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It’s A Kiss My Asana “Flashback Friday” April 3, 2020

Posted by ajoyfulpractice in 7-Day Challenge, Abhyasa, Bhakti, Books, Buddhism, Changing Perspectives, Dharma, Donate, Faith, Healing Stories, Health, Hope, Karma, Karma Yoga, Kirtan, Lent, Life, Loss, Mantra, Mathmatics, Meditation, Men, Minneapolis, Minnesota, Movies, Music, Mysticism, One Hoop, Pain, Philosophy, Poetry, Religion, Suffering, Tantra, Texas, Tragedy, Twin Cities, Vairagya, Wisdom, Women, Writing.
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“You want it bad you want it oh so much
There are some things that you should know
Some things that someone like you just cannot touch

 

You weep and dwell on our loss
Stand denied by the nails in the cross
And I for one you for two
Knows no one’s gonna do it for you
No one’s gonna do it for you”

– “No One’s Gonna Do It For You” by The Hellacopters

A lot of people, most people I would surmise, have a moment when they wish all the hard stuff was over – that they could just go to sleep and wake up with their problems solved. Can you imagine what that would be like right now? Can you imagine what it would be like if you fell asleep tonight and, when you woke up, all of this was over? No more pandemic, no more social distancing, no more self-quarantines.

Now, can you imagine what it would feel like if you actually slept through all of this…and woke up to find the world changed? Everyone else has lived their way into a new normal and you are just discovering that the old normal is…history.

Yes, this would make a great story – but it’s not a new story; it’s actually a very old story. It’s a story that predates all the specific details of this present moment, but a story that endures because it touches on some very basic and universal truths:

  1. Suffering happens (This is the first of the 4 Noble Truths from Buddhism.)
  2. Change happens (Or, as Heraclitus put it over 400 years BCE, “You could not step twice into the same river” – which implies that we want things to stay the same.)
  3. “We must be willing to get rid of the life we’ve planned, so as to have the life that is waiting for us.” (Joseph Campbell as quoted in Reflections on the Art of Living: A Joseph Campbell Companion by Diane K. Osbon)
  4. As much as we want it to be otherwise, “no one’s gonna do it for you.” (The hard part of adulting, and lyrics from a song by The Hellacopters.)

Just to clarify, the four (4) items above are NOT the 4 Noble Truths, but it’s no accident that they mirror them or that I’ve pulled statements from what appears to be vastly different sources. And yet, and yet…. The reason why these elements can be found in philosophy, religions, comparative mythology, and rock music (even literature and mathematics) is that they are elements of the human experience. We find them everywhere; we find them inside of ourselves.

“You must unlearn what you have learned… No. Try not. Do. Or do not. There is no try.”

 

– Yoda in Star Wars: The Empire Strikes Back (and a quote I used during a 2019 Kiss My Asana donation-based class)

Kiss My Asana is an annual yogathon, to raise awareness and resources for Mind Body Solutions and their adaptive yoga program. Founded by Matthew Sanford, Mind Body Solutions helps those who have experienced trauma, loss, and disability find new ways to live by integrating both mind and body. They provide classes, workshops, and outreach programs. They also train yoga teachers and offer highly specialized training for health care professionals.

This year’s yogathon is only a week long. Seven days, at the end of the month, to do yoga, share yoga, and help others.  By participating in the Kiss My Asana yogathon you join a global movement, but in a personal way. In other words, you practice yoga… for 7 days.

We’re doing this, right?

You don’t need to wait until the end of the month, however, to consider how you might participate. Start thinking now about how you can add 5 minutes of yoga (or meditation) to your day, how you can learn something new about your practice, or even how you would teach a pose to someone close to you – or even to one of your Master Teachers/Precious Jewels.

To give you some ideas, consider that in past years my KMA offerings have included donation-based classes and (sometimes) daily postings. Since it’s “Flashback Friday,” check out one of my previous offerings dated April 3rd (or thereabouts):

30 Poses in 30 Days (scroll down to see April 3rd)

A Musical Preview (scroll down to see March 3rd)

A 5-Minute Practice

5 Questions Answered by Yogis

Answers to Yogis Questions

A Poetry Practice

A Preview of the April 3rd Practice

My next virtual practice is on Saturday. Use the same Meeting ID as last week’s class or, if you were unable to attend last week, check out the “Class Schedules” tab. You’ll find access details in the calendar description for Saturday, April 4th. I’ll post the playlists by Saturday morning.

Also, if you are interested in YIN Yoga, plan to join me and a special guest on Wednesday (April 8th) for a special webinar/mini-practice at 3 PM. Details to be announced.

“No One’s Gonna Do It For You”

 

### KAALI DURGE NAMOH NAMAH ###

It’s a Kiss My Asana “Throwback Thursday” April 2, 2020

Posted by ajoyfulpractice in 7-Day Challenge, Bhakti, Books, Changing Perspectives, Dharma, Donate, Faith, Fitness, Gratitude, Healing Stories, Health, Hope, Karma Yoga, Loss, Meditation, Minneapolis, Minnesota, Music, One Hoop, Pain, Poetry, Suffering, Traditional Chinese Medicine, Tragedy, Twin Cities, Wisdom.
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“The rest of the dojo’s floor is covered with a hard white mat. No shoes, let alone wheels, traverse this ground. This is a place where bodies tumble and twist and fall. A martial art is practiced here, and its imprint is tangible felt.

But now there is another problem. ‘Can you get down on the mat?’ Jo asks.

I pause with uncertainty. I didn’t expect to be separated from my wheelchair so quickly. ‘I can get down, but who knows about up.’

She nods and smiles. ‘Obviously, there is plenty of help around.’”

– from Waking by Matthew Sanford

 

Consider what your yoga practice means to you at this moment. Consider how you would experience, how you would cope, with all the changes we are experiencing, if you didn’t have a practice. Now consider what if would be like if part of your practice relied on the facilitation of other people. Many people who experienced trauma, loss, and disability – long before our current shared experience of trauma, loss, and disability – may be experiencing an interruption in their regular practice not only because brick and mortar studios are closed, but also because their practice includes being touched by other people.

Founded by Matthew Sanford, Mind Body Solutions helps those who have experienced trauma, loss, and disability find new ways to live by integrating both mind and body. They provide classes, workshops, and outreach programs. They also train yoga teachers and offer highly specialized training for health care professionals.

Kiss My Asana is an annual yogathon, to raise awareness and resources for Mind Body Solutions and their adaptive yoga program. This year’s yogathon is only a week long. Seven days, at the end of the month, to do yoga, share yoga, and help others.  By participating in the Kiss My Asana yogathon you join a global movement, but in a personal way. In other words, you practice yoga… for 7 days.

We can do this, right?

You don’t need to wait until the end of the month, however, to consider how you might participate. Start thinking now about how you can add 5 minutes of yoga (or meditation) to your day, how you can learn something new about your practice, or even how you would teach a pose to someone close to you – or even to one of your Master Teachers/Precious Jewels.

To give you some ideas, consider that in past years my KMA offerings have included donation-based classes and (sometimes) daily postings. Since it’s “Throwback Thursday,” check out one of my previous offerings dated April 2nd (or thereabouts):

My next virtual practice is on Saturday. Use the same Meeting ID as last week’s class or, if you were unable to attend last week, check out the “Class Schedules” tab. You’ll find access details in the calendar description for Saturday, April 4th. I’ll post the playlists by Saturday morning.

Also, if you are interested in YIN Yoga, plan to join me and a special guest on Wednesday (April 8th) for a special webinar/mini-practice at 3 PM. Details to be announced.

### PUCKER UP, PEOPLE! ###

 

It’s April, ya’ll! You know what that means… April 1, 2020

Posted by ajoyfulpractice in 7-Day Challenge, Abhyasa, Baseball, Books, Changing Perspectives, Donate, Faith, Fitness, Healing Stories, Karma Yoga, Loss, Minneapolis, Minnesota, Music, Philosophy, Poetry, Twin Cities, Vairagya, Writing, Yoga.
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“Whan that Aprill, with his shoures soote
The droghte of March hath perced to the roote
And bathed every veyne in swich licour,
Of which vertu engendred is the flour;”

– from Geoffrey Chaucer’s The Canterbury Tales -“The General Prologue” (1387 – 1400)

 

“wéete April showers,
Doo spring Maie flowers.”

– from Thomas Tusser’s Five Hundred Points of Good Husbandry (published in 1610, as an expansion of Tussler’s A Hundreth Points of Good Husbandrie , published 1557)

April doesn’t just bring showers (or, sometimes, snow in Minnesota – I see you Prince fans), it also brings poetry and an opportunity to Kiss My Asana. Since 1996, April has been National Poetry Month, an opportunity to read, write, and share poetry. I general observe the month by sharing at least one “April is Poetry Month” practice with each of my classes. One year, for Kiss My Asana, I also posted poetry-centered practices on this blog.

For most of the last decade, the Kiss My Asana yogathon was held in April. (One year, KMA occurred in February.) This is an annual yogathon which raises resources and awareness for Mind Body Solutions and their adaptive yoga program. Founded by Matthew Sanford, Mind Body Solutions helps those who have experienced trauma, loss, and disability find new ways to live by integrating both mind and body. They provide classes, workshops, and outreach programs. They also train yoga teachers and offer highly specialized training for health care professionals. By participating in the Kiss My Asana yogathon you join a global movement, but in a personal way. In other words, you practice yoga. Or, as we say during Kiss My Asana, do yoga. share yoga. help others.

April is usually the only time that I regularly blog, because daily blog posts have, historically, been part of the way I participate in the yogathon. In addition to the poetry-centered practices, I’ve posted 5-minute practices, a musical preview, interviews with my fellow yogis, answered questions from my fellow yogis, and previewed daily practice themes. I’ve also offer 1 or 2 donation-based classes each year. I don’t always make it all the way to the end of the month when it comes to the blog; however, thanks to your generosity, I usually meet my fundraising and participation goals.

This year, Kiss My Asana is a little different – and not just because we are practicing social distancing. At some point last year, as Matthew Sanford and the other Mind Body Solutions teachers started organizing the 2020 yogathon, they decided to only ask people to commit to a week: 7 days of doing yoga, sharing yoga, and helping others.

We can do that, right?

The 2020 Kiss My Asana Yogathon begins with a virtual “all humanity” kick-off class on April 25th. The yogathon will run through May 2nd. Keep your eyes here to find out how to participate on my team and what special offerings are coming your way. In the meantime, you can click on the highlighted items listed above to explore my past offerings.

I’m offering two (2) classes on Wednesdays (listed below). You can access either of today’s practices live via the ZOOM app, your internet browser, or your telephone.  (For additional details, check the “class schedule” tab.) The playlist is available on Spotify and YouTube.

The Nokomis class (@ 4:30 PM) is an open-level vinyasa practices using vinyasa karma, which means we will move with the breath and progress in intensity as we make our way to a final and/or peak pose. All are welcome!

The Meeting ID for Wednesdays at Nokomis, 4:30 PM – 5:30 PM CST, is 549-044-593, https://zoom.us/j/549-044-593 ONE TAP: +13126266799,,549-044-593# US (Chicago).

The Flourish class (Wednesdays at 7:15 PM – 8:30 PM) is a “Slow Flow,” with the same elements found in the open-level vinyasa practice. This class requires registration, but all are welcome. (You only need to register once.)

Here’s last year’s KMA “preview” of today’s class. It’s a baseball classic!

 

### do yoga. share yoga. help others. ###

FLASHBACK FRIDAY!! March 27, 2020

Posted by ajoyfulpractice in Art, Bhakti, Changing Perspectives, Daoism, Dharma, Donate, Faith, Gratitude, Healing Stories, Hope, Life, Meditation, Minneapolis, Minnesota, Movies, Music, Mysticism, One Hoop, Suffering, Taoism, Texas, Twin Cities, Vairagya, Wisdom, Writing.
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“We gather to weep and to remember; to laugh and to contemplate; to learn and to affirm and to imagine”

– Brett Bailey, Stage Director from South Africa, World Theatre Day Message Author 2014

In As You Like It, William Shakespeare famously wrote, “All the world’s a stage, And all the men and women merely players; They have their exits and their entrances; And one man in his time plays many parts.” Art imitates life, which sometimes imitates art (because art can inform our lives). That overlap between inspiration, those being inspired, and those creating the inspiration is one of the beautiful things about art. It’s what makes art alive.

Today, however, the theatres are dark. The front of house is empty. There are no children, über-fans, or well-heeled patrons waiting in the green room, the wings, or at the stage door. On the big stages, there is only a single “ghost light” in place to make sure no one falls in the pit . . . and yet, social distancing means there is no one in danger of falling in the pit. It’s heartbreaking for so many artists and dedicated audience members, and people like me. For most of my adult life, before I started teaching yoga, my professional life was spent behind the scenes – quite literally keeping track of exits and entrances. I worked on legit theatre, musical theatre, dinner theatre, classical and modern dance, as well as opera and musical revues. I worked in different parts of the world; with artists from all of the world, and Friday night was always a big night.

Even if one company was in rehearsals or in a layoff period on Friday, another theatre was performing. Theatres are usually dark on Monday nights. Not Friday nights. Especially not this particular Friday night, as it happens to be World Theatre Day. Since it was initiated in 1961 by the International Theatre Institute, World Theatre Day has been celebrated on March 27th by performing artists all over the world. Today, many theatres will not celebrate. Others have moved their celebration online.

Each year, an artist is selected from a different host country to write a message about theatre’s enduring role in the world community. This year’s message was written by Shahid Nadeem, Pakistan’s leading playwright and the head of the renowned Ajoka Theatre, who partially focused on the spiritual and transcendental power of theatre.

“Our planet is plunging deeper and deeper into a climatic and climactic catastrophe and one can hear the hoof-beats of the horses of the Four Horsemen of the Apocalypse. We need to replenish our spiritual strength; we need to fight apathy, lethargy, pessimism, greed and disregard for the world we live in, the Planet we live on. Theatre has a role, a noble role, in energizing and mobilizing humanity to lift itself from its descent into the abyss. It can uplift the stage, the performance space, into something sacred.”

– Shahid Nadeem, Playwright from Pakistan, World Theatre Day Message Author 2020

 

It’s weird (and heartbreaking) to think no one in my former role will be asking people to turn off their cellular devices – unless someone jokes about the fact that so many tonight will be watching their “theatre” on their cellular devices. It’s weird (and heartbreaking) to think something I have always taken for granted is suddenly not existing as it did.

And yet, if I learned nothing else from doing live theatre, I definitely learned about the temporal nature of things. Everything changes. That’s one of the beautiful – and also one of the most challenging – things about live theatre. It is always changing. You can have the best, most exhilarating performance of your life, followed by one where everything is just a little off. You can have a horrible final dress rehearsal, followed by a standing ovation on opening night. As a professional – onstage and backstage, as well as front of house – part of the job is to stay in the moment.

Staying in the moment requires being fully present with everyone and everything in the moment. We can look back later and work on fixing what went wrong. We can marvel at the unscripted audience reaction we want to figure out how to cultivate again and again. But, right here and right now it is time to turn up the music, turn down the lights, and breathe. The curtain is going up on this day in our lives, and what happens next can be (will be) simultaneously beautiful and heartbreaking. Like the cherry blossoms (sakura).

Flashback Friday: Today in 1912, First Lady Helen Herron Taft and Viscountess Chinda Iwa, wife of the Japanese ambassador to the United States, each planted a cherry blossom tree on the north bank of the Tidal Basin in West Potomac Park. These trees were part of a larger shipment of cherry blossoms meant to replace the ones initially given as a gift of friendship between the two countries. Normally, at this time of year, thousands of people can be found in D. C. celebrating the brilliance of these trees, just as thousands normally celebrate in parts of Japan and China. Normally….But, today the cherry blossoms are in bloom, while most people are inside, watching the beauty on their screens.

In Japan the fact that blossoms peak at one end of the island at the same time the blossom season is ending on another part of the island is a great illustration of mono no aware (literally “the pathos of things” of “sadness of things”). The fact that we can see this beauty even as we are socially distancing might also be considered the “sadness of things.” However, that very literally translation doesn’t quite work in English because it almost precludes appreciation of the beauty. The Japanese phrase is about simultaneously holding/celebrating/appreciating the beauty and the pain of the change that brings loss. Please check out the following links if you are interested in reading my take on mono no aware as it relates to YIN Yoga (April 5, 2017) or the physical practice of yoga and meditation (April 8, 2019). NOTE: While both posts include a bit of practice, only the 2017 includes a complete (YIN Yoga) practice.

Right now, I am appreciating the beauty of being able to share this practice online. I am also very much aware that this too shall change; however, I endeavor to stay in the moment. With that said, I am currently planning to host 7 online classes as follows:

MONDAY 5:30 – 6:45 PM for Common Ground

TUESDAY 12:00 – 1:00 PM & 7:15 – 8:30 PM (both) for Nokomis Yoga

WEDNESDAY 4:30 – 5:30 PM for Nokomis Yoga & 7:15 – 8:15 PM for Flourish

SATURDAY 12:00 – 1:30 PM (Nokomis)

SUNDAY 2:30 – 3:30 PM (Nokomis)

Everyone is welcome to join any class (although you will need to register in advance for the Flourish class). All online classes will currently be on ZOOM and I will post the meeting IDs on my “class schedule” late Friday afternoon. Each class will have a different ID, but that ID will be the same each week.

If you are new to yoga or new to vinyasa, please send me a message (myra at ajoyfulpractice.com) before joining the group. I apologize to my YIN Yoga folks, but at this time I am not streaming any full YIN practices, I will, however, continue to post or link you to the practice.

Those who are able may purchase or renew a package on my online store. Anyone can also make a donation (in lieu of a package) to Common Ground Meditation Center. (Donations are tax deductible.) If you plan to purchase a Nokomis Package please  note that there is a discounted package for students, seniors, Healthcare Providers, and First Responders.

I want you to practice; so don’t let any financial issues be an obstacle you can’t get over! If you need it, I got you.

 

### AS WE SAY IN BALLET, MERDE ###

 

THROWBACK THURSDAY! March 26, 2020

Posted by ajoyfulpractice in Books, Buddhism, Changing Perspectives, Depression, Dharma, Faith, Fitness, Gratitude, Healing Stories, Hope, Karma Yoga, Life, Loss, Love, Minneapolis, Music, Mysticism, One Hoop, Pain, Passover, Philosophy, Poetry, Religion, Robert Frost, Suffering, Tantra, Tennessee Williams, Texas, Traditional Chinese Medicine, Tragedy, Twin Cities, Wisdom, Writing, Yoga.
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“Lonely . . . When so many are lonely as seem to be lonely, it would be inexcusably selfish to be lonely alone.”

– Don Quixote in the Prologue to Camino Real by Tennessee Williams (b. 3/26/1911)

Just because we are alone – and in some cases lonely – is not a reason to go it alone. Tennessee Williams wrote, “For time is the longest distance between places.” “Throwback Thursday” is a way to look back, but we can’t actually go back in time, we can’t bridge that distance of which Williams speaks. We can, however, bridge the physical distance of social isolation by reaching out (virtually speaking, of course).

Call, text, email, write a letter, make a chalk drawing, or use any of a variety of technological advances to connect to a stranger or a friend. Remember, we are all in this together – and we will succeed or fail based on how we are together, even when we are apart. Remember, in A Streetcar Named Desire, Blanche DuBois says, “I always depended on the kindness of strangers.” Right now, we are all Blanche…but we are also those strangers.

Love/ loving-kindness (chesed in Hebrew) is an aspect of the Divine. In fact, not only is it one of the ten ways (according to Jewish mysticism) that G-d is revealed to the world, it is one of the 7 aspects people contemplate if they are counting the Omer during Passover. Just like in Eastern philosophies, like yoga, Kabbalism associates loving-kindness with the arms (specifically, the right arm). As you go through your practice – or through your day – bring awareness to how you use your right arm. Are you using it to express your heart or withhold your heart?

“(1) If I could speak all the languages of earth and of angels, but didn’t love others, I would only be a noisy gong or a clanging cymbal. (2) If I had the gift of prophecy, and if I understood all of God’s secret plans and possessed all knowledge, and if I had such faith that I could move mountains, but didn’t love others, I would be nothing. (3) If I gave everything I have to the poor and even sacrificed my body, I could boast about it; but if I didn’t love others, I would have gained nothing.”

– 1st Corinthians 13:1 – 3 (the part just before all the “famous parts” people use in weddings, movies, and songs)

Consider, for a moment, that when Saint Paul and Sosthenes wrote their letter to the church in Corinth, before they spoke of what love was, they spoke of what love was not. This is very similar to passages which appear in the Upanishads, ancient Sanskrit texts, where a teacher – and then his spouse – point out that the Divine is not this or that (neti, neti) thing that is so obvious. The Divine is not (just) what is obviously seen, but what is unseen, what is felt. (Yes, yes, but neti,neti: this is not the throwback you’re looking for.)

We can never really know how much it means to someone when we do something nice for them simply out of the kindness of our hearts. They can say thank you a million times – and we may even feel the sincerity of their gratitude – and yet that feeling pales in comparison to the love they felt from the kindness.

“Something we were withholding made us weak
Until we found out that it was ourselves
We were withholding from our land of living,
And forthwith found salvation in surrender.”

– excerpt from the poem “The Gift Outright” by Robert Frost (b. 3/26/1874)

For Throwback Thursday, here’s last year’s post about the birthday authors I typically include in today’s practice.

While I am not teaching today (Thursday), I am going to spend part of today and Friday updating my schedule to reflect streaming classes I will start offering Saturday – Wednesday.

Right now I am planning to offer seven (7) classes on Zoom. These are (mostly) during times when I had studio classes and they will be (mostly) open for anyone to attend. You can purchase or renew a package on my online store or you can make a donation to Common Ground. (Donations are tax deductible and I will receive the bulk of the donation.)

I want you to practice; so don’t let any financial issues be an obstacle you can’t get over! If you need it, I got you. Yoga means union.

 

### BETTER & BETTER ###

Seeing Clearly Now (or New Vision for a New Year) December 30, 2019

Posted by ajoyfulpractice in 108 Sun Salutations, Abhyasa, Books, Changing Perspectives, Donate, Hope, Japa, Japa-Ajapa, Kirtan, Life, Mala, Mantra, Meditation, Minneapolis, Minnesota, Music, New Year, Pain, Suffering, Surya Namaskar, Twin Cities, Vairagya, Vipassana, Wisdom, Women, Writing.
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I can see clearly now the rain is gone
I can see all obstacles in my way
Gone are the dark clouds that had me blind
It’s gonna be a bright (bright)
Bright (bright) sunshiny day

– “I Can See Clearly Now” by Johnny Nash

“You look at where you’re going and where you are and it never makes sense, but then you look back at where you’ve been and a pattern seems to emerge.”

― Robert M. Pirsig, Zen and the Art of Motorcycle Maintenance: An Inquiry Into Values

The filmmaker Billy Wilder famously said, “Hindsight is always twenty-twenty.” Wilder’s statement relies on the idea that 20-20 is perfect vision  and implies that stepping back gives us the perspective to see things more clearly because we take in the bigger picture. In other words, once we see the pattern and how everything fits together as a whole, we gain an understanding of the parts. It’s like understanding a word’s meaning when it’s used in a sentence.  Context is everything. Or is it? After all, if we start off with an incorrect understanding of past events, the pattern that emerges is still slightly off. We may see ourselves and our situation better than we did when we were in the middle of everything, but seeing things better doesn’t mean we see them perfectly.

As someone in the United States who has worn glasses for most of my life, I am very familiar with the idea that 20/20 vision is perfect vision (and the experience of feeling like you’re seeing a brand new world when you get new glasses). However, the reality is that that particular gold standard is not only not perfect vision; it’s not even the best vision. 20/20 vision – what is considered normal or average vision is, by definition, what is clearly or sharply seen at 20 feet by the so-called average person.  If you have your eyes examined and the second number is higher than 20 (let’s say, 89) than that higher number means you would have to be 20 feet away from something to see it with the same clarity that someone else (someone with “normal” eyesight) sees clearly from a distance of 89 feet.  On the flip side, someone with 20/2 vision has the eyesight of an eagle and can sharply see something from 20 feet away that mere mortals can only see clearly from 2 feet. While 20/2 vision may seem unlikely in a human, there are definitely people with 20/10 vision. (And, also, there are people with 20/8.)

I say all of this just to point out that, as we enter a new year and a new decade that lends itself to people talking about vision and insight, don’t get too caught up in the metaphor of seeing better in the year ahead just because it’s 20/20. It’s an imperfect metaphor. And, if you insist on using it – for political reasons – keep in mind that we had better “vision” in 2008. (But, that’s another story for another day.) The point I’m making here is that what we really need is more clarity and more insight.

“I think I can make it now the pain is gone
All of the bad feelings have disappeared
Here is that rainbow I’ve been praying for
It’s gonna be a bright (bright)
Bright (bright) sunshiny day”

– Hothouse Flowers cover of “I Can See Clearly Now” by Johnny Nash

The Sanskrit word “vipassana” is often translated into English as “insight.” A more literal translation is “to see in a special way.” The practice is not just about stepping back; it’s also about letting go. Paying attention to your breath while simultaneously observing your thoughts and physical sensations creates the opportunity to experience everything without getting attached to anything. It’s a bit like riding a motorcycle through your life. As Robert Pirsig describes it in Zen and the Art of Motorcycle Maintenance, “In a car you’re always in a compartment, and because you’re used to it you don’t realize that through that car window everything you see is just more TV. You’re a passive observer and it is all moving by you boringly in a frame.  / On a cycle the frame is gone. You’re completely in contact with it all. You’re in the scene, not just watching it anymore, and the sense of presence is overwhelming.”

Like vipassana, the Sanskrit word “vinyasa” (“to place in a special way”) refers to a technique as well as to a style or tradition. The most classical example of vinyasa is Surya Namaskar (Sun Salutation), which is 12 asanas (seats or poses) linked to the breath. Each pose is an exaggeration of the spine’s natural inclination – to extend on the inhale and to flex on the exhale. Practicing a few Sun Salutations at the beginning of a practice is a little like getting in a car to go somewhere specific. The more Sun Salutations you do, the more it feels like a road trip. If, however, you’re only practicing 5 or 10 Sun Salutations (every once in a while), you’re still traveling in the car. Practice 108…now you’re traveling long distance on a cycle. And, yes, that means you have to do your own maintenance. It also means you have to let go of some baggage.

 “But our mistakes also carry our largest lessons. I’m wiser now. I guess the real trick in life is to turn hindsight into foresight that reveals insight.”

 

“Nice way to put it, Cal. What I really hear you saying is that it’s important in life to let our past serve us. Is that right?”

 

“Very well put. That’s it exactly. There’s nothing wrong with making a mistake – that’s how human beings grow. We’re designed to make mistakes, for mistakes carry growth. We just shouldn’t keep repeating the same one. Turn a wound into wisdom, or, as you said, let your past serve you.”

– Cal and Jack in The Saint, the Surfer, and the CEO by Robert Sharma

Practicing 108 Sun Salutations is a great way to mark a transition, like the end of a year and/or the end of the decade. While it is a tradition for some to practice the ajapa-japa mala (repeat-remember garland) for a solstice and equinox, many people also practice at the beginning of a new year. My 2020 mala, as well as my Yin Yoga + Meditation, practices are full. However, if you are looking for clarity and insight in this New Year and new decade consider practicing on your own or joining one of the following*:

Tuesday, December 31st – New Year’s Eve:

7:30 PM – 12:15 AM, Common Ground Meditation Center Potluck

7:30 PM – 12:00 AM, Joy Fest (Kirtan) at Saint Paul Yoga Center

Wednesday, January 1st – New Year’s Day:

9:00 AM – 11:00 AM, 108 Sun Salutations with Susan Meyer, Yoga Center Retreat

10:00 AM – 1:00 PM, 108 Sun Salutations with Myra (reservations required, THIS EVENT IS FULL)

10:00 AM – 11:30 AM, Restorative Yoga + Yoga Nidra with Shelly Pagitt, Yoga Sanctuary

10:00 AM – 11:30 AM, New Beginnings (vinyasa) with Mike, Minnehaha Yoga

AM – PM, Yoga with Nancy Boler (reservations required, THIS EVENT IS FULL)

11:00 AM – 12:30 PM, 108 Sun Salutations + Champagne with Meghan Foley, UP Yoga

11:00 AM – 1:45 PM, Sankalpa Shakti: The Power of Inspired Intention with Ben Vincent, One Yoga

12:00 PM – 2:00 PM, 108 Sun Salutations with Tracy Vacura & live Cello music by Emily Dantama, Yoga Sanctuary

12:00 PM – 2:00 PM, Revolution 2020: Reflect, Release, and Manifest Your Dreams with Drew Sambol, Radiant Life Yoga

1:00 PM – 2:30 PM, Finding Balance in the New Year with Pam, Minnehaha Yoga

1:00 PM – 3:15 PM, 108 Sun Salutations with Chance York, One Yoga

1:00 PM – 3:00 PM, Ganesha and New Beginnings for 2020 with Tara Cindy Sherman, Yoga Center Retreat

2:00 PM – 4:00 PM, New Year’s Day Kundalini with Nicole Nardone, One Yoga

2:10 PM – 3:40 PM, 108 Sun Salutations with Jennifer Davis, Blaisdell YMCA

4:00 PM – 6:00 PM, Restorative with Yoga Nidra with Tara Cindy Sherman, Yoga Center Retreat

5:00 PM – 7:00 PM, YIN Yoga + Meditation with Myra, Nokomis Yoga (reservations required)

Friday, January 3rd:

6:00 PM – 8:00 PM, Aerial – Turning the New Year Upside Down with Stephanie Kenney, Yoga Center Retreat

Saturday, Januray 4th:

1:00 PM – 3:00 PM, Post Holiday Total Restoration With Essential Oils with Moya Matthews, Yoga Center Retreat

1:00 PM – 4:00 PM, Sankalpa Cultivation – Vision Board with Tara Cindy Sherman, Yoga Center Retreat

4:00 PM – 6:00 PM, 6:00 PM – 8:00 PM, Aerial – Turning the New Year Upside Down with Stephanie Kenney, Yoga Center Retreat

*NOTE: Reservations are generally required for these events. My apologies to any teachers or studios in the Twin Cities who are hosting an event not listed.

 

The original, by Johnny Nash, which I love because it feels happy, like a blue sky day!

 

The cover, by Hothouse Flowers, which I love because it feels like the storm just ended and you’re taking the deepest breath of petrichor you’ve taken all day!

### HAPPY NEW YEAR ###

 

MOVING INTO STILLNESS: 2019 Kiss My Asana Offering #18 (for Day 29) April 30, 2019

Posted by ajoyfulpractice in 31-Day Challenge, Bhakti, Books, Buddhism, Changing Perspectives, Donate, Faith, Healing Stories, Karma Yoga, Life, Meditation, Men, Minneapolis, Minnesota, Music, Mysticism, Peace, Poetry, Religion, Twin Cities, Wisdom, Writing.
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The (slightly belated) “practice preview” below is part of my offering for the 2019 Kiss My Asana yogathon. I encourage you to set aside at least 5 minutes a day during April, to practice with today’s theme or concept as inspiration. You can practice in a class or on your own, but since the Kiss My Asana yogathon raises resources as well as awareness, I invite you to join me at a donation-based class on May 4th.

I also challenge you to set aside a certain amount every day that you practice with this concept/theme in mind. It doesn’t matter if you set aside one dollar per practice or $25 – set aside that amount each time you practice and donate it by April 30th.

Founded by Matthew Sanford, Mind Body Solutions helps those who have experienced trauma, loss, and disability find new ways to live by integrating both mind and body. They provide classes, workshops, and outreach programs. They also train yoga teachers and offer highly specialized training for health care professionals. By participating in the Kiss My Asana yogathon you join a global movement, but in a personal way. In other words, you practice yoga. Or, as this year’s tag line states….

                                                   do yoga. share yoga. help others.                               

***

“Movement is a language spoken by us all. Movement is a universal language that belongs to everybody If only we open our senses and listen. Listening is what is required, listening without interference, listening without judgment, listening in silence and allowing the movement to pass through the body in the moment, because everything inside us and around us is in motion, constant motion. This is when the body doesn’t lie because it is listening to its truth and manifesting it.”

– excerpt from Karima Monsour’s message for 2019 International Dance Day

“….Then there is movement,
Change, as slowly the cloud bruises
Are healed by sunlight, or snow caps
A black mood; but gold at evening
To cheer the heart.  All through history”

– from “The Other View from the Window” by R. S. Thomas, with accompanying music composed by Hilary Tann, featuring Guy Johnston

 

It may seem odd, to some, that on International Dance Day (4/29) I was thinking about stillness – and silence. The thing is, as a yoga teacher and practitioner who likes to keep things in context, I am hyper aware that the physical practice of yoga is traditionally a way to prepare the mind-body for stillness and silence. Not for nothing that Patanjali defined yoga as “citta vritti nirodaha” (ceasing the fluctuations of the mind). Also remember, the practice is a mirror of our lives and we are, from the moment we are born, moving towards stillness. In that context, our “final pose” is always our peak pose.

Yes, yes, I know – the “final pose” is the pose that people routinely skip or that teachers (myself included) sometimes give the least amount of time. And yet, the “final pose” is the most important pose; it is the time when the mind-body has an opportunity to absorb and process the work/effort of the practice. It is when we rest, when the parasympathetic nervous system is paramount, that we digest. We digest what we consume physically – in terms of food, drink, air, etc. – and also what we consume through experience. The parasympathetic nervous system is also associated with creation.

“For the first twenty years you are still growing,
Bodily that is; as a poet, of course,
You are not born yet. It’s the next ten
You cut your teeth on to emerge smirking
For your brash courtship of the muse.”

– from “To a Young Poet” by R. S. Thomas*

 

“early April
out in my bathrobe
and gardening boots”

– Hilary Tann

 

 

R. S. Thomas was a Welsh poet and Anglican priest whose poetry is often compared to the landscape of Wales and the work ethic of the Welsh people. He was born March 29, 1913 – so, not an April poet to the date, but the timing of his birthday does get me thinking about poetry and poets at their essence.

Hilary Tann was born November 2, 1947 – so not an April poet either. But, she is a Welsh-born composer who lives and teaches in Upstate New York. In 2015, Tann released a composition set to seven (7) of Thomas’s poems. The music manages to capture the essence of the poems – as well as the poet. Perhaps it helps that Tann is also a published haiku poet who has been inspired by the same natural elements as Thomas. It definitely doesn’t hurt that Thomas himself recites the poems. But regardless of why it works, practicing to Seven Poems of Stillness is like practicing in an empty, abandoned cathedral with the wind carrying in a voice and notes that seem to echo one another. When one ends and the other begins you might question that you ever heard the other: it is as if they are one and the same.

“There are nights that are so still
that I can hear the small owl
calling
far off and a fox barking
miles away.”

– from “The Other” by R. S. Thomas, with accompanying music composed by Hilary Tann, featuring Guy Johnston

 

Above I placed the words “final pose” in quotes, because although I often refer to Savasana (or its modification) as the final pose, the truth is it’s really the penultimate pose: Every practice inevitably ends not with Savasana, but with a seated (on your sits-bones) pose. The physical practice ends where the breathing practice and the seated meditation practice begin.

“…It is then that I lie
in the lean hours awake listening
to the swell born somewhere in
the Atlantic
rising and falling, rising and
falling”

– from “The Other” by R. S. Thomas, with accompanying music composed by Hilary Tann, featuring Guy Johnston

FEATURED POSE for April 29th: Thunderbolt Pose (Vajrasana) or Hero Pose (Virasana)

As I mentioned in this year’s April 8th offering, seiza (which literally means “proper sitting”) in Zen Buddhism is a kneeling position. It places the body in a similar position to one the body is in when kneeling on a kneeler in a church pew or at a prie-dieu (literally “pray to God”) desk. It is one of the few poses not contraindicated by a full stomach and is prenatal approved. With modifications, these poses are accessible to almost anyone. (The big exception to practice these poses would be certain – but not all – knee issues.)

The big differences between Thunderbolt Pose (Vajrasana) and Hero Pose (Virasana) are the placement of the knees and feet, which in turn affects the placement of the hips. For Thunderbolt Pose, both the feet and the knees are pressed together. For Hero Pose, the knees touch, but the feet (and shins) are spread wider than the hips. If you have tight quads, tight hips, and or knee issues, you will need props for these poses. Helpful props for Thunderbolt and Hero include a bench, meditation cushion, blankets, and/or blocks. You do not necessarily need all of these – and you can definitely get creative with common household objects instead of using “yoga props.” If you feel these poses are not for you, even with props, you can practice by sitting in a chair.

To come into either pose, start on your hands and knees, with your toes pointed away from the knees. You’ll either bring your knees and feet together, for Thunderbolt, or bring your knees together and spread your feet apart, for Hero. (Note, the position of the knees and feet is the opposite of the Auspicious Pose described in the April 8th offering.) For Thunderbolt, sit on the heels. For Hero Pose, sit in the space between the heels. If the hips don’t touch the ground in Hero Pose, place a prop underneath the hips. In both poses, you want the hips grounded. If the ankles are uncomfortable (in either pose), place a rolled up blanket, towel, or shirt (even socks) under the ankles and feet. Another ankle option (for Thunderbolt only) is to curl the toes under so that the toes point towards the knees. If there is too much pressure on the knees (in either pose) place rolled up blankets, towels, or shirts between the hips and the shins/heels.

Once you’re seated in the pose, spread the toes and press down into your foundation in order to extend the spine. Ribs and hips are reaching away from each other. Engage your pelvic floor and your core. Relax your shoulders and jaw. Hands rest on the thighs, with palms up if you want a little energy or palms down if you want to be grounded. With the chin parallel to your legs, close your eyes if that is comfortable for you. Listen to at least one (1) of the Seven Poems of Stillness.

Each track of Seven Poems of Stillness is 2:25 – 4.36 minutes long. The entire composition is 24:53 – which is a pretty nice length for a seated meditation. Whenever you feel like you’re done with the pose, lean forward and ease out of the pose. Take a moment to stretch out your legs, maybe rotate your ankles or flex and point your toes. If you are practicing both poses, start with Thunderbolt.

“Moments of great calm,
Kneeling before an alter
Of wood in a stone church”

– from “Kneeling” by R. S. Thomas, with accompanying music composed by Hilary Tann, featuring Guy Johnston

 

(*NOTE: To a Young Poet is not one of the seven featured “stillness” poems, but as a little something extra, here’s a beautiful variation of it.)

 

### OM SHANTI SHANTI SHANTHI OM ###

ENDLESS POSSIBILITIES: 2019 Kiss My Asana Offering #17 (on Day 28) April 29, 2019

Posted by ajoyfulpractice in 31-Day Challenge, Books, Buddhism, Changing Perspectives, Dharma, Healing Stories, Karma Yoga, Love, Meditation, Minneapolis, Minnesota, Music, Poetry, Twin Cities, Writing, Yoga.
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The (slightly belated) “practice preview” below is part of my offering for the 2019 Kiss My Asana yogathon. I encourage you to set aside at least 5 minutes a day during April, to practice with today’s theme or concept as inspiration. You can practice in a class or on your own, but since the Kiss My Asana yogathon raises resources as well as awareness, I invite you to join me at a donation-based class on May 4th.

I also challenge you to set aside a certain amount every day that you practice with this concept/theme in mind. It doesn’t matter if you set aside one dollar per practice or $25 – set aside that amount each time you practice and donate it by April 30th.

Founded by Matthew Sanford, Mind Body Solutions helps those who have experienced trauma, loss, and disability find new ways to live by integrating both mind and body. They provide classes, workshops, and outreach programs. They also train yoga teachers and offer highly specialized training for health care professionals. By participating in the Kiss My Asana yogathon you join a global movement, but in a personal way. In other words, you practice yoga. Or, as this year’s tag line states….

do yoga. share yoga. help others.

***

What I’ve seen in my lifetime –

and in the last few days, weeks, years

is that us human beings:

                                                We’re capable of anything.

We are full

                                                   of possibilities.

BIG possibilities…and little possibilities

Great acts of LOVE / great acts of hate

We can CREATE. Or destroy.

It’s all the same energy – I think /

it’s all about how we CHANNEL it.

It’s a choice. &

                                           To choose PEACE requires WISDOM.

– MKR, April 2019

 

April is one of my favorite months – not because of the weather, the coming flowers, or even because of the opportunity to Kiss My Asana. (Although, let’s be real, Kiss My Asana in April does make April rock!) No, I love April because ever since 1996, April is National Poetry Month. Organized by the Academy of American Poets, National Poetry Month is a celebration of poetry…all poetry…every kind of poetry, and every kind of poet. The organizers say, “[I]t has become largest literary celebration in the world with schools, publishers, libraries, booksellers, and poets celebrating poetry’s vital place in our culture.”

If you go to poets.org (see link above), you will find official events, poems, and opportunities to read, write, and share poems. They actually have a list of “30 more ways to celebrate” – which means you could celebrate poetry every day, possibly in more than one way.

Over the years, I’ve celebrated poetry month in different ways. One of my favorite ways to celebrate combines my love of poetry with my love of music and yoga: a poetry-themed yoga class featuring music inspired by poems. Depending on when Easter and Passover fall, I can sometimes offer (at least) one poetry celebration for all of the classes I teach. Sometimes it’s an “April is Poetry Month” class, featuring a playlist of different music and poets. Other times, if a poet’s birthday falls in April, the class only features music related to the birthday poet and/or their poetry. (But, let’s be real, I do birthday poets all year long!)

As we finish out the 6th Annual Kiss My Asana yogathon and another April full of poetry, I’m going to finish up my online offerings with some of my poetry playlists. First up: “April is Poetry Month.” (This is an extend playlist featuring poems set to music and songs that sample poems. Psalm 23 as the music for Savasana.)

FEATURED POSE for April 16th: Cobra Pose (Bhujangasana)

Spend a moment in stillness. You can be in any pose; however, you want to make sure you are comfortable and that your spine is extended and that you feel balanced on the left and right side of your spine. Notice how the vertebrae of the spine stack one on top of the other. Check in with your breath. Begin to extend as you inhale and engage your core and pelvic floor as you exhale. So that your inhale creates space and your exhale supports that created space. Make sure you’re not slumping on the exhale. No matter your position, roll the shoulders down and back – squeezing the shoulder blades together – and notice how that affects the front of your chest. Let your mind settle into your heart, knowing that wisdom is a heart practice.

You can warm-up the spine with Cat/Cow or Cat/Puppy. Moving one-breath-one-movement, the heart lifts on the inhale and the spine rounds (flexes) on the exhale for Cat/Cow. For Cat/Puppy, the heart lifts on the inhale and the spine stays long as you flex at your hips and sink the hips to the heels on the exhale. This warm-up can be done in a seated position, a standing position, or on hands and knees.

To move into Cobra Pose (literally “seat of the snake”), you need to lie down flat on your belly. This is not a prenatal friendly position. If you are pregnant, you could modify Cobra Pose by placing a bolster or blankets underneath the thighs (ensuring that your baby-belly is not compressed). Other options include standing and using the wall as you would use the floor (again, not compressing the baby-belly) or picking a different back bend (like Camel or Cow). Whichever choice you make, you always want to be mindful with back bends so that you do not hyper-extend the belly.

Once you are on your belly (or have arranged props for a prenatal variation), straighten out the legs and point the toes behind you. Place the hands directly under the shoulders – so the elbows bend back and squeeze in like grasshopper legs. Make sure the elbows are behind the back, not squeezing into the ribs. (NOTE: There is a “Baby Cobra” variation in some styles of yoga where the hands are in front of the shoulders. However, that is not the variation I am describing.) From toes to hips, squeeze the legs together as you inhale. Engage your core and pelvic floor as you exhale. Next time you inhale, press the feet, the pubic bone, and the hands down in order to lift the heart and ribs off the mat. Look up, but do not over extend your neck. Make this pose a poem about your foundation and your core – not a poem about the strength of your arms.

Roll the shoulders down and back to push the heart forward. Make sure you are not compressing your low back. Keep breathing. After about 6 breaths, exhale and lower down to your prep position.

Once you have the basic shape and engagement, there are lots of possibilities. You can practice Cobra Pose with your arms hovering off the mat or you could isometrically engage the arms and pull your heart forward by engaging your arms as if you are lying on a skateboard and propelling your body forward. This will be isometric engagement, because the arms engage as if you are moving, but your arms don’t move. Another option is to extend your cobra: Press down and lift up until the arms straighten. Again, shoulders are down and back, hands are under the shoulders even when you extend. Keep the front hip bones on the mat even if you extend your Cobra Pose.

If you want to practice Cobra with some movement, “Bowing Cobra” can be done with the nose and forehead lowering straight down on the exhale (and then inhale to lift back up) or turn your head to one side when you exhale. If you turn your head on the exhale, lift back up to center on the inhale and then turn the opposite cheek to the mat on the exhale. A “Writhing Cobra” is similar to a “Bowing Cobra” except that you start with your head turned so that right cheek is on the mat and as you inhale you look up and lift up on the left, move your head/eyes from left to right during the same inhale so that you lower down on the right side when you exhale. During the exhale, your head/eyes complete the circle so that you end up lifting up on the left when you inhale. After 3 – 5 circles, reverse the circles and writhe in the other direction.

Once you finish practicing Cobra Pose, move into Child’s Pose or Puppy Dog. If you want to stay off of your knees, you can lie on your back with legs stretched out of knees hugging into your chest.  After a few breaths, finish with Corpse Pose (Savasana) or return to your starting pose – sitting, kneeling, standing, or lying on your back or belly. Scan your body and settle into your breath.

 

### NAMASTE: The poem in me honors and appreciates the poem that is also inside you. ###

NEVERTHELESS, SHE SANG: 2019 Kiss My Asana Offering #9 April 9, 2019

Posted by ajoyfulpractice in 31-Day Challenge, Abhyasa, Books, Buddhism, Changing Perspectives, Dharma, Donate, Faith, Food, Gratitude, Healing Stories, Hope, Karma Yoga, Life, Marian Anderson, Meditation, Men, Minneapolis, Minnesota, Music, Pain, Peace, Philosophy, Suffering, Twin Cities, Vairagya, Wisdom, Women, Writing, Yoga.
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The “practice preview” below is part of my offering for the 2019 Kiss My Asana yogathon. I encourage you to set aside at least 5 minutes a day during April, to practice with today’s theme or concept as inspiration. You can practice in a class or on your own, but since the Kiss My Asana yogathon raises resources as well as awareness, I invite you to join me at a donation-based class on April 27th or May 4th.

I also challenge you to set aside a certain amount every day that you practice with this concept/theme in mind. It doesn’t matter if you set aside one dollar per practice or $25 – set aside that amount each time you practice and donate it by April 30th.

Founded by Matthew Sanford, Mind Body Solutions helps those who have experienced trauma, loss, and disability find new ways to live by integrating both mind and body. They provide classes, workshops, and outreach programs. They also train yoga teachers and offer highly specialized training for health care professionals. By participating in the Kiss My Asana yogathon you join a global movement, but in a personal way. In other words, you practice yoga. Or, as this year’s tag line states….

do yoga. share yoga. help others.

***

“Nevertheless, she persisted.”

– Senate Majority Leader Mitch McConnell (2/7/2017)

 

“[I’m] surprised that the words of Coretta Scott King are not suitable for debate in the United States Senate….”

– Senator Elizabeth Warren (2/7/2017)

 

Sometimes triumph comes because someone surrenders; sometimes it comes because someone persisted. If you go back in history you will find examples of both happening on any given day – including this day.

For all intensive purposes, the American Civil War ended today in 1865. Contrary to what some might say or believe, the war effectively ended when Confederate General Robert E Lee surrendered 28,000 rag-tagged and starving troops to Union General Ulysses S. Grant in Appomattox, Virginia. Sure, some resistance continued then (and now), but Lee really didn’t have a choice.

Being out-manned and outgunned was nothing new for the Confederate army. Previously, however, they had food, supplies, reinforcements, and spirit – so they could rally. This time was different. Lee had been forced to abandon the Confederate capital of Richmond and the Union army stood between him and Confederate reinforcements in North Carolina. They were surrounded. They were starving. They were weary. 6,000 troops had been captured at Sailor’s (or Saylers) Creek just a few days before (on April 6th). And, if we’re being honest, the Confederate troops had fought longer, harder, and more strategically than anyone had expected. But, they had also gotten really lucky – and it looked like their luck had run out.

Lee and Grant were the highest ranking officers in their respective armies and they were acquaintances (having both fought during the Mexican War). After arranging a time and a place to meet, Lee showed up in full dress and attire, complete with sash and sword; while Grant showed up in his muddy field uniform. Grant’s actions throughout the exchange (not to mention his overall personality and tendencies) may indicate that he meant no disrespect in the way that he dressed. It’s entirely possible that it never occurred to him to dress up – or that it didn’t occur to him that Lee could dress up. Either way, Grant stated that he remembered everything about Lee from the last time they had met (and been on the same side of a battle). Lee, on the other hand, said he didn’t remember a single thing about Grant. Lee asked for the terms for his surrender and Grant wrote them out: all officers and enlisted men would be pardoned and allowed to return home with their private property (basically their horse, if they had one), officers could keep their side arms, and all troops would receive Union rations. Grant stated, “The war is over. The Rebels are our countrymen again.”

The end of the American Civil War led to the end of legal slavery in the United States, but there was/is still a battle for equality. Throughout the decades, the most obvious battle has been that of civil rights and the most obvious battlefield has been segregation and equal access. One of those battles was won today in 1866 when Congress enacted the Civil Rights Act of 1866 (defining citizenship and rights therein), despite President Andrew Johnson’s double veto. Another of those battles was won today in 1939. This time, because someone persisted.

April 9, 1939 was a Sunday – Easter Sunday to be precise – and over 75,000 people gathered on the mall of the Lincoln Memorial to hear a woman sing. But, this wasn’t just any crowd – it was an integrated crowd in a segregated city. And, Marian Anderson wasn’t just any woman. Even though the legendary Italian conductor Arturo Toscanini said she had “a voice such as one hears once in a hundred years [,]” she also wasn’t just any singer. Marian Anderson was the descendant of slaves: an African-American contralto whose talent would eventually earn her the Presidential Medal of Freedom (1963), the Congressional Gold Medal (1977), the Kennedy Center Honors (1978), the National Medal of Arts (1986), a Grammy Lifetime Achievement Award (1991), and recognition as an international diplomat. Anderson had been scheduled to perform at Constitution Hall in Washington, D. C., but then told, by the Daughters of the American Revolution, that she could not sing in “their” venue because of her race. Additionally, Constitution Hall did not have the segregated public bathrooms that were required by law. The D. C. Board of Education also withheld a venue for the event. Thus, the battle had begun.

Charles Edward Russell, co-founder of the NAACP and the chair of the D.C. Inter-Racial Committee rallied church leaders, activist, and organizations such as the Brotherhood of Sleeping Car Porters, the Washington Industrial Council CIO, American Federation of Labor, and the National Negro Congress to form the Marian Anderson Citizens Committee (MACC). Led by Charles Hamilton Houston (whose legal prowess would later earn him the title “The Man Who Killed Jim Crow”), the MACC picketed the board of education, collected signatures on petitions, and planned mass protests. This grassroots effort led several DAR members, including First Lady Eleanor Roosevelt, to resign from the DAR.

“You had an opportunity to lead in an enlightened way and it seems to me that your organization has failed.”

–excerpt from DAR resignation letter written by First Lady Eleanor Roosevelt

The First Lady went on to enlist her husband, then President Franklin Delano Roosevelt; members of his cabinet; Walter White of the NAACP; and Anderson’s manager, impresario Sol Hurok in order to organize a free, open-air concert. The concert, held today in 1939, attracted more than 75,000 people of various races, ethnicities, ages, genders, sexualities, and political affiliations. Additionally, the concert was broadcast live to millions. (Here’s a picture, just in case you’re one of those people interested in crowd sizes on the D. C. mall.)

 FEATURED POSE for April 9th: Equal Standing / Mountain Pose (Samastithi  / Tadasana)

Equal Standing (Samstithi), also known as Mountain Pose (Tadasana) is one of the foundational poses in the physical practice of yoga. It is the first pose highlighted in B. K. S. Iyengar’s Light on Yoga. And, as I often say, there is an element of Samastithi/Tadasana in every pose. Whether you are seated, standing, kneeling, or lying down, start to notice where elements of this pose reoccur throughout your practice.

Begin by noticing how you carry your weight. Rock all your weight onto your toes and then rock it all onto your heels. Sway side to side. Play with being out of balance and then stand or sit so that weight is balanced on either side of your spine. If you are standing or sitting with your feet flat on a surface, spread the big toes and little toes away from each other and then down into the ground. Press both sides of the heels down. If you are seated with legs crossed, or kneeling, get grounded though your base.

Now that the arches are starting to activate and the ankles are starting to stabilize, bring awareness to the knees. If you are standing upright (or if seated with legs stretched out in front of you), engage the quadriceps in order to lift the kneecaps up. Thighs will be firm. In all variations of Mountain Pose, press your sit bones away from your ribs, and vice versa. Lift your pelvic floor (squeezing your perineum muscles as if you are trying not to go to the bathroom) and draw your belly button up and back.

As you extend your spine, as your heart and sternum lift up, be mindful about your low back. Make sure you are not bending over backwards. While keeping the heart open and lifted, soften the lower ribs and draw them down into the belly – so that the core becomes more engaged.

Relax the shoulders and jaw. Spread your collarbones wide so that palms either turn forward or rest by your sides facing the body. If the hands face the body, make sure the collarbones, shoulders, and chest are still spreading left to right. Keep the chin parallel to your toes.

Note, this is a great stance for singing or speaking to large groups of people.

Breathe here for a couple of minutes, extending the spine as you inhale and making sure you’re all zipped up as you exhale. Repeat this same sequence while lying on your back.

(Click here if you don’t see the sound bar below, featuring Marian Anderson’s 1939 concert on the steps of the Lincoln Memorial.)

{SIDE NOTE: Marian Anderson’s mother was a Rucker; so I’m claiming her as my own. SAD NOTE: Martin Luther King Jr. was buried today in 1968. CURIOUS NOTE: Marian Anderson died at the age of 96. Having performed on this date (4-9-39), I found it curious to note that she died on 4-8-93.}

### NAMASTE ###

 

CH-CH-CHANGES, LIKE A RIVER: 2019 Kiss My Asana Offering #8 April 8, 2019

Posted by ajoyfulpractice in 31-Day Challenge, Abhyasa, Books, Buddhism, Changing Perspectives, Confessions, Daoism, Depression, Dharma, Donate, Faith, Food, Gratitude, Healing Stories, Health, Hope, Karma, Karma Yoga, Life, Loss, Love, Meditation, Men, Minneapolis, Minnesota, Music, Mysticism, One Hoop, Pain, Peace, Philosophy, Religion, Suffering, Uncategorized, Vairagya, Vipassana, Yoga.
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The “practice preview” below is part of my offering for the 2019 Kiss My Asana yogathon. I encourage you to set aside at least 5 minutes a day during April, to practice with today’s theme or concept as inspiration. You can practice in a class or on your own, but since the Kiss My Asana yogathon raises resources as well as awareness, I invite you to join me at a donation-based class on April 27th or May 4th.

I also challenge you to set aside a certain amount every day that you practice with this concept/theme in mind. It doesn’t matter if you set aside one dollar per practice or $25 – set aside that amount each time you practice and donate it by April 30th.

Founded by Matthew Sanford, Mind Body Solutions helps those who have experienced trauma, loss, and disability find new ways to live by integrating both mind and body. They provide classes, workshops, and outreach programs. They also train yoga teachers and offer highly specialized training for health care professionals. By participating in the Kiss My Asana yogathon you join a global movement, but in a personal way. In other words, you practice yoga. Or, as this year’s tag line states….

do yoga. share yoga. help others.

***

πάντα ρε “  (“panta rhei “ everything flows or everything to the stream)

 – Greek philosopher Heraclitus of Ephesos (c. 535 BCE – c.475 BCE)

 

“Earth to earth, ashes to ashes, dust to dust”

 – excerpt from funeral service in The Book of Common Prayer

 

Shift happens…all the time. Or, as the Greek philosopher Heraclitus once put it, “Everything changes and nothing remains still…you cannot step twice into the same stream.” Recognizing the temporal nature of everything, including ourselves and our experiences, can be very helpful.  However, it seems to be human nature to resist change and, in doing so, deny that change is happening – which, as the Buddha pointed out, creates suffering.

(Thus) have I heard that Prince Siddhartha Guatama of India was born into a family of great wealth and great privilege.  As pointed out at the beginning of this series, Siddartha means “one who has accomplished his goal” or “one who has achieved his aim” and – as far as his family was concerned his dharma (or goal) was to one day take over as ruler of his father’s lands. (The title “Buddha,” which means “Awakened One,” would come later in his life.)

Siddhartha knew nothing of pain and nothing of suffering, having been shielded from the existence of sickness and death, until the age of 29. Upon seeing the suffering of others, his life trajectory changed and he renounced the life he knew in order to find a path that would alleviate suffering. At the age of 35, tradition tells us, he articulated The Four Noble Truths:

  1. Suffering exists
  2. Suffering is caused by attachment, clinging, craving
  3. There is an end to suffering
  4. The Noble Eightfold Path is the way to end suffering

In some traditions of Buddhism, understanding and accepting these four noble truths is the key to waking up and there are a number of practices specifically designed to bring awareness to change happening every time you inhale, every time you exhale. In fact, the very act of sitting and watching the breath can illuminate the Four Noble Truths and the temporal nature of our existence.

The history of Japan and Japanese culture is full of change. Depending on where you look you may find an acute juxtaposition between accepting change, keeping a tradition (without change), and actually celebrating change. For example, most of the Buddhist world celebrates the Buddha’s birthday on May 8th or a day determined by a lunar calendar. Many temples in Japan, however, started celebrating on April 8th every year, when the country switched over to the Gregorian calendar in 1873.  During the Flower Festival, which is the birthday celebration, people will pour a sweet tea made from fermented hydrangea leaves over where small statues of the Buddha.

For an example of people celebrating change, look no further than the sakura (cherry blossom) season that is beginning. The Cherry Blossom Festivals that are currently kicking off (or ending, depending on the region) is completely separate from the Flower Festival associated with the Buddha’s birthday.

Sakura usually begin blossoming in the southern part of Japan and, over a matter of weeks, eventually blossom across the whole island. However, by the time the blossoms peak in the North they are already out of season in the South. The delicate flowers literally blow away like dust in the wind. For the heart and mind to hold the beauty of the moment when the flowers peak, with the awareness (and sadness) that the moment is already passing, is known as mono no aware (literally, “the pathos of things”). Mono no aware may be translated as “empathy towards things,” but there’s really no set words in English to express the feeling of wonder (“the ahhness”) inextricably tied to the longing and deep sadness that accompanies loss. This is what is – and yet, without some kind of mindfulness practice it is easy to separate the two sensations or to be so overwhelmed by the twin emotions that we focus on one to the complete exclusion of the other. Focusing on what feels good and appealing, while avoiding what doesn’t feel good results in more suffering. It also creates suffering when our longing for what has passed causes us to miss what is. (Not to mention, it causes us to continuously confront the illusion that we can go back to a moment in time, in the same way we think we can cross the same river twice.)

If you look at the history of sitting in Japan, you will also find lots of change – and sometimes a resistance to change. What is now commonly considered the proper way to sit in Zen Buddhism, as well as in day-to-day life, is seiza (which literally means “proper sitting”). Seiza is kneeling so that the big toes overlap (right over left) and then sitting on the heels. Women are taught to sit with the knees together, while men may be taught to spread the knees a little. In the modern times, this type of sitting is ubiquitous and considered respectful; however, prior to the mid 14th century and up to the late 16th century it was consider proper and respectful to either sit with legs to the side or cross-legged. Cross-legged was, in fact, the preference for many warriors as it was believed that a cross-legged position would not hinder a samurai if they needed to draw their sword.

“The way up and the way down are one and the same. Living and dead, waking and sleeping, young and old, are the same.”

 – Greek philosopher Heraclitus of Ephesos (DK22A1)

 

In the physical practice of yoga, the “proper way to sit” is in way that is stable and comfortable enough for you to focus on your breath. Notice that in Yoga Sutra II.46 (broken down in yesterday’s post) Patanjali uses the words sukham asanam which can be translated as “dwelling in a good space.” The flip side of a good space is dukha “a bad space” – or, more acutely, “a space of suffering.” As you move into this next pose, make sure you are not dwelling in a space of suffering.

 

FEATURED POSE for April 8th: Auspicious or Gracious Pose (Bhadrasana)

Auspicious Pose or Gracious Pose (Bhadrasana) appears in classical texts like Gheranda Samhita (c. 17th century) as a pose similar to seiza. In more modern texts it is depicted as a Bound Angle Pose (Baddha Konasana). Either variation can be in the beginning, middle, and/or the end of a practice. In fact, if you are doing a variety of poses today, you can return to your Auspicious pose the way your return to Downward Facing Dog, or Equal Standing, and notice was changed or shifted.

For the classical variation, be mindful of the knees and hips as you come to your hands and knees and bring the tips of the big toes to touch. Spread the knees as wide as you are able and then sit back on your heels. If there is a lot of pressure on the knees, sit on a block or blanket. You may also need a blanket or towel under the feet for this variation.

For the second variation, bring your feet together, like a prayer, in front of your hips (rather than behind). This variation is easier on the knees and feet. You may still need to sit up on a blanket or block. Especially if the hips are tight, you slump into the low back, and/or the knees are up higher than the hips. In this variation you can also adjust the feet (bring them closer in or further out) to bring more ease to the knees.

You can sit up tall with the hands resting on the thighs. Another option, which is very nice for the shoulders, is to lift your heart up (into the beginning of a backbend) and cross the hands behind the back so that you can grab the toes, the heels, or (if your feet are in front) the opposite hip. Make sure you are not leaning back, but instead are arching your chest up. Be mindful that you are not straining or compressing the low back.

If you have unregulated blood pressure issues, let your breath flow naturally in and ebb naturally out. If you find you are holding your breath or panting, ease out of the pose. If you are in overall good health, and they are in your practice, you can add your bandhas.

Dwell in this good space (sukha asama) until you have to move out of it (because it has become the “bad space” ( dukkha asanam). Be mindful that you ease out of the pose with the same awareness you used to get into it. Find some gentle, micro-movements to release the joints.

 

(Click here if you do not see the video.)

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