The Stories Behind the Music (or The Vibration Behind the Vibration) July 21, 2021
Posted by ajoyfulpractice in Books, Changing Perspectives, Depression, Healing Stories, Hope, Life, Loss, Men, Minnesota, Music, Pain, Philosophy, Suffering, Texas, Tragedy, Wisdom, Women, Writing, Yoga.Tags: Books, Buchi Emecheta, Changing Perspectives, Dr. Lucille P. Fultz, Ernest Hemingway, Google Doodle, iceberg theory, inspiration, literature, Maty Ezraty, theory of omission, Toni Morrison, truth, yoga practice
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“A good sequence is like a good story. There is a beginning (an introduction), the middle (the heart of the story), and the end (the conclusion)”
— Maty Ezraty
Every practice tells a series of concentric — and sometimes overlapping — stories. There is the obvious physical-mental story, which is the story of where your mind-body has been, where you are, and where you could go. This story overlaps with the related story of vedanā, based on your sensations, feelings, and/or vibrations in the past, present, and future. We can call this an emotional story, but it is also an energetic story. Then there is also the story of symbols, stereotypes, and archetypes — which is how our mind-body often frames these other stories in order to better understand them. Finally, when I lead a practice, there is the story (or stories) I tell to frame the other stories.
The stories — or themes — that I share during the practice can be purely philosophical; religious; rooted in math and/or science; fictional; historical; and/or biographical. In fact, sometimes there are elements of all of the above. And while I use the āsanas (“seats” or poses) and the sequences to tell these framing stories – and, of course, I use my words — a lot of the story gets told with the music.
Ah, yes, music, “sweet music” — which spirals in a whole other set of concentric (and sometimes overlapping) stories. One of those spirals (i.e., one of those stories told by the music I select to tell the other stories) is the story of where I come from and the timing of when I came and developed in the world. Yes, I sometimes do a little research and may adjust some of my old playlists to be more inclusive — I’ve even been known to include a song or two that don’t particularly resonate with me. Ultimately, however, I am who I am and (like every other storyteller that’s ever existed) I tell the story based on what I know.
Which means: The stories I tell (and even how I tell them) would be very different if I were a white American-born man of a certain generation or if I were a Nigerian-born British woman of a certain generation.
The the remainder of this post, excluding details and links for today’s classes, was originally posted on July 21, 2020. There are references to mental health, suicide, and spousal abuse. If you want a little musical challenge, read this “Tale of Two Writers” and then create your own playlist based on their lives. You can even share it or link it in the comments below.
“… she has, over time, changed her politics about race and gender differences. This Emersonian political shift — ‘Speak what you think now in hard words, and to-morrow speak what to-morrow thinks in hard words again’ (McQuade 1 : 1148 ) – is one measure Morrison ‘ s developing sensibility as a woman and as an artist. Two examples immediately come to mind. In 1974, Morrison cautiously spoke of what she considered to be ‘a male consciousness’ and ‘a female consciousness’ as totally separate spheres. She then stated, ‘Black men – and this may be way off the wall because I haven’t had time to fully reflect about this – frequently are reacting to a lot more external pressures than Black women are. For one thing they have an enormous responsibility to be men.’ Morrison went on to reinforce her conviction: ‘All I am saying is that the root of a man’s sensibilities [is] different from a woman’s’ (Taylor-Guthrie 7). Morrison slightly modified this view when she spoke of her construction of Sula as a rebel, as a masculinized figure, and an equal partner in sexual relations in the 1920’s and 1930’s. She stated that Sula did not depict ‘as typical black woman at all’ (Septo, “Intimate Things” 219).”
— quoted from Toni Morrison: Playing with Difference by Lucille P. Fultz
This is a tale of two writers. Both born today — one in 1899, the other in 1944 — one was male, the other was female. One was White, the other was Black. We can get into nationalities later, but…. One won a Pulitzer Prize in Fiction and a Nobel Prize in Literature, while the other was designated OBE. Both have foundations named after them. One you have studied, probably in high school, maybe in college (even if you weren’t a literature major) and one you may have never read (let alone studied — even if you studied literature). She was born on his 45th birthday, when he was in Germany (curiously attached to an infantry regiment and doing things that would eventually bring up charges against him by the Geneva Convention). Both are recognized as successful authors and both wrote from their own experiences. However, so far as I can tell, only one of them has (as of today) ever been featured as a Google Doodle. (Spoiler Alert: It’s not the one you’ll be thinking when their identities are revealed.)
Let’s start with the man — one, because he was born first and second, because he is considered to be the model of a man’s man. In fact, he made his living as an author writing about characters who are considered to be the epitome of masculinity (even when, as it sometimes was, very obviously toxic masculinity). He went to a public high school, in a major U. S. city, but did not attend college. He was married four times, traveled the world, fathered three children (all boys), and spent his 26th birthday starting his first novel — which would also be one of his most famous works. (I think) he smoked and he (definitely) drank for most of his life; however, his drinking became excessively excessive after a couple of plane crashes in Africa. He was devastated when his first wife lost a suitcase full of manuscripts and (towards the end of his life) super paranoid that the American government was keeping tabs on him. They were; the FBI had a file on him — in part because of his ties to Cuba. He received electroshock treatments/therapy at the Mayo Clinic in Rochester, Minnesota and committed suicide, just like his father, sister, and brother (as well as one of his father-in-laws). He was 61. It’s possible that his paranoia and suicide were (in part) caused by the same thing that caused his father’s paranoia and suicide; they bother suffered from hereditary hemochromatosis, which causes the body to absorb too much iron and leads to physical as well as mental deterioration. He is often quoted as saying that in a man must do four things in his life (in order to be a man): plant a tree, fight a bull, write a novel, and father a son (although some have said “raise a son”).
If any of this sounds familiar, it’s because this first author is Ernest “Papa” Hemingway. (He has not been featured as a Google Doodle — but he has been quoted in reference to Google Doodles for Josephine Baker and René Maran.) Hemingway started off as a journalist, who served in World War I (as a Red Cross ambulance driver, because the U. S. Army diagnosed him with bad eyesight), and somehow (see “curiously” note above) attached himself to a U. S. army infantry regiment during World War II. His work includes novels, novellas, short stories, non-fiction, articles, and published letters. He referred to his minimalist style of writing as “the iceberg theory” or “the theory of omission”.
“If a writer of prose knows enough of what he is writing about he may omit things that he knows and the reader, if the writer is writing truly enough, will have a feeling of those things as strongly as though the writer had stated them. The dignity of movement of an ice-berg is due to only one-eighth of it being above water. A writer who omits things because he does not know them only makes hollow places in his writing.”
— quoted from Death in the Afternoon by Ernest Hemingway
As I mentioned before, the woman also wrote about what she knew — of course, what she knew was very different. She wrote, for example, that “you are simply not allowed to commit suicide in peace, because everyone is responsible for the other person.” Her gender initially meant that she would be kept at home; however, she convinced her parents that there was a benefit to her going to school. She attended private primary school, earned a scholarship to a private secondary school, and eventually attended the University of London. However, she was also engaged by age 11, married and pregnant at 16 years old, and separated and pregnant with her fifth child by the age of 22. By all accounts, she not only gave birth, she also raised her children and managed to earn a Bachelor of Science (Honours) degree in Sociology by age 28 and a PhD by the time she was 47 years old. She received a second, honorary, doctorate from a second University a year later. Her marriage was unhappy, violent, and punctuated by her husband’s paranoia about her writing. He burned her first manuscript. She rewrote it, but five years passed in the interim. She worked as a library officer for the British Museum in London, as a youth worker and sociologist, and as a community worker — all while writing, publishing, and raising her children. Her writing eventually enabled her to travel around the world (including to the U. S.) as a guest professor and visiting lecturer. In addition to working a variety of cultural and literary organizations, she and one of her sons ran a publishing company (that printed some of her own work under her own imprint). She was made an OBE (Officer of the Most Excellent Order of the British Empire) in 2005. She suffered a stroke in 2010 and died 7 years later. She was 72. She once said, “I work toward the liberation of women, but I’m not a feminist. I’m just a woman. My books are about survival, just like my own life.”
If none of this sounds familiar, you might be surprised that Buchi Emecheta was celebrated with a Google Doodle a year ago today (on what would have been her 75th birthday). She reportedly started writing as a way to deal with the troubles in her marriage and went on to write novels, children/YA books, plays, articles, and an autobiography. Her son Sylvester, who established a publishing company to ensure his mother’s work stays in print, said that Emecheta was the descendant of storytellers who passed down to him and his siblings the “Moonlight tales” that she learned from her aunts and father.
“Living entirely off writing is a precarious existence and money is always short, but with careful management and planning I found I could keep my head and those of my family, through God’s grace, above water.”
— Head Above Water by Buchi Emecheta
Ultimately, we are taught what someone has decided it is important for us to learn. We may not have any reason to question why we are taught one thing and not another, one author and not another. And, if we are not big readers, we are unlikely to read outside of our primary society’s canon. Maybe, as we get older, we turn to mass market fiction (or non-fiction) as a form of escapism. Maybe we turn to award winning literature — but we don’t really question why one author gets published but not the other, why one book makes the short list but not the other. Since many of us have grown up in society where we were encouraged to learn/do/teach (or see/do/teach) this means that we teach what we were taught — even if we are not teachers. Furthermore, as has happened recently, when we start to question and explore… we start with what (and who) we know – even if the authors we know are not experts in our latest field of study.
This paradox reminds me of Newton’s Laws of Motion (particularly, the law of inertia: an object in motion remains in motion, an object at rest remains at rest — unless something disrupts its condition). It also reminds me of college.
I studied English Literature at a major U. S. university. There had previously been some pretty prestigious guest professors over the years; however, when I started, in the late 1980’s, there were no African, African-American, Black British, or Black anything modules in literature. You might read a writer here or there in a 20th Century survey class, but you couldn’t (as I did with Russian literature) sit in what was essentially an oversized closet with a professor and three or four other students and learn about literature written from the perspective of the African diaspora. (Honestly, in college, I probably didn’t even know how to write a sentence like that — that’s how far African-American literature was outside of my wheelhouse!)
Dr. Lucille P. Fultz joined the faculty my senior year and, with some new awareness, I decided to take one of her classes. She had graduated from Spellman College (a historically black university for women) and completed her graduate degrees at the University of Iowa (which is known for its writers) and Emory University (which is just known). I remember her as my own personal stereotype of a Spellman woman: mature, petite, dark-skinned, natural, knowledgeable (in a seriously erudite way), well-spoken (but also soft-spoken), and dressed to the nines. In my head, she wore white gloves — but honestly, I think I made that up. I may also have made up the idea that she did not original study literature with the intention of teaching African-American literature. I say, “I may have made up the idea”, because she is now recognized as an authority on Toni Morrison (whose history as a writer/mom/publisher in some ways mirrors Emecheta’s history as a writer/mom/publisher) and she got me to read The Bluest Eye, which was quite possibly the only Toni Morrison book I had not read on my own.
My alma mater now has a history department with “a strong team dedicated to the history of Africa, the African diaspora, and African-American Studies” and a newly established Center for African and African American Studies. Curiously (and going back to the idea that we learn what we are taught and teach what we learn), two of the six members of that dedicated team are easily recognizable as people of color – and they are the only ones on the team who graduated (as undergrads) from the school where they now teach; one graduated just before me, the other attended after Dr. Fultz was firmly established at the university.
“Everyone’s life ends the same way. It is only the details of how he lived and how he died that distinguish one man from another.”
— Ernest Hemingway
“[I write] stories of the world…[where]… women face the universal problems of poverty and oppression, and the longer they stay, no matter where they have come from originally, the more the problems become identical.”
— Buchi Emecheta
Hemingway wrote about war, sex, love, loyalty, fishing, bullfighting, and the feeling of being lost in the middle of an adventure. Emecheta wrote about sexual discrimination, racial prejudice, sex, love, changing nappies, being a single parent, and religion. They both wrote about culture clashes, their experiences in Africa, as well as about the roles and relationships between men and women, but much of what they wrote looks and feels very different – even when, occasionally, the wrote about the same situations. Take Africa, for instance. To Hemingway, the continent of Africa was an exotic land of (physical) danger and adventure. To Emecheta, Africa (and specifically Nigeria) was home and a land (socially and physically) dangerous in the way it marginalized women.
As I mentioned above, they had different ideas on suicide (even different ideas about why one might consider suicide) and they had very different ideas about education. In her autobiography, Emecheta wrote, “An uneducated person has little chance of happiness. He cannot enjoy reading, he cannot understand any complicated music, he does not know what to do with himself if he has no job. How many times have I heard my friends say, ‘ I want to leave my boring job because I want to write, because I want to catch up with goings on in the theatre, because I want to travel and because I want to be with my family.’ The uneducated man has no such choices. Once he has lost his boring job, he feels he’s lost his life. That is unfair.” On the flip side, Hemingway had significantly less (formal) education than Emecheta, struggled with depression, and stated that when he started writing his first novel, “Everybody my age had written a novel and I was still having a difficult time writing a paragraph.”
“If people bring so much courage to this world the world has to kill them to break them, so of course it kills them. The world breaks everyone and afterward many are strong at the broken places. But those that will not break it kills. It kills the very good and the very gentle and the very brave impartially. If you are none of these you can be sure it will kill you too but there will be no special hurry.”
— A Farewell to Arms by Ernest Hemingway
“She, who only a few months previously would have accepted nothing but the best, had by now been conditioned to expect inferior things. She was now learning to suspect anything beautiful and pure. Those things were for the whites, not the blacks.”
— Second Class Citizen by Buchi Emecheta
Please join me today (Wednesday, July 21st) at 4:30 PM or 7:15 PM for a yoga practice on Zoom. Use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You will need to register for the 7:15 PM class if you have not already done so. Give yourself extra time to log in if you have not upgraded to Zoom 5.0. You can request an audio recording of this practice via a comment below or by emailing myra (at) ajoyfulpractice.com.
Wednesday’s playlist is available on YouTube and Spotify. [Look for “07212020 A Tale of Two Writers”]
If you are using an Apple device/browser and the “Class Schedules” calendar is no longer loading, you may need to upgrade your browser, or you can email me at myra (at) ajoyfulpractice.com at least 20 minutes before the practice you would like to attend.
In the spirit of generosity (“dana”), the Zoom classes, playlists, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). (Donations to Common Ground and Mind Body Solutions are tax deductible; class purchases and donations directly to me are not necessarily deductible.)
“If every one said orders were impossible to carry out when they were received where would you be? Where would we all be if you just said, ‘Impossible,’ when orders came?”
— For Whom the Bell Tolls by Ernest Hemingway
“Just keep trying and trying. If you have the determination and commitment, you will succeed.”
— Buchi Emecheta
If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can call 1-800-273-TALK (8255). You can also call the TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.
If you are a young person in crisis, feeling suicidal, or in need of a safe and judgement-free place to talk, call the TrevorLifeline (which is staffed 24/7 with trained counselors).
Updated 2025.
### Everybody: PLANT A TREE ###
Using the “hook” to get unhooked (the “missing” Tuesday post) July 21, 2021
Posted by ajoyfulpractice in Changing Perspectives, Depression, Faith, Fitness, Gratitude, Healing Stories, Health, Hope, Life, Loss, Love, Mantra, Meditation, Men, Music, Mysticism, One Hoop, Pain, Peace, Pema Chodron, Philosophy, Poetry, Suffering, Tragedy, Wisdom, Yoga.Tags: Alice Coltrane, Bob Livingston, Carlos Santana, Coldplay, David Brown, Eunice Kennedy Shriver, Free Nelson Mandela, Gregg Rolie, John Coltrane, John McLaughlin, Mahavishnu Orchestra, Marcus "The Magnificent" Malone, Michael Carabello, Mike Shrieve, Neal Schon, Norman Weinstein, Oakland KRON 4, Phil Collins, Rosemary Kennedy, Santana, Sheryl Crow, Special Olympics, Sri Chinmoy, Steven Tyler, Supernatural, t José Chepito Areas, vedanā, yoga
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[This is a “missing” post for Tuesday, July 20th. You can request an audio recording of either practice via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.
Check out the “Class Schedules” calendar for upcoming classes. If you are using an Apple device/browser and the calendar is no longer loading, please email me at myra (at) ajoyfulpractice.com at least 20 minutes before the practice you would like to attend.]
“You’re the only one knows me
And who doesn’t ignore
That my soul is weeping
I know I know I know
Part of me says let it go
Everything must have it seasons
Round and round it goes
And every day’s a one before
But this time this time
I’m gonna try anything that just feels better”
– quoted from the song “Just Feel Better” by Santana, featuring Steven Tyler
In my last “missing” post, I rifted on vedanā (“feeling,” “sensation,” “vibration”) – especially as it relates to music – for a variety of different reasons. First, “there’s a message in the music” and music is a great way to tell a story. Looking at South African President Nelson Mandela’s story through a musical lens, gives additional insight into the person who inspired so many people around the world. It gives insight into how a man burdened with so much found a way to “just feel better” than his circumstances and to keep moving/pushing forward. Additionally, putting ourselves in his shoes (or the shoes of someone like Émile Zola or Captain Alfred Dreyfus) is an opportunity for svādyāya (“self-study”).
The second reason is that I’ve always loved music and, even before I started practicing yoga and meditation, I had some understanding of the power of music on a physical-mental-emotional level. I have used music to get myself motivated, to shake myself out of funk, to stay focused, and even to settle into (and even savor) a particular kind of mood. So, I’ve always been fascinated by research into the benefits of music. Finally, I love a good “hook” and have found (as a teacher), that music can be a good tool to getting unhooked.
In musical terminology, a “hook” is a musical phrase that grabs the audience on every level – mind, body, and spirit. Sometimes it’s the lyrics (like “Free Nelson Mandela”); other times it’s an instrumental riff that may change the rhythm and/or the intensity of the chords. Phil Collins’s drum solo in the middle of “In the Air Tonight” is a classic example of an instrumental hook. The hook in Coldplay’s “Fix You” combines an instrumental hook (when the music swells and the electric guitar kicks in with an escalating riff) with a lyrical hook that the audience has been primed to sing-a-long.
Take a moment to notice something. Notice that if you know any of the three songs I just mentioned, it doesn’t matter how long ago you last heard them, your mind immediately conjured up the hook(s) and you quite possibly felt a sensation that you associate with the song(s). Maybe, you even felt transported to an experience you had in the past related to the song. All of that is the power of the “hook” – which harnesses the power of the mind – and all of that is vedanā.
“Tears stream down your face
When you lose something, you cannot replace
Tears stream down your face and I
Tears stream down your face
I promise you, I will learn from my mistakes
Tears stream down your face and I
Lights will guide you home
And ignite your bones
And I will try to fix you”
– quoted from the song “Fix You” by Coldplay
Born in Autlán (de Navarro), Jaslisco, Mexico today in 1947, Carlos Santana is definitely someone who understands the power of music. You could even call him “hook” royalty, because he most definitely understands the power of how a single moment in a song can keep people coming back again and again. He started busking in his teens and, along with other buskers, formed Carlos Santana’s Blues Band around 1966. The band, which originally included Santana plus David Brown (on bass guitar), Bob Livingston (on drums), Marcus Malone (on percussion), and Gregg Rolie (as lead vocalist and electric organist), was signed by Columbia Records after a few years on the San Francisco club circuit. By the time their first album was released in 1969, the band’s name had been shortened to “Santana;” there had been some personnel changes (Bob Livingston for artistic reasons and Marcus “the Magnificent” Malone* for legal reasons were out, replaced by Mike Shrieve and Michael Carabello, respectively); and the instrumentation had expanded (with the addition of Nicaraguan percussionist José Chepito Areas, guitarist and vocalist Neal Schon).
While the lineup has changed multiple times over the years, Santana and his band are known for psychedelic musical fusion that combines rock and jazz with blues and African and Latin orchestration. He has been listed as number 20 on Rolling Stone magazine’s list of top 100 guitarists of all times and has received 10 Grammy awards, three Latin American Grammy awards, and has had 43.5 million certified albums sold in the United States and an estimated 100 million sold worldwide. He and the original band were inducted into the Rock and Roll Hall of Fame in 1998 – right around the time a whole new generation was discovering the “black magic” that is Santana.
Released in 1999, Santana’s eighteenth studio album, Supernatural, is a chart-topping, record-breaking album of collaborations. The album reached number 1 in eleven countries (including multiple weeks on the United States – where it is a certified multi-platinum album); produced several hit singles; and won eight Grammy Awards – including Album of the Year and Best Rock Album; and three Latin American Grammy Awards (including Record of the Year). In fact, the album won so much in one night that when Sheryl Crow won for Best Female Rock Vocalist, she thanked Santana “for not being in this category.” The album has sold an estimated 30 million copies worldwide and features some incredible musical hooks – hooks that reinforce why vedanā is sometimes translated as “supernatural touch.”
“‘Some songs are just like tattoos for your brain… you hear them and they’re affixed to you.’
The image of the tattoo is telling…. But looking beyond the literal change in the ubiquity of tattoos across generations, the metaphor Carlos chose, songs equaling ‘tattoos for your brain’ is telling. It reinforces the status of Carlos as a master of formulaic and “hooky” pop songs with highly memorable melodies.”
– quoted from “Chapter 9: Carlos Speaks: Interpretations and Rebounding Questions” in Carlos Santana: A Biography by Norman Weinstein
Like so many other people in the 60’s and 70’s, Carlos Santana practiced meditation under the guidance of a guru. He became a disciple of Sri Chinmoy in 1973, and received the name “Devadip” – which means “the lamp, light and eye of God.” That same year, Santana and the band collaborated with John McLaughlin and the Mahavishnu Orchestra to produce an album of devotional (jazz fusion) music called Love, Devotion, Surrender. The album not only honored the teachings of Sri Chinmoy, it was also a tribute to John Coltrane. Later, Carlos Santana collaborated with Coltrane’s widow, the Alice Coltrane, who was herself a practitioner of yoga and meditation. Their album, Illuminations, mixed classic jazz with “free jazz” (an experimental type of improvisation) and East Indian music. By the early 1980’s Carlos Santana and his wife Deborah had ended their formal relationship with Sri Chinmoy, but the band’s music still reflects a focus on spirituality. Additionally, when he accepted his Grammy Awards in 2000, he spoke about using his platform to promote joy and said, “For me, that’s the most important thing, is to utilize music to bring harmony, equality, justice, beauty and grace upon this planet.” He also said, “The most valuable possession you can own is an open heart. The most powerful weapon you can be is an instrument of peace.”
“Live your life and just be yourself cause you’re somebody special cause somebody loves ya
Your life so just be yourself cause you’re somebody special cause somebody loves ya
Someone loves your life, life, hey hey I can see you shining shining I can see you shining With light light hey hey I can see you shining shining I can see you shining bright”
– quoted from the song “I Am Somebody” by Santana, featuring WILL.I.AM
There was a time (not too long ago) and a place (pretty much every place in the world) when people who did not fit certain standards were considered “less than.” Sometimes such people hidden away from society; sometimes they were subjected to medical experiments; and sometimes they were ostracized and institutionalized. And, if we’re being completely honest, there are places in the world, including countries in the “First World,” where those kinds of things still happen. The people who have historically been in danger of such foul treatment fall into a lot of different categories. However, the bottom line is that in mistreating them – even by just ignoring them and pretending like they were a “problem” that would go away – society negated their humanity and the fact that they were somebody, somebody special.
When we (as individuals and/or as a society) negate someone’s humanity – for any reason, we not only forget that that someone is somebody, we forget that they are “somebody special cause someone loves [their] life.” We also forget that they have the ability to shine and to make the world a better place.
I mentioned that a lot of different people have been subjected to such foul behavior over the years. However, today my focus often turns to a very specific group, a special group of athletes, and the member of American “royalty” who had had “enough” – and who made it her personal mission to change the way certain members of our community were treated. Today, July 20th, is the anniversary of the Special Olympic Games. First held in 1968, in Soldiers Field in Chicago, Illinois, the Special Olympics organization sprang from the initiative of Eunice Kennedy Shriver, who’s older sister Rosemary had an intellectual disability.
“But there’s been a change in the flight plan. They’ve landed in Holland and there you must stay.”
– quoted from “Welcome to Holland” by Emily Perl Kingsley ©1987
Normally, I reference both Santana and the history and mission of Special Olympics on July 20th. I also typically share a piece written by Emily Perl Kinglsey that some people appreciate, but that pushes some people’s buttons. I share Kingsley’s essay-poem, called “Welcome to Holland,” because I think it eloquently illustrates a person getting hooked and then getting unhooked. Furthermore, I think it brilliantly underscores the fact that when we get unhooked we can be more present, more fully present with ourselves and those we love.
Since this class date fell on a Monday last year (and there was no playlist), I didn’t mention Santana – nor did I mention that the eldest Kennedy daughter was born during a pandemic or any of the other really tragic elements of her story. Neither did I mention that other Kennedy family members created laws, policies, and organizations that support the humanity and dignity of people with disabilities. I did mention, however, that Rosemary Kennedy’s favorite things included music and dancing. I don’t know who her favorite musicians were or what kind of dance she liked, but we can guess – based on the time period and the fact her older brothers often “waltzed her around the ballrooms.” That said, I can’t help but think that a girl who loved music and who loved to dance would have gotten “hooked” by the music of Santana.
“First of all, the music that people call Latin or Spanish is really African. So Black people need to get the credit for that.”
– Carlos Santana
Tuesday’s playlist is available on YouTube and Spotify.
Click here (or above) for the 2020 blog post about Special Olympics.
As mentioned above, Marcus “The Magnificent” Malone was replaced just as Santana and the band were beginning to experience extreme success. Malone was convicted of manslaughter, served time in San Quentin State Prison and then ended up homeless. During the summer of 2016, he was involved in a bizarre accident that has left him in a care facility. In some ways, his life has been tragic. In other ways, he has experienced some immense beauty and magic. Twice in his life, those moments of immense beauty and magic involved Carlos Santana.
### “Let there be light / Let there be joy / Let there be love /And understanding / Let there be peace / Throughout the land // Let’s work together” ~ Santana ###
More Than 46664 (the “missing” Sunday post, with a reference to Monday’s practice) July 20, 2021
Posted by ajoyfulpractice in Books, Buddhism, Changing Perspectives, Dharma, Faith, Healing Stories, Hope, Japa-Ajapa, Mantra, Meditation, Music, Mysticism, Pain, Pema Chodron, Philosophy, Religion, Science, Suffering, Wisdom, Writing, Yoga.Tags: 108, Caroline Myss, Eid al-Adha, Nada Yoga, Pema Chödrön, The Special AKA, vedanā, yoga philosophy, yoga practice
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“Eid al-Adha Mubarak!” “Blessed Eid!” to those who are observing. May your faith and love bring peace.
[This is a “missing” post related to Sunday, July 18th – with a reference to the practice on Monday, July 19th. You can request an audio recording of either practice via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.
Check out the “Class Schedules” calendar for upcoming classes. If you are using an Apple device/browser and the calendar is no longer loading, please email me at myra (at) ajoyfulpractice.com at least 20 minutes before the practice you would like to attend.]
“Somebody says a mean word to you and then something in you tightens — that’s the shenpa. Then it starts to spiral into low self-esteem, or blaming them, or anger at them, denigrating yourself. And maybe if you have strong addictions, you just go right for your addiction to cover over the bad feeling that arose when that person said that mean word to you. This is a mean word that gets you, hooks you. Another mean word may not affect you but we’re talking about where it touches that sore place — that’s a shenpa. Someone criticizes you — they criticize your work, they criticize your appearance, they criticize your child — and, shenpa: almost co-arising.”
– Pema Chödrön
Last week, as I started talking about Ani Pema Chödrön’s teachings on shenpa, I started thinking about vibration. Remember that shenpa can be translated as hook, urge, impulse, charge, or attachment. It is simultaneously a feeling, a thought, and the impetus to do something. It is vedanā – and this is why I’ve been thinking about vibration.
Vedanā is a Sanskrit word that has many different English translations. Without any subtext or cultural context (which is actually quite interesting), it can be translated as “sensation” or “feeling.” However, in Buddhist traditions it is also translated as “pain.” One ancient text even points out that we are sensational beings in that “Feeling accompanies every citta [mind-stuff], there is no moment without feeling.” When the word appears in ancient yoga texts, it has been translated into English as “divine [or transcendental] touch,” “supernatural touch,” and “sensation springing from contact of the six senses of the world.” When I first learned of the word, it was translated as “sensation,” “feeling,” or “vibration.”
I know, I know; that’s a lot of different meanings. While we may have different feelings or understandings of the English words, the common thread between the different translations is that they all refer to embodied experiences that simultaneously arise with thoughts (and thoughts that simultaneously arise with embodied experiences). When we get down to the nitty-gritty, they also all refer to things that create a reaction in the mind-body. In other words, vedanā is a physiological, mental, and emotional reaction to something – or, more specifically, to everything.
In the yoga philosophy and other Indian philosophies, vedanā may manifest in 108 different ways. The 108 is achieved by the equation 2x6x3x3, which breaks down as follows:
- 2 methods of perception (We experience things mentally or physically.)
- 6 senses (We collect information via the senses of scent, taste, sight, touch, sound, and mind.)
- 3 attitudes (We experience everything as positive, negative, or neutral.)
- 3 tenses (We experience things as part of our past, present, or future.)
Keep in mind that our thoughts can be afflicted or not afflicted (klişțāklişțāh) – or, if you think of it in the psychological sense: dysfunctional or functional. Therefore, our perception and/or feelings about something can be magnified by our thoughts and our thoughts can be magnified by our perceptions and/or feelings.
I know, I know; it can get a little chicken-or-the-egg and. To be honest, though, the practice isn’t really about identifying the ultimate source of a particular sensation or vibration – because we already know the (ultimate) source. The real practice begins by recognizing sensation, thoughts/feelings, and vibrations as they arise and then bringing awareness to how we react to what’s arising. As we move through our practice – on or off the mat or cushion – we also have the opportunity to notice that because our mind-body reacts and responds to vibration, we can change our mood, demeanor, and even our thoughts by changing the vibrations or sensations within us and around us.
“Our emotional energy converts into biological matter through a very highly complex process. Just as radio stations operate according to specific energy wavelengths, each organ in the body is calibrated to absorb and process specific emotional and psychological energies. That is, each area of the body transmits energy on a specific, detailed frequency and when we are healthy, all are ‘in tune.’ An area of the body that is not transmitting at its normal frequency indicates the location of a problem. A change in intensity of the frequency indicates a change in the nature and seriousness of the illness and reveals the stress pattern that has contributed to the development of the illness.”
– quoted from “Chapter 1 – Energy Medicine and Intuition: Reading the Field” in Anatomy of the Spirit: The Seven Stages of Power and Healing by Caroline Myss, Ph.D.
We can, and do, change the vibrations around and within us when we move our bodies and “get our juices flowing.” We can, and do, change the vibrations around and within us when we decide we don’t want to be around someone’s “negative energy” or we do want to be around someone because “they’re so positive.” We can, and do, change the vibrations around and within us when we find a quiet spot to be still – maybe to meditate, maybe to pray. We can, and do, change the vibrations around and within us when we play music, “sweet music.”
There have been lots of studies around the vibrational effects of sound and the benefits of music therapy. There are even on-going debates about frequencies and which ones are best for optimal health versus which ones are best to incite a riot. There’s even Nada Yoga – union achieved through sound – which is a practice that predates Western research. Mantra, kirtan, and spiritual chanting from a variety of cultures and religious communities all utilize sound as a way to connect to a higher power – and, in doing so, change the physical-mental experience of the person engaged in the practice. Even if we do not engage in the aforementioned spiritual and/or religious, we have experienced the power of music. So, recently, when thinking about things that get us hooked and unhooked, I started thinking about music.
“Music is a great blessing. It has the power to elevate and liberate us. It sets people free to dream. It can unite us to sing with one voice. Such is the value of music.”
– Nelson Mandela speaking to musicians at a Freedom Day concert in London
As I mentioned last year, Nelson Mandela (born July 18, 1918) lived more than four lives in one lifetime. While his overall fortitude was inspirational, it is interesting to note that one of the things that inspired him and kept him going, especially in prison, was music. Apparently, he was such a fan of music that people spent a great deal of time and energy trying to figure out his favorite songs and his favorite musicians. While the award-winning South African journalist Charl Blignaut reported, in 2013, that “Mandela didn’t want to show favouritism[,]” Madiba clearly had eclectic taste ranging from classical music to rock and jazz music, to fusion music and “the traditional Xhosa songs he heard as he was growing up.”
In 1984, the British 2 Tone and ska band The Specials (also known as “The Special AKA”) released the song “Free Nelson Mandela,” which peaked at number 9 on UK Singles chart, number 1 on the New Zealand chart, and became a popular anti-apartheid anthem in South Africa and the United Kingdom. The song was re-recorded in 1988 and immediately made its way back on the charts – as it did again in 2013. Similar to Stevie Wonder’s 1980 gold-certified “Happy Birthday” – which got people rallied around the idea that there should be a national holiday honoring Martin Luther King, Jr. – “Free Nelson Mandela” was a catchy, highly danceable tune that felt more like a celebration than a protest. Both songs raised awareness and created movement that energized and heightened the power of preexisting movements.
Even though a holiday had been proposed in the U. S. soon after King’s death in 1968, and even though it came up again and again over the years, within two years of the song’s release (and a petition driven by the song) President Ronald Reagan signed the bill into law that created a federal holiday. While it took longer than a couple of years for Nelson Mandela to be released from prison and more than a couple of years before apartheid ended in South Africa, it only took a few weeks for it to be a regular part of dance parties at Oxford and rallies in places like Germany.
The success of “Free Nelson Mandela” inspired the creation of other songs. In 1987, Hugh Masekela released “Bring Him Back Home (Nelson Mandela), another up tempo song. That same year, the racially integrated (and multi-culturally inspired) band Savuka released Johnny Clegg’s “Asimbonanga (Mandela)” – which was a bit of an elegy that honored several anti-apartheid activists. Both songs were taken up as rallying cries by activists, but Mr. Masekela’s song – with its imagery of Nelson Mandela “walking down the streets of South Africa” without a walk zone or a war zone – was banned by the South African government until the end of apartheid.
While he was in prison, the future president of South Africa often smuggled out messages of appreciation to people like Hugh Masekela. Once he was released, Nelson Mandela had the opportunity to publicly dance to the songs that had inspired him and the world. Think, for a moment, how that must have felt for him – and for the musicians, not mention all the people witnessing that exchange of sensation.
I can’t help but wonder if Nelson Mandela imagined those moments – conjured up the sensations of those moments – before he was freed. I wonder if he sat in prison and imagined himself drinking a little something associated with celebrations, and rites of passages (like a young man’s home-coming) while he listened to one of his favorite musicians sing about that “magic beer.” Can you imagine what that would feel like?
Can you imagine how such feelings could keep a person going in the middle of hardship?
“During apartheid, Winnie Madikizela-Mandela once summoned Yvonne Chaka Chaka to her Soweto home to deliver a note and a message from her husband in prison on Robben Island.
‘It was just a note to say “your music keeps us, your fathers, alive in jail”,’ the Princess of Africa told me earlier this year. I asked her if Madiba ever told her what song of hers he enjoyed most.
‘Umqombothi,’ she replied. It remains her most popular track.”
– quoted from the 12 Dec 2013 City Press article, “Who was Mandela’s favourite singer?” by Charl Blignaut
Sunday’s playlist is available on YouTube and Spotify.
“As they have dared, so shall I dare. Dare to tell the truth, as I have pledged to tell it, in full, since the normal channels of justice have failed to do so. My duty is to speak out; I do not wish to be an accomplice in this travesty. My nights would otherwise be haunted by the spectre of the innocent man, far away, suffering the most horrible of tortures for a crime he did not commit.”
– quoted from the January 13, 1898 L’Aurore essay, “J’Accuse” by Emile Zola (who fled France on July 19, 1898)
You can read more about Nelson Mandela, from a philosophical perspective, in last year’s post. You could also check out the post from July 19, 2020 and consider what music would keep you centered, grounded, and focused if you were accused of something quite horrible.
### WHAT ARE YOU FEELING – & HOW DOES IT MAKE YOU FEEL? ###
Curious About… You (the “missing” Wednesday post) July 18, 2021
Posted by ajoyfulpractice in Abhyasa, Books, Buddhism, Changing Perspectives, Confessions, Dharma, Faith, Fitness, Gratitude, Healing Stories, Hope, Life, Meditation, Music, One Hoop, Pain, Peace, Pema Chodron, Philosophy, Religion, Suffering, Vairagya, Vipassana, Wisdom, Women, Writing, Yoga.Tags: Anushka Fernandopulle, Bramaviharas, Buddhism, compassion, Dalai Lama, Elephant Journal, Ernő Rubik, Four R's, lojong, loving-kindness, Matt Caron, peace, Pema Chodron, santosha, Shenpa & The Practice of Getting Unhooked, shoshin, yoga
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[This is the “missing” post for Wednesday, July 14th. You can request an audio recording of Monday’s practice via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.
Check out the “Class Schedules” calendar for upcoming classes. If you are using an Apple device/browser and the calendar is no longer loading, please email me at myra (at) ajoyfulpractice.com at least 20 minutes before the practice you would like to attend.]
Q: What’s the perfect gift to give a Tibetan Buddhist nun on her birthday?
A: Nothing.
I have more “punny” Buddhist jokes where that came from; however, since some people appreciate seriousness in their practice, I will move it along.
Wednesday was the 85th birthday of the American Tibetan Buddhist nun Pema Chödrön. About eight years ago, Ani Pema Chödrön, who was born in New York City on July 14, 1936, asked that people observe her birthday by practicing peace. Of course, even if we were to practice in a vacuum, peace requires some compassion and loving-kindness. The practice also requires going a little deeper into our sore spots, our tender spots, our tight and raw spots. You know the spots I mean: those spots people poke and push to get us “hooked.”
“Somebody says a mean word to you and then something in you tightens — that’s the shenpa. Then it starts to spiral into low self-esteem, or blaming them, or anger at them, denigrating yourself. And maybe if you have strong addictions, you just go right for your addiction to cover over the bad feeling that arose when that person said that mean word to you. This is a mean word that gets you, hooks you. Another mean word may not affect you but we’re talking about where it touches that sore place — that’s a shenpa. Someone criticizes you — they criticize your work, they criticize your appearance, they criticize your child — and, shenpa: almost co-arising.”
– Pema Chödrön
We begin each practice with what some might call a prayer, a wish, or a plea for peace. We also begin with a personal intention. Sometimes we breathe peace in and breathe peace out. Every once in a while I remind you to remember your personal intention. Sometimes we even end with a reminder that peace begins within. However, it can be hard to find peace when someone is continuously doing something (to us or around us) that doesn’t feel very peaceful – or loving and kind. Perhaps we can cultivate some softness, some compassion even, when we recognize that the other person is doing their best. But, even then, there are times when we just feel ourselves getting hot under the collar and losing our awareness. That’s what happens when our buttons get pushed: we lose awareness of who we are and what we’re all about. To borrow a metaphor from Anushka Fernandopulle, we get on the “Peace” Train and suddenly find ourselves headed towards, “OMG, I’m So Pissed”ville.
In the process of that journey, we forget our original intention and we forget all about that “peace within us” (let alone that “peace all around us”).
For almost ten years now, I have spent the month of July sharing Pema Chödrön’s teachings around shenpa and the four R’s: Recognize, Refrain, Relax, and Resolve. I like to also add a fifth R: Remember. This is not the only time I share these teachings; however, it is nice to have a dedicated period of time to really focus-concentrate-mediate on the ways we can get “unhooked.” It also coincides nicely with the Dalai Lama’s birthday and, since it’s midway through the year, it’s also a nice time to remind people that what we do on the mat, can translate into practices off the mat.
A lot of times I use examples similar to the very obvious ones in the quote above. However, since we are usually hooked by our ego – and since I recently mentioned the power of familiarity – this week I pointed out that sometimes the really pretty, shiny lure that hides the sharp hook of suffering is actually our habit of doing things a certain way.
Yes, big surprise (and another Buddhist joke in the making) – we get hooked by our attachments.
“If you are curious, you’ll find the puzzles around you. If you are determined, you will solve them.”
– Ernő Rubik
Both Buddhism and the Yoga Philosophy have practices around attachment that involve our belief (sometimes our mistaken belief) that we know something. Maybe we know something is right; maybe we know something is wrong. It doesn’t matter. The bottom line is that we have the belief, we’re attached to the belief, and (therefore) the belief can cause suffering.
Both philosophies encourage us to not only question what we believe, but also to be curious about what we believe, why we believe it, and what’s on the other side of our beliefs. In Zen Buddhism, shoshin (“beginner’s mind”) is the practice of approaching a subject as if for the first time. In Yoga, the second niyamā (internal “observation”) is santoşa which is “contentment.” Both practices require the openness and eagerness to learn that we observe in small children. Both practices cultivate an open-heartedness that, when applied in our relationships, can allow us to be more generous with the attributes of our hearts and less generous with our judgement. Both practices require us to show-up and be present with what is – and both practices give us insight into ourselves.
Imagine, for a moment, that you go to a new yoga class with a new teacher. You’ve been practicing for a while, maybe you even teach or have been through a teacher training – either way, you “know your stuff.” The practice starts in a pose that you would normally practice after you’ve warmed up a bit and the teacher offers no other options. So, depending on the day you’re having, maybe you just go into a modification you know; maybe you struggle to get into the pose the way would if you were warmed up; maybe you ignore the suggestion and go into something else; or maybe you are already so fed up that you leave and that’s the end of that.
But, let’s say you stay. You breathe in. You breathe out. Your body is starting to warm up; your mind is starting to focus and – BOOM, they do it again! They cue something different from what you were expecting (and had already started doing) or something that you and the people around you clearly aren’t safely in a position to practice. And, again, they offer no other options. What do you do?
This could continue through a whole practice. And, to be clear, maybe it’s not the sequence that’s the problem. Maybe they just say things in a way that really grates on your nerves. Maybe they consistently call Downward Facing Dog a resting pose (but it’s a pose you recognize is really challenging). Maybe it’s the fact that they never offer alternative options even though most of the people in the practice are not doing what they are suggesting. Maybe there’s too much philosophy for you, maybe there’s not enough. Maybe their voice reminds you of the person with whom you just had an argument. Ultimately, the nature of the issue doesn’t matter.
What matters is what you do when you’re getting annoyed.
Do you RECOGNIZE that something was happening that didn’t meet your expectations? In other words, do you Recognize that you are getting hooked? If so, do you pause for a moment and – instead of doing the thing you would normally do – REFRAIN from doing anything? Do you just take a breath and RELAX? If so, do you RESOLVE to continue with that relaxation, with that mindfulness, and with that intentionality? Do you REMEMBER why you decided to attend the practice in the first place?
Or do you leave the space, completely annoyed, frustrated, angry, and not at all peaceful?
“The peace that we are looking for is not peace that crumbles as soon as there is difficulty or chaos. Whether we’re seeking inner peace or global peace or a combination of the two, the way to experience it is to build on the foundation of unconditional openness to all that arises. Peace isn’t an experience free of challenges, free of rough and smooth—it’s an experience that’s expansive enough to include all that arises without feeling threatened.”
– quoted from “Unlimited Friendliness: Three steps to genuine compassion” (Winter 2009 issue of Tricycle) by Pema Chödrön
Years ago, I think it was on my 45th birthday, I had plans for a whole day of “wise women.” Even though it wasn’t part of my original plan, it turned out that I was going to be the first “wise woman” in my day, because I agreed to be a guest teacher at a university class on mindfulness. Then I had plans to attend a yoga practice led by one of my favorite teachers, a teacher whose practice inspires me to this day. Finally, I was going to have dinner with a group of some of the wisest women I knew at the time. The university class turned out to be an awesome way to start the day. Then I headed across town for some yoga and encountered a problem; my favorite yoga teacher was nowhere in sight. I figured she just wasn’t at the front desk; so I signed in and got settled, trying not to be too annoyed at the music that was clearly not what my favorite teacher would be playing. I was having one of my best birthdays ever… until the class started and it was being led by someone I wasn’t expecting.
Without going into a lot of detail, I’ll just say that I was “hooked” from the minute the sub said their hello. If you’ve heard me tell this story before you also know that instead of settling in during the integration, I was getting riled up. But then I took a deep breath and reminded myself that there had to be a reason this teacher was at the front of the room. They had to have something to offer. And, if I could let go of my expectations, maybe I would learn something.
Ultimately, the day goes down as one of my favorite days with some of my favorite memories and the birthday rates as one of my favorite celebrations. While I never took from that (substitute) teacher again – and part of me wants to rate it as one of my least favorite classes in almost twenty years of yoga – I definitely got something out of the practice… and it’s something that continues to serve me.
“Always maintain only a joyful mind.”
“Sending and taking should be practiced alternately. These two should ride the breath.
Begin the sequence of sending and taking with yourself.”
– quoted from Always Maintain A Joyful Mind: And Other Lojong Teachings on Awaking Compassion and Fearlessness by Pema Chödrön
Every culture and tradition around the world places a certain level of value on the virtues of the heart. In yoga, we find instructions to meditate on the various attributes of the heart. We can also view at least three of the “powers unique to being human” as heart practices. I even think of the physical practice of yoga as a way to prepare the mind-body for those heart practices. In Buddhism, four of the “heart” practices are referred to as the “Divine Abodes” (Brahmavihārās): loving-kindness (maitrī or “mettā), compassion (karuņā), sympathetic or empathetic joy (muditā), and equanimity (upekşā or upekkhā). Again, you find these virtues all over the world; however, what you find in contemplative traditions are the practices to cultivate these innately human powers.
Pema Chödrön’s teachings around the concept of shenpa are just one set of many practices found in Buddhism. In Zen Buddhism, for instance, kōans are statements or stories (sometimes considered riddles or puzzles in a Western mind) used as a form of contemplation (although not always of meditation). Similarly, in Tibetan Buddhism, people use lojong or “mind training” techniques which can be held in the heart and mind during contemplation. To “sit” or even live with a phrase does not require a great deal of “thinking,” but it does require a certain amount of patience and openness. One of the goals, in practicing with such statements, is to let the teaching unfold in the same way the heart opens… in the same way a fist unclenches or a flower unfurls. In the process of these practices, one also discovers more and more about themselves, as well as about the world.
“There’s a common misunderstanding among all human beings who have ever been born on the earth that the best way to live is to try to avoid pain and just try to get comfortable….
A much more interesting, kind, adventurous, and joyful approach to life is to begin to develop our curiosity, not caring whether the object of our inquisitiveness is bitter or sweet. To lead a life that goes beyond pettiness and prejudice and always wanting to make sure that everything turns out on our own terms, to lead a more passionate, full, and delightful life than that, we must realize that we can endure a lot of pain and pleasure for the sake of finding out who we are and what this world is, how we tick and how our world ticks, how the whole thing just is.”
– quoted from “1. Loving-Kindness” in The Wisdom of No Escape and the Path of Loving-Kindness by Pema Chödrön
Wednesday’s playlist is available on YouTube and Spotify. [Look for “07142020 Compassion & Peace for Pema”]
“Prince Guatama, who had become Buddha, saw one of his followers meditating under a tree at the edge of the Ganges River. Upon inquiring why he was meditating, his follower stated he was attempting to become so enlightened he could cross the river unaided. Buddha gave him a few pennies and said: “Why don’t you seek passage with that boatman. It is much easier.”
– quoted from Matt Caron and from Elephant Journal
Check out last year’s post on this date (and follow the dates for more on the practice)!
### WHY ARE YOU HERE, AGAIN? ###
The Effort to Free/Liberate Yourself – a philosophical perspective (a “missing” post) July 6, 2021
Posted by ajoyfulpractice in Books, Buddhism, Changing Perspectives, Depression, Faith, Gratitude, Healing Stories, Health, Hope, Life, Loss, Meditation, Mysticism, Pain, Peace, Philosophy, Science, Suffering, Tantra, Tragedy, Vairagya, Wisdom, Writing, Yoga.Tags: Anodea Judith, Ashtavakra Gita, Astavakra Gita, chakras, Common Ground Meditation Center, Denise Glasbeek, Edward Herman, Everlast, fear, freedom, Heinz Dieterich, independence, Jiddu Krishnamurti, John Richards, Julian Semphill, liberation, Mandukya Upanishad, Noam Chomsky, samskaras, Santana, Steve Ross, Swami Nikhilananda, Thich Nhat Hanh, Upanishads, Vedas, Wheels of Life, yama, yoga
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[This is the “missing” post for Monday, July 5th. You can request an audio recording of Monday’s practice via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.
Check out the “Class Schedules” calendar for upcoming classes. If you are using an Apple device/browser and the calendar is no longer loading, please email me at myra (at) ajoyfulpractice.com at least 20 minutes before the practice you would like to attend.]
“The liberating current brings us excitement, energy, and novelty, while the descending current brings us peace, grace, and stability. In order for either of these pathways to really be complete, all of the chakras need to be open and active. Liberation without limitation leaves us vague, scattered, and confused. We may have wonderful ideas and lots of knowledge, but we are unable to bring these fruits to any tangible completion. On the other hand, limitation without liberation is dull and stifling. We become caught in repetitive patterns, clinging to security and fearing change.”
– quoted from “Chapter 1 – And the Wheel Turns: Liberation and Manifestation” of Wheels of Life: A Users Guide to the Chakra System by Anodea Judith, Ph.D.
Sometimes in yoga, I talk about the inhale literally being an “inspiration” (from the Latin, by way of Old French and Middle English) whereby we are filled with spirit. The exhale is, by the same logic (Latin by way of late Middle English), an “expiration” whereby something is literally expiring, returning to the source. Some of you have even heard me say, “Inhale down your spine, in the direction of the manifesting current; taking all the possibilities of the Universe and making them your unique experience. Exhale back up your spine, in the direction of the liberating current, taking your unique experiences (and efforts) back to the source.” In Wheels of Life: A Users Guide to the Chakra System, Anodea Judith explores the fact that “we must limit” in order to manifest – and the ancient texts back her up in the idea that there are ways in which we are limited. There are ways we can have a lot, but we can’t have it all.
If we think of the source of all things – whatever that means to you at this moment – then we’re thinking of the source of unlimited possibilities. We’re thinking of something infinite and something limited only by our imagination/understanding – which is finite. On the flip side, we are not omnipotent and/or omnipresent. We can experience multiple sensations at one time, but we can only truly focus-concentrate-meditate on one thing at a time. While our initial possibilities are limitless, our whole lives are built around the experience of “narrowing things down.” So, we do.
There’s nothing wrong with narrowing things down and establishing boundaries. That’s all part of the human experience. Being human means we are constantly swinging like a pendulum between having everything and having nothing – in every area of our lives. We run into problems, however, when we don’t recognize (and appreciate) what we have; when we operate from a perspective of scarcity instead of a point of abundance. We run into problems when we are paralyzed by what we don’t have and/or by something that hasn’t happened.
“The more you can increase fear of drugs, crime, welfare mothers, immigrants and aliens, the more you control all of the people.”
– Dr. Noam Chomsky
“Optimism is a strategy for making a better future. Because unless you believe that the future can be better, it’s unlikely you will step up and take responsibility for making it so. If you assume that there is no hope, you guarantee that there will be no hope. If you assume that there is an instinct for freedom, that there are opportunities to change things, then there is a possibility that you can contribute to making a better world.”
– quoted from Latin America: From Colonization to Globalization by Noam Chomsky (in conversation with Heinz Dieterich, with additional collaboration by Edward Herman; introduction by Denise Glasbeek and Julian Semphill)
Like a lot of people associated with the United States, I spent the last week-plus thinking, contemplating, and discussing the concept of freedom, liberation, and independence. On a certain level, I do that all the time; but there is an acute awareness between PRIDE, Juneteenth, and the Fourth of July – and I start thinking about those concepts on a lot of different levels. The most obvious level in this context, of course, is the legal aspect. However, last Tuesday I referenced the nine obstacles (and their four accompanying physical-mental experiences) outlined in Patanjali’s Yoga Sūtras and, if you go back, those obstacles and ailments are kind of floating under all of this week’s posts, classes, discussions, and meditations. Because, as it turns out, our minds are one of the biggest obstacles to anyone of us experiencing true freedom, liberation, and independence.
Tonight (Monday, July 5th), as well as during the Juneteenth class and in the First Friday Night Special post-practice blog post, I shared the story of how circus elephants are trained not to move beyond a designated circumference. It’s a story I’ve seen and heard a lot of people tell, but I first came across it because of Steve Ross’s yoga practice. The story is a great reminder about how powerful the mind is, how it can literally stop us in our tracks. And, while we might name an endless list of things holding us down and holding us back, it really comes down to one thing: our relationship with fear.
Fear is an emotional response to a perceived threat. I say it all the time: The threat doesn’t have to be real, but the emotional and embodied experience is real. Additionally, a perceived threat can be in the past and yet the emotionally embodied experience can still actively experienced in the present (and, as Lisa Nichols points out, projected into the future). Both fear of failure and fear of success can paralyze us, because at a very early age we were taught that fear equals danger and, when we feel the associated sensations, we have to be still or turn back.
Yes, on a neurophysiology level, fear activates our sympathetic nervous system which activates our fight-flight-freeze response. However, adults teach children what to fear and how to respond to that fear. We know not to stick our hand in the fire or on a hot stove for the same reason we know to look both ways before crossing the street: someone taught us to fear the consequences. Similarly, we teach those who come after us. As we grow through life, we keep the tool of fear – sometimes even more than we use the tool that is our awareness. Eventually, these lessons in fear are just like everything else we experience in life; they hardwire our brains and create samskaras (“mental impressions”).
We view our experiences through previous experiences. Over time our reactions to certain sensations (including certain thoughts) feels instinctual – even though they’re conditioned. Over time, there’s very little (if any) difference between the way we react to the possibility of failing, falling flat on our face, and/or embarrassing our self and the we react to the possibility of a snake in our path.
“As a rope lying in darkness, about whose nature one remains uncertain, is imagined to be a snake or a line of water, so Atman is imagined in various ways.
When the real nature of the rope is ascertained, all misconceptions about it disappear and there arises the conviction that it is nothing but a rope. Even so is the true nature of Atman determined.”
– quoted from “Chapter 2 – Vaitathya Prakarana (The Chapter on Illusion)” (verses 17 and 18) of Mandukya Upanishad [English translation by Swami Nikhilananda]
Remember, I’m talking about the possibility here. I’m talking about the point when the brain goes, “What is that?” Someone can tell you, “Oh, that’s just a big hank of rope someone left out when they pulled their boat in,” but, if you’ve lived around water moccasins your whole life, the adrenaline might already be pumping. It may not even matter that you’re in a part of the world that doesn’t have cottonmouths. You’ve been conditioned – by yourself and others – to stay safe. Just the idea of something we fear can bring up the sensations. In fact, just reading the words above might have caused your body to tense up in preparation. (I know just typing it does the same for me!)
Sacred texts from India, like the Upanishads (“sitting near” devotedly) and the Ashtavakra Gita (The Song of the Man with 8-Bends in His Limbs), often use the idea of a snake to describe our experience with māyā (“illusion”). Interestingly, “Death” sometimes shows up in Hindu mythology as a snake called Yama, which can be translated into English as “binder” and is also the same Sanskrit word used for the first limb of the Yoga Philosophy (Yamas), which consists of five “external restraints.” In other words, the snake we see in the road is a limitation – even if it’s not a snake.
“It is not that you must be free from fear. The moment you try to free yourself from fear, you create resistance against fear. Resistance in any form does not end fear. What is needed, rather than running away or controlling or suppressing or any other resistance, is understanding fear; that means, watch it, learn about it, come directly into contact with it. We are to learn about fear, not how to escape from it, not how to resist it.”
– Jiddu Krishnamurti
I don’t think J. Krishnamurti was telling people to walk up on something that might be a snake and poke it with your finger – just as the writers of the Vedic texts were not necessarily telling people to put themselves in dangerous situations in order to confirm the nature of reality versus illusion. Instead, the practice is about going deeper into the mind-body experience. Where, for instance, do you hold your tension, discomfort, and dis-ease? Where do you hold your fear, anger, disappointment, grief, and confusion? Where, as I asked people on Zoom, do you not feel free, liberated, and independent?
Breathe into those spaces where you don’t feel free, liberated, or independent. Remember, your awareness and your breath are tools you carry with you everywhere. Don’t be a fool! Use those tools! Use the inhale to explore those places where you are holding tightness and create space around those places. Maybe imagine that you are blowing into those areas like you blow into a balloon and feel that expansion. Then, use your exhale to let something go. You may not be ready to let go of everything – and, it’s important to acknowledge that. Just release what you can release and let go of whatever is ready to go.
“There’s a darkness
Living deep in my soul
It’s still got a purpose to serve”
– quoted from the song “Put Your Lights On” by Santana and Everlast
One of my favorite songs, and one of the star-studded collaborations included on Santana’s record-breaking album Supernatural, was written by Everlast. The title comes from what we do when we’re driving as the sun sets, when we start driving at night, or when it starts to rain: We put our lights on so we can see and be seen. We put our lights on to avoid danger. We put our lights on so we can be less afraid. One of my favorite verses (quoted above) is a reminder that sometimes we need the limitation. Remember, fear is an important neurophysiological tool – that’s why it’s such a great teaching tool. However, we can’t let the tool rule our whole life. Sometimes we have to remember, as the angel in the song also reminds us, “I got nothing to fear.”
When we can, and when we are willing, letting go of something – some attachment to the past, some fear of the unknown – makes us like the elephant that looks down and realizes there’s no stake, no chain, and no shackle. We’re free!
I’ve heard stories about elephants that are considered “escape artists” and no amount of “training,” no matter how brutal, can keep them from testing the limits of their binds. Most elephants, however, never seem to look down. I’ll admit I don’t know a lot about pachyderms. I know the location of their eyes limits them in some way, as does bright lights; so, maybe they can’t see around their trunk and tusks. But, the most likely scenario (especially in cases where the shackle is removed) is that they have been conditioned to fear what happens if they go beyond the originally established boundary.
Ultimately, the circus elephants are limited by their mind-body connection. As are we; which means, if we want to be truly free, in a physical-mental and emotional-energetic way, we have to recognize our stakes to pull them up. We have to recognize our chains to break them. We have to recognize our shackles to release ourselves.
“‘You are the one witness of everything and are always completely free. The cause of your bondage is that you see the witness as something other than this.
…
If one thinks of oneself as free, one is free, and if one thinks of oneself as bound, one is bound. Here this saying is true, “Thinking makes it so.”’”
– quoted from the Ashtavakra Gita (1.7, 1.11) [English translation by John Richards]
There is no playlist for the Common Ground Practice.
Do you need your high beams or your parking lights (to see your chains)?
“We may think that if we ignore our fears, they’ll go away. But if we bury worries and anxieties in our consciousness, they continue to affect us and bring us more sorrow. We are very afraid of being powerless. But we have the power to look deeply at our fears, and then fear cannot control us. We can transform our fear….
Fear keeps us focused on the past or worried about the future. If we can acknowledge our fear, we can realize that right now we are okay. Right now, today, we are still alive, and our bodies are working marvelously. Our eyes can still see the beautiful sky. Our ears can still hear the voices of our loved ones.”
– quoted from “Introduction – Fearlessness” of Fear: Essential Wisdom for Getting Through the Storm by Thich Nhat Hanh
### Let Wisdom Speak Over Fear ###
Free to Be You (and Me?) What About Them? July 4, 2021
Posted by ajoyfulpractice in "Impossible" People, Books, Changing Perspectives, Healing Stories, Hope, One Hoop, Pain, Philosophy, Suffering, Yoga.Tags: Abigail Adams, Crosby Stills Nash & Young, Fourth of July, Frederick Douglass, freedom, independence, John Adams, July 4th, Martin Luther King Jr, Medgar Evers, Second Continental Congress, Thomas Paine
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“We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty and the pursuit of Happiness.”
*
– quoted from “The Declaration of Independence” drafted by the Committee of Five and (eventually) signed by delegates of the Second Continental Congress
In the United States, a lot of people – one might even argue, most people – are celebrating the Fourth of July, Independence Day. They would have taken the day off from work (if it wasn’t already the weekend) and many will have Monday off. Since Covid-19 numbers are going down in most of the country, people are celebrating with picnics, get-togethers, parades, concerts, and – even when they’ve been advised against it – fireworks and gunshots in the air.
That’s how we do it in America. Right?
And, we have the freedom to do that. Right?
Except, such assumptions leave out the millions of Americas working today. Some (like me, as well as musicians and other performers, theatrical technicians, and a handful of pyrotechnics professionals) choose to work today and may even be excited to work today. Others, millions and millions of others, don’t have a choice. They work because they lack the financial freedom and/or they work in order for the rest of us to celebrate, freely.
In that last category are all the essential workers like people in healthcare, first responders, grocery workers, delivery people, and people in various forms of journalism – all the people who have kept us going over the last year-plus. Some of them are also in that penultimate category (just as are some in the first category).
And, since I’m being extra real here, the people who serve(d) in the military and their families sometimes fall in all three categories.
One of the questions I have today is: Do you picture these people when you think of what it means to be American? Do you give thanks for these people when you celebrate your freedom (assuming you feel free)? Has/Does your understanding of freedom, independence, “liberty and justice” for all change when you picture, express gratitude for, and even celebrate some of the people above?
Or, since I snuck it in there, do you think of those people when you say the Pledge of Allegiance?
“…Fellow-citizens, pardon me, allow me to ask, why am I called upon to speak here to-day? What have I, or those I represent, to do with your national independence? Are the great principles of political freedom and of natural justice, embodied in that Declaration of Independence, extended to us? And am I, therefore, called upon to bring our humble offering to the national altar, and to confess the benefits and express devout gratitude for the blessings resulting from your independence to us?
*
“…such is not the state of the case. I say it with a sad sense of the disparity between us. I am not included within the pale of glorious anniversary! Your high independence only reveals the immeasurable distance between us. The blessings in which you, this day, rejoice, are not enjoyed in common. The rich inheritance of justice, liberty, prosperity and independence, bequeathed by your fathers, is shared by you, not by me. The sunlight that brought light and healing to you, has brought stripes and death to me. This Fourth July is yours, not mine. You may rejoice, I must mourn….”
*
– quoted from the “What to the Slave is the Fourth of July?” speech by Frederick Douglass (July 5, 1852)
The Fourth of July, as a day of pomp and circumstance, is always slightly ironic to me, because it is simply a publishing date. Granted, it’s not the only publishing date I celebrate. While at least one of the documents I mention over the years is much more inclusive than the Declaration of Independence, it is not widely celebrated in the United States.
I know, I know, there are some people thinking, “Hold up a minute, the Declaration of Independence is inclusive.” To which, I would respond (as anyone familiar with the documents history would respond) that it was, actually, intentionally exclusive. However, it was also designed to be adjusted to, theoretically, become more inclusive – hence the amendments and the ability of the three branches of government (legislative, executive, and judicial) to add-on. However, the rights, provisions, and promise of this nation still aren’t extended equally to all citizens or to all within the nation’s borders. It’s not a perfect system, nor is it a perfect union.
Although, one could argue that despite – or because of – current events it is still “a more perfect Union.”
“The Second Day of July 1776, will be the most memorable Epocha, in the History of America.
*
I am apt to believe that it will be celebrated, by succeeding Generations, as the great anniversary Festival. It ought to be commemorated, as the Day of Deliverance by solemn Acts of Devotion to God Almighty. It ought to be solemnized with Pomp and Parade, with Shews, Games, Sports, Guns, Bells, Bonfires and Illuminations from one End of this Continent to the other from this Time forward forever more.
*
You will think me transported with Enthusiasm but I am not. — I am well aware of the Toil and Blood and Treasure, that it will cost Us to maintain this Declaration, and support and defend these States. — Yet through all the Gloom I can see the Rays of ravishing Light and Glory. I can see that the End is more than worth all the Means. And that Posterity will tryumph in that Days Transaction, even altho We should rue it, which I trust in God We shall not.”
*
– quoted from a letter John Adams wrote to Abigail Adams, with the heading “Philadelphia July 3d, 1776”
Going back to my reference to essential workers, service people, and all of their families; today’s practice is a celebration, but it is also a reminder. It is a reminder that, just as Medgar Evers said in 1963, “freedom is never free.” It is a reminder, just as Crosby, Stills, Nash, and Young sang in 1971, that you can “find the cost of freedom, buried in the ground” – and, sometimes, behind bars (or sitting on the bench).
It is also a reminder that stresses the importance, as the Reverend Martin Luther King, Jr. did during the commencement speech he gave at Oberlin College on June 14, 1965, of “remaining awake through” challenging and changing times. Some people think of pandemic and the events of the last year-plus as a wake-up call.
But, let’s be real. Some people are hitting snooze and going back to normal, I mean sleep. The thing we must remember about the events of 1776 is that when it comes to freedom, independence, “liberty and justice,” we all truly have it… or some of us are ignoring the elephant in the room.
“All I’m saying is simply this: that all mankind is tied together; all life is interrelated, and we are all caught in an inescapable network of mutuality, tied in a single garment of destiny. Whatever affects one directly, affects all indirectly. For some strange reason I can never be what I ought to be until you are what you ought to be. And you can never be what you ought to be until I am what I ought to be – this is the interrelated structure of reality.”
*
– quoted from the Oberlin College commencement speech entitled, “Remaining Awake Through a Great Revolution” by Reverend Martin Luther King, Jr. (June 14, 1965)
Please join me for a 65-minute virtual yoga practice on Zoom today (Sunday, July the 4th) at 2:30 PM. You can use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You can always request an audio recording of this practice (or any practice) via email or a comment below.
Sunday’s playlist is available on YouTube and Spotify. [Look for “4th of July 2020”]
[NOTE: This playlist has been remixed since last year. It is still slightly different on each platform, but mostly with regard to the before/after class music. The biggest difference is that the videos from last year’s blog post do not appear on Spotify.]
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)
“Perhaps the sentiments contained in the following pages are not yet sufficiently fashionable to procure them general favor; a long habit of not thinking a thing wrong, gives it a superficial appearance of being right, and raises at first a formidable outcry in defense of custom. But the tumult soon subsides. Time makes more converts than reason.”
*
– quoted from the “Introduction” to Common Sense, signed by the “Author” (Thomas Paine, known as “The Father of the American Revolution”) and dated “Philadelphia, February 14, 1776
*
*
### LET FREEDOM RING (by lifting the bell & ringing it) ###
Free To Be You (and Me?), a sequel & a prequel July 3, 2021
Posted by ajoyfulpractice in Changing Perspectives, Depression, Healing Stories, Health, Hope, Life, Loss, Love, Meditation, Pain, Philosophy, Suffering, Super Heroes, Tragedy, Vipassana, Wisdom, Women, Writing, Yoga.Tags: Aki Hirata Baker, August Black, Black Hair, Claire Raymond, CROWN Act, Delilah, Elisa Goodkind, First Friday Night Special, Fractured Atlas, Freddie Harrel, Kiersey Clemons, Leon Ford, Lily Madelbaum, Lizzo, Mariel Hemingway, Mercedes Diane, Nadine Hanson, National CROWN Day, Nola Hanson, Samson, Soul Cap, StyleLikeU, Syd Miller, The What's Underneath Project
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Back in the day… (also, my reaction to some things happening today)
“No. This is the first time that I’ve known what my hair looks like, when it just grows out of my scalp. [Pause] How is it that I know what my pubes look like more than I know the hair on my head? [Laughing]
When I was younger my mom took really good care of my hair. She learned how to do my hair. Our hair textures are not the same. You know, even my mom tending to my hair – that in itself, that action acknowledges that my hair is beautiful and worthy. And I still was somehow brainwashed into believing otherwise. [Pause] But, that might also have been, because [pause]: my mom’s side of the family is white.
No one on my dad’s side was wearing their hair natural and – it was wigs or weaves – and that’s why when I grew up to take care of my hair, I assumed that’s what I’m supposed to do with this: I’m supposed to tuck it away.”
– Kiersey Clemons when asked if she has always worn her hair natural (as she did during the pandemic), in the February 11, 2021 StyleLikeU video entitled, “Actress Kiersey Clemons Accepts Her Mental Health Diagnosis and Stands Up To Racism in Hollywood”
If you think the Kiersey Clemons’s comment above is out of this world, odds are you’re not a Black woman in the Western world. But, just to make sure you appreciate the intensity of her reality, take a moment to put yourself in her shoes:
Imagine, for a moment, that you are a 27-year old woman who is considered a person to watch in your industry. Imagine that you’ve worked with some heavy hitters in your industry and that you’ve been nominated (and even won) some awards within your industry. Now imagine that your job constantly requires people to look at you and so you spend a good amount of time preparing yourself to be looked at, photographed, and filmed.
Ok, you got it?
Now, read her statement again.
If you attended the most recent First Friday Night Special and read the post-practice post, you might be surprised that very little of what was in the blog was in the practice. In all honesty, even though I started working on the blog before Friday night, I had intended to go in a different direction with the post. But, the practice was about freeing and liberating one’s self and being independent – and, after doing the practice twice, I decided to stop holding on to some things I was saving for a different post.
Not to mention the fact that the post was super timely since today, July 3rd, is the first official “National CROWN Day.” The fact that FINA’s announcement about the Soul Cap (swim cap) came this weekend seems like a weird coincidence, serendipity, an intentional insult, a PR stunt, and/or what afro-rocking Bob Ross might have called “a happy accident.” Because, whichever way you look at it, no one can deny the fact that the timing brought more international awareness to movement around natural (and textured) hair.
“According to [Schwartz, a natural hair company established in 1965], the average American spends approximately $89.95 USD on hair care products in a year. A year! How many black women do you know that have only spent $89.95 in a year on their hair? ‘[Mintel, a global market research and market insight company] values the black hair care industry at more than $2.5 billion, but that statistic doesn’t include products such as hair accessories, wigs or electric styling products. So, the industry is actually worth much more.’”
– quoted from the DGSpeaks blog post entitled, “The Black Hair Industry – A 2.5 Billion Dollar Business Built on Racism and Self-Hate” by Mercedes Diane (dated August 12, 2020)
“[Uncomfortable laugh] I think so…. It’s a pretty big insecurity for me. Like, y’all can see my thighs and my butt all day. But [pause], my hair is a secret.
The idea of what beautiful hair is, is completely, umm, warped – where I was from, like Houston [wipes her eyes]. It be like, you know, [makes voice higher], ‘Oh, I’m mixed.’ ‘I got silky hair.’ I got “good” hair.’ But “good” hair doesn’t exist. You know what I’m saying?”
– Lizzo’s response when asked why she’s taking off her pants before taking off her orange wig, in the October 20, 2014 StyleLikeU video entitled, “Lizzo: The Truth About Self-Acceptance” [the interviewer follows up by saying, “It’s a 90-billion dollar business to make Black women hate their hair.”]
If you are not familiar with StyleLikeU, let me begin by mentioning that it is not a Black organization or an organization specifically related to Black experiences. Instead, it is the creation of the mother-daughter duo Elisa Goodkind and Lily Mandelbaum. They call their brain-child “a radically honest storytelling platform” and it is a fiscally sponsored project of Fractured Atlas, a non-profit arts organization. The mother-daughter team states that their mission is “to inspire acceptance through revealing what’s underneath personal style” and that they are driven by a vision “to lead the fashion and beauty industries toward self-love, diversity, and inclusion.” Their YouTube content, podcast, and book feature people of different races and ethnicities; different sexes, genders, and sexualities; different ages, heights, and weights; and different abilities.
Some of the people featured are big media celebrities, like Lizzo (whose video was released in 2014) and Mariel Hemingway (whose video was released in 2019). Others are influencers, like Freddie Harrel (whose video was released in 2016) and Claire Raymond (whose video was released June of this year). Still others are professionals and regular ordinary people with whom you may or may not have some intersection, like Aki Hirata Baker (whose video was released in May), Syd Miller and August Black (whose video was released in June); and Leon Ford (whose video was released in February). The people interviewed talk about a lot of different subjects and deal with a lot of different experiences, but what all of these people have in common is a willingness to reveal their whole selves. They reveal themselves physically, mentally, and emotionally in an interview series called, The What’s Underneath Project, which is one of at least six ongoing series being produced and curated by the StyleLikeU team.
The What’s Underneath Project is like everyone’s worst public speaking nightmare. During the very raw and very personal interview, the featured people are asked a series of very intimate questions. As the person opens up – offering bits of their personal history and pieces of revealing information – the person being interviewed takes off bits of clothing. They take off their clothes, layer by layer, until they are left wearing nothing but their underwear and the wireless microphone pack. Even their jewelry comes off! What’s interesting isn’t (just) how uncomfortable some of the subjects are – even those who are use to speaking in public (even without a lot of clothing) – or even how uncomfortable one might feel while watching the video. What’s most interesting to me is when the people being interviewed appear most vulnerable, when they say they feel most vulnerable, and the personal insight that comes up when people allow themselves to be vulnerable.
Since I have watched more than a handful of videos from The What’s Underneath Project series – including the “It’s What’s Underneath” video featuring “Not-So-Identical Twins Nadine and Nola Hanson” – I was not surprised to find a new video show up on YouTube a few hours after I posted my last post. It is the video embedded below and it features clips from various StyleLikeU videos where Black women (from around the world) talk about their hair. The clip was put together in honor of National Crown Day and, if you pay attention, you will notice that the women come in different shapes, different sizes, and different ages. You will also notice that they have different natural hair types. You may also notice that their individual relationships with their hair developed over time. And, more often than not, that journey towards self-acceptance has come as a result of navigating through a world that has not historically recognized that Black hair is natural. Normal. Beautiful.
[NOTE: I’ve added this video to the “A Place To Start” playlist.]
“And he told her all his heart, and said to her, ‘A razor has not come upon my head, for I am a Nazirite to God from my mother’s womb. If I will be shaven, then my strength will leave me, and I shall become weak and be like any man.’
And Delilah saw that he had told her all his heart, and she sent and called to the lords of the Philistines saying, ‘Come up this time, for he has told me all his heart.’ And the lords of the Philistines came up to her, and brought the money in their hands.
And she put him to sleep upon her knees, and she called to the man, and she shaved off the seven locks of his head. And she began to afflict him, and his strength left him.
And she said, ‘The Philistines (have come) upon you Samson!’ And he awoke from his sleep and said, ‘I will go out as at other times, and I will shake myself,’ but he did not know that the Lord had departed from him.
And the Philistines seized him, and gouged out his eyes. And they brought him down to Gaza, and bound him with copper chains, and he did grind in the prison house.”
– Shoftim – Judges (16:17 – 21)
### Please don’t touch a Black person’s hair (or poke your finger through ANYBODY’s ear gauges] without their consent ###
First Friday Night Special #9: “The Effort to Free/Liberate Yourself from…” (a post practice post) July 3, 2021
Posted by ajoyfulpractice in Books, California, Changing Perspectives, Depression, Faith, Fitness, Healing Stories, Health, Hope, Karma, Karma Yoga, Life, Loss, Pain, Peace, Suffering, Traditional Chinese Medicine, Tragedy, Wisdom, Women, Yin Yoga, Yoga.Tags: Alia Atkinson, Alison Terry, Astavakra Gita, attachment, Caesar Rodney, Dan D'Addona, Declaration of Independence, elephants, Elizabeth Beisel, En Vogue, Enith Brigitha, freedom, independence, Inhale, Juneteenth, Kayla Greaves, Lia Neal, liberty, Malia Metella, Maritza Correla, Medgar Evers, NAACP, Natalie Hinds, Olympics, Oxygen Network, Restorative Yoga, Scott Blossom, Simone Manuel, Soul Cap, Steve Ross, Suffering, Swami Vivekananda, Sybil Smith, Thomas Byrom, Thurgood Marshall, Yin Yoga, yoga, Yoga Ranger Studio with Aprillle Walker
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[This is the post for the “First Friday Night Special” #8 from July 2nd. This was a restorative practice with opportunities with a lot of stillness and silence.
You can request an audio recording of Friday’s practice via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.
Check out the “Class Schedules” calendar for upcoming classes.]
“On June 7, [Medgar] Evers spoke at a rally in Jackson. The speech Evers gave was one of the most emotional of his career:
‘Freedom is never free… I love my children and I love my wife with all my heart. And I would die, die gladly, if that would make a better life for them….’
Five days later, Medgar Evers was dead.”
– quoted from “Chapter 2 – A Short but Heroic Life: The Jackson Movement” of The Assassination of Medgar Evers by Myra Ribeiro
Like a lot of people associated with the United States, this is the time of year when I my mind keeps thinking about Freedom, Liberation, and Independence. Since I was born in Texas, I’ve celebrated Juneteenth all my life. And, even though I don’t always mention it around this time, I often think about what it must have been like for Sengbe Pieh (also known as Joseph Cinqué) and the other enslaved Mende, West Africans who revolted on the Amistad around July 1, 1839 – and how John Quincy Adams (then a 73-year old former president and, at the time an active member of the House of Representatives) helped them secure their freedom through the U. S. Courts system. I think about how Caesar Rodney, a Delaware delegate of the American Continental Congress and Brigadier General of Delaware Militia (just to name a few of his roles), rode two days in – across muddy roads, rickety bridges, slippery cobblestones, and swollen streams; enduring extreme heat, dust, and thunderstorms; all while suffering from suffering from asthma and wearing a face mask to cover his cancer-ravage jaw – just to represent his constituents and “vote for independence” today in 1776. And, I know, he wasn’t specifically riding for me (or people like me), but that’s not the point.
My point in bringing him up every year is the same reason I think about (and want others to think about) why John Adams (who would go on to become president) thought people would be celebrating today, July 2nd, as “the most memorable Epocha, in the History of America” (according to a letter he wrote to his wife Abigail on July 3, 1776). It’s also why I talk about a descendant of slaves who was born today in 1908, given the name Thoroughgood Marshall, and grew up to become chief counsel for the NAACP and a United States Supreme Court Justice. Finally, it’s why I’ve been known to reference Medgar Wiley Evers, the Civil Rights activist who was born today in 1952, worked as Mississippi’s field secretary for the NAACP, and served in the United States Army during World War II – before he was assassinated because people objected to his efforts to overturn segregation and enforce voting rights for African Americans.
Within that last sentence is my ultimate point: Freedom, Liberation, and Independence require effort – effort that should be celebrated rather than taken for granted and/or forgotten. While I highlight the efforts that take place on a national, constitutional, and legal front, let us not forget that freed, liberation, and independence also have to be achieved on a personal front. And that too requires effort: physical, mental, emotional, and energetic effort.
“Who is free? The free must certainly be beyond cause and effect. If you say that the idea of freedom is a delusion, I shall say that the idea of bondage is also a delusion. Two facts come into our consciousness, and stand or fall with each other. These are our notions of bondage and freedom. If we want to go through a wall, and our head bumps against that wall, we see we are limited by that wall. At the same time we find a willpower, and think we can direct our will everywhere. At every step these contradictory ideas come to us. We have to believe that we are free, yet at every moment we find we are not free. If one idea is a delusion, the other is also a delusion, and if one is true, the other also is true, because both stand upon the same basis — consciousness. The Yogi says, both are true; that we are bound so far as intelligence goes, that we are free so far as the soul is concerned. It is the real nature of man, the soul, the Purusha, which is beyond all law of causation. Its freedom is percolating through layers of matter in various forms, intelligence, mind, etc. It is its light which is shining through all.”
– quoted from the commentary on Yoga Sūtra 2.20 from Raja Yoga by Swami Vivekananda
In Yoga Sūtra 2.18, Patanjali breaks down the composition of the “objective world” – that which we can sense – and explains that “has a twofold purpose: fulfillment and freedom. He goes on, in the subsequent sūtra, to further breakdown the range of the inherent forces that make up the world, thereby giving some explanation as to how one might understand (and even attempt to explain) the nature of things. However, in Yoga Sūtra 2.20 he throws a bit of a curveball – one he had already warned was coming: We can only see what our mind shows us.
In other words, we can only understand the freedom and fulfillment that is promised when we are ready to understand the freedom and fulfillment that is promised. Furthermore, as long as we are stuck between freedom and bondage, we will interact with others through that same paradigm. We will do things that create suffering and, therefore, create bondage. Here I am talking about physical and legal bondage as well as mental, emotional, energetic, and spiritual bondage. There are, after all, multiple ways to hold someone back or hold someone down. And, on a certain level, it doesn’t matter if that “someone” is our self or someone else. Ultimately, our belief in bondage goes hand-in-hand with our attachment to the things that cause suffering. Just as effort is required to break physical and legal shackles, effort is required to break mental, emotional, energetic, and spiritual shackles.
Just a few years before I did my first yoga teacher training, I was in a situation where most of my yoga practice was through an online practice group and via Steve Ross’s Inhale. Yes, it’s had for even me to imagine myself getting up for a yoga class that was broadcast (on the Oxygen Network) at 5 or 6 AM, but that’s what I did off and on for about 6 months out of a year. I loved the practice so much that at one point I looked up his book. Steve Ross’s Happy Yoga: 7 Reasons Why There’s Nothing to Worry About is where I first heard two of my favorite elephant stories – although one is really, really horrible.’
According to the horrible story, circuses train elephants by shackling them when they are very young. The metal shackle is first attached to chain (maybe about 12 feet long) that is driven into the ground with a metal stake. You can imagine what happens if the young elephant manages to pull the stake up and make a run for it. After some years, the metal stake is replaced with a wooden stake. Then, the stake is removed but the chain remains. Eventually, the chain is removed and then, finally, the shackle may be removed. Despite no longer being physically tethered, the adult elephant has been conditioned to stay within a 12-foot radius – and so it does.
“Forever and truly free,
The single witness of all things.
But if you see yourself as separate,
Then you are bound.”
…
“If you think you are free,
You are free.
If you think you are bound,
You are bound.
For the saying is true:
You are what you think.”
– quoted from The Heart of Awareness: A Translation of the Ashtavakra Gita (1.7 and 1.11) by Thomas Byrom
What is true about the elephant is also true about human beings (and the nature of human beings): effort is required to shackle someone and effort is required to be free of the shackles. The effort and the shackles can be physical. They can, simultaneously and independently, also be mental, emotional, energetic, and spiritual. As an example, consider something that has been in the news pretty much since the tignon laws were passed in New Orleans in 1786: Black people’s hair.
Tignon Laws required women of color to wear head coverings in public so that, no matter how fair (in complexion), how “elegantly” dressed, and/or how (legal) free the woman might be she could be identified as someone who could – under the “right” circumstances – be bought and sold at will (just not her will), and thus could be treated accordingly. A similar law, established in the French colony of Saint-Domingue in 1776, prohibited women of color from wearing shoes – again, with the intention of subjugating the women. In both cases, the women the laws were intended to shackle turned the restrictions into fashion statements that extended beyond the statutes. They kept their spirits up and took back some of their power… but they were still marginalized.
As integration moved into the workplace, some American corporations created employee manuals which included acceptable and unacceptable hairstyles and/or blocked the advancement of certain people based on their hairstyles. While many were (and are) quick to say that the hairstyles in question were “unprofessional,” the hairstyles were (and are) consistently traditional ways to manage and style Black hair. By traditional, I mean that you would see these hairstyles in pre-colonial Africa. Equally important, these are hairstyles that could/can be achieved without harsh chemicals. In other words, they are natural….yet, they were deemed unnatural by people with different hair textures and types.
On July 21, 1976, the United States Court of Appeals, Seventh Circuit, upheld an earlier ruling in favor of Beverly Jenkins (in Jenkins v. Blue Cross Mutual Hospital Insurance Inc.) – although they had previously restricted how far the ruling could be applied. Ms. Jenkins had sued her former employer (in Indianapolis) on the grounds that she had been denied “promotions and better assignments” and was ultimately terminated “‘because of her race, sex, black styles of hair and dress,’ in violation of Title VII of the Civil Rights Act of 1964, 42 U.S.C, 2000E et seq. and 42 U.S.C, 1981.” The basis of her lawsuit? She wore her hair in an afro.
Despite the aforementioned 1976 ruling, a New York court ruled against a woman who sued American Airlines in 1981, because (the court) decided that “an all-braided hairstyle is a different matter” than an afro, because it was an “artifice.” Strictly speaking in terms of word meanings, “artifice” is defined as “clever or cunning devices or expedients, especially as used to trick or deceive others.” Keep that definition in mind when you consider that the same New York woman who was told that she could not braid her natural hair and keep her job “even if [the hairstyle was] socioculturally associated with a particular race or nationality,” could use lye to straighten her hair (so it appeared a different texture) and then curl it (or even dye it) and still keep her job. She could do all of that even though it would result in a hairstyle “associated with a particular race or nationality”… it just happened to have been the politically acceptable race.
There are similar cases over the last forty years, including situations with school children and even student athletes who have been allowed to wear their natural hairstyles one week and then told they had to cut their hair – or not compete – another week. On July 3, 2019, the CROWN (Create a Respectful and Open Workplace for Natural Hair) Act (SB188) was signed into law under California’s Fair Employment and Housing Act (of 1959) and the California Education Code. New Jersey and New York adopted similar versions of the bill and other states, including South Carolina, are following suit. But, those laws don’t protect people in all over the country and they don’t apply outside of the country.
“Back in 1964, a hotel manager named James Brock dumped hydrochloric acid into a swimming pool that Black protesters had dived into as a form of protest against segregation, leaving the swimmers with chemical burns. In 2018, a white man demanded that a Black woman show her ID to swim at a private community pool in North Carolina, despite there being no official rules at the time stating that she needed to show any form of identification to enter the area. When she rightfully refused, he called the police.”
– quoted from the July 30, 2020 InStyle article entitled, “Olympic Swimmer Simone Manuel on Her Haircare Routine and Why More Black Women Should Get in the Pool” by Kayla Greaves
Recently, as in today/Friday, it was announced that swimming caps designed for natural Black hair will not be allowed at the Tokyo Olympics. This was decided by FINA (Fédération Internationale de natation; English: International Swimming Federation), the Switzerland-based governing body, who said (a) that the caps – designed in conjunction with an Olympic athlete – “[did not follow] the natural form of the head” and that to their “best knowledge, the athletes competing at the international events never used, neither require to use, caps of such size and configuration.” Now, if you don’t see a problem with this situation, I don’t blame you; however, I would encourage you to consider – visualize even – the makeup of the people making the decision and the makeup of the people being affected by the decision. Consider, also, the governing body’s “best knowledge” doesn’t really include a lot of Black bodies. Alice Dearing, the Olympian who worked with Soul Cap, will be the first Black woman to represent Great Britain in an Olympic swimming event. Ever.
Two-time Olympian Enith Brigitha, born on Curacao, swam for the Netherlands in the 1970’s and became the first woman of African descent to win an Olympic medal (bronze in the 100 and 200 freestyle at the 1976 Montreal Olympic Games). She also set five short course records and won a silver medal and two additional bronze medals at the World Championships (and some say she would have won an Olympic gold were it not for circumstances beyond her control). She was swimming during a time when, in America at least, de-segregated pools was still a new concept, and not one that was evenly enforced. She was also competing at a time when no one else looked her in the pools where she was competing. In pictures, her hair is cut short. If you look at a picture of her with her peers, all fresh from the pool, some of the other young ladies also have short hair; however, like today, the majority swam with ponytails or pigtails.
In 1988, Boston University’s Sybil Smith became the first African-American woman to score in a NCAA final and the first to be a first-team Division I All-American. In 1999, Alison Terry became the first Black woman to make a U.S. National Team when she qualified for the Pan American Games. In 2004, Puerto Rican-born Maritza Correla became the first African-American to represent the United States at the Olympics – she won a silver medal as part of the 400-yard freestyle relay team. That same year, a French swimmer named Malia Metella won a silver medal in the 50 freestyle – which was the highest individual Olympic placing for a Black female swimmer. Ten years later, at the 2014 World Short Course Championships in Doha, a Jamaican swimmer named Alia Atkinson became the first Black woman to win a swimming world title. Just a few months later, at the beginning of 2015, there was the first all African-American podium an NCAA swimming championship, when Division I athletes Simone Manuel, Lia Neal, and Natalie Hinds placed first, second, and third (respectively) in the 100-yard freestyle. Simone Manuel would go on to become the first Black woman to win Olympic gold as a swimmer (2016), setting an Olympic and an American time record in the process. Since 2016, she has won three additional individual world championship titles and is planning to compete defend her title in Tokyo.
“‘It is kind of emotional as well… Being a swimmer in a predominantly white sport just exacerbates it in my mind so I am just hyper aware of everything. I am the only Black swimmer on the deck every day. That is something I have always noticed, but now it affects me. All those feelings you suppress as a kid.’
[Natalie] Hinds said there are situations that she sees all the time from people comparing he hai to a poodle, to specific comments about her race.”
– quoted from the September 1, 2020, Swimming World article entitled, “Natalie Hinds Discusses ‘Fighting to be Equal,’ Using Her Platform in Fireside Chat With Elizabeth Beisel” by Dan D’Addona, Swimming World Managing Editor
Natural hair, regardless of race or ethnicity, is classified by curl type – typically ranging from “straight” which would theoretically fall in a 0 or 1 category to 3 graduating types of 2, 3, and 4. So, there are 6 types that are visually recognizable as “wavy,” “curly,” and/or “kinky.” As mentioned above, Enith Brigitha wore her hair short. In 1988, Sybil Smith’s hair was relaxed (i.e., chemically straightened) and in most pictures it appears relatively short. That same is true of Malia Metella. Alison Terry’s hair appears to be 2 (B or C, but maybe 3A) and Maritza Correla’s hair appears to be type 3; meaning they could both (theoretically) pull their dry hair into a ponytail and when their hair is wet it would still hang around their shoulders. This same seems to be true for Alia Atkinson and Lia Neal.
Natalie Hinds appears to wear her hair natural, sometimes with braids, (and possibly has a 4A curl); but, in most of her public facing pictures she’s wearing her swim cap – and her hair is clearly pushing the limits of the cap. Simone Manuel sometimes wears her hair long, and has been featured in articles about natural hair care where she said (in 2020), “…I’m someone who genuinely feels that if you want to be successful in something, then sometimes you have to make sacrifices. And for me, part of that is my hair.” No shade to my hometown-sister – and I get that chlorine is harsh on hair – but I can’t helping wondering when one of her peers had to “sacrifice” their hair for their ambitions. I also can’t help but think of a dear, dear friend of mine, who is slightly older than me, and who once said that when she was growing up (here in the States) she didn’t realize having natural (unprocessed) hair was an option.
Even if we disregard all of the stereotypes about Black people and swimming that have been perpetuated over the years, the bottom line is that this is the bulk of FINA’s “knowledge” related to Black hair and Olympic swimmers. Take a moment to really notice that even as I have grouped the ladies and their hair, I’ve left out some significant facts pertaining to why their hair is so different – even within those groupings. Even more to the point, I’m willing to bet money that most of the nine athletes mentioned above use completely different hair products than the other aforementioned athletes.
“Intelligence is connected with the brain, but behind intelligence even stands the Purusha, the unit, where all different sensations and perceptions join and become one. The soul itself is the centre where all the different perceptions converge and become unified. That soul is free, and it is its freedom that tells you every moment that you are free. But you mistake, and mingle that freedom every moment with intelligence and mind. You try to attribute that freedom to the intelligence, and immediately find that intelligence is not free; you attribute that freedom to the body, and immediately nature tells you that you are again mistaken. That is why there is this mingled sense of freedom and bondage at the same time. The Yogi analyses both what is free and what is bound, and his ignorance vanishes. He finds that the Purusha is free, is the essence of that knowledge which, coming through the Buddhi, becomes intelligence, and, as such, is bound.”
– quoted from the commentary on Yoga Sūtra 2.20 from Raja Yoga by Swami Vivekananda
Letting go of what binds us and restricts us requires effort. It often requires external as well as internal effort – although, more often than not, those two go hand-in-hand. However, we can’t begin the process without acknowledging our tethers: our shackles, our chains, and our metal or wooden stake. We have to recognize what is being done to us, what we are doing to ourselves, and what we are doing to others.
This can sound all theoretical and metaphorical, but one way to think about it is to just acknowledge where you are holding tension in your mind-body. What is limiting you physically? What mental and/or emotional limitations are in balance? Even if you don’t completely understand (or believe) the energetic and spiritual ramifications of those physical-mental-emotional blocks, take a moment to consider what freedom, liberation, and independence mean to you – and then go to your “Freedom Place” and feel those embodied qualities.
Just like people have “Happy Places” that we can visualize (or sometimes, remember), I think it’s a good idea to have a “Freedom Place.” Your Freedom Place might be your Happy Place. It might be a real place and/or a real memory. Of course, it could just be a feeling, a combination of sensations. No matter how you come to understand it, know that in your Freedom Place you can take the deepest breath you’ve taken all day, every day, because you are:
- Free of fear, doubt, anxiety, grief and anything else that shackles us (and others).
- Liberated from the bondage of judgement and strong emotions or passions – which, remember, comes to us from the Latin by way of Old French and Middle English, from a word that means “suffer.”
- Independent of responsibilities and burdens.
In your Freedom Place, you are carefree, but not careless. In your Freedom Place, there is no tension in your body or your mind and you recognize your possibilities. Of course, to feel this free we have change the condition of our hearts and minds – so that we change our understanding. To liberate ourselves from judgement (including self-recrimination), we must develop some insight into the attachments (shackles) that lead to suffering. Finally, being independent of our burdens requires us to lay our burdens down. When we lay our burdens down, we can either walk away from what no longer serves us – and maybe never served us – or we can choose to pick up our opportunities. Just so you know; opportunities are lighter than burdens. Furthermore, when we have a lighter load, we can share someone else’s load without feeling like it’s an imposition. When our load is light, we gratefully and joyful, can help others.
“None of us got where we are solely by pulling ourselves up by our bootstraps. We got here because somebody – a parent, a teacher, an Ivy League crony or a few nuns – bent down and helped us pick up our boots.”
– Supreme Court Justice (and former NAACP chief counsel) Thurgood Marshall referencing his SCOTUS successor in a Newsweek interview (dated October 28, 1991)
Even when we can’t name everything that holds us down and holds us back, even when we don’t find it particularly helpful to name things, we can come to the mat and start the process of releasing, relaxing, and breathing. Remember, breath is our ultimate (“pranic”) tool. We can use it to bring awareness to different areas in the body and then to release tension in those areas. We can use it to create space and then, also, to engage space. It can set our pace in a moving practice and allow us to stay centered and grounded in every practice. The way we breathe can affect our mood (and overall emotional state) in positive way or in a detrimental way. And, while the goal in yoga is always to take the deepest breaths you’ve taken all day, some practices cultivate a deeper breath right off the bat. One such practice is a Restorative Yoga practice.
You can think of Restorative Yoga and Yin Yoga as 1st cousins – in that they resemble each other on outside, but the internal experience is different. There are a lot of times in a Yin Yoga practice when people can’t wait to get out of a pose (and there may be a lot of groaning and moaning as they come out). With Restorative Yoga, however, sometimes people want to stay in a pose a little longer – even when the pose is held for twice as long as you would hold a Yin Yoga pose. There also tend to be more sighs than groans (and less cursing of my name). Both practices can be really prop-heavy, but it is (in some ways) easier to practice restorative without the props. The practice we did for the July “First Friday Night Special” featured three of the most common Restorative Yoga poses, a very soft twist, and a super sweet variation I recently learned from Aprille Walker, of Yoga Ranger Studio. (Because, like you, I’ve been practicing online.) There’s also a lot of silence and stillness!
“Practiced regularly, [Frog or Child’s Pose] also improves your breathing and your elimination…. The quality of our elimination is directly tied to the quality of our respiration. And, so, tension in the low abdomen and back can directly impact the quality of our ability to eliminate regularly.”
– Scott Blossom, explaining detoxification benefits of Mandukāsana
Friday’s playlist is available on YouTube and Spotify. [Look for “030521 Give Up, Let Go, Trustful Surrender” PLEASE NOTE: I recommend doing this practice in silence or using one of the first two tracks on the playlists. The first tracks are similar, but only YouTube has my original choice for the 2nd track.]
### “FREE YOUR MIND / AND THE REST WILL FOLLOW” ~ En Vogue ###
Needing to Move, a little or a lot (the Tuesday post) June 29, 2021
Posted by ajoyfulpractice in Abhyasa, Books, Changing Perspectives, Faith, Fitness, Healing Stories, Health, Hope, Life, Loss, Love, Pain, Philosophy, Suffering, Tantra, Tragedy, Vairagya, Wisdom, Yin Yoga, Yoga.Tags: Anodea Judith, asana, hatha yoga, Marcus Aurelius, Matthew Sanford, Pandit Rajmani Tigunait, Sandra Razieli, Savasana, Swami Vivekananda, Wade Imre Morissette, yoga
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“Some days or weeks when you are practicing, the mind will be calm and easily concentrated, and you will find yourself progressing fast. All of a sudden the progress will stop one day, and you will find yourself, as it were, stranded. Persevere. All progress proceeds by such rise and fall.”
– quoted from the commentary on Yoga Sūtra 1.30 from Raja Yoga by Swami Vivekananda
It happens to all of us, at one time or another: We hit a wall, an obstacle. In Yoga Sūtra 1.30, Patanjali names nine obstacles to the practice – which are really nine obstacles to anything: disease, mental inertia (or laziness), doubt, lack of enthusiasm (sometimes translated as carelessness, lethargy or sloth, clinging to sense cravings, false understanding, an inability to reach the goal of concentration, and an inability to maintain the goal. These nine obstacles coincide with four physical-mental experiences. Naming these obstacles (and the arising experiences), when we experience them, can be helpful in helping us (as Marcus Aurelius instructed himself) find the way forward.
However, there is a tendency, for some of us, to really dig into WHY we hit the wall. We want to know the “why” so that we can avoid it in the future – and there is merit in that. Such inquiry can benefit us, can directly and indirectly benefit those around us, and can also benefit people we have never met and will never meet. However, sometimes, all that digging into what was can itself become an obstacle. Sometimes, all that inquiry can keep us from moving forward.
Before I move forward with this line of thinking, let me point out that we can sometimes get stuck because of our perceptions about moving forward. Moving forward looks different to different people and/or in different circumstances. For example, I just heard about a junior Olympian who, for a variety of reasons, had to take a break from training. Moving forward for her looks like getting back to training. On the flip side, if you (or someone you know) were stuck in a toxic, maybe even physical and/or mentally abusive relationship, moving forward looks like staying out of that relationship. It also means staying away from similarly toxic relationships – because, otherwise, you’re stuck in the same pattern and not moving forward at all. Even if the people in these scenarios are getting unstuck at the same time, the way they move forward is going to look different.
So, clearly, to move forward we have to move. Right? Well…. Yes, and no.
Even before we get to the no; let’s talk about the yes. The human mind-body is designed to “flow” or move. Not only is the basic construction of the mind-body conducive to moving, one of its primary systems, the lymphatic system, functions through movement. The lymphatic system is part of the cardiovascular (or circulatory) and immune systems, and is also connected to the digestive system. It plays a crucial part in our overall health and requires muscular movement (contraction and release) in order to function.
Movement serves as the pump that moves lymphatic fluid through the lymph nodes strategically located throughout the body. The lymphatic fluid brings in the cells that kill abnormal cells and foreign substances (which cause disease); can re-circulate protein cells; washes away dead cells and debris; and carries that (liquid) waste to the kidneys so that it can be flushed out of the body. The lymphatic system also helps the body to absorb (nutritional) fat and removes excess liquid from the body, in order to prevent inflammation that can lead to disease. The very act of breathing facilitates the movement of the lymph. But, it moves it in a limited fashion; which means that, when someone is unable to move their muscles on their own, having externally provided manipulation/stimulation can be helpful (and that can occur in a lot of different ways).
So, yes, the human mind-body needs to move. The question is, on any given day, how much movement do you need? And how do you know what kind of movement you need? My friend and fellow yoga teacher Sandra Razieli once said that sometimes she starts moving and if she feels better she keeps going. On the flip side, if the movement she’s doing doesn’t make her feel better, even a little bit, she changes what she’s doing. (I identify Sandra as a “fellow yoga teacher,” but honestly she’s a movement facilitator and has a knowledge base of kinesiology and neurophysiology that exceeds a basic knowledge of āsana.) Sandra’s guideline is consistent with a similar one from Wade Imre Morissette, a Canadian yoga teacher and musician, who once said that if you finish your yoga practice and you don’t feel a little better than something went wrong.
“The nine obstacles described in the previous sutra rob the body of vitality, strength, stamina, and agility, and the mind of clarity and peace. The absence of these obstacles is the ground for joy. Their presence is the ground for pain, which in turn leads to four other debilitating conditions: mental agitation, unsteadiness in the limbs, disturbed inhalation, and disturbed exhalation.”
– quoted from the commentary on Yoga Sūtra 1.31 from The Secret of the Yoga Sutra: Samadhi Pada by Pandit Rajmani Tigunait, PhD
It makes sense that people who are, for the most part, in “the business of movement” would tell people to move. And, sometimes, you might come to a practice and be amazed that the teacher “magically” knows the kind of movement you needed to feel better. You might even be amazed when, a day or so later, you attend class with another instructor and they are “magically” leading a practice with similar elements. Of course, part of your amazement comes from (1) not considering that we all have mind-bodies that are subjected to similar external factors; (2) while there are a lot of different ways to access certain parts of the body, people in a similar region (who were trained in a similar style/tradition) are going to be most familiar with the same methods; and (3) certain things are needed in order to safe and mindfully access certain parts of the mind-body. People “in the business of movement” are also going to tell you that it’s important to be still, to not move – that’s why we have Śavāsana!
If you look at anything in nature, including your own mind-body, you will find evidence of Sir Isaac Newton’s Third Law of Motion: For every action, there is an equal and opposite reaction. This is how nature finds balance, by moving between extreme states of imbalance. Things ebb and flow; we inhale and exhale; muscles contract (eccentrically and concentrically) and then release. Just like a motorized vehicle, we have an accelerator and a brake in the form of our sympathetic and parasympathetic nervous systems.
The sympathetic nervous system, which is associated with the fight/flight/freeze response, is related to action. The parasympathetic nervous system, which is associated with our ability to rest/digest/create, is the opposite reaction. They go hand-in-hand. We need one in order to have the other. And, sometimes, we find that we are not fully engaging in one because we are not fully engaging in the other. We are out of balance. We are stuck.
Again, when we are stuck, we have to figure out what is going to move us. Maybe it’s a really vigorous vinyasa practice or a ViniYoga practice (where there’s movement, but it’s not inherently “super sweaty. ”Maybe it’s a more static “Power Yoga” vinyasa practice. That said, what we need might be a Yin Yoga practice, a Restorative Yoga practice, or something in between those aforementioned practices (like an Iyengar Yoga practice). Or maybe what we need is to dance or walk, play catch with the kids, and/or do some somersaults – and it has absolutely nothing to do with yoga. We may not always know what we need, but we know when we need something to move us forward.
“That man [my father], sitting on his plastic mat in 1970, was lonely. His search had brought him to a place he didn’t quite grasp, one that lacked the reassurance of a clearly traveled path in front of him. I have my own version of that loneliness. I, too, am searching for something transformative. While I do have a yoga teacher, we have never lived in the same city. While I do practice where yoga is more widely accepted, I do so from within a paralyzed body. I do not know where the work is going, or even what is possible. But, while the work may be solitary, the impetus comes from loving the world, from wanting to join it. I wonder if he knew this, too.”
– quoted from “Part Three: Yoga, Bodies, and Baby Boys – 12. Taking My Legs Wide” of Waking: A Memoir of Trauma and Transcendence by Matthew Sanford
Which, brings me back to yoga – or, really, any group activity (even on Zoom) – where you can tap into the collective momentum of the community. Taking a class on Zoom, YouTube, or any other virtual platform is not the same as taking a class in person. However, it can have similar advantages: there’s (still) a sense of community; someone else keeping track of time; someone keeping you accountable; and someone offering suggestions and (sometimes) “magically” knowing what you need. What happens, however, when you show up and the movement being suggested isn’t what you need?
First and foremost, it is important to remember that “This is your practice.” is not just something that we say. We say it because it’s true. Second, there are a lot of different ways to get into (and out of a pose); different ways to practice a pose/sequence; and most importantly, there’s more than one way to access a certain part of your mind-body. If your instructor/teacher doesn’t offer you options, ask for them! Finally, one of the advantages to a virtual practice, is that if you find that the movement isn’t exactly what you need in that moment, you can turn off your camera (if you’re live) and just take advantage of the other benefits to practicing in a community – and you can do so without the stigma or confusion that can sometimes occur when you do your own thing in a public setting.
“Self-nurturance is a key to taking care of the body. Resting when we need to rest, eating well, exercising, and giving the body pleasure all help to keep the first chakra happy. Massages, hot baths, good food, and pleasant exercise are all ways of nurturing ourselves and healing the mind/body split that results from the mind over matter paradigm. We cannot be integrated and whole if the two polarities are pitted against each other. Instead, through the body, we can have an experience of mind within matter.”
– quoted from “Chapter 2, Chakra One: Earth – The Body” of Wheels of Life: A User’s Guide to the Chakra System by Anodea Judith, Ph.D.
Please join me today (Tuesday, June 29th) at 12:00 PM or 7:15 PM for a yoga practice on Zoom. Use the link from the “Class Schedules” calendar if you run into any problems checking into the class. Give yourself extra time to log in if you have not upgraded to Zoom 5.0. You can request an audio recording of this practice via a comment below or by emailing myra (at) ajoyfulpractice.com.
Tuesday’s playlist is available on YouTube and Spotify. [Look for “10202020 Pratyahara”]
Last year’s post on this date came at the practice from a slightly different perspective!
In the spirit of generosity (“dana”), the Zoom classes, playlists, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). If you don’t mind me knowing your donation amount you can also donate to me directly. Donations to Common Ground are tax deductible; class purchases and donations directly to me are not necessarily deductible.)
If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can call 1-800-273-TALK (8255). You can also call the TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.
If you are a young person in crisis, feeling suicidal, or in need of a safe and judgement-free place to talk, call the TrevorLifeline (which is staffed 24/7 with trained counselors).
### You’ve Got To Move It, Move It! ###
Stonewall Was Not Televised (a “missing” post) June 29, 2021
Posted by ajoyfulpractice in Books, Changing Perspectives, Depression, Faith, Healing Stories, Hope, Life, Loss, Love, Men, Minneapolis, Minnesota, Music, One Hoop, Pain, Suffering, Twin Cities, Wisdom, Women, Yoga.Tags: Andrea Jenkins, Animal Farm, Changing Perspectives, humanity, Laverne Cox, PRIDE, yoga
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[This is the “missing” post for Monday, June 28th. You can request an audio recording of Monday’s practice via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com. This post includes statistics that may be triggering for some.
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“Unpopular ideas can be silenced, and inconvenient facts kept dark, without the need for any official ban. Anyone who has lived long in a foreign country will know of instances of sensational items of news — things which on their own merits would get the big headlines-being kept right out of the British press, not because the Government intervened but because of a general tacit agreement that ‘it wouldn’t do’ to mention that particular fact. So far as the daily newspapers go, this is easy to understand. The British press is extremely centralised, and most of it is owned by wealthy men who have every motive to be dishonest on certain important topics. But the same kind of veiled censorship also operates in books and periodicals, as well as in plays, films and radio. At any given moment there is an orthodoxy, a body of ideas which it is assumed that all right-thinking people will accept without question. It is not exactly forbidden to say this, that or the other, but it is ‘not done’ to say it, just as in mid-Victorian times it was ‘not done’ to mention trousers in the presence of a lady. Anyone who challenges the prevailing orthodoxy finds himself silenced with surprising effectiveness. A genuinely unfashionable opinion is almost never given a fair hearing, either in the popular press or in the highbrow periodicals.”
– quoted from an originally unpublished introduction to Animal Farm by George Orwell
The Civil Rights Movement started long before the events of Sunday, March 7, 1965 and the continued long after the other two “Selma to Montgomery” marches that followed. Some would even say that it continues to this day. Similarly, the movement to uphold the civil rights of the LGBTQIA+ community didn’t start (or end) with an unannounced raid in the wee hours of the morning on Saturday, June 28, 1969.
Unlike what happened in Selma, Alabama on “Sunday Bloody Sunday,” the events that took place in and around New York City’s Stonewall Inn 52 years ago today were not televised around the world. People did not see the brutality and, initially, they did not see the indomitable human spirit rising above the brutality. Bottom line, people did not see the humanity that some were trying to systematically erase and/or ignore. Therefore, it took a while for people to get it…. Although, some would say, there are still people who don’t get it. What people sometimes don’t get, is that regardless of which marginalized (or even non-marginalized) group you discuss, civil rights are human rights – and, last time I checked, we’re all human.
There are a lot of problems we could get into when it comes to how any one of us understands “humanity.” Like, what does the word even mean? I’m fond of Noah Webster’s 1828 American Dictionary of the English Language – because it’s so intentionally “American” and the Oxford English Dictionary (OED) – because it tends to be so comprehensive when it comes to the English language. That being said, Webster’s 1828 definition of “humanity” has religious overtones that could turn this into a very different conversation. It agrees with the OED, however, in the understanding that “humanity” relates to the human race and to “human beings collectively.” The OED (and other dictionaries) also point to “The fact or condition of being human; human nature.”
Think about that last bit for a moment. What are the conditions of being human? Are the conditions that you find acceptable for your existence being met for those around you? Who is around you?
According to the Williams Institute, a think tank at University of California, Los Angeles – Law, about 4.5% of American adults identified themselves as part of the LGBTQIA+ community. 29% of those within the general community are raising children. While the percentage of LGBTQIA+ people who identify as white (58%) is lower than the percentage of white Americans in general, other racial demographics are pretty much a mirror of the general population stats (21% Latino/a and 12% Black). While people under the alphabet umbrella reside all over the United States, Black LGBTQIA+ people are less likely to live in the South than the general Black populace.
When it comes to education, the statistics for LGBTQIA+ people are fairly close to those outside of the community. However, when it comes to people who have obtained a Bachelor’s degree or a post-graduate degree, the statistics flip and indicate a higher rate for people outside of the community. Prior to the pandemic, the percentages related to people who were unemployed, uninsured, food insecure, or earning an income below the poverty line were higher within the LGBTQIA+ community. This was especially true for Black and Asian and Pacific Islander (API) adults.
1.2M Black LGBTIA+ adults live in the United States, with 26% of them raising children and 56% having a low income household (which is, coincidentally, the same percentage of people who annually get tested for HIV). 26% of the Black LGBTQIA+ community have been diagnosed with depression; 79% reported experiencing verbal insults or abuse; and 60% reported being threatened with violence.
Additional studies conducted prior to the pandemic showed that people within the LGBTQIA+ community had as high or higher experiences of violence (in particular, intimate partner and/or sexual violence) than the general population. However, the “higher” statistics were related to women and People of Color – and, in most cases, people indicated that they did not always report the violence and/or assault. A higher percentage of transgender people (versus cis gender people, whose gender identity matches how they were designated at birth) indicated they had experienced intimate partner and/or sexual violence. That last statistic goes up again when specifically related to Black transgender women, who have an average life expectancy of 35.
According to a 2018 report from the Centers for Disease Control and Prevention (CDC), suicide was the 10th leading cause of death in the United States for the previous 10 years, but the 2nd leading cause of death for youth – and GLBTQIA+ youth were ten times more likely to attempt suicide than their peers. In fact, The Trevor Project (and this same report) indicated that almost half of the transgender population had attempted suicide, “many before age 25.”
Recent polls indicate that nearly 90% of Americans say they personally know someone who is lesbian, gay, or bisexual. However, GLADD, an American non-governmental media advocacy organization for the LGBTQIA+ community, published an online survey conducted by Harris Poll in 2015, which surveyed 2,000 U.S. adults (18 years and older) and pointed to a very different experience regarding transgender people. According to that survey, the number of people who said they knew (and/or worked with) someone who was transgender had doubled from 8% (in 2008) to 16%. More recent polls show that the numbers have gone up again – to 20%. What that means, however, is that the majority of Americans (polled), 80% only know about people who are trans because of something they see in the media. Additionally, what they see in the media (up until recently) was created by people who were not trans and who, given the statistics, may not have known anyone that was transgender when they started telling their story.
“The ways in which trans people have been represented have suggested that we’re mentally ill, that we’re that we won’t exist. And yet here we are. And we’ve always been here.”
– Laverne Cox, quoted in the trailer for her 2020 Netflix documentary Disclosure: Trans Lives on Screen
I’ve said it before (from a Black and female perspective) and I’ll say it again (here, as an LGBTQIA+ ally): If you don’t tell your story, someone else will. But, who knows how they will tell it or what they will tell. For a long time, People of Color (especially Black and Indigenous men), women, and people of living with disability have had their stories told and controlled by people who were not them. Furthermore, those stories were told to/for an audience that was not them. Thankfully, that is changing. But just as we can’t un-see what we’ve already seen, we can’t automatically stop thinking what we’ve been taught to think. We have to see what is right in front of our eyes. That’s why representation matters – and that’s why it still matters when a prominent figure, in the sports world or anywhere else, comes out.
“Living a full, vibrant and healthy life is a priority for [Vice President of the Minneapolis City Council Andrea] Jenkins, especially since some authorities estimate that the average life expectancy for a transgender woman of color is 35, primarily because of violence.
Her most recent volume of poetry is titled The T is Not Silent as a way to signify that the T (transgender) of LGBT can no longer be overlooked.
‘The only way we can change that horrifying statistic is through understanding. I have been able to live my life out, but not all transgender people have that opportunity,’ she said. ‘I realize that my age is a blessing, and I’m thrilled and grateful for my relative longevity. I try to advocate and lift up the narrative of my community every opportunity I get.’”
– quoted from the November 2, 2018 Minnesota Good Age article “Zen master – Andrea Jenkins talks poetry and politics – and shares why she never loses hope.” By Julie Kendrick
There is no playlist for the Common Ground practice (but there is a Stonewall PRIDE playlist, which we used on Sunday and I have updated it so the “forbidden” music should now play).
If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can call 1-800-273-TALK (8255). You can also call the TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.
If you are a young person in crisis, feeling suicidal, or in need of a safe and judgement-free place to talk, call the TrevorLifeline (which is staffed 24/7 with trained counselors).
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Errata: Some typos have been updated and one link has been added.