What You Will See (the Tuesday post) January 6, 2021
Posted by ajoyfulpractice in Art, Books, Changing Perspectives, Christmas, Faith, Food, Healing Stories, Mantra, Meditation, Movies, Music, Mysticism, Philosophy, Religion, William Shakespeare, Wisdom, Writing, Yoga.Tags: 12 Days of Christmas, Epiphanytide, New Year, Theophany, Twelfth Night, Twelvetide, William Shakespeare, Yoga Sutra 1.28, Yoga Sutras 1.32-1.39
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[“Happy New Year,” to everyone! Happy Twelfth Night, to those who are celebrating!]
[This is the post for Tuesday, January 5th (and a prelude for Wednesday the 6th). You can request an audio recording of Tuesday’s practices via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases or donations for New Year’s Day are not necessarily deductible.]
“I’ll do my best”
– Viola (a twin in disguise) in Act I, scene iv of Twelfth Night, or What You Will by William Shakespeare
It doesn’t matter how long you’ve been practicing yoga and/or meditation, there can be days where it is hard to focus. Sometimes the practice is all about bringing your awareness back to your focal point – again and again and again, to the best of your ability…. Actually, that is always the practice; it’s just that sometimes we are more aware that to keep our awareness fixed on something requires a certain amount of conscious effort – until it doesn’t. It requires a certain amount of conscious effort until the mind moves through the layers of words and meaning and effort; and becomes absorbed or merged with the object of our focus. Until that time, we just have to be like Viola.
Sometimes, the object itself is the most helpful anchor for our awareness. In the first part of Yoga Sūtras, the chapter or foundation on concentration, Patanjali offers a list of objects on which one might focus in order to overcome the obstacles to practice and achieve clarity of mind (YS 1:28, 1:32 – 39: repetition of OM/AUM; attitudes of the heart (loving-kindness for those who are happy, compassion for those who are suffering, happiness for the virtuous, and non-judgment for the non-virtuous); the parts of breath; a point on the body and/or a sense organ (and it’s corresponding sensation); the point of inner light and joy; a person who is virtuous and free of desire/suffering (or our own self in such a state); intuitive wisdom (revealed in a “dream” state); or “whatever”… in other words, “what you will”).
Yoga Sūtra 1.39 doesn’t actually instruct us to literally bring our awareness to “whatever” or “what you will.” Patanjali is more specific than that and literally states that “… by meditating on a well-considered object of one’s choice, one attains steadiness of mind.” Whenever we focus-concentrate-meditate, that combined effort (samyama) will lead us somewhere; it will lead us towards the object, possible into absorption or the merging with the object. So, Patanjali cautions the practitioner to choose wisely, to pick something – something “well-considered” – that will lead one towards peace, balance, maybe in joy; something that will lead us, as gently as possible, closer to our goals and closer to the people around us. So, focus-concentrate-meditate on what you will; but with the full awareness that some objects will just create more confusion where there is already a lot of confusion.
“O time, thou must untangle this, not I.
It is too hard a knot for me t’untie.”
– Viola (a twin in disguise) in Act II, scene ii of Twelfth Night, or What You Will by William Shakespeare
There is a lot, and I mean, a lot of confusion in William Shakespeare’s play Twelfth Night, or What You Will. There’s confusion around identity, the state of twins, and who loves whom. Don’t get it twisted, people know who they are (inside and out), but people are disguised – and that often involves a little gender bending or reversal of “social norms.” Then, people fall in love with people who are in disguise; other people think they are loved (sometimes by someone in disguise); and still others try to fool someone into thinking someone loves them. I know, this all sounds really convoluted and confusing… because it is; it is intentionally so.
The confusion in Twelfth Night, or What You Will, results in much of the audience’s entertainment. But, let’s be real, sometimes even the audience is just as confused as the players. There’s just so much; kind of like the “Twelve Days of Christmas Song,” which sometimes gets confusing as we get closer to the end – especially if it is being sung in a round.
“If music be the food of love, play on.”
– Orsino (Duke of Illyria) in Act I, scene i of Twelfth Night, or What You Will by William Shakespeare
Depending on when you started counting the “Twelve Days of Christmas,” today (Tuesday) was either the eleventh day or the twelfth day. According to the catechism myth attached to the “12 Days of Christmas” song, the gifts for these days translates to: “a partridge in a pear tree” for Jesus (and the cross); “two turtle doves” representing the Old and New Testament; “three French Hens” for the theological virtues of Faith, Hope, and Charity (Love); “four calling birds” for the four canonical New Testament Gospels (or their corresponding evangelicals, Matthew, Mark, Luke, and John); “five gold rings” are the first Five Books of the Hebrew Bible and the Christian Old Testament (which provide the back story for the three Abrahamic religions); “six geese a-laying” for the six days of creation; “seven swans a-swimming,” the consistently most expensive gift, stand for the seven gifts of the Holy Spirit (wisdom, understanding, knowledge, counsel, fortitude, piety, and fear of the Lord) or the seven sacraments (Baptism, Eucharist, Confirmation, Reconciliation, Anointing of the Sick, Marriage, and Ordination); “eight maids a-milking” for the eight beatitudes (or blessings); “nine ladies dancing” for the nine fruits of the Holy Spirit; “ten lords a-leaping” for the ten commandments; “eleven pipers piping” for the eleven faithful apostles; and “twelve drummers drumming” for the 12 points of faith in the Apostle’s Creed.
I personally get “confused” – or, maybe a better word is flummoxed (in the sense of dumbfounded) – that the eleven “faithful” apostles are highlighted, but one of the key elements of the 12 points of doctrine is directly tied to the “unfaithful” servant. But, let me not jump ahead; because that just makes things more confusing.
“Foolery, sir, does walk about the orb like the sun, it shines everywhere.”
– Feste (the Countess Olivia’s servant, a jester) in Act III, scene i of Twelfth Night, or What You Will by William Shakespeare
Going by the Western Christian tradition, Tuesday night is either the Twelfth Night, or Wednesday is the twelfth night. I know, still much confusion. One way to clear things up is to consider that Twelfth Night, or What You Will is often considered twelfth night entertainment for people awaiting a moment of “striking appearance.” Think of Scrooge being shown a twelfth night play by one of the ghosts: It is a way to spend some time, preparing, until it is time to see what one is prepared to see.
Although, for some, it is entertainment for the celebration after they have seen what they are prepared to see.
Still confused? That’s OK; we’re getting closer to clarity.
January 6th is Epiphany. It’s almost always Epiphany, also known as Theophany in some Eastern traditions, with the exception of some places in Columbia that observe this Feast Day on the second Monday of January (and countries that celebrate on the first Sunday in January). Also, In the Eastern Christian traditions that use the Julian calendar, January 6th falls on the Gregorian calendar’s January 19th.
Clear as mud, right? Maybe this will help.
“Epiphany” comes from the Greek word meaning “manifestation” or “striking appearance” and the root word meaning “to appear.” “Theophany” comes from a Greek phrase meaning “The Day of the Lights.” In Christian traditions, it is a feast day to celebrate Jesus being revealed as an incarnation of God. Some traditions specifically focus on the visit of the magi, and so the day is also known as “Three Kings Day.” Other traditions focus on Jesus’ baptism by his cousin John the Baptist and/or the first miracle attributed to Jesus (during the Wedding at Cana).
“Dost thou think, because thou art virtuous, there shall be no more cakes and ale?”
– Sir Toby Belch (Olivia’s uncle) to Malvolio (Viola’s steward) in Act II, scene iii of Twelfth Night, or What You Will by William Shakespeare
However one looks at it, Twelfth Night is directly tied to Epiphany. It marks the end of Christmastide and the beginning of Epiphanytide, which for some Christians rolls directly into Carnival or Mardi Gras season… or Shrovetide… or Ordinary Time – all of which leads to the Lenten season and, ultimately, to Holy Week and Easter (and then, for some, Pentecost). There are a lot of different cultural traditions associated with Twelfth Night celebrations, but many in the West center around caroling, feasting, and wassail (a mulled cider). Some people will wait until Twelfth Night to add the “Three Wise Men” (and even the little drummer boy) to their Nativity scene. Some people will share a “Three Kings” or Twelfth Night cake, which will have a coin or a baby figurine inside. The person who receives the “prizes” is considered extra blessed or lucky – and sometimes has to bring the cake the following year.
If you are not Christian, or are unfamiliar with why different Christian traditions have different customs, consider that the liturgical season is a way to tell the story of Jesus – and the story of God’s relationship with people, through a Christian lens. As with any good story – or any history – there are different perspectives and different narrators. Each tradition highlights the aspects of history in a way that helps people understand what is important to the faith.
“If this were played upon a stage now, I could condemn it as an improbable fiction.”
– Fabian (a servant for the Countess Olivia) in Act III, scene iv of Twelfth Night, or What You Will by William Shakespeare
Tuesday’s playlist is available on YouTube and Spotify.
“Some are born great, some achieve greatness and some have greatness thrust upon ’em.”
– Malvolio (a steward for the shipwrecked twins) in Act II, scene v of Twelfth Night, or What You Will by William Shakespeare
### BE GREAT, BE GRATEFUL, & BE NICE ###
Sailing Into New Beginnings (the Sunday post) January 4, 2021
Posted by ajoyfulpractice in Books, Changing Perspectives, Christmas, Healing Stories, Life, Men, Movies, New Year, Peace, Religion, Writing, Yoga.Tags: 12 Days of Christmas, Animalic, Herman Melville, Hobbits, J. R. R. Tolkien, Lord of the Rings, Moby Dick, yoga, yoga philosophy
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“Happy New Year!” to everyone.
[You can request an audio recording of Sunday’s practice via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.]
“Consider the subtleness of the sea; how its most dreaded creatures glide under water, unapparent for the most part, and treacherously hidden beneath the loveliest tints of azure. Consider also the devilish brilliance and beauty of many of its most remorseless tribes, as the dainty embellished shape of many species of sharks. Consider, once more, the universal cannibalism of the sea; all whose creatures prey upon each other, carrying on eternal war since the world began.
Consider all this; and then turn to the green, gentle, and most docile earth; consider them both, the sea and the land; and do you not find a strange analogy to something in yourself? For as this appalling ocean surrounds the verdant land, so in the soul of man there lies one insular Tahiti, full of peace and joy, but encompassed by all the horrors of the half-known life. God keep thee! Push not off from that isle, thou canst never return!”
– quoted from “Chapter LVIII. Brit” in Moby Dick, or The Whale by Herman Melville
On more than one occasion, I have compared breathing to our “own personal ocean.” I even once honored one of my teachers by sharing that at the end of her classes people felt like there were floating on a surfboard after a spending a whole day riding the waves; muscles completely relaxed, the mind-body completely one with the rising and falling of the waves as they ebb and flow. Those are just my words to express very common experiences. And, before you ask; no, I don’t actually surf. I have, however, spent all day, for several days, learning how to sail and much of my young life playing and swimming in the ocean water of the Gulf. I also read a lot. And, the way the brain works, it’s not uncommon for me to make the visceral connection between something I’ve done and something I’ve read.
It happens with the very best of books: we find ourselves in the middle of a grand adventure, full of pirates, mutineers, and cannibals, or elves, dwarfs, and hobbits. There may be dragons to slay, train, or befriend; there may be fire on the mountaintop; there may be rings of temptation or friendship; there may be wagers in the middle of battles and so much merriment we can barely contain the laughter that pops out loudly enough that we find ourselves, suddenly, back in the our ordinary lives.
“Certainly it reminds me very much of Bilbo in the last years, before he went away. He used often to say there was only one Road; that it was like a great river: its springs were at every doorstep, and every path was its tributary. ‘It’s a dangerous business, Frodo, going out of your door,’ he used to say. ‘You step into the Road, and if you don’t keep your feet, there is no knowing where you might be swept off to. Do you realize that this is the very path that goes through Mirkwood, and that if you let it, it might take you to the Lonely Mountain or even further and to worse places?’ He used to say that on the path outside the front door at Bag End, especially after he had been out for a long walk.’”
– Frodo reminiscing with Sam and Pippin in “Book 1, Chapter 3: Three is Company” in The Fellowship of the Ring (Volume 1 of the Lord of the Rings) by J. R. R. Tolkien
The thing we sometimes forget is that our ordinary lives can not only lead us to great adventures, they can themselves be great adventures. We may not, as a young Herman Melville did when he set sail for the South Seas today in 1841, find ourselves actually taking part in a mutiny; landing in a Tahitian jail; escaping from that same jail; and then wandering around the island for two years before serendipitously befriending another great literary mind. We may not, as J. R. R. Tolkien was today in 1892, be born into a family of clock, watch, and piano makers; have an Aunt Jane who lived on a farm called Bag End (with no reference to us); and have cousins named Mary and Marjorie who made up a language called “Animalic” (inspiring us to make up our own languages); nor might we spend our adulthood in close friendships with some of the greatest literary minds of our time; and neither might we share those friendships with our son. Still, just as Melville and Tolkien did, we could write about our own lives and life experiences in a way that (sometimes) entertained and amused others. I say “sometimes,” because both authors produced work that has had mixed reviews.
While Melville’s first two sea-based novels met with quite a bit of success, his third book was so poorly received he said that he wrote the fourth and fifth just for the money. His sixth novel, Moby Dick, or The Whale, was first published in London in three installments and is now easily considered his most famous novel, but it was a critical flop when first published. On the flip side, Tolkien was surprised that his first book of fiction, The Hobbit, Or There and Back Again, turned out to be such a hit… with children – and was later surprised that he and his work inspired a very passionate, loyal, and scholastic fan base. Even though his books were heavily influenced by his Catholic upbringing, his experiences at war, and his fascination with all things mythical and mystical, he was not always a fan of other work in the “fantasy adventure” genre and thought people read way too much into his books.
“Call me Ishmael”
– quoted from “Chapter I. Loomings” in Moby Dick, or The Whale by Herman Melville
“‘Nobody else calls us hobbits; we call ourselves that,’ said Pippin….
‘I’ll call you Merry and Pippin, if you please – nice names. For I am not going to tell you my name, not yet at any rate.’ A queer half-knowing, half-humorous look came with a green flicker into his eyes. ‘For one thing it would take a long while: my name is growing all the time, and I’ve lived a very long, long time; so my name is like a story. Real names tell you the story of things they belong to in my language, in the Old Entish as you might say. It is a lovely language, but it takes a very long time saying anything in it, because we do not say anything in it, unless it is worth taking a long time to say, and to listen to.’”
– Pippin and Merry meeting “Treebeard” in “Book 4, Chapter 4: Treebeard” in The Two Towers (Volume 2 of the Lord of the Rings) by J. R. R. Tolkien
Remember that, in the yoga tradition, our ability to combine meaning with sound, remember and share the combination, and create and share a visual representation of the combination of sound and meaning all fall into one of the “powers unique to humans;” and, as I mentioned yesterday, the brain likes naming things. So, there is great power in a name. J. R. R. Tolkien was very clear about this on more than one occasion in his books and the idea of words being powerful is further emphasized by the fact that he made up languages to solidify the cultures of the different characters he created. Herman Melville, on the other hand, started off his most well-known novel with the introduction and naming of a character that plays a major role in the telling of the story, but a minor one in the action.
The opening line to Moby Dick, or The Whale is easily in the top 5 most well-known (and quoted) opening lines of fiction. It is extra interesting when we consider the name (Ishmael) as it is connected to the Abrahamic religions. First, the name is often associated with people of little means and few (blood) relational ties – and Melville’s narrator explains that he was both, at the time of the story, “having little or no money in my purse and nothing particular to interest me on shore[.]” Second, the name itself can be translated into English as “God has hearkened” – meaning “God (has) listened.” Which begs the question, how can we (mere mortals) not listen?
“‘I wish it need not have happened in my time,’ said Frodo.
‘So do I,’ said Gandalf, ‘and so do all who live to see such times. But that is not for them to decide. All we have to decide is what to do with the time that is given, us. And already, Frodo, our time is beginning to look black. The Enemy is fast becoming very strong. His plans are far from ripe, I think, but they are ripening. We shall be hard put to it. We should be very hard put to it, even if it were not for this dreadful chance.’”
– quoted from “Book 1, Chapter 2: The Shadow of the Past” in The Fellowship of the Ring (Volume 1 of the Lord of the Rings) by J. R. R. Tolkien
“I try all things; I achieve what I can.”
– quoted from “Chapter LXXIX. The Prairie” in Moby Dick, or The Whale by Herman Melville
In a normal year (depending on which study you read and the time period studied), only about 20% – 40% of people who make New Year’s resolutions actually achieve their desired goals. I know that’s a big gap, but either way you look at it over half of people who make resolutions don’t follow through. There are all kinds of explanations for this, and all kinds of “life hacks” to improve your odds, but ultimately it all comes down to little things. Little things and baby steps can make a big difference. They keep us focused on our intentions and they keep us progressing on the right track – even when there’s a detour. Little things and baby steps even help us appreciate the detour that is actually the scenic route. As we leave a year that was hard for just about everyone – and figure out a way to look forward to what’s to come – I wouldn’t be surprised if the odds are stacked against us.
Daunting thought I know. But, as Tolkien reminds us (in The Hobbit, Or There and Back Again), “It does not do to leave a live dragon out of your calculations, if you live near him.” So, think for a moment about the fact that something as small and powerful as a word, or a name, can change the odds in your favor. Now ask yourself: What name would you choose for yourself to indicate how you want to move through this New Year? What’s you symbol, what’s your sign, for this new beginning? What will be your own personal reminder throughout the year and thus, at the end of the year, part of your story?
“I know not all that may be coming, but be it what it will, I’ll go to it laughing.”
– quoted from “Chapter XXXIX. First Night-Watch: Fore-Top (Stubb solus, and mending a brace)” in Moby Dick, or The Whale by Herman Melville
“‘No!” said Thorin. ‘There is more in you of good than you know, child of the kindly West. Some courage and some wisdom, blended in measure. If more of us valued food and cheer and song above hoarded gold, it would be a merrier world. But sad or merry, I must leave it now. Farewell!’”
– quoted from “Chapter XVIII: The Return” in The Hobbit, Or There and Back Again by J. R. R. Tolkien
Even though many, maybe most, are still struggling with all those we’ve lost and everything we experienced, this last year reinforced the value of friendship, fellowship, kinship and a good laugh shared at the expense of no one. It also made people reevaluate their values – although, again, this is one with which some are still struggling. But, no matter where you are in your journey, I encourage you to never underestimate the power of being nice, smiling, and eating a second dinner (and then dancing or walking it off, you know, Hobbit style).
Keeping that in mind, I just want to say, for the record, that I have not forgotten about those of y’all who are counting the “Days of Christmas.” To catch up, today is the 9th or 10th day (depending on when you start counting). According to the catechism myth attached to the “12 Days of Christmas” song, the gifts for these days translates to: “a partridge in a pear tree” for Jesus (and the cross); “two turtle doves” representing the Old and New Testament; “three French Hens” for the theological virtues of Faith, Hope, and Charity (Love); “four calling birds” for the four canonical New Testament Gospels (or their corresponding evangelicals, Matthew, Mark, Luke, and John); “five gold rings” are the first Five Books of the Hebrew Bible and the Christian Old Testament (which provide the back story for the three Abrahamic religions); “six geese a-laying” for the six days of creation; “seven swans a-swimming,” the consistently most expensive gift, stand for the seven gifts of the Holy Spirit (wisdom, understanding, knowledge, counsel, fortitude, piety, and fear of the Lord) or the seven sacraments (Baptism, Eucharist, Confirmation, Reconciliation, Anointing of the Six, Marriage, and Ordination); “eight maids a-milking” for the eight beatitudes (or blessings); “nine ladies dancing” for the nine fruits of the Holy Spirit; and “ten lords a-leaping” for the ten commandments.
Note, again, that there are different versions of the list and the last four or five days worth of gifts deviate the most (in type of gift and order) from one version to another – which might be the cause of the effect of people getting all mixed up. In fact, The Journal of American Folk-lore, Volume XXX, No. CXVII (published July-September 1917, edited by Franz Boas), features an article on “Ballads and Songs” (edited by G. L. Kittredge) specifically listing a wide variety of versions that include (but are not limited to): “some part of a juniper tree;” “a-bleating lambs;” “a-bleating rams;” “fiddlers fiddling;” “bulls a-roaring;” “stags a-leaping;” “silver florins;” “golden pippins;” “hounds a-howling” – and a 78-year old singer from Massachusetts who, according to assistant editor Kittredge, forgot the eighth day gift on December 30, 1877.
“But the fruit of the Spirit is love, joy, peace, forbearance, kindness, goodness, faithfulness, gentleness and self-control. Against such things there is no law.”
– The Epistle of Paul the Apostle to the Galatians (2:22 – 5:23, NIV)
Sunday’s playlist is available on YouTube and Spotify.
“It is a way I have of driving off the spleen, and regulating the circulation. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people’s hats off – then, I account it high time to get to sea as soon as I can. This is my substitute for pistol and ball. With a philosophical flourish Cato throws himself upon his sword; I quietly take to the ship.”
– quoted from “Chapter I. Loomings” in Moby Dick, or The Whale by Herman Melville
“Not all those who wander are lost.”
– quoted from a letter dated “Midyear’s Day, Shire Year 1418” from Gandalf to Frodo, delivered by Strider/Aragon/Elessar in “Book 1, Chapter 10: Strider” in The Fellowship of the Ring (Volume 1 of the Lord of the Rings) by J. R. R. Tolkien
### Grace (Enuf) ###
Appreciate the Power by Using the Power, Wisely December 28, 2020
Posted by ajoyfulpractice in Abhyasa, Art, Books, Changing Perspectives, Christmas, Confessions, Depression, Faith, Healing Stories, Hope, Life, Loss, Love, Movies, Mysticism, One Hoop, Pain, Peace, Philosophy, Religion, Suffering, Super Heroes, Tragedy, Vairagya, Wisdom, Writing, Yoga.Tags: 12 Days of Christmas, Art Simek, Childermas, Feast of the Holy Innocents, Jack Kirby, Kwanzaa, MCU, Neil Ellis Orts, Nguzo Saba, siddhis, Stan Lee, Sāmkhya Karika, Twelvetide, Ujima, Vince Colletta
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[“Kwanzaa, yenu iwe na heri!” – “May your Kwanzaa be happy!” to everyone who is celebrating! May you have a meaningful observation if your focus is on the Innocents.]
[The 75-minute Common Ground Meditation Center practice, in the spirit of generosity (“dana”), is freely given and freely received. You can use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You can request an audio recording of Monday’s practice via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.
If you are able to support the center and its teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” my other practices, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)
Check out the “Class Schedules” calendar for upcoming classes.]
“…aware at last that in this world, with great power there must also come — great responsibility!”
– quoted from Amazing Fantasy #15 by Stan Lee, et al (August 1962)
I can’t help it. I’m sorry (not sorry), but I. Just. Can’t. Help. It! When I think of responsibility one of the first things that pops into my head is that famous line from the 1962 introduction of Spiderman. Then I start thinking about Stan Lee…
Born today in 1922 (as Stanley Lieber), Stan Lee did not invent the phrase or the sentiment many associate with Peter Parker and his uncle Ben Parker. He did, however, make it wildly popular and combined it with the awareness that everyone can do something to help alleviate the struggles and suffering of others. After all, for the most part, Lee’s characters in the Marvel Universe were not and are not (initially or typically) perfect alien humanoids without a care in the world. They were not sent to Earth to save humankind. No, they were making their home a better place.
And, Lee’s characters were just like his readers: people with very human fears, flaws and insecurities; people with bad tempers, impatience, fits of melancholy and vanity; people who bickered, worried about paying their bills, worried about impressing a love interest; and people who got bored or even sick. They were people – like the Fantastic Four (1961), Spiderman (1962), X-Men, Iron Man, Thor, Hulk, Dr. Strange, Daredevil, the Avengers (1963), and Black Panther (1966) – who had to reconcile their abilities, their sometimes suddenly discovered powers, with all the need in the world… and the fact that people often thought they were freaks … and the fact that they couldn’t always solve every problem. But, neither, could they look away.
We are all able to do something. Sometimes we think what we are able to do is not much – which can be a self defeating attitude. Sometimes that attitude comes from not think about people who are not able (physically, mentally, emotionally, and/or energetically) to do what we can do. Nor do we always think about the importance of doing things the special way we do them. In neglecting to appreciate what we have to offer, we run the risk of missing an opportunity to make the world a better place.
“‘Nevermore shall men make slaves of others! Not in Asgard — not on Earth — not any place where the hammer of Thor can be swung — or where men of good faith hold freedom dear!’”
– quoted from the end panel of “Tales of Asgard, Home of the Mighty Norse Gods: Trapped by the Trolls” in Journey Into Mystery Volume I, with the Mighty Thor #108 (1964) by Stan Lee, Jack Kirby, Vince Colletta, Art Simek, et al (1964)
Ultimately, each Marvel character is charged with doing “what they can, as much as they can, for as long as they can” in order to help the people around them. While that description fits two of the Nguzo Saba, or Seven Principles of Kwanzaa, today I’m mostly going to focus on today’s principle, the third principle; Ujima (collective work and responsibility): To build and maintain our community together and make our brother’s and sister’s problems our problems and to solve them together. Ujima is connected to the first green candle on the kinara (special candelabra), which is a symbol of the future and prompts celebrants to consider a future free of some of our current struggles, suffering, and plights.
We may not be able to travel through time and change the future like Dr. Strange, Rina Patel, or Iron Lad, but each of us has the power to consider cause-and-effect. We can take a look at how our past actions are reflected in our current circumstances and how our actions in this moment are the seeds that blossom into “tomorrow’s” circumstances. In fact, in the Yoga tradition such abilities are included in a list of siddhis, supernormal “powers” or abilities.
Some siddhis very much seem like Marvel Universe powers or Jedi Knight Tricks. However, there are six that are described as being “powers unique to being human.” We not only find these specifically human powers (as described in the Sāmkhya Karika) in every Marvel comic book, we find them in every one of ourselves:
- the power of discovery (i.e., intuitive knowledge);
- the power “to give a form to sound, assign meaning to each segment of sound, and to store both sound and meaning in memory….[and] the capacity to communicate both sound and its meaning to others. We also have the capacity to give a visual form to each segment of sound and the meaning associated with it[;]”
- the power to “study, analyze, and comprehend” abstract ideas no matter how they are (effectively) communicated;
- the power to eliminate “three-fold sorrow – physical, mental, and spiritual;”
- the power to “[cultivate] a good heart; finding friends;”
- the power of dana, which is “the ability to give.”
In addition to being the Stan Lee’s birthday and the third day of Kwanzaa, today corresponds with the third or fourth day of the “12 Days of Christmas” (depending on when you start counting). For those of you keeping track of the gifts related to the catechism myth, today’s gifts and symbols are: “a partridge in a pear tree” for Jesus (and the cross); “two turtle doves” representing the Old and New Testament; “three French Hens” for the theological virtues of Faith, Hope, and Charity (Love); and “four calling birds” for the four canonical New Testament Gospels (or their corresponding evangelicals, Matthew, Mark, Luke, and John).
Finally, as many Christians (and in particular Catholics) observe these days between Christmas and Epiphany as “fast free days,” I will mention that one of the feast days associated with today is the Feast of the Holy Innocents, also known as Childermas or Innocents Day. This is a day devoted to the remembrance of young children killed in Bethlehem when King Herod the Great learned that the Magi, at the suggestion of an angel, had tricked him and would not lead him back to the newborn Jesus. This day (today in Western Christianity, but December 29th in some Eastern traditions) has been observed as a fast day and was even, at one time, associated with practices considered a mockery of the faith and religion. However, today some consider it a day for children to be children… and do the things that children do (especially when they do not fear persecution, oppression, hunger, famine, or disease).
“All six of these stories – nearly half the stories in the book – speak to me of a longing in our human condition, a desire for more life (either here or in the hereafter) or a desire to turn regrets around to something joyous….
None of the characters in this collection are more powerful than a locomotive, none are faster than a speeding bullet, but what they are able to do, I believe, reveals something of our desires, something of our humanity – the best and worst in us.”
– quoted from the introduction to able to…: a literary look at super powers by…, edited by Neil Ellis Orts
There is no playlist for the Common Ground practices.
“Umoja (unity)—To strive for and maintain unity in the family, community, nation, and race.
Kujichagulia (self-determination)—To define ourselves, name ourselves, create for ourselves, and speak for ourselves.
Ujima (collective work and responsibility)—To build and maintain our community together and make our brother’s and sister’s problems our problems and to solve them together.
Ujamaa (cooperative economics)—To build and maintain our own stores, shops, and other businesses and to profit from them together.
Nia (purpose)—To make our collective vocation the building and development of our community in order to restore our people to their traditional greatness.
Kuumba (creativity)—To do always as much as we can, in the way we can, in order to leave our community more beautiful and beneficial than we inherited it.
Imani (faith)—To believe with all our heart in our people, our parents, our teachers, our leaders, and the righteousness and victory of our struggle.”
– The Nguzo Saba (or “Seven Essential Pillars”) of Kwanzaa
CHECK OUT THE CALENDAR! This Friday (January 1, 2021) is the First Friday Night Special in 2021! You can kick off New Year’s Day 2 ways: with the very active practice of 108 Sun Salutations at 10:00 AM – 1:00 PM or with the very “chill” practice of Yin+Meditation practice beginning at 5:00 PM – 7:00 PM. All times are Central Standard. You can offer a donation for either practice. Details are posted on the “Class Schedules” calendar.
### You’ve Got the Power! ###
Living “A (SAD) Wonderful Life” (the Sunday post) December 21, 2020
Posted by ajoyfulpractice in Abhyasa, Art, Books, Changing Perspectives, Christmas, Depression, Faith, Gratitude, Healing Stories, Hope, Life, Loss, Love, Movies, One Hoop, Pain, Peace, Philosophy, Religion, Suffering, Tragedy, Vairagya, Wisdom, Writing, Yoga.Tags: Anointed, Charles Dickens, Clarence Odbody, Frank Capra, George Bailey, It's A Wonderful Life, mental health, Philip Van Doren Stern, SAD, Seasonal Affective Disorder
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[This is the post for Sunday, December 20th. You can request an audio recording of Sunday’s practice via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)]
“Every time you hear a bell ring, it means that some angel’s just got his wings.”
– Clarence Odbody (AS2) in It’s A Wonderful Life
Even people who don’t celebrate Christmas, as a religious holiday or otherwise, may have a favorite Christmas story or carol. These stories – which become such perennial favorites they are often turned into plays, ballets, musicals, and all manners of pageants – are full of not only the trappings and traditions of Christmas, but also the spirit. You may think the spirit of which I speak is the hope, the cheer, and the good tidings; but, one consistent element in these stories is grief, desolation, isolation, sadness – and yes, also SAD-ness.
The Greatest Gift was self-published by its author, Philip Van Doren Stern, in 1943 – exactly 100 years after Charles Dickens first published A Christmas Carol. In fact, Stern (who was half Jewish) was partially inspired by the Dickens-classic. Although the story takes place at Christmastime and was initially sent out as Stern’s 1943 Christmas cards, the author intend the story to be universal. The following year the story was picked up by a two different magazines (including Good Housekeeping, which called it “The Man Who Was Never Born”) and a movie production company. By 1945, the original movie rights for The Greatest Gift had been sold to director and producer Frank Capra, who would change the title and tweak some of the details.
Current fans of Frank Capra’s It’s A Wonderful Life, which premiered today in 1946, might be surprised to learn that the movie was not an instant success. The movie’s general release faced stiff competition from movies like Stairway to Heaven (released as A Matter of Life and Death in the UK) and Miracle on 34th Street – both of which shared elements of fatalism vs. free will, life vs. death, and hope vs. despair, as well as bumbling “angels” (in the former) and adorable children (in the latter). There was also drama behind the scenes and, ultimately, proceeds from the initial release barely covered the production cost. But, like A Christmas Carol, Frank Capra’s It’s A Wonderful Life featured a protagonist who could have had SAD and who experienced a major shift because of spiritual intercession. Only, in the case of the movie, the spirit was actually an angel.
“You’ve been given a great gift, George, a chance to see what the world would be like without you.”
– Clarence Odbody (AS2) in It’s A Wonderful Life
In the movie, Angel 2nd Class Clarence Odbody (portrayed by Henry Travers) must convince 38-year old George Bailey (immortalized by Jimmy Stewart) that his life is “wonderful”… or, at least worth living. Unlike Ebenezer Scrooge, Bailey has spent his life trying to help others, but a mistake – involving his good intentions and his own personal “Scrooge,” Mr. Potter (portrayed by Lionel Barrymore, who actually spent 20 years portraying “Scrooge”) – leads to criminal charges and the feeling that nothing he has ever done in his life makes a difference.
The truly ironic, and potentially tragic, part of George Bailey’s life is that he made a significant difference in his community. He saved more than one life and, on more than one occasion, gave up his savings to help others. He absolutely lived a life that was the embodiment of those last three siddhis (“powers”) unique to being human: the capacity to eliminate three-fold sorrow; the cultivation of a good heart (which is the ability to make friends); and generosity (the ability to give). Yet, in a moment of weakness, Bailey neglects to recognize his own power or potential. He has thoughts of self harm – one of the symptoms of SAD.
“Strange, isn’t it? Each man’s life touches so many other lives. And when he isn’t around he leaves an awful hole, doesn’t he?”
“You see George; you really had a wonderful life. Don’t you see what a mistake it would be to throw it away?”
– Clarence Odbody (AS2) in It’s A Wonderful Life
Real life is different from a novella by Dickens, a short story by Stern, or a movie by Capra; in part because there’s not a writer or director making sure the intervention happens. Also, not everything gets tied up at the end. However, if you or someone you know is experiencing symptoms associated with SAD, it is important to take two big lessons from these fictional works: 1. You are not alone. 2. You can get help.
The ghosts in Dickens’s classic and the angel who gets his wings by helping out a good person are (literally) inspired symbols. They are the spirits or real people. (Sometimes they are even “strange” people, like in The Greatest Gift.) In real life, we are each other’s Christmas Past, Present, and Not Yet – just as we are each other’s guardian angels. We can show up for each other – and we must show up for each other. Real life is different in that sometimes the person that needs help has to ask for help (and/or the people around them have to notice what constitutes “a cry for help.”) In real life, happy endings don’t just happen; we have to make them happen.
“Please! I want to live again. I want to live again. I want to live again. Please, God, let me live again.”
– George Bailey in It’s A Wonderful Life
Sunday’s playlist is available on YouTube and Spotify.
If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can call 1-800-273-TALK (8255). You can also call the TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.
If you are a young person in crisis, feeling suicidal, or in need of a safe and judgement-free place to talk, contact the TrevorLifeline (which is staffed 24/7 with trained counselors).
“George Bailey: You know what the three most exciting sounds in the world are?
Uncle Billy: Uh-huh. Breakfast is served, lunch is served, dinner…
George Bailey: No, no, no, no! Anchor chains, plane motors, and train whistles.”
– quoted from It’s A Wonderful Life
### “Gotta love it… gotta live it… try to savor every moment” ~Anointed ###
“Bah Humbug!” & Other SAD Sayings (the Saturday post) December 20, 2020
Posted by ajoyfulpractice in Books, Changing Perspectives, Christmas, Depression, Faith, Fitness, Food, Healing Stories, Health, Hope, Karma Yoga, Life, Loss, Meditation, Movies, Pain, Peace, Philosophy, Religion, Suffering, Wisdom, Writing, Yoga.Tags: A Christmas Carol, Charles Dickens, Christmas, mental health, SAD, Seasonal Affective Disorder, winter, yoga sutra 2.18, Yoga Sutra 2.20, Yoga Sutra 2.51-2.52
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[This is the post for Saturday, December 19th (and a prelude for Sunday the 20th). You can request an audio recording of Saturday’s practice via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)]
Yoga Sūtra 2.51: bāhyābhyantaravişayākşepī caturthah
– “The fourth [prāņāyāma] goes beyond, or transcends, the internal and external objects.”
Yoga Sūtra 2.52: tatah kşīyate prakāśāvaraņam
– “Then the veil over the [Inner] Light deteriorates.”
Patanjali spends a good portion of the Yoga Sūtras extolling the benefits of focusing on the breath and breathing in a way that balances (and calms) the mind-body. The benefits mentioned include physical vitality and clarity of mind. Another, connected, benefit is accessing the part of our mind-body that is “free of sorrow and [always] full of light.” Ultimately, he also points to the powers (siddhis) experienced by those who achieve clarity and luminosity. One such power is the ability to clear see (and understand) past, present, and future.
The ability to see (and understand) past, present, and future is the power of cause-and-effect. It is a power we all have; however it is a power often shrouded under the veil of avidyā (“ignorance”) and illusion. Such ignorance and illusion is part of our lived experience and is further enhanced by experiences that reinforce the ignorance and illusion. Patanjali very clearly indicates that everything in the perceivable world “has a twofold purpose: fulfillment and freedom” (YS 2.18), but that we can only see (and understand) what our mind is ready to see and understand (YS 2.20).
It seems like a circle of confusion (or ignorance) out of which we cannot escape. Yet, if we take a breath, things can become a little clearer. We start to see how we are tied – shackled or fettered – to what we know, based on what was previously known.
“‘You are fettered,’ said Scrooge, trembling. ‘Tell me why?’
‘I wear the chain I forged in life,’ replied the Ghost. ‘I made it link by link, and yard by yard; I girded it on of my own free will, and of my own free will I wore it.’”
– quoted from A Christmas Carol by Charles Dickens
A year or two ago, if someone had said that people all over the world would be rushing around less and spending more time at home with their family (and occasionally mingling with a small bubble of close friends), most of us would have (unequivocally) thought it was a good thing. If someone had said people would be as focused – if not more focused – on how they could celebrate the holidays and observe traditions as opposed to working, I might have even applauded. After all, I have spent a lot of winters talking about the benefits of slowing down (like everything else in nature) instead of speeding up and have spent many a holiday emphasizing the importance of ritual and tradition.
Those hypothetical conversations, however, would have occurred in another time and place…. a time and place “before.” They would have occurred without the circumstances we face today – circumstances that actually make it easier to be a bit of a Scrooge and/or experience a little SADness. I say “and/or,” but I’m really not sure, when you think about it that there’s always a difference. After all, as much as we see Ebenezer Scrooge as a curmudgeonly miser, who is to say he didn’t have SAD?
“‘Uncle!’ pleaded the nephew.
‘Nephew!’ returned the uncle sternly, ‘keep Christmas in your own way, and let me keep it in mine.’
‘Keep it!’ repeated Scrooge’s nephew. ‘But you don’t keep it.’”
– quoted from A Christmas Carol by Charles Dickens
Seasonal Affective Disorder (SAD) is a form of clinical depression that affects about 3 million people in the United States each year. About 5% of adults with SAD experience it for 40% of the year and people with bipolar disorder may notice huge mood shifts based on the change in season. Symptoms can include lack of energy, moodiness, changes in eating habits, weight fluctuation, changes in sleeping habits, loss of interest in social engagement or work, difficulty concentrating, and thought of self harm. Most people associate SAD with the “winter blues” or the “winter blahs” – and it is definitely linked to a chemical imbalance in the brain that is related to shorter days and a lack of sunlight in the Fall/Winter. However, people can also experience SAD (sometimes referred to, in layman’s terms, as “Reverse SAD”) in the Spring/Summer.
An old friend of mine who lives with “Reverse SAD” (we’ll call her “Christmas Past”) said that one of the hardest parts for her is the lack of awareness – and that fact that people think you can “just get over it.” That last part is an all too common misconception based on the following facts:
(a) Everyone experiences a shift in their biological clock (or circadian rhythms) as the seasons change, and that shift affects our brains;
(b) A lot of people struggle during the holidays;
(c) For most, symptoms will change as the seasons change; and
(d) When we are experience general sadness we can still feel some level of joy or happiness, but depression can mute people’s overall experience of life.
Furthermore, while symptoms can pass, in the base case, the longer the brain spirals down – and is left chemically out of balance – the harder it is for the mind-body to shift back into balance. When you add in the fact that depression is often accompanied by thoughts of self harming, there is sometimes not enough time for “time” to be the healer.
Unless, of course, “time” is a metaphor.
“‘But you were always a good man of business, Jacob’ faltered Scrooge, who now began to apply this to himself. ‘Business!’ cried the Ghost, wringing its hands again. ‘Mankind was my business. The common welfare was my business; charity, mercy, forbearance, benevolence, were all my business. The dealings of my trade were but a drop of water in the comprehensive ocean of my business!’”
– quoted from A Christmas Carol by Charles Dickens
A Christmas Carol, the novella by Charles Dickens, features a grouchy old business man who is visited by ghosts of Christmas Past, Present, and Yet to Come (often referred to in theatrical productions as “Christmas Future”). First published today in 1843, it was the fourth Christmas story the author had written and, like his others, it was influenced by what people were experience at the time and Dickens’s own experiences. First, as a child, Dickens had experienced a change of fortune and ended up, as an adult, having to work his way up from poverty. However, just before writing A Christmas Carol he had visited one of the Raggedy Schools (for destitute children) and was appalled at the conditions. He felt that people who were in the position to do something – not only to improve the children’s living and working conditions, but also their future prospects – should be encouraged to do what they could and that the holiday season was a good time for that encouragement. Finally, people were changing their engagement with the holiday. There were new additions to the celebrations (like the Christmas tree) and people were fluctuating between emphasizing the religious aspects of Christmas and the more secular traditions.
Dickens definitely portrays Scrooge as a bad guy who is redeemable; he just needs a push in the right direction. Various people, including Scrooge’s nephew try to push him into the holiday spirit, but he doesn’t feel it and doesn’t see the value in it. He needs more than a “Happy Holidays” or “Merry Christmas” to counteract his “Bah Humbug.” He needs something to change his engagement of spirit. The ghosts of Christmas Past, Present, and Yet to Come facilitate this change by talking to him and showing him different perspectives of his own life.
“‘Let me leave it alone, then,’ said Scrooge. ‘Much good may it do you! Much good it has ever done you!’
‘There are many things from which I might have derived good, by which I have not profited, I dare say,’ returned the nephew. ‘Christmas among the rest. But I am sure I have always thought of Christmas time, when it has come round – apart from the veneration due to its sacred name and origin, if anything belonging to it can be apart from that – as a good time; a kind, forgiving, charitable, pleasant time; the only time I know of, in the long calendar of the year, when men and women seem by one consent to open their shut-up hearts freely, and to think of people below them as if they really were fellow-passengers to the grave, and not another race of creatures bound on other journeys. And therefore, uncle, though it has never put a scrap of gold or silver in my pocket, I believe that it has done me good, and will do me good; and I say, God bless it!’”
– quoted from A Christmas Carol by Charles Dickens
One perspective is that, left to his own devices, Scrooge would have kept spiraling down. In the process of spiraling down (all the while thinking about the ways he could spiral his bank account up), Scrooge would have continued to make himself and the people around him miserable. Then there is the possibility that he could make the world around him a better place – and that, ultimately, it wouldn’t really cost him much. But, first, he had to be able to see the possibility.
Some people view A Christmas Carol as a secular holiday tale; others see it as Christian allegory. I see both sides of that coin, but also consider that there is a mental health message within the text. Even if Scrooge is a “scrooge,” he also exhibits all the characteristics of someone who is unhappy because his mind-body is out of balance. (When you think about it, it’s not surprising given how much he works, and how little work-life balance Dickens gives him!) All that said, anyone of us can be scrooge. So, it’s important to note that there is a lot we can do to help our mind-bodies find balance. It is equally important to know when we need some external intercession. SAD treatment can include light therapy, talk therapy, changes in diet and exercise, antidepressants, and/or a combination of the above.
“He went to the church, and walked about the streets, and watched the people hurrying to and for, and patted the children on the head, and questioned beggars, and looked down into the kitchens of homes, and up to the windows, and found that everything could yield him pleasure. He had never dreamed of any walk, that anything, could give him so much happiness.”
– quoted from A Christmas Carol by Charles Dickens
Saturday’s playlist is available on YouTube and Spotify.
If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can call 1-800-273-TALK (8255). You can also call the TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.
If you are a young person in crisis, feeling suicidal, or in need of a safe and judgement-free place to talk, contact the TrevorLifeline (which is staffed 24/7 with trained counselors).
“‘I will honour Christmas in my heart, and try to keep it all the year. I will live in the Past, the Present, and the Future. The Spirits of all Three shall strive within me. I will not shut out the lessons that they teach.’”
– quoted from A Christmas Carol by Charles Dickens
### “‘…as Tiny Tim observed, God bless Us, Every One!’” ###
Caught In The Middle November 10, 2020
Posted by ajoyfulpractice in Books, Faith, Healing Stories, Hope, Life, Men, Movies, Philosophy, Religion, Science, Wisdom, Writing, Yoga.Tags: Catch-22, Double Bind, Joseph Heller, Lutheran Church, Lutherism, Martin Luther, mental health, The Bateson Project
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“How soon ‘not now’ becomes ‘never.’”
— Martin Luther
Do you ever find yourself in a double bind, on or off the mat? My guess (and hope) is that if you find yourself in a double bind on the mat then it was deliberate, intentional, and mindful. Examples of double binds on the mat are Garudāsana (“Eagle’s Pose”, where the legs and arms are intertwined) and Gomukhāsana (“Cow Face Pose”, where the legs are crossed in front and the arms are bound in back). You make your way into those poses with awareness and intention — and, just as importantly, you can see your way out, mindfully and intentionally. What happens, however, when you find yourself in a double binds off the mat?
Anthropologically speaking, a double bind is “an emotionally distressing dilemma in communication in which an individual (or group) receives two or more conflicting messages, and one message negates the other.” First used in the mid-50’s by “The Bateson Project” anthropologists Gregory Bateson, Donald deAvila Jackson, Jay Haley, John H. Weakland, and Bill Fry, a double bind scenario often involves intentional manipulation and gas lighting on the part of a “respected” authority figure; is repeated behavior; and is done in such a way that the person being abused (or groomed) may not see or be able to articulate the inherent conflict. That last part is key, because it is not enough for there to be a contradiction; the definition of the term relies on how the communication and behavior are imposed and on the “subject(s)” inability to define the exact nature of the indiscretion.
A classic example of a double bind is someone (possibly a parent or partner) saying that they love the “subject(s)”, but then physically harming, verbally abusing, and/or withdrawing affection from the “subject(s)”. Another example of a double bind might be found in organized religions that teach about unconditional love, but then continually enforce limits and conditions to that love. While it might be hard for a regular parishioner in a small church to see the dichotomy and contradiction, especially when it is taught as part of theology, reformers like Martin Luther constantly found themselves in the middle of the double bind.
“Unless I am convicted by Scripture and plain reason, I do not accept the authority of popes and councils – for they have contradicted each other – my conscience is captive to the Word of God. I cannot and will not recant anything, for to go against conscience is neither right nor safe. Here I stand, I can do no other, so help me God. Amen.”
— Martin Luther, in 1517, when told to recant his views
Born today in 1483, Martin Luther was a German theologian responsible for beginning the Protestant Reformation in 16th Century Europe and for inspiring Lutherism. He wrote the “Disputation of Martin Luther on the Power and Efficacy of Indulgences” in response to the excesses of Pope Leo X and the Catholic Church, which engaged in the practice of forgiving penance for sins in exchange for monetary donations. Referred to as “95 Theses”, Luther’s 1517 document caused people all over Europe to start questioning the actions of the pope and, eventually, led to the creation of the Lutheran Church. Luther’s main teachings were that the Bible is the central religious authority in Christianity and that faith — not deeds — leads to salvation.
Which, when you think about, it can lead to a tricky Catch-22, whereby some people think they can do whatever they want to do — even when it contradicts the teachings in the Bible — as long as they have faith. Part of why I consider this a Catch-22 is because if one truly had faith, they would follow the teachings.
“You are not only responsible for what you say, but also for what you do not say.”
— Martin Luther
Like a double bind, a Catch-22 involves a foundation of contradiction. Of course, most people, when they think of Catch-22s, think about Joseph Heller’s novel, published today in 1961. The novel is set at the height of World War II (specifically 1942 – 1944), but continually references elements from the 1950’s — which, combined with the circular and overlapping of linear and non-linear narration, reinforced the idea that the novel was political commentary on current (as well as historical) events. The novel includes “heroes” who commit truly atrocious crimes against humanity and the only offers physical depiction of “the enemies” when “they” are working with one of “us.”
The title refers to a military exemption clause that Captain John Yossarian, a U. S. Army Air Forces B-52 bombardier, ultimate thinks may not actually exist, because he notices that people of authority use the clause in multiple situations. As absurd as it may sound, the power, he realizes, is in the belief.
“There was only one catch and that was Catch-22, which specified that a concern for one’s own safety in the face of dangers that were real and immediate was the process of a rational mind. Orr was crazy and could be grounded. All he had to do was ask; and as soon as he did, he would no longer be crazy and would have to fly more missions. Orr would be crazy to fly more missions and sane if he didn’t, but if he was sane, he had to fly them. If he flew them, he was crazy and didn’t have to; but if he didn’t want to, he was sane and had to. Yossarian was moved very deeply by the absolute simplicity of this clause of Catch-22 and let out a respectful whistle.
‘That’s some catch, that Catch-22,’ he observed.
‘It’s the best there is,’ Doc Daneeka agreed.”
— quoted from Catch-22 (Chapter 5) by Joseph Heller
Please join me today (Tuesday, November 10th) at 12 Noon or 7:15 PM for a virtual yoga practice on Zoom, where we will do what we do. Use the link from the “Class Schedules” calendar if you run into any problems checking into the class. Give yourself extra time to log in if you have not upgraded to Zoom 5.0. You can request an audio recording of this practice via a comment below.
Tuesday’s playlist is available on YouTube and Spotify. [Look for “10202020 Pratyahara”]
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)
“‘The enemy,’ retorted Yossarian with weighted precision, ‘is anybody who’s going to get you killed, no matter which side he’s on, and that includes Colonel Cathcart. And don’t you forget that, because the longer you remember it, the longer you might live.’”
— quoted from Catch-22 (Chapter 12) by Joseph Heller
If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can call 1-800-273-TALK (8255). You can also call the TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.
11/10/20204: Revised formatting and some syntax.
### “Everything that is done in the world is done by hope.” (ML) ###
First Step: Breathe In, Second Step: Breathe Out October 25, 2020
Posted by ajoyfulpractice in Books, Buddhism, Changing Perspectives, Healing Stories, Life, Loss, Love, Meditation, Minneapolis, Minnesota, Movies, One Hoop, Philosophy, Science, Twin Cities, Vipassana, Wisdom, Writing, Yoga.Tags: Anne Tyler, pranayama, prenatal, yoga, yoga sutra 1.34
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“People always call it luck when you’ve acted more sensibly than they have.”
– Anne Tyler
Anne Tyler, born today in 1941, in Minneapolis, Minnesota, grew up in a way that was very different from the way most people reading this grew up. Her family was Quaker and she spent much of her childhood in intentional communities, where people raised their own food, created folk art, and sang traditional music. It wasn’t just the level of community that made life different, it was that every interaction – with herself, the environment, and the world – was different than it was when her family left commune-life. For instance, Anne Tyler was 11 years old before she used a telephone, went to public school, or regularly wore shoes.
Even though I also moved around a lot as a child, my life experiences were very, very different. Some differences could be easily attributed to race and education (one of the motivating factors behind our moves was that my father was earning his PhD), but then you have to explain some of the similarities – like our love of reading and writing, and our habit of observing people in order to tell their stories. If you take a moment to think about it, you too could categorize all many of ways in which you are also different from us…. But, then, what about the similarities.
“Missouri made an exasperated face. ‘You don’t know,’ she told her. ‘You don’t know how it would work out. Bravest thing about people, Miss Joan, is how they go on loving mortal beings after finding out there’s such a thing as dying. Do I have to tell you that?’”
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– quoted from The Tin Can Tree by Anne Tyler
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“‘Everything,’ his father said, ‘comes down to time in the end – to the passing of time, to changing. Ever thought of that? Anything that makes you happy or sad, isn’t it all based on minutes going by? Isn’t sadness wishing time back again? Even big things – even mourning a death: aren’t you really just wishing to have the time back when that person was alive? Or photos – ever notice old photographs? How wistful they make you feel? … Isn’t it just that time for once is stopped that makes you wistful? If only you could turn it back again, you think. If only you could change this or that, undo what you have done, if only you could roll the minutes the other way, for once.’”
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– quoted from Dinner at the Homesick Restaurant by Anne Tyler
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“You wouldn’t question your sanity, because you couldn’t bear to think it wasn’t real. And you certainly wouldn’t demand explanations, or alert anybody nearby, or reach out to touch this person, not even if you’d been feeling that one touch was worth giving up everything for. You would hold your breath. You would keep as still as possible. You would will your loved one not to go away again.”
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– quoted from The Beginner’s Goodbye
As different as our circumstances, our appearances, and personalities – and therefore our lives may be – there are certain things we all have in common. We all live and die, love and are loved, experience great wins and great loss. We are also, to paraphrase First Lady Eleanor Roosevelt, all in this together – even when we feel alone, isolated, and going through things we can’t imagine anyone else understanding. Yet, here we sit and stand and lie – here we are, struggling together and apart; finding our way together, even though we are apart.
Over the last few days, I spoke to some friends and we reflected on what how we’re getting through our current circumstances and constant changes versus how we were getting things in the middle of March… or the end of May and the beginning of July. Even with all of our differences and distances, we can all chart the highs and lows of what LG and S call the “coronacoaster.” I mentioned that at the beginning – or at what some might refer to as “the end of before” – I was firmly entrenched in the group of people who emotionally wanted bits of before, something familiar. By April, however, my body wanted (and needed) something a little different – but my mind wasn’t completely on board. So, I had to figure out how to compromise and navigate the conflict – just as if my body and mind were an old married couple (or new friends) suddenly finding themselves in lockdown together.
Then there were more changes, more challenges, more conflicts, and more compromises. And, through it all, I did the same thing you did – I kept breathing. What was helpful (and continues to be helpful), above and beyond everything else, was knowing how to breath and being surrounded by people who also were focused on knowing how to breathe. Breath, after all, is life. It’s not enough just to breathe, however, because how we breathe determines how we live.
“‘Breathing lessons – really,’ [Fiona] said, dropping to the floor with a thud. ‘Don’t they reckon I must know how to breathe by now?’”
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– quoted from Breathing Lessons by Anne Tyler
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“‘Oh honey, you’re just lucky they offer such things,’ Maggie told her…. ‘I mean you’re given all these lessons for the unimportant things–piano-playing, typing. You’re given years and years of lessons in how to balance equations, which Lord knows you will never have to do in normal life. But how about parenthood? Or marriage, either, come to think of it. Before you can drive a car you need a state-approved course of instruction, but driving a car is nothing, nothing, compared to living day in and day out with a husband and raising up a new human being.’”
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– quoted from Breathing Lessons by Anne Tyler
There is a whole industry built around teaching people how to breathe when they are giving birth. Certain techniques not only lower stress, and therefore trauma, they can also help everyone in the room stay focused on that task at hand – keeping everyone healthy and whole. Funny thing is, proper breathing techniques in our day-to-day lives also lowers stress; decreases our trauma-sensitivity (which means we may have a better recovery experience, even when the initial trauma is significant); and helps us stay focused on the present moment. Research has shown improper breathing leads to physical and mental fatigue, high blood pressure, brain fog, increase stress levels, and (ironically) poor sleep. Some people eat more when they are stressed, others eat less – but, either way, poor breathing can disrupt digestion: the body’s ability to absorb nutrients and expel waste. All of this leads to poor health – something the ancient yogis, Buddhist, and contemplatives documented long ago.
Patanjali specifically states, in yoga sūtra 1.34 that clarity of the mind comes from focusing on the breath. So, take a moment, to notice your breath. If you are not breathing deeply in and breathing deeply out, consider what you need to relax the tension in your body in order to breathe more fully. I’ll give you a hint: start with your belly, your fingers, and your toes… as you breathe through your nose.
“She thought of how she had kept at Fiona, whom pregnancy had turned lackadaisical and vague, so that if it hadn’t been for Maggie she’d have spent her entire third trimester on the coach in front of the TV. Maggie would clap her hands briskly – ‘Okay!’ – and snap off the Love Boat rerun and fling open the curtains, letting sunshine flood the dim air of the living room and the turmoil of rock magazines and Fresca bottles. ‘Time for your pelvic squats!’ she would cry….”
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– quoted from Breathing Lessons by Anne Tyler
Please join me for a 65-minute virtual yoga practice on Zoom today (Sunday, October 25th) at 2:30 PM. I am in the process of updating the links from the “Class Schedules” calendar; however, the Meeting IDs in the calendar are the same and are correct. PLEASE NOTE: Zoom 5.0 is in effect. If you have not upgraded, you will need to give yourself extra time to log into Zoom. You can always request an audio recording of this practice (or any practice) via email or a comment below.
Today’s playlist is available on YouTube and Spotify. [Look for “07192020 Compassion & Peace (J’Accuse!)”]
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)
### BREATHE IN, BREATH OUT ###
This is one way you can hear me SINGING BOUT MY STUFF October 18, 2020
Posted by ajoyfulpractice in "Impossible" People, Art, Bhakti, Books, Changing Perspectives, Confessions, Dharma, Faith, Gratitude, Healing Stories, Health, Hope, Life, Lorraine Hansberry, Meditation, Movies, Music, Mysticism, Ntozake Shange, One Hoop, Pain, Philosophy, Suffering, Tantra, Texas, Wisdom, Women, Writing, Yoga.Tags: Buena Batiste, Caroline Myss, chakras, Lorraine Hansberry, Ntozake Shange, SONY, Texas Instruments
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“Our minds and all that functions through our minds generate a continual stream of micro and macro activities through the complex of our non-stop brain. Our emotions are always active. We are constantly making choices, consciously and unconsciously. And – think about this – our “choices continue to make choices.” How’s that for a thought? But it’s pure truth. And because it’s truth, we need to find a way to evaluate the micro and macro impact of our thoughts, attitudes, belief patterns – the whole of our energetic personality and nature – as the energetic reflection of the landscape of our physical life.”
– quoted from “What Can You Heal in Five Minutes” (from the 2014 Online Salon) by Caroline Myss
The way the world communicated (and was entertained) changed dramatically today in 1954 when Texas Instruments and the Regency Division of Industrial Development Engineering Associates (IDEA Inc.) introduced the Regency Model TR-1, the first commercial transistor radio, to markets in New York and Los Angeles. When the device first went on sale (on November 1st) it cost $49.95 – which was a lot of money back in the 1950’s – but almost 100,000 of the pocket radios were sold in the first year and a technology (as well as an entertainment) revolution had begun.
Prior to the “pocket-sized” TR-1, radios were mostly considered a piece of household furniture. They were essentially big dressers or medium sized jewelry boxes that housed circuitry centered around breakable vacuum tubes. The tubes used a lot of energy, took a long time to warm, and were incredibly fragile. There were “portable” tube radios, but they were about the size and weight of a lunchbox; were powered by several heavy, non-rechargeable batteries; and they didn’t even pretend to be shock resistant. So, few people invested in them. Instead, families huddled around the radio, waited for it to warm-up, and paid attention to the energy output (especially during the war).
No one really thought about listening (or even watching) something they whole family wasn’t going to hear (or see). Furthermore, no one (outside of the electronics industry) really thought about walking around with your personal choice of music, news, podcasts, and other forms of entertainment streaming out of our pockets 24/7. That possibility, that is our reality, became reality because of the introduction of transistors.
Like the old-fashioned vacuum tubes, transistors are devices used to amplify and switch (and also convert) electronic signals and electrical power. Unlike the tubes, transistors are made of semiconductor material which means that that they have an electrical conductivity value which falls between a metal conductor and an insulator (like glass). One of the main benefits to using semiconductor material in electronics is that its ability to conduct electrical current increases as it heats up (meaning its resistivity decreases), which is the opposite of metals. Semiconductor devices, like transistors, offer a lot of versatility and flexibility – especially when you want to pass current in more than one direction – and provided the radios with an “instant-on” capability. All of which allows people to conveniently and quickly share their stories.
“Our psyches are governed by archetypal patterns, containers of myths and symbols that continually feed our unconscious. Our health and well-being feeds off of the stories we tell ourselves, stories that are created, generated, and rooted in our myths. Every person I talk to tells me a story in some way about his or her life and that story inevitably contains at least one symbol or hints at one myth. As each of the participants of the Help Desk told me a bit about themselves, I listened for both the details they were sharing as well as any symbols or metaphors in their descriptions through which I could then identify an archetypal pattern. We can’t stop ourselves from revealing our archetypes. All of these systems that combine to make up each human life need to be understood in terms of how they speak to each other, how they participate in acts of creation, how they interact with the creative mechanisms of our psyche and soul, and how their sensitivities influence the development of physical illnesses. And further, how do we interact with this extraordinary system of life that is US when it comes to healing an illness?
I view the realm of health and healing through this lens now. In fact, it’s more of a parallel reality in that the real power of who we are truly exists in the realm of energy, or our energy field. Our health is regulated by far more than chemicals and nutrition, as we know. But adding on knowledge about the chakras, for instance, is hardly enough to span the spectrum of all that we have come to discover about the depth and width of our interior selves. Speaking about “chakras”, for instance, represents a great deal more than energy dots laid over the physical anatomy. The recognition of our energy anatomy – of energy consciousness itself – represents an entirely different paradigm of how we need to consider the nature of our concept of power.”
– quoted from “What Can You Heal in Five Minutes” (from the 2014 Online Salon) by Caroline Myss
The physical practice of yoga (hatha yoga, regardless of style or tradition) is simultaneously physical-mental, emotional-energetic, and psychic-symbolic. In the same way we are not always aware of how are mind-body communicates with itself and ourselves, we are not always aware of how we are communicating with others. The practice, however, gives us the opportunity to start paying attention to not only how we communicate, but also why we communicate. Every part of our being has a story to tell (and a method to tell it); every part of our story is connected to someone else’s story; and they way the stories are told (or not) determines how we think of the story, the storyteller, and the other players.
Consider, for instance, the story of the transistor radio. If you didn’t know the significance of today and someone mentioned transistor radios, your first thought might not be Texas Instruments or IDEA. Instead, your first thought might be SONY. Because not long after Texas Instruments and IDEA went on to new innovations, a Japanese company rebranded itself and (in 1957) introduced the TR-63, a smaller and cheaper transition radio that conveniently preceded with a global “music” mania. And that mania, is not only the stuff of musical legends, it’s the stuff that makes up the story.
Today is the anniversary of the birth of Ntozake Shange. Born today in 1948, she was an award winning playwright and novelist who changed her name to the Zulu words meaning “she comes with her own things” and “who walks like a lion.” The beginning of her story predates the transistor radio, but it is a definite element in her stories. The remainder of this post is part of a 2018 Kiss My Asana offering.
“somebody/anybody
sing a black girl’s song
bring her out
to know herself
to know you
but sing her rhythms
carin/struggle/hard times”
– The Lady in Brown with all the other Ladies from for colored girls who have considered suicide/when the rainbow is enuf by Ntozake Shange
“somebody almost walked off wid alla my stuff
not my poems or a dance i gave up in the street
but somebody almost walked off wid alla my stuff
like a kleptomaniac workin hard & forgettin while stealin
this is mine!
this aint yr stuff
now why don’t you put me back
& let me hang out in my own
Self”
– The Lady in Green from for colored girls who have considered suicide/when the rainbow is enuf by Ntozake Shange
I said it before, and I’ll say it again: The danger in not telling your story isn’t only that it might not be told, it’s also that someone else might tell your story. Someone else might, to quote the choreopoem, run off with all of your stuff. And, if someone else tells your story, they may (at best) leave out your rhythm, your tone, and what is most important to you. At worse, however, someone else telling your story can objectify you or turn you into a caricature, a living breathing stereotype come to life on the page – or on the stage.
Up until recently, certain individuals had a hard time telling their own stories in a way that they could be heard, seen, and validated. They didn’t have the money, the prestige, or the influence. I say this knowing full well that certain marginalized groups (people of color, women – of almost any color, GLBTQI, people who practice certain faiths, people who have been abused by people with power, the physically disabled, and the mentally disabled…just to name a few) still have a harder time getting their stories told, heard, seen, and validated than people who identify in a way that is not marginalized. Slowly but surely, that is changing. Still, as hard as it is, it would be harder were it not for people like Lorraine Hansberry and Ntozake Shange and works like Hansberry’s A Raisin in the Sun and Shange’s choreopoem for colored girls who have considered suicide/when the rainbow is enuf.
“Write if you will: but write about the world as it is and as you think it ought to be and must be—if there is to be a world. Write about all the things that men have written about since the beginning of writing and talking—but write to a point. Work hard at it, care about it. Write about our people: tell their story. You have something glorious to draw on begging for attention. Don’t pass it up. Don’t pass it up. Use it. Good luck to you. The Nation needs your gifts.”
– from a speech to Readers Digest/United Negro Fund creative writing contest winners (May 1, 1964) by Lorraine Hansberry
Lorraine Hansberry’s A Raisin in the Sun was inspired by real life events. It was also the first play written by a Black woman (and directed by a Black person) to appear on Broadway (1959). At some point during high school, I read excerpts from Lorraine Hansberry’s play What Use Are Flowers? and her autobiography To Be Young, Gifted and Black: Lorraine Hansberry in Her Own Words. Reading her words, I thought, “I could be that. I could write, I could act, and I could represent the world…as I see it.” I can only imagine where I would be if that idea – of being on stage while putting my work on stage – hadn’t been cemented in my mind. But, there it was, an inspiration not unlike the Langston Hughes poem that inspired the title of Hansberry’s most famous play. And, like a raisin in the sun, my dream kinda got deferred.
I auditioned for The Sunshine Boys during my first semester of college. The directors kept asking me to read with different people who were auditioning, which I took as a good sign. Unbeknownst to me, they weren’t considering me for a role on stage. Instead, the directors asked if I would be their assistant. I said yes and then found myself in the role of their stage manager… and their producer and their publicist. Fast forward 7 years and I was working as a professional stage manager for the writer/director who’s most famous play was the second Broadway play written by a Black woman: Ntozake Shange.
“hey man
where are you goin wid alla my stuff?!
this is a woman’s trip & i need my stuff”
– The Lady in Green from for colored girls who have considered suicide/when the rainbow is enuf by Ntozake Shange
In 1974, Shange and four other women started performing the choreopoems that would become for colored girls…. Seventeen years after Hansberry’s Broadway premiere, Shange’s work found its way to the Great White Way. (I say, [It] found its way,” but in truth, Ntozake is (to this day) a force of creative nature and moving across the country was the least of the things she did to shepherd her work.) Twenty years after she wrote and first started to perform the poems, Shange was in Houston directing a revival.
Ntozake Shange was not the first arts and entertainment legend with whom I worked – and she would not be the last – but holy cow did she leave an indelible impression. I worked with her twice and both times I was struck by her unwavering commitment to her own vision. While it is not unusual for a director to be strong, fierce, and artistically determined, she was one of the first woman (not to mention one of the first women of color) with whom I worked who was unapologetic about who she was and what she wanted. Also notable, she saw the world and, therefore, presented the world in a very different way from the mainstream. She was (and is) defiantly herself, singing her songs, dancing to her own rhythms, and – in doing so – giving us permission to do the same.
Everybody has a rhythm, a cadence, a pace of life and one big part of the physical practice of yoga is to find your rhythm and to move to it. Your breath sets your pace, but even within the pace there is room to (physically) harmonize. Find your pace, find you rhythm, and let the movement tell your story.
Please join me for a 65-minute virtual yoga practice on Zoom today (Sunday, October 18th) at 2:30 PM. I am in the process of updating the links from the “Class Schedules” calendar; however, the Meeting IDs in the calendar are the same and are correct. PLEASE NOTE: Zoom 5.0 is in effect. If you have not upgraded, you will need to give yourself extra time to log into Zoom. You can always request an audio recording of this practice (or any practice) via email or a comment below.
Today’s playlist is available on YouTube and Spotify. (This is the playlist “07112020 An Introduction.”)
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)
### “I found god in myself
and i loved her
i loved her fiercely” (NS) ###
Magic? No. Magical? Yes, yes! (*Updated) September 2, 2020
Posted by ajoyfulpractice in "Impossible" People, Art, Books, Changing Perspectives, Donate, Healing Stories, Hope, Karma, Karma Yoga, Life, Movies, Music, One Hoop, Pain, Philosophy, Suffering, Tragedy, TV, Volunteer, Wisdom, Women, Yoga.Tags: Army, breastfeeding, Christa McAuliffe, Cirque du Soleil, David Blaine, Guy Laliberté, inspiration, NASA, One Drop, Pete Docter, Romare Bearden, Salma Hayek, Space Shuttle Challenger, UP, water, World War II
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“The idea came from the idea of escaping the world, actually. For me, there’s definitely days where I feel like I’ve been overwhelmed by people, and I need to get away. So Bob Peterson, who is the lead writer and co-director, he and I were just sitting in a room thinking of ideas. And we were experimenting with this visual idea of a guy in floating house, and it just seemed really intriguing.”
– Pete Docter (b. 10/09/1968), quoted from an AV Club interview (dated 05/28/2009)
Today started with something that wasn’t magic, but it was magical. For reasons unknown to me, David Blaine and his team picked today for his YouTubes Original special Ascension. The stunt, to soar up thousands of feet with helium balloons and then parachute down, took years and planning and even more years of dreaming. Blaine kept saying he was doing it for his 9-year old daughter Dessa, but he was also doing it for everyone who has ever dreamed of flying, soaring, and floating above it all. He said it was amazing. I say that despite all the technology, and maybe because of it, it was magical – and it couldn’t have happened on a better day. Because, to me, September 2nd is all about magical dreams and the inspiring people who make them come true.
“I want to see how life can triumph.”
– Romare Bearden, Artist and Activist
The artist, author, and song writer Romare Bearden was born today in 1911. Perhaps best known for his collages, photomontages, and abstract and Cubist paintings, he originally aspired to be a cartoonist (and even supported himself, for a brief period, as a political cartoonist). While serving in the United States Army during World War II, Sergeant Bearden was part of the all-Black 372nd Infantry Division of the 15th Regiment. While I have read accounts that spent his service in the United States and other accounts saying that he served on the Western Front, one thing is not disputed: during the war, he saw mankind at its worst and he wanted, through his art, to express the humanity he felt was lacking in his wartime experiences.
“There are roads out of the secret place within us which we must all move as we go to touch others.”
– Romare Bearden, Artist and Activist
Of course, it is easy to imagine the atrocities one might have witnessed on the Western Front, but what would an all-Black infantry member experience if they served in the United States? Segregation, prejudice, racism – and this was experienced more by the domestic soldiers than those on the battlefield. While the enlisted men were Black, the officers were primarily white. In addition to the things we normally think of as being segregated during the 1940’s (housing, transportation, food service, church), especially in the South, parades and other ways people in the service were honored were also done separately. The separation and hostility included people who were part of the Officer’s Candidate School in North Carolina (like Sergeant Bearden) and meant that the Black soldiers were sometimes restricted to their bases even when they had time off.
When his service ended, Romare Bearden spent time in New York City and in Paris, where he studied philosophy and the history behind the art he had, primarily, taught himself to create. His work didn’t just depict African-American people; it showed the unity, cooperation, and collaboration within the African-American community. Along with his cousin, Private Charles H. Alston (with whom he also served in the U. S. Army), Emma Amos, Hale Woodruff, and 11 other artists of color, Sergeant Bearden founded the “Spiral” group, which discussed the responsibility of African-American artists to the Civil Rights Movement and “to consider common aesthetic problems.” It was during this same period that he began his collage work and started experiencing great success and recognition through exhibitions in major galleries and museums.
In 1984, four years before his bone cancer-related death, he was paid $90,000 for a 60×13-foot mural, entitled “Pittsburgh Recollections,” which was installed in a Pittsburgh subway station. In 2008, the mural’s value was estimated at $15 million. Two years after his death, the Romare Bearden Foundation was founded “to preserve and perpetuate the legacy of this preeminent American artist.” The non-profit foundation serves as the artist’s estate and has developed grants supporting children, young (emerging) artists, and scholars.
“If you’re offered a seat on a rocket ship, don’t ask what seat. JUST GET ON!”
– Teacher and Astronaut S Christa McAuliffe
Born today in 1948, S Christa McAuliffe was a teacher who became an astronaut – because she was a teacher. At an early age, she was inspired by the “Space Age” astronauts like John Glen. As an adult, she was chosen from over 11,000 applicants to participate in NASA’s 1985 “Teacher in Space” project. She trained to become the first teacher in space and planned to conduct experiments and teach two lesson plans on her first mission aboard the Space Shuttle Challenger. Tragically, the shuttle broke apart 73 seconds after launch killing all seven crew members on January 28, 1986. This American of Irish and Lebanese descent, who was also a mother and wife, was posthumously awarded the Congressional Space Medal of Honor (in 2004). Schools and scholarships have been named in her honor; however, her students remember her for her advice on life:
“Reach for the stars. Reach for it! Push yourself as far as you can.”
– Teacher and Astronaut S Christa McAuliffe
Canada’s first “space tourist” was born today in 1959. Known for reaching for a different kind of stars and pushing himself (and others), Cirque du Soleil co-founder and former CEO Guy Laliberté turned 61 today. He believes in having a greater purpose and in taking risks, which probably explains his penchant for poker playing, but also his success as an entertainer and producer. While he is now billionaire and one of the wealthiest Canadians in the world, he started off as just another kid inspired by the circus. He started off as a busker, a stiltwalker, and a fire-eater, but eventually became a producer.
In addition to curating one of the most innovative and entertaining performing arts companies in the world, he is one of the founders of the non-profit One Drop Foundation, which aims “to ensure sustainable access to safe water and sanitation for the most vulnerable communities through innovative partnerships, creativity and the power of art.” He called his venture into space a “poetic social mission” designed to raise awareness about water issues addressed by One Drop. The foundation’s values are respect, integrity, collaboration, innovation, and fun – the same elements you need for a good circus. Mr. Laliberté said, “Inside every adult there’s still a child that lingers. We’re happiness merchants giving people the opportunity to dream like children.” Of course, to encourage others to dream, one has to dream big; always, always, always, believe in the dream; and have the resources to make it so.
“I am blessed for what I have, but I believed in it from the beginning. Today the dream is the same: I still want to travel, I still want to entertain, and I most certainly want to have fun.”
– Guy Laliberté, Cirque du Soleil co-founder, polker player, and Activist
“Life is tough, and if you have the ability to laugh at it, you have the ability to enjoy it.”
– Salma Hayek, Actor, Director, Producer, and Activist
If I didn’t have all the other birthday people to honor, but I wanted to get across the same advice and inspiration, I would defer to a Mexican-American woman who stands not quite two inches taller than me. Born today in 1966, Salma Valgarma Hayek Jiménez, now Salma Hayak Pinault began her career in the award-winning telenovela Teresa. By 25, she had won an Ariel Award (the Mexican equivalent of an Academy Award) and was ready to take on Hollywood, where she would receive more accolades and critical acclaim. She has appeared in sitcoms, children’s specials, and every imaginable genre of movies.
In 2002, Salma Hayek produced and starred in Frida, a biography of Mexican artist Frida Kahlo, which was directed by Julie Taymor. In addition to paying tribute to her Mexican heritage with Frida, honored her Lebanese heritage by producing (and voicing the character Kamila) the animated movie Kahlil Gibran’s The Prophet. As she continuously racks up awards and nominations for her work as an actor and producer, she has also modeled; worked as an official spokeswoman for Avon and Revlon cosmetics; and worked with Proctor & Gamble Company, in collaboration with UNICEF, to promote the funding of maternal and neonatal tetanus vaccines. She practices yoga and has developed a juice delivery program and her own brand of cosmetics.
In addition to all this and more, Ms. Hayek has had overcome dyslexia, navigated America’s immigration system to become a naturalized citizen, and overcame sexual assault and harassment during one of the high points of her career. Her personal experiences are part of the reason she works to increase awareness about violence against women (even testifying before the United States Senate to support the Violence Against Women Act), donates to anti-domestic abuse shelters and groups (in the United States and Mexico), and is a breastfeeding advocate who once breastfeed a newborn in Sierra Leone when the baby’s mother could not produce milk. She once said, “What is important is to believe in something so strongly that you’re not discouraged.” Inspiring words, for sure! However, I always follow another bit of her advice….
“I act tall!”
– Salma Hayek, Actor, Director, Producer, and Activist
Please join me today (Wednesday, September 2nd) at 4:30 PM or 7:15 PM for a magical-birthday inspired yoga practice on Zoom. Use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You will need to register for the 7:15 PM class if you have not already done so. Give yourself extra time to log in if you have not upgraded to Zoom 5.0. You can request an audio recording of this practice via a comment below.
Wednesday’s playlist is available is available on YouTube and Spotify. (The practice music is the same, but one playlist includes David Blaine’s Ascension and the other includes Romare Bearden’s “Sea Breeze.”)
“People often say that ‘beauty is in the eye of the beholder,’ and I say that the most liberating thing about beauty is realizing that you are the beholder. This empowers us to find beauty in places where others have not dared to look, including inside ourselves.”
– Salma Hayek, Actor, Director, Producer, and Activist
Format updated and quote added 09/2023.
### REACH FOR THE STARS! HAVE FUN. ACT TALL. BEHOLD… & LIFE WILL TRIUMPH ###
Who are you on the inside (outside)? August 8, 2020
Posted by ajoyfulpractice in Books, Changing Perspectives, Movies, Philosophy, TV, Wisdom, Writing.Tags: asana, Dr. Irvin Yalom, Epictetus, inspiration, Jose Ortega y Gasset, Jostein Gaarder, Martin Buber, niyamas, Pandit Rajmani Tigunait, Philosophy, Religion, René Descartes, Sophie's World, truth, yamas, yoga philosophy, yoga practice, Yoga Sutra 2.32
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“Who are you?”
“Where does the world come from?”
– Questions Sophie Amundsen finds in her mailbox in Sophie’s World: A Novel About the History of Philosophy by Jostein Gaarder
In Sophie’s World, 14- (almost 15) year old Sophie Amundsen receives two questions and an odd postcard in her mailbox. Later she receives a packet of papers. The questions are addressed to her, as is the packet. The postcard, however, is odd because it is from Lebanon, has a Norwegian stamp, and is addressed to Hilde Møller Knag – “care of” Sophie. The only problem is that Sophie has never heard of this girl who is her same age. Neither has she heard of Hilde’s father, Albert Knag, who seems to think the girls know each other well enough to exchange mail. Even more curious is that the girls have more in common than an address, an age, and birthdays a month apart – they have similar life circumstances. Sophie is, or course, curious about Hilde and curious about the mail, which turns out to be a survey course in ancient and modern philosophy (through the beginning of the 20th Century). Sophie becomes the philosophy student of Alberto Knox and, in the process, begins a journey not only into philosophy but also into her-self.
“Is there nothing that interests us all? Is there nothing that concerns everyone? Yes, dear Sophie, there are questions that certainly should interest everyone. They are precisely the questions this course is about.
What is the most important thing in life? If we ask someone living on the edge of starvation, the answer is food. If we ask someone dying of cold, the answer is warmth. If we put the same question to someone who feels lonely and isolated, the answer will probably be the company of other people.
But when these basic needs have been satisfied – will there still be something that everyone needs? Philosophers think so. They believe that man cannot live by bread alone. Of course everyone needs food. And everyone needs love and care. But there is something else – apart from that – which everyone needs, and that is to figure out who we are and why we are here. ”
– quoted from the letter in the first packet Sophie Amundsen in Sophie’s World: A Novel About the History of Philosophy by Jostein Gaarder
Born today in 1952 in Oslo, Norway, Jostein Gaarder is the author of novels, short stories and children’s books. He often uses stories within stories to take children and adults on an intellectual journey. In the case of Sophie’s World, which has been translated into at least 53 languages, we take the ultimate journey into the world of philosophy. As I’ve mentioned before, the word philosophy comes to us from Greek, by way of Latin, Old French, and Middle English, from a word that means “love of wisdom.” It is the study of the fundamental nature of knowledge, thought, reality, and existence. It provides a way to think about and understand the world, the universe, and everything. As stated in Wikipedia, it “is the study of general and fundamental questions about existence, knowledge, values, reason, mind, and language.” The most basic question being, “Why?” – Which spirals out of some variation of the questions above.
Throughout the history of the world, people have come at these questions from different directions. René Descartes had his infamous cogito ergo sum – “I think, therefore I am.” José Ortega y Gasset (known for saying “Yo soy yo y mi circunstancia”) took that a step further and said, “I live therefore I think (therefore I am)” – which is a wildly wonderful bit of circular truth. Similar to the Greek stoic philosopher Epictetus (who believed we have no control over our circumstances, only over our reactions to our circumstances), the existential psychiatrist Dr. Irvin Yalom focused on “four givens,” which are experienced by all and with which we define/create our lives. Then there are religious philosophers like Martin Buber, who explored life in the context of the Divine. If you study philosophy, you will find that there is a spectrum of thought and most philosophers are swinging between these different ways of coming at the questions of life. Even more so, though, we are toggling between the two visible sides of life’s cornerstone: what’s happening on the outside and what’s happening on the inside.
This past Wednesday, I mentioned how a cornerstone is the first stone set in the foundation of a structure and how all the other stones are set in reference to the first stone so that the cornerstone determines the overall position of the structure. That being said, when you walk up to a building or structure and look at the cornerstone you will notice that (as it is literally the stone on the corner) you can only see two sides of the stone. When you think of the two sides of the yoga philosophy cornerstone, you find an outside focus (the five yamās) and an inside focus (the five niyamās) – and each of these ten has their own internal and external practice.
Yoga Sūtra 2.32: śaucasantoşatapahsvādhyāyeśvarapraņidhānāni niyamāh
– “Purity (or cleanliness), contentment, austerity (and the practices that lead to austerity), self-study, and a trustful surrender to [the creative source or the constant awareness to the highest reality] are the observances.”
The questions Sophie receives in her mailbox compel her to seek answers. Naturally, she starts within. I say “naturally,” because the book is set in 1990, she’s 14 (almost 15), there’s no internet, and she only has the questions (which are directing her inward). Eventually, she understands the nature of her reality and taps into her own personal will and determination in order to, on a certain level, redefine her reality. In a similar fashion, the five internal observations which make up the second limb of the philosophy of yoga compel the yoga practitioner / philosopher to turn inward, take a look at themselves, and (in the process) take a look at the world and their part in defining it.
I’ve mentioned before that, although the yamās are sometimes referred to as external restraints and very clearly outline a code of conduct towards the world, all practices start with the person practicing. What I mean by this is that we first practice non-violence and non-harming (ahimsā) with ourselves. On the yoga mat, that looks like being mindful of our physical and mental state so that we practice in a safe way even when we are being pushed and challenged to practice on the edge. I think it was Dharma Mittra who said you should breathe and practice as if you are on the edge of a cliff. My apologizes if I have mixed up where I heard this great piece of advice, but I bring it up to point out that the teacher who said it didn’t advise breathing and practicing on the edge of cliff – that would be dangerous! Instead, the advice is to be mindful. Also, to be mindful requires being honest; which means, ahimsās leads directly to satyā (the second yamā).The yoga mat is a place to be mindful about how you interact with yourself so that you are also mindful of how you interact with others.
At first glance, the five niyamās may seem to be things you would only practice on your own. To some, they might even appear to have no bearing on the way we interact with others. Go a little deeper, however, and we find that the internal observations are like Alberto Knox guiding Sophie through the history of philosophy and therefore through different ways we can look at our lives (not to mention different ways to live our lives).
“Basically there are not many philosophical questions to ask. We have already asked some of the most important ones. But history presents us with many different answers to each question. So it is easier to ask philosophical questions than to answer them.”
– quoted from the letter in the first packet Sophie Amundsen in Sophie’s World: A Novel About the History of Philosophy by Jostein Gaarder
When it comes to śauca (cleanliness or “purity”) and the physical practice of yoga, I often focus on how the movement and the poses are a way to detoxify the body. What I miss by doing that, however, is the opportunity to reflect on how the movement and the poses purify the mind. Consider how clean, clutter-free, your mind is after your practice. Now consider how when your mind and body are clean, inside and out, you are less likely to clutter them. Consider also how, over time, the practice of cleanliness related to your mind-body translates into a desire to de-clutter your space and even your life. Even more importantly, consider how, over time, you not only have the desire to clean up – you also have the energy and the will. Therefore, the internal observation becomes a process and a state achieved through the process.
Just as practicing ahimsā (“non-violence”/non-harming) leads directly to the other yamās, practicing śauca leads to the other niyamās. For example, Pandit Rajmani Tigunait, PhD., explains santosha (“contentment”) as “Not desiring more than we have” – which is hard to do when we are surrounded by so much stuff and filled with the physical and mental desire to have more stuff. Once we commit to the practice, we notice that it requires discipline and austerity (which are ways you can translate tapas). Furthermore, as these are all processes as well as states that are cultivated through the processes, there is a constant need to pay attention to how you are feeling, thinking, speaking, and acting – which is not only self-study (svādhyāya), but also another rubric for how to practice.
“The world is not comprehensible, but it is embraceable: through the embracing of one of its beings.”
– quoted from “With a monist” published in Pointing the Way: Collected Essays by Martin Buber
Please join me for a 90-minute virtual yoga practice on Zoom today (Saturday, August 8th) at 12:00 PM, when we will literally and virtually embrace ourselves, in order to embrace the world. You can use the link from the “Class Schedules” calendar if you run into any problems checking into the class. Give yourself extra time to log in if you have not upgraded to Zoom 5.0.
Today’s playlist is available on YouTube and Spotify. (This is the “04262020 Philosophy of Locks” playlist.)
As I have had a death in my family, I will not be teaching on Sunday (8/9) of this week, but I will send a recording of today’s class to anyone on my Zoom class email lists. Please keep an eye on the “Class Schedules” calendar (see link above) as I am not yet sure which classes I will be able to teach next week.
You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.
“So now you must choose… Are you a child who has not yet become world-weary? Or are you a philosopher who will vow never to become so? To children, the world and everything in it is new, something that gives rise to astonishment. It is not like that for adults. Most adults accept the world as a matter of course. This is precisely where philosophers are a notable exception. A philosopher never gets quite used to the world. To him or her, the world continues to seem a bit unreasonable – bewildering, even enigmatic. Philosophers and small children thus have an important faculty in common. The only thing we require to be good philosophers is the faculty of wonder…”
– quoted from Sophie’s World: A Novel About the History of Philosophy by Jostein Gaarder
Full disclosure: Jostein Gaarder is an environmental activist who named an environmental development prize after the character of his most famous novel/children’s book. The international award of $100,000 (USD) was issued to people and organizations working with the environment and sustainable development (1998 – 2013). He has also made some polarizing political statements – statements which can easily be seen as anti-Semitic (unless, of course, that is your blind spot).
Edited August 2023.
A Joyful Practice 