Peace and blessings to all, and especially to those commemorating the Martyrdom of the Báb!
This is the “missing” post for Wednesday, July 9th.Some links will take you to sites outside of WordPress (and are marked accordingly).You can request an audio recording of this practice or a previous practice via a comment below or (for a slightly faster reply) you can email myra(at) ajoyfulpractice.com.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es).
Donations are tax deductible; class purchases are not necessarily deductible.
But those ways are dependent on our sense of self.
What if, however, we aren’t the one that is dreaming? What if we are living inside someone else’s dream? How would we even know?
In Christopher Nolan’s science fiction thriller Inception (which premiered July 8, 2010), characters refer to a “totem” the status or presence of which indicates a dream state versus a waking state. In real life, however, we may not have a “spinning top” or “loaded die” — we only have our mind… and our sense of self.
“If a man has lost a leg or an eye, he knows he has lost a leg or an eye; but if he has lost a self—himself—he cannot know it, because he is no longer there to know it.”
— quoted from The Man Who Mistook His Wife for a Hat and Other Clinical Tales by Oliver Sacks
Born today (July 9th) in 1933, Dr. Oliver Sacks was a neurologist, naturalist, historian of science, and best-selling author who was appointed Commander of the Order of the British Empire (CBE), for services to medicine, in the Queen’s Birthday Honours on November 26, 2008, and received a number of awards and honorary degrees from several professional associations, universities, and colleges. He was also a Fellow of the Royal College of Physicians (FRCP), as well as a member of the American Academy of Arts and Letters (Literature); a Fellow of the New York Academy of Sciences; a Honorary Fellow at the Queen’s College, Oxford; and a Fellow of the American Academy of Arts and Sciences (Class IV—Humanities and Arts, Section 4—Literature.
With the exception of a four year period, from 1939-1943 — when he and his older brother (Michael) were evacuated and sent to boarding school to escape the Blitz during World War II, Oliver Sacks was born in raised in Cricklewood, a town in North London, England. He was the youngest of four children born to two Jewish doctors. His father, Samuel Sacks, a Lithuanian Jewish doctor. His mother, Muriel Elsie Landau, was one of the first female surgeons in England — and she would sometimes bring “work” home with her.
Given his childhood, it is not surprising that Dr. Sacks had an early interest in chemistry and that, in 1958, he earned a medical degree from The Queen’s College, Oxford. He migrated to the United States soon after he received his degree and, after completing an internship and residency in California, he moved to New York City where he began to make a name for himself.
Dr. Sacks published 18 books and hundreds of articles and essays consumed by scientist as well as lay people. His books included two memoirs (Uncle Tungsten: Memories of a Chemical Boyhood and On the Move: A Life), as well as Everything in Its Place, a posthumously collection of essays. He became a household name when his 1973 book Awakenings — which chronicled his work with survivors of the 1920s sleeping sickness encephalitis lethargica epidemic — was turned into an Academy Award-nominated movie starring Robin Williams and Robert De Niro. Some of his other books were also turned into feature films, animated shorts, plays, and an opera. His work also inspired the creation of dance pieces, find art, and music.
Throughout his career, Dr. Sacks wrote about everything from music to color blindness to sign language to migraines to hallucinations to gratitude to his own experience with prosopagnosia (also known as “face blindness”) — which was also the diagnosis of “the man who mistook his wife for a hat”. Finally, he wrote about his own experience with death and dying.
Since yesterday was all about Dr. Elisabeth Kübler-Ross and her work related to death and dying and living, part of me wants to skip right to the end — because Dr. Oliver Sacks’s experience with death and dying was just as interesting as his experience with life. But, since his life was so interesting, I am resisting the urge to skip to the end!
— “[The five types of mental activity] are correct knowledge, misconception, imagination, sleep [or knowledge found in deep sleep] and memory.”
While the subjects about which Oliver Sacks wrote may seem very different on the surface, what connected all of his work was the brain (and the way the brain works). These are also subjects that have fascinated me since I was a young child.
Similar to Dr. Sacks, my fascination probably started because I grew up with medicine in the household. My father has a PhD in neurology and physiology and so I grew around him teaching medical students about the brain and the nervous system. Then I started reading about psychoanalysis. Fast forward to my adulthood and, when I started practicing yoga, I (eventually) discovered that Patanjali devoted a lot of the Yoga Sūtras to how the brain/mind works and how we can work the brain/mind.
While there are some obvious differences between Western science and Patanjali’s philosophical discourse related to how afflicted/dysfunctional thought patterns lead to suffering — which can manifest physically as well as mentally, emotional, and/or energetically — it is also interesting to note the ways in which modern science dovetails with ancient science when it comes to perception, understanding, and the ways in which our mind-bodies process sensation/information (when we’re awake and when we are asleep).
“Rodolfo Llinás and his colleagues at New York University, comparing the electrophysiological properties of the brain in waking and dreaming, postulate a single fundamental mechanism for both—ceaseless inner talking between cerebral cortex and thalamus, a ceaseless interplay of image and feeling irrespective of whether there is sensory input or not. When there is sensory input, this interplay integrates it to generate waking consciousness, but in the absence of sensory input it continues to generate brain states, those brain states we call fantasy, hallucination, or dreams. Thus waking consciousness is dreaming—but dreaming constrained by external reality.”
— quoted from the commentary/notes in An Anthropologist on Mars: Seven Paradoxical Tales by Oliver Sacks
MUSIC, BEETHOVEN, & MEMORY
“‘Every act of perception,’ [Dr. Gerald] Edelman writes, ‘is to some degree an act of creation, and every act of memory is to some degree an act of imagination.’”
“Many composers, indeed, do not compose initially or entirely at an instrument but in their minds. There is no more extraordinary example of this than Beethoven, who continued to compose (and whose compositions rose to greater and greater heights) years after he had become totally deaf. It is possible that his musical imagery was even intensified by deafness…. There is an analogous phenomenon in those who lose their sight; some people who become blind may have, paradoxically, heightened visually imagery.”
— quoted from Musicophilia: Tales of Music and the Brain by Dr. Oliver Sacks
Serendipitously (because the initial impulse had nothing to do with this practice), I did a deep dive into the amygdala on Tuesday night and started learning how the cells many of us associate with fear-based reactions actually processes all sensation and pays particular attention to anything the mind/brain thinks is relevant to survival. This can be things we might (consciously) consider good/positive/safe as well as things we might (consciously) consider bad/negative/dangerous. This process also contributes to how we form and retain memories — all of which also comes up in various texts related to the Yoga Philosophy.
Research has shown that imagining yourself doing something over a period of time can actually help you do the thing better — as long as you’re imagining yourself doing the thing in the best way possible (i.e., doing things the correct way). For instance, you can benefit from imagining yourself practicing yoga… the right way.
What is the wrong way to practice (or imagining yourself practicing)? Any way that is not mindful.
Remember, movement is good for the mind-body and part of what can make yoga good movement is the repetition — which the brain/mind also appreciates.
MORE MUSIC
“There is certainly a universal and unconscious propensity to impose a rhythm even when one hears a series of identical sounds at constant intervals… We tend to hear the sound of a digital clock, for example, as ‘tick-tock, tick-tock’ – even though it is actually ‘tick tick, tick tick.’”
“There are, of course, inherent tendencies to repetition in music itself. Our poetry, our ballads, our songs are full of repetition; nursery rhymes and the little chants and songs we use to teach young children have choruses and refrains. We are attracted to repetition, even as adults; we want the stimulus and the reward again and again, and in music we get it.”
“Music is part of being human”
— quoted from Musicophilia: Tales of Music and the Brain by Dr. Oliver Sacks
CLICK ON THE EXCERPT BELOW FOR A POST ABOUT MUSIC & THE MIND.
“A MONTH ago, I felt that I was in good health, even robust health. At 81, I still swim a mile a day. But my luck has run out — a few weeks ago I learned that I have multiple metastases in the liver….
I feel grateful that I have been granted nine years of good health and productivity since the original diagnosis, but now I am face to face with dying. The cancer occupies a third of my liver, and though its advance may be slowed, this particular sort of cancer cannot be halted.
It is up to me now to choose how to live out the months that remain to me. I have to live in the richest, deepest, most productive way I can. In this I am encouraged by the words of one of my favorite philosophers, David Hume, who, upon learning that he was mortally ill at age 65, wrote a short autobiography in a single day in April of 1776. He titled it My Own Life.
‘I now reckon upon a speedy dissolution,’ he wrote. ‘I have suffered very little pain from my disorder; and what is more strange, have, notwithstanding the great decline of my person, never suffered a moment’s abatement of my spirits. I possess the same ardour as ever in study, and the same gaiety in company.’”
— quoted from the essay “My Own Life” by Oliver Sacks (published in The New York Times, Feb. 19, 2015)
For most of his life, Dr. Oliver Sacks was pretty quiet about his personal life. For most of his career, he didn’t write about being gay or about the fact that he was celibate for 35 years. However, in his 2015 autobiography On the Move: A Life, he wrote about how his friendship with Bill Hayes, a contributor to The New York Times, whom he met 2008, evolved into a long-term partnership. Their partnership lasted until Dr. Sacks died in 2015.
Just as was the case with everything else he found interesting, Dr. Sacks wrote an essay about the fact that he was dying. It was published in The New York Times a little over six months before he died. It is, in some ways, an obituary. It is also letter of gratitude and thanksgiving, for a life well lived.
Finally, it is a bit of wisdom — really, several bits of wisdom — about living.
“I cannot pretend I am without fear. But my predominant feeling is one of gratitude. I have loved and been loved; I have been given much and I have given something in return; I have read and traveled and thought and written. I have had an intercourse with the world, the special intercourse of writers and readers.
Above all, I have been a sentient being, a thinking animal, on this beautiful planet, and that in itself has been an enormous privilege and adventure.”
— quoted from the essay “My Own Life” by Oliver Sacks (published in The New York Times, Feb. 19, 2015)
Wednesday’s playlist is available on YouTube and Spotify. [Look for “07092022 Awareness of the Mind’s Awareness”]
A FINAL NOTE ABOUT MOVING
“There is a direct union of oneself with a motorcycle, for it is so geared to one’s proprioception, one’s movements and postures, that it responds almost like part of one’s own body. Bike and rider become a single, indivisible entity; it is very much like riding a horse. A car cannot become part of one in quite the same way.”
— quoted from the chapter “Muscle Beach” in On the Move: A Life by Oliver Sacks
Click on the excerpt below for my brief Kiss My Asana post and short video about proprioception.
If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can dial 988 (in the US) or call 1-800-273-TALK (8255)for the Suicide and Crisis Lifeline. You can also call this TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.
White Flag is an app, which I have not yet researched, but which may be helpful if you need peer-to-peer (non-professional) support.
Peace and blessings to all, and especially to those commemorating the Martyrdom of the Báb!
“Rodolfo Llinás and his colleagues at New York University, comparing the electrophysiological properties of the brain in waking and dreaming, postulate a single fundamental mechanism for both—ceaseless inner talking between cerebral cortex and thalamus, a ceaseless interplay of image and feeling irrespective of whether there is sensory input or not. When there is sensory input, this interplay integrates it to generate waking consciousness, but in the absence of sensory input it continues to generate brain states, those brain states we call fantasy, hallucination, or dreams. Thus waking consciousness is dreaming—but dreaming constrained by external reality.”
— quoted from the commentary/notes in An Anthropologist on Mars: Seven Paradoxical Tales by Oliver Sacks (b. 07/09/1933)
Please join me today (Wednesday, July 9th) at 4:30 PM or 7:15 PM for a yoga practice on Zoom.You can use the link from the “Class Schedules”calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email myra(at) ajoyfulpractice.com.
Wednesday’s playlist is available on YouTube and Spotify. [Look for “07092022 Awareness of the Mind’s Awareness”]
If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can dial 988 (in the US) or call 1-800-273-TALK (8255)for the Suicide and Crisis Lifeline. You can also call this TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.
White Flag is an app, which I have not yet researched, but which may be helpful if you need peer-to-peer (non-professional) support.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)
“A MONTH ago, I felt that I was in good health, even robust health. At 81, I still swim a mile a day. But my luck has run out — a few weeks ago I learned that I have multiple metastases in the liver….
I feel grateful that I have been granted nine years of good health and productivity since the original diagnosis, but now I am face to face with dying. The cancer occupies a third of my liver, and though its advance may be slowed, this particular sort of cancer cannot be halted.
It is up to me now to choose how to live out the months that remain to me. I have to live in the richest, deepest, most productive way I can. In this I am encouraged by the words of one of my favorite philosophers, David Hume, who, upon learning that he was mortally ill at age 65, wrote a short autobiography in a single day in April of 1776. He titled it My Own Life.
‘I now reckon upon a speedy dissolution,’ he wrote. ‘I have suffered very little pain from my disorder; and what is more strange, have, notwithstanding the great decline of my person, never suffered a moment’s abatement of my spirits. I possess the same ardour as ever in study, and the same gaiety in company.’”
— quoted from the essay “My Own Life” by Oliver Sacks (published in The New York Times, Feb. 19, 2015)
CORRECTION: Original post contained wrong date and class times.
{NOTE: For the last few years, the first Saturday after January 1st kicks off a series I refer to as “Building a Practice from the Ground Up.” Each year, the physical sequences are different and we look at the yoga philosophy from a different vantage point. This year, we are working with Patanjali’s Yoga Sutras and the physical sequences inspired by Course I in Light on Yoga by B. K. S. Iyengar. YMCA members and their guests are welcome to join us at anytime. Since I am “out of the office” this Saturday (March 23rd), here are the philosophy notes for Week 12.}
“What is it that gentlemen wish? What would they have? Is life so dear, or peace so sweet, as to be purchased at the price of chains and slavery? Forbid it, Almighty God! I know not what course others may take; but as for me, give me liberty or give me death!”
– Patrick Henry speaking to the Second Virginia Convention on March 23, 1775
Let’s say, like Patrick Henry and the other delegates of the Second Virginia Convention in 1775, you have a big decision to make. Riffing Henry for a moment, let’s say your choices fall into two categories: alleviating suffering or causing suffering. Now, how do you know how many options you have, let alone which options fall into each category? Clearly, you have to go a little deeper.
As we’ve explored over the previous 11 weeks, Patanjali begins the yoga sutras “right here and now” (ata), at this auspicious moment, with the understanding that something (some form of preparation) has occurred before this moment. He then explains that “yoga ceases the fluctuations of the mind” (YS I.2) and briefly describes what happens to person when the mind is still (YS I.3) versus when the mind is busy (YS.4). In sutras subsequent sutras, he breaks down the fact that a person’s thoughts can cause suffering or alleviate suffering, and that there are five (5) types of thoughts (YS I.5). In sutras I.6 – I.11, Pantajali explains the five (5) types of thoughts. Once he has outlined how the mind works, he moves on to how a person can work the mind.
Many of my first yoga teachers use to tell me, “How you do yoga is how you do life.” In considering Yoga Sutra 1.12, it occurs to me that we don’t do yoga, we practice it – which means that when we are on the mat we are practicing life. We practice life in two ways. First, we practice how we are already showing up in our lives. Then, we consider how we want to show up in our lives, and give ourselves the opportunity to practice accordingly. The yoga mat is like a laboratory or a play ground where we get to safely explore ourselves, or lives, and our possibilities. And, the more we practice how we want to show up, the more we show up.
“Our habits form our personality. They have a powerful influence on our unconscious behavior, as well as on our conscious decisions.”
– commentary on YS I.12 by Pandit Rajmani Tigunait, PhD
When we do something for the first time, a new neural pathway starts forming in our brain. When we repeat the activity or experience, that neural pathway starts to become hardwired. This is the way muscle memory is formed. This is also the way we form habits. And, this is the way our lives are formed.
Each activity, each experience we have, leaves an impression – what, in the yoga philosophy, is referred to as samskara – and we live our lives inside these impressions. Another way of thinking about these impressions is to see them as veils; which means, we see our lives through these veils of impressions. Sometimes, we can’t see because of these veils of impressions. The thing that makes these impressions tricky is that (a) our “experiences” include things we see, hear, think, do, and say; (b) our “experiences” are not always ours (in that they are not always first-hand experiences); and (c) we are often not aware of these impressions or how they affect us.
Let’s back up a minute. Before we “do” (or don’t do) anything, there is at least one thought, and there is also at least one thought during and after we do what we do. Those thoughts, on a certain level, determine what we do (or don’t do), how we do it, and whether or not we succeed. Those thoughts also affect how we feel about what we do (or don’t do), how we do it, and whether or not we succeed. And, those thoughts are just more neural pathways…more impressions. So, as we go about our daily lives we are hard-wiring our lives in a way that alleviates our suffering or causes more suffering.
Think about that for a minute: As we go about our daily lives we are hard-wiring our lives in a way that alleviates our suffering or causes more suffering.
Another way to think about this is that as we go through our lives, we are limiting our possibilities, limiting our lives, and limiting ourselves. Granted, there is only so much one person can do in any given moment. We are, after all, finite beings. But, we come from and are connected to something infinite.
What if, when we narrow down our possibilities, we start with the infinite rather than the finite?
Continuous practice on the mat, leads to continuous practice off the mat. This is abhyāsa. Being open to what is and exploring the moment without desire, aversion, or fear about the outcome is vairāgyā. Swami J depicts them as elements on a balanced scale. He describes abhyāsa as “never give up” and vairāgyā as “always let go.” In sutras I.13 – I.16, Patanjali breaks down these two key principles and describes how they create the opportunity to unpack our conditioning and enable us to explore infinite possibilities.
“If you feel free, you are free. If you feel bond, you are bond. Thinking makes it so.”
“There are, of course, inherent tendencies to repetition in music itself. Our poetry, our ballads, our songs are full of repetition; nursery rhymes and the little chants and songs we use to teach young children have choruses and refrains. We are attracted to repetition, even as adults; we want the stimulus and the reward again and again, and in music we get it.”
– from Musicophilia: Tales of Music and the Brain by Dr. Oliver Sacks
There is something about repetition and the repetition of movement. It is something you find in Nature, something you find in music, and it is something you find in the visual arts. That something was felt by Henry David Thoreau when he went into the woods and its one of the reasons Walt Whitman perambulated. It is part of what Rainer Maria Rilke recommended again and again in his letters to the young poet Franz Kappus and it is the key that unlocks Wendell Berry’s “Sabbath Poems” when he walks his Kentucky lands. That something is what Diane Ackerman references when she talks about the creativity of walking and bicycling in her book Play – and it’s something you find in the practice.
In Light on Yoga, B. K. S. Iyengar systematically broke down over 200 yoga poses and their benefits. Iyengar started off his exploration with Samasthiti / Tadasana (Equal Standing / Mountain Pose), which seems like a pretty disposable pose. In fact, it is all too easy to discount the pose – people do it all the time. You might even find yourself doing it if you aren’t encouraged to pause and notice where you’re going.
If your time on the mat is an in-depth exploration of you and your practice, you will find yourself going into Samasthiti/Tadasana again and again. It turns out that there is an element of the pose in almost every other pose. Another element that appears again and again in the practice is Cow Pose. Finally, you’ll keep coming back the connection to the breath that allows you to mimic your body’s natural tendencies.
“As many times as I forget, catch myself charging forward without even knowing where I’m going, that many times I can make the choice to stop, to breathe, and be, and walk slowly into the mystery.
Bryan Kest refers to walking as the best exercise known to man. When you move through your practice, move like you are strolling through the woods. Keep finding that Tadasana spine so that you find that Tadasana smile.
Go In and In & Walk Slowly– by Danna Faulds
Take a moment to breathe, be still, and then soften into Child’s Pose (Balasana). Settle in as if this is your whole practice. Notice the extension of the spine. Notice the deep breath in and the deeper breath out. Allow your breath to move through the spine. Allow your mind to follow the breath. Notice the rhythm of the breath. Notice the breath as music.
Once the mind is focused on the breath and the body’s reaction to the breath, use the breath as your pace. The inhale allows you to meander into Table Top: stack shoulders over elbows, elbows over wrists, hips over knees. Check your interior landscape to make sure it supports the exterior. Notice the length of the spine. Move through Cat/Cow or the “Un-Cat” sequence precisely matching the movement to the breath. This is a moving meditation. Just like in a seated meditation, when the brain wanders away from this present moment, use the breath to bring it back.
Again, find the place where you mind is focused on the rhythm and then curl your toes under and exhale into Downward Facing Dog (Adho Mukha Svanasana). Scan the exterior and interior landscapes. Make sure all your fingers are spread wide, with the majority of the weight/pressure in your hands moving into the thumb and first finger. (So that, there is less weight/pressure applied to your outer wrists.) When you relax your head and shoulders, make sure your big toes are parallel to each other and at least a foot apart. Big toes can be behind the thumbs or behind the middle fingers. Hips are high, heels are low (reaching, but not necessarily touching the mat); and neck is long. Even if you have to bend your knees, find Cow Pose in this position (so that you have a straight line from your middle fingers all the way up to your hips and then a second straight line from your hips to the back of your knees). Eyes are on your nose, your belly button, or the space between your toes. Notice the length of the spine.
Feel free to walk your dog!
Remember your can skip the arm balancing, by moving into Staff Pose (Dandasana) and positioning the arms accordingly or using “Dolphin Dog.” Another modification would be to do the pose on the wall. Either way, you can still walk your dog!
Stretch back (meaning, push your spine towards your thighs) and on an exhale walk your hands to your feet or bring your hands and feet together. Once hands are in line with the toes and heels are flat to the mat, inhale to a Half Lift/Flat Back or Extended Forward Bend. (This pose may be called Ardha Uttanasana or Urdhva Uttanasana.) Place your hands on your thighs and press the shoulders into the metaphorical back pockets. Remember, you want to engage in a similar fashion to Cow Pose, Staff Pose, and Downward Facing Dog. In fact, inhale and find a little bit of Cow Pose (even if you have to bend your knees). Now, press the heels down and – as much as you are able without losing the extension of the spine – engage the quadriceps to extend through the knees and press the thigh bones into the wall behind you. Engage your locks (bandhas) as you are able.
If you have unregulated blood pressure, low back issues, eye issues like glaucoma, or if this is already challenging, remember to stay here with knees bent. Otherwise, if it is not contraindicated, bend the knees and flex from the hips to prep Forward Bend (Uttanasana). Keeping the upper back extended, place the hands on the floor or a block and begin to extend through the legs while pressing the thigh bones into the backs of your legs. Do not force the extension. Use the exhales to settle the heart on the thighs (as much as you are able without losing the extension of the spine.) If your legs are completely straight, make sure the knee caps are lifted and that you are not hyper-extending the knees. Also double check to ensure that if the knees are straight the hips are over the knees, not behind the ankles. Remember to engage your locks (bandhas). Notice the length of the spine. Soften into yourself and into the stillness of the moment.
Inhale to Half Lift / Flat Back and use the exhale to engage your core. With hands on the hips, maintain the length of the spine and lift up to standing. Relax your arms by your sides. Balance the weight between all four corners of both feet. Feel free to move side-to-side or back and forth on the feet until you feel you are centered. Spread the toes, press big toes and little toes down, as well as both sides of the heels. (This establishes “all four corners of both feet.”) Engage the quadriceps in order to lift the knee caps and firm up the thighs. Sit bones point down so that the pelvic bones lift up. Engage your locks (bandhas). As you press down in order to lift the sternum up, use the core abdominal to draw the lower rib cage down. Relax the shoulders and gaze straight ahead. This is Equal Standing / Mountain Pose (Samasthiti/Tadasana). Notice the length of your spine.
Changing as little as possible, stretch the arms out like the letter T. Scan the interior and exterior landscape, checking to ensure you have maintained balance and alignment. Now, take the next few steps: Turn the palms up and inhale your arms overhead. (Many traditions refer to this as Arms Reaching Overhead (Urdhva Hastasana), but I tend to call this Tadasana). Scan the interior and exterior landscape, checking to ensure you have maintained balance and alignment. Notice the length of your spine. After several breaths, lower the arms to your sides on an exhale.
Now, use the whole inhale to lift the arms overhead and the whole exhale to press the hands together through heart center. On the exhale of the third centering breath, walk to the front of the mat with hands through heart center. Equal Standing is like a soldier in the “Ready” position. You are now ready for the next part of the practice.
Moving through half of a Sun Salutation (Surya Namaskar), inhale arms over head into Arms Reaching Overhead; exhale and stretch the arms out wide as you dive between the hands into a Forward Bend; inhale to a Half Lift / Flat Back; exhale back to Forward Bend. Keeping the knees bent and the core engaged, inhale to reverse swan dive and then exhale hands back to your sides. Repeat the sequence until you feel the natural rising and flowing, ebbing and flowing. Notice the similarities between Cat/Cow. Notice the length of the spine in every pose.
After the final exhale into Forward Bend, inhale into a Half Lift/ Flat Back and then step your left leg way back into a low lunge. Make sure the feet are in two separate lanes. Inhale to lengthen the spine and then exhale the back knee to the mat. Give yourself cushion under the back knee, as needed. Pressing down evenly into both feet, lift your torso up and place hands on your right thigh for a variation of Crescent Lunge (Anjaneyasana).
Use an exhale to slide the hips over the back knee and then place the back of the right hand on your sacrum (the flat part of your bum/hips) and place your left hand on the front of your pelvic bones. Your hands are now bracketing your hips. Slide the back hand down in order to direct the sit bones down. You may feel the front hand lifting as the pelvic bones lift. Notice the length of your spine, especially your low back. You may also feel engagement in your left hip and thigh. Stay here or bend the front knee deeper into the lunge – remembering to maintain the space in your low back. Hands can come to your front thigh or reach the hands over head. If you have Hot Half Moon (Ardha Chandrasana) in your practice, feel free to add it by lifting the left arm up and reaching it towards the right.
As many times as you forget, remind yourself to breath in and out of the length of your spine. When you are ready to move on, place the hands on the mat and step back to Child’s Pose. From Child’s Pose, inhale to Cow Pose and exhale to Downward Facing Dog. Repeat standing sequence from
Once you’ve completed the second side and returned to Child’s Pose, inhale to Cow Pose and then exhale into Downward Facing Dog. Repeat the sequence of standing poses (starting with the first Forward Bend after Downward Facing Dog, substituting left for right.
After the second side of standing poses, move into Staff Pose (Dandasana). Remember, this pose is not disposable. Consider the length of your spine and how you maintain it.
Keep the left leg extended and bend the right knee in order to set up the Sage Twist. Remember to keep the left heel and the right foot flat on the floor. You can place the right foot next to the inside or the outside of the left leg, as long as the knees are comfortable and the right foot is flat on the floor.
On an inhale, lift your right arm up and, as you watch it, reach the right arm back to the floor behind your hips. As you settle into the twist, adjust your left arm to provide additional support wherever you need it. You can always sit on a block and/or place a block under your hand if you’re hips and low back are really tight. If you don’t have a block, substitute a book.
Watch how you engage your base, your core, and your breath in order to lengthen your spine. Remember to start the twist in your base (not in your neck). Do not allow your body to collapse or untwist until you complete 3 – 5 complete breaths. After the third or fifth exhale, inhale to center, give the lifted knee a squeeze, and return to Staff Pose. Repeat the Sage Twist instructions for the Sage Twist (replacing right with left).
After the third or fifth exhale on the left, inhale to center and give the lifted knee a squeeze. Bend or extend both, as needed, and lower down onto your back for Corpse Pose (Savasana). Allow your body to settle into the spaces around your spine. Allow your breath to move through the spine. Allow your mind to follow the breath. Notice the rhythm of the breath. Notice the breath as music.
“Music seems to have a special power to animate us. Kant called music, ‘…the quickening art.’ There’s something about rhythm, as a start, compels one to move…with the beat…. There’s something about the rhythm of the music, which has a dynamic, animated, propulsive effect that gets people moving in sympathy with it; and gets people moving in sympathy with one another. So…the rhythm of music has a strong bonding thing. People dance together, move together…”
“There is certainly a universal and unconscious propensity to impose a rhythm even when one hears a series of identical sounds at constant intervals… We tend to hear the sound of a digital clock, for example, as “tick-tock, tick-tock” – even though it is actually “tick tick, tick tick.”
– from Musicophilia: Tales of Music and the Brain by Dr. Oliver Sacks
This opportunity to explore a poem on the mat is part of my offering for the 2018 Kiss My Asana yogathon. I encourage you to set aside at least 5 minutes a day during April, to practice with the poem as inspiration. You can practice in a class or on your own, but since the Kiss My Asana yogathon raises resources as well as awareness, I invite you to join me at the donation-based classes on April 28th.
I also challenge you to set aside a certain amount every day that you practice with a poem in mind. It doesn’t matter if you set aside one dollar per practice or $25 – set aside that amount each time you practice and donate it by April 30th.
Founded by Matthew Sanford, Mind Body Solutions helps those who have experienced trauma, loss, and disability find new ways to live by integrating both mind and body. They provide classes, workshops, and outreach programs. They also train yoga teachers and offer highly specialized training for health care professionals. By participating in the Kiss My Asana yogathon you join a global movement, but in a personal way. In other words, you practice yoga. Or, as this year’s tag line states, “do yoga. share yoga. help others.”
*Yes, it’s another two (2) poem day. It’s also a two (2) video day! Happy Monday!
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A Joyful Practice 