“You ain’t got no kind of feeling inside I got something that will sho’ ’nuff set your stuff on fire You refuse to put anything before your pride What I got will knock all your pride aside”
– “Tell Me Something Good” by Chaka Khan and Rufus
For the first time in 11 years, I am not teaching on Good Friday. For the first time in 11 years, I am teaching on Easter. It’s a little surreal and bittersweet. Because, while I know some people appreciate a yoga practice that essentially mirrors the Via Dolorosa and walks through the Stations of the Cross; I also know it’s a little much for some folks. Every year, someone asks me if I’m going to do the Good Friday theme and, every year, someone thanks me and says that it’s meaningful, which is good.
Most people think of the word “good” in the modern context, as something that as desired, approved, right, pleasing, and welcome. Non-Christians have a hard time understanding why the day associated with the trial, persecution, crucifixion, and death of Jesus would be considered good. It becomes more obvious when you go a little deeper.
In the Old Testament time, the time in which Jesus lived, saying something was “good” meant that something was meaningful, it had a purpose. In the Christian tradition, Jesus is recognized as the Messiah, the Christ, the one who heralds and ushers in an era of peace and salvation. He serves his purpose, because he lives, suffers, is crucified, dies, is buried, and rises – in order for sins to be forgiven. There is no passion, no crucifixion, no death, no burial, nor resurrection, however, without the betrayal. Implying that the betrayal and Judas, by extension, are good, because they are meaningful (and have a purpose) is one of the things that gets me into trouble.
“And God saw that it was good.”
– Words that appear 7 times in the Creation Story found in Bereish’t /Genesis
Every year, with the exception of last year, someone complains to the YMCA management about one of my Passion Week classes. It doesn’t matter that the complaint often comes up in a class where I’ve also told the Passover story. It doesn’t matter that throughout the year, I talk about a variety of religions and religious observations. It’s always Passion Week that causes someone to say that what I teach and the why I teach are not appropriate.
Keep in mind, people will sometimes tell me that I made them uncomfortable (or even touched them) because of something that was personal only to them. Yoga can be very healing, but in the process it can bring up a lot of trauma. Religion, specifically religious fanaticism, has caused a lot of harm in the history of the world; so it is not surprising that some folks would be upset to hear me talking about a religious practice during a yoga practice – especially if they are not familiar with the history and original intention of the philosophy. On the religious front, though, the complaint always goes through management and it always involves Christianity and Passion Week. The irony is not lost on me that these classes were always at the Young Men’s Christian Association.
“That they all may be one. (John 17:21)”
– YMCA motto adopted, along with the “Paris Basis,” by international delegates at the First World Conference of the YMCA, 1855
I would like to think that I’ve become a little wiser and a little more conscious as a teacher. I definitely appreciate feedback and take it into consideration. That said, I still teach the themes I teach. I still teach with the understanding that everyone doesn’t believe what I believe. I still teach with the understanding that even when I teach from a historical, philosophical, and conceptual perspective, some people will think I am of a certain faith and have a religious agenda.
I hate breaking it to y’all, but I’m neither Jewish, Christian, Muslim, Buddhist, Sikh, Baha’i, Daoist, Hindu, Wiccan, Pagan, nor any number of things you might have considered. But, I do have an agenda.
“Yoga” means union. Throughout the 8-Limb philosophy there is a recognition of and belief in something Divine – G-d. Whatever that means to you at this moment, it is simultaneously that and not that (neti, neti). The end goal of the philosophy is sometimes referred to as “union with the Divine.” That, however, does not mean – or does not only mean – union with an anthropomorphic being. It does, however, mean a state of awareness and existence that understands how everything and everyone is connected. Being connected, working together, that is yoga. Being intentional about our thoughts, words, and deeds, because what we think, say, and do affects everything and everyone around us, that is part of the practice. As a yogi, that’s my agenda: yoga.
“We talk of becoming one with God and many seekers are looking to reach higher spiritual levels, but first we must unify the different parts of ourselves. To see that we are complex beings, often with apparent internal contradictions, but this too is also a form of oneness. Understanding the Divine begins by first understanding ourselves.”
– from the introduction to The Kabbalah Sutras: 49 Steps to Enlightenment, by Marcus J. Freed
While I am not teaching on Good Friday this year, I am teaching on what is considered Lazarus Saturday in the Orthodox Christian traditions and this Sunday (which is Easter in the Roman Catholic and Western Christian traditions and Palm Sunday in the Orthodox Christian traditions). I’m not sure how things will work on Sunday. I haven’t even decided how I will hold space for the practice. But, I would love for you to join me on Zoom, Saturday (12:00 PM – 1:30 PM) and/or Sunday (2:30 PM – 3:35 PM). Playlists will be available on YouTube and Spotify.
If you are following the Orthodox Christian calendar and would like a recording of last week’s classes, please comment or email me.
Meanwhile, I offer you a little taste of my personal practice (see meditation below) and a little peek at what’s to come (see Kiss My Asana “flashbacks” below). Stay tuned for a special YIN Yoga event this Wednesday, April 15th, at 3:00 PM
METTA MEDITATION (with relationships):
Prior to the quarantine, Metta Meditation was part of my daily commute. Part I gives you a little background and a partially guided meditation. Part II (coming soon) includes guided meditation for the cardinal and intercardinal directions. These meditations were recorded in the Spring of 2019.
KISS MY ASANA YOGATHON:
Founded by Matthew Sanford, Mind Body Solutions helps those who have experienced trauma, loss, and disability find new ways to live by integrating both mind and body. They provide classes, workshops, and outreach programs. They also train yoga teachers and offer highly specialized training for health care professionals. This year’s yogathon is only a week long. Seven days, at the end of the month, to do yoga, share yoga, and help others. By participating in the Kiss My Asana yogathon you join a global movement, but in a personal way. In other words, you practice yoga… for 7 days.
I know you wanna Kiss My Asana!
You don’t need to wait until the end of the month, however, to consider how you might participate. Start thinking now about how you can add 5 minutes of yoga (or meditation) to your day, how you can learn something new about your practice, or even how you would teach a pose to someone close to you – or even to one of your Master Teachers/Precious Jewels.
To give you some ideas, consider that in past years my KMA offerings have included donation-based classes and (sometimes) daily postings. “Flashback” to one of my previous offerings dated April 10th (or thereabouts):
“Oh, the gospel train is coming I hear it just at hand I hear the car wheels rumbling And rolling thro’ the land”
– “The Gospel Train (Get On Board),” a traditional Negro Spiritual sung by Marian Anderson on the steps of the Lincoln Memorial, April 9, 1939*
Thursday, April 9, 2020, marks the first full day of Passover in the Jewish tradition and, for Roman Catholics and Western Christians, it marks Maudy Thursday (also known as Holy Thursday). Judaism and Christianity are tied together, historically, as they are both Abrahamic religions. They are also connected, historically, because Jesus was a Jewish teacher, a rabbi, who spent the last week of his life observing Passover and preparing for what only he knew was coming: the Crucifixion and Resurrection. What people believe and how they practice their faiths can seem so different that it’s easy to forget they are connected. Pay attention to the details, however, and you will notice there’s a whole lot of hand washing and feet washing during today’s observations.
During a Passover Seder, when Jewish people commemorate their ancestors’ exodus from slavery in Egypt, they wash their hands before and after the story of exodus is told through the lens of four questions. The first time, hands are washed without a blessing; the second time, hands are washed with a blessing. Like everything else in the Seder, even the name and the questions, the hand washing is crucial and symbolic.
The Hebrew word “Seder” means “order, procedure.” Just like in our yoga practice, everything happens in a very specific order that tells the story of the people, of their faith, and of their exodus. Symbols are used to engage not only the numerically young children at the table, but also those who are spiritually young and may not have studied the Torah. For example, the elements of the four questions (leavened vs. unleavened bread; all vegetables vs. bitter herbs; dipping the herbs in brine or vinegar and also in a sweet paste; eating in a variety of positions vs. eating in a reclining position) are symbolic of how quickly people fled when given the chance to escape Egypt; the bitterness of slavery; the sweat and tears of the enslaved people, as well as the bricks-and-mortar the enslaved were forced to build; and the luxury and privilege implied in eating in a reclining position – as if one has not a care in the world. The symbolic nature of the different aspects of the observation means that the ritual is both a mental experience and a visceral experience. Still, it’s easy to overlook the hand washing, even though it’s in the Bible.
“For Aaron and his sons shall wash their hands and their feet thereat: Whenever they enter the tent of meeting, they shall wash with water so that they will not die. Also, when they approach the altar to minister by presenting a food offering to the LORD, they shall wash their hands and feet so that they will not die. This is to be a lasting ordinance for Aaron and his descendants for the generations to come.”
– Exodus 30:19 – 30:21 (NIV)
In the Eastern philosophies (like yoga) and religions (like Judaism) arms and hands are recognized as extensions of the heart. They are how we reach out to others, embrace others, embrace ourselves, and even embrace a moment. We use our hands and arms to build the world around us. We also use our hands and arms to love one another, or not, and to defend or support what we love (or not). Two of the aspects of the Divine (found on the Tree of Life) are love (chesed) and strength (gevurah). Furthermore, Jewish mysticism identifies these elements of the Divine as being embodied by the right and left arms, respectively. It is no accident then, nor is it only an element of good hygiene, that hands are washed before handling the sacred food. In fact, in the Hasidic tradition, “Water represents the healing power of wisdom. Water flows downward, carrying its essential simplicity to each thing. It brings them together as a single living, growing whole. We pour water over our hands as an expression of wisdom pouring downward passing through our heart and from there to our interaction with the world around us.”
Of the 613 commandments within the Jewish tradition, at least 21 – 27 are directly related to the observation of Passover, the Seder, the Counting of the Omer (which begins on the second night of Passover), and Shavuot (which begins at the end of the Counting of the Omer). The Last Supper (or suppers, depending on who you ask) is acknowledged as Jesus’ last meal and the source of the Eucharist or Holy Communion in Christian faiths. While the one of the four Canonical Gospels (John) places Passover after Jesus’s death, the Synoptic Gospels (Matthew, Mark, and Luke) present The Last Supper as a Passover Seder. Therefore, it would make sense that Jesus – a Rabbi, a teacher, long before he was considered by some to be the Messiah – would make sure everyone washed their hands, twice during the Seder. It’s part of the Law, part of the Commandments. What is interesting is that before the Seder, Jesus washes the feet of his disciples. This is one of the events commemorated by some Christians on Maundy Thursday.
You may recall that one of the events of Spy Wednesday, the day before Maundy Thursday, is Mary of Bethany washing Jesus’ feet with expensive oil (and even before that, a woman offering hospitality by washing Jesus’ feet with her tears and hair). The occasion with Mary, theoretically, causes Judas to betray Jesus for 30 pieces of silver. In John, Judas leaves (after what will be Jesus last meal) and Jesus prepares to wash the feet of the remaining disciples. When Simon Peter objects, Jesus tells him three particularly noteworthy things:
“If I wash thee not, thou hast no part with me.” (John 13:8, KJV )
“Know ye what I have done to you? Ye call me Master and Lord: and ye say well; for so I am. If I then, your Lord and Master, have washed your feet; ye also ought to wash one another’s feet. For I have given you an example, that ye should do as I have done to you.” (John 13:12 – 15, KJV )
“A new command I give you: Love one another. As I have loved you, so you must love one another. By this everyone will know that you are my disciples, if you love one another.” (John 13:34 – 35, KJV)
The word “Maundy” comes to us, by way of Middle English and Old French, from a Latin word that means “command, order” and while it may be associated with the ritual of washing the feet of a saint, showing hospitality, or preparing a body for burial. The command or order associated with this Thursday before Easter is that “new command,” which John reiterates in 15:12 and 15:17. It is a sentiment echoed by one of the last things Jesus says on the cross, when he connects his own mother with one of his disciples as if they are mother and son.
Sunset on Thursday night marks the beginning of the Counting of the Omer in Jewish mysticism (Kabbalism). The Counting of the Omer is a 49-day observation which reflects the days the freed Jews were in the desert and segues into the commemoration of the people receiving the Torah. When people observe the Counting of the Omer there is an extra element of prayer, of offering, and also contemplation on two connected elements of the Divine (from the Tree of Life). The first night the connect elements are Chesed She b’Chesed (Lovingkindness in Lovingkindness).
Even though it is a completely different tradition, my offering to you on this Thursday, April 8th, is a Metta (Loving-Kindness) Meditation:
May you be safe and protected
May you be peaceful and happy
May you be healthy and strong
May you have ease and well-being, today and always.
If you are interested in combining a physical practice (yoga or weightlifting) with the Counting of the Omer, you can purchase a copy of Marcus J. Freed’s The Kabbalh Sutras: 49 Steps to Enlightenment. Meanwhile, I will upload a guided Metta Meditation on my YouTube channel and post information about how you can offer a little metta to yourself by way of Yin Yoga (April 15th) and mo’ metta to Mind Body Solutions and their adaptive yoga programs by way of the Kiss My Asana yogathon (beginning April 25th).
Founded by Matthew Sanford, Mind Body Solutions helps those who have experienced trauma, loss, and disability find new ways to live by integrating both mind and body. They provide classes, workshops, and outreach programs. They also train yoga teachers and offer highly specialized training for health care professionals. This year’s yogathon is only a week long. Seven days, at the end of the month, to do yoga, share yoga, and help others. By participating in the Kiss My Asana yogathon you join a global movement, but in a personal way. In other words, you practice yoga… for 7 days.
That’s plenty of time to Kiss My Asana!
You don’t need to wait until the end of the month, however, to consider how you might participate. Start thinking now about how you can add 5 minutes of yoga (or meditation) to your day, how you can learn something new about your practice, or even how you would teach a pose to someone close to you – or even to one of your Master Teachers/Precious Jewels.
To give you some ideas, consider that in past years my KMA offerings have included donation-based classes and (sometimes) daily postings. Check out one of my previous offerings dated April 9th (or thereabouts):
* NOTE: Despite what is initially said in the introduction, Marian Anderson’s performance on the steps of the Lincoln Memorial on April 9, 1939 was made possible by First Lady Eleanor Roosevelt and President Franklin D. Roosevelt after the Daughters of the American Revolution refused the use of Constitution Hall for a concert with an integrated audience.
### MAY ALL BEINGS EVERYWHERE BE HAPPY & BE FREE ###
“And how many times can a man turn his head And pretend that he just doesn’t see – the answer The answer, my friend, is blowin’ in the wind The answer is blowin’ in the wind”
– “Blowin in the Wind” sung by Joan Baez, lyrics by Bob Dylan
Every year, I say that May 1st is one of the hardest working days of the year, because so many people use that day to celebrate so many things. That being said, this year, April 8th may be the most revered day of the year as it coincides with several religious or philosophical observations: Spy Wednesday in the Roman Catholic and Western Christian traditions, the beginning of Passover (at sunset) in the Jewish tradition, Hanuman Jayanti in some Hindu traditions, and the Buddha’s birthday in some culturally Buddhist traditions (specifically in parts of Japan). These observations don’t always stack up like this since different traditions and cultures base their holy days on different calendars. This year; however, the super pink moon shines over the world in a way that is uniquely auspicious.
I am always up for a good auspicious story, one that is simultaneously inspiring and enlightening, and a reason to practice the splits. The question is: How do we honor so much in the short amount of time that is a 60-minute class? That’s an especially tricky challenge when some of these are not even remotely connected on paper. The answer, of course, is to find the common denominator.
When considering different people’s experiences with the divine – or even what is best in mankind – we start with what is universal to the human experience: doubt and fear, passion/suffering, faith, and change. Everything changes and, in moments of great suffering – in moments when we doubt and fear ourselves and those around us – it is important to have faith in the fact that things will change. That faith can, sometimes, bring hope – and the power of hope is another common denominator. But, let’s step back for a moment and consider doubt and fear plus passion/suffering.
“It’s not the case that when there is the view, ‘The soul & the body are the same,’ there is the living of the holy life. And it’s not the case that when there is the view, ‘The soul is one thing and the body another,’ there is the living of the holy life. When there is the view, ‘The soul & the body are the same,’ and when there is the view, ‘The soul is one thing and the body another,’ there is still the birth, there is the aging, there is the death, there is the sorrow, lamentation, pain, despair, & distress whose destruction I make known right in the here & now.”
– from Cula-Malunkyovada Sutta: The Shorter Instructions Malunkya (translated from the Pali by Thanissaro Bhikkhu)
The Buddha (whose birthday is celebrated in May by some traditions) said that he taught only two things: suffering and the end of suffering. In fact, the Four Noble Truths outline exactly that. “I have heard” two parables the Buddha used to differentiate between (physical) pain and (mental) suffering. Both parables also point to the ways in which we can alleviate our own suffering.
In one parable, a man is shot with a poisoned arrow. As the poison enters the man’s bloodstream, he is surrounded by people who can and want to help him, to save his life. The problem is that the man wants to know why he was shot. In fact, before the arrow is removed he wants to know why he was shot, by whom he was shot, and all the minutia about the archer and their life. While the information is being gathered, the poison is moving through the man’s body; the man is dying. In fact, the man will die before he has the answers to all his questions.
In another parable, a man is shot by an arrow (no poison this time) and then, in the very next breath, the man is shot by a second arrow. The Buddha explains that the first arrow is physical pain, and we can’t always escape or avoid that. The second arrow, however, is the mental suffering (or pain) that is caused when “the uninstructed run-of-the-mill person sorrows, grieves, & laments, beats his breast, becomes distraught.” How we respond to moments of pain and suffering determines how much more pain and suffering we will endure.
“How many ears must one person have Before he can hear people cry? And how many deaths will it take ’till he knows That too many people have died? The answer, my friends, is blowin’ in the wind The answer is blowin’ in the wind”
– “Blowin in the Wind” lyrics by Bob Dylan
When we look the observations that are happening around the world today (Wednesday, April 8th) from the perspective of the human experience (instead of looking at them from the perspective of cultural or historical differences), we find they are more alike than different. In these stories there are two recognized teachers of wisdom (Jesus and the Buddha) and two heroes who lack confidence in their own ability to shine and help to save others (Hanuman and Moses). All four experience great suffering. All four have great faith (although, arguable in the Buddha’s case, not in G-d, whatever that means to you at this moment). All four are known for their devoted service to their community. All four are the unlikely heroes in stories about freedom from suffering. All four are sources of great inspiration.
Finally, all four offer very practical lessons related to what we are all experiencing right now. If you’re interested in the stories, the lessons, and a little bit of the splits, join me for one of the following Wednesday yoga practices on Zoom:
4:30 PM – The Nokomis Yoga class is a 60-minute, open-level vinyasa practices using vinyasa karma, which means we will move with the breath and progress in intensity as we make our way to a final and/or peak pose. All are welcome!
The playlist for Wednesday is available on YouTube and Spotify.
As Zoom has changed some security protocols, please use the link on the “Class Schedules” calendar if you encounter any access problems. During this quarantine experience, you can make a donation through Common Ground Meditation Center, which operates on dana/generosity, or you can purchase a package on my Squarespace. Either option can be applied to any class. If you are worried about finances, do not add this to your worry list – I got you, just come to the virtual practice.
Speaking of our virtual practice, Kiss My Asana, the yogathon that benefits Mind Body Solutions and their adaptive yoga program is coming online at the end of this month. Founded by Matthew Sanford, Mind Body Solutions helps those who have experienced trauma, loss, and disability find new ways to live by integrating both mind and body. They provide classes, workshops, and outreach programs. They also train yoga teachers and offer highly specialized training for health care professionals. This year’s yogathon is only a week long. Seven days, at the end of the month, to do yoga, share yoga, and help others. By participating in the Kiss My Asana yogathon you join a global movement, but in a personal way. In other words, you practice yoga… for 7 days.
You can totally do that!
You don’t need to wait until the end of the month, however, to consider how you might participate. Start thinking now about how you can add 5 minutes of yoga (or meditation) to your day, how you can learn something new about your practice, or even how you would teach a pose to someone close to you – or even to one of your Master Teachers/Precious Jewels.
To give you some ideas, consider that in past years my KMA offerings have included donation-based classes and (sometimes) daily postings. Check out one of my previous offerings dated April 8th (or thereabouts):
“And what is declared by me? ‘This is stress,’ is declared by me. ‘This is the origination of stress,’ is declared by me. ‘This is the cessation of stress,’ is declared by me. ‘This is the path of practice leading to the cessation of stress,’ is declared by me. And why are they declared by me? Because they are connected with the goal, are fundamental to the holy life. They lead to disenchantment, dispassion, cessation, calming, direct knowledge, self-awakening, Unbinding. That’s why they are declared by me.
“So, Malunkyaputta, remember what is undeclared by me as undeclared, and what is declared by me as declared.”
– from Cula-Malunkyovada Sutta: The Shorter Instructions Malunkya (translated from the Pali by Thanissaro Bhikkhu)
Happy, happy birthday, to three amazing women – two of whom I know (and you know who you are) and one of whom is Barbara Kingsolver, today’s featured poet!
“Sometimes, however, we do things – or don’t do things – that sap our energy and drag us down. If our mind-bodies are temples, then the things that sap our energy are like thieves in the temple. Thieves can be eating the wrong foods; drinking too much of the wrong beverages and/or not drinking enough water; not resting; not exercising; partaking in illicit drugs; not managing stress; and/or being surrounded by negative opinions. Doesn’t matter what they are though, because at some point we have to throw the thieves out of the temple in order to restore the temple to its original purpose.”
– me, blogging about Passion/Holy Monday in 2019
Sometimes I feel like the embodiment of an Adam Ant song: “Don’t drink, don’t smoke, what do you do?” Well, I do a lot of yoga. That doesn’t mean, however, that I don’t have my vices. I have a bit of a sweet tooth (cue the laughter from my friends) and while I endeavor to stick to really good quality chocolate, or pastries without a lot of preservatives, I have been known – not often, but occasionally – to grab what’s handy. And then, the suffering ensues. Because, as much as I love it, processed sugar is not our friend and when you mix it with a bunch of additives it might as well be one of the deadlier vices.
Years ago, on one of my busiest days, I was feeling lethargic, hungry, and a little spacey, but I still had one more class to teach. Rather than choose wisely and do something I knew would be helpful, but would take a bit of time, I went for the quick fix: chocolate, but not the good kind. One of the lifeguards at the Blaisdell Y saw me pull my poor choice out of the vending machine and asked if my students knew I ate stuff like that. I shrugged and said I was only going to eat half. Needless to say, I ate it all. While I felt “better” in the short term, the next morning I woke up feeling awful. I felt like I had thieves in my personal temple.
“And Jesus went into the temple of God, and cast out all them that sold and bought in the temple, and overthrew the tables of the moneychangers, and the seats of them that sold doves,” (Matthew 21:12 KJV)
“And said unto them, It is written, My house shall be called the house of prayer; but ye have made it a den of thieves.” (Matthew 21:13 KJV)
– The Gospel According to Matthew
When we don’t treat our mind-bodies as respected temples, we suffer and are sometimes not able to do the things we need and want to do. Even if you’re getting some exercise, resting, and drinking a lot of water, the very nature of our current world quarantine is full of all the things that get us out of balance: extra sitting around, lack of routine, poor eating choices, stress, and isolation. When we get out of balance, we need more of something to get back into balance. Sometimes we need more rest, sometimes more water, sometimes more movement.
I will often refer to the fact that our bodies are mostly water as a reason why movement feels good. We are meant to flow and slosh all that salty water around a little. It’s a great visual, and it’s true on a certain level; however, there are even more scientific reasons why it’s good to stay active. One of those reasons is our lymphatic system.
The lymphatic system is a vital part of our immune system. It helps keep us healthy by providing proteins and other nutrients to healthy cells, while simultaneously brushing away dead, damaged, and infected cells. It also maintains the balance of fluid between the blood and tissues, as well as aiding in the absorption of fats and fat-soluble nutrients. Unlike the cardiovascular system, however, the lymphatic system does not have its own pump. If we want lymph to bring nutrients to healthy cells and also brush/rinse away dead or damaged cells, we have to move our bodies. Any kind of movement is helpful, especially if it engages the whole body. Most physical practices of yoga engage and move your whole body in a very systematic way. So, you could say that the physical practice of yoga almost always has an element of detoxification. There are, however, certain poses and sequences that are considered detoxifying in nature.
Today, Monday, April 6th, is Passion Monday or Holy Monday in the Roman Catholic and Western Christian traditions. It is the last Monday of Lent, which is a period of fasting and prayer within the aforementioned traditions. Part of the Passion Week or Holy Week observation is to remember the stories and parables associated with the last week of Jesus’ life. The story I most closely associate with this day is the story of Jesus throwing the thieves out of the temple and then having his authority questioned.
Lent and Easter are movable feasts, meaning Passion Monday does not always fall on April 6th as it does this year. April 6th is the anniversary of the end of Mahatma Gandhi’s Salt Satyagraha, a 24-day march to protest the British Salt Tax. On that Sunday morning in 1930, Gandhi prayed, raised a handful of salty mud and proceeded to break the law. He said, “With this, I am shaking the foundations of the British Empire” – which, according to the Gospels, is pretty much what Jesus did when he returned home for Passover and found the temple all awry.
If you are available and interested in a little detox flow and storytelling, please join me for the Common Ground Meditation Center yoga practice on Zoom, today (Monday, April 6th) at 5:30 PM – 7:45 PM.
As Zoom has changed some security protocols, please use the link (here) or on the “Class Schedules” calendar if you encounter any access problems. During this quarantine experience, you can make a donation through Common Ground Meditation Center, which operates on dana/generosity, or you can purchase a package on my Squarespace. Either option can be applied to any class. If you are worried about finances, do not add this to your worry list – I got you, just come to the virtual practice.
There is no music for this practice. However, I have included a couple of songs from my Passion Monday playlist and my April 6th playlist, which you will find below the Kiss My Asana highlights. That’s right; Kiss My Asana, the yogathon that benefits Mind Body Solutions and their adaptive yoga program is coming at the end of this month. Consider all the information above about the importance of movement and then consider the challenges to staying healthy when your ability to move requires the assistance of other people.
Founded by Matthew Sanford, Mind Body Solutions helps those who have experienced trauma, loss, and disability find new ways to live by integrating both mind and body. They provide classes, workshops, and outreach programs. They also train yoga teachers and offer highly specialized training for health care professionals. This year’s yogathon is only a week long. Seven days, at the end of the month, to do yoga, share yoga, and help others. By participating in the Kiss My Asana yogathon you join a global movement, but in a personal way. In other words, you practice yoga… for 7 days.
Are you ready to move?
You don’t need to wait until the end of the month, however, to consider how you might participate. Start thinking now about how you can add 5 minutes of yoga (or meditation) to your day, how you can learn something new about your practice, or even how you would teach a pose to someone close to you – or even to one of your Master Teachers/Precious Jewels.
To give you some ideas, consider that in past years my KMA offerings have included donation-based classes and (sometimes) daily postings. Check out one of my previous offerings dated April 5th (or thereabouts):
I can see clearly now the rain is gone I can see all obstacles in my way Gone are the dark clouds that had me blind It’s gonna be a bright (bright) Bright (bright) sunshiny day
– “I Can See Clearly Now” by Johnny Nash
“You look at where you’re going and where you are and it never makes sense, but then you look back at where you’ve been and a pattern seems to emerge.”
― Robert M. Pirsig, Zen and the Art of Motorcycle Maintenance: An Inquiry Into Values
The filmmaker Billy Wilder famously said, “Hindsight is always twenty-twenty.” Wilder’s statement relies on the idea that 20-20 is perfect vision and implies that stepping back gives us the perspective to see things more clearly because we take in the bigger picture. In other words, once we see the pattern and how everything fits together as a whole, we gain an understanding of the parts. It’s like understanding a word’s meaning when it’s used in a sentence. Context is everything. Or is it? After all, if we start off with an incorrect understanding of past events, the pattern that emerges is still slightly off. We may see ourselves and our situation better than we did when we were in the middle of everything, but seeing things better doesn’t mean we see them perfectly.
As someone in the United States who has worn glasses for most of my life, I am very familiar with the idea that 20/20 vision is perfect vision (and the experience of feeling like you’re seeing a brand new world when you get new glasses). However, the reality is that that particular gold standard is not only not perfect vision; it’s not even the best vision. 20/20 vision – what is considered normal or average vision is, by definition, what is clearly or sharply seen at 20 feet by the so-called average person. If you have your eyes examined and the second number is higher than 20 (let’s say, 89) than that higher number means you would have to be 20 feet away from something to see it with the same clarity that someone else (someone with “normal” eyesight) sees clearly from a distance of 89 feet. On the flip side, someone with 20/2 vision has the eyesight of an eagle and can sharply see something from 20 feet away that mere mortals can only see clearly from 2 feet. While 20/2 vision may seem unlikely in a human, there are definitely people with 20/10 vision. (And, also, there are people with 20/8.)
I say all of this just to point out that, as we enter a new year and a new decade that lends itself to people talking about vision and insight, don’t get too caught up in the metaphor of seeing better in the year ahead just because it’s 20/20. It’s an imperfect metaphor. And, if you insist on using it – for political reasons – keep in mind that we had better “vision” in 2008. (But, that’s another story for another day.) The point I’m making here is that what we really need is more clarity and more insight.
“I think I can make it now the pain is gone All of the bad feelings have disappeared Here is that rainbow I’ve been praying for It’s gonna be a bright (bright) Bright (bright) sunshiny day”
– Hothouse Flowers cover of “I Can See Clearly Now” by Johnny Nash
The Sanskrit word “vipassana” is often translated into English as “insight.” A more literal translation is “to see in a special way.” The practice is not just about stepping back; it’s also about letting go. Paying attention to your breath while simultaneously observing your thoughts and physical sensations creates the opportunity to experience everything without getting attached to anything. It’s a bit like riding a motorcycle through your life. As Robert Pirsig describes it in Zen and the Art of Motorcycle Maintenance, “In a car you’re always in a compartment, and because you’re used to it you don’t realize that through that car window everything you see is just more TV. You’re a passive observer and it is all moving by you boringly in a frame. / On a cycle the frame is gone. You’re completely in contact with it all. You’re in the scene, not just watching it anymore, and the sense of presence is overwhelming.”
Like vipassana, the Sanskrit word “vinyasa” (“to place in a special way”) refers to a technique as well as to a style or tradition. The most classical example of vinyasa is Surya Namaskar (Sun Salutation), which is 12 asanas (seats or poses) linked to the breath. Each pose is an exaggeration of the spine’s natural inclination – to extend on the inhale and to flex on the exhale. Practicing a few Sun Salutations at the beginning of a practice is a little like getting in a car to go somewhere specific. The more Sun Salutations you do, the more it feels like a road trip. If, however, you’re only practicing 5 or 10 Sun Salutations (every once in a while), you’re still traveling in the car. Practice 108…now you’re traveling long distance on a cycle. And, yes, that means you have to do your own maintenance. It also means you have to let go of some baggage.
“But our mistakes also carry our largest lessons. I’m wiser now. I guess the real trick in life is to turn hindsight into foresight that reveals insight.”
“Nice way to put it, Cal. What I really hear you saying is that it’s important in life to let our past serve us. Is that right?”
“Very well put. That’s it exactly. There’s nothing wrong with making a mistake – that’s how human beings grow. We’re designed to make mistakes, for mistakes carry growth. We just shouldn’t keep repeating the same one. Turn a wound into wisdom, or, as you said, let your past serve you.”
– Cal and Jack in The Saint, the Surfer, and the CEO by Robert Sharma
Practicing 108 Sun Salutations is a great way to mark a transition, like the end of a year and/or the end of the decade. While it is a tradition for some to practice the ajapa-japa mala (repeat-remember garland) for a solstice and equinox, many people also practice at the beginning of a new year. My 2020 mala, as well as my Yin Yoga + Meditation, practices are full. However, if you are looking for clarity and insight in this New Year and new decade consider practicing on your own or joining one of the following*:
*NOTE: Reservations are generally required for these events. My apologies to any teachers or studios in the Twin Cities who are hosting an event not listed.
The original, by Johnny Nash, which I love because it feels happy, like a blue sky day!
The cover, by Hothouse Flowers, which I love because it feels like the storm just ended and you’re taking the deepest breath of petrichor you’ve taken all day!
(NOTE: The picture above is missing Leslie Kaminoff’s Yoga Anatomy, Steve Ross’s Happy Yoga, Stephen Cope’s The Wisdom of Yoga, all my Yin Yoga and Taoist texts, a copy of the Ramayana, and Alanna Kaivalya’s Myths of the Asanas, at the very least.)
“Form follows function – that has been misunderstood. Form and function should be one, joined in a spiritual union.”
– Frank Lloyd Wright
“If something is boring after two minutes, try it for four. If still boring, then eight. Then sixteen. Then thirty-two. Eventually one discovers that it is not boring at all.”
– John Cage
Saturday mornings at the Y, just like any morning, is a great time to explore the physical and philosophical practice of yoga. However, I am partial to my Saturdays since I have 90 minutes to engage in the practice of exploration. For the last few years, I have started the new year with a “Building From the Ground Up” sequence – each Saturday adding more poses and another layer of the philosophy. Sometimes I still tie-in a meditation point specific to the date, and to whatever aspect of the philosophy is on tap for the day. Sometimes, however, it’s just straight philosophy and an opportunity to consider the meditation through movement. Whatever I plan for the year, usually wraps up around the end of July – when we start breaking down a different physical practice, the Ashtanga Primary Series.
This year, philosophically, I decided to sequentially move through Patanjali’s Yoga Sutras. Each week breaking down a sutra with commentary. (This week will be YS 1.31.) Physically, we have been breaking down a course of poses outlined by B. K. S. Iyengar in Light On Yoga.
The Saturday class is not an Iyengar class; however, (as teachers like Seane Corn have pointed out) if you are going to practice vinyasa, it’s a good idea to practice Iyengar as it will give you the solid foundation and insight into the asanas (poses).
Iyengar’s Course I is 30 weeks of detailed practice, specifically intended to build a physical practice from the ground up. While they are not limbs themselves, abhyasa (continuous practice with devotion) and vairagya (actively practicing the art of letting go or non-attachment) definitely make up the fertile soil from which the 8-limbs of yoga grow and thrive. And, they are key elements to the courses that appear in the appendix of Light On Yoga. At first, each set of poses is practiced for two (2) weeks before additional poses are added to the sequence. Later, some sequences are repeated for three (3) or four (4) weeks – and sometimes the order of the sequence changes. The 30-week course is followed by a 3-day course, which is slightly different from the 30-day course since the asanas are timed. Finally, there is some guidance on adding sun salutations (surya namaskar) to the physical practice and a list entitled “Important asanas in Course I.”
“If these asanas are mastered then the others given in this course will come even without regular practice.
– B. K. S. Iyengar writing about the “Impostant asanas in Course I”
The important asanas list, when followed by the sun salutations, looks and feels a lot like one of the first vinyasa practices to appear in the West, the Ashtanga Primary Series introduced to Sri Pattabhi Jois. This is not a random coincidence. While Iyengar and Jois were in very different physical/health conditions when they started practicing yoga, they practiced at the same time and with the same teacher: Sri Krishnamacharya. The practices they introduced to the West – just like the physical practices introduced by some of Krishnamacharya’s other students (including Indra Devi, T. K. V. Desikichar, and A. G. Mohan) reflect their own personal practices – which were the result of the physical and mental needs. Remember, classically, the physical practice of yoga (hatha yoga, regardless of the style or tradition) prepares the practitioner for deep-seated meditation. Ergo, even though they might practice the same poses, a very sickly young boy may use a different method of practice than a very active teenage boy.
(Side Note: It is also not a random coincidence that we generally start exploring the Ashtanga Primary series at the end of July: instead the timing coincides with the birthday of Sri Pattabhi Jois.)
YMCA classes are always open to members and their guests. If you are a member, please feel free to join us for class at any time throughout the year – and, feel free to bring a guest.
For further reading, check outLight on Yoga by B. K. S. Iyengar; Heart of Yoga by T. K. V. Desikichar; Ashtanga Yoga the Practice Manual by David Swenson; The Secret of the Yoga Sutra: Samadhi Pada by Pandit Rajmani Tigunait, PhD (Note: This is Part 1 of a series and only includes the first section of the sutras. There are many translations of the sutras, a great online resource is Patanjali’s Yoga Sutras on swamij.com.)
Little did I know how true that statement would be.
Oxford Dictionaries define “true” as an adjective meaning “in accordance with fact or reality…genuine…real or actual…accurate or exact…. in tune.” True can also be used as a verb when applied to something that is bringing “(an object, wheel, or other construction) into the exact shape or position required.” It originates from Old English words meaning “steadfast, loyal” and is related to a Dutch word meaning “faithful” and a German word meaning “loyal to.”
I could continue going down the rabbit hole, examining the meaning and origins of all the target words, but ultimately we know the truth when we see it…or hear it. Or do we?
Blink: The Power of Thinking Without Thinking promotes the power of insight and intuition; of knowing without knowing why we know something is true. Yet, Malcolm Gladwell also points out that, “We have, as human beings, a storytelling problem. We’re a bit too quick to come up with explanations for things we don’t really have an explanation for.” In other words, the brain gets in the way of the heart.
Our brains make us humans notoriously bad witnesses. Our brains fill in the gaps to make sense of puzzles we’ve created and, theoretically, to preserve the idea that we are not ignorant about things we are supposed to know. We make up stories, even when we’re the only one paying attention to the story in our head. In Musicophilia: Tales of Music and the Brain, Dr. Oliver Sacks wrote, “The brain needed to stay incessantly active, and if it was not getting its usual stimulation…, it would create its own stimulation in the form of hallucinations.”
Oxford defines “hallucination” as “an experience involving the apparent perception of something not present.” This last year, really the last two – going on three – years, it’s felt a little like the quality and state of being true was a hallucination. People say one thing and do something completely opposite. People accuse one another of lying. Technology allows us to morph our faces, our voices, our words, and to create realistic holograms of people who are no longer living. More and more it seems that everything real is an illusion.
Of course, the idea that everything we are experiencing is a dream, an illusion, a delusion – or a computer generated program – is nothing new: It’s part of the foundation of many philosophies, including yoga. Another part of philosophies like yoga and Buddhism is that there is a path to seeing things clearly, and that seeing things clearly is liberation.
“To live on a day-to-day basis is insufficient for human beings; we need to transcend, transport, escape; we need meaning, understanding, and explanation; we need to see overall patterns in our lives. We need hope, the sense of a future. And we need freedom (or at least the illusion of freedom) to get beyond ourselves, whether with telescopes and microscopes and our ever-burgeoning technology or in states of mind which allow us to travel to other worlds, to transcend our immediate surroundings. We need detachment of this sort as much as we need engagement in our lives.”
The fourth and final section of the Yoga Sutras focuses on liberation. Liberation, as Patanjali describes it, involves lifting the veil of ignorance and seeing the truth about everything, including ourselves. Patanjali also explains that the barrier/veil of ignorance can be thinned and then dissolved by birth, herbs, mantra (ajapa-japa), tapas (practices of intense discipline/austerity), or meditation. (YS 4:1)
Clarity; right view; seeing the truth – whichever way you describe it, it seems to be lacking in our current version of reality. And, as the war on truth continues, more and more people will desire it. If you are longing for a new year where you are in tune with your core values and connected to your intuition, consider starting 2019 with a practice, like yoga, which fits into that final definition of truth (see above): something that is bringing (an object, wheel, or other construction) into the exact shape or position required.
The following practices include at least three of the liberating methods mentioned by Patanjali in the Yoga Sutras:
Start the New Year with a 2-hour retreat into yourself. Enfold into the wisdom of your heart and let your heart’s desire unfold. Be inspired.
Despite our modern day penchant for fireworks and parties, a new year begins much as it ends: quietly. Here in the Northern Hemisphere, we observe the secular New Year when much of nature is hibernating. We hustle and bustle, struggling to start, continue, or end. Meanwhile, beneath the surface, things and beings are waiting.
Waiting…it seems so passive and unyielding.
Waiting…it is easy to forget the importance of resting, relaxing, and being still…letting things germinate and take root.
Waiting…. In many philosophies and religions, including the Abrahamic religions, great emphasis is put on the importance of waiting, specifically because something or someone is coming.
Yet, no one really wants to wait for our dreams to come true. We want it now! And, we want to be actively working towards that goal. Unfortunately, sometimes, we forget about the importance of waiting…resting…reflecting…planning.
As one year ends and another begins, we are given the opportunity to reflect and plan. We can reflect on the events of the previous year – and how we dealt with them. We can plan for a new year of events – and how we want to deal with them. Making a resolution, even informally, seems natural to some and inevitable to others. It can also seem futile when you consider that (according to some statistics) only about 8% of people who make a resolution actually follow through with them.
Why are resolutions so hard to keep?
Resolutions are just like any other goal or dream that has a lot of expectation attached to it. In order for us to succeed we have to be all in – otherwise, we falter at the first obstacle. In order to be all in, we have to understand what it is we really want or need.
Ask yourself, how does this goal or desire serve me?
Every goal, every desire, every resolution has a purpose. Tapping into the power of the purpose, how the goal or desire serves us, allows us to connect to the underlying intention. Intention is compelling. Intention is the driving force that allows us to see an opportunity to succeed where we might otherwise falter.
Consider this sports analogy: Let’s say you’re a football team with a stellar passing game. Everybody knows your team has a stellar passing game; but, when you’re in the zone it doesn’t matter that the other team is trying to sack your quarterback or intercept every pass – there’s always a pocket, there’s always a hole. The problem comes in when you’re not in the zone and/or when you’re playing a team with an exceptional defensive line. A professional team, ideally, has practiced other options. However, even the pros play to their strengths and, sometimes strengths become blind spots. When it feels like everything is on the line – but nothing is going their way – that’s when we hit our blind spots. And, even the pros can end up in a situation where they’re strengths no longer serve them. Even the pros may forget that there are different ways to achieve the goal.
In The Four Desires, Rod Stryker outlines a formula for success which he calls the Creation Equation. Simply stated, the sum of the intensity of your desire plus the intensity of your efforts to achieve the goal has to be greater than the intensity of the resistance. Keep in mind, the resistance can come from a lot of different sources – including other people. Another thing to keep in mind is that sometimes the intensity of the resistance increases when your desire gets misplaced or transferred.
In the aforementioned sports analogy, for example, both teams have a strong desire to win. Each team’s desire represents a portion of the other team’s resistance. When practicing, however, the team with the stellar passing game focused their desire on having a stellar passing game. On the other hand, the exceptional defensive line focused on stopping everything. When it’s game time, the latter doesn’t care what you throw at them, they’re intense desire (i.e., their focus and their intention) is on stopping everything – by any means necessary. That intention puts them in the zone.
Every year, at the end of the 108 Sun Salutations, I lead a guided meditation which includes a group sankalpa that I then incorporate into my Saturday classes at the YMCA. The word sankalpa means will, determination, vow or intention. It can also mean resolution. But, the difference between the English and the Sanskrit is that within the Sanskrit word there is the vow and the way to achieve the vow, there is a guiding principle and the dedication to following it. A sankalpa combines the desire with the effort. To connect and to stay connected to that highest vow, it is important to clear the mind and focus/concentration/meditation on the heart’s desire.
When outlining the philosophy of the yoga in the Yoga Sutras, Patanjali put particular emphasis on the combined power of the last three (3) limbs of the practice: focus, concentration, and (perfect) meditation (YS 3:4-6). He also mentioned that there are five (5) ways, including tapah (“training the senses” or “austerity”) and samadhi (“meditation”), to reach higher awareness (YS 4:1).
The New Year’s Day japa-ajapa mala if 108 Sun Salutations is a vigorous practice which fits into the category of tapah and can involve samadhi. While not vigorous, a Yin Yoga practice, which involves settling into a special series of poses for long holds, also fits into the categories of tapah and samadhi. Both can clear the mind so that you can bring your full awareness to your heart’s desire.
My 2019 New Year’s Day mala is full, but I will post other practice opportunities. Also, I am excited to offer a Yin Yoga practice with guided mediation (5 – 7 PM). If you are interested in joining me for this special candlelight practice on New Year’s Day, please email me (Myra at ajoyfulpractice.com).
WHO: Everyone is welcome!
WHAT: A Yin Yoga practice addresses the deep tissue and connective tissue through a special series of supported poses held for 3 – 5 minutes. Props and awareness of the body creates an opportunity to relax the outer musculature. This candlelight practice also includes guided meditation.
Humans are sensational beings; in that, we are beings full of sensation. And there is no shortage of sensation on the mat. We feel our clothes and the mat, the floor, or the cushion. We feel the fluctuating temperature of the breath and the body. We feel weight in our shoulders or soreness in our joints. We feel… That’s what we humans do. But we don’t just feel physical sensations. We also feel things mentally, physically, and emotionally – and all of that sensation is also information.
Whether we are feeling wonderful or puny, weak or strong, flexible or stiff, wise or ignorant, it’s important to be grateful for the sensation/information, because the sensation/information informs the practice. Even misinformation can inform the practice, but that’s not the big problem with teaching yoga.
The big problem with teaching yoga is articulating what we feel when we’re on the mat, while simultaneously holding space for what other people feel on the mat. It’s a matter, to quote Nikki Giovanni, of feeling despite what we think “we should feel.”
On any given day, someone will ask me some variation of the question, “What should I be feeling in…?” As an English major (and the daughter of my parents to boot), my first instinct is to offer some powerful purple prose describing what is happening in the pose – anatomically – and how that feels in my body. My description might be helpful – especially if the person in question is practicing in my body or practicing in my mind. However, since they are not – ever – my response can be problematic. Instead of being helpful and informative, the words I choose may cause the practitioner to feel they are doing something wrong and that they need to adjust their pose. Sometimes, the thought that their pose is not quite right can also lead to the second arrow…they start to think they need to fix their body.
As a teacher of asana, I am not alone in this quandary. Some teachers avoid the issue by never telling people what they should/could/will feel in a pose. Others have an uncanny knack for going to the other extreme. A more skillful middle ground would be channeling Dharma Yoga teacher Kim Jeblick and saying some variation of, “I don’t know. Come into the pose. Now, tell me: What are you feeling?”
Because everybody’s body is different, everybody is going to feel something different. There is no shortage of sensation on the mat: Even if you’re paralyzed.
His book Waking describes Matthew Sanford’s experiences being paralyzed at the age of 13 and the subsequent journey that led him to yoga. The book is full of sensation – it is also full of people telling Sanford, and themselves, that he can’t feel anything. Not feeling is the beginning of the story and, it could have been the end, except, Sanford was aware of feeling presence. Somehow he understood that the feeling of presence was an intimate connection between his mind and his upper body. His lower body, however, presented itself as a brick wall, a place where he was not present:
“I am now living in a body that presents silence rather than tangible sensation…. This silence that I perceive within my body came upon me abruptly through a spinal cord injury. For most people, however, the process is slower. It develops through aging. Over time, the body becomes slower to respond, more likely to sit at rest, more content to observe rather than act. But, in each case, the fundamental healing question remains the same: What aspect of consciousness will transverse the increasing gap between the mind and body? The answer will depend upon our healing stories.”*
Sanford goes on to describe how “I hear(s) silence where there is pain” as a means of protection. This is 60 pages in; it’s still the beginning of the story.
As the story continues, Sanford describes an exploration of presence, which is also an exploration of sensation/information – which is also an exploration of the intimate energetic connection between the mind and the body. This awareness of intimacy, plus the alignment knowledge that comes from Iyengar, is what now informs Sanford’s practice, as well as his teaching.
His awareness of presence is also what makes Sanford such a powerful teacher. While other teachers struggle to define how the pose feels on the outside (in order to feel something on the inside), Sanford focuses on the inner sensations and “how the physical instructions are intended to amplify, guide, and direct the flow of energy. When I teach, I give instructions and then I observe not just whether the physical actions are occurring, but also whether the intended energetic release is happening through the student’s mind-body relationship.”
As I post this, I have been practicing yoga for 18 of my 49+ years. The only thing I have been doing longer is reading and being a black woman.
“If I could make a wish I’d wish for all the knowledge of all the world. Black may be beautiful Professor Micheau says but knowledge is power.
– from The Laws of Motion by Nikki Giovanni
The Laws of Motion & The Song of the Feet by Nikki Giovanni (Practice Time: ~ 15 – 20 minutes)
Very deliberately and mindfully place yourself in Child’s Pose (Balasana). Notice how you are supported – how the body rests between or on the legs. Make sure your knees are comfortable, and remember that you can always place a cushion under the knees, under the hips, or under the chest. Notice where you feel heaviness and notice where you feel lightness. Notice how your head rests so that your neck can lengthen. Breathe and notice how the body expands on the inhale, settles on the exhale. Be present with the sensations/information in and around your body. Bring awareness to your feet.
Start to engage your locks (bandhas) on the exhale: spread the toes and press the feet down (in this case tops of the feet down) for the Foot Lock (Pada Bandha); squeeze the perineum muscles together, lifting the pelvic floor for the Root Lock (Mula Bandha) – which engages your lower abdominal cavity; belly button up and back for abdominal core lock (Uddiyana Bandha) – which engages your upper abdominal cavity; draw the chin towards the throat and chest, lengthening the neck, for the Throat Lock (Jalandhara Bandha). Notice your awareness of your body when the locks (bandhas) are engaged versus when they are released.
Once you’ve engaged your mind-body-spirit, move into Table Top: stack shoulders over elbows, elbows over wrists, hips over knees. Press down to lift up, activating the arms, the legs, and the lower three (3) locks. Notice the length of the spine, and how you support it. Notice the air again shifting around you. Move through Cat/Cow or the “Un-Cat” sequence precisely matching the movement to the breath. Move from your core so that the gaze is the last thing to come up and the last thing to turn down.
Once your mind, body, and spirit are synchronized, curl your toes under and exhale into Downward Facing Dog (Adho Mukha Svanasana). Double check your engagement of the pose. Make sure all your fingers are spread wide, with the majority of the weight/pressure in your hands moving into the thumb and first finger. (So that, there is less weight/pressure applied to your outer wrists.) When you relax your head and shoulders, make sure your big toes are parallel to each other and at least a foot apart. Big toes can be behind the thumbs or behind the middle fingers. Hips are high, heels are low (reaching, but not necessarily touching the mat); and neck is long. With the arms straight (but not hyper-extended) rotate the elbows towards the nose. Even if you have to bend your knees, find Cow Pose in this position (so that you have a straight line from your middle fingers all the way up to your hips and then a second straight line from your hips to the back of your knees). Eyes are on your nose, your belly button, or the space between your toes. Engage your locks (bandhas) as you are able. Engage the air between your arms, between your legs, and in the space beneath your body.
Notice the feeling of your entire back body (including legs and feet). Spread your legs a little wider (finding similar alignment as described above) and notice how the energy changes. Again, adjust the legs bring them closer and notice where you feel the pressure of the body. Notice, also, where and how you are working the hardest to keep the spine aligned. Separating the legs wider again, adjust the alignment of the spine. Notice where and how the body works in order to maintain length in the spine. Bring the big toes back behind the thumbs or the middle fingers. Align the spine with new awareness.
Still in Downward Facing Dog, point the right toes behind you so that the tops of the toes are on the mat. Lift the leg just enough to flex the ankle so that the toes point down instead of backwards. Now, balancing the weight with both arms and the left leg) making sure you do not dump on the left side) start to mindfully lift the right heel up – as if you are drawing a line up the space behind you. Keep the outer thighs rotated in towards the space beneath the body so that the right knee and toes point down. Pause when you notice the right hip rotating the knee and the toes out to the right; then adjust to find that internal rotation and make sure weight is still balanced in all 3 standing limbs. (Note: If the left elbow starts to bend or the right hand wants to lift up, you are probably dumping the weight on the left.) Continue to lift the heel, pausing as needed, until you can no longer balance the weight and/or control the alignment of the hip. Once you reach your edge, push through the hips and the heels so that you create more space between the right hip and heel and more space between the left hip and heel. After a few breaths in Three-Legged Dog, consider exhaling into Tinkling Dog by bending the right knee and externally rotating the right hip. Still, keep the weight balanced. Play, explore, investigate and then extend the knee and rotate the hip down to return to Three-Legged Dog. Exhale to release back into Downward Facing Dog and then repeat the sequence on the left side.
Remember you can skip the arm balancing, by moving into Staff Pose (Dandasana) and positioning the arms accordingly or using “Dolphin Dog.” Another modification would be to do the pose on the wall. Either way, strongly engage your legs and your core. Notice the feeling of your entire back body (including legs and feet). If you move into Staff Pose, the leg lifts up in front of you and your awareness is focused on keeping the hips grounded and the back straight. Cues for lifting the leg in “Dolphin Dog” or when on the wall are basically the same as in the original cues above.
After the final Three-Legged Down Dog, stretch back (meaning, push your spine towards your thighs) and on an exhale walk your hands to your feet or bring your hands and feet together. Once hands are in line with the toes and heels are flat to the mat, inhale to a Half Lift/Flat Back or Extended Forward Bend. (This pose may be called Ardha Uttanasana or Urdhva Uttanasana.) Place your hands on your thighs and press the shoulders into the metaphorical back pockets. Remember, you want to engage in a similar fashion to Cow Pose, Staff Pose, and Downward Facing Dog. In fact, inhale and find a little bit of Cow Pose (even if you have to bend your knees). Now, press the heels down and – as much as you are able without losing the extension of the spine – engage the quadriceps to extend through the knees and press the thigh bones into the wall behind you. Engage your locks (bandhas) as you are able. Again, notice the feeling of your entire back body (including legs and feet).
If you have unregulated blood pressure, low back issues, eye issues like glaucoma, or if this is already challenging, remember to stay here with knees bent.
Otherwise, if it is not contraindicated, bend the knees and flex from the hips to prep Forward Bend (Uttanasana). Keeping the upper back extended, place the hands on the floor or a block and begin to extend through the legs while pressing the thigh bones into the backs of your legs. Do not force the extension. Use the exhales to settle the heart on the thighs (as much as you are able without losing the extension of the spine.) If your legs are completely straight, make sure the knee caps are lifted and that you are not hyper-extending the knees. Also double check to ensure that if the knees are straight the hips are over the knees, not behind the ankles. Remember to engage your locks (bandhas). Notice the length of the spine. Again, notice the feeling of your entire back body (including legs and feet).
Inhale to Half Lift / Flat Back and use the exhale to engage your core. With hands on the hips, maintain the length of the spine and lift up to standing. Relax your arms by your sides. Balance the weight between all four corners of both feet. Feel free to move side-to-side or back and forth on the feet until you feel you are centered. Spread the toes, press big toes and little toes down, as well as both sides of the heels. (This establishes “all four corners of both feet.”) Engage the quadriceps in order to lift the knee caps and firm up the thighs. Sit bones point down so that the pelvic bones lift up. Engage your locks (bandhas). As you press down in order to lift the sternum up, use the core abdominal muscles to draw the lower rib cage down. Relax the shoulders and gaze straight ahead. This is Equal Standing / Mountain Pose (Samasthiti/Tadasana).
Changing as little as possible, stretch the arms out like the letter T. Once your arms are wide, root down through your feet and extend out of the center of your chest. Make sure shoulders, lower rib cage, and sits bones are reaching down. Notice the air above and below your arms. Now, turn the palms up and inhale your arms overhead. (Many traditions refer to this as Arms Reaching Overhead (Urdhva Hastasana), but I tend to call this Tadasana). Make sure the lower rib cage drops down as the sternum lifts up and notice how that helps you engage your core. After several breaths, lower the arms to your sides on an exhale.
Now, maintaining the previously established alignment and awareness of breath, use the whole inhale to lift the arms overhead and the whole exhale to press the hands together through heart center. On the exhale of the third centering breath, walk to the front of the mat with hands through heart center.
Equal Standing is like a soldier in the “Ready” position. Moving through half of a Sun Salutation (Surya Namaskar), inhale arms over head into Arms Reaching Overhead; exhale and stretch the arms out wide as you dive between the hands into a Forward Bend; inhale to a Half Lift / Flat Back; exhale back to Forward Bend. Keeping the knees bent and the core engaged, inhale to reverse swan dive and then exhale hands back to your sides. Repeat the sequence until you feel your movement and breath are seamlessly fluid.
After the final exhale into Forward Bend, inhale into a Half Lift/ Flat Back and then step your left leg way back into a low lunge. Make sure the feet are in two separate lanes. Inhale to lengthen the spine and then exhale the back knee to the mat. Give yourself cushion under the back knee, as needed. Pressing down evenly into both feet, lift your torso up and place hands on your right thigh for a variation of Crescent Lunge (Anjaneyasana).
Use an exhale to slide the hips over the back knee and then place the back of the right hand on your sacrum (the flat part of your bum/hips) and place your left hand on the front of your pelvic bones. Your hands are now bracketing your hips. Slide the back hand down in order to direct the sit bones down. You may feel the front hand lifting as the pelvic bones lift. Notice the length of your spine, especially your low back. You may also feel engagement in your left hip and thigh. Stay here or bend the front knee deeper into the lunge – remembering to maintain the space in your low back. Hands can come to your front thigh or reach the hands over head. Again, engage your locks (bandhas). Focus on the stability of the feet, legs, and hips. Focus, also, on the extension of the front of the back hip and thigh. This is the beginning of a backbend.
When you are ready to move on, place the hands on the mat and step back to Child’s Pose. From Child’s Pose, you may inhale to Cow Pose or, first time through, slide your body forward so that the legs stretch out behind you. Press the tops of the feet down, push the hands into the floor beneath your shoulders and inhale into Cobra Pose (Bhujangasana). Elbows should be bent behind the back like grasshopper legs (unless you are working on a baby cobra.) Thighs are strongly engaged and pushing into the floor. Hips stay on the ground. Keep the shoulders down the back and either isometrically engage the arms – by pushing the hands down and engaging the arms as if you’re going to pull your body forward – or let your hands hover (breathing into the space between your hands and the mat). Notice how your support your heart with your feet. After a few breaths, consider extending your Cobra by pressing the hands and feet down and lifting the body up until the arms straighten. Shoulders and hips are still pressing down. Notice the difference between how the front of your lift hip and thigh feel versus the right hip and thigh. Again, notice how you are supporting your heart with your feet.
On an exhale, curl your toes under and press back to Downward Facing Dog. Repeat the sequence of standing poses (starting with the first Forward Bend after Downward Facing Dog, substituting left for right). After the Child’s Pose, you may inhale to Cow Pose, Cobra Pose, or, second time through, glide your body up and forward so that the legs stretch out behind you with the arms straight and the hips lifted away from the mat. Press the tops of the feet down, push the hands into the floor beneath your shoulders and inhale into Upward Facing Dog (Urdhva Mukha Svanasana). Thighs are strongly engaged and lifting up towards the ceiling. Kneecaps lift up towards the hips – again, so that the thighs are firm. Again, compare the feeling at the front of the hips and thighs. Again, notice how the engagement of the feet supports your heart.
After the second side of standing poses and backbends, move into Downward Facing Dog, and then into Staff Pose (Dandasana). Sitting tall with legs stretched out in front of you: remember, this pose is not disposable. Consider the length of your spine and how you use your locks (bandhas) to maintain it.
Keep the left leg extended and bend the right knee in order to set up the Sage Twist. Remember to keep the left heel and the right foot flat on the floor. You can place the right foot next to the inside or the outside of the left leg, as long as the knees are comfortable and the right foot is flat on the floor.
On an inhale, lift your right arm up and, as you watch it, reach the right arm back to the floor behind your hips. As you settle into the twist, adjust your left arm to provide additional support wherever you need it. You can always sit on a block and/or place a block under your hand if you’re hips and low back are really tight. If you don’t have a block, substitute a book.
Watch how you engage your base, your core, and your breath in order to lengthen your spine. Remember to start the twist in your base (not in your neck). Do not allow your body to collapse or untwist until you complete 3 – 5 complete breaths. Notice how the air moves within you and all around you. Pay particular attention to how the space shifts between your belly and legs. After the third or fifth exhale, inhale to center, give the lifted knee a squeeze, and return to Staff Pose. Repeat the Sage Twist instructions for the Sage Twist (replacing right with left).
After the third or fifth exhale on the left, inhale to center and give the lifted knee a squeeze. Bend both knees, placing the feet flat on the floor. (NOTE: If you’d rather not balance on your sits bones, lie down on your back and follow the cues.) Reach the arms forward with elbows next to the knees. Press down as if you are going to jump forward. Spread your toes, squeeze your perineum muscles together, belly button is up and back, press your shoulders down, and draw the chin towards the neck. Look up and press down to lift the ribs up on the inhale. As you exhale, lean back until the feet are off the ground and you are balancing on your tail bone. Bring legs up parallel to the ground. Check in with your locks (bandhas) – maybe even lifting the corners of your mouth up towards your ears for a smiling bandha. Begin to extend the legs by engaging the quadriceps and pushing through the heels. Keep your nose up and your eyes on your nose. This is Boat Pose (Navasana).
Find your edge, making sure your core works harder than your jaw or your arms. And then, lower down onto your back for Corpse Pose (Savasana). Find a place where your body and mind can be still. Breathe into the space between your soles, your heart, and your soul. Again and again, this practice comes back to the roots, back to the feet. Just as Rabbi Abraham Joshua Heschel did in 1965, give thanks for your feet and how they support your heart.
“It is appropriate that I sing The song of the feet
The weight of the body And what the body chooses to bear Fall on me”
This opportunity to explore a poem on the mat is part of my offering for the 2018 Kiss My Asana yogathon. I encourage you to set aside at least 5 minutes a day during April, to practice with the poem as inspiration. You can practice in a class or on your own, but since the Kiss My Asana yogathon raises resources as well as awareness, I invite you to join me at the donation-based class on April 28th.
I also challenge you to set aside a certain amount every day that you practice with a poem in mind. It doesn’t matter if you set aside one dollar per practice or $25 – set aside that amount each time you practice and donate it by April 30th.
Founded by Matthew Sanford, Mind Body Solutions helps those who have experienced trauma, loss, and disability find new ways to live by integrating both mind and body. They provide classes, workshops, and outreach programs. They also train yoga teachers and offer highly specialized training for health care professionals. By participating in the Kiss My Asana yogathon you join a global movement, but in a personal way. In other words, you practice yoga. Or, as this year’s tag line states, “do yoga. share yoga. help others.”
* Matthew Sanford defines “healing stories” as “…the stories we have come to believe that shape how we think about the world, ourselves, and our place in it.”
“As far as I can tell, daughter, it works like this: You buy bread from a grocery, a bag of apples From a fruit stand, and what coins Are passed on helps others buy pencils, glue, Tickets to a movie in which laughter Is thrown into their faces. If we buy a goldfish, someone tries on a hat. If we buy crayons, someone walks home with a broom. A tip, a small purchase here and there, And things just keep going. I guess.”
If you practice yoga (or anything) long enough – sometimes it only takes a few seconds, sometimes a few hours, sometimes days, sometimes months – you start to notice how things work. If you practice yoga (or anything) long enough – sometimes it only takes a few minutes, sometime a few weeks, sometimes years, sometimes a lifetime – you start to notice how everything is connected. The awareness of interconnectedness develops on and off the mat.
But, let us just begin with awareness on the mat.
The physical practice, hatha yoga, regardless of the style or tradition, is a combination of the third limb of the philosophy (asana, seat) and the fourth limb (pranayama, awareness or extension of breath/life force). Again, regardless of the style or tradition, building a pose starts with establishing a base – that’s the seat – and then building from the ground up so that you can breathe – that’s the awareness of breath. This makes sense, right? I mean, a carpenter does not build a house by magically floating a chandelier over an empty space and then building the ceiling, followed by the walls, and then the foundation. And, even if they used a crane instead of magic (to hold up the chandelier) at some point they have to figure out a way to remove the crane. One method makes sense, and is sustainable. One method might be a fun experiment, but eventually leads to chaos and a big mess.
Vinyasa is a technique as well as a very popular style of physical practice in the West. It involves the linking of breath and poses, but the way in which it is practiced can look and feel very different – depending on how and why things are connected. When we think of vinyasa as “flow,” instead of the literal “to place in a special way,” we may miss why some poses feel natural when linked together and why other sequences feel awkward and clunky.
Vinyasa karma is the science of placing things in a (special) way that leads to a step-by-step progression towards a goal. There is an element of vinyasa karma in every good practice – even when the practice is not a vinyasa practice. Here, I am defining a “good” practice as being one where you feel your time on the mat was well spent and that time leaves you feeling more connected. And, over time, you may notice that it is the sequencing of poses which creates that sense of connectedness.
Sequencing can also help us gain more awareness of how things work, because it brings our awareness to how we prepare. When we are focused only on the outside of the body, and not on the inner engagement or the breath, we miss the opportunity to prepare for the next pose or the next breath. Yes, the body and the mind can do amazing things – including, if we desire it enough, contort into one pretzel shape after another – but, some amazing feats are not sustainable.
For instance, if a non-dancer or non-gymnast starts off a physical practice with a big back bend like Camel Pose (Ustrasana) they may find the legs are a little shaky, the hips sink back, the core collapses, and the upper back is stiff – in fact, they may find the only thing ready for the pose is a hyper-flexible neck: Notice the difference. One the flip side, a person who works hunched over at a desk or an assembly line all day can progress into the pose if they first do something to engage the strength of the legs; the flexibility of the hips; the stability of the core; and the flexibility of the full spine, shoulders, and arms. What they do to achieve these effects depends on the style and tradition and, ideally, on the individual needs of their mind-body-spirit.
As another example, consider how you move into a balancing pose. Some people establish a base, shift the weight, engage the core, and “float” up. They then spend their time in the pose breathing deeply in, breathing deeply out. On the other hand, some people “jump” into balancing poses. They often get lucky – which means they don’t immediately crash and burn, but they may spend the whole time in the pose worried that they are going to crash and burn. Yes, everybody falls down. The question is what did falling down teach you?
The body and the mind have a way of naturally finding balance within the imbalance. When we mimic the body’s natural tendencies, we feel stronger, more flexible, more open and lighthearted, more grounded, and more at ease within ourselves and our surroundings. When we feel more connected to ourselves and our surroundings, we also have more awareness into what is. More awareness leads to more insight, which enables us to respond, rather than react, to the situations in which we find ourselves. (Note: Vipassana is a very popular technique and style of meditation that literally means to see in a special way.)
Great teachers, on and off the mat, have said, “You don’t have to believe me. Try it for yourself.” In“Looking Around, Believing,” Gary Soto wrote, “How strange that we can begin at any time.” Begin now.
How Things Work + Looking around, Believing + Between Words – by Gary Soto
(Practice Time: ~ 15 – 20 minutes)
Very deliberately and mindfully place yourself in Child’s Pose (Balasana). Notice how your body rests between or on your legs, and make sure your knees are comfortable. Remember, you can always place a cushion under the knees, under the hips, or under the chest. Notice how your head rests so that your neck can lengthen. Breathe and notice how the body expands on the inhale, settles on the exhale.
Start to engage your locks (bandhas) on the exhale: spread the toes and press the feet down (in this case tops of the feet down) for the Foot Lock (Pada Bandha); squeeze the perineum muscles together, lifting the pelvic floor for the Root Lock (Mula Bandha) – which engages your lower abdominal cavity; belly button up and back for abdominal core lock (Uddiyana Bandha) – which engages your upper abdominal cavity; draw the chin towards the throat and chest, lengthening the neck, for the Throat Lock (Jalandhara Bandha). Notice your awareness of your body when the locks (bandhas) are engaged versus when they are released.
Once you’ve engaged your mind-body-spirit, move into Table Top: stack shoulders over elbows, elbows over wrists, hips over knees. Press down to lift up, activating the arms, the legs, and the lower three (3) locks. Notice the length of the spine, and how you support it. Notice the air again shifting around you. Move through Cat/Cow or the “Un-Cat” sequence precisely matching the movement to the breath. Move from your core so that the gaze is the last thing to come up and the last thing to turn down.
Once your mind, body, and spirit are synchronized, curl your toes under and exhale into Downward Facing Dog (Adho Mukha Svanasana). Double check your engagement of the pose. Make sure all your fingers are spread wide, with the majority of the weight/pressure in your hands moving into the thumb and first finger. (So that, there is less weight/pressure applied to your outer wrists.) When you relax your head and shoulders, make sure your big toes are parallel to each other and at least a foot apart. Big toes can be behind the thumbs or behind the middle fingers. Hips are high, heels are low (reaching, but not necessarily touching the mat); and neck is long. Even if you have to bend your knees, find Cow Pose in this position (so that you have a straight line from your middle fingers all the way up to your hips and then a second straight line from your hips to the back of your knees). Eyes are on your nose, your belly button, or the space between your toes. Engage your locks (bandhas) as you are able. Engage the air between your arms, between your legs, and in the space beneath your body. Notice the feeling of your entire back body (including legs and feet).
Remember you can skip the arm balancing, by moving into Staff Pose (Dandasana) and positioning the arms accordingly or using “Dolphin Dog.” Another modification would be to do the pose on the wall. Either way, strongly engage your legs and your core. Notice the feeling of your entire back body (including legs and feet).
Stretch back (meaning, push your spine towards your thighs) and on an exhale walk your hands to your feet or bring your hands and feet together. Once hands are in line with the toes and heels are flat to the mat, inhale to a Half Lift/Flat Back or Extended Forward Bend. (This pose may be called Ardha Uttanasana or Urdhva Uttanasana.) Place your hands on your thighs and press the shoulders into the metaphorical back pockets. Remember, you want to engage in a similar fashion to Cow Pose, Staff Pose, and Downward Facing Dog. In fact, inhale and find a little bit of Cow Pose (even if you have to bend your knees). Now, press the heels down and – as much as you are able without losing the extension of the spine – engage the quadriceps to extend through the knees and press the thigh bones into the wall behind you. Engage your locks (bandhas) as you are able. Again, notice the feeling of your entire back body (including legs and feet).
If you have unregulated blood pressure, low back issues, eye issues like glaucoma, or if this is already challenging, remember to stay here with knees bent.
Otherwise, if it is not contraindicated, bend the knees and flex from the hips to prep Forward Bend (Uttanasana). Keeping the upper back extended, place the hands on the floor or a block and begin to extend through the legs while pressing the thigh bones into the backs of your legs. Do not force the extension. Use the exhales to settle the heart on the thighs (as much as you are able without losing the extension of the spine.) If your legs are completely straight, make sure the knee caps are lifted and that you are not hyper-extending the knees. Also double check to ensure that if the knees are straight the hips are over the knees, not behind the ankles. Remember to engage your locks (bandhas). Notice the length of the spine. Again, notice the feeling of your entire back body (including legs and feet).
Inhale to Half Lift / Flat Back and use the exhale to engage your core. With hands on the hips, maintain the length of the spine and lift up to standing. Relax your arms by your sides. Balance the weight between all four corners of both feet. Feel free to move side-to-side or back and forth on the feet until you feel you are centered. Spread the toes, press big toes and little toes down, as well as both sides of the heels. (This establishes “all four corners of both feet.”) Engage the quadriceps in order to lift the knee caps and firm up the thighs. Sit bones point down so that the pelvic bones lift up. Engage your locks (bandhas). As you press down in order to lift the sternum up, use the core abdominal muscles to draw the lower rib cage down. Relax the shoulders and gaze straight ahead. This is Equal Standing / Mountain Pose (Samasthiti/Tadasana).
Changing as little as possible, stretch the arms out like the letter T. Once your arms are wide, extend out of the center of your chest. Make sure shoulders, lower rib cage, and sits bones are reaching down. Notice the air above and below your arms. Now, turn the palms up and inhale your arms overhead. (Many traditions refer to this as Arms Reaching Overhead (Urdhva Hastasana), but I tend to call this Tadasana). Make sure the lower rib cage drops down as the sternum lifts up and notice how that helps you engage your core. After several breaths, lower the arms to your sides on an exhale.
Now, maintaining the previously established alignment and awareness of breath, use the whole inhale to lift the arms overhead and the whole exhale to press the hands together through heart center. On the exhale of the third centering breath, walk to the front of the mat with hands through heart center.
Equal Standing is like a soldier in the “Ready” position. Moving through half of a Sun Salutation (Surya Namaskar), inhale arms over head into Arms Reaching Overhead; exhale and stretch the arms out wide as you dive between the hands into a Forward Bend; inhale to a Half Lift / Flat Back; exhale back to Forward Bend. Keeping the knees bent and the core engaged, inhale to reverse swan dive and then exhale hands back to your sides. Repeat the sequence until you feel your movement and breath are seamlessly fluid.
After the final exhale into Forward Bend, inhale into a Half Lift/ Flat Back and then step your left leg way back into a low lunge. Make sure the feet are in two separate lanes. Inhale to lengthen the spine and then exhale the back knee to the mat. Give yourself cushion under the back knee, as needed. Pressing down evenly into both feet, lift your torso up and place hands on your right thigh for a variation of Crescent Lunge (Anjaneyasana).
Use an exhale to slide the hips over the back knee and then place the back of the right hand on your sacrum (the flat part of your bum/hips) and place your left hand on the front of your pelvic bones. Your hands are now bracketing your hips. Slide the back hand down in order to direct the sit bones down. You may feel the front hand lifting as the pelvic bones lift. Notice the length of your spine, especially your low back. You may also feel engagement in your left hip and thigh. Stay here or bend the front knee deeper into the lunge – remembering to maintain the space in your low back. Hands can come to your front thigh or reach the hands over head. Again, engage your locks (bandhas). Focus on the stability of the feet, legs, and hips. Focus, also, on the extension of the front of the back hip and thigh. This is the beginning of a backbend.
When you are ready to move on, place the hands on the mat and step back to Child’s Pose. From Child’s Pose, you may inhale to Cow Pose or, first time through, slide your body forward so that the legs stretch out behind you. Press the tops of the feet down, push the hands into the floor beneath your shoulders and inhale into Cobra Pose (Bhujangasana). Elbows should be bent behind the back like grasshopper legs (unless you are working on a baby cobra.) Thighs are strongly engaged and pushing into the floor. Hips stay on the ground. Keep the shoulders down the back and either isometrically engage the arms – by pushing the hands down and engaging the arms as if you’re going to pull your body forward – or let your hands hover (breathing into the space between your hands and the mat). After a few breaths, consider extending your Cobra by pressing the hands and feet down and lifting the body up until the arms straighten. Shoulders and hips are still pressing down. Notice the difference between how the front of your lift hip and thigh feel versus the right hip and thigh.
On an exhale, curl your toes under and press back to Downward Facing Dog. Repeat the sequence of standing poses (starting with the first Forward Bend after Downward Facing Dog, substituting left for right). After the Child’s Pose, you may inhale to Cow Pose, Cobra Pose, or, second time through, glide your body up and forward so that the legs stretch out behind you with the arms straight and the hips lifted away from the mat. Press the tops of the feet down, push the hands into the floor beneath your shoulders and inhale into Upward Facing Dog (Urdhva Mukha Svanasana). Thighs are strongly engaged and lifting up towards the ceiling. Kneecaps lift up towards the hips – again, so that the thighs are firm. Again, compare the feeling at the front of the hips and thighs.
After the second side of standing poses and backbends, move into Downward Facing Dog, and then into Staff Pose (Dandasana). Sitting tall with legs stretched out in front of you: remember, this pose is not disposable. Consider the length of your spine and how you use your locks (bandhas) to maintain it.
Keep the left leg extended and bend the right knee in order to set up the Sage Twist. Remember to keep the left heel and the right foot flat on the floor. You can place the right foot next to the inside or the outside of the left leg, as long as the knees are comfortable and the right foot is flat on the floor.
On an inhale, lift your right arm up and, as you watch it, reach the right arm back to the floor behind your hips. As you settle into the twist, adjust your left arm to provide additional support wherever you need it. You can always sit on a block and/or place a block under your hand if you’re hips and low back are really tight. If you don’t have a block, substitute a book.
Watch how you engage your base, your core, and your breath in order to lengthen your spine. Remember to start the twist in your base (not in your neck). Do not allow your body to collapse or untwist until you complete 3 – 5 complete breaths. Notice how the air moves within you and all around you. Pay particular attention to how the space shifts between your belly and legs. After the third or fifth exhale, inhale to center, give the lifted knee a squeeze, and return to Staff Pose. Repeat the Sage Twist instructions for the Sage Twist (replacing right with left).
After the third or fifth exhale on the left, inhale to center and give the lifted knee a squeeze. Bend both knees, placing the feet flat on the floor. (NOTE: If you’d rather not balance on your sits bones, lie down on your back and follow the cues.) Reach the arms forward with elbows next to the knees. Press down as if you are going to jump forward. Spread your toes, squeeze your perineum muscles together, belly button is up and back, press your shoulders down, and draw the chin towards the neck. Look up and press down to lift the ribs up on the inhale. As you exhale, lean back until the feet are off the ground and you are balancing on your tail bone. Bring legs up parallel to the ground. Check in with your locks (bandhas) – maybe even lifting the corners of your mouth up towards your ears for a smiling bandha. Begin to extend the legs by engaging the quadriceps and pushing through the heels. Keep your nose up and your eyes on your nose. This is Boat Pose (Navasana).
Find your edge, making sure your core works harder than your jaw or your arms. And then, lower down onto your back for Corpse Pose (Savasana). Classically, the physical practice is intended to prepare the body and mind for deep seated meditation. This final moment is an opportunity for your body and mind to process and absorb what you’ve done during the practice. Find a place where your body and mind are still. Let the breath naturally ebb and flow. Breathe and allow your mind to follow the breath into the space within you and the space all around you.
“Love, The moon is between clouds, And we’re between words That could deepen But never arrive.”
If you practice long enough, you start to notice how everyone is connected.
Poets, philosophers, preachers, students of dharma are all fascinated by the inner (and outer) workings of the world, how everything and everyone are connected. You see it in the poems of Mark Strand and Misuzu Kaneko, as well as in the poems of Gary Soto. You see it in the sermons of Dr. Martin Luther King Jr. and in the dharma talks of Thich Naht Hanh. You see it in Martin Buber’s concept Ich und Du; that we only truly exist in relationship. You see it, again and again, and yet….It is so easy not to see it.
One of the reasons I practice yoga is to actively and mindfully see the connections. Moving through the practice is like moving through life, with all of its twists, turns, and challenges. Sometimes, like in the practices I’m offering this month, we symbolically move through the stages of life: from the pose of a child we learn to stand up, to walk, to play and explore, and finally to slow down and rest. We do this every day, we day this every lifetime. Still, no part of us does it alone – everything is connected.
This opportunity to explore a poem on the mat is part of my offering for the 2018 Kiss My Asana yogathon. I encourage you to set aside at least 5 minutes a day during April, to practice with the poem as inspiration. You can practice in a class or on your own, but since the Kiss My Asana yogathon raises resources as well as awareness, I invite you to join me at the donation-based class on April 28th.
I also challenge you to set aside a certain amount every day that you practice with a poem in mind. It doesn’t matter if you set aside one dollar per practice or $25 – set aside that amount each time you practice and donate it by April 30th.
Founded by Matthew Sanford, Mind Body Solutions helps those who have experienced trauma, loss, and disability find new ways to live by integrating both mind and body. They provide classes, workshops, and outreach programs. They also train yoga teachers and offer highly specialized training for health care professionals. By participating in the Kiss My Asana yogathon you join a global movement, but in a personal way. In other words, you practice yoga. Or, as this year’s tag line states….
A Joyful Practice 