for this weekend and next) will make great artist’s dates; however, I’m going to strongly encourage you to grab your family and friends.
THIS WEEKEND:Chitta vritti (“fluctuations of the mind”) is sometimes referred to as monkey mind, elephant mind, wild horses or oxen. It is also called puppy mind. My Tuesday classes already know what happens when The Little Puppy and the Big Green Monster meet yoga – everyone else will have to wait a bit. Meanwhile, anyone and everyone can join our own Mike Wohnoutka at The Little Puppy and the Big Green Monster launch party on Saturday, September 27th, 10:30 AM at Red Balloon Bookshop.
ALSO, NEXT WEEKEND: Join Nokomis Yoga’s own Jinjer Stanton at Nokomis Beach Coffee Shop on Sunday, October 5th (2:00 – 4:00 PM) as she signs copies of her newly released children’s book, Mousenapped!, and her first book, Yoga For Every Room In Your House.
A Joyful Practice 