First Step: Breathe In, Second Step: Breathe Out October 25, 2020

Posted by ajoyfulpractice in Books, Buddhism, Changing Perspectives, Healing Stories, Life, Loss, Love, Meditation, Minneapolis, Minnesota, Movies, One Hoop, Philosophy, Science, Twin Cities, Vipassana, Wisdom, Writing, Yoga.
Tags: Anne Tyler, pranayama, prenatal, yoga, yoga sutra 1.34
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“People always call it luck when you’ve acted more sensibly than they have.”

– Anne Tyler

Anne Tyler, born today in 1941, in Minneapolis, Minnesota, grew up in a way that was very different from the way most people reading this grew up. Her family was Quaker and she spent much of her childhood in intentional communities, where people raised their own food, created folk art, and sang traditional music. It wasn’t just the level of community that made life different, it was that every interaction – with herself, the environment, and the world – was different than it was when her family left commune-life. For instance, Anne Tyler was 11 years old before she used a telephone, went to public school, or regularly wore shoes.

Even though I also moved around a lot as a child, my life experiences were very, very different. Some differences could be easily attributed to race and education (one of the motivating factors behind our moves was that my father was earning his PhD), but then you have to explain some of the similarities – like our love of reading and writing, and our habit of observing people in order to tell their stories. If you take a moment to think about it, you too could categorize all many of ways in which you are also different from us…. But, then, what about the similarities.

“Missouri made an exasperated face. ‘You don’t know,’ she told her. ‘You don’t know how it would work out. Bravest thing about people, Miss Joan, is how they go on loving mortal beings after finding out there’s such a thing as dying. Do I have to tell you that?’”

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– quoted from The Tin Can Tree by Anne Tyler

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“‘Everything,’ his father said, ‘comes down to time in the end – to the passing of time, to changing. Ever thought of that? Anything that makes you happy or sad, isn’t it all based on minutes going by? Isn’t sadness wishing time back again? Even big things – even mourning a death: aren’t you really just wishing to have the time back when that person was alive? Or photos – ever notice old photographs? How wistful they make you feel? … Isn’t it just that time for once is stopped that makes you wistful? If only you could turn it back again, you think. If only you could change this or that, undo what you have done, if only you could roll the minutes the other way, for once.’”

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– quoted from Dinner at the Homesick Restaurant by Anne Tyler

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“You wouldn’t question your sanity, because you couldn’t bear to think it wasn’t real. And you certainly wouldn’t demand explanations, or alert anybody nearby, or reach out to touch this person, not even if you’d been feeling that one touch was worth giving up everything for. You would hold your breath. You would keep as still as possible. You would will your loved one not to go away again.”

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– quoted from The Beginner’s Goodbye

As different as our circumstances, our appearances, and personalities – and therefore our lives may be – there are certain things we all have in common. We all live and die, love and are loved, experience great wins and great loss. We are also, to paraphrase First Lady Eleanor Roosevelt, all in this together – even when we feel alone, isolated, and going through things we can’t imagine anyone else understanding. Yet, here we sit and stand and lie – here we are, struggling together and apart; finding our way together, even though we are apart.

Over the last few days, I spoke to some friends and we reflected on what how we’re getting through our current circumstances and constant changes versus how we were getting things in the middle of March… or the end of May and the beginning of July. Even with all of our differences and distances, we can all chart the highs and lows of what LG and S call the “coronacoaster.” I mentioned that at the beginning – or at what some might refer to as “the end of before” – I was firmly entrenched in the group of people who emotionally wanted bits of before, something familiar. By April, however, my body wanted (and needed) something a little different – but my mind wasn’t completely on board. So, I had to figure out how to compromise and navigate the conflict – just as if my body and mind were an old married couple (or new friends) suddenly finding themselves in lockdown together.

Then there were more changes, more challenges, more conflicts, and more compromises. And, through it all, I did the same thing you did – I kept breathing. What was helpful (and continues to be helpful), above and beyond everything else, was knowing how to breath and being surrounded by people who also were focused on knowing how to breathe. Breath, after all, is life. It’s not enough just to breathe, however, because how we breathe determines how we live.

“‘Breathing lessons – really,’ [Fiona] said, dropping to the floor with a thud. ‘Don’t they reckon I must know how to breathe by now?’”

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– quoted from Breathing Lessons by Anne Tyler

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“‘Oh honey, you’re just lucky they offer such things,’ Maggie told her…. ‘I mean you’re given all these lessons for the unimportant things–piano-playing, typing. You’re given years and years of lessons in how to balance equations, which Lord knows you will never have to do in normal life. But how about parenthood? Or marriage, either, come to think of it. Before you can drive a car you need a state-approved course of instruction, but driving a car is nothing, nothing, compared to living day in and day out with a husband and raising up a new human being.’”

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– quoted from Breathing Lessons by Anne Tyler

There is a whole industry built around teaching people how to breathe when they are giving birth. Certain techniques not only lower stress, and therefore trauma, they can also help everyone in the room stay focused on that task at hand – keeping everyone healthy and whole. Funny thing is, proper breathing techniques in our day-to-day lives also lowers stress; decreases our trauma-sensitivity (which means we may have a better recovery experience, even when the initial trauma is significant); and helps us stay focused on the present moment. Research has shown improper breathing leads to physical and mental fatigue, high blood pressure, brain fog, increase stress levels, and (ironically) poor sleep. Some people eat more when they are stressed, others eat less – but, either way, poor breathing can disrupt digestion: the body’s ability to absorb nutrients and expel waste. All of this leads to poor health – something the ancient yogis, Buddhist, and contemplatives documented long ago.

Patanjali specifically states, in yoga sūtra 1.34 that clarity of the mind comes from focusing on the breath. So, take a moment, to notice your breath. If you are not breathing deeply in and breathing deeply out, consider what you need to relax the tension in your body in order to breathe more fully. I’ll give you a hint: start with your belly, your fingers, and your toes… as you breathe through your nose.

“She thought of how she had kept at Fiona, whom pregnancy had turned lackadaisical and vague, so that if it hadn’t been for Maggie she’d have spent her entire third trimester on the coach in front of the TV. Maggie would clap her hands briskly – ‘Okay!’ – and snap off the Love Boat rerun and fling open the curtains, letting sunshine flood the dim air of the living room and the turmoil of rock magazines and Fresca bottles. ‘Time for your pelvic squats!’ she would cry….”

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– quoted from Breathing Lessons by Anne Tyler

Please join me for a 65-minute virtual yoga practice on Zoom today (Sunday, October 25^th) at 2:30 PM. I am in the process of updating the links from the “Class Schedules” calendar; however, the Meeting IDs in the calendar are the same and are correct. PLEASE NOTE: Zoom 5.0 is in effect. If you have not upgraded, you will need to give yourself extra time to log into Zoom. You can always request an audio recording of this practice (or any practice) via email or a comment below.

Today’s playlist is available on YouTube and Spotify. [Look for “07192020 Compassion & Peace (J’Accuse!)”]

In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)

### BREATHE IN, BREATH OUT ###

This is one way you can hear me SINGING BOUT MY STUFF October 18, 2020

Posted by ajoyfulpractice in "Impossible" People, Art, Bhakti, Books, Changing Perspectives, Confessions, Dharma, Faith, Gratitude, Healing Stories, Health, Hope, Life, Lorraine Hansberry, Meditation, Movies, Music, Mysticism, Ntozake Shange, One Hoop, Pain, Philosophy, Suffering, Tantra, Texas, Wisdom, Women, Writing, Yoga.
Tags: Buena Batiste, Caroline Myss, chakras, Lorraine Hansberry, Ntozake Shange, SONY, Texas Instruments
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“Our minds and all that functions through our minds generate a continual stream of micro and macro activities through the complex of our non-stop brain. Our emotions are always active. We are constantly making choices, consciously and unconsciously. And – think about this – our “choices continue to make choices.” How’s that for a thought? But it’s pure truth. And because it’s truth, we need to find a way to evaluate the micro and macro impact of our thoughts, attitudes, belief patterns – the whole of our energetic personality and nature – as the energetic reflection of the landscape of our physical life.”

– quoted from “What Can You Heal in Five Minutes” (from the 2014 Online Salon) by Caroline Myss

The way the world communicated (and was entertained) changed dramatically today in 1954 when Texas Instruments and the Regency Division of Industrial Development Engineering Associates (IDEA Inc.) introduced the Regency Model TR-1, the first commercial transistor radio, to markets in New York and Los Angeles. When the device first went on sale (on November 1^st) it cost $49.95 – which was a lot of money back in the 1950’s – but almost 100,000 of the pocket radios were sold in the first year and a technology (as well as an entertainment) revolution had begun.

Prior to the “pocket-sized” TR-1, radios were mostly considered a piece of household furniture. They were essentially big dressers or medium sized jewelry boxes that housed circuitry centered around breakable vacuum tubes. The tubes used a lot of energy, took a long time to warm, and were incredibly fragile. There were “portable” tube radios, but they were about the size and weight of a lunchbox; were powered by several heavy, non-rechargeable batteries; and they didn’t even pretend to be shock resistant. So, few people invested in them. Instead, families huddled around the radio, waited for it to warm-up, and paid attention to the energy output (especially during the war).

No one really thought about listening (or even watching) something they whole family wasn’t going to hear (or see). Furthermore, no one (outside of the electronics industry) really thought about walking around with your personal choice of music, news, podcasts, and other forms of entertainment streaming out of our pockets 24/7. That possibility, that is our reality, became reality because of the introduction of transistors.

Like the old-fashioned vacuum tubes, transistors are devices used to amplify and switch (and also convert) electronic signals and electrical power. Unlike the tubes, transistors are made of semiconductor material which means that that they have an electrical conductivity value which falls between a metal conductor and an insulator (like glass). One of the main benefits to using semiconductor material in electronics is that its ability to conduct electrical current increases as it heats up (meaning its resistivity decreases), which is the opposite of metals. Semiconductor devices, like transistors, offer a lot of versatility and flexibility – especially when you want to pass current in more than one direction – and provided the radios with an “instant-on” capability. All of which allows people to conveniently and quickly share their stories.

“Our psyches are governed by archetypal patterns, containers of myths and symbols that continually feed our unconscious. Our health and well-being feeds off of the stories we tell ourselves, stories that are created, generated, and rooted in our myths. Every person I talk to tells me a story in some way about his or her life and that story inevitably contains at least one symbol or hints at one myth. As each of the participants of the Help Desk told me a bit about themselves, I listened for both the details they were sharing as well as any symbols or metaphors in their descriptions through which I could then identify an archetypal pattern. We can’t stop ourselves from revealing our archetypes. All of these systems that combine to make up each human life need to be understood in terms of how they speak to each other, how they participate in acts of creation, how they interact with the creative mechanisms of our psyche and soul, and how their sensitivities influence the development of physical illnesses. And further, how do we interact with this extraordinary system of life that is US when it comes to healing an illness?

I view the realm of health and healing through this lens now. In fact, it’s more of a parallel reality in that the real power of who we are truly exists in the realm of energy, or our energy field. Our health is regulated by far more than chemicals and nutrition, as we know. But adding on knowledge about the chakras, for instance, is hardly enough to span the spectrum of all that we have come to discover about the depth and width of our interior selves. Speaking about “chakras”, for instance, represents a great deal more than energy dots laid over the physical anatomy. The recognition of our energy anatomy – of energy consciousness itself – represents an entirely different paradigm of how we need to consider the nature of our concept of power.”

– quoted from “What Can You Heal in Five Minutes” (from the 2014 Online Salon) by Caroline Myss

The physical practice of yoga (hatha yoga, regardless of style or tradition) is simultaneously physical-mental, emotional-energetic, and psychic-symbolic. In the same way we are not always aware of how are mind-body communicates with itself and ourselves, we are not always aware of how we are communicating with others. The practice, however, gives us the opportunity to start paying attention to not only how we communicate, but also why we communicate. Every part of our being has a story to tell (and a method to tell it); every part of our story is connected to someone else’s story; and they way the stories are told (or not) determines how we think of the story, the storyteller, and the other players.

Consider, for instance, the story of the transistor radio. If you didn’t know the significance of today and someone mentioned transistor radios, your first thought might not be Texas Instruments or IDEA. Instead, your first thought might be SONY. Because not long after Texas Instruments and IDEA went on to new innovations, a Japanese company rebranded itself and (in 1957) introduced the TR-63, a smaller and cheaper transition radio that conveniently preceded with a global “music” mania. And that mania, is not only the stuff of musical legends, it’s the stuff that makes up the story.

Today is the anniversary of the birth of Ntozake Shange. Born today in 1948, she was an award winning playwright and novelist who changed her name to the Zulu words meaning “she comes with her own things” and “who walks like a lion.” The beginning of her story predates the transistor radio, but it is a definite element in her stories. The remainder of this post is part of a 2018 Kiss My Asana offering.

“somebody/anybody
sing a black girl’s song
bring her out
to know herself
to know you
but sing her rhythms
carin/struggle/hard times”

– The Lady in Brown with all the other Ladies from for colored girls who have considered suicide/when the rainbow is enuf by Ntozake Shange

“somebody almost walked off wid alla my stuff

not my poems or a dance i gave up in the street

but somebody almost walked off wid alla my stuff

like a kleptomaniac workin hard & forgettin while stealin

this is mine!

this aint yr stuff

now why don’t you put me back

& let me hang out in my own

Self”

– The Lady in Green from for colored girls who have considered suicide/when the rainbow is enuf by Ntozake Shange

I said it before, and I’ll say it again: The danger in not telling your story isn’t only that it might not be told, it’s also that someone else might tell your story. Someone else might, to quote the choreopoem, run off with all of your stuff. And, if someone else tells your story, they may (at best) leave out your rhythm, your tone, and what is most important to you. At worse, however, someone else telling your story can objectify you or turn you into a caricature, a living breathing stereotype come to life on the page – or on the stage.

Up until recently, certain individuals had a hard time telling their own stories in a way that they could be heard, seen, and validated. They didn’t have the money, the prestige, or the influence. I say this knowing full well that certain marginalized groups (people of color, women – of almost any color, GLBTQI, people who practice certain faiths, people who have been abused by people with power, the physically disabled, and the mentally disabled…just to name a few) still have a harder time getting their stories told, heard, seen, and validated than people who identify in a way that is not marginalized. Slowly but surely, that is changing. Still, as hard as it is, it would be harder were it not for people like Lorraine Hansberry and Ntozake Shange and works like Hansberry’s A Raisin in the Sun and Shange’s choreopoem for colored girls who have considered suicide/when the rainbow is enuf.

“Write if you will: but write about the world as it is and as you think it ought to be and must be—if there is to be a world. Write about all the things that men have written about since the beginning of writing and talking—but write to a point. Work hard at it, care about it. Write about our people: tell their story. You have something glorious to draw on begging for attention. Don’t pass it up. Don’t pass it up. Use it. Good luck to you. The Nation needs your gifts.”

– from a speech to Readers Digest/United Negro Fund creative writing contest winners (May 1, 1964) by Lorraine Hansberry

Lorraine Hansberry’s A Raisin in the Sun was inspired by real life events. It was also the first play written by a Black woman (and directed by a Black person) to appear on Broadway (1959). At some point during high school, I read excerpts from Lorraine Hansberry’s play What Use Are Flowers? and her autobiography To Be Young, Gifted and Black: Lorraine Hansberry in Her Own Words. Reading her words, I thought, “I could be that. I could write, I could act, and I could represent the world…as I see it.” I can only imagine where I would be if that idea – of being on stage while putting my work on stage – hadn’t been cemented in my mind. But, there it was, an inspiration not unlike the Langston Hughes poem that inspired the title of Hansberry’s most famous play. And, like a raisin in the sun, my dream kinda got deferred.

I auditioned for The Sunshine Boys during my first semester of college. The directors kept asking me to read with different people who were auditioning, which I took as a good sign. Unbeknownst to me, they weren’t considering me for a role on stage. Instead, the directors asked if I would be their assistant. I said yes and then found myself in the role of their stage manager… and their producer and their publicist. Fast forward 7 years and I was working as a professional stage manager for the writer/director who’s most famous play was the second Broadway play written by a Black woman: Ntozake Shange.

“hey man

where are you goin wid alla my stuff?!

this is a woman’s trip & i need my stuff”

– The Lady in Green from for colored girls who have considered suicide/when the rainbow is enuf by Ntozake Shange

In 1974, Shange and four other women started performing the choreopoems that would become for colored girls…. Seventeen years after Hansberry’s Broadway premiere, Shange’s work found its way to the Great White Way. (I say, [It] found its way,” but in truth, Ntozake is (to this day) a force of creative nature and moving across the country was the least of the things she did to shepherd her work.) Twenty years after she wrote and first started to perform the poems, Shange was in Houston directing a revival.

Ntozake Shange was not the first arts and entertainment legend with whom I worked – and she would not be the last – but holy cow did she leave an indelible impression. I worked with her twice and both times I was struck by her unwavering commitment to her own vision. While it is not unusual for a director to be strong, fierce, and artistically determined, she was one of the first woman (not to mention one of the first women of color) with whom I worked who was unapologetic about who she was and what she wanted. Also notable, she saw the world and, therefore, presented the world in a very different way from the mainstream. She was (and is) defiantly herself, singing her songs, dancing to her own rhythms, and – in doing so – giving us permission to do the same.

Everybody has a rhythm, a cadence, a pace of life and one big part of the physical practice of yoga is to find your rhythm and to move to it. Your breath sets your pace, but even within the pace there is room to (physically) harmonize. Find your pace, find you rhythm, and let the movement tell your story.

Please join me for a 65-minute virtual yoga practice on Zoom today (Sunday, October 18^th) at 2:30 PM. I am in the process of updating the links from the “Class Schedules” calendar; however, the Meeting IDs in the calendar are the same and are correct. PLEASE NOTE: Zoom 5.0 is in effect. If you have not upgraded, you will need to give yourself extra time to log into Zoom. You can always request an audio recording of this practice (or any practice) via email or a comment below.

Today’s playlist is available on YouTube and Spotify. (This is the playlist “07112020 An Introduction.”)

### “I found god in myself
and i loved her
i loved her fiercely” (NS) ###

Magic? No. Magical? Yes, yes! (Updated) September 2, 2020*

Posted by ajoyfulpractice in "Impossible" People, Art, Books, Changing Perspectives, Donate, Healing Stories, Hope, Karma, Karma Yoga, Life, Movies, Music, One Hoop, Pain, Philosophy, Suffering, Tragedy, TV, Volunteer, Wisdom, Women, Yoga.
Tags: Army, breastfeeding, Christa McAuliffe, Cirque du Soleil, David Blaine, Guy Laliberté, inspiration, NASA, One Drop, Pete Docter, Romare Bearden, Salma Hayek, Space Shuttle Challenger, UP, water, World War II
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“The idea came from the idea of escaping the world, actually. For me, there’s definitely days where I feel like I’ve been overwhelmed by people, and I need to get away. So Bob Peterson, who is the lead writer and co-director, he and I were just sitting in a room thinking of ideas. And we were experimenting with this visual idea of a guy in floating house, and it just seemed really intriguing.”

– Pete Docter (b. 10/09/1968), quoted from an AV Club interview (dated 05/28/2009)

Today started with something that wasn’t magic, but it was magical. For reasons unknown to me, David Blaine and his team picked today for his YouTubes Original special Ascension. The stunt, to soar up thousands of feet with helium balloons and then parachute down, took years and planning and even more years of dreaming. Blaine kept saying he was doing it for his 9-year old daughter Dessa, but he was also doing it for everyone who has ever dreamed of flying, soaring, and floating above it all. He said it was amazing. I say that despite all the technology, and maybe because of it, it was magical – and it couldn’t have happened on a better day. Because, to me, September 2^nd is all about magical dreams and the inspiring people who make them come true.

“I want to see how life can triumph.”

– Romare Bearden, Artist and Activist

The artist, author, and song writer Romare Bearden was born today in 1911. Perhaps best known for his collages, photomontages, and abstract and Cubist paintings, he originally aspired to be a cartoonist (and even supported himself, for a brief period, as a political cartoonist). While serving in the United States Army during World War II, Sergeant Bearden was part of the all-Black 372^nd Infantry Division of the 15^th Regiment. While I have read accounts that spent his service in the United States and other accounts saying that he served on the Western Front, one thing is not disputed: during the war, he saw mankind at its worst and he wanted, through his art, to express the humanity he felt was lacking in his wartime experiences.

“There are roads out of the secret place within us which we must all move as we go to touch others.”

– Romare Bearden, Artist and Activist

Of course, it is easy to imagine the atrocities one might have witnessed on the Western Front, but what would an all-Black infantry member experience if they served in the United States? Segregation, prejudice, racism – and this was experienced more by the domestic soldiers than those on the battlefield. While the enlisted men were Black, the officers were primarily white. In addition to the things we normally think of as being segregated during the 1940’s (housing, transportation, food service, church), especially in the South, parades and other ways people in the service were honored were also done separately. The separation and hostility included people who were part of the Officer’s Candidate School in North Carolina (like Sergeant Bearden) and meant that the Black soldiers were sometimes restricted to their bases even when they had time off.

When his service ended, Romare Bearden spent time in New York City and in Paris, where he studied philosophy and the history behind the art he had, primarily, taught himself to create. His work didn’t just depict African-American people; it showed the unity, cooperation, and collaboration within the African-American community. Along with his cousin, Private Charles H. Alston (with whom he also served in the U. S. Army), Emma Amos, Hale Woodruff, and 11 other artists of color, Sergeant Bearden founded the “Spiral” group, which discussed the responsibility of African-American artists to the Civil Rights Movement and “to consider common aesthetic problems.” It was during this same period that he began his collage work and started experiencing great success and recognition through exhibitions in major galleries and museums.

In 1984, four years before his bone cancer-related death, he was paid $90,000 for a 60×13-foot mural, entitled “Pittsburgh Recollections,” which was installed in a Pittsburgh subway station. In 2008, the mural’s value was estimated at $15 million. Two years after his death, the Romare Bearden Foundation was founded “to preserve and perpetuate the legacy of this preeminent American artist.” The non-profit foundation serves as the artist’s estate and has developed grants supporting children, young (emerging) artists, and scholars.

“If you’re offered a seat on a rocket ship, don’t ask what seat. JUST GET ON!”

– Teacher and Astronaut S Christa McAuliffe

Born today in 1948, S Christa McAuliffe was a teacher who became an astronaut – because she was a teacher. At an early age, she was inspired by the “Space Age” astronauts like John Glen. As an adult, she was chosen from over 11,000 applicants to participate in NASA’s 1985 “Teacher in Space” project. She trained to become the first teacher in space and planned to conduct experiments and teach two lesson plans on her first mission aboard the Space Shuttle Challenger. Tragically, the shuttle broke apart 73 seconds after launch killing all seven crew members on January 28, 1986. This American of Irish and Lebanese descent, who was also a mother and wife, was posthumously awarded the Congressional Space Medal of Honor (in 2004). Schools and scholarships have been named in her honor; however, her students remember her for her advice on life:

“Reach for the stars. Reach for it! Push yourself as far as you can.”

– Teacher and Astronaut S Christa McAuliffe

Canada’s first “space tourist” was born today in 1959. Known for reaching for a different kind of stars and pushing himself (and others), Cirque du Soleil co-founder and former CEO Guy Laliberté turned 61 today. He believes in having a greater purpose and in taking risks, which probably explains his penchant for poker playing, but also his success as an entertainer and producer. While he is now billionaire and one of the wealthiest Canadians in the world, he started off as just another kid inspired by the circus. He started off as a busker, a stiltwalker, and a fire-eater, but eventually became a producer.

In addition to curating one of the most innovative and entertaining performing arts companies in the world, he is one of the founders of the non-profit One Drop Foundation, which aims “to ensure sustainable access to safe water and sanitation for the most vulnerable communities through innovative partnerships, creativity and the power of art.” He called his venture into space a “poetic social mission” designed to raise awareness about water issues addressed by One Drop. The foundation’s values are respect, integrity, collaboration, innovation, and fun – the same elements you need for a good circus. Mr. Laliberté said, “Inside every adult there’s still a child that lingers. We’re happiness merchants giving people the opportunity to dream like children.” Of course, to encourage others to dream, one has to dream big; always, always, always, believe in the dream; and have the resources to make it so.

“I am blessed for what I have, but I believed in it from the beginning. Today the dream is the same: I still want to travel, I still want to entertain, and I most certainly want to have fun.”

– Guy Laliberté, Cirque du Soleil co-founder, polker player, and Activist

“Life is tough, and if you have the ability to laugh at it, you have the ability to enjoy it.”

– Salma Hayek, Actor, Director, Producer, and Activist

If I didn’t have all the other birthday people to honor, but I wanted to get across the same advice and inspiration, I would defer to a Mexican-American woman who stands not quite two inches taller than me. Born today in 1966, Salma Valgarma Hayek Jiménez, now Salma Hayak Pinault began her career in the award-winning telenovela Teresa. By 25, she had won an Ariel Award (the Mexican equivalent of an Academy Award) and was ready to take on Hollywood, where she would receive more accolades and critical acclaim. She has appeared in sitcoms, children’s specials, and every imaginable genre of movies.

In 2002, Salma Hayek produced and starred in Frida, a biography of Mexican artist Frida Kahlo, which was directed by Julie Taymor. In addition to paying tribute to her Mexican heritage with Frida, honored her Lebanese heritage by producing (and voicing the character Kamila) the animated movie Kahlil Gibran’s The Prophet. As she continuously racks up awards and nominations for her work as an actor and producer, she has also modeled; worked as an official spokeswoman for Avon and Revlon cosmetics; and worked with Proctor & Gamble Company, in collaboration with UNICEF, to promote the funding of maternal and neonatal tetanus vaccines. She practices yoga and has developed a juice delivery program and her own brand of cosmetics.

In addition to all this and more, Ms. Hayek has had overcome dyslexia, navigated America’s immigration system to become a naturalized citizen, and overcame sexual assault and harassment during one of the high points of her career. Her personal experiences are part of the reason she works to increase awareness about violence against women (even testifying before the United States Senate to support the Violence Against Women Act), donates to anti-domestic abuse shelters and groups (in the United States and Mexico), and is a breastfeeding advocate who once breastfeed a newborn in Sierra Leone when the baby’s mother could not produce milk. She once said, “What is important is to believe in something so strongly that you’re not discouraged.” Inspiring words, for sure! However, I always follow another bit of her advice….

“I act tall!”

– Salma Hayek, Actor, Director, Producer, and Activist

Please join me today (Wednesday, September 2^nd) at 4:30 PM or 7:15 PM for a magical-birthday inspired yoga practice on Zoom. Use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You will need to register for the 7:15 PM class if you have not already done so. Give yourself extra time to log in if you have not upgraded to Zoom 5.0. You can request an audio recording of this practice via a comment below.

Wednesday’s playlist is available is available on YouTube and Spotify. (The practice music is the same, but one playlist includes David Blaine’s Ascension and the other includes Romare Bearden’s “Sea Breeze.”)

Romare Bearden’s “Sea Breeze”

David Blaine

“People often say that ‘beauty is in the eye of the beholder,’ and I say that the most liberating thing about beauty is realizing that you are the beholder. This empowers us to find beauty in places where others have not dared to look, including inside ourselves.”

– Salma Hayek, Actor, Director, Producer, and Activist

Format updated and quote added 09/2023.

### REACH FOR THE STARS! HAVE FUN. ACT TALL. BEHOLD… & LIFE WILL TRIUMPH ###

Who are you on the inside (outside)? August 8, 2020
Posted by ajoyfulpractice in Books, Changing Perspectives, Movies, Philosophy, TV, Wisdom, Writing.
Tags: asana, Dr. Irvin Yalom, Epictetus, inspiration, Jose Ortega y Gasset, Jostein Gaarder, Martin Buber, niyamas, Pandit Rajmani Tigunait, Philosophy, Religion, René Descartes, Sophie's World, truth, yamas, yoga philosophy, yoga practice, Yoga Sutra 2.32
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“Who are you?”

“Where does the world come from?”

– Questions Sophie Amundsen finds in her mailbox in Sophie’s World: A Novel About the History of Philosophy by Jostein Gaarder

In Sophie’s World, 14- (almost 15) year old Sophie Amundsen receives two questions and an odd postcard in her mailbox. Later she receives a packet of papers. The questions are addressed to her, as is the packet. The postcard, however, is odd because it is from Lebanon, has a Norwegian stamp, and is addressed to Hilde Møller Knag – “care of” Sophie. The only problem is that Sophie has never heard of this girl who is her same age. Neither has she heard of Hilde’s father, Albert Knag, who seems to think the girls know each other well enough to exchange mail. Even more curious is that the girls have more in common than an address, an age, and birthdays a month apart – they have similar life circumstances. Sophie is, or course, curious about Hilde and curious about the mail, which turns out to be a survey course in ancient and modern philosophy (through the beginning of the 20^th Century). Sophie becomes the philosophy student of Alberto Knox and, in the process, begins a journey not only into philosophy but also into her-self.

“Is there nothing that interests us all? Is there nothing that concerns everyone? Yes, dear Sophie, there are questions that certainly should interest everyone. They are precisely the questions this course is about.

What is the most important thing in life? If we ask someone living on the edge of starvation, the answer is food. If we ask someone dying of cold, the answer is warmth. If we put the same question to someone who feels lonely and isolated, the answer will probably be the company of other people.

But when these basic needs have been satisfied – will there still be something that everyone needs? Philosophers think so. They believe that man cannot live by bread alone. Of course everyone needs food. And everyone needs love and care. But there is something else – apart from that – which everyone needs, and that is to figure out who we are and why we are here. ”

– quoted from the letter in the first packet Sophie Amundsen in Sophie’s World: A Novel About the History of Philosophy by Jostein Gaarder

Born today in 1952 in Oslo, Norway, Jostein Gaarder is the author of novels, short stories and children’s books. He often uses stories within stories to take children and adults on an intellectual journey. In the case of Sophie’s World, which has been translated into at least 53 languages, we take the ultimate journey into the world of philosophy. As I’ve mentioned before, the word philosophy comes to us from Greek, by way of Latin, Old French, and Middle English, from a word that means “love of wisdom.” It is the study of the fundamental nature of knowledge, thought, reality, and existence. It provides a way to think about and understand the world, the universe, and everything. As stated in Wikipedia, it “is the study of general and fundamental questions about existence, knowledge, values, reason, mind, and language.” The most basic question being, “Why?” – Which spirals out of some variation of the questions above.

Throughout the history of the world, people have come at these questions from different directions. René Descartes had his infamous cogito ergo sum – “I think, therefore I am.” José Ortega y Gasset (known for saying “Yo soy yo y mi circunstancia”) took that a step further and said, “I live therefore I think (therefore I am)” – which is a wildly wonderful bit of circular truth. Similar to the Greek stoic philosopher Epictetus (who believed we have no control over our circumstances, only over our reactions to our circumstances), the existential psychiatrist Dr. Irvin Yalom focused on “four givens,” which are experienced by all and with which we define/create our lives. Then there are religious philosophers like Martin Buber, who explored life in the context of the Divine. If you study philosophy, you will find that there is a spectrum of thought and most philosophers are swinging between these different ways of coming at the questions of life. Even more so, though, we are toggling between the two visible sides of life’s cornerstone: what’s happening on the outside and what’s happening on the inside.

This past Wednesday, I mentioned how a cornerstone is the first stone set in the foundation of a structure and how all the other stones are set in reference to the first stone so that the cornerstone determines the overall position of the structure. That being said, when you walk up to a building or structure and look at the cornerstone you will notice that (as it is literally the stone on the corner) you can only see two sides of the stone. When you think of the two sides of the yoga philosophy cornerstone, you find an outside focus (the five yamās) and an inside focus (the five niyamās) – and each of these ten has their own internal and external practice.

Yoga Sūtra 2.32: śaucasantoşatapahsvādhyāyeśvarapraņidhānāni niyamāh

– “Purity (or cleanliness), contentment, austerity (and the practices that lead to austerity), self-study, and a trustful surrender to [the creative source or the constant awareness to the highest reality] are the observances.”

The questions Sophie receives in her mailbox compel her to seek answers. Naturally, she starts within. I say “naturally,” because the book is set in 1990, she’s 14 (almost 15), there’s no internet, and she only has the questions (which are directing her inward). Eventually, she understands the nature of her reality and taps into her own personal will and determination in order to, on a certain level, redefine her reality. In a similar fashion, the five internal observations which make up the second limb of the philosophy of yoga compel the yoga practitioner / philosopher to turn inward, take a look at themselves, and (in the process) take a look at the world and their part in defining it.

I’ve mentioned before that, although the yamās are sometimes referred to as external restraints and very clearly outline a code of conduct towards the world, all practices start with the person practicing. What I mean by this is that we first practice non-violence and non-harming (ahimsā) with ourselves. On the yoga mat, that looks like being mindful of our physical and mental state so that we practice in a safe way even when we are being pushed and challenged to practice on the edge. I think it was Dharma Mittra who said you should breathe and practice as if you are on the edge of a cliff. My apologizes if I have mixed up where I heard this great piece of advice, but I bring it up to point out that the teacher who said it didn’t advise breathing and practicing on the edge of cliff – that would be dangerous! Instead, the advice is to be mindful. Also, to be mindful requires being honest; which means, ahimsās leads directly to satyā (the second yamā).The yoga mat is a place to be mindful about how you interact with yourself so that you are also mindful of how you interact with others.

At first glance, the five niyamās may seem to be things you would only practice on your own. To some, they might even appear to have no bearing on the way we interact with others. Go a little deeper, however, and we find that the internal observations are like Alberto Knox guiding Sophie through the history of philosophy and therefore through different ways we can look at our lives (not to mention different ways to live our lives).

“Basically there are not many philosophical questions to ask. We have already asked some of the most important ones. But history presents us with many different answers to each question. So it is easier to ask philosophical questions than to answer them.”

– quoted from the letter in the first packet Sophie Amundsen in Sophie’s World: A Novel About the History of Philosophy by Jostein Gaarder

When it comes to śauca (cleanliness or “purity”) and the physical practice of yoga, I often focus on how the movement and the poses are a way to detoxify the body. What I miss by doing that, however, is the opportunity to reflect on how the movement and the poses purify the mind. Consider how clean, clutter-free, your mind is after your practice. Now consider how when your mind and body are clean, inside and out, you are less likely to clutter them. Consider also how, over time, the practice of cleanliness related to your mind-body translates into a desire to de-clutter your space and even your life. Even more importantly, consider how, over time, you not only have the desire to clean up – you also have the energy and the will. Therefore, the internal observation becomes a process and a state achieved through the process.

Just as practicing ahimsā (“non-violence”/non-harming) leads directly to the other yamās, practicing śauca leads to the other niyamās. For example, Pandit Rajmani Tigunait, PhD., explains santosha (“contentment”) as “Not desiring more than we have” – which is hard to do when we are surrounded by so much stuff and filled with the physical and mental desire to have more stuff. Once we commit to the practice, we notice that it requires discipline and austerity (which are ways you can translate tapas). Furthermore, as these are all processes as well as states that are cultivated through the processes, there is a constant need to pay attention to how you are feeling, thinking, speaking, and acting – which is not only self-study (svādhyāya), but also another rubric for how to practice.

“The world is not comprehensible, but it is embraceable: through the embracing of one of its beings.”

– quoted from “With a monist” published in Pointing the Way: Collected Essays by Martin Buber

Please join me for a 90-minute virtual yoga practice on Zoom today (Saturday, August 8^th) at 12:00 PM, when we will literally and virtually embrace ourselves, in order to embrace the world. You can use the link from the “Class Schedules” calendar if you run into any problems checking into the class. Give yourself extra time to log in if you have not upgraded to Zoom 5.0.

Today’s playlist is available on YouTube and Spotify. (This is the “04262020 Philosophy of Locks” playlist.)

As I have had a death in my family, I will not be teaching on Sunday (8/9) of this week, but I will send a recording of today’s class to anyone on my Zoom class email lists. Please keep an eye on the “Class Schedules” calendar (see link above) as I am not yet sure which classes I will be able to teach next week.

You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.

“So now you must choose… Are you a child who has not yet become world-weary? Or are you a philosopher who will vow never to become so? To children, the world and everything in it is new, something that gives rise to astonishment. It is not like that for adults. Most adults accept the world as a matter of course. This is precisely where philosophers are a notable exception. A philosopher never gets quite used to the world. To him or her, the world continues to seem a bit unreasonable – bewildering, even enigmatic. Philosophers and small children thus have an important faculty in common. The only thing we require to be good philosophers is the faculty of wonder…”

– quoted from Sophie’s World: A Novel About the History of Philosophy by Jostein Gaarder

Full disclosure: Jostein Gaarder is an environmental activist who named an environmental development prize after the character of his most famous novel/children’s book. The international award of $100,000 (USD) was issued to people and organizations working with the environment and sustainable development (1998 – 2013). He has also made some polarizing political statements – statements which can easily be seen as anti-Semitic (unless, of course, that is your blind spot).

Edited August 2023.

### “Who are you? I really want to know?” – The Who ###

Impossible x3 August 3, 2020
Posted by ajoyfulpractice in "Impossible" People, Changing Perspectives, Faith, Healing Stories, Hope, Life, Loss, Men, Movies, Mysticism, Pain, Philosophy, Religion, Suffering, Tragedy, Wisdom, Women, Writing, Yoga.
Tags: Dr. Etka Liebowitz, Dr. Viktor Frankl, Havdalah, Holocaust, In the Footsteps of Regina Jonas, Rabbi Gesa Ederberg, Rabbi Max Dienemann, Rabbi Regina Jonas, yoga
6 comments
“Here there is a role reversal of what was related in bSotah – instead of the woman [Queen Salome Alexandra] being “nameless” now she is named and cunningly tries to get around the rabbinic prohibition, while the male character, her son, is unnamed and plays no role in the matter in dispute.”

– commentary on bShabbat (16b – 14b) in doctoral thesis entitled “Queen Alexandra: The Anamoly of a Sovereign Jewish Queen in the Second Temple Period” by Etka Liebowitz, PhD

There was a time when being a female (non-nun) member of the clergy would have been considered impossible. But, imagine for a moment, someone who was not only the first woman to be ordained in their religion, but to receive the highest orders during a time when it was hard to even be a male member of your religion. Allow me to introduce you to (or re-acquaint you with) Rabbi Regina Jonas ([‘re-ghee-na yo-nas]). Born today in 1902, Rabbi Jonas was not only the first woman to be ordained as a rabbi; she was ordained in Berlin in 1935. In other words, she became the first woman to be named as a Jewish teacher during the height of Nazi Germany.

Throughout history, you can find plenty of women who fulfilled rabbinical duties. They did not, however, hold the title. These women, like Beruryah (Rebbetzin Meir), Yalta, the Hasmonean queen Salome Alexandra (also known as Alexandra of Jerusalem), and the daughters and granddaughters of the great Talmud scholar Rashi (Rabbi Shlomo Yitzachaki), are found in the Talmud and would have been studied by Rabbi Jonas and other women who studied at the Hochschule für die Wissenschaft des Judentums in Berlin, the Jūdisch-Theologisches Seminar in Breslau, and other theology schools that admitted women. Unlike her female peers, however, Rabbi Jonas didn’t just want the academic teacher’s degree; she wanted the title and the responsibilities. And this desire was something that she felt and expressed from a very young age.

“If I am to confess what drove me, as a woman, to become a rabbi, two things come to mind. My belief in God’s calling and my love of my fellow man. God has bestowed on each one of us special skills and vocations without stopping to ask about our gender. This means each one of us, whether man or woman, has a duty to create and work in accordance with those God-given skills.”

– quoted from the doctoral thesis entitled “May a woman hold rabbinic office?” by Rabbi Regina Jonas

Rabbi Regina Jonas had a passion for Jewish history, the Bible, and the Hebrew language; a passion that was remembered even by her high school friends and supported by Orthodox rabbis like Isidor Bleichrode, Delix Singerman, and Max Weyl (who officiated at the synagogue the Jonas family attended). When she decided to pursue her degree and also the title, Rabbi Jonas wrote and submitted a final theses, which was a requirement for ordination. Her final theses topic, which was based on Biblical, Talmudic, and rabbinical sources, was near and dear to her heart: “May a woman hold rabbinic office?”

While halakhic literature did not specifically with ordination, she combined halakhic theory related to women’s issues with a modern attitude about women’s roles. She did not, however, use a Reform movement argument. Instead, Rabbi Jonas wanted to establish gender equality within the (and as a) continuity of tradition – and, in doing so, established herself as independent of both the reform movement and Orthodoxy. She also included in her argument very specific gender qualities and expectations centered around Zeni’ut (“Modesty”), which she viewed as being essential to someone’s role as a rabbi. Interestingly, some of her thesis is very much consistent with the ideas Hannah Crocker expressed in 1818.

Rabbi Jonas concluded that yes, a woman could be a rabbi according to halachic sources. She went even further by saying that female rabbis were a “cultural necessity, in part because of so-called female qualities like compassion, interpersonal skills, and psychological intuition. Her final thesis, which was supervised by Eduard Baneth, renowned professor of Talmud at the Hochschule für die Wissenschaft des Judentums in Berlin, was submitted in June 1930. Unfortunately, Rabbi Baneth died soon after her submission and his successor was not willing to ordain women. Ironically, a leader in the Reform movement, Rabbi Leo Baeck, also rejected her submission.

“Almost nothing halakhically but prejudice and lack of familiarity stand against women holding rabbinic office.”

– quoted from the doctoral thesis entitled “May a woman hold rabbinic office?” by Rabbi Regina Jonas

Despite the fact that her professors were not willing to ordain her, she received a “good” grade for her thesis and graduated as a religious teacher. She then began teaching religion at several girls’ schools in Berlin. At this same time, however, anti-Semitism created an increased need for Jewish teachers and religious education. Rabbi Max Dienemann, executive director of Liberaler Rabbinerveband (Conference of Liberal Rabbis) agreed to ordain Rabbi Jonas on behalf of the conference and, within two years, she began to serve the official community as “pastoral-rabbinic counselor.” She particularly ministered to those in the Jewish Hospital, those who were considering emigrating, and people economically affected by “Kristallnacht.” As more and more rabbis were imprisoned by the Nazis or fled the persecution, she began to lecture to various groups, preach in liberal synagogues and lead some Havdalah (“weekday”) services in the Neue Synagogue, the flagship of German Jewry. At one point, during the winter of 1940 – 1941, the Germany Jewry organization established by the Nazis actually sent her to cities that no longer had rabbis. Even when she was forced to work in a factory, she continued her ministry.

On November 2, 1942, Rabbi Jonas was compelled to fill out a declaration form where she listed her property, including all of her books. Two days later, all of her property was confiscated by the Nazis. The next day, she and her mother were arrested. They were deported November 6^th, to Theresienstadt concentration camp, where she continued to preach and counsel. The psychoanalyst Viktor Frankl asked her to help him with crisis intervention, including meeting and assessing new arrivals and helping to prevent suicide attempts. On October 12, 1944, at the age of 42, Rabbi Jonas and her mother were deported to Auschwitz, where they were killed.

“Since I saw that her heart is with God and Israel, and that she dedicates her soul to her goal, and that she fears God, and that she passed the examination in matters of religious law, I herewith certify that she is qualified to answer questions of religious law and entitled to hold the rabbinic office. And may God protect her and guide her on all her ways.”

– quoted from the Diploma of Ordination for Rabbi Regina Jonas (approved by Rabbi Max Dienemann)

None of the male religious leaders who survived the Holocaust spoke of Rabbi Regina Jonas. However, a copy of her thesis, her teaching certificate, her rabbinical diploma, personal documents, and two photos have been preserved at the Centrum Judaicum in Berlin. Included in those personal documents were letters of gratitude from refugees she had counseled (and whose families she continued to counsel in Germany). There is also a list of 24 sermons and lectures she delivered, along with notes for at least one full sermon. In the Footsteps of Regina Jonas is a documentary about her life and legacy, which features rabbis like Gesa Ederberg, who celebrated the 75^th anniversary of Rabbi Jonas’s ordination with a Havdalah service – the very type of weekday service Rabbi Jonas led in Berlin.

“God has placed abilities and callings in our hearts without regard to gender. If you look at things this way, one takes woman and man for what they are: human beings.”

– quoted from a 1938 news article by Rabbi Regina Jonas

I am cancelling classes on Tuesday and Wednesday of this week, but will post as I am able. Thank you to everyone who is keeping my family in your hearts and minds.

### SHALOM שָׁלוֹם ###

It’s A Kiss My Asana “Flashback Friday” April 3, 2020
Posted by ajoyfulpractice in 7-Day Challenge, Abhyasa, Bhakti, Books, Buddhism, Changing Perspectives, Dharma, Donate, Faith, Healing Stories, Health, Hope, Karma, Karma Yoga, Kirtan, Lent / Great Lent, Life, Loss, Mantra, Mathmatics, Meditation, Men, Minneapolis, Minnesota, Movies, Music, Mysticism, One Hoop, Pain, Philosophy, Poetry, Religion, Suffering, Tantra, Texas, Tragedy, Twin Cities, Vairagya, Wisdom, Women, Writing.
Tags: adaptive yoga, hatha yoga, Hellacopters, inspiration, Iyengar, Joseph Campbell, KISS MY ASANA, Matthew Sanford, Rip Van Winkle, Washington Irving, yoga
5 comments
“You want it bad you want it oh so much
There are some things that you should know
Some things that someone like you just cannot touch

You weep and dwell on our loss
Stand denied by the nails in the cross
And I for one you for two
Knows no one’s gonna do it for you
No one’s gonna do it for you”

– “No One’s Gonna Do It For You” by The Hellacopters

A lot of people, most people I would surmise, have a moment when they wish all the hard stuff was over – that they could just go to sleep and wake up with their problems solved. Can you imagine what that would be like right now? Can you imagine what it would be like if you fell asleep tonight and, when you woke up, all of this was over? No more pandemic, no more social distancing, no more self-quarantines.

Now, can you imagine what it would feel like if you actually slept through all of this…and woke up to find the world changed? Everyone else has lived their way into a new normal and you are just discovering that the old normal is…history.

Yes, this would make a great story – but it’s not a new story; it’s actually a very old story. It’s a story that predates all the specific details of this present moment, but a story that endures because it touches on some very basic and universal truths:

Suffering happens (This is the first of the 4 Noble Truths from Buddhism.)

Change happens (Or, as Heraclitus put it over 400 years BCE, “You could not step twice into the same river” – which implies that we want things to stay the same.)

“We must be willing to get rid of the life we’ve planned, so as to have the life that is waiting for us.” (Joseph Campbell as quoted in Reflections on the Art of Living: A Joseph Campbell Companion by Diane K. Osbon)

As much as we want it to be otherwise, “no one’s gonna do it for you.” (The hard part of adulting, and lyrics from a song by The Hellacopters.)

Just to clarify, the four (4) items above are NOT the 4 Noble Truths, but it’s no accident that they mirror them or that I’ve pulled statements from what appears to be vastly different sources. And yet, and yet…. The reason why these elements can be found in philosophy, religions, comparative mythology, and rock music (even literature and mathematics) is that they are elements of the human experience. We find them everywhere; we find them inside of ourselves.

“You must unlearn what you have learned… No. Try not. Do. Or do not. There is no try.”

– Yoda in Star Wars: The Empire Strikes Back (and a quote I used during a 2019 Kiss My Asana donation-based class)

Kiss My Asana is an annual yogathon, to raise awareness and resources for Mind Body Solutions and their adaptive yoga program. Founded by Matthew Sanford, Mind Body Solutions helps those who have experienced trauma, loss, and disability find new ways to live by integrating both mind and body. They provide classes, workshops, and outreach programs. They also train yoga teachers and offer highly specialized training for health care professionals.

This year’s yogathon is only a week long. Seven days, at the end of the month, to do yoga, share yoga, and help others. By participating in the Kiss My Asana yogathon you join a global movement, but in a personal way. In other words, you practice yoga… for 7 days.

We’re doing this, right?

You don’t need to wait until the end of the month, however, to consider how you might participate. Start thinking now about how you can add 5 minutes of yoga (or meditation) to your day, how you can learn something new about your practice, or even how you would teach a pose to someone close to you – or even to one of your Master Teachers/Precious Jewels.

To give you some ideas, consider that in past years my KMA offerings have included donation-based classes and (sometimes) daily postings. Since it’s “Flashback Friday,” check out one of my previous offerings dated April 3rd (or thereabouts):

30 Poses in 30 Days (scroll down to see April 3rd)

A Musical Preview (scroll down to see March 3rd)

A 5-Minute Practice

5 Questions Answered by Yogis

Answers to Yogis Questions

A Poetry Practice

A Preview of the April 3rd Practice

My next virtual practice is on Saturday. Use the same Meeting ID as last week’s class or, if you were unable to attend last week, check out the “Class Schedules” tab. You’ll find access details in the calendar description for Saturday, April 4th. I’ll post the playlists by Saturday morning.

Also, if you are interested in YIN Yoga, plan to join me and a special guest on Wednesday (April 8th) for a special webinar/mini-practice at 3 PM. Details to be announced.

“No One’s Gonna Do It For You”

### KAALI DURGE NAMOH NAMAH ###

Meditation Monday March 30, 2020
Posted by ajoyfulpractice in Books, Buddhism, Changing Perspectives, Depression, Dharma, Faith, Fitness, Gratitude, Healing Stories, Health, Hope, Karma, Life, Loss, Love, Meditation, Minneapolis, Minnesota, Movies, Music, Mysticism, Pain, Peace, Philosophy, Poetry, Suffering, Texas, Traditional Chinese Medicine, Tragedy, Twin Cities, Wisdom, Writing.
Tags: anesthesia, Celine Dion, Dr. Crawford M. Long, Eric Clapton, Guns N' Roses, inspiration, loving-kindness, meditation, Meditation Monday, National Doctors Day, Norah Jones, Pete Remm, The Mourning Bride, Tracy Chapman, vinyasa, William Congreve, Yin Yoga, yoga
2 comments
“Musick has Charms to sooth a savage Breast,
To soften Rocks, or bend a knotted Oak.
I’ve read, that things inanimate have mov’d,
And, as with living Souls, have been inform’d,
By Magick Numbers and persuasive Sound.
What then am I? Am I more senseless grown
Than Trees, or Flint? O force of constant Woe!
‘Tis not in Harmony to calm my Griefs.”

– the opening line of The Mourning Bride (Act I, scene i), by William Congreve

Right about now, one of the most misquoted (and misattributed) lines in the history of live theatre*, has several people thinking I am not getting enough sleep (because clearly I didn’t type that quote correctly). But, when Almeria (daughter of the King of Granada) spoke the opening line of The Mourning Bride back in February or March 1697, no one anticipated confusion about the first line – they were anticipating laughter. Playwright and poet William Congreve was known for brilliantly engaging, high-brow, sexual comedy of manners with satirical dialogue (and sometimes mistaken identities). The idea that inanimate objects could be moved (or animated) by music while a woman in grief would be stuck with her emotions, could be played for laughs – and Congreve even follows the idea up with the suggestion that Almeria is being melodramatic – then, however, there is a turn in events and the audience is made aware that her emotions are very real, very valid, and very hard to endure (because she can’t change the events that led to the emotions).

We’ve all been there. In times like these, we find ourselves there again and again: stricken by very real, very valid, and very hard to endure emotions. We may have the desire to run from those emotions, maybe even to keep busy so that we don’t have to feel much or deal with the emotions. However, escapism only works for so long. And, it can be nearly impossible as people all over the world are social distancing and self quarantining. Rather than making it harder, consider settling in for a moment – just a moment – and breathe. You can do that 90-second thing. Notice how you’re feeling, how the emotion feels in your body. Notice what happens if instead of building a story around it – or running from it – you stay still, breathe, notice what changes and how it changes.

Yoga Sutra 1.2: yogaścittavŗttinirodaha

– “Yoga (or union) ceases the fluctuations of the mind”

I think of Mondays as Meditation Monday, because for several years now, I have led a YIN Yoga practice (which is very meditative in quality) followed by a vinyasa practice at Common Ground Meditation Center. The vinyasa practice is followed by Buddhist Studies and so I am constantly aware that many people in the group are using their physical practice (hatha yoga) as it was classically intended: as preparation for deep seated meditation. The movement in the physical practice not only helps to strengthen and relax the body, it also helps to strengthen and relax the mind, thereby enabling the mind to do one of the things it is made to do: focus-concentrate-meditate.

Patanjali begins the Yoga Sutras with the Chapter (or Foundation) on Concentration, in which he outlines several different concentration/mediation techniques. These include (but are not limited to):

focusing on the breath {YS 1.35};

focusing on the sensations being experienced by the body-mind (smell, taste, form, touch, and sound) {YS 1.35};

focusing on any sense of lightness or joy one may be experiencing {YS 1.36};

focusing on whatever “well-considered object” brings peace and ease {YS 1.39}

All of these techniques are intended to cultivate transparency in the mind, as well as clarity and ease in the body.

The second chapter of the Yoga Sutras in some ways acknowledges that not everyone can just drop down into a seated meditation for hours on end. Many people – most people even – need a little preparation. So, Patanjali then focuses on preparation (this is the practice). Along the way, he explains that when there is no clarity, peace, joy, and kindness in the mind-body we create more suffering, for ourselves and others – in this lifetime, and the next.

Yoga Sutra 2.13: sati mūle tadvipāko jātyāyurbhogāh

– “As long as the root cause exists [ignorance/lack of knowledge, false sense of self,-identity, attachment, aversion, and fear of loss/death]karma must bear fruit, such as birth in a particular species, life span, and life experience. ”

“Yes, thou shalt know, spite of thy past Distress,
And all those Ills which thou so long hast mourn’d;
Heav’n has no Rage, like Love to Hatred turn’d,
Nor Hell a Fury, like a Woman scorn’d.”

– Zara (the Moor princess or queen) in The Mourning Bride (Act III, scene ii), by William Congreve

While The Mourning Bride was very popular back in 1697, and even featured some of the things for which William Congreve was famous, it was the playwright’s only dramatic tragedy and has pretty much faded into obscurity…except for those two misquoted (and often misattributed) lines.

The practice for today (Monday, March 30^th), is inspired by an altogether different way of soothing the body and the mind – a way that can come with some significant side effects. Today in 1842, Dr. Crawford W Long used sulphuric ether as he removed a tumor from the neck of James M. Venable. This became the first successful surgical procedure using general ether anesthetic.

In honor of this anesthesia anniversary, March 30^th became National Doctors Day back in 1933. Today, more than ever, is a great day to thank a doctor for their dedication, perseverance, and contributions to society. As we all are dealing with our emotions over the current pandemic, take a moment to also say thank you to the nurses, technicians, first responders, and personal caretakers, as well as to the administrators, cooks, servers, and medical custodial staff that are enduring so much right now. Notice how that gratitude feels in your mind-body.

If you are directly encountering any of the people listed above as you go about your day, one very small act of kindness (that has a huge impact) is to take three deep breaths before you engage in conversation.

Inhale love, exhale kindness.

Inhale patience, exhale compassion.

Inhale peace, exhale peace.

You can access tonight’s practice live (5:30 – 6:45 PM CST) via the ZOOM app, your internet browser, or your telephone. The ID for tonight is 111-660-355. (For additional details, check out the calendar.)

Ironically, there’s no playlist for today (because I rarely play music for the Common Ground practice). When, however, March 30^th falls on a day other than Monday, I play “music to soothe the savage beast,” by some musicians who celebrate their birthdays on my anesthesia day. As you listen, wish them well too!

Eric Clapton (b.1945) & Tracy Chapman (b. 1964)

Celine Dion (b. 1968)

Norah Jones (b. 1979)

*NOTE: I’m making a definite distinction (above) between live theatre and cinematic theatre, because clearly this is one of the most misquoted lines in the history of film.

### OM SHANTI SHANTI SHANTIHI OM ###

FLASHBACK FRIDAY!! March 27, 2020
Posted by ajoyfulpractice in Art, Bhakti, Changing Perspectives, Daoism, Dharma, Donate, Faith, Gratitude, Healing Stories, Hope, Life, Meditation, Minneapolis, Minnesota, Movies, Music, Mysticism, One Hoop, Suffering, Taoism, Texas, Twin Cities, Vairagya, Wisdom, Writing.
Tags: Brett Bailey, cherry blossoms, mono no aware, sakura, Shahid Nadeem, streaming yoga, World Theatre Day, yoga, Zoom
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“We gather to weep and to remember; to laugh and to contemplate; to learn and to affirm and to imagine”

– Brett Bailey, Stage Director from South Africa, World Theatre Day Message Author 2014

In As You Like It, William Shakespeare famously wrote, “All the world’s a stage, And all the men and women merely players; They have their exits and their entrances; And one man in his time plays many parts.” Art imitates life, which sometimes imitates art (because art can inform our lives). That overlap between inspiration, those being inspired, and those creating the inspiration is one of the beautiful things about art. It’s what makes art alive.

Today, however, the theatres are dark. The front of house is empty. There are no children, über-fans, or well-heeled patrons waiting in the green room, the wings, or at the stage door. On the big stages, there is only a single “ghost light” in place to make sure no one falls in the pit . . . and yet, social distancing means there is no one in danger of falling in the pit. It’s heartbreaking for so many artists and dedicated audience members, and people like me. For most of my adult life, before I started teaching yoga, my professional life was spent behind the scenes – quite literally keeping track of exits and entrances. I worked on legit theatre, musical theatre, dinner theatre, classical and modern dance, as well as opera and musical revues. I worked in different parts of the world; with artists from all of the world, and Friday night was always a big night.

Even if one company was in rehearsals or in a layoff period on Friday, another theatre was performing. Theatres are usually dark on Monday nights. Not Friday nights. Especially not this particular Friday night, as it happens to be World Theatre Day. Since it was initiated in 1961 by the International Theatre Institute, World Theatre Day has been celebrated on March 27^th by performing artists all over the world. Today, many theatres will not celebrate. Others have moved their celebration online.

Each year, an artist is selected from a different host country to write a message about theatre’s enduring role in the world community. This year’s message was written by Shahid Nadeem, Pakistan’s leading playwright and the head of the renowned Ajoka Theatre, who partially focused on the spiritual and transcendental power of theatre.

“Our planet is plunging deeper and deeper into a climatic and climactic catastrophe and one can hear the hoof-beats of the horses of the Four Horsemen of the Apocalypse. We need to replenish our spiritual strength; we need to fight apathy, lethargy, pessimism, greed and disregard for the world we live in, the Planet we live on. Theatre has a role, a noble role, in energizing and mobilizing humanity to lift itself from its descent into the abyss. It can uplift the stage, the performance space, into something sacred.”

– Shahid Nadeem, Playwright from Pakistan, World Theatre Day Message Author 2020

It’s weird (and heartbreaking) to think no one in my former role will be asking people to turn off their cellular devices – unless someone jokes about the fact that so many tonight will be watching their “theatre” on their cellular devices. It’s weird (and heartbreaking) to think something I have always taken for granted is suddenly not existing as it did.

And yet, if I learned nothing else from doing live theatre, I definitely learned about the temporal nature of things. Everything changes. That’s one of the beautiful – and also one of the most challenging – things about live theatre. It is always changing. You can have the best, most exhilarating performance of your life, followed by one where everything is just a little off. You can have a horrible final dress rehearsal, followed by a standing ovation on opening night. As a professional – onstage and backstage, as well as front of house – part of the job is to stay in the moment.

Staying in the moment requires being fully present with everyone and everything in the moment. We can look back later and work on fixing what went wrong. We can marvel at the unscripted audience reaction we want to figure out how to cultivate again and again. But, right here and right now it is time to turn up the music, turn down the lights, and breathe. The curtain is going up on this day in our lives, and what happens next can be (will be) simultaneously beautiful and heartbreaking. Like the cherry blossoms (sakura).

Flashback Friday: Today in 1912, First Lady Helen Herron Taft and Viscountess Chinda Iwa, wife of the Japanese ambassador to the United States, each planted a cherry blossom tree on the north bank of the Tidal Basin in West Potomac Park. These trees were part of a larger shipment of cherry blossoms meant to replace the ones initially given as a gift of friendship between the two countries. Normally, at this time of year, thousands of people can be found in D. C. celebrating the brilliance of these trees, just as thousands normally celebrate in parts of Japan and China. Normally….But, today the cherry blossoms are in bloom, while most people are inside, watching the beauty on their screens.

In Japan the fact that blossoms peak at one end of the island at the same time the blossom season is ending on another part of the island is a great illustration of mono no aware (literally “the pathos of things” of “sadness of things”). The fact that we can see this beauty even as we are socially distancing might also be considered the “sadness of things.” However, that very literally translation doesn’t quite work in English because it almost precludes appreciation of the beauty. The Japanese phrase is about simultaneously holding/celebrating/appreciating the beauty and the pain of the change that brings loss. Please check out the following links if you are interested in reading my take on mono no aware as it relates to YIN Yoga (April 5, 2017) or the physical practice of yoga and meditation (April 8, 2019). NOTE: While both posts include a bit of practice, only the 2017 includes a complete (YIN Yoga) practice.

Right now, I am appreciating the beauty of being able to share this practice online. I am also very much aware that this too shall change; however, I endeavor to stay in the moment. With that said, I am currently planning to host 7 online classes as follows:

MONDAY 5:30 – 6:45 PM for Common Ground

TUESDAY 12:00 – 1:00 PM & 7:15 – 8:30 PM (both) for Nokomis Yoga

WEDNESDAY 4:30 – 5:30 PM for Nokomis Yoga & 7:15 – 8:15 PM for Flourish

SATURDAY 12:00 – 1:30 PM (Nokomis)

SUNDAY 2:30 – 3:30 PM (Nokomis)

Everyone is welcome to join any class (although you will need to register in advance for the Flourish class). All online classes will currently be on ZOOM and I will post the meeting IDs on my “class schedule” late Friday afternoon. Each class will have a different ID, but that ID will be the same each week.

If you are new to yoga or new to vinyasa, please send me a message (myra at ajoyfulpractice.com) before joining the group. I apologize to my YIN Yoga folks, but at this time I am not streaming any full YIN practices, I will, however, continue to post or link you to the practice.

Those who are able may purchase or renew a package on my online store. Anyone can also make a donation (in lieu of a package) to Common Ground Meditation Center. (Donations are tax deductible.) If you plan to purchase a Nokomis Package please note that there is a discounted package for students, seniors, Healthcare Providers, and First Responders.

I want you to practice; so don’t let any financial issues be an obstacle you can’t get over! If you need it, I got you.

### AS WE SAY IN BALLET, MERDE ###

ONCE UPON A TIME – 2019 Kiss My Asana Offering #2 April 2, 2019
Posted by ajoyfulpractice in 31-Day Challenge, Books, Changing Perspectives, Fitness, Healing Stories, Health, Hope, Men, Minneapolis, Minnesota, Movies, Music, Pain, Philosophy, Suffering, Uncategorized.
Tags: Bharadvajasana, children's books, Hans Christian Andersen, inspiration, Kestutis Kasparavicius, KISS MY ASANA, literacy, Matthew Sanford
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The “practice preview” below is part of my offering for the 2019 Kiss My Asana yogathon. I encourage you to set aside at least 5 minutes a day during April, to practice with today’s theme or concept as inspiration. You can practice in a class or on your own, but since the Kiss My Asana yogathon raises resources as well as awareness, I invite you to join me at a donation-based class on April 27th or May 4^th.

I also challenge you to set aside a certain amount every day that you practice with this concept/theme in mind. It doesn’t matter if you set aside one dollar per practice or $25 – set aside that amount each time you practice and donate it by April 30th.

Founded by Matthew Sanford, Mind Body Solutions helps those who have experienced trauma, loss, and disability find new ways to live by integrating both mind and body. They provide classes, workshops, and outreach programs. They also train yoga teachers and offer highly specialized training for health care professionals. By participating in the Kiss My Asana yogathon you join a global movement, but in a personal way. In other words, you practice yoga. Or, as this year’s tag line states….

do yoga. share yoga. help others.

***

“Books help us slow down…. Books help us not to rush, books teach us to notice things, and books invite us or even make us sit down for a while.”

– from 2019 International Children’s Book Day message by Kęstutis Kasparavičius (translated from Lithiuanian by Daina Valentinavičienė)

Pretty much everything Kęstutis Kasparavičius wrote about books, in his 2019 International Children’s Book Day message, can be stated about yoga. There’s something that happens when you get on the mat, when you tap into the breath – even when you move with the breath. Like reading, practicing yoga is accepting an invitation to explore.

As someone who loves to read, it is heartbreaking to know that many people around the world (including approximately 43% of adult Americans, in 2003, or approximately 32 million, in 2013) demonstrate a “below basic” (14%) or “basic” (29%) literacy level. There’s no shame in not knowing how to read – and no shame in asking for help to learn or in asking to be assessed – however, not knowing how to read means you miss out on some of the greatest stories, some of the greatest adventures, and some of the greatest learning experiences. Simply put, there can be joy in reading and if you can’t read (or can’t read without frustration) you are missing out on some joy.

Just as I love to read, I love to practice yoga. So, it is equally heartbreaking to know that many people aren’t practicing yoga, because they have had a bad experience with yoga in the past and/or they are unaware of all the different ways yoga can be practiced. Bottom line, yoga is a personal practice and so there is a practice for every person. In fact, since there are over 7.5 billion people in the world there are at least 7.5 billion ways to practice any pose at any given moment. And, there can be joy in the practice.

International Children’s Book Day is celebrated every year on or around April 2^nd. This annual celebration of children, books, authors, and illustrators coincides with the anniversary of Hans Christian Andersen’s birthday. Born in 1805, Christian Andersen was the author of short stories, poetry, plays, autobiographical novels, and travelogues. Ironically, he is remembered for the work that was initially overlooked: his children’s fairy tales. It took 10 years and an English translation for Christian Andersen’s fairy tales to be recognized, but ultimately they brought him success, fame, acceptance, and the opportunity to travel and meet writers he admired. Among those writers was Charles Dickens, who – like Christian Andersen – had also grown up without a lot of money and shared a concern for the less fortunate.

Hans Christian Andersen, the author of over 150 fairy tales, was the only son of a shoemaker – who told him stories from Arabian Nights – and an illiterate washerwoman. When his father died, Christian Andersen was 11 years old. Imagine, for a moment, receiving the gift of 1,001 variations of life and then facing the possibility of death stealing that gift. Imagine never having received the gift. How would you view the world, or yourself, without your favorite childhood stories?

FEATURED POSE for April 2^nd: Pose Dedicated to the Sage Bharadvaja (Bharadvajasana), aka Stag aka Mermaid

Between the pages of “The Princess and the Pea,” “The Emperor’s New Clothes,” “The Ugly Duckling,” “The Little Match Girl,” “The Tallow Candle,” The Nightingale,” and over a hundred others, there is inspiration for a whole practice – and not just because of the poses, there are also life lessons and the opportunity for svadyaya (the internal observation of self study). Feel free to play and explore, maybe even get together with your kids and tell one of your favorite stories through the poses, like an interpretive dance.

I picked today’s featured pose, because it can be practiced at the beginning, middle, or end of a practice. Variations of it appear in a variety of practices (including in Pilates) and it can be a prenatal approved twist. It also allows the hips, back, and pelvic floor to tell a very interesting story about how we’re connected. Notice how you feel!

Sit on the floor or in a chair with both sits bones rooted to your supporting surface. If your hips are tight – if there’s compression in your low back and/or hip – sit up on top of something so that your hips are higher than your knees when the ankles are crossed. If you are sitting in a chair, make sure your feet are also grounded. Press down in order to extend up. Spend some time bringing your awareness to the breath. Notice how your body (especially your spine) reacts to the inhale, and then to the exhale.

You can move straight into the featured pose. If, however, you want more movement in your practice, move through some sun salutations and maybe some standing poses, before practicing the featured pose. If you prefer less movement, but have really tight hips, practice a Bound Angle Pose (Baddha Konasana) and any form of squat before the featured pose. All of the above may be practiced in a chair.

When you’re ready to practice the featured pose, hug your knees into your chest on an exhale. Take a deep breath in and separate your knees about as far apart as your hips or your mat. On an exhale drop the knees to the right so that the right foot is next to the left thigh. Right hip and thigh are externally rotated; left hip and thigh are internally rotated. Adjust the legs as needed so that the knees are comfortable and the hips are grounded. If you are in a chair, you might need to bring closer together and then tip them to the right. If the left knee is uncomfortable, you can always extend the knee. If you are leaning into one hip more than the other, place something under the grounded hip (unless you are practicing Soma Yoga’s Lighthouse and then there may be a slight lift). If you want more for the hips, place the right foot on top of the left thigh, close to the left hip. Again, make sure the knees are at ease.

Cup the knees with the hands and move through a seated cat/cow: Lifting the heart up on the inhale and curling into yourself on the exhale. Start the movement in the base of the spine – so that you explore the full range of motion in your hips and core.

After 5 – 7 rounds of breath, rotate your upper body to the right. Place your right hand behind your hips, for support or reach for your left hip. If the right foot is on top of the left thigh, see if you can hold the right big toe with right peace fingers. Left hand cups the right knee. Breathe here for 5 – 7 rounds of breath or set a timer and hold the twist for a couple of minutes.

From the twist, you can lower the upper body over the right thigh or (if it’s accessible) rotate the upper body so you can see the space behind your back and then fold, belly down. Another option, instead of the forward fold, is to bring the up body more to center – but while still holding the right knee with the left hand – and reach the right arm over the right ear, towards your left side. Pull the arms away from each other as you inhale (right arm up, left arm down) and rotate your heart and gaze up towards the lifted arm. After 5 – 7 rounds of breath, release to center and hug the knees in. After a few moments, repeat the pose of the left side.

Finish your practice with the heart opener / back bend of your choice, followed by Savasana – or “the Princess in the Pea (after the pea is removed)” Pose. Feel free to substitute a different final pose, but definitely give yourself at least 2 minutes relaxing in stillness.

Here’s some music if you choose the sun salutation route! Are you sure it’s “Just look at the world around you / Right here on the ocean floor” vs “Right here in your pelvic floor?”

### do yoga. share yoga. help others. ###

Preview: A Wall, Two Roads, A Streetcar, and A Hot Tin Roof walk into a yoga studio… March 26, 2019
Posted by ajoyfulpractice in Art, Books, California, Changing Perspectives, Depression, Faith, Healing Stories, Health, Hope, Life, Loss, Love, Meditation, Men, Minneapolis, Minnesota, Movies, Peace, Philosophy, Poetry, Robert Frost, Suffering, Tennessee Williams, Traditional Chinese Medicine, Women, Writing, Yoga.
Tags: inspiration, KISS MY ASANA, parighasana, play, Poetry, preview, Robert Frost, Tennessee Williams
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“Something there is that doesn’t love a wall,

That sends the frozen-ground-swell under it,

And spills the upper boulders in the sun;

And makes gaps even two can pass abreast.”

– excerpt from the poem “Mending a Wall” by Robert Frost

“The violets in the mountains have broken the rocks. The world thirsts after sympathy, compassion, love.”

– excerpt from the play “Camino Real” by Tennessee Williams (The first sentence is also the epitaph on his grave)

There are people in the world who will say you haven’t read poetry until you read Robert Frost, and Southerners in the world who will say you haven’t seen a play until you’ve seen Tennessee Williams. Born 37 years and over 2,000 miles apart, these two literary icons shared a birthday (3/26) and way with words that can make you pause, look again…and again. Once or thrice you may even wonder how many ways you can see/interpret/understand what has been said, and how it applies to your life.

One of Robert Frost’s most famous, and perhaps most popular, poems is about the “road not taken” – even though people often mistake it for “the road less traveled.” The poem is about as much about perspective as it is about the way we tell a story (and the fact that the way we tell a story can change the story).

Maty Ezraty once said that every yoga practice should be like a good story. And, with any story, each character has a different purpose and a different point of view. In our practice, each pose/sequence gives each part of our bodies and minds an opportunity to tell their story. There are hundreds of poses and hundreds, thousands – maybe even millions – of ways to move into and out of pose. And each one of those ways gives us another way of looking at the story. The tricky thing is, sometimes we keep coming back to the story the same way. While we may all have a favorite story we read again and again, what happens when we view the story from a different perspective?

“We have to use a spell to make them balance:

“Stay where you are until our backs are turned!”

We wear our fingers rough with handling them.

Oh, just another kind of out-door game,

One on a side. It comes to little more:

There where it is we do not need the wall:

He is all pine and I am apple orchard.

My apple trees will never get across

And eat the cones under his pines, I tell him.

He only says, “Good fences make good neighbours.”

Spring is the mischief in me, and I wonder

If I could put a notion in his head:

“Why do they make good neighbours? Isn’t it

Where there are cows? But here there are no cows.

Before I built a wall I’d ask to know

What I was walling in or walling out,

And to whom I was like to give offence.”

– excerpt from the poem “Mending a Wall” by Robert Frost

Parighasana (Gate Pose) stretches the pelvic area and hamstrings, while also engaging the sides of the torso and abdomen eccentrically (up side) and concentrically (down side). According to B.K.S. Iyengar’s Light on Yoga, the pose “keeps the abdominal muscles and organs in condition and the skin around the abdomen will not sag but remain healthy. The sideways spinal movement will help persons suffering from stiff backs.” Another aspect of the pose is what happens to the heart area – not only physically, but emotionally.

“What is straight? A line can be straight, or a street, but the human heart, oh, no, it’s curved like a road through mountains.”

– excerpt from the play “A Streetcar Named Desire” by Tennessee Williams

Swami Rama from the Himalayan tradition said that we have three hearts: a physical heart, which for most of us is on the left side; an emotional heart on the opposite side, which for most of us is on the right; and an energetic heart that connects the two. Additionally, in yoga and other Eastern healing arts, energy for the heart flows through the arms. In Parighasana, we have the opportunity to open up the shoulders (physically) and open the gates on all sides of the heart (emotionally and energetically).

Two of my favorite lines from Robert Frost poems speak of wisdom and delight, and the gift that comes from giving our whole selves. Every time I step on a yoga mat, I experience the wisdom and the delight. I also experience a plethora of gifts. One of those gifts is how the practice affects the mind. In Cat on a Hot Tin Roof, Brick acknowledges that he is an alcoholic, but doesn’t seem to want to give up his drinking because, “It’s like a switch, clickin’ off in my head. Turns the hot light off and the cool one on, and all of a sudden there’s peace.” But then, as his father points out to him, there is the morning.

Yoga brings peace without the hangover. Another thing to consider is that the practice has a way of opening the heart so we can get to the violets.

“To me, its meaning is simple. The hard, the cold, the oppressive will—at long last—be broken apart by a force that is beautiful, natural, colorful, alive.”

– Patricia Clarkson explaining way she was quoting Tennessee Williams during a 2009 HRC New Orleans Dinner speech

### NAMASTE ###

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A Joyful Practice

First Step: Breathe In, Second Step: Breathe Out October 25, 2020

“People always call it luck when you’ve acted more sensibly than they have.”

– Anne Tyler

“Missouri made an exasperated face. ‘You don’t know,’ she told her. ‘You don’t know how it would work out. Bravest thing about people, Miss Joan, is how they go on loving mortal beings after finding out there’s such a thing as dying. Do I have to tell you that?’”

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– quoted from The Tin Can Tree by Anne Tyler

.

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– quoted from Dinner at the Homesick Restaurant by Anne Tyler

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– quoted from The Beginner’s Goodbye

“‘Breathing lessons – really,’ [Fiona] said, dropping to the floor with a thud. ‘Don’t they reckon I must know how to breathe by now?’”

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– quoted from Breathing Lessons by Anne Tyler

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– quoted from Breathing Lessons by Anne Tyler

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– quoted from Breathing Lessons by Anne Tyler

### BREATHE IN, BREATH OUT ###

This is one way you can hear me SINGING BOUT MY STUFF October 18, 2020

– quoted from “What Can You Heal in Five Minutes” (from the 2014 Online Salon) by Caroline Myss

– quoted from “What Can You Heal in Five Minutes” (from the 2014 Online Salon) by Caroline Myss

“somebody/anybody sing a black girl’s song bring her out to know herself to know you but sing her rhythms carin/struggle/hard times”

– The Lady in Brown with all the other Ladies from for colored girls who have considered suicide/when the rainbow is enuf by Ntozake Shange

“somebody almost walked off wid alla my stuff

not my poems or a dance i gave up in the street

but somebody almost walked off wid alla my stuff

like a kleptomaniac workin hard & forgettin while stealin

​

this is mine!

this aint yr stuff

now why don’t you put me back

& let me hang out in my own

Self”

– The Lady in Green from for colored girls who have considered suicide/when the rainbow is enuf by Ntozake Shange

– from a speech to Readers Digest/United Negro Fund creative writing contest winners (May 1, 1964) by Lorraine Hansberry

“hey man

where are you goin wid alla my stuff?!

this is a woman’s trip & i need my stuff”

– The Lady in Green from for colored girls who have considered suicide/when the rainbow is enuf by Ntozake Shange

### “I found god in myself and i loved her i loved her fiercely” (NS) ###

Magic? No. Magical? Yes, yes! (*Updated) September 2, 2020

– Pete Docter (b. 10/09/1968), quoted from an AV Club interview (dated 05/28/2009)

“I want to see how life can triumph.”

– Romare Bearden, Artist and Activist

“There are roads out of the secret place within us which we must all move as we go to touch others.”

– Romare Bearden, Artist and Activist

“If you’re offered a seat on a rocket ship, don’t ask what seat. JUST GET ON!”

– Teacher and Astronaut S Christa McAuliffe

“Reach for the stars. Reach for it! Push yourself as far as you can.”

– Teacher and Astronaut S Christa McAuliffe

“I am blessed for what I have, but I believed in it from the beginning. Today the dream is the same: I still want to travel, I still want to entertain, and I most certainly want to have fun.”

– Guy Laliberté, Cirque du Soleil co-founder, polker player, and Activist

“Life is tough, and if you have the ability to laugh at it, you have the ability to enjoy it.”

– Salma Hayek, Actor, Director, Producer, and Activist

“I act tall!”

– Salma Hayek, Actor, Director, Producer, and Activist

“People often say that ‘beauty is in the eye of the beholder,’ and I say that the most liberating thing about beauty is realizing that you are the beholder. This empowers us to find beauty in places where others have not dared to look, including inside ourselves.”

– Salma Hayek, Actor, Director, Producer, and Activist

### REACH FOR THE STARS! HAVE FUN. ACT TALL. BEHOLD… & LIFE WILL TRIUMPH ###

Who are you on the inside (outside)? August 8, 2020

“Who are you?”

“Where does the world come from?”

– Questions Sophie Amundsen finds in her mailbox in Sophie’s World: A Novel About the History of Philosophy by Jostein Gaarder

“Is there nothing that interests us all? Is there nothing that concerns everyone? Yes, dear Sophie, there are questions that certainly should interest everyone. They are precisely the questions this course is about.

What is the most important thing in life? If we ask someone living on the edge of starvation, the answer is food. If we ask someone dying of cold, the answer is warmth. If we put the same question to someone who feels lonely and isolated, the answer will probably be the company of other people.

– quoted from the letter in the first packet Sophie Amundsen in Sophie’s World: A Novel About the History of Philosophy by Jostein Gaarder

Yoga Sūtra 2.32: śaucasantoşatapahsvādhyāyeśvarapraņidhānāni niyamāh

– “Purity (or cleanliness), contentment, austerity (and the practices that lead to austerity), self-study, and a trustful surrender to [the creative source or the constant awareness to the highest reality] are the observances.”

“Basically there are not many philosophical questions to ask. We have already asked some of the most important ones. But history presents us with many different answers to each question. So it is easier to ask philosophical questions than to answer them.”

– quoted from the letter in the first packet Sophie Amundsen in Sophie’s World: A Novel About the History of Philosophy by Jostein Gaarder

“The world is not comprehensible, but it is embraceable: through the embracing of one of its beings.”

– quoted from “With a monist” published in Pointing the Way: Collected Essays by Martin Buber

– quoted from Sophie’s World: A Novel About the History of Philosophy by Jostein Gaarder

### “Who are you? I really want to know?” – The Who ###

Impossible x3 August 3, 2020

– commentary on bShabbat (16b – 14b) in doctoral thesis entitled “Queen Alexandra: The Anamoly of a Sovereign Jewish Queen in the Second Temple Period” by Etka Liebowitz, PhD

“somebody/anybody
sing a black girl’s song
bring her out
to know herself
to know you
but sing her rhythms
carin/struggle/hard times”

### “I found god in myself
and i loved her
i loved her fiercely” (NS) ###

Magic? No. Magical? Yes, yes! (Updated) September 2, 2020*

“You want it bad you want it oh so much
There are some things that you should know
Some things that someone like you just cannot touch

You weep and dwell on our loss
Stand denied by the nails in the cross
And I for one you for two
Knows no one’s gonna do it for you
No one’s gonna do it for you”

“Yes, thou shalt know, spite of thy past Distress,
And all those Ills which thou so long hast mourn’d;
Heav’n has no Rage, like Love to Hatred turn’d,
Nor Hell a Fury, like a Woman scorn’d.”