FTWMI: “Have Light, Let It Shine” October 19, 2025
Posted by ajoyfulpractice in Art, Bhakti, Books, Changing Perspectives, Dharma, Faith, Food, Healing Stories, Hope, Japa, Japa-Ajapa, Kirtan, Life, Mantra, Meditation, Music, Mysticism, One Hoop, Philosophy, Religion, Wisdom, Women, Yoga.Tags: 988, Babul Sharma, Choti Diwali, Diwali, Elizabeth Cady Stanton, Garth Brooks, Gayatri Mantra, Gāyatrī Mantra, Kali Puja, light, Mahābhārata, mantra, puja, Rig Veda, Rāmāyaņa, The Ramayana, Tom Walker, Yoga Sutra 1.36, Yoga Sutras 2.46-2.53
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Happy Choti Diwali, Diwali, and Kali Puja! Blessings, light, love, and peace to everyone, everywhere!
For Those Who Missed It: The following is the 2024 version of a 2023 post. Date related details and links have been updated/revised.
“oṃ bhūr bhuvaḥ svaḥ
tat savitur vareṇyaṃ
bhargo devasya dhīmahi
dhiyo yo naḥ pracodayāt”
[Conscious, subconscious, unconscious mind, and every plane of existence, we meditate on the (adorable) Light, that it may inspire us, enlighten us, and remove our obstacles.]
— “Gāyatrī Mantra” from the Rig Veda (from Mandala 3.62.10)
During the darkest times of the year, people all over the world celebrate light. In each culture’s stories and traditions, light overcoming darkness is a metaphor for good overcoming evil; life overcoming death, wisdom overcoming fear; love overcoming hate; hope overcoming despair, and knowledge overcoming ignorance. Once again, the celebrations kick off with Diwali, the Indian festival of lights.
Diwali is a five-day celebration which takes its name from Deepavali, which are rows and rows of lamps. It is a lunar calendar based holiday observed throughout India, parts of Southeast Asia, and the diaspora by Hindus, Sikhs, Jains, and Newar Buddhists. Each day has different rituals and customs, which may vary between religious, cultural, and regional traditions. But, the common threads are the (clay) lamps and other great displays of light; pujas (“offerings”); feasts and sweets; epic tales of heroes and heroines prevailing; and a focus on relationships and also on wealth.
While some communities start earlier, most people’s Diwali celebrations begin with Dhanteras (October 18, 2025), a day that the Indian ministry of Ayurveda, Yoga and Naturopathy, Unani, Siddha and Homeopathy designated as “National Ayurveda Day” (in 2016). Many pujans (“offering ceremonies”) are dedicated to Lakshmi, the goddess of wealth and prosperity, fertility and abundant crops, and overall good fortunate. People also create decorations, including rangolas, which are associated with Lakshmi; clean their homes; and buy something new — usually gold, silver, clothes, and gadgets.
The second day of Diwali (which is today in 2025) is known as Choti (“little”) Diwali and, also, as Naraka Chaturdasi. Naraka is a Sanskrit word for “hell” and the day is associated with the story of Krishna defeating the asura (“demon”) Narakasura. Again, the elements of the story — as well as the rituals and traditions of the day — have symbolic significance related to the ways people live their lives and the ways their souls can be liberated from suffering (i.e., hell). Some people spend the day praying to the souls of their ancestors, sending light for their afterlife journey. In some regions (e.g., Tamil Nadu, Goa, and Karnataka), Choti Diwali is the main Diwali day. People get oil massages and take ritual baths. Some people also spend part of the day visiting their temple. For people celebrating the “little” Diwali, the second day is a day to visit friends and family and share sweets and gifts.
“Fiery-eyed Durga astride a golden lion; Saraswati resplendent in white along with her swan; a glowing Lakshmi seated on a lotus in bloom; and Kali with her frightening garland of skulls. The legends that surround them are told over and over again and soon the children know them by heart. For them, as it is for me, these beautiful lotus-eyed goddesses are not just religious icons but part of one’s family. They laugh and cry, quarrel with each other over petty things, they have fragile natures despite their powerful forms. They are often jealous, angry, greedy and plot deviously against their enemies but still they need to be loved by their devotees, Then they appear, splendid, glorious and benevolent, to dazzle us with their all-pervading light.”
— quoted from the “Introduction” to The Book of Devi by Bubul Sharma
The third day (tomorrow, October 20, 2025) is the biggest day for most: Diwali! It coincides with the darkest night of the festival and is normally marked by people getting together, feasting and celebrating. In fact, this is a time when the youngest members of the family visit their elders; businesses owners give gifts to their employees; and, instead of the fasts that are commonly associated with some Indian religious rituals, there are great feasts. Pujas are again made to Lakshmi. For some people, however, pujans are dedicated to Kali, the goddess of time and change, creation, power, war, destruction, and death. In many ways, making an offering to Kali highlights the fact that Diwali is a day of renewal, new beginnings, and starting over.
The stories in the Rāmāyaņa highlight all of the themes associated with Diwali — and the end is particularly pertinent to the third day. In the epic poem (which is part of the Mahābhārata), Rāma, his wife Sītā, and his brother Lakshmana are exiled by the brothers’ father. Their great adventure includes Sītā being kidnapped by the demon king Ravana (and rescued with help from Hanuman, the monkey king); a great battle where an entire army gets sick (and ultimately healed, thanks to Hanuman); the defeat of Ravana; and the revelation that Hanuman overcame his doubts, insecurities, and fears by focusing on the love and devotion for Lord Rama that shined (like a bright light) in his heart. Finally, after 14 years of exile, Rāma, Sītā, and Lakshmana returned home to Ayodhya — on the day that is now celebrated as Diwali. According to the legends, people lit up the city in order to guide the travelers home and also to celebrate their return. So, every year, people from all of the different religions light up their homes, businesses, and temples to commemorate this auspicious homecoming.
SIDE NOTE: As they travelled home, Sītā requested a pit stop in Kishkindha, because she wanted to enter Ayodhya with a company of women as her escorts. The request and fulfillment are conveyed in just a few lines, making up a minuscule portion of the epic poem. Normally, I would not mention this tiny passage — even though, if you think about it, it is a powerful moment when a woman who has suffered trauma and drama asks for (and receives) what she needs before facing what could be more trauma, drama, and judgement.
It also highlights the power of a group of women standing up for each other — which I highlighted in 2023, because Diwali fell on the anniversary of the birth of the birth of Elizabeth Cady Stanton (the social activist, abolitionist, and suffragist who was born on November 12, 1815, in Johnstown, New York). I’m mentioning here it again, in 2025, just in case someone needs the subliminal message.
“The moment we begin to fear the opinions of others and hesitate to tell the truth that is in us, and from motives of policy are silent when we should speak, the divine floods of light and life no longer flow in our souls. Every truth we see is ours to give the world, not to keep to ourselves alone, for in so doing we cheat humanity out of their rights and check our own development.”
— quoted from Elizabeth Cady Stanton’s speech at the National American Woman Suffrage Association convention (and birthday celebration for Susan B. Anthony), February 18, 1890
Please join me today (Sunday, October 19th) at 2:30 PM for a yoga practice on Zoom. You can use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email myra (at) ajoyfulpractice.com.
Sunday’s playlist is available on YouTube and Spotify. [Look for “Diwali (2-3) 2022”]
If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can dial 988 (in the US) or call 1-800-273-TALK (8255) for the Suicide and Crisis Lifeline. You can also call this TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.
White Flag is an app, which I have not yet researched, but which may be helpful if you need peer-to-peer (non-professional) support.
If you are a young person in crisis, feeling suicidal, or in need of a safe and judgement-free place to talk, you can also click here to contact the TrevorLifeline (which is staffed 24/7 with trained counselors).
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es).
Donations are tax deductible; class purchases are not necessarily deductible.
Check out the “Class Schedules” calendar for upcoming classes.
### “I will leave a light on” ~ TW/GB ###
Eid is An Ending & Beginning (mostly the music & blessings) March 30, 2025
Posted by ajoyfulpractice in Bhakti, Changing Perspectives, Faith, Healing Stories, Kirtan, Lent / Great Lent, Life, Music, Mysticism, New Year, One Hoop, Philosophy, Ramadan, Religion, Wisdom, Women, Yoga.Tags: 988, Chaitra Navaratri, Eid al-Fitr, Eid ul-Fitr, Imam Khalid Latif, Intervention, Lent / Great Lent, nasheeds, Ramaḍān, Reba McEntire, Samvatsarādi, Season for Nonviolence, Ugadi, Yugadi
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Many blessings to all on National Doctors’ Day (in the US)!
“Eid Mubarak, Blessed Festival!” to anyone celebrating the end of the holy month of Ramaḍān. “Happy Ugadi, Samvatsarādi, or Yugadi, Happy New Year!” to those who are celebrating! “Nine days and nine nights of blessings and happiness if you are celebrating Chaitra Navaratri!” Many blessings to those observing Lent & Great Lent!
Peace, ease, and intervention to all, throughout this “Season for Nonviolence” and all other seasons!
“It’s a blessing to have seen another Ramadān but it’s also a blessing to see the first day of Shawwal and every tomorrow that I will see. Don’t focus on what you don’t have. Definitely don’t focus on what others see that you have. But just take a moment and think about all that you do have and let gratitude carry you through the days.”
— quoted from a 2013 “Ramadān Reflection” (Day 30) for Huffington Post by Imam Khalid Latif
Please join me for a 65-minute virtual yoga practice on Zoom today (Sunday, March 30th) at 2:30 PM. Use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below or by emailing myra (at) ajoyfulpractice.com.
Sunday’s playlist is available on YouTube and Spotify.
Some quick notes about the music: First, my playlists for the final days of Ramadān are not halal (“permissible”) in all Islamic traditions, because of the orchestrations. They do, however, feature musicians who are Muslim (with a few exceptions). They also include some notable exceptions. For example, this playlist includes songs related to other holidays (and events) being observed today.
Reba McEntire is another of the notable exceptions — notable, because in previous years she was the only female soloist and the only non-Muslim singer on the playlists. While this year’s playlists include several Muslim women as musicians and composers, “Pray for Peace” is still highlighted because it was re-released during the month of Ramadān in 2014 — but not just randomly in the month, the song was released in the last ten days of the month (during the holiest part of the month)!
Some songs on the playlist are Nasheeds (meaning they are religiously moral songs) that, in some traditions, are meant to be sung without instrumentation or only with percussion. I have, however, included orchestrated versions of these songs, because this seems to have worked best in an in-studio setting. I mean no disrespect by this choice. As far as I know, percussion or voice only recordings of the Nasheeds are available (if you want to build your own playlist). Alternatively, you can practice without the music — which is always a suitable option.
Finally, the YouTube version currently includes some additional before/after music.
If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can dial 988 (in the US) or call 1-800-273-TALK (8255) for the Suicide and Crisis Lifeline. You can also call this TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.
White Flag is a new app, which I have not yet researched, but which may be helpful if you need peer-to-peer (non-professional) support.
If you are a young person in crisis, feeling suicidal, or in need of a safe and judgement-free place to talk, you can also click here to contact the TrevorLifeline (which is staffed 24/7 with trained counselors).
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)
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A Quick Note & Excerpts About Adventures and Music plus FTWMI: A Good Time for [More] “Craic” (a reboot) [a 2-for-1 post-practice Monday post] March 21, 2025
Posted by ajoyfulpractice in 19-Day Fast, Baha'i, Bhakti, Books, Changing Perspectives, Healing Stories, Kirtan, Lent / Great Lent, Life, Mantra, Meditation, Music, Mysticism, One Hoop, Peace, Philosophy, Ramadan, Religion, Wisdom, Yoga.Tags: 988, asana, bhakti yoga, compassion, craic, dialogue, gaelic, Hothouse Flowers, Irish, Kirtan, Leo Barnes, music, Nāda yoga, Rick Rubin, Saint Patrick, Saint Patrick’s Day, Season for Nonviolence, Wren, Yoda, yoga
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“Ramaḍān Mubarak, Blessed Ramaḍān!” to anyone observing the holy month of Ramaḍān. Many blessings also to all, and especially to those who were celebrating and/or observing the Baháʼí 19-Day Fast, Great Lent, and/or Lent!
“Nowruz Mubarak!” Happy New Year to those who are celebrating and Happy Vernal (Spring) Equinox to those in the Northern Hemisphere.
Peace, ease, dialogue, and compassion to all, throughout this “Season for Nonviolence” and all other seasons!
Pardon me while I catch up. The following is a 2-for-1 post-practice post for Monday, March 10th and Monday, March 17th. It includes some new content, excerpts, and a repost (For Those Who Missed It). There is also a bonus link to a music-related post for March 21st.
The 2025 prompt question for 3/10 was, “Who is someone to whom you can talk (about anything) and who is someone to whom you can listen?” (NOTE: It can be the same person/people.)
The 2025 prompt question for 3/17 was, “Conas a tá tu? (How are you doing?)”
You can request an audio recording of this practice or a previous practice via a comment below or (for a slightly faster reply) you can email myra (at) ajoyfulpractice.com.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es).
Donations are tax deductible; class purchases are not necessarily deductible.
Check out the “Class Schedules” calendar for upcoming classes.
“There are answers in the music
And there are answers in the words
And if we stopped talking in circles
We might get closer to the earth”
— quoted from the song “Be Good” by Hothouse Flowers (written by Liam Tadg O’maonlai, Fiachna Seosamh O’braonain, Peter Mary O’toole, Jeremiah Michael August Fehily, Leo Barnes)
There are some people who believe music has no place in (their) yoga practice. Others practice Nāda (“sound” or “voiced”) yoga, which involves silent, internal vibrations as well as mantra and music. Then there’s kirtan (“narrating, reciting, telling, describing”), which is a form of Bhakti yoga (“union [through] devotion or love”) that incorporates chanting with music. If we pay attention to what it says in the Bhagavad Gita (which I do), then all these paths are valid and valued.
Personally, I like to practice in a lot of different ways and often find myself somewhere in the middle of these different ways to practice. In other words, I like silence… and I like a good playlist.
When I am teaching, more often than not, I am using music. Sometimes, in fact, I will build a whole practice around music — or, more specifically, the messages/answers in the music. Sometimes, I will even be inspired by the messenger(s). When I teach practices without music — for instance, if we are outside or I am teaching the Monday night class affiliated with Common Ground Meditation Center — I have to ask an important question: Does this practice (or theme) work without the music?
If the answer is no; then, I need a different focus. When the answer is yes, as it was for the last two Mondays, we just go a little deeper.
3/10 — ADVENTURES AND MUSIC
“Some ideas may resonate,
others may not.
A few may awaken an inner knowing
you forgot you had.
Use what’s helpful.
Let go of the rest.
Each of these moments
is an invitation
to further inquiry:
looking deeper,
zooming out, or in.
Opening possibilities
for a new way of being.”
— quoted from the prelude to The Creative Act: A Way of Being by Rick Rubin
In 2024, I wondered, “What would happen if every practice — and, really, everything we did — started with the reminder above (which comes courtesy of a person who has been meditating for almost fifty years)?”
In 2025, when the “Season for Nonviolence” principle of the day (for March 10th) was “dialogue”, I focused on how different conversations would be if we all followed the aforementioned advice of Rick Rubin, who was born March 10, 1963.
CLICK ON THE EXCERPT TITLE BELOW FOR MORE.
3/17 — “CRAIC” AND MUSIC
For Those Who Missed It: “Beannachtaí na Féile Pádraig. (Happy Saint Patrick’s Day.)”The following was originally posted in 2024.

Take a moment to notice how you feel on the inside, knowing that how you feel on the inside affects how you move on the outside. Of course, how you move on the outside is going to affect how you feel on the inside. This is especially true today, especially in the United States, when a lot of people celebrate feeling “Irish on the inside.” Like Valentine’s Day — and, even Saint Stephen’s Day, on a certain level — Saint Patrick’s Day is celebrated more as a cultural holiday than it is celebrated as a feast day.
The way Saint Patrick’s Day is celebrated is particularly interesting when you consider three coincidences about that the fifth century (or late fourth century) priest. First, when he was sent to Ireland to minister to Christians who were there and to convert those still practicing the Celtic religions, he chose to co-opt — um, I mean, incorporate — the Irish culture into Catholicism. So, he was all about the heritage… but in a problematic way. Second, Saint Patrick was never canonized — which means that one of the most famous saints was (technically speaking) a saint in name only. While he has a feast day in several traditions, including in the Roman Catholic tradition, I find it fitting that he is remembered as a Saint because people felt like was a saint.
Finally, most of what we know about Saint Patrick comes from exaggerated stories, legends, like the one about how he ran all the snakes out of Ireland — and what would Saint Patrick’s Day be without “me good yarn?”
If you read the title of this post correctly, you know that I think Saint Patrick’s Day is a good time to have “a good time.” In keeping with the feeling, there will be music, dancing, and a story. The Irish tale I like to tell today isn’t about Saint Patrick (in fact it is most often associated with a different saint); but, it can be seen as an allegory. It is also fun to tell with the poses — because, y’all, there are a lot of bird poses in yoga!
CLICK ON THE EXCERPT BELOW FOR MORE ABOUT THOSE BIRD POSES.
There is no playlist for the Common Ground Meditation Center practices.
The “DJ Double R” playlist (which includes some Kirtan) is available on YouTube and Spotify. [Look for “Songs for the DJ’s Adventure”]
The Saint Patrick’s Day playlist is also available on YouTube and Spotify. [Look for “03172021 The Wren Cycle”]
Click here for a short music-related post for March 21st.
If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can dial 988 (in the US) or call 1-800-273-TALK (8255) for the Suicide and Crisis Lifeline. You can also call this TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.
White Flag is a new app, which I have not yet researched, but which may be helpful if you need peer-to-peer (non-professional) support.
If you are a young person in crisis, feeling suicidal, or in need of a safe and judgement-free place to talk, you can also click here to contact the TrevorLifeline (which is staffed 24/7 with trained counselors).
### 🍀🍀🍀 ###
This Night of Grace 2025 (mostly the music) February 26, 2025
Posted by ajoyfulpractice in Bhakti, Changing Perspectives, Faith, Healing Stories, Hope, Kirtan, Mantra, Meditation, Music, Mysticism, One Hoop, Philosophy, Religion, Tantra, Wisdom, Yoga.Tags: Ayyám-i-Há, Festival of Ayyám-i-Há, Generosity, intercalary days days, Maha Shivaratri, Mahashivratri, Mahā Kumbha Mēlā, Sadhguru, Shiva
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“Happy Mahashivratri,” to all who are celebrating! Many blessings to everyone, and especially those celebrating the Festival of Ayyám-i-Há, Carnival, and Maha Kumbh Mela!
Peace, ease, and generosity to all, throughout this “Season for Nonviolence” and all other seasons!
“A genuine success will happen only when there is Grace. I want you to do a simple process as a part of this Mahashivratri. Three things…This night, let it not be just one night of exuberance. Let this, in some way, work as a turning point for you to move towards your own Awakening.”
“… every one of you can strive to become a wonderful human being and nobody can deny that to you. So, I want you to do a simple process as a part of this Mahashivratri: Write down three things. Write down three things when you go home, whatever you think makes a human being into a wonderful human being – just three things – and make it a reality in your life.”
— Sadhguru, founder of Isha Foundation
Please join me today (Wednesday, February 26th) at 4:30 PM or 7:15 PM for a yoga practice on Zoom. You can use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email myra (at) ajoyfulpractice.com.
Wednesday’s playlist is available on YouTube and Spotify. [Look for “Maha Shivaratri 2023”]
NOTE: The before/after music is slightly different on YouTube and Spotify.
I sometimes just loop this track and practice, but it does not appear to be available on Spotify.
If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can dial 988 (in the US) or call 1-800-273-TALK (8255) for the Suicide and Crisis Lifeline. You can also call this TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.
White Flag is a new app, which I have not yet researched, but which may be helpful if you need peer-to-peer (non-professional) support.
If you are a young person in crisis, feeling suicidal, or in need of a safe and judgement-free place to talk, you can also click here to contact the TrevorLifeline (which is staffed 24/7 with trained counselors).
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)
### Shiva Shiva Shambhu ###
Auspicious & Holy [Love] Stories (mostly the blessings and music) April 17, 2024
Posted by ajoyfulpractice in Bhakti, Books, Changing Perspectives, Donate, Faith, Healing Stories, Hope, Karma Yoga, Kirtan, Lent / Great Lent, Life, Love, Music, Mysticism, One Hoop, Pain, Peace, Philosophy, Religion, Suffering, Volunteer, Wisdom, Writing, Yoga.Tags: Chaitra Navaratri, Great Lent, KISS MY ASANA, Mind Body Solutions, Navaratri, Rama Navami, Thornton Wilder, Yoga Sutra 3.15, yogathon
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Many blessings to all and especially to those observing Chaitra Navaratri, Rama Navami, and/or Great Lent! Happy National Poetry Month!
“STAGE MANAGER…. How do such things begin?”
— quoted from Act II of Our Town by Thornton Wilder
Please join me today (Wednesday, April 17th) at 4:30 PM or 7:15 PM for a yoga practice on Zoom. You can use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email myra (at) ajoyfulpractice.com.
Wednesday’s playlist is available on YouTube and Spotify. [Look for “04212021 So Much Holy, II”]
It’s Time to Kiss My Asana!
My first offerings for the 11th annual Kiss My Asana yogathon, which benefits Mind Body Solutions (MBS), are already posted. You can check out the first blog post here (and to check out previous offerings).
Click here to Kiss My Asana Now! (Or, you can also click here to join my team and get people to kiss [your] asana!)
“STAGE MANAGER….. – Now there are some things we all know but we don’t take’m out and look at’m very often. We all know that something is eternal. And it ain’t houses and it ain’t names, and it ain’t earth, and it ain’t even the stars . . . everybody knows in their bones that something is eternal, and that something has to do with human beings. All the greatest people ever lived have been telling us that for five thousand years and yet you’d be surprised how people are always letting go of that fact. There’s something way down deep that’s eternal about every human being.”
— quoted from Act III of Our Town by Thornton Wilder
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Or, you can scroll back up and Kiss My Asana! Donations are tax deductible; class purchases are not necessarily deductible.)
### I WOULD LOVE FOR YOU TO KISS MY ASANA! ###
More Songs for the DJ’s Adventure (a remix*) March 10, 2024
Posted by ajoyfulpractice in 19-Day Fast, Art, Bhakti, Books, Changing Perspectives, Depression, Healing Stories, Hope, Kirtan, Lent / Great Lent, Life, Meditation, Music, One Hoop, Pain, Philosophy, Poetry, Suffering, Vairagya, Vipassana, Wisdom, Writing, Yoga.Tags: Kirtan, Krishna Das, Lynn Hirschberg, Raachel Martin, Ram Dass, Rev. Al Sharpton, Rick Rubin, santosha, santoşā, Season for Nonviolence, Season of Non-violence, Wimana (Imo Wimana Chadband), yoga
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Many blessings to all, and especially to those observing Lent and/or the 19-Day Fast. May we all find unity throughout this “Season for Nonviolence” and all other seasons!
“Some ideas may resonate,
others may not.
A few may awaken an inner knowing
you forgot you had.
Use what’s helpful.
Let go of the rest.
Each of these moments
is an invitation
to further inquiry:
looking deeper,
zooming out, or in.
Opening possibilities
for a new way of being.”
— quoted from the prelude to The Creative Act: A Way of Being by Rick Rubin
What would happen if every practice — and, really, everything we did — started with the reminder above (which comes courtesy of a person who has been meditating for almost fifty years)? I think it would help us be more mindful and, perhaps, more intentional. I think, also, that it would make us a little more in tune to how we feel and to what changes the way we feel. Since a catalyst creates and/or increases a fundamental shift without itself undergoing a permanent change, we can use our heightened awareness to go back, again and again, to that catalyst; whether it is a person, place, or a thing… like a good piece of music.
“‘The right sound reaches its hand out and finds its way. So much of what I do is just being present and listening for that right sound.’”
— Rick Rubin, quoted from The New York Times article, “The Music Man,” by Lynn Hirschberg (Sept. 2, 2007)
A good piece of musical work can inspire you, touch you, and can express what you’re feeling even when you can’t put those feelings into words. A good piece of music can pump us up; hold us when we’re feeling down; and make sense of things that are twisted and upside down. Good music may start with the lyrics or the musical notes, but what ultimately sticks with us is the way it sounds… the way it feels… and when it comes to a recording, the way music sounds and feels has as much to do with the way it’s mixed and produced as it does with the way it’s written and composed.
Again, I don’t know the math, but I feel safe in saying that however you do the math, odds are that, on any given day, my playlist contains music in some way connected to producer who has been described as looking like a hippie Guru, a ZZ Top impersonator, and a medium-sized (teddy) bear. Known as “The Loudness King,” as well as “DJ Double R,” Frederick Jay “Rick” Rubin was born today in 1963. While my high school and college buddies were making mixed tapes, Rick Rubin, spent his senior year in college creating a record label: Def Jam Recordings.
“‘When I’m listening, I’m looking for a balance that you could see in anything. Whether it’s a great painting or a building or a sunset. There’s just a natural human element to a great song that feels immediately satisfying. I like the song to create a mood.’”
— Rick Rubin quoted in The New York Times article, “The Music Man,” by Lynn Hirschberg (Sept. 2, 2007)
You might associate Def Jam with rap music. In reality, however, DJ Double R has produced everything from rap to jazz to country to pop to opera to kirtan. He has won at least 8 Grammy Awards, including the Grammy Award for Album of the Year for his work with The Chicks (2007) and with that other famous chick, Adele (2012). He also won the Grammy Award for Producer of the Year, Non-Classical in 2007 and 2009, and, in 2007, he was named as one of the “100 Most Influential People in the World” by Time Magazine.
Rick Rubin once said, “‘I do not know how to work a board. I don’t turn knobs. I have no technical ability whatsoever….But I’m there when they need me to be there. My primary asset is I know when I like something or not. It always comes down to taste. I’m not there to hold their hands and baby-sit, but I’m there for any key creative decisions.’” I’m not sure that I 100% believe the first claim, but I absolutely see evidence of everything else. Music produced by Mr. Rubin often has extreme dynamics in sound, hence his “Loudness King” moniker — even though what often balances the loudness is extremes of quiet. It’s the dichotomy that works for our brains. In fact, since our brains crave that kind of stimuli, those extremes make songs like “Walk This Way” (his collaboration between Run-D.M.C. and Aerosmith) the adult version of a lullaby.
That collaboration, one of his most famous, is typical Rick Rubin: outside the box – in a way that no one else thinks of doing, but then wishes they had. He sees it as breaking down boundaries and part of that is pushing people out of their comfort zones, which often produces a sound that is uniquely an artist’s style and yet, simultaneously, different. Getting pushed out of his box was definitely the experience Ed Sheeran had when working with the legendary producer on x. At one point Mr. Sheeran was afraid that, as good as the songs sounded, they wouldn’t be playable on the radio. So, he wrote and recorded additional music that fit more in the “pop Top 40” paradigm.
“From the first hip-hop records he produced for L L Cool J and the Beastie Boys, he insisted on classic song structure. ‘Before Def Jam, hip-hop records were typically really long, and they rarely had a hook,’ [Rubin] continued. ‘Those songs didn’t deliver in the way the Beatles did. By making our rap records sound more like pop songs, we changed the form. And we sold a lot of records.’”
— quoted from The New York Times article, “The Music Man,” by Lynn Hirschberg (Sept. 2, 2007)
When Rick Rubin left Def Jam Recordings, he planned to start a new label called “Def American Recordings.” While his focus had started to turn more and more toward rock and metal, DJ Double R was not leaving his roots behind. Remember, he started with punk and rap music — like that of the Beastie Boys. Yes, the Beastie Boys actually started with experimental hardcore punk music and evolved into hip-hop stylists. In fact, Rick Rubin was instrumental (a-ahem) in their transition. (Alas, as I noted during the practice, my favorite Beastie Boys album is more jazz than punk or hip-hop and is not produced by Mr. Rubin.) After he become friends with DJ Jazzy Jay and starting a partnership with Russell Simmons, his Def Jam Recordings took off — releasing their first full-length album (L. L. Cool J’s Radio) and signing groups like Public Enemy. When he started Def American Recordings, he continued his relationships with L. L. Cool J, Public Enemy, and Run-D.M.C. — but he quickly ended his relationship with “def.”
A decade after he brought the word to the awareness of the general public, Rick Rubin felt like “def” had lost its meaning. In 1993, when he learned “def” was in the dictionary, he decided to hold an actual funeral for the word — complete with a casket; a horse-drawn hearse; a grave and engraved headstone; a New Orleans-style first and second line (played by six-piece brass band); and a eulogy by Reverend Al Sharpton. Among the 1500+ in attendance were Black Panthers and celebrity “mourners” like The Amazing Kreskin, Tom Petty, Rosanna Arquette, Flea from the Red Hot Chili Peppers, Sir Mix-A-Lot, and pallbearer Mo Ostin (Warner Brothers Records chairman).
“Sharpton’s eulogy summarized the Death of Def in eloquent style, stating that def meant ‘more than excellent. Like, def-iantly excellent with a bang. Now the bang is out of def. It’s lost its exclusivity to the in, def-iant crowd. It died of terminal acceptance.’”
— quoted from the article “Loud End for Def Records” by Wimana (Imo Wimana Chadband), posted on the Raptology.com February 5, 2020
In many ways, the funeral (on August 27, 1993) was a spectacular way to launch his new labels new name: American Recordings. One of the other ways he decided to make a name for his new label was to “find” an artist who was also ready to be “reintroduced” to the world. He wanted someone legendary, but not in the same season they had been in when they first made a name for themselves. He wanted someone like Johnny Cash. Ultimately, Rick Rubin would produce six Johnny Cash “American Recordings,” two of which were released after Johnny Cash’s death. The albums were critical and commercial successes, earning the 2003 Grammy for Best Male Country Vocal (“Give My Love to Rose”); the 2003 Country Music Association award for Single of the Year (for a cover of Nine Inch Nails’ “Hurt” — the music video of which also won the 2004 Grammy Award for Best Short Form Music Video); the 2003 Grammy Nomination for Best Country Collaboration with Vocals (for a cover of Simon and Garfunkel’s “Bridge over Troubled Water, with Fiona Apple); and a plethora of other awards and nominations.
While Rick Rubin attributes a couple of his nicknames to the fact that he has a long beard, his work has contributed to this idea that he is a “teacher.” He often gives advice about the creative process and spent 8 years working on The Creative Act: A Way of Being (2023). Mr. Rubin said that the book was meant to be “… about what to do to make a great work of art. Instead, it revealed itself to be a book on how to be.”
“We’re making something with our hearts and souls, and then we’re sharing it with the world. And if people like it, it’s great, and if they don’t, we wouldn’t change it, because we’ve made it with our hearts and souls, and it’s true. It’s a true thing we’re doing.”
— Rick Rubin, quoted from an NPR, All Things Considered interview with Rachel Martin entitled “Rick Rubin on taking communion with Johnny Cash and not rushing creativity” (December 10, 2023)
Please join me for a 65-minute virtual yoga practice on Zoom today (Sunday, March 10th) at 2:30 PM. Use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below or by emailing myra (at) ajoyfulpractice.com.
Sunday’s playlist is available on YouTube and Spotify. [Look for “Songs for the DJ’s Adventure”]
Kirtan is a form of Bhakti Yoga (or union through devotion/love) and involves chanting with music. One of the Rick Rubin-produced songs on the March 10th playlist is a Krishna Das kirtan version of “Brindavan Hare Ram,” which appears on Breath of the Heart. In the album’s liner notes, Krishna Das noted that the melody appeared on a previous album and that when he mentioned missing the singer and his daughter (after they died), “…Ram Dass said, ‘You tell that story wrong.’ / He was right. / Aren’t they [here] in this music,/in this song of longing and unbearable / sweetness. Don’t they live in our lives and sing in our song, in the One Life which breathes in all of us?”
Rick Rubin expressed this same sentiment after Johnny Cash died. He said he “would close his eyes and hear Cash’s voice as he said the benediction. ‘It was like hearing a song that you love,’ Rubin said. ‘He was there with me.’” (ibid, Hirschberg)
*NOTE: This is a remix of one part of a 2021 post. It includes new information and quotes.
### “CHANGIN’ ROCK ‘n’ ROLL AND MINDS” ###
Bending the Arc, redux (with an excerpt) September 19, 2023
Posted by ajoyfulpractice in Art, Bhakti, Books, Faith, Healing Stories, Hope, Kirtan, Life, Mantra, Music, Mysticism, One Hoop, Pain, Philosophy, Religion, Suffering, Tragedy, Wisdom, Writing, Yoga.Tags: 4859, A. R. Rahman, Ganesh Chaturthi, Ganesha, High Holidays, Jarek Garliński, Khatija Rahman, Kirtan, Michael Schudrich, Norman Davies, Raheema Rahman, Righteous Among Nations, Ruth Bader Ginsburg, Sacred Couplets, Secret Polish Army, Ten Days of Atonement, Ten Days of Awe, Theodore Parker, Thirukkural, Tomasz Serafiński, U2, Unetaneh Tokef, Witold Pilecki
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“Chag sameach!” to those observing the High Holidays. “Many blessings,” to everyone and especially those celebrating Ganesh Chaturthi!
“When marching along the gray road towards the tannery in a column raising clouds of dust, one saw the beautiful red light of the dawn shining on the white flowers in the orchards and on the trees by the roadside, or on the return journey we would encounter young couples out walking, breathing in the beauty of springtime, or women peacefully pushing their children in prams — then the thought uncomfortably bouncing around one’s brain would arise . . . swirling around, stubbornly seeking some solution to the insoluble question: Were we all . . . people?”
— quoted from The Auschwitz Volunteer: Beyond Bravery by Captain Witold Pilecki (Auschwitz Prisoner No. 4859), translated from Pilecki’s original 1945 Auschwitz Report by Jarek Garliński (with an Introduction by Norman Davies & a Forward by Michael Schudrich (Foreword)
It is all to easy to focus on our differences, but what happens when we focus on our similarities? What happens when we focus — or just take a moment to notice — the things we have in common? I think good things happen. I think it makes us more fully human and, possibly, more appreciative of what it means to human. This is why it always feels particularly auspicious when two or more completely different groups of people (from vastly different communities, faiths, and cultures) are celebrating and/or observing sacred times at the same time. It feels particularly notable (to me) when these “holy” times are the same length of time. Take right now, for instance, when two very different 10-day celebrations/observations are overlapping around the world.
Today is the fourth day of the High Holidays (and of the new year) according to the Hebrew calendar and, according to the Hindu calendar, today is the first day of Ganesh Chaturthi, the festival celebrating the birthday of Ganesha. I referred to these as “very different” — and it is true that the rituals, traditions, and faiths are different. However, underlying both holidays is something very human: a desire for new beginnings and less obstacles. Additionally, both observations require people to do something in preparation for the better days. Whether it is making an offering and/or offering (or asking for) forgiveness, these auspicious times require people to act. So, there is prayer, there is reflection, there is prayer, and there is a dissolution (or dissolving) or something.
In both cases there is also something sweet.
“ॐ गजाननाय नमः।
Aum Gajānanāya Namaḥ।”
— This mantra honoring “the One who carries the elephant head” is a reminder that if Ganesha can carry the elephant’s head to survive and fulfill his duties, we can all put aside our egos and live dutifully.
Ganesha is depicted as having a human body (with extra arms) and an elephant head. In Hinduism, he is the Remover of Obstacles and the God of New Beginnings. He is also associated with wisdom and intelligence, as well as the arts and sciences. For his birthday celebrations, people chant Vedic hymns and shastras (including sacred texts and scriptures). There will also be kirtan (chanting with music), which is a form of bhakti yoga or union through devotion/love. In addition to offering Ganesha his favorite sweets, people host Ganesha for one day, three days, seven days, or all ten days. They host him by displaying a clay statue of him in their homes and/or in public.
On the tenth day, the idols are carried to a nearby body of water and dissolved so that Ganesha can return to his heavenly home, carrying people’s obstacles/burdens away in the process. In some places, hundreds of thousands of statues are dissolved at the end of the festival. Over the years, people moved away from traditional materials and started using plaster of Paris (Gypsum plaster), which created environmental concerns. Some cities have now banned using plaster of Paris and encouraged people to return to using local clay (and sometimes clay and cow dung). There are also people who will dissolve their Ganesha statue in a barrel of water and then spread the dissolved clay in their garden — which may not seem like much, but can be way for a person’s actions and faith-based beliefs to make a difference in the world.
We can all do something little that makes a difference. Some, however, do big things that make a difference.
“I do not pretend to understand the moral universe. The arc is a long one. My eye reaches but little ways. I cannot calculate the curve and complete the figure by experience of sight. I can divine it by conscience. And from what I see I am sure it bends toward justice.”
— quoted from an 1853 sermon by abolitionist and Unitarian minister Theodore Parker
The following is a (slightly revised) excerpt from a 2020 post.
Click here if you want to read the entire post, which is also a tribute to “The Notorious R. B. G.” – Ruth Bader Ginsburg of the Supreme Court of the United States (SCOTUS).
Calvary Captain Witold Pilecki (also known as Tomasz Serafiński) made such a big sacrifice and such a difference in the world that some believe he should be recognized by Yad Vashem (The World Holocaust Remembrance Center) as “Righteous Among Nations.” Today in 1940, he allowed himself to be captured by the Nazis. He did this in order to report the truth about what was going on in concentration camps like Auschwitz.
Captain Pilecki, served as an officer in the Polish Army during the Polish-Soviet War (1919 – 1920) and during World War II. As part of the Resistance to Nazi Occupied Poland, he co-founded the Secret Polish Army (along with Lieutenant Colonel Jan Henryk “Darwicz” Włodarkiewicz and Lieutenant Colonel Władysław “Stefan” Surmacki ), which eventually became part of the Home Army. When Germany invaded Poland at the end of 1939, very little was known about the concentration camps, but Captain Pilecki had a plan. His idea, which was approved by his Polish Army superiors, was to come out of hiding during a Warsaw roundup in order to be arrested and shipped to Auschwitz, where he could organize the resistance and report on the situation from the inside.
“I’ve been trying to live my life so that in the hour of my death I would rather feel joy, than fear.”
— Witold Pilecki’s statement to the judge after his sentencing, May 15, 1948
He was given a false identity card and was arrested on September 19, 1940. Arrested along with him were 2,000 civilians, including journalist and historian Władysław Bartoszewski (who was designated “Righteous Among Nations” in 1965). After being detained for two days, “Tomasz Serafiński” was assigned number 4859, and shipped to Auschwitz, where he documented the difference between the way the Nazis treated Jewish people versus non-Jewish people. He also documented the escalating move towards genocide.
During his two and a half years at Auschwitz, Witold Pilecki formed Union of Military Organizations (ZOW), a resistance organization within the camp, which set up intelligence networks; distributed extra food, clothing, and medical supplies; boosted morale; and prepared for a possible Home Army coup. At one point, ZOW was even able to construct and use a secret radio receiver and help at least 4 Polish men escape (with one of Captain Witold’s reports).
“Witold’s Report” (also known as “Pilecki’s Report”) was information that was regularly smuggled through the Polish resistance to London and even to the British government. It provided the outside world with the first “official” documentation of the Nazi’s atrocities. For much of the war, however, the reports of genocide were considered too unbelievable. As the Nazi’s plans became more and more obvious, and as his calls for the Allies to bomb the camps were denied, Captain Pilecki realized he was running out of time. He was receiving news from the outside that the Allies supported the idea of a prisoner insurrection — which he too had suggested at one time. However, by 1943, the people inside the camp were too weakened to mount an attack. He thought could be more convincing in person, so he put a new plan into action.
After he escaped in April 1943, Captain Pilecki wrote “Report W,” outlining the conditions of the camps, as well as details about the gas chambers, the selection process, the crematoria, and the sterilization experiments. His report was signed by other escapees and included the names of ZOW members. He continued to work and organize the resistance, while also expanding “Report W.” He participated in the Warsaw Uprising and was reassigned to Italy, but eventually returned to Communist-controlled Poland. In May of 1947, he was arrested by the Communist government and tortured, but he would not reveal other members of the resistance. He was eventually “tried” and executed. His most comprehensive version of the “W Report” (from 1945) was published in 2012, as The Auschwitz Volunteer: Beyond Bravery, and his life has been the subject of a number of books, songs, and articles.
“Who will be calm and who will be tormented?
Who will become poor and who will get rich?
Who will be made humble and who will be raised up?
But teshuvah and tefillah and tzedakah [return and prayer and righteous acts]
deflect the evil of the decree.”
— quoted from the poem “Unetaneh Tokef” (“Let Us Speak of the Awesomeness”)
Please join me today (Tuesday, September 19th) at 12:00 PM or 7:15 PM for a yoga practice on Zoom. You can use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email myra (at) ajoyfulpractice.com.
Tuesday’s playlist is available on YouTube and Spotify. [Look for “High Holidays: Bending the Arc”]
NOTE: The YouTube playlist contains extra videos of some of the songs featured during the practice.
“Even when a man takes revenge on others who hate him, in spite of him not hating them initially, the pain caused by his vengeance will bring him inevitable sorrow.” (313)
“When a man inflicts pain upon others in the forenoon, it will come upon him unsought in the afternoon.” (319)
— quoted from the English translation of the Tamil lyrics of the song “Ahimsa” by U2 and A. R. Rahman, featuring Khatija and Raheema Rahman (translation from IntegralYoga.org)
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)
### MAY YOUR NAME BE WRITTEN & SEALED IN THE BOOK OF LIFE / MAY YOU HAVE FEW OBSTACLES AHEAD ###
FTWMI: Another Hard Working Day June 21, 2023
Posted by ajoyfulpractice in 108 Sun Salutations, Bhakti, Books, Buddhism, Faith, Healing Stories, Japa-Ajapa, Kirtan, Life, Mala, Mantra, Meditation, Music, One Hoop, Religion, Science, Suffering, Surya Namaskar, Wisdom, Yoga.Tags: asana, Atheist Solidarity Day, Fernando Pagés Ruiz, hatha yoga, International Yoga Day, Ivan Zupa, Jack Lang, Joel Cohen, Maurice Fleuret, Mike Smith, Patricia Miller, Sadhguru, Solstice, Sri T. Krishnamacharya, T. K. V. Desikachar, viniyoga, World Handshake Day, World Humanist Day, World Music Day, yoga, yoga philosophy
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Happy… [insert everything that’s being celebrated today, including Pride]!
For Those Who Missed It: This expanded and “renewed” compilation was originally posted in 2022. Some verbiage has been revised and some information was previously posted in June and December 2020.
“We must understand that yoga is not an Indian (thing). If you want to call yoga Indian, then you must call gravity European.”
– Sadhguru Jaggi Vasudev, founder of the Isha Foundation, speaking in a 2016 United Nations panel discussion about International Yoga Day
Today (June 21st) is vying with May 1st to be the hardest working day of the year. It’s International Yoga Day, World Music Day, World Handshake Day, Atheist Solidarity Day, World Humanist Day, and sometimes (including this year) it’s Summer Solstice. I feel like I’m forgetting something….
Oh yes, one of these days is also connected, inspired even, by someone’s birthday. So, let’s start with that.
Born June 21, 1938, in Mysore, India, T. K. V. Desikachar learned yoga from his father, Sri T. Krishnamacharya, who became known as “the father of modern yoga” because his teachings led to a resurgence in the physical practice of yoga in India. Eventually, a handful of Krishnamacharya’s students were charged with sharing the physical practice with the rest of the world. T. K. V. Desikachar was one of a those students and some say that his method of teaching – as well as the tradition of practice (originally called “Viniyoga”) that he taught – is the most consistent with Sri Krishnamacharya’s teachings.
Just as was the case with his father and grandfather before him, T. K. V. Desikachar’s students included his children and world leaders. Just as his father and grandfather did, he stressed the importance of teaching and practicing according to an individual’s needs – physically, mentally, emotionally, and spiritually. His teachings were so influential that a celebration of yoga was proposed to the United Nations General Assembly in 2014. The first International Yoga Day observation occurred today in 2015, with over 200 million people in almost 180 nations practicing yoga – some even extending the celebration into the entire week.
Since today is also a solstice, someone somewhere is probably practicing 108 Sun Salutations.
“One of his longtime students, Patricia Miller, who now teaches in Washington, D.C., recalls him leading a meditation by offering alternatives. He instructed students to close their eyes and observe the space between the brows, and then said, ‘Think of God. If not God, the sun. If not the sun, your parents.’ Krishnamacharya set only one condition, explains Miller: ‘That we acknowledge a power greater than ourselves.’”
– quoted from the Yoga Journal article entitled “Krishnamacharya’s Legacy” by Fernando Pagés Ruiz
The word “solstice” comes from the Latin words meaning “sun” and “to stand still.” The solstice marks the moment, twice a year, when one hemisphere is tilted toward the Sun while the other is tilted away. The incline make it appear as if the Sun is hovering over one of the poles – thus creating the longest day (and the longest night) of the year. In the Northern Hemisphere, today was Summer Solstice, the longest day and the shortest night. It’s a moment of transition that marks incremental changes: increasingly shorter days (i.e., more night).
I often mention the yoga “tradition” of practicing 108 Sun Salutations on the equinoxes and solstices, but I have no idea how long such traditions have existed. I do know, however, that ancient Indian texts – including some related to astronomy – highlight the auspiciousness of 108 and that all around the world various cultures have celebrations related to the changing positions of the sun. Since many of the surviving sun-related rituals and traditions from around the world involve movement (e.g. dancing around a May pole, leaping over bonfires, and cleansing rituals), it is not surprising that people still find practicing Sūrya Namaskar (“Salutes to the Sun”) so appealing. After all, it is a practice of constant change, highlighting a period of transition.
While there are different types of “Sun Salutations,” it is traditionally viewed as a series of twelve poses and, therefore, a practice of six (inhale-exhale) breaths. The movement mimics the body’s natural tendencies to extend, or lift up to the sun, on the inhale – which is the solar breath – and to get closer to the earth on the exhale – which is the lunar breath. It is a mālā (“ring” or “garland”) meditation practice involving a japa-japa (“not thinking-repeat” or it can be explained as “repeat-remember”), which is similar to a reciting, chanting, or praying with a rosary or beads. In fact, there are chants and prayers which are sometimes used along with the movement. Not coincidentally, 108 corresponds with the way people use mala beads and old fashioned rosaries – which had beads to recite 10 decades (10×10) plus 8 beads (for mistakes). On the rosary, the cross is the guru bead.
Click here for more about sun-related celebrations and stories or click here learn more about the auspiciousness of 108.
If you click on the 108-related link above, you will note that 108 shows up in some traditions as the number of vedanās (“feelings” or “sensations”) that humans can experience. On one level, the calculation breaks down how we internalize vibrations. It does not, however, break down all the external stimuli that might result in the 108 sensations. For instance, it can be used to explain all the different feels we might have over a memory that pops up when we eat a biscuit, see someone that reminds us of someone, move our body in a certain way, and/or hear a certain tone (or combination of tones). It does not explain, however, how there is so much great music in the world – or why everyone deserves music.
The idea that “everyone deserves music / sweet music” is something very much at the heart of World Music Day. Not to be confused with International Music Day, World Music Day was started in France in 1982 and has been adopted by over 120 nations, including India. The idea for free concerts in open areas by a variety of musicians was first proposed by an American, Joel Cohen, as far back as 1976. In 1981, however, French Minister of Culture Jack Lang appointed musician Maurice Fleuret as the Director of Music and Dance. The duo collaborated to create an event in 1985, whereby even amateurs would be encouraged to musically express themselves in public. Fleuret said there would be “music everywhere and the concert nowhere.”
According to Johann Sebastian Bach, “[Music] should have no other end and aim than the glory of God and the re-creation of the soul, where this is not kept in mind, there is no true music, but only an infernal clamour and ranting.” A quick study of music from around the world will show that, throughout history, many people have created music that is devotional in nature. In fact, kirtan (“narrating,” “praising,” or “reciting”) is a form of bhakti (or “devotional”) yoga, where chanting is combined with music. More often than not, the chanting is related to one of the names of God, mentioned in the 108-link above.
Today’s playlist, however, has no kirtan during the 65-90 minutes of practice music. Because, well…
“Why believe in a god? Just be good for goodness’ sake.”
– bus billboard for the American Humanist Association
There are atheists everywhere, even though many people believe they are few and far between. In 2010, Mike Smith started a Facebook group to make Atheist Solidarity Day an official holiday. Even though he deleted the group soon after, people were engaged. Today, atheist celebrate June 21st as a global protest, celebration, and awareness raising event for people who don’t always have the freedom to openly express their lack of belief in “god,” whatever that means to you at this moment.
To be clear, not all humanist are atheist; however Humanists (as described by the Humanist Manifesto of 1933) are atheists. While I could call myself a humanist, I am neither a Humanist nor an atheist. Still, today’s black and red theme is in solidarity of people having the freedom to believe what serves them – as long as it doesn’t harm others.
As we are finding more and more each day, that last part is the tricky part of believing in “freedom of religion.” So many people believe that other people’s beliefs are causing them to suffer, when – in fact – it is that very belief (about other people’s beliefs) that causes suffering. Additionally, people sometimes believe that their beliefs are so correct that they should be forced on others – an attitude which can create more suffering. It’s a vicious cycle.
On World Refugee Day, with regard to personal safety, I mentioned that we are all (on a certain level) responsible for our own feelings of safety. I think the same is true about suffering. This has nothing to do with the fact that one person can harm another person or do something that causes another person to suffer. Instead, what I am saying is that if we feel unsafe in a situation, we are responsible for acknowledging that feeling and examining it to see if it is rooted in reality. Then, we act accordingly. Similarly, if we are experiencing mental and emotional anguish over another person’s beliefs, we owe it to ourselves to go deeper. Ask yourself: How does this other person’s belief affect me in the real world? Does this person’s belief (system) truly threaten my existence?
We have to be honest with ourselves and recognize our own kliṣṭa (“afflicted” or “dysfunctional”) thought patterns in order to see the roots of our own suffering. Doing so will also allow us to see how we are contributing to division in the world. In the process, doing so can bring us a little closer to “coming together” – which is, ultimately the whole point of yoga, and all these celebrations.
“My son, place your hand here in the sea and you are united with the whole world.”
– Ivan Zupa, founder of World Handshake Day, remembering the advice of an old man
Please join me today (Wednesday, June 21st) at 4:30 PM or 7:15 PM for a yoga practice on Zoom. Use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You will need to register for the 7:15 PM class if you have not already done so. You can request an audio recording of this practice via a comment below or by emailing myra (at) ajoyfulpractice.com.
Wednesday’s playlist is available on YouTube and Spotify. [Look for “06212022 Another Hard Working Day”]
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.
Check out the “Class Schedules” calendar for upcoming classes.)
### BREATHE INTO YOUR SPINE ###
Auspicious and Holy Stories (the “missing” Wednesday post) March 22, 2023
Posted by ajoyfulpractice in 19-Day Fast, Abhyasa, Art, Baha'i, Bhakti, Books, Buddhism, Changing Perspectives, Faith, Healing Stories, Hope, Kirtan, Lent / Great Lent, Life, Music, Mysticism, New Year, One Hoop, Pain, Philosophy, Ramadan, Religion, Suffering, Vairagya, Wisdom, Women, Yoga.Tags: Anton Chekhov, Chaitra Navaratri, Durga, Goswami Tulsidas, kriya yoga, kriyā yoga, Lent / Great Lent, Maty Ezraty, Nandi, Nandini, nasheeds, Ramadan, Ramadān, Sami Yusuf, Season for Nonviolence, Season of Non-violence, Shailaputri, Stephen Sondheim, The Gospel According to Luke, The Gospel According to Matthew, Tom Robbins, Tony Vigorito, Ugadi, ummah
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Many blessings to all! “Happy Ugadi, Happy New Year!” to those who are celebrating! “Nine days and nine nights of blessings and happiness if you are celebrating Chaitra Navaratri!” “Ramadān Mubarak, Blessed Ramadān!” to anyone who is observing the holy month of Ramadān. Blessings to anyone observing Lent or Great Lent during this “Season for Non-violence” and all other seasons! Happy Spring to those in the Northern Hemisphere & Happy Fall to those in the Southern Hemisphere.
This is the “missing” post for Wednesday, March 22nd. You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.
Check out the “Class Schedules” calendar for upcoming classes.)
“A good sequence is like a good story. There is a beginning (an introduction), the middle (the heart of the story), and the end (the conclusion)”
– Maty Ezraty
People often tell me that one of the things they like about my classes are the stories, as well as the way the poses and the music tell the stories. They may even wonder why I tell such stories. Bottom line: I come from a long line of teachers who think the practice is a way to tell our stories and also a way to process our stories, every time we inhale, every time we exhale. It’s a way to go deeper into our stories.
But, since we all have different stories, we need to get on the same page – and I just happen to have the privilege of turning that page.
Today is a day when I normally tell the stories of four very famous storytellers born on March 22nd. These storytellers tell/told their stories in different ways; however, the storytellers themselves have something in common – other than the fact that they are all, as it turns out, the same gender and race and share the same profession and birthday. They all know/knew how to tell a good story. Regardless of if you read the adult novels or children’s books of one of my parents’ favorite authors; the poetry of one of my favorite poets; or listen to the brilliant lyrics and music of the two composers on the list, you will find that they follow a simple structure. It is the same structure we follow in the practice; a structure containing the three parts highlighted by Maty Ezraty and, also, a Chekhovian promise (which we’ll get to in the end).
As I said before, today is a day when I normally tell their stories. However, this year, I feel compelled to tell a few different stories. They are the stories being told, celebrated, and observed all over the world today. They are auspicious stories. They are holy stories. They are stories filled with their own promise: a promise of hope and renewal.
Some elements of the following were posted in 2020 and 2021, in a slightly different combination and context. You can click on the years to find the original posts. There are also some embedded links below, which connect to additional context.
“The truth, from my perspective, is that the world, indeed, is ending — and is also being reborn. It’s been doing that all day, every day, forever. Each time we exhale, the world ends; when we inhale, there can be, if we allow it, rebirth and spiritual renewal. It all transpires inside of us. In our consciousness, in our hearts. All the time.”
– Tom Robbins quoted in the Reality Sandwich article “The Syntax of Sorcery: An Interview with Tom Robbins” by Tony Vigorito (posted online June 6, 2012)
“Renewal” is a funny word, because I don’t think it is (technically) a homonym (i.e., a word that has multiple meanings), but it is a word that can conjure up very different sentiments. Simply stated, a “renewal” is the continuation or extension of something. Sometimes we think of it in the context of an activity or state that has been continuous, but had a set ending date – like when we borrow a book from a public library. Other times, we think of it in the context of continuing something that has been interrupted. Renewal can also be used to refer to something that has been repaired and/or restored to its original state… so that it can continue fulfilling its purpose.
Regardless of how you think of the word, “renewal” is a concept that we often associate with Spring. In fact, similar to how cultures all over the world celebrate light overcoming darkness during the darkest times of the year, cultures all over the world spend some portion of Spring celebrating renewal. In many cases, these celebrations mark a renewal of faith and a celebration of the continuation of a covenant with God.
Today, March 22, 2023, is a time when at least five different communities around the world are observing rituals related to renewal. While people within the Bahá’i Faith just finished observing the Bahá’i 19-Day Fast and celebrating the Nowruz (the New Year) – and have a few weeks before their most holy festival, Western Christian and Eastern Orthodox Christian communities are observing the last few weeks of Lent and Great Lent. At this same time, some people in India and the Indian diaspora are celebrating Ugadi, the Hindu (or Indian) New Year, which is also the beginning of Chaitra Navaratri. Finally, the holy month of Ramadān in Islām is scheduled to begin tonight at sunset. (In countries that do not have sightings of the crescent moon, the holy month will begin on Thursday or Friday). Some of these celebrations and observations will extend into April, overlapping even more auspicious and holy times for even more communities around the world. Each ritual has different customs, traditions, and significances; however, what is important to note is how each observation renews people’s connection with their faith, their community, and the deepest parts of themselves.
“Jesus, full of the Holy Spirit, left the Jordan and was led by the Spirit into the wilderness, where for forty days he was tempted by the devil. He ate nothing during those days, and at the end of them he was hungry.”
– quoted from The Gospel According to St. Luke (4:1-2, NIV)
NOTE: This is almost identical to The Gospel According to St. Matthew (4:1-2, NIV)
As I’ve mentioned before, the word “Lent” comes from the Old English word for “spring season” and is a period of 40 days meant to mirror the 40 days Jesus spent fasting in the wilderness prior to being betrayed, crucified, and resurrected. For Christians, it is seen as a period of preparation (for Easter) and involves fasting, prayer, reflection, redemption, and (yes) renewal. While the story is the same, the Roman Catholic and Western Christian traditions use a different calendar than the Eastern / Orthodox Christian traditions. The way the Sundays are counted is another difference in the way Lent and Great Lent are observed. In Roman Catholic and Protestant traditions, Sundays are considered “Feast Days” – anniversaries of Easter and the Resurrection – and, therefore, they are not counted as days of penance. In Orthodox traditions, Sundays are included in the count.
The holy month of Ramadān is another observation within an Abrahamic religion – and it also involves yet another different calendar; so, the overlap in holy times is not always the same. Ramadān is an Arabic word derived from a root word meaning “scorching heat” or “dryness.” In addition to being the name of the 9th month of the Islāmic calendar, which is a month of fasting, prayer, reflection, and community, it is also one of the 99 “Beautiful Names of Allah” (also known as “99 Attributes of Allah”). While the fasting from sunrise to sunset during the holy month is a holy obligation (for those who are physically able) and one of the Five Pillars of Faith in Islām, I normally don’t focus on this particular ritual and tradition until the end of the holy month – which includes a night that is considered the holiest night of the month, a night of revelation and destiny.
“I know I’m waiting
Waiting for something
Something to happen to me
But this waiting comes with
Trials and challenges
Nothing in life is free”
“My Lord, show me right from wrong
Give me light, make me strong
I know the road is long
Make me strong”
– quoted from the song “Make Me Strong” by Sami Yusuf
There are several calendars used in India and Southeast Asia which may be referred to as the Hindu calendar (or, in some cases the Buddhist calendar). For the most part, these are lunisolar calendars. Some, like those used in Nepal and certain regions of India, emphasize the lunar cycles and start with the (spring) harvest season. On the flip side, the Tamil calendar emphasizes the solar cycle and begins around the Vernal (Spring) Equinox. (In fact, I have seen the Tamil calendar described as a purely solar calendar.)
The Indian calendars tend to have twelve months, however, in some areas (particularly in the North) a month begins the day after a full moon and in other areas (often in the South) the month begins at sunrise after the “no moon” or new moon. The months are usually divided into the bright half (waxing, when the crescent appears after the new moon) and the darker half (waning, the day after the full moon). Because of the different starting points, the same lunar-oriented religious holidays may start at slightly different times throughout the continent. Either way you look at it, many people are beginning their observations and celebrations of Navaratri.
Navaratri (which means “nine nights” in Sanskrit) technically occurs four times on the Hindu calendar, although extra emphasis is put on the one beginning today and the one in the fall. Like the others, the fall celebration of Sharada Navaratri is a celebration of divine feminine energy – specifically of Durga, the divine mother, in various manifestations. It is considered the most celebrated. Magha Navaratri and Ashada Navaratri are the least celebrated, although they have special significance in certain regions. The second most celebrated Navaratri is Chaitra Navaratri, which begins today and is also Ugadi, the Hindu or Indian New Year.
Like the others, Chaitra Navaratri begins by celebrating Durga as Shailaputri (“Daughter of Mountain”). Shailputri is the daughter of Himavat, the Mountain King or Guardian God of Himalayan Mountains, and is recognized as a divine manifestation of Mahadevi and a reincarnation of Sati (the wife of Shiva), who then reincarnates as Parvati. In art, she holds a trishula or trident in her right hand and a lotus in her left hand, all while riding Shiva’s bull Nandi*, whose name means “happy, joy, and satisfaction.” In some regions, this spring celebration culminates on the final day with Rama Navami – a celebration of the birth of Lord Rama.
“Lord Ram gave Hanuman a quizzical look and said, ‘What are you, a monkey or a man?’ Hanuman bowed his head reverently, folded his hands and said, ‘When I do not know who I am, I serve You and when I do know who I am, You and I are One.’”
– quoted from the epic Sanskrit poem Ramacharitmanas (Lake of the Deeds of Rama) by Goswami Tulsidas
All of the rituals and traditions mentioned above could be considered vigils (or feature vigils at some point during the observation) – as they are periods of time when people are “keeping awake during the time usually spent asleep, especially to keep watch or pray.” Even when people are not literally staying up all night, they are required to be mindful (i.e., awake) to how they can fulfill the obligations of their faith on a day-to-day basis. All of these rituals and traditions are practiced in community. Finally, they all fit into the rubric of kriyā yoga, as described by Patanjali in Yoga Sūtra 2.1-2. They all involve a combination of tapah (“heat, austerity, or discipline” and the practices that cultivate heat, discipline, and austerity on a number of levels), svādhyāya (“self-study”), and īśvarapraņidhāna (“trustful surrender to [God]”). Furthermore, they all have the intention or goal of bringing about that ultimate “union” and the end of suffering – which is, on a certain level, a promise made by all the major religious, spiritual, and/or philosophical traditions.
Which brings us back to that Chekhovian promise.
Anton Chekov said that if there is a rifle (or a pistol) hanging on the wall in the first chapter/act, it must go off in the second or third. He told another playwright, “It’s wrong to make promises you don’t mean to keep.”
Whenever we step on the mat, there’s a part of us that is making a promise (to ourselves). We are also, on a certain level, keeping a promise. Whenever I put together a sequence, there’s a part of me that thinks about that promise and how I can honor it. I also think about a song by Stephen Sondheim (“Putting it together…bit by bit…piece by piece”), as well as about Maty Ezraty’s sequencing advice about the middle (the heart) of the story. I consider how I can build up to a big heart opener (and/or a big hip opener). I also think about how we each need to process our own personal story in order to not only lift and open our hearts, but also to support our lifted and open hearts – especially in times when it is so easy to close off. Then I think about what best moves us into stillness and a period of reflection, after all that we’ve done to get to the middle (the heart). Finally, I think about rituals and traditions.
I often indicate that traditions are rituals that have lost a little bit of their meaning. Saying that may, sometimes, take away from the fact that both rituals and traditions are powerful. They have powerful affects on our minds, our bodies, and our spirits. They are part of our stories – and, also part of the ways we tell and share our stories. They can also be the ways in which we process our stories. Similarly, our practice is full of rituals and traditions that – on and off the mat – renew our connections with our beliefs, our communities, and the deepest parts of ourselves.
“Practicing yoga is a privilege. And with this privilege comes a duty to be kind, to share a smile, and to offer yoga from the mat into the rest of your life.”
– Maty Ezraty
Wednesday’s playlist is available on YouTube and Spotify.
Two quick notes about the music: First, some of the songs on the playlist are, or could be considered, Nasheeds (meaning they are religiously moral songs) that, in some traditions, are meant to be sung without instrumentation or only with percussion. I have, however, included orchestrated versions of these songs, because this seems to have worked best in an in-studio setting. I mean no disrespect by this choice. As far as I know, percussion or voice only recordings of each song are available (if you want to build your own playlist). Alternatively, you can practice without the music. Second, I broke one of my personal rules and included a song (in Hindi) for which I only have a partial translation. I’m still searching and seeking.
*CORRECTION: During the 4:30 practice, I mixed up Nandi and Nandini, the cow of plenty in the Mahabharata. My apologies for the confusion.
### Unity yields Equity and Equality ###
FTWMI: Winning the Lottery, with some Powerball® thoughts (the “missing” Monday post) March 6, 2023
Posted by ajoyfulpractice in "Impossible" People, 19-Day Fast, Art, Baha'i, Bhakti, Books, Changing Perspectives, Confessions, Dharma, Faith, Food, Healing Stories, Hope, Kirtan, Lent / Great Lent, Life, Minneapolis, Movies, Music, Mysticism, Peace, Philosophy, Purim, Religion, Suffering, Wisdom, Women, Writing, Yoga.Tags: Aaron Koller, Bob Dylan, Hebrew, lottery, Maccabeats, Nissim Black, Powerball®, R'Shua, Søren Kierkegaard, Star Wars, Sting, Susanna Barkataki
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Happy Purim! Many blessings to all, and especially to those observing Lent, Great Lent, the Baháʼí 19-Day Fast, and/or Purim during this “Season for Non-violence” and all other seasons!
For Those Who Missed It: This “missing” post for Monday, March 6th, is an abridged version of a 2022 post about Purim. (But this is not the story you think it is!) A link to the original post is embedded below (at the point where I shortened it. There is also a lottery link that connects to an outside source. You can request an audio recording of any of these practices via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.
Check out the “Class Schedules” calendar for upcoming classes.)
“It is perfectly true, as the philosophers say, that life must be understood backwards. But they forget the other proposition, that it must be lived forwards.”
– quoted from Journals (IV A 164), 1843 by Søren Kierkegaard
You know how there are some stories, like the Star Wars movies, that begin as one thing and then over time and generations become something else? That question can be answered as it relates to the story, but here I am specifically talking about the sequence.* When the original movie came out in May of 1977, it was just Star Wars. When the next movies came out – in May of 1980 and May of 1983 – they had their own titles. However, if someone referred to them numerically, they would be first, second, and third (or 1, 2, and 3). Fast forward over two decades from the originally released movie and there were prequels, which (while I am loath to admit they exist) changed the order of things. Fast forward another decade (going on two) and there were (pretty amazing) sequels to the originally released movies. The story continues… and I love that.
I love of stories and storytelling. I think it’s fascinating that we meet each other in the middle of our stories and simultaneously work forwards and back. We don’t always think about it, but the way the Star Wars movies were released is actually how we meet and how most of the stories we read, hear, and watch work too. It’s very rare that we meet characters at the beginning of creation. A story usually begins in the middle or at the end. So, part of what I love about storytelling is how the storyteller (or the story) chooses to unfold the tale. In fact, part of the beauty of the story is watching it unfold.
One of my favorite stories – in part, because the way the story unfolds is part of the story – is the story people tell on Purim. It is the story in and around The Megillah or The Megillat Esther.
In case you are unfamiliar with the holiday and the story, Purim [פּוּרִים] is a Hebrew word meaning “lots” – as in “casting lots” or “lottery.” It is a Jewish holiday that commemorates the story told in the Megillah (“scroll”) of Esther, which is the story of how Queen Esther saved the Jewish people from the evil plot of a man whose actions are good examples of someone who was narcissistic, power hungry, and also anti-Semitic. The “Book of Esther” is not only found in the Hebrew Bible it is also one of the five megillot (“scrolls”) that make up part of the Christian Old Testament. Some people think of it as a great story about the power of a woman – and while it is that, it is also something more; because the story has a lot of “hidden” elements.
The story is quite literally about things that “someone” decided to “hide and hide” [הַסְתֵּ֨ר אַסְתִּ֤יר].
“Another approach, found already in rabbinic literature, takes the absence of God as a positive statement made by the author. The Rabbis, and numerous other readers since, understood the literary absence of God to be merely a surface-level fact, and in fact to be a subtle argument for the hiddenness of God, rather than his absence. A Talmudic comment (in B. Hullin 139b) playfully asks, ‘What is the source for Esther in the Torah?’ The answer given is that Esther was foretold in Deuteronomy 31:18: ‘I will indeed hide (haster astir) my face on that day.’ In part this is a pun, linking the name Esther to the Hebrew phrase ‘I will indeed hide’ (haster astir), but in part it is a serious theological claim: where did the Torah foretell a story with no God?”
– quoted from “8. Diaspora revisions: rethinking Exodus and rethinking God – Entering the fray: Esther as a political book” in Esther in Ancient Jewish Thought by Aaron Koller
People celebrate Purim by dressing up in costume – hiding one’s true identity – and having a party or feast. People may also have a parade and a pageant. The costuming and the party (even the parades and pageants) are all, symbolically, part of the story. To add yet another symbol from the story, the feasting includes hamantaschen, a yummy triangular shaped pastry that I always think of as Haman’s hat, but which literally means “Haman’s pockets.” In some Jewish communities they are referred to as “Haman’s ears.”
The story is symbolically reinforced in many different ways during the celebration of Purim, because the biggest part of the holiday is the story itself. In fact, listening to a public reading of the Book of Esther, in the evening (since the holiday starts at sunset) and in the morning, is one of four mitzvoh (“commandments”) related to Purim. The other three take place during the day and are sending food gifts to friends; giving charity to the poor; and eating a festive meal.
While I don’t read the actual text** to people during the practice, I do tell the story. And for years, I have used the music to help me tell the story – just like I do with all the other stories. Up until this year 2022, however, my Purim playlist was a little… shall we say, problematic. Because there was something hidden in my playlist – and not in a good way.
“This desert rose
Whose shadow bears the secret promise
This desert flower
No sweet perfume ever tortured me more than this
And now she turns
This way she moves in the logic of all my dreams
This fire burns
I realize that nothing’s as it seems”
– quoted from the song “Desert Rose” by Sting
Some of my playlists have always reflected the culture behind the story or theme of the day. For instance, my Saint Patrick’s Day playlist is full of Irish musicians and musicians with Irish heritage, just like my Cinco de Mayo playlist is full of musicians with Mexican heritage. As I’ve previously mentioned on the blog, I’ve very deliberately made some playlists multi-cultural to highlight the fact that so many cultures celebrate things like light overcoming darkness. Then, years ago, a friend’s comment really made me consider why my playlists mostly featured men. Despite all that, I never really considered that there was something off about my Purim playlist.
And, that takes us back to why certain songs were popular, while other also very good songs were not as popular.
“It’s so not an accident that most of the kirtan and ‘yoga music artists’ on our playlists are NOT from within the tradition. (It is called erasure and happens to people of color in our own traditions ALL THE TIME.)”
– quoted from a January 2022 message entitled “What Are You Listening to? On Decolonizing Your Yoga Playlists” by Susanna Barkataki
Susanna Barkataki is a yoga advocate, a teacher, a public speaker, and the author of Embrace Yoga’s Roots: Courageous Ways to Deepen Your Yoga Practice. In her book, her articles, and her classes, she encourages students and teachers to (re)connect to yoga’s ancient roots. She strongly recommends that teachers consider why they do the things they do (and say the things they say) when teaching. She also suggests that teachers take a look at how some of the things we say and do are the result of colonization and cultural erasure. However, she does not simply point to how elements of our modern, Western-centric practice are problematic. She also offers tools and solutions. For instance, she specifically points to music and highlights the fact that those of us using kirtan – which is a form of bhakti or devotional yoga – are almost always using non-traditional musicians. Sometimes, even using musicians that mispronounce the Sanskrit words.
To be clear, Ms. Barkataki uses the words “cultural erasure,” but it’s a concept I’ve always known as whitewashing. And, above and beyond anything else, she encourages us all to be mindful about the choices we make. Being mindful meant that when I was getting ready for Purim this last year, I realized that in most of the ways that counted, my culturally-specific playlist was specifically the wrong culture.
In my effort to pick songs that told the story, I neglected to pick Jewish musicians. Even worse, given the context of the story, my original playlist included several songs with Arabic lyrics and/or Arabic-related references that had nothing to do with Jewish heritage. To be clear about my own hubris, I knew this… I just leaped over the issue. In some ways, my mental gymnastics included the fact that those songs could be about a Jewish woman like Esther. They could very easily have been songs written by people who didn’t know their beautiful “Persian” queen was born Hadassah. Anything is possible.
However, the reality was that they were just popular songs that were also really good, worked with the practice, and could fit the story. They were songs that I knew, because I had heard them on the radio.
“Erasure is when the originators of a particular tradition are surpassed, replaced or ignored. Why? Because it makes it easier to colonize and exploit our cultural and spiritual wisdom and wealth.”
– quoted from a January 2022 message entitled “What Are You Listening to? On Decolonizing Your Yoga Playlists” by Susanna Barkataki
I recently heard a young, up-and-coming artist compare achieving a huge milestone to winning the lottery. For sure, I can see that. Especially when you consider how many people commented on the fact that this artist hit this much deserved milestone before his much lauded collaborator. (Don’t misunderstand me, I’m a big fan of both artists, but there’s something more than talent at play here.) I think having a hit song is also like that. Because while there is a lot of hard work that goes into creating a hit song, there’s also a lot of luck. It’s like that old adage: you can’t win if you don’t play. Of course, most people who play, don’t win – at least not really big – and it’s the same thing with being a big star in music.
The existence of streaming services and social media means that a lot of hustle and marketing on the part of the artist (and their community) can get an artist noticed today, in a way they couldn’t get noticed 20-plus years ago. That attention can really push a song up the charts. However, we’re still in a time time when songs are hits (in part) because they are played on the radio. And for all that hustle, many songs are played on the radio because of the way the musician looks. This is true across genres. This is even more so when it comes to music in and from certain countries and cultures. Being talented and having the “right” size, complexion, ethnicity, and (on a certain level) gender and sexuality, is like hitting the Powerball®.
““The Multi-State Lottery Association encourages all lottery players to be responsible in their amount of play.
For some people gambling can become a problem. If you or someone you know has a gambling problem, there are a number of helpful resources listed below.
National Council on Problem Gambling
24 Hour Confidential National Helpline
Call: 1-800-522-4700
Chat: ncpgambling.org/chat
Text: 1-800-522-4700
Association of Problem Gambling Service Administrators”
– quoted from the “Play Responsibly” tab on the Powerball® website
While I’ve been known to play bingo in a church basement (for charity and the chance to win a homemade quilt), I’m not really one to play the lottery. My limited understanding is that there’s a lot of different ways you can win with a Powerball®. However, just like with music and other things that could make you wealthy beyond your dreams, you have to be responsible and avoid the scams. You have to balance the temptation and your desire with reality. The reality, again, being that if you don’t play, you don’t win; but most people don’t win… big.
If you’re talented and have the aforementioned equivalent of the Powerball®, you can do things other people can’t do. You can write songs that make people re-think the world. You can sing songs other people not only wouldn’t think to sing, but might be afraid to sing. You can inspire people to sing your songs… even when they don’t always understand you. To me, Bob Dylan and his eponymous first album are a great example of a musical Powerball®.
Click here to read the remainder of the musical Powerball® notes.
There is no playlist for the Common Ground Meditation practice.
The 2022 playlist is available on YouTube and Spotify. [Look for “Purim 2022”]
*NOTE: Here’s a funny aside (related to the original 2022 post). In 2020, just as we started locking down for the pandemic, I blogged and posted a playlist about stories and music. That would have been Part I, except that it was for March 22nd – which means that if I ever get everything posted in sequential order it would be Part III (after the Purim or Saint Patrick’s Day post and the Bob Dylan post).
**NOTE: Since I don’t actually read the Purim text during the practice, I almost always leave out the part where Haman is begging for his life and the King misreads the situation. In some ways, it is an important part of the cause-and-effect of the narrative – and it definitely brings up another aspect of how our perceptions affect our stories – but it’s comes at the end so I often overlook it.
Here’s something fun that’s on the YouTube playlist, but is not (yet) available on Spotify.