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WALKING IN & IN AGAIN – 2018 Kiss My Asana Offering #9 April 9, 2018

Posted by ajoyfulpractice in 31-Day Challenge, Abhyasa, Art, Bhakti, Books, Changing Perspectives, Dharma, Donate, Faith, Fitness, Gratitude, Healing Stories, Health, Hope, Japa, Japa-Ajapa, Karma Yoga, Kirtan, Life, Mala, Mantra, Mathmatics, Meditation, Men, Minneapolis, Minnesota, Music, Mysticism, Oliver Sacks, One Hoop, Philosophy, Poetry, Surya Namaskar, Twin Cities, Vairagya, Volunteer, Wisdom, Women, Writing, Yoga.
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“Go in and in…
and turn away from
nothing
that you find…”

from Go In and In by Danna Faulds

“There are, of course, inherent tendencies to repetition in music itself. Our poetry, our ballads, our songs are full of repetition; nursery rhymes and the little chants and songs we use to teach young children have choruses and refrains. We are attracted to repetition, even as adults; we want the stimulus and the reward again and again, and in music we get it.”

– from Musicophilia: Tales of Music and the Brain by Dr. Oliver Sacks

There is something about repetition and the repetition of movement. It is something you find in Nature, something you find in music, and it is something you find in the visual arts. That something was felt by Henry David Thoreau when he went into the woods and its one of the reasons Walt Whitman perambulated. It is part of what Ranier Maria Rilke recommended again and again in his letters to the young poet Franz Kappus and it is the key that unlocks Wendell Berry’s “Sabbath Poems” when he walks his Kentucky lands. That something is what Diane Ackerman references when she talks about the creativity of walking and bicycling in her book Play – and it’s something you find in the practice.

In Light on Yoga, B. K. S. Iyengar systematically broke down over 200 yoga poses and their benefits. Iyengar started off his exploration with Samasthiti / Tadasana (Equal Standing / Mountain Pose), which seems like a pretty disposable pose. In fact, it is all too easy to discount the pose – people do it all the time. You might even find yourself doing it if you aren’t encouraged to pause and notice where you’re going.

If your time on the mat is an in-depth exploration of you and your practice, you will find yourself going into Samasthiti/Tadasana again and again. It turns out that there is an element of the pose in almost every other pose. Another element that appears again and again in the practice is Cow Pose. Finally, you’ll keep coming back the connection to the breath that allows you to mimic your body’s natural tendencies.

“As many times as I
forget, catch myself charging forward
without even knowing where I’m going,
that many times I can make the choice
to stop, to breathe, and be, and walk
slowly into the mystery.

– from Walk Slowly by Danna Faulds*

Bryan Kest refers to walking as the best exercise known to man. When you move through your practice, move like you are strolling through the woods. Keep finding that Tadasana spine so that you find that Tadasana smile.

Go In and In & Walk Slowly – by Danna Faulds

Take a moment to breathe, be still, and then soften into Child’s Pose (Balasana). Settle in as if this is your whole practice. Notice the extension of the spine. Notice the deep breath in and the deeper breath out. Allow your breath to move through the spine. Allow your mind to follow the breath. Notice the rhythm of the breath. Notice the breath as music.

Once the mind is focused on the breath and the body’s reaction to the breath, use the breath as your pace. The inhale allows you to meander into Table Top: stack shoulders over elbows, elbows over wrists, hips over knees. Check your interior landscape to make sure it supports the exterior. Notice the length of the spine. Move through Cat/Cow or the “Un-Cat” sequence precisely matching the movement to the breath. This is a moving meditation. Just like in a seated meditation, when the brain wanders away from this present moment, use the breath to bring it back.

Again, find the place where you mind is focused on the rhythm and then curl your toes under and exhale into Downward Facing Dog (Adho Mukha Svanasana). Scan the exterior and interior landscapes. Make sure all your fingers are spread wide, with the majority of the weight/pressure in your hands moving into the thumb and first finger. (So that, there is less weight/pressure applied to your outer wrists.) When you relax your head and shoulders, make sure your big toes are parallel to each other and at least a foot apart. Big toes can be behind the thumbs or behind the middle fingers. Hips are high, heels are low (reaching, but not necessarily touching the mat); and neck is long. Even if you have to bend your knees, find Cow Pose in this position (so that you have a straight line from your middle fingers all the way up to your hips and then a second straight line from your hips to the back of your knees). Eyes are on your nose, your belly button, or the space between your toes. Notice the length of the spine.

Feel free to walk your dog!

Remember your can skip the arm balancing, by moving into Staff Pose (Dandasana) and positioning the arms accordingly or using “Dolphin Dog.” Another modification would be to do the pose on the wall. Either way, you can still walk your dog!

Stretch back (meaning, push your spine towards your thighs) and on an exhale walk your hands to your feet or bring your hands and feet together. Once hands are in line with the toes and heels are flat to the mat, inhale to a Half Lift/Flat Back or Extended Forward Bend. (This pose may be called Ardha Uttanasana or Urdhva Uttanasana.) Place your hands on your thighs and press the shoulders into the metaphorical back pockets. Remember, you want to engage in a similar fashion to Cow Pose, Staff Pose, and Downward Facing Dog. In fact, inhale and find a little bit of Cow Pose (even if you have to bend your knees). Now, press the heels down and – as much as you are able without losing the extension of the spine – engage the quadriceps to extend through the knees and press the thigh bones into the wall behind you. Engage your locks (bandhas) as you are able.

If you have unregulated blood pressure, low back issues, eye issues like glaucoma, or if this is already challenging, remember to stay here with knees bent. Otherwise, if it is not contraindicated, bend the knees and flex from the hips to prep Forward Bend (Uttanasana). Keeping the upper back extended, place the hands on the floor or a block and begin to extend through the legs while pressing the thigh bones into the backs of your legs. Do not force the extension. Use the exhales to settle the heart on the thighs (as much as you are able without losing the extension of the spine.) If your legs are completely straight, make sure the knee caps are lifted and that you are not hyper-extending the knees. Also double check to ensure that if the knees are straight the hips are over the knees, not behind the ankles. Remember to engage your locks (bandhas). Notice the length of the spine. Soften into yourself and into the stillness of the moment.

Inhale to Half Lift / Flat Back and use the exhale to engage your core. With hands on the hips, maintain the length of the spine and lift up to standing. Relax your arms by your sides. Balance the weight between all four corners of both feet. Feel free to move side-to-side or back and forth on the feet until you feel you are centered. Spread the toes, press big toes and little toes down, as well as both sides of the heels. (This establishes “all four corners of both feet.”) Engage the quadriceps in order to lift the knee caps and firm up the thighs. Sit bones point down so that the pelvic bones lift up. Engage your locks (bandhas). As you press down in order to lift the sternum up, use the core abdominal to draw the lower rib cage down. Relax the shoulders and gaze straight ahead. This is Equal Standing / Mountain Pose (Samasthiti/Tadasana). Notice the length of your spine.

Changing as little as possible, stretch the arms out like the letter T. Scan the interior and exterior landscape, checking to ensure you have maintained balance and alignment. Now, take the next few steps: Turn the palms up and inhale your arms overhead. (Many traditions refer to this as Arms Reaching Overhead (Urdhva Hastasana), but I tend to call this Tadasana). Scan the interior and exterior landscape, checking to ensure you have maintained balance and alignment. Notice the length of your spine. After several breaths, lower the arms to your sides on an exhale.

Now, use the whole inhale to lift the arms overhead and the whole exhale to press the hands together through heart center. On the exhale of the third centering breath, walk to the front of the mat with hands through heart center. Equal Standing is like a soldier in the “Ready” position. You are now ready for the next part of the practice.

Moving through half of a Sun Salutation (Surya Namaskar), inhale arms over head into Arms Reaching Overhead; exhale and stretch the arms out wide as you dive between the hands into a Forward Bend; inhale to a Half Lift / Flat Back; exhale back to Forward Bend. Keeping the knees bent and the core engaged, inhale to reverse swan dive and then exhale hands back to your sides. Repeat the sequence until you feel the natural rising and flowing, ebbing and flowing. Notice the similarities between Cat/Cow. Notice the length of the spine in every pose.

After the final exhale into Forward Bend, inhale into a Half Lift/ Flat Back and then step your left leg way back into a low lunge. Make sure the feet are in two separate lanes. Inhale to lengthen the spine and then exhale the back knee to the mat. Give yourself cushion under the back knee, as needed. Pressing down evenly into both feet, lift your torso up and place hands on your right thigh for a variation of Crescent Lunge (Anjaneyasana).

Use an exhale to slide the hips over the back knee and then place the back of the right hand on your sacrum (the flat part of your bum/hips) and place your left hand on the front of your pelvic bones. Your hands are now bracketing your hips. Slide the back hand down in order to direct the sit bones down. You may feel the front hand lifting as the pelvic bones lift. Notice the length of your spine, especially your low back. You may also feel engagement in your left hip and thigh. Stay here or bend the front knee deeper into the lunge – remembering to maintain the space in your low back. Hands can come to your front thigh or reach the hands over head. If you have Hot Half Moon (Ardha Chandrasana) in your practice, feel free to add it by lifting the left arm up and reaching it towards the right.

As many times as you forget, remind yourself to breath in and out of the length of your spine. When you are ready to move on, place the hands on the mat and step back to Child’s Pose. From Child’s Pose, inhale to Cow Pose and exhale to Downward Facing Dog. Repeat standing sequence from

Once you’ve completed the second side and returned to Child’s Pose, inhale to Cow Pose and then exhale into Downward Facing Dog. Repeat the sequence of standing poses (starting with the first Forward Bend after Downward Facing Dog, substituting left for right.

After the second side of standing poses, move into Staff Pose (Dandasana). Remember, this pose is not disposable. Consider the length of your spine and how you maintain it.

Keep the left leg extended and bend the right knee in order to set up the Sage Twist. Remember to keep the left heel and the right foot flat on the floor. You can place the right foot next to the inside or the outside of the left leg, as long as the knees are comfortable and the right foot is flat on the floor.

On an inhale, lift your right arm up and, as you watch it, reach the right arm back to the floor behind your hips. As you settle into the twist, adjust your left arm to provide additional support wherever you need it. You can always sit on a block and/or place a block under your hand if you’re hips and low back are really tight. If you don’t have a block, substitute a book.

Watch how you engage your base, your core, and your breath in order to lengthen your spine. Remember to start the twist in your base (not in your neck). Do not allow your body to collapse or untwist until you complete 3 – 5 complete breaths. After the third or fifth exhale, inhale to center, give the lifted knee a squeeze, and return to Staff Pose. Repeat the Sage Twist instructions for the Sage Twist (replacing right with left).

After the third or fifth exhale on the left, inhale to center and give the lifted knee a squeeze. Bend or extend both, as needed, and lower down onto your back for Corpse Pose (Savasana). Allow your body to settle into the spaces around your spine. Allow your breath to move through the spine. Allow your mind to follow the breath. Notice the rhythm of the breath. Notice the breath as music.

“Music seems to have a special power to animate us. Kant called music, ‘…the quickening art.’ There’s something about rhythm, as a start, compels one to move…with the beat…. There’s something about the rhythm of the music, which has a dynamic, animated, propulsive effect that gets people moving in sympathy with it; and gets people moving in sympathy with one another. So…the rhythm of music has a strong bonding thing. People dance together, move together…”

– from an interview with Dr. Oliver Sacks

“There is certainly a universal and unconscious propensity to impose a rhythm even when one hears a series of identical sounds at constant intervals… We tend to hear the sound of a digital clock, for example, as “tick-tock, tick-tock” – even though it is actually “tick tick, tick tick.”

– from Musicophilia: Tales of Music and the Brain by Dr. Oliver Sacks

This opportunity to explore a poem on the mat is part of my offering for the 2018 Kiss My Asana yogathon. I encourage you to set aside at least 5 minutes a day during April, to practice with the poem as inspiration. You can practice in a class or on your own, but since the Kiss My Asana yogathon raises resources as well as awareness, I invite you to join me at the donation-based classes on April 28th.

I also challenge you to set aside a certain amount every day that you practice with a poem in mind. It doesn’t matter if you set aside one dollar per practice or $25 – set aside that amount each time you practice and donate it by April 30th.

Founded by Matthew Sanford, Mind Body Solutions helps those who have experienced trauma, loss, and disability find new ways to live by integrating both mind and body. They provide classes, workshops, and outreach programs. They also train yoga teachers and offer highly specialized training for health care professionals. By participating in the Kiss My Asana yogathon you join a global movement, but in a personal way. In other words, you practice yoga. Or, as this year’s tag line states, “do yoga. share yoga. help others.”

*Yes, it’s another two (2) poem day. It’s also a two (2) video day! Happy Monday!

sukkot-meditation-myra-2015

### do yoga. share yoga. help others. ###

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JUST SITTING & BREATHING – 2018 Kiss My Asana Offering #3 April 3, 2018

Posted by ajoyfulpractice in 31-Day Challenge, Abhyasa, Books, Changing Perspectives, Daoism, Donate, Faith, Fitness, Healing Stories, Health, Hope, Karma Yoga, Mathmatics, Meditation, Minneapolis, Minnesota, Peace, Philosophy, Poetry, Science, Tantra, Taoism, Traditional Chinese Medicine, Twin Cities, Vairagya, Volunteer, Wisdom, Writing, Yoga.
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“To breathe! Oh poem we cannot see!
Pure space exchanged continually
For one’s own being. Counterpoise,
In which I come to be, a rhythm.”

– from Sonnets to Orpheus II, 1 by Ranier Maria Rilke

 

“feel how your breathing makes more space around you”

– from Sonnets to Orpheus II, 29 by Ranier Maria Rilke

Regardless of what you practice or how you practice yoga, breathing is an essential part of the practice. In fact, the physical practice of yoga, Hatha Yoga (regardless of the style or tradition) is a combination of the third and fourth limbs of the philosophy of yoga: asana (“seat”) and pranayama (“awareness” or “extension” of breath). As the body is a container for the breath, the asana is a way to direct the breath, as well as a way to connect the mind and body.

Connecting through the breath is also a way to bring about change in the mind and body. Literally speaking, Hatha Yoga may be translated as “sun-moon union” or “by-force union.” The power of the practice comes from the uniting of opposites. It is by the force of the breath that we bring about change.

Sir Isaac Newton stood on the shoulders of giants, in particular Nicolaus Copernicus, Galileo Galilei and Johannes Kepler, and published his laws of motion in 1687. Three hundred and thirty-one years later, these physical laws first published in the Philosophiae Naturalis Principia Mathematica still hold up: (1) that an object at rest remains at rest and an object in motion remains in motion – unless acted upon by a force; (2) that the rate of change in momentum is directly related to the force applied, and the direction applied; and (3) that there is an equal and opposite reaction to every action.

Every time we breathe, especially if we observe the body’s natural reaction to the breath, we are seeing these laws at work. Take a deeper breath in and that action results in a deeper breath out. As, the breath enters the body the belly rises; as the breath leaves, the belly falls. Simultaneously, the diaphragm rises and falls, enters and leaves – but, in the opposite direction of the belly. Also, on a much deeper level, the spine extends as we inhale and flexes as we exhale. Our physical practice of yoga is simply a way to observe natural phenomena at work.

Our physical practice is also a way to observe natural phenomena from a philosophical standpoint. For example, Daoism views everything in existence as the manifestation of four (4) actions: entering and leaving, rising and falling. As we inhale, things and people come into our lives, things happen around us. As we exhale, things and people leave our lives, things change around us. Notice the thoughts and emotions that arise. Notice how the thoughts and emotions settle.

Sonnets to Orpheus II, 29 – by Ranier Maria Rilke

Move into Child’s Pose (Balasana) as if you are moving into a new house. Make yourself comfortable and stable enough to focus on the breath. Notice the inhale, the pause, the exhale, the pause. Notice how the body reacts to each part of the breath. Notice how the inhale creates space and the exhale allows you to engage that space.

After a few minutes in Balasana, make your way into Table Top – hands and knees to the mat with shoulders over elbows and wrists, hips over knees – or into a seated position if that is more accessible. Begin to move with the breath in an exaggeration of your body’s natural tendencies: Inhale and extend the spine into a back-bend with the belly dropping down (this is Cow Pose). Exhale and flex the spine so the belly is drawn up into the spine (this is Cat Pose). If you sit hunched over a computer all day, you might try the “un-Cat” instead.

As Ranier Maria Rilke writes, “Move back and forth into the change.” Match the movement to the breath and notice the natural balance of the breath being reflected in the movement. Notice how your mind settles into the rising and falling, the ebbing and flowing. Notice how your mind settles into the present moment – even as it changes.

After a few minutes of Cat/Cow or the “un-Cat” (from the link above), move into Corpse Pose (Savasana). Notice the rising and falling of the belly as the breath enters and leaves the body. Feel the breath in your spine. Notice the breath that leaves the body is entering the world, and vice versa.

Breath is spirit. In fact, in the old languages, people used the same words for breath that they used for spirit: Prana in Sanskrit, Qi in Chinese, Pneuma in Greek, Ruach (in the body) in Hebrew, and Spiritus in Latin. So, feel the force of your spirit in the body and in the world.

This opportunity to explore a poem on the mat is part of my offering for the 2018 Kiss My Asana yogathon. I encourage you to set aside at least 5 minutes a day during April, to practice with the poem as inspiration. You can practice in a class or on your own, but since the Kiss My Asana yogathon raises resources as well as awareness, I invite you to join me at one of my donation-based classes (April 7th and April 28th).

I also challenge you to set aside a certain amount every day that you practice with a poem in mind. It doesn’t matter if you set aside one dollar per practice or $25 – set aside that amount each time you practice and donate it by April 30th.

Founded by Matthew Sanford, Mind Body Solutions helps those who have experienced trauma, loss, and disability find new ways to live by integrating both mind and body.  They provide classes, workshops, and outreach programs. They also train yoga teachers and offer highly specialized training for health care professionals. By participating in the Kiss My Asana yogathon you join a global movement, but in a personal way. In other words, you practice yoga. Or, as this year’s tag line states….

 # do yoga. share yoga. help others. #

MULTIPLYING YOUR POWER EXPONENTIALLY (TO THE POWER OF 108) January 3, 2016

Posted by ajoyfulpractice in 108 Sun Salutations, Algebra, Bhakti, Books, Buddhism, Changing Perspectives, Depression, Faith, Fitness, Gratitude, Healing Stories, Health, Hope, Japa, Japa-Ajapa, Karma, Kundalini, Loss, Love, Mala, Mantra, Mathematics, Meditation, Men, Minneapolis, Minnesota, Music, Mysticism, New Year, Pain, Peace, Philosophy, Religion, Science, Suffering, Surya Namaskar, Tantra, Texas, Tragedy, Twin Cities, Uncategorized, Whirling Dervish, Women, Writing, Yoga.
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“(1, raised to the first power) times (2, raised to the second power) times (3, raised to the third power)”

– One of John G’s responses to my question about other people’s favorite reasons 108 is significant

 

“That’s the way, I remember it, I remember it that way / From the day, I was living there, I remember it that way /
Some of our stories fade as we grow older / Some get sweeter every time they’re told / That’s the way, I’ll remember you that way”

– “That’s The Way I Remember It” by Chris Gaines (aka Garth Brooks)

Memory is a funny thing. It is more about perspective than reality – and, as such, the days and moments we remember change as we remember them. On the flip side, our perspective shapes our reality.

So, if we remember ourselves overcoming obstacles and meeting challenges, we will put on our big boy/girl panties, keep our chin up, and ride through the next storm. If, however, we forget we survived the challenge, forget that we found a way to make the obstacle the way (to paraphrase Marcus Aurelius), and only remember how hard it was to ride while soaking wet, we’ll stop riding – which is just another way to say we stop living.

Doing 108 Sun Salutations is a wet and wild ride! While doing it, people experience all kinds of things. There are moments when they aren’t sure they’ll make it one more breath – let alone 6. 12. Or 20. There are moments when they wonder how they got talked into doing it in the first place. There are moments when they feel like I’m a toddler saying, “Again!” There are moments when they can’t believe they aren’t done – or that they’re still standing. There are moments when they feel vibrant and alive. There are moments when they are amazed at everyone moving and breathing together. There are moments when everything outside of the present moment ceases, stops.

Then, there is the moment when they finish – and, as Patricia and Elizabeth said first, they feel a great sense of accomplishment. And that’s what most people remember. That’s the reason people keep coming back to do it again, and again, and again.

A feeling of accomplishment, especially when it comes from harnessing the power of awareness (mind), community (body), and breath (spirit), produces a combination of momentum and clarity. Momentum and clarity are one way to consider the two kinds of energy that make things happen: Shakti (Prakriti) and Shiva (Purusha).

Shakti (Prakriti) is nature in action and stillness. Like the seasons, it is the power of change and movement. It is symbolically female and thus gives birth to ideas so that they move from the brain or heart and into the world. Shiva (Purusha) is pure consciousness. It is arrogantly untainted by doubt, fear, or prejudice. It is symbolically male and thus provides seeds of awareness. Everything and everyone in the world is created when an idea – which is a single (or series) of electrical impulse(s) in the mind – meets the step-by-step plan that makes the way for things to happen.

 “As my teacher Pandit Rajmani Tigunait explains: Tantric masters discovered long ago that the success in both the outer world and the spiritual realm is possible only if we awaken our latent power, because any meaningful accomplishment and especially the attainment of the ultimate spiritual goal requires great strength and stamina. The key to success is “shakti” – the power of the soul, the power of the divine force within. Everyone possesses an infinite (and indomitable) “shakti”, but for the most part it remains dormant. And those whose “shakti” is largely unawakened have neither the capacity to be successful in the world nor the capacity to enjoy worldly pleasures. Without access to our “shakti”, true spiritual illumination is not possible. Awakening and using “shakti” is the goal of tantra.”

– from The Four Desires by Rod Stryker

A few Sundays ago I ended a conversation (with Terre and Jill at the Blaisdell Y) by saying, “Everything is tantra.” Meaning: Everything is the weaving of “the richness of spiritual experience and the fabric of everyday life into a single vibrant tapestry.” (Rod Striker, The Four Desires). You feel this weaving in the 108 mala when you have to deal with your personal limitations (physical, mental, and emotional) in order to connect the movement with the breath, and your mind-body with the spirit of the group. You feel the weaving when you recognize your heart’s desire – and start making it a real thing in the world. In The Heart of Yoga, T. K. V. Desikachar says “to attain what was previously unattainable” (i.e., coming together with your goal) is one way to define yoga.

Yoga and Hindu philosophies, however, are not the only places where you find this idea of weaving the seen and the unseen, the profane and the sacred. It is a fundamental aspect of Jewish, Christian, and Muslim mysticism. It is why the Dervishes whirl; it is why anchorites and anchoresses (like Julian of Norwich) withdrew from the world; it is, on a certain level, why people say Mazel tov!

As I mentioned at the end of the 2016 New Year’s Day practices, I often find myself wanting to wish someone, including myself, “Mazel tov!” Just before New Year’s Eve 2015, I ended a journal page with the above blessing and then thought, “Good luck…that doesn’t sound quite right in this context.” But it felt right. So, I went deeper.

I knew that “tov” means good – and that in the Jewish tradition something is good because it is meaningful. But, to discern the meaning of “mazel,” I turned to Aron Moss, who writes on chabad.org:

“The word mazel literally means ‘a drip from above’ (in reference to the zodiac)….Thus mazel is the influence dripping down from the stars.”

 

“There is another meaning of the word mazel that is more relevant to the phrase Mazel Tov. Mazel is the term used in Jewish mysticism to describe the root of the soul. The mystics say that only a ray of our soul actually inhabits our body. The main part of the soul, our mazel, remains above shining down on us from a distance.”

On special occasions, Moss says, we feel the power of that drop splashing down into us. It is a moment when we are consciously aware of our unlimited possibilities. It is a moment when we feel we can accomplish anything. And a critical part of success is remembering that feeling!

Completing 108 Sun Salutations is as much a symbolic accomplishment as it is a physical/mental/emotional accomplishment. That symbolic feeling may last for a few hours, a few days, or – like a drop of mazel – you may feel it splashing into you throughout the year.

I hope the latter will be the case for everyone reading this.

If you were not one of the 51 people who started 2016 with me or with a sense of accomplishment, do something now (!!!) that is the symbolic equivalent. Try something new, something you didn’t realize you could do, and (maybe) do it with some friends. Most importantly, do it with awareness. Then, once you’ve harnessed your power, set an intention (not a resolution, but a promise to yourself) to remember this powerful feeling.

2015 Group Sankalpa (Intention): “I am an instrument of peace and love. I am healthy, happy, and whole.”

2016 Group Sankalpa (Intention): “I have what I need to fill the world with love and light. I am healthy, happy, and whole.”


 

I am humbled, honored, and continually amazed by the presence of the people who share their practice with me. Know that you will be a great source of inspiration to me - and others this year. Thank you, thank you, thank you - 108 times over!

If you haven’t already done so, please check out my 2013 New Year's follow-up, which includes a link to the (password protected) Recovery 101 sequence.

 

Aron Moss ends his mazel article with the following blessing, which I offer to you:

“May this drip of inspiration from your soul above not dissipate, but rather have a positive and lasting effect, that from this event onwards you should live your life with higher consciousness. You should be aware of the blessings in your life and be ready to receive more and more…. Good mazel!”

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