“If something is boring after 2 minutes, try it for 4. If still boring, then 8. Then 16. Then 38. Eventually one discovers that it is not boring at all.”
– John Cage
“The truth knocks on the door and you say, “Go away, I’m looking for the truth,” and so it goes away. Puzzling.”
– quoted from Zen and the Art of Motorcycle Maintenance: An Inquiry into Values by Robert Pirsig
Yesterday was about the truth… the cagey truth about nothing. Today we start with the truth about words.
Words are amazing! And, when you know where they come from, words (and the way we use them) can be really funny. Take the word zen, for instance. The word zen is a Japanese word that comes to us from Sanskrit by way of Chinese, from a word that means “meditation.” So, when we say that someone practices “Zen meditation” what we are really saying is that someone practices “Meditation meditation.”
It’s funny to think of it that way, but it is also true – not only of a Zen practice, but of all meditation practices. When we sit, or even when we practice a moving meditation, the mind focuses on something again and again and again; meaning, it keeps coming back to the object of focus. Similar to japa-ajapa, we repeat and repeat, repeat and remember, repeat and understand – in other words, we gain insight. Not coincidentally, the Sanskrit word dyana (“thought, meditation”), which is the source word for zen, comes from the Greek root meaning “to see, look.” So, when we look at something again, and again, and again – even looking, as Paulo Coehlo suggested, from different perspectives – we see things “in a special way” (which is just another way to say “insight”). Our understanding of the moment (and movement) is a matter of perspective.
It’s like a road trip. The vehicle is moving but we are still inside the vehicle; the scenery is still, but appears to be moving. Everything merges and converges while we are still. Do you see where we’re going?
It’s OK if you don’t. This is kind of like that old joke where someone says, “I’m not lost. I know exactly where we are. We’re in the car.” Now, consider what happens if we could get out of the box or cage we’re in and become part of the scenery. Not walking necessarily, but riding. So that the scenery is simultaneously still and moving… but so are we. And, just like with a moving meditation, there is some part of us that always stays still.
“Get yourself out of whatever cage you find yourself.”
– John Cage
“In a car you’re always in a compartment, and because you’re used to it you don’t realize that through that car window everything you see is just more TV. You’re a passive observer and it is all moving by you boringly in a frame.
On a cycle the frame is gone. You’re completely in contact with it all. You’re in the scene, not just watching it anymore, and the sense of presence is overwhelming.”
– quoted from Zen and the Art of Motorcycle Maintenance: An Inquiry into Values by Robert Pirsig
Born today in 1928, in Minneapolis, Minnesota, Robert Pirsig was a writer and philosopher whose way above average IQ was identified at an early age. While he ultimately served in the United States Army and became a professor of creative writing, he is most well-known as the author of a fictionalized autobiography that centers around a road trip Pirsig took with his son Chris. The trip took them from Minneapolis to San Francisco. The book takes the reader along for the ride and also on a philosophical road trip, moving readers through a history of philosophy and an exploration of “quality” (an object of contemplation). While Zen and the Art of Motorcycle Maintenance: An Inquiry into Values received over one hundred rejection letters and no one expected it to have much of a shelf life, the book initially sold at least 5 million copies worldwide and has consistently appeared on best seller lists.
Pirsig served as vice-President of the Minnesota Zen Mediation Center and spent two additional years on its board of directors. But while he was familiar with motorcycles and Zen Buddhism (as well as electroshock therapy, which is also chronicled in the book), Robert Pirsig said that his seminal book shouldn’t be considered “factual” about either. The same can be said about his follow-up book, Lila: An Inquiry into Morals, which recounts a sailboat trip down the Hudson River. Lila picks up where the philosophical road trip left off and explores “quality” as Static or Dynamic and divides everything in the universe into four “static values” (inorganic, biological, social, and intellectual). His exploration about morals is also an exploration of perspective, and how perspectives change over time. Even though biographies indicate that a 1974 Guggenheim Fellowship “allowed” him to write the second book and the philosophical discourse into metaphysics is continuous, there is a seventeen-year gap between the books.
In the 17 years between his books, Pirsig divorced his first wife, married his second wife, lost his oldest son (who had been featured in the first book), and had a daughter. His son Christopher was killed in a mugging outside the San Francisco Zen Meditation Center. Pirsig would eventually explain that one of the reasons he and his second wife had their daughter Nell was because they believed she was a continuation of Chris’s “life pattern.” In other words, Nell was part of the same trip (metaphysically speaking, of course.)
“The truth knocks on the door and you say, “Go away, I’m looking for the truth,” and so it goes away. Puzzling.”
– quoted from Zen and the Art of Motorcycle Maintenance: An Inquiry into Values by Robert Pirsig
Please join me for a 65-minute virtual yoga practice on Zoom today (Sunday, September 6th) at 2:30 PM. You can use the link from the “Class Schedules” calendar if you run into any problems checking into the class. PLEASE NOTE: Zoom 5.0 is in effect. If you have not upgraded, you will need to give yourself extra time to log into Zoom. You can always request an audio recording of this practice (or any practice) via email or a comment below.
“You look at where you’re going and where you are and it never makes sense, but then you look back at where you’ve been and a pattern seems to emerge. And if you project forward from that pattern, then sometimes you can come up with something.”
– quoted from Zen and the Art of Motorcycle Maintenance: An Inquiry into Values by Robert Pirsig
“The thing to understand is that if you are going to reform society you don’t start with cops. And if you are going to reform intellect you don’t start with psychiatrists. If you don’t like our present social system or intellectual system the best thing you can do with either cops or psychiatrists is stay out of their way. You leave them till last.”
– quoted from Lila: An Inquiry into Morals by Robert Pirsig
“The place to improve the world is first in one’s own heart and head and hands, and then work outward from there.”
– quoted from Zen and the Art of Motorcycle Maintenance: An Inquiry into Values by Robert Pirsig
Listen. Do that 90-second thing. Just for a moment, be still and be quiet.
Notice what you hear.
Notice what you see.
Notice what you feel.
Because, as long as you are alive, these things are always happening.
“Everything we do is music.”
“The world is teeming; anything can happen.”
– John Cage
We refer to the absence of something as nothing, but in actuality there is always something. Our understanding of nothing or emptiness is based on our perception and awareness of the truth. Zen Buddhism, which John Cage practiced, focuses on self-restraint, meditation, insight into the nature of the mind and the nature of things, and the personal expression of this insight – especially as it benefits others. This, truly, parallels the focus of the yoga philosophy. It’s tricky, cagey even; however, if we pay attention we start to notice that the truth about nothing leads to the truth about everything – and Patanjali tells us that being dedicated to to the truth leads to everything.
– “When a yogi is established in truthfulness, actions begin to bear fruit. [Truth is the foundation for fruitful action.]”
Born today in 1912, John Cage was an artist and composer who’s most well-known work is often misinterpreted. Even as musicians – even heavy metal musicians – who understand the piece take it on, there is often a level of interpretation and improvisation that changes the tenure of the piece. Some say Mr. Cage would approve of such things. Others say otherwise, but the truth of the matter is that he was a student not only of art and music, but also of Zen Buddhism, Indian philosophy, chance, and (yes) improvisation. He turned more towards music than art because more people commented on his music and, in some ways, music was harder for him. He combined his two art forms by composing music for “prepared piano,” a piano that had been altered with blocks, pins, and other objects – and essentially turned into a percussion instrument. He also collaboration with his partner Merce Cunningham, the choreographer, and spent years composing via the I Ching, a resource for divination.
Divination comes from the Latin word for “to foresee, to foretell, to predict, to prophesy” and, it is related to the Latin word for “divine,” it can be translated as “to be inspired by God.” It is, like randomly opening a page in the Bible or your favorite book, a way to gain insight into a particular situation. The I Ching or Book of Changes (sometimes translated as Classic of Changes) is an ancient resource for Chinese divination and one of the oldest Chinese classics. It became one of the “Five Classics” in the 2nd Century B.C. and has provided influenced art, literature, philosophy, and religion around the world since the Western Zhou period (1000 – 750 B. C.).
The text is the primary reference for interpreting a sequence of hexagrams which can be formed with numbers or by throwing coins containing the symbols for “yin” (a broken line) or “yang” (an unbroken line). Just like other users of Chinese divination, John Cage would form a question, throw the coins, and then create a musical interpretation of the resulting hexagon sequence and its corresponding message. While he had previously composed “by chance,” using the I Ching became his standard method of composing music after one of his students gave him a copy of the sacred text in 1951. In a 1957 lecture, he described music as “purposeless play” and “a way of waking up to the very life we’re living.”
“If something is boring after 2 minutes, try it for 4. If still boring, then 8. Then 16. Then 38. Eventually one discovers that it is not boring at all.”
– John Cage
It was also in 1951 that Mr. Cage had two other highly influential experiences. His friend and colleague Robert Rauschenberg produced a series of white paintings which appeared to be “blank” canvases, but which actually changed based on lighting and the shadows of the people viewing them. Around this same time, Mr. Cage spent some time in an anechoic chamber at Harvard University. The chamber was designed so that every part of the room absorbed sound, rather than reflecting it, so that it was meant to be completely silent and externally sound-proof. He expected to hear silence but, instead, he heard a high pitched sound and a low pitched sound. The engineer in charge of the room told him the high pitch was his nervous system and the low pitch was his blood circulation. Instead of silence, he was treated to the music of his own existence.
“There is no such thing as an empty space or an empty time. There is always something to see, something to hear. In fact, try as we may to make a silence, we cannot.”
– John Cage
Please join me for a 90-minute virtual yoga practice on Zoom today (Saturday, September 5th) at 12:00 PM. You can use the link from the “Class Schedules” calendar if you run into any problems checking into the class. Give yourself extra time to log in if you have not upgraded to Zoom 5.0.
Today’s playlist is available on YouTube and Spotify. (FAIR WARNING: The volume on these tracks is quite dynamic, more so on the Spotify list. I love this music, however, I know some folks hate it; so, feel free to “randomly” pick another list or…practice in “silence.”)
You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.
“The idea came from the idea of escaping the world, actually. For me, there’s definitely days where I feel like I’ve been overwhelmed by people, and I need to get away. So Bob Peterson, who is the lead writer and co-director, he and I were just sitting in a room thinking of ideas. And we were experimenting with this visual idea of a guy in floating house, and it just seemed really intriguing.”
– Pete Docter (b. 10/09/1968), quoted from an AV Club interview (dated 05/28/2009)
Today started with something that wasn’t magic, but it was magical. For reasons unknown to me, David Blaine and his team picked today for his YouTubes Original special Ascension. The stunt, to soar up thousands of feet with helium balloons and then parachute down, took years and planning and even more years of dreaming. Blaine kept saying he was doing it for his 9-year old daughter Dessa, but he was also doing it for everyone who has ever dreamed of flying, soaring, and floating above it all. He said it was amazing. I say that despite all the technology, and maybe because of it, it was magical – and it couldn’t have happened on a better day. Because, to me, September 2nd is all about magical dreams and the inspiring people who make them come true.
“I want to see how life can triumph.”
– Romare Bearden, Artist and Activist
The artist, author, and song writer Romare Bearden was born today in 1911. Perhaps best known for his collages, photomontages, and abstract and Cubist paintings, he originally aspired to be a cartoonist (and even supported himself, for a brief period, as a political cartoonist). While serving in the United States Army during World War II, Sergeant Bearden was part of the all-Black 372nd Infantry Division of the 15th Regiment. While I have read accounts that spent his service in the United States and other accounts saying that he served on the Western Front, one thing is not disputed: during the war, he saw mankind at its worst and he wanted, through his art, to express the humanity he felt was lacking in his wartime experiences.
“There are roads out of the secret place within us which we must all move as we go to touch others.”
– Romare Bearden, Artist and Activist
Of course, it is easy to imagine the atrocities one might have witnessed on the Western Front, but what would an all-Black infantry member experience if they served in the United States? Segregation, prejudice, racism – and this was experienced more by the domestic soldiers than those on the battlefield. While the enlisted men were Black, the officers were primarily white. In addition to the things we normally think of as being segregated during the 1940’s (housing, transportation, food service, church), especially in the South, parades and other ways people in the service were honored were also done separately. The separation and hostility included people who were part of the Officer’s Candidate School in North Carolina (like Sergeant Bearden) and meant that the Black soldiers were sometimes restricted to their bases even when they had time off.
When his service ended, Romare Bearden spent time in New York City and in Paris, where he studied philosophy and the history behind the art he had, primarily, taught himself to create. His work didn’t just depict African-American people; it showed the unity, cooperation, and collaboration within the African-American community. Along with his cousin, Private Charles H. Alston (with whom he also served in the U. S. Army), Emma Amos, Hale Woodruff, and 11 other artists of color, Sergeant Bearden founded the “Spiral” group, which discussed the responsibility of African-American artists to the Civil Rights Movement and “to consider common aesthetic problems.” It was during this same period that he began his collage work and started experiencing great success and recognition through exhibitions in major galleries and museums.
In 1984, four years before his bone cancer-related death, he was paid $90,000 for a 60×13-foot mural, entitled “Pittsburgh Recollections,” which was installed in a Pittsburgh subway station. In 2008, the mural’s value was estimated at $15 million. Two years after his death, the Romare Bearden Foundation was founded “to preserve and perpetuate the legacy of this preeminent American artist.” The non-profit foundation serves as the artist’s estate and has developed grants supporting children, young (emerging) artists, and scholars.
“If you’re offered a seat on a rocket ship, don’t ask what seat. JUST GET ON!”
– Teacher and Astronaut S Christa McAuliffe
Born today in 1948, S Christa McAuliffe was a teacher who became an astronaut – because she was a teacher. At an early age, she was inspired by the “Space Age” astronauts like John Glen. As an adult, she was chosen from over 11,000 applicants to participate in NASA’s 1985 “Teacher in Space” project. She trained to become the first teacher in space and planned to conduct experiments and teach two lesson plans on her first mission aboard the Space Shuttle Challenger. Tragically, the shuttle broke apart 73 seconds after launch killing all seven crew members on January 28, 1986. This American of Irish and Lebanese descent, who was also a mother and wife, was posthumously awarded the Congressional Space Medal of Honor (in 2004). Schools and scholarships have been named in her honor; however, her students remember her for her advice on life:
“Reach for the stars. Reach for it! Push yourself as far as you can.”
– Teacher and Astronaut S Christa McAuliffe
Canada’s first “space tourist” was born today in 1959. Known for reaching for a different kind of stars and pushing himself (and others), Cirque du Soleil co-founder and former CEO Guy Laliberté turned 61 today. He believes in having a greater purpose and in taking risks, which probably explains his penchant for poker playing, but also his success as an entertainer and producer. While he is now billionaire and one of the wealthiest Canadians in the world, he started off as just another kid inspired by the circus. He started off as a busker, a stiltwalker, and a fire-eater, but eventually became a producer.
In addition to curating one of the most innovative and entertaining performing arts companies in the world, he is one of the founders of the non-profit One Drop Foundation, which aims “to ensure sustainable access to safe water and sanitation for the most vulnerable communities through innovative partnerships, creativity and the power of art.” He called his venture into space a “poetic social mission” designed to raise awareness about water issues addressed by One Drop. The foundation’s values are respect, integrity, collaboration, innovation, and fun – the same elements you need for a good circus. Mr. Laliberté said, “Inside every adult there’s still a child that lingers. We’re happiness merchants giving people the opportunity to dream like children.” Of course, to encourage others to dream, one has to dream big; always, always, always, believe in the dream; and have the resources to make it so.
“I am blessed for what I have, but I believed in it from the beginning. Today the dream is the same: I still want to travel, I still want to entertain, and I most certainly want to have fun.”
– Guy Laliberté, Cirque du Soleil co-founder, polker player, and Activist
“Life is tough, and if you have the ability to laugh at it, you have the ability to enjoy it.”
– Salma Hayek, Actor, Director, Producer, and Activist
If I didn’t have all the other birthday people to honor, but I wanted to get across the same advice and inspiration, I would defer to a Mexican-American woman who stands not quite two inches taller than me. Born today in 1966, Salma Valgarma Hayek Jiménez, now Salma Hayak Pinault began her career in the award-winning telenovela Teresa. By 25, she had won an Ariel Award (the Mexican equivalent of an Academy Award) and was ready to take on Hollywood, where she would receive more accolades and critical acclaim. She has appeared in sitcoms, children’s specials, and every imaginable genre of movies.
In 2002, Salma Hayek produced and starred in Frida, a biography of Mexican artist Frida Kahlo, which was directed by Julie Taymor. In addition to paying tribute to her Mexican heritage with Frida, honored her Lebanese heritage by producing (and voicing the character Kamila) the animated movie Kahlil Gibran’s The Prophet. As she continuously racks up awards and nominations for her work as an actor and producer, she has also modeled; worked as an official spokeswoman for Avon and Revlon cosmetics; and worked with Proctor & Gamble Company, in collaboration with UNICEF, to promote the funding of maternal and neonatal tetanus vaccines. She practices yoga and has developed a juice delivery program and her own brand of cosmetics.
In addition to all this and more, Ms. Hayek has had overcome dyslexia, navigated America’s immigration system to become a naturalized citizen, and overcame sexual assault and harassment during one of the high points of her career. Her personal experiences are part of the reason she works to increase awareness about violence against women (even testifying before the United States Senate to support the Violence Against Women Act), donates to anti-domestic abuse shelters and groups (in the United States and Mexico), and is a breastfeeding advocate who once breastfeed a newborn in Sierra Leone when the baby’s mother could not produce milk. She once said, “What is important is to believe in something so strongly that you’re not discouraged.” Inspiring words, for sure! However, I always follow another bit of her advice….
“I act tall!”
– Salma Hayek, Actor, Director, Producer, and Activist
Please join me today (Wednesday, September 2nd) at 4:30 PM or 7:15 PM for a magical-birthday inspired yoga practice on Zoom. Use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You will need to register for the 7:15 PM class if you have not already done so. Give yourself extra time to log in if you have not upgraded to Zoom 5.0. You can request an audio recording of this practice via a comment below.
Wednesday’s playlist is available is available on YouTube and Spotify. (The practice music is the same, but one playlist includes David Blaine’s Ascension and the other includes Romare Bearden’s “Sea Breeze.”)
“People often say that ‘beauty is in the eye of the beholder,’ and I say that the most liberating thing about beauty is realizing that you are the beholder. This empowers us to find beauty in places where others have not dared to look, including inside ourselves.”
– Salma Hayek, Actor, Director, Producer, and Activist
Format updated and quote added 09/2023.
### REACH FOR THE STARS! HAVE FUN. ACT TALL. BEHOLD… & LIFE WILL TRIUMPH ###
Everything gives rise to its opposite, therefore we work without conscious effort and teach without agenda.
We enjoy everything and possess nothing.
Our accomplishments do not emerge from our ego, so we do not cling to them.
Thus they benefit all beings.”
– (2) quoted from A Path and A Practice: Using Lao-tzu’s Tao Te Ching as a Guide to an Awakened Spiritual Life by William Martin
A few months back, I posted about chaos theory; and if you watch one of the pendulum models (see below it can seem like so much craziness. However, when faced with so much confusion, I have to remind myself of the following:
we’ve seen this pattern before;
it makes no sense if you get caught up in the momentum;
all the movement is, in fact, moving towards stillness;
and that, from the perspective of natural law, there is a moment when all of the movement is, in fact, “effortless effort.”
As someone with a type-A personality, I sometimes struggle with the idea of “effortless effort.” Don’t get me wrong; I can be still, I can relax. However, there are certain times where “doing nothing” feels like the wrong choice. I’ve been conditioned and socialized to believe this. Many in the Western world have been conditioned and socialized to believe this. But, not doing is still doing and “effortless effort” is not the same as doing nothing. In fact, sometimes, it takes a great deal of effort to let go.
In a 2009 blog post, Meditation Oasis (Mary and Richard Maddux) refers to a the Wikipedia description of “Wu Wei” – which literally means “not-doing doing” – as “’natural action’ giving the example of a tree growing. It is doing growing, and yet it is not doing.” This makes me think of Alan Watts meditation where he describes breathing as something that happens to us, but also something we can engage – and, once engaged, it is something we do deeply without effort. Meditation is like this. Life is like this too, and Taoist philosophy points to “Wu Wei” as a way to act and/or experience action in daily life. On Meditation Oasis’s blog, they describe meditation as “the art of allowing the mind to experience a natural state.” This too, is what Patanjali advocates in the Yoga Sūtras, “resting in your own true nature.” (YS 1.3)
“The most fluid and yielding substance will flow past the most rigid with the speed of a racehorse.
That which does not hold a particular form can enter even that which seems impenetrable.
This is why we practice “effortless effort.”
We act without ado.
We teach without arguments.
This is the way of true happiness, but because people prefer distractions and noise, it is not a popular way.”
– (43) quoted from A Path and A Practice: Using Lao-tzu’s Tao Te Ching as a Guide to an Awakened Spiritual Life by William Martin
In commentary on wu-wei, Dr. Martin says, “This phrase implies pure action in the present moment without any accompanying resistance, second-guessing, or worry. In the practice of wu-wei we just “do what we do.” The more awareness and acceptance we bring to the present moment, the more wu-wei is possible. This can take the form of either energetic activity or relaxed waiting. Like acceptance, wu-wei is not passive….” The sounds great, but I wonder how it works in situations where things are steadily spiraling out of control, where there is deadly chaos and we can’t seem to find the center point. I think of Dr. Martin Luther King paraphrasing the abolitionist minister Theodore Parker and am reminded that we have to bend the arc. But, how do we do that without more harm? How do we do that with ‘effortless effort?”
“I do not pretend to understand the moral universe. The arc is a long one. My eye reaches but little ways. I cannot calculate the curve and complete the figure by experience of sight. I can divine it by conscience. And from what I see I am sure it bends toward justice.”
– quoted from an 1853 sermon by Theodore Parker
Dr. William Martin wrote a book on the Tao and activism, which I have not read yet. However, Eastern philosophies like Taoism, Buddhism, and Yoga are philosophies that encourage experiencing the present moment – which requires stillness. So, today we are going to move into stillness.
Please join me today (Tuesday, September 1st) at 12 Noon or 7:15 PM for a virtual yoga practice on Zoom, where we will do what we do. Use the link from the “Class Schedules” calendar if you run into any problems checking into the class. Give yourself extra time to log in if you have not upgraded to Zoom 5.0. You can request an audio recording of this practice via a comment below.
Tuesday’s playlist is available on YouTube and Spotify. (Today’s playlist is dated March 29th or 03292020.)
The movie The Air I Breathe is partially inspired by the idea that human emotions are like fingers on a hand. In fact, the primary characters in the movie are named (or referenced as) Happiness, Pleasure, Sorrow, Love, and Fingers. The movie presents extreme depictions of each emotion as a life experience. The idea behind the inspiration is that to be fully human, to live a full life, we must experience all of the emotions – or, that as we are living our lives we will experience all of emotions – and that the emotions are interconnected: like fingers on a hand.
So, consider a hand. You can think of my hand, your hand, the hand of your favorite person or your least favorite person. You can think of someone who works with their hands, someone who is constantly working on their hands, or someone who does both. It doesn’t matter; in fact, think of all the different kinds of human hands. The typical human hands (like the hands of some other primates and even some frogs) are different from the extreme appendages that other animals use to pick up things, appendages we often refer to as paws, because we typically have opposable thumbs. These thumbs, along with the fingers, enable a person to not only pick up a plethora of objects, but also to use those objects as tools. Our thumbs and fingers give us a level of dexterity that affects the way we interact with the world.
Now, let’s say that you were missing a piece of your hand or a portion of your hands function. Maybe you were missing a fingernail or a tendon. Maybe you were missing a finger, a thumb, or maybe a whole hand. Maybe no one else is missing what you are missing. Or, maybe you are surrounded by people who are missing what you are missing. Either way, it may change the way you interact with the world. It may even change the way you eat, create, or put on a mask – because your mind-body will recreate different muscles to do what you need to do. The question then, isn’t how the body functions without the missing piece. The question is: How do you function?
Does the missing part change the way you think of yourself? Does it change the way people think of you of you and then, therefore, how you think of yourself? Does the answer depend on how and why you are missing the piece or the function? Does the answer depend on how obvious it is that you are missing something? Does it matter if it is inside or outside? Does it even matter?
“It is one of those fables which out of an unknown antiquity convey an unlooked-for wisdom, that the gods, in the beginning, divided Man into men, that he might be more helpful to himself; just as the hand was divided into fingers, the better to answer its end.”
– quoted from the 1837 “The American Scholar” speech by Ralph Waldo Emerson
I have known people who would answer “no” to all of those questions; however, I also have known people who would answer “yes.” And, there is a part of me that thinks maybe these are the wrong questions. There’s a part of me that wonders at what point we start thinking of ourselves (and others) as a single part of ourselves (especially a missing or different part). There’s a part of me that wonders when we stop (or start) thinking of ourselves as a whole. Tied to that last piece of wondering is the acknowledgement that when we consider ourselves as the whole, we are no longer missing…anything.
Today in 1837, Ralph Waldo Emerson delivered “The American Scholar” speech to the Phi Beta Kappa Society at Harvard College. The students invited Emerson to speak after the world’s powerful reception to his 1836 essay “Nature.” The speech was an introduction to Transcendentalist and Romantic views on Nature, as well as the American scholar’s relationship with and responsibility to Nature. It garnered him more accolades and more invitations to speak. It also made people think about the way they thought. In particular, it made people think about the way they thought about themselves.
“The old fable covers a doctrine ever new and sublime; that there is One Man,—present to all particular men only partially, or through one faculty; and that you must take the whole society to find the whole man. Man is not a farmer, or a professor, or an engineer, but he is all. Man is priest, and scholar, and statesman, and producer, and soldier. In the divided or social state these functions are parceled out to individuals, each of whom aims to do his stint of the joint work, whilst each other performs his. The fable implies that the individual, to possess himself, must sometimes return from his own labor to embrace all the other laborers. But, unfortunately, this original unit, this fountain of power, has been so distributed to multitudes, has been so minutely subdivided and peddled out, that it is spilled into drops, and cannot be gathered. The state of society is one in which the members have suffered amputation from the trunk and strut about so many walking monsters,—a good finger, a neck, a stomach, an elbow, but never a man.”
– quoted from the 1837 “The American Scholar” speech by Ralph Waldo Emerson
Now, following Emerson’s logic, we can see a lesson that also appears in the Upanishads: the Neti neti, “not this, not that” lesson pertaining to the nature of the Divine. The parallels in the argument are no accident. Emerson was in fact stating that if we focus too much on one aspect, one nature, one ability, then we lose sight of ourselves as a whole. The same can be said of an individual and their mind-body, as well as of an individual and their whole society. We are, after all, parts of a whole – and, the minute we forget that is the minute we become a thing. Like Frankenstein’s “monster,” there is more going on (inside and outside) than is apparent when we only view things through a single point of view.
“Man is thus metamorphosed into a thing, into many things. The planter, who is Man sent out into the field to gather food, is seldom cheered by any idea of the true dignity of his ministry. He sees his bushel and his cart, and nothing beyond, and sinks into the farmer, instead of Man on the farm. The tradesman scarcely ever gives an ideal worth to his work, but is ridden by the routine of his craft, and the soul is subject to dollars. The priest becomes a form; the attorney a statute-book; the mechanic a machine; the sailor a rope of the ship.
In this distribution of functions the scholar is the delegated intellect. In the right state he is Man Thinking. In the degenerate state, when the victim of society, he tends to become a mere thinker, or, still worse, the parrot of other men’s thinking.”
– quoted from the 1837 “The American Scholar” speech by Ralph Waldo Emerson
Please join me on the virtual mat today (Monday, August 31st) at 5:30 PM for a 75-minute virtual yoga practice.
This is a 75-minute Common Ground Meditation Center practice that, in the spirit of generosity (dana), is freely given and freely received. You can use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below.
“If it were only for a vocabulary, the scholar would be covetous of action. Life is our dictionary. Years are well spent in country labors; in town; in the insight into trades and manufactures; in frank intercourse with many men and women; in science; in art; to the one end of mastering in all their facts a language by which to illustrate and embody our perceptions. I learn immediately from any speaker how much he has already lived, through the poverty or the splendor of his speech. Life lies behind us as the quarry from whence we get tiles and copestones for the masonry of to-day. This is the way to learn grammar. Colleges and books only copy the language which the field and the work-yard made.
But the final value of action, like that of books, and better than books, is that it is a resource. That great principle of Undulation in nature, that shows itself in the inspiring and expiring of the breath; in desire and satiety; in the ebb and flow of the sea; in day and night; in heat and cold; and, as yet more deeply ingrained in every atom and every fluid, is known to us under the name of Polarity,—these “fits of easy transmission and reflection,” as Newton called them, are the law of nature because they are the law of spirit.
The mind now thinks, now acts, and each fit reproduces the other. When the artist has exhausted his materials, when the fancy no longer paints, when thoughts are no longer apprehended and books are a weariness,—he has always the resource to live. Character is higher than intellect. Thinking is the function. Living is the functionary. The stream retreats to its source. A great soul will be strong to live, as well as strong to think. Does he lack organ or medium to impart his truth? He can still fall back on this elemental force of living them. This is a total act. Thinking is a partial act. Let the grandeur of justice shine in his affairs. Let the beauty of affection cheer his lowly roof. Those “far from fame,” who dwell and act with him, will feel the force of his constitution in the doings and passages of the day better than it can be measured by any public and designed display. Time shall teach him that the scholar loses no hour which the man lives. Herein he unfolds the sacred germ of his instinct, screened from influence. What is lost in seemliness is gained in strength.
– quoted from the 1837 “The American Scholar” speech by Ralph Waldo Emerson
“If we have no peace, it is because we have forgotten that we belong to each other.”
– Mother Teresa
“When Jesus therefore saw his mother, and the disciple standing by, whom he loved, he saith unto his mother, Woman, behold thy son! Then saith he to the disciple, Behold thy mother! And from that hour that disciple took her unto his own home.”
– quoted from (“the last words of Jesus”) in The Gospel According to St. John (19:26 – 27, KJV)
I have officiated three weddings as a yogi and I did this after pretty in-depth conversations with the couples about their relationships, their backgrounds, their expectations, and their love languages. Each wedding was uniquely beautiful – as the relationships are uniquely beautiful. However, I ended each ceremony with the words (above) of Mother Teresa. When someone says, “Start as you mean to go on,” I again think of Mother Teresa’s words; because to me they are as vital in a marriage as they are in any other relationship – including (maybe especially) our relationships with our master teachers and our precious jewels, people with whom we have no peace.
Born Anjeze Gonxhe Bojaxhiu, today in 1910, Mother Teresa’s words remind me of one of the Stations of the Cross that falls in the rubric of “the last words of Jesus.” According to The New Testament, specifically The Gospel According to John, when Jesus looks down from the cross to see his mother and one of his disciples, he tells them that they are family. Now, I know that everyone doesn’t treat every member of their family with love and respect. I know that everyone has a moment when we forget what many great minds and sacred texts keep telling us – and yet, the lesson on love and kindness persists. Even before Johannes Gutenberg created the first printed Bible on August 24, 1456, the lesson was there in the Hebrew Bible and in the Christian New Testament. The lesson appears in the Diamond Sūtra and in the Mettā Sūtra.
“Undisturbed calmness of mind is attained by cultivating feelings of friendliness toward the happy, compassion for the unhappy, delight in the virtuous, and indifference toward the wicked [ or non-virtuous].”
– quoted from How to Know God: The Yoga Aphorisms of Patanjali (1.33), translated and with commentary by Swami Prabhavananda and Christopher Isherwood
I often say that the lesson on offering love, kindness, equanimity, and joy also appears in the Yoga Sūtra – and it does. However, Patanjali makes a distinction that is overlooked in some translations. Christopher Isherwood, who was born today in 1904, joined Swami Prabhavananda in translating and providing commentary for The Yoga Aphorisms of Patanjali. They called their collaboration How to Know God and, as noted above, they were very explicit and specific about sūtra 1.33. In the commentary, they note, “As for the wicked, we must remember Christ’s words: ‘Be not overcome of evil.’ If someone harms us or hates us, our instinct is to answer him with hatred and injury. We may succeed in injuring him, but we shall be injuring ourselves much more, and our hatred will throw our own mind into confusion.”
This, too, seems to be a lesson Mother Teresa carried close to her heart. She was considered a saint by some, a pariah by others; but, there is no denying that she served, taught, and ministered to the poor, the sick, and the hungry in a way that fed bodies as well as minds. She heard her (religious) calling at the age of 12 and left home at 18-years old. She was an ethnic Albanian who claimed Indian citizenship; Catholic faith; said, “As to my calling, I belong to the world. As to my heart, I belong entirely to the Heart of Jesus;” and considered August 27th, the date of her baptism, as her true birthday. She took her religious vows in Ireland in 1931. Here chosen name was after Thérèsa de Lisieux, the patron saint of missionaries; however, she chose a different spelling as the Loreta Abbey already had a nun named Theresa.
“The most terrible poverty is loneliness and the feeling of being unloved.”
“The hunger for love is much more difficult to remove than the hunger for bread.”
– Mother Teresa
While teaching in Calcutta, India, Teresa heard God telling her to leave the safety and comfort of the convent so that she could live with and minister to the poor. With permission from the Vatican, she started what would become the Missionaries of Charity. 13 nuns joined Teresa by taking vows of chastity, poverty, obedience, and devotion to God through “wholehearted free service to the poorest of poor.” When Pope Paul VI gave her a limousine, she raffled it and gave the proceeds to charity. When she was awarded the Nobel Peace Prize in 1979, she asked that the money that would normally go towards a gala dinner be donated to charity. When the Nobel committee asked her what people should do to promote peace, she said, “Go home and love your family.”
When Mother Teresa died in 1977, Missionaries of Charity had expanded beyond India. It had become a worldwide institution with more than 4,000 workers in 133 countries. The organizations efforts included orphanages, homes for people suffering from tuberculosis, leprosy, and HIV/AIDs. Mother Teresa opened soup kitchens, mobile health clinics, schools, and shelters in places like Harlem and Greenwich Village, while also brokering a temporary cease-fire in the Middle East in order to rescue children trapped in a hospital on the front lines.
This is why some consider her a saint. However, the celebrity status her work earned her, as well, as her pro-life position was criticized by people who felt she was hurting the poor as much as she was helping them. For every documentary, book, and article praising her, there is a documentary, book, and article demonizing her. While she was known to have “dark nights of the soul,” or a crisis of faith, she continued to wash her $1 sari every day and go out in service to the world.
“Love is a fruit in season at all times, and with reach of each hand.”
“Love begins at home, it is not how much we do… but how much love we put into the action.”
“Intense love does not measure, it just gives.”
– Mother Teresa
Please join me today (Wednesday, August 26th) at 4:30 PM or 7:15 PM for a heart-felt yoga practice on Zoom. Use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You will need to register for the 7:15 PM class if you have not already done so. Give yourself extra time to log in if you have not upgraded to Zoom 5.0. You can request an audio recording of this practice via a comment below.
Wednesday’s (heart-filled) playlist is available is available on YouTube and Spotify.
(Or, since it is Chris Pine’s birthday, you can also use last week’s (Courage filled) playlist is also available on YouTube and Spotify.)
“Spread love everywhere you go. Let no one ever come to you without leaving happier.”
“It is not the critic who counts; not the man who points out how the strong man stumbles, or where the doer of deeds could have done them better. The credit belongs to the man who is actually in the arena, whose face is marred by dust and sweat and blood; who strives valiantly; who errs, who comes short again and again, because there is no effort without error and shortcoming; but who does actually strive to do the deeds; who knows great enthusiasms, the great devotions; who spends himself in a worthy cause; who at the best knows in the end the triumph of high achievement, and who at the worst, if he fails, at least fails while daring greatly, so that his place shall never be with those cold and timid souls who neither know victory nor defeat.”
– quoted from “The Man in the Arena” portion of the “Citizenship in a Republic” speech by former President Theodore Roosevelt (delivered April 23, 1910, Sorbonne, Paris)
It is not uncommon, when we turn inward, to find a head full of doubt; but, we also find a road of promise. We may find fear; but also strength, wisdom, and courage. Even when life is hard, strenuous, if we keep on pushing, we get a little bit stronger. There may be cracks, but that’s how the light gets in and…
OK, you get the picture. There’s a point where certain kinds of inspiration becomes a little syrupy, a little much, and even a little trite. This can especially be true when we are enduring a challenging time – or, as is the case now, challenging times. But, you know what never gets syrupy? You know what never gets trite? The story of someone who demonstrates that despite their hard times, they can still feel the spirit in their soul. The story of someone who is in a dark place, and yet still express gratitude for their unconquerable soul. The story of someone who may be far from home, with broken bones and a broken heart, a little rusty, but still runnin’.
We may not always want to hear one of those stories of people who are having the same hard time as us – or a significantly harder time than us – and still manages to find some joy in life, smile, and move forward. Sometimes we want to wallow in our muck, moan a few verses of “Oh, woe is me” and “Nobody Knows the Troubles I’ve Seen.” And we absolutely get to do that. Everybody gets to deal, cope, grieve, rail (or rage) against the machine in their own way and in their own time. But, let’s be honest, even that gets old and trite.
You know what never gets old? The stories of people who wrestle with the demons inside and outside, seen and unseen, and are still unbroken never gets old.
“I will now make a confession: It was the sight of your maimed strength and masterfulness that begot Long John Silver … the idea of the maimed man, ruling and dreaded by the sound, was entirely taken from you.”
– quoted from a letter to William Ernest Henley, written by Robert Louis Stevenson
Born today in 1849, in Gloucester, England, William Ernest Henley was a poet, a literary critic, an editor, and poet whose work and life has inspired billions of people around the world, including presidents and prime ministers, royalty, soldiers, athletes, captains of industries (and of starships), and other writers. Even though he wrote and published thousands of poems, he is remembered for one: an originally untitled work that we now call “Invictus.” It is a poem that in many ways encapsulates the old fashioned understanding of stoicism.
In modern times, we often think of someone who stuffs down their pain and pretends like it doesn’t exists. We might even associate the philosophy with having a “stiff upper lip” – which is the characteristic of someone who “grins and bears it” (but is in too much pain to actually grin). We might even think of someone who is stoic as someone who is unhappy. However, to the ancient stoics like Epictetus, Seneca, and the Emperor Marcus Aurelius stoicism was about finding happiness within a given fate, which meant accepting ones fate and figuring out how to move forward. And, William Ernest Henley was nothing if not stoic.
Henley wrote a whole slew of poems, including “Invictus,” which are referred to as his hospital poems (and one of his published collections is called In Hospital), because he spent a great deal of time in the hospital. From the age of 12, he suffered from a kind of tuberculosis that affected his bones and resulted in partial amputation of his left leg by the age of 20. His boisterous attitude, massive size, cleverness, and ability to laugh (loudly) – not to mention his one leg – inspired Robert Louis Stevenson to create the character Long John Silver in Treasure Island. (Although she died at a young age, Henley’s daughter Wendy shared some of her dad’s spirit and inspired one of the main characters of J. M. Barrie’s Peter Pan.)
Not long after the amputation of his left leg, doctors told Henley that they need to amputate his right leg. Henley fought against the idea, sought out other treatments, and eventually came under the care of the surgeon Joseph Lister, whose work with antiseptic surgery would save billions of lives (and inspire the creation of Listerine™). Dr. Lister, thorough a variety of treatments, was able to save Henley’s leg and enable Henley to live a relatively active life for almost thirty years. It was during one of those Lister-related hospital stays that Henley wrote “Invictus.”
“Because strait is the gate, and narrow is the way, which leadeth unto life, and few there be that find it.”
– quoted from “The Sermon on the Mount,” The Gospel According to Matthew (7:14)
“It matters not how strait the gate, How charged with punishments the scroll, I am the master of my fate: I am the captain of my soul.”
– quoted from “Invictus” by William Ernest Henley
Please join me for a “spirited” 65-minute virtual yoga practice on Zoom today (Sunday, August 23rd) at 2:30 PM. You can use the link from the “Class Schedules” calendar if you run into any problems checking into the class. PLEASE NOTE: Zoom 5.0 is in effect. If you have not upgraded, you will need to give yourself extra time to log into Zoom. You can always request an audio recording of this practice (or any practice) via email or a comment below.
Today’s playlist is available on YouTube and Spotify. (The playlists have slightly different before/after practice content.)
If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can call 1-800-273-TALK (8255). You can also call the TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.
[My apologies to Anushka Fernandopulle, the teacher whose name I couldn’t remember last week, but whose dharma talk about getting on the right or wrong emotion/thought train has stuck with me for 6 years! You can find her article here and one of her talks here.]
“There must be something in books, things we can’t imagine, to make a woman stay in a burning house, there must be something there. You don’t stay for nothing.”
– quoted from Fahrenheit 451 by Ray Bradbury
“Almost every book I’ve read has left its mark.”
– Annie Proulx
Every writer’s work is directly or indirectly the result of everything they’ve experienced, done, seen, thought, and heard. Just like each point in our lives is the direct and indirect experience of everything we’ve experienced, done, seen, thought, and heard. Writing is, after all, just a reflection of life. Sometimes, though, it’s hard to distinguish the seams or pull apart the threads that make up the tapestry. But then you read work by writers like Ray Bradbury and Annie Proulx and it’s as if every word and every page is an instruction manual in how things are put together and how things come apart. It’s as if they are saying, “Here, here, pull here.”
Both born today, Bradbury (in 1920) and Proulx (in 1935) were and are writers whose works leave impressions, while simultaneously pointing out the impressions that are being left by the lives we lead. Their works, like Bradbury’s Farenheit 451 and “The Sound of Thunder” and Proulx’s The Shipping News and “Brokeback Mountain” illustrate the cause and effect continuum that in yoga philosophy is referred to as karma (act, word, and deed – as well as the result or effect of effort) and samskāra (the mental and energetic impression left by the act, word, and deed). In life, while we are living it, we don’t always see where things begin and end. Reading brings our awareness to the edges, the extremes of the continuum – as does a meditation practice.
“Quoyle: A coil of rope.
‘A Flemish flake is a spiral of coil of one layer only. It is made on deck, so that it may be walked on if necessary.’ THE ASHLEY BOOK OF KNOTS”
– quoted from The Shipping News by Annie Proulx
“‘Stay on the Path. Don’t go off it. I repeat. Don’t go off. For any reason! If you fall off, there’s a penalty.’”
– from “A Sound of Thunder” by Ray Bradbury
If you could connect all the dots, follow all the threads, and re-trace every path of your life and the lives that intersect your life, you would have the story of how you got where you are, why you think what you think, and why you feel what you feel. There is a layer of that statement that might feel obvious and trite – or maybe even oversimplified. Go a little deeper, however, and you start to appreciate the layers and layers of vibrations that coil and stack to create this moment.
According to Eastern philosophies like Vedānta and Buddhism, we experience 108 types of sensations, emotions, or feelings. If you click here to see the math, you will notice that our attitudes towards what we perceive can be positive, negative, or neutral. Experience teaches us that when we have negative attitudes we are on a direct path towards suffering. (NOTE: As Patanjali points out in the sūtras, positive attitudes can also, eventually, lead to suffering, but that’s the scenic route.) The direct path to suffering manifests in 27 different ways (and, according to some commentary, there are 81 sub-categories). Those 27 manifestations break down as follows:
3 ways afflicting thoughts and acts of violence are put into action (by ourselves, through others, or by tacit (silent) consent)
3 mental conditions that inspire dysfunctional or violent acts (greed, anger, confusion)
3 degrees of intensity (mild, moderate, or intense)
This week’s yoga sūtra is Patanjali’s way of giving us sign posts that indicate, as Anushka Fernandopulle might say, that we have gotten on the wrong train. By breaking down the way in which our dysfunctional or afflicted thoughts lead to dysfunctional or violent words and acts, Patanjali reinforces the importance of the yamas and niyamas, the ethical components of the practice, as a way to train the mind. Getting on the right train of thought begins by noticing our thoughts and how they become our words and deeds. Notice, also, that from Patanjali’s perspective one is not off the hook because the violent act is perpetrated by another person – neither are we off the hook if our only “crime” is not saying something when we see something.
– “These troublesome thoughts are put into action by ourselves (directly), by others (indirectly caused by ourselves), or by our approval of others (and their actions). All of these are preceded by, or performed through, anger, greed, or confusion and can be mild, moderate, or intense in nature. Cultivating opposite thoughts is a reminder that these troublesome thoughts lead to unending suffering.”
Annie Proulx named one of her main characters after a coil of rope and used quotes from The Ashley Book of Knots to indicate what inspired her to write a novel. Ray Bradbury explained that he was “putting one foot in front of the other” when he described the inspiration for one of his short stories. If you don’t know where to begin, there’s more confusion; but, follow the thread and suddenly things make more sense.
Please join me for a 90-minute virtual yoga practice on Zoom today (Saturday, August 22nd) at 12:00 PM. You can use the link from the “Class Schedules” calendar if you run into any problems checking into the class. Give yourself extra time to log in if you have not upgraded to Zoom 5.0.
Today’s playlist is available on YouTube and Spotify. (This is the “07112020 An Introduction” playlist.)
You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.
Format (& correction to RB birth year) updated 08/22/2023
[My apologies for the late notice, but online classes are “rezooming” today at 12 Noon and 7:15 PM.]
“The large woolf found here is not as large as those of the atlantic states. they are lower and thicker made shorter leged. their color which is not effected by the seasons, is gray or blackish brown and every intermediate shade from that to a creen [cream] colored white; these wolves resort [to] the woodlands and are also found in the plains, but never take refuge in the ground or burrow so far as I have been able to inform myself. we scarcely see a gang of buffalo without observing a parsel of those faithfull shepherds on their skirts in readiness to take care of the mamed wounded. the large wolf never barks, but howls as those of the atlantic states do.”
– quoted from journal notes by Meriwether Lewis, dated May 5, 1805
What happens when you explore, really get to know your mind and know your spirit? You start to understand what your body and mind (even your spirit) are capable of doing. You start to notice how things are connected, related, and how working on or with one part of your mind-body-spirit affects other parts – physically, mentally, even energetically and spiritually. And once you’ve explored and gotten to know parts of yourself, parts of yourself start speaking up and wanting their say. Every part of yourself wants to be considered in the work that affects you (and them). This is not unreasonable. This is, also, the way in which your mind, body, and spirit are like a country or sovereign nation – even like a continent or ocean.
Any environment is going to be full of entities (people and things) that are affected by each other and outside factors. Those entities have ways of communicating, but we have to listen – and explore, and then listen some more.
Today is the anniversary of the birth of two explorers, Meriwether Lewis (born today in 1774) and Margaret “Mardy” Murie (born today in 1902). Charged by President Thomas Jefferson to explore the Louisiana Territory in 1804, Meriwether Lewis was quiet, intellectual, and kept meticulous journals. Those journal entries are highly prized today for their detailed information about the flora, fauna, and people the expedition met along the way. The expedition, often called the “Corps of Discovery,” included William Clark; Sacagawea and Toussaint Charbonneau; and Clark’s slave, York.
Note that while Meriwether Lewis’s mother had a plantation full of slaves – slaves that he, at one time, was meant to supervise – he left the plantation and did not have a slave during the expedition. He did, however, hire a free Black man, John Pernia, as his valet later in his travels. (Although, John Pernia was reportedly not paid his full wages and petitioned President Jefferson for them after Meriwether Lewis’s death.) Also of note, is the fact that Meriwether Lewis granted Sacagawea (a Shoshone member), Touissant, York, and Pernia the right to vote during expedition meetings. In other words, he allowed them to have their say.
“Dear Son,
Don’t forget to be a good boy and help Mrs. Catt put the RAT in ratification.”
– quoted from the letter Mrs. Phoebe “Febb” Ensminger Burn wrote to her son Tennessee Representative Harry Burn in 1920
“I know that a mother’s advice is always safest for her boy to follow.”
– Tennessee State Representative Harry Burns on why he voted “aye” for suffragists, even as he wore a red carnation
The 19th Amendment to the United States Constitution was ratified today in 1920, giving women the right to vote. Ultimately, the determining vote was cast by a man who carried a woman’s (his mother’s) note in his pocket. So, you could say, Febb Burn had her say and, in doing so, allowed women like Margaret Murie to have their say. Although, even at 18 (which she was when the amendment was ratified) “Mardy” was making her thoughts known. In 1924, she was the first woman to graduate from the University of Alaka-Fairbanks and she spent her 8-month honeymoon exploring Alaska with her husband, Olaus. Her notes and reflections became the book Two in the Far North. Her life’s work and her devotion to wildlife preservation led her to be known as the “Grandmother of Conservation.”
“To live a full life, you must have something beyond your household, beyond your family, to broaden your existence.”
– Margaret “Mardy” Murie
We are “re-zooming” online classes! Please join metoday (Tuesday, August 18th) at 12 Noon or 7:15 PM for a virtual yoga practice on Zoom where we will listen deeply. Use the link from the “Class Schedules” calendar if you run into any problems checking into the class. Give yourself extra time to log in if you have not upgraded to Zoom 5.0. You can request an audio recording of this practice via a comment below.
Tuesday’s playlist is available on YouTube and Spotify. [Look for “08182020 Exploring & Having Our Say”]
NOTE: This post has been updated with the appropriate links. The substitute playlist is still available on YouTube and Spotify.(I will update this post with links after the Noon class.)
“If we allow ourselves to be discouraged, we lose our power and momentum. That’s what I would say to you of these difficult times. If you are going to that place of intent to preserve the Arctic National Wildlife Refuge or the wild lands in Utah, you have to know how to dance.”
– from Two In the Far North by Margaret “Mardy” Murie
I have heard there are at least 8 Japanese words that translate into the English word “dedication.” Some of those words also translate into English as devotion, offering, gift, and consecration. At the beginning of the practice, there are two dedications. The second one is most definitely an offering, a gift, and a consecration – especially on the anniversary of a tragic event. Even though I cancelled class today (Sunday) and Monday, I wanted to share this dedication/consecration from Saturday’s practice:
Take a moment to bring your awareness to your goal, your desire; your reason for being on the mat today. Be mindful here, because what you choose may be something that you’re using to identify yourself or something that someone else will use to identify you. So be very clear about how this goal or desire serves you: how it brings you peace, balance, maybe even joy.
And then bring your awareness to someone other than yourself. You know, we move through this practice deliberately and intentionally, maybe even prayerfully and energetically. And this weekend is a challenge for a lot of people. We’re kind of bookended by death here. There was, on Thursday [August 6th], and tomorrow [Sunday, August 9th], the anniversary of the bombings at Hiroshima and Nagasaki; which were the aftermath of the attack on Pearl Harbor, but also led to the United States getting involved in World War II, which helped to end the Holocaust.
And even if we don’t go back that far in history, there’s a lot of people that we’ve lost this year. And so, take a moment to bring your awareness to those that are grieving and also those who are struggling – whether they are struggling with a physical illness or a mental illness, whether they are struggling against hate, injustice of any kind – take a moment to offer up your efforts as a loving and compassionate dedication so that we are the people who contribute to healing, who contribute to peace.
A Joyful Practice 