jump to navigation

First Friday Night Special #51 — Invitation & EXCERPT: “Sailing Into New Beginnings”  January 3, 2025

Posted by ajoyfulpractice in Books, Changing Perspectives, Christmas, Healing Stories, Health, Hope, Life, Men, Movies, Music, New Year, One Hoop, Peace, Religion, Writing, Yin Yoga, Yoga.
Tags: , , , , , , , , , , ,
add a comment

“Happy New Year!” to everyone.

May you be safe and protected / May you be peaceful and happy / May you be healthy and strong!

“Certainly it reminds me very much of Bilbo in the last years, before he went away. He used often to say there was only one Road; that it was like a great river: its springs were at every doorstep, and every path was its tributary. ‘It’s a dangerous business, Frodo, going out of your door,’ he used to say. ‘You step into the Road, and if you don’t keep your feet, there is no knowing where you might be swept off to. Do you realize that this is the very path that goes through Mirkwood, and that if you let it, it might take you to the Lonely Mountain or even further and to worse places?’ He used to say that on the path outside the front door at Bag End, especially after he had been out for a long walk.’”

— Frodo reminiscing with Sam and Pippin in “Book 1, Chapter 3: Three is Company” in The Fellowship of the Ring (Volume 1 of the Lord of the Rings) by J. R. R. Tolkien

A new year means a new (and/or continuing adventure).

Click on the excerpt title below for a post about just that! (Plus there’s a little nod to Herman Melville, who set sail today in 1841, and J. R. R. Tolkien, who was born today in 1892.)

FTWMI: Sailing Into New Beginnings

So, hoist your sails, bring your friends, and…

“Call me Ishmael”

— quoted from “Chapter I. Loomings” in Moby Dick, or The Whale by Herman Melville

Please join me on Friday, January 3, 2025, 7:15 PM – 8:20 PM (CST) for “Sailing into New Beginnings” for a (virtual or in-person) yoga practice. You must be registered and confirmed to attend in person. You can use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email myra (at) ajoyfulpractice.com.

This Yin Yoga practice (with some Somatic Yoga elements) is accessible and open to all.

Prop wise, this is a kitchen sink practice. You can practice without props or you  can use “studio” and/or “householder” props. Example of “Studio” props: 1 – 2 blankets, 2 – 3 blocks, a bolster, a strap, and an eye pillow. Example of “Householder” props: 1 – 2 blankets or bath towels, 2 – 3 books (similar in size), 2 standard pillows (or 1 body pillow), a belt/tie/sash, and a face towel.

You may want extra layers (as your body may cool down during this practice). Having a wall, chair, sofa, or coffee table may be handy.

Friday’s playlist is available on YouTube and Spotify. [Look for “01052024 Resting to Get Ready or Twelfth Night”]

If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can dial 988 (in the US) or call 1-800-273-TALK (8255) for the Suicide and Crisis Lifeline. You can also call this TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.

White Flag is a new app, which I have not yet researched, but which may be helpful if you need peer-to-peer (non-professional) support.

If you are a young person in crisis, feeling suicidal, or in need of a safe and judgement-free place to talk, you can also click here to contact the TrevorLifeline (which is staffed 24/7 with trained counselors).

In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es).

Donations are tax deductible; class purchases are not necessarily deductible.

Check out the “Class Schedules” calendar for upcoming classes.

### YOUR SAILS ARE FILLED ###

We Gotta Keep Mou’-ving! (mostly links & music) November 16, 2024

Posted by ajoyfulpractice in Food, Health, Men, Music, One Hoop, Wisdom, Yoga.
Tags: , , , ,
add a comment

Many blessings to everyone and especially to anyone grateful for friendship, peace, freedom, understanding, and wisdom.

May you be peaceful and happy / May you be healthy and strong!

“‘People who eat too much or too little or who sleep too much or too little will not succeed in meditation. Eat only food that does not heat up the body or excite the mind. When you balance and regulate your habits of eating, sleeping, working, and playing, then meditation dissolves sorrow and destroys mental pain.’”

— Krishna speaking to Arjuna (6.16 – 6.17) in The Bhagavad Gita: A Walkthrough for Westerners by Jack Hawley

CLICK HERE FOR ALL MY MOVEMBER POSTS!

(Note there will be some duplicates.)

Please join me today (Saturday, Movember 16th) at 12:00 PM for a yoga practice on Zoom. You can use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email myra (at) ajoyfulpractice.com.

Saturday’s playlist is available on YouTube and Spotify. [Look for “Movember 3rd 2020”]

If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can dial 988 (in the US) or call 1-800-273-TALK (8255) for the Suicide and Crisis Lifeline. You can also call this TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.

White Flag is a new app, which I have not yet researched, but which may be helpful if you need peer-to-peer (non-professional) support.

If you are a young person in crisis, feeling suicidal, or in need of a safe and judgement-free place to talk, you can also click here to contact the TrevorLifeline (which is staffed 24/7 with trained counselors).

In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es).

Donations are tax deductible; class purchases are not necessarily deductible.

Check out the “Class Schedules” calendar for upcoming classes.

### 🎶 ###

A Quick Note & EXCERPT: “Caught In The Middle” November 10, 2024

Posted by ajoyfulpractice in Books, Changing Perspectives, Faith, Healing Stories, Hope, Life, Men, Movies, One Hoop, Philosophy, Religion, Science, Wisdom, Writing, Yoga.
Tags: , , , , , , ,
add a comment

Many blessings to everyone and especially to looking for friendship, peace, freedom, understanding, and wisdom.

Stay safe! Hydrate and nourish your heart, body, and mind. CONTINUE TO BREATHE!

“You are not only responsible for what you say, but also for what you do not say.”

— Martin Luther (b. 1483)

There is often a contradiction between what someone thinks they will do in a situation and what they actually do in that situation. Sometimes this is because our ideals don’t line up with our actual actions (i.e., thoughts, words, and deeds). Sometimes it is because the situation is much messier than what we imagined. That messiness can come from our own hearts and minds — and it can also come from the hearts and minds of others.

For a lot of people, things are messy right now. You might find — even if things are [quote-unquote] going your way — that your sympathetic nervous system is kicking in and that you want to fight, flee, or freeze (collapse). Take a moment to breathe and come back to (a variation of) the “formula” I have mentioned over the last few days

  • What are you seeing/hearing? 

  • What are you thinking?

  • What are you feeling?

  • What do you want?

  • What can you do?

It is in this moment, this liminal or threshold moment, that we choose how we untangle this double bind of Catch-22 situation.

CLICK ON THE EXCERPT TITLE BELOW FOR A RELATED POST.

For Those Who Missed It: Caught In The Middle

“‘The enemy,’ retorted Yossarian with weighted precision, ‘is anybody who’s going to get you killed, no matter which side he’s on, and that includes Colonel Cathcart. And don’t you forget that, because the longer you remember it, the longer you might live.’”

— quoted from Catch-22 (Chapter 12) by Joseph Heller (pub. 1961)

Please join me for a 65-minute virtual yoga practice on Zoom today (Sunday, November 10th) at 2:30 PM. Use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below or by emailing myra (at) ajoyfulpractice.com.

Sunday’s playlist is available on YouTube and Spotify. [Look for “05252022 Pratyahara II”]

NOTE: In previous years, we used a different pratyahara playlist. Click on the excerpt title above if you want to use that playlist instead.

If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can dial 988 (in the US) or call 1-800-273-TALK (8255) for the Suicide and Crisis Lifeline. You can also call this TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.

White Flag is a new app, which I have not yet researched, but which may be helpful if you need peer-to-peer (non-professional) support.

If you are a young person in crisis, feeling suicidal, or in need of a safe and judgement-free place to talk, you can also click here to contact the TrevorLifeline (which is staffed 24/7 with trained counselors).

In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es).

Donations are tax deductible; class purchases are not necessarily deductible.

Check out the “Class Schedules” calendar for upcoming classes.

### “Everything that is done in the world is done by hope.” (ML) ###

FTWMI: The Mo You Know (a mini-post w/ music) November 5, 2024

Posted by ajoyfulpractice in Changing Perspectives, Fitness, Food, Healing Stories, Health, Hope, Life, Men, Music, One Hoop, Pain, Science, Suffering, Tragedy, Wisdom, Yoga.
Tags: , , , , , , , , , , , , , , , , , , ,
add a comment

Many blessings to everyone and especially to anyone gathering friendship, peace, freedom, understanding, and wisdom.

May you be peaceful and happy / May you be healthy and strong!

For Those Who Missed It: The following was originally posted in 2023.

“I wish I had the voice of Homer
To sing of rectal carcinoma,
Which kills a lot more chaps, in fact,
Than were bumped off when Troy was sacked.

Yet, thanks to modern surgeon’s skills,
It can be killed before it kills
Upon a scientific basis
In nineteen out of twenty cases.”

— quoted from the poem “Cancer’s a funny thing” by J. B. S. Haldane

Today, Movember 5th, is a day when I typically sport a mou’ that is a cross between one associated with  Guy Fawkes — because he was arrested today in 1605, making today Guy Fawkes Day — and one similar to the ones in pictures of J. B. S. Haldane (b. 1892), who died of colorectal cancer at the age of 72. For slightly different reasons, I associate both of these people with their fabulous facial hair and with the first two chakras or energetic “wheels” as they come to us from India. First is the root chakra (which is symbolically and energetically connected to the lower body) and then there is the sacral chakra (which is symbolically and energetically connected to the hips and lower abdominal cavity). Today’s practice features poses from a sequence recommended for the colon and highlights the feeling of being grounded/supported.

Today is also the anniversary of the birth of Sam Shepard (b. 1943), as well as the birthday of Bryan Adams OC OBC FRPS (b. 1959) and Jonny Greenwood (b. 1971) — three mostly mou-less guys (two of whom are featured on the playlist)!

“So do not wait for aches and pains
To have a surgeon mend your drains;

quoted from the poem “Cancer’s a funny thing” by J. B. S. Haldane

Please join me today (Tuesday, Movember 5th) at 12:00 PM or 7:15 PM for a yoga practice on Zoom. You can use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below or by emailing myra (at) ajoyfulpractice.com.

Tuesday’s playlist is available on YouTube and Spotify. [Look for “Movember 5th 2022”]

“A spot of laughter, I am sure,
Often accelerates one’s cure;
So let us patients do our bit
To help the surgeons make us fit.”

— quoted from the poem “Cancer’s a funny thing” by J. B. S. Haldane

If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can dial 988 (in the US) or call 1-800-273-TALK (8255) for the Suicide and Crisis Lifeline. You can also call this TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.

White Flag is a new app, which I have not yet researched, but which may be helpful if you need peer-to-peer (non-professional) support.

If you are a young person in crisis, feeling suicidal, or in need of a safe and judgement-free place to talk, you can also click here to contact the TrevorLifeline (which is staffed 24/7 with trained counselors).

In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)

Revised 11/05/2023.

### The mo you know, the betta! ###

EXCERPTS: “Don’t Let Yesterday Take Up Moustache Today” & “Cowboy, I Moustache You To Go… Over Here” (a post-practice Monday post) November 4, 2024

Posted by ajoyfulpractice in "Impossible" People, 31-Day Challenge, Art, Changing Perspectives, First Nations, Fitness, Healing Stories, Health, Hope, Karma Yoga, Life, Men, One Hoop, Philosophy, Science, Wisdom, Yoga.
Tags: , , , , , , , , , , ,
add a comment

Many blessings to everyone and especially to anyone gathering friendship, peace, freedom, understanding, and wisdom.

May you be peaceful and happy / May you be healthy and strong!

This following excerpts are related to the practice on Monday, Movember 4th. The 2024 prompt question was, “Is it easy or hard for you to laugh at yourself? You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email myra (at) ajoyfulpractice.com.

In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es).

Donations are tax deductible; class purchases are not necessarily deductible.

Check out the “Class Schedules” calendar for upcoming classes.

“A gag, to be any good, has to be fashioned about some truth. The rest you get by your slant on it and perhaps by a wee bit of exaggeration, so’s people won’t miss the point.”

—  Will Rogers

Born October 4, 1879, in Oologah, Cherokee Nation, Indian Territory (now Oklahoma), Will Rogers was a symbol of the self-made man and the common man, who believed in working hard, progress, and the possibility of the American Dream. One of his jokes is the reason why stage migration is known as “the Will Rogers phenomenon.”

CLICK ON THE EXCERPT TITLES BELOW FOR MORE.

FTWMI: Don’t Let Yesterday Take Up Moustache Today

Cowboy, I Moustache You To Go… Over Here (the “missing” Sunday post)

“There are three kinds of men. The ones that learn by readin’. The few who learn by observation. The rest of them have to pee on the electric fence for themselves.”

—  Will Rogers

There is no playlist for the Common Ground Meditation Center practices.

A vinyasa playlist is available on YouTube and Spotify. [“Look for “Mov 4th & Will Rogers 2020”]

An instrumental playlist (with a focus on light) is also available on YouTube and Spotify. [Look for “Diwali 4 on Movember 5 2021”]

If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can dial 988 (in the US) or call 1-800-273-TALK (8255) for the Suicide and Crisis Lifeline. You can also call this TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.

White Flag is a new app, which I have not yet researched, but which may be helpful if you need peer-to-peer (non-professional) support.

If you are a young person in crisis, feeling suicidal, or in need of a safe and judgement-free place to talk, you can also click here to contact the TrevorLifeline (which is staffed 24/7 with trained counselors).

### MOU’ ALONG, LITTLE DOGGIE ###

I ALWAYS Moustache You An Important Question (a repurposed note w/excerpt) November 3, 2024

Posted by ajoyfulpractice in 31-Day Challenge, Changing Perspectives, Depression, Donate, Faith, Fitness, Food, Gratitude, Healing Stories, Health, Hope, Karma Yoga, Life, Men, Music, One Hoop, Philosophy, Science, Volunteer, Wisdom, Yoga.
Tags: , , , , , , , , , , ,
add a comment

Many blessings to everyone and especially to anyone grateful for friendship, peace, freedom, understanding, and wisdom.

May you be peaceful and happy / May you be healthy and strong!

“Moving for mental health is a tradition that goes back to the dawn of Movember.”

— quoted from “The Order of Mo’s Guide to Move” on the Movember (US) website

Most of you mou’ what’s up. Most of you mou’ that it’s Movember and that means I’m once again joining other Mo Bros, Mo Sisters, and Mo Siblings in the effort to change the face of men’s health. This is one of those practices when I talk about men’s physical and mental health — and we get our mooooove on.

Then, we get a little mou’ rest, cause…

“‘We respond differently to life’s unexpected challenges. Sometimes, though, that can leave us feeling worried or overwhelmed. It’s our hope that we can connect men with the right support, and equip their peers with the confidence and skills to reach out and help when it’s most needed.’”

— Brendan Maher, Global Director of Mental Health and Suicide Prevention, Movember

CLICK ON THE EXCERPT TITLE BELOW FOR MORE.

UPDATED 2023: I Moustache You An Important Question

Please join me for a 65-minute virtual yoga practice on Zoom today (Sunday, Movember 3rd) at 2:30 PM. Use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below or by emailing myra (at) ajoyfulpractice.com.

Sunday’s playlist is available on YouTube and Spotify. [Look for “Movember 3rd 2020”]

If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can dial 988 (in the US) or call 1-800-273-TALK (8255) for the Suicide and Crisis Lifeline. You can also call this TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.

White Flag is a new app, which I have not yet researched, but which may be helpful if you need peer-to-peer (non-professional) support.

If you are a young person in crisis, feeling suicidal, or in need of a safe and judgement-free place to talk, you can also click here to contact the TrevorLifeline (which is staffed 24/7 with trained counselors).

In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es).

Donations are tax deductible; class purchases are not necessarily deductible.

Check out the “Class Schedules” calendar for upcoming classes.

### MO FOLK COME TOGETHER! ###

Vie, Yama, & Almas Pradipika (the “missing” Saturday post w/ excerpts) November 2, 2024

Posted by ajoyfulpractice in Bhakti, Books, Buddhism, Changing Perspectives, Confessions, Faith, Food, Gratitude, Healing Stories, Health, Hope, Life, Loss, Love, Mantra, Meditation, Men, Music, Mysticism, One Hoop, Pain, Peace, Philosophy, Religion, Suffering, Wisdom, Women, Yoga.
Tags: , , , , , , , , , , , , , , , , , ,
add a comment

Many blessings to everyone observing All Souls y Día de (los) Muertos! Happy Diwali and Kali Puja! Blessings, light, love, and peace to everyone, everywhere!

This is the “missing” post for Saturday, November 2nd. It post contains some new content plus excerpts. You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email myra (at) ajoyfulpractice.com.

In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es).

Donations are tax deductible; class purchases are not necessarily deductible.

Check out the “Class Schedules” calendar for upcoming classes.

“I cannot leave out the problem of life and death. Many young people and others have come out to serve others and to labor for peace, through their love for all who are suffering. They are always mindful of the fact that the most important question is the question of life and death, but often not realizing that life and death are but two faces of one reality. Once we realize that we will have the courage to encounter both of them….

Now I see that if one doesn’t know how to die, one can hardly know how to live—because death is a part of life.”

— quoted from the “Riding on the Waves of Birth and Death” section of “FIVE — One Is All, All Is One: The Five Aggregates” in  The Miracle of Mindfulness: An Introduction to the Practice of Meditation by Thích Nhất Hạnh

You may or may not have noticed, but there is something… different about the post titles for yesterday and today. They don’t seem to make sense. If you have a passing knowledge (or are fluent) in a language other than English, you might recognize a word or two and guess that the others are words you didn’t learn or don’t remember. However, the truth is that the titles are in more than one language. Each language is a nod to an observation or celebration that occurred today. While the rituals and traditions can seem very different, they all come back to the same things: They all shine a “Light on Life, Death, & [All] Souls”.

Today, November 2nd, is All Souls’ Day, also known as the Commemoration of All the Faithful Departed — the last day of Allhallowtide in the Western Christian tradition and the final Día de (los) Muertos in Mexico and the Mexican diaspora. This year, these observations and celebrations coincide with the fifth and final day of Diwali.

“‘The knowing Self is not born; It does not die. It has not sprung from anything; nothing has sprung from It. Birthless, eternal, everlasting and ancient, It is not killed when the body is killed.’

‘Atman, smaller than the small, greater than the great, is hidden in the hearts of all living creatures. A man who is free from desires beholds the majesty of the Self through tranquility of the senses and the mind and becomes free from grief.’”

— quoted from Katha Upanishad (Part I – Chapter II, Verses 18 & 20) translated by Swami Nikhilananda

There is an obvious tie-in between the celebrations and observations referenced today, because one of the siblings in today’s Diwali story is, quite literally, “Death.” However, as I mentioned during the practice, I got a little stuck, because this fifth day of Diwali is a day when I usually reference my relationship with my (thankfully, very much alive) brothers.

The following excerpt is from a 2020 post:

“The final day of Diwali, the 5-day festival of light celebrated throughout India, Southeast Asia, and the diaspora, is a day devoted to siblings — specifically the bond between sisters and brothers. Sisters, who celebrate today in this way, may give a puja (“offering” and prayers) on behalf of their brothers — that their brothers may enjoy a long, healthy, and happy life — and then will host a dinner in honor of their brothers. But, it’s not just a matter of creating a feast with their brothers’ favorite food. No, in some traditions, a sister will hand feed their brothers.”

CLICK HERE FOR MORE.

“If he had not believed that the dead would be raised, it would have been foolish and useless to pray for them. In his firm and devout conviction that all of God’s faithful people would receive a wonderful reward, Judas made provision for a sin offering to set free from their sin those who had died. It is therefore a holy and wholesome thought to pray for the dead, that they may be loosed from sins.”

— quoted from 2 Maccabees (12:44 – 46)

CLICK ON THE EXCERPT TITLE BELOW FOR MORE.

Cèlèbrer Une Vie & FTWMI: Recuerda Todas Almas

“No two reports were ever the same. And yet always there was the drumlike thumping noise.

Some people insisted that it never went away, that if you concentrated and did not turn your ear from the sound, you could hear it faintly behind everything in the city….”

— quoted from The Brief History of the Dead by Kevin Brockmeier

Saturday’s playlist is available on YouTube and Spotify. [Look for “11022024 All Souls / Día de los / Diwali 5”]

NOTE: The YouTube playlist includes a track with a length and duration not currently available on Spotify. I will update Spotify when/if the original track is available. The substitution will not affect the timing of the practice.

If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can dial 988 (in the US) or call 1-800-273-TALK (8255) for the Suicide and Crisis Lifeline. You can also call this TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.

White Flag is a new app, which I have not yet researched, but which may be helpful if you need peer-to-peer (non-professional) support.

If you are a young person in crisis, feeling suicidal, or in need of a safe and judgement-free place to talk, you can also click here to contact the TrevorLifeline (which is staffed 24/7 with trained counselors).

### “BA-DUM. BA-DUM. BA-DUM.” ###

A Quick Note & EXCERPT: “Fourth Step: Once More, With Feeling” October 27, 2024

Posted by ajoyfulpractice in Books, Changing Perspectives, Depression, Healing Stories, Health, Hope, Life, Loss, Love, Men, Music, One Hoop, Pain, Philosophy, Poetry, Suffering, Tragedy, TV, Wisdom, Women, Writing, Yoga.
Tags: , , , , , ,
add a comment

Many blessings to everyone and especially to anyone cultivating friendship, peace, freedom, understanding, and wisdom.

May everyone be healthy and strong; may everyone be peaceful and happy; and may everyone recognize their whole self.

“Do not go gentle into that good night,

Old age should burn and rave at close of day;

Rage, rage against the dying of the light”

— quoted from the poem “Do not go gentle into that good night” by Dylan Thomas (b. 1914)

There are a lot of noteworthy things related to this date in history — including the fact that Laura Inter founded Brújula Intersexual (Intersex Compass), “a Mexican organization that works with intersex people, activists, and communities in Mexico, Latin America, and Spain”, today in 2013. All of the things, even the ones not mentioned in the practice and/or the excerpt below, are related to how we live our lives (i.e., how we spend our time) and how we interact with each other during the limited time that we have together.

The hope is that we can respect each other, be kind, and hold space for what each of us experiences on any given day.

CLICK ON THE EXCERPT TITLE BELORE FOR MORE.

Fourth Step: Once More, With Feeling

“I took a deep breath and listened to the old bray of my heart: I am, I am, I am.”

or

“I took a deep breath and listened to the old brag of my heart: I am, I am, I am.”

— quoted from two different editions of The Bell Jar by Sylvia Plath (b. 1932)

Please join me for a 65-minute virtual yoga practice on Zoom today (Sunday, October 27th) at 2:30 PMUse the link from the “Class Schedules” calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below or by emailing myra (at) ajoyfulpractice.com.

Sunday’s playlist is available on YouTube and Spotify. [Look for “10272021 Another Appointment”]

NOTE: Over the last few years, we have used four (4) different playlists on this date.  

If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can dial 988 (in the US) or call 1-800-273-TALK (8255) for the Suicide and Crisis Lifeline. You can also call this TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.

White Flag is a new app, which I have not yet researched, but which may be helpful if you need peer-to-peer (non-professional) support.

If you are a young person in crisis, feeling suicidal, or in need of a safe and judgement-free place to talk, you can also click here to contact the TrevorLifeline (which is staffed 24/7 with trained counselors).

In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es).

Donations are tax deductible; class purchases are not necessarily deductible.

Check out the “Class Schedules” calendar for upcoming classes.

“You and I are told increasingly we have to choose between a left or right. Well I’d like to suggest there is no such thing as a left or right. There’s only an up or down: [up] man’s old –  old-aged dream, the ultimate in individual freedom consistent with law and order, or down to the ant heap of totalitarianism. And regardless of their sincerity, their humanitarian motives, those who would trade our freedom for security have embarked on this downward course.”

— quoted from the 1964 “A Time for Choosing” speech by Ronald Reagan

### CONTINUE TO BREATHE ###

More Than Love from Althea & Arthur (the “missing” Sunday post) *w/an extra 2025 note* August 26, 2024

Posted by ajoyfulpractice in "Impossible" People, Abhyasa, Art, Books, Changing Perspectives, Faith, Fitness, Gratitude, Harlem Globetrotters, Healing Stories, Health, Hope, Life, Loss, Love, Meditation, Men, Music, One Hoop, Pain, Philosophy, Poetry, Suffering, Tragedy, Vairagya, Vipassana, Wisdom, Women, Writing, Yoga.
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,
add a comment

Many blessings to everyone and especially to anyone observing the Dormition (Theotokos) Fast; and/or working to cultivate friendship, peace, freedom, understanding, and wisdom — especially when it gets hot (inside and outside).

Stay hydrated & be kind, y’all!

This is the “missing” for Sunday, August 25th. Technically, it is also the “long lost” post for the 2021 practice. You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email myra (at) ajoyfulpractice.com.

In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es).

Donations are tax deductible; class purchases are not necessarily deductible.

Check out the “Class Schedules” calendar for upcoming classes.

III.24. Extraordinary strength, resulting from samyama on the concept of physical strength (the aphorism specifically mentions the strength of an elephant, which was undoubtedly the strongest creature in Patanjali’s world), but it might also include mental, moral, or spiritual strength. This could be interpreted as an exceptional form of mind-body control or as a mind-matter interaction effect. Swami Satchidananda sums up this siddhi with the comment, ‘You can lighten yourself; you can make yourself heavy. It’s all achieved by samyama. Do it; try it. Nice things will happen’ (p.188).”

III.37. Siddhis may appear to be supernormal, but they are normal. This is not a description of a siddhi, but rather a caution to avoid regarding or attaining the siddhis as unnatural or supernormal, as that could become a distraction to sustaining and deepening samadhi.”

— quoted from the “Taxonomy” section of “Part I: From Legendary Yoga Superpowers… Chapter 7: The Siddhis” in Supernormal: Science, Yoga, and the Evidence for Extraordinary Psychic Abilities by Dean Radin, PhD

In the Yoga Sūtras, Patanjali defined yoga (“union”) as a moment when all the internal chatter fades away (YS 1.2) and devoted a whole chapter to describing the powers that come when you focus-concentrate-meditate on a single thing and harness the power of the entire mind-body. He also outlined a process by which one can become completely absorbed into (or merged with) the point of their focus-concentration-meditation. Some of it sounds magical, extraordinary, or supernatural; but, it’s actually extra ordinary and very much supernormal. The ability to be single-minded and absorbed into something (or someone) is something we all do at various times in our lives.

We do it when we are “in the zone” and we do it when we are in the “first blush” of love.

Being in the zone is what athletes call it when you are in the moment, see exactly what needs to be done, and can do it in a way that almost appears effortless. Things just fall into place. Sometimes it even feels effortless and magical to the person that is in the zone. (YS 4.29) Other times, an athlete may find themselves running into the same obstacles and hinderances described in the Yoga Sūtras (YS 1.30-1.31) — not realizing that they need to practice non-attachment. Patanjali recommended focusing on the breath and, thousands of years later, a tennis player and coach recommended the same thing.

“It is said that in breathing humans recapitulate the rhythm of the universe. When the mind is fastened to the rhythm of breathing, it tends to become absorbed and calm. Whether on or off the court, I know of no better way to begin to deal with anxiety than to place the mind on one’s breathing process.”

— quoted from the “Focus During a Match” section of “7. Concentration: Learning to Focus” in The Inner Game of Tennis: The Classic Guide to the Mental Side of Peak Performance by W. Timothy Gallwey

Letting go of your own ego and getting out of your own way are foundational lessons in The Inner Game of Tennis: The Classic Guide to the Mental Side of Peak Performance (1974) by W. Timothy Gallwey. A tennis player and coach, Mr. Gallwey used his own experiences to help others play better psychologically — because sometimes you can up your game by changing what you are doing mentally, emotionally, and even energetically. Years after The Inner Game of Tennis was published (and after he published a companion book in 1976), Mr. Gallwey found that people were applying his book to other areas and in other disciplines. So he wrote Inner Skiing (1977), The Inner Game of Golf (1981), The Inner Game of Winning (1985), The Inner Game of Music (1986), and The Inner Game of Work: Focus, Learning, Pleasure, and Mobility in the Workplace (1999), and The Inner Game of Stress: Outsmart Life’s Challenges, Fulfill Your Potential, Enjoy Yourself  (2009). In each book, the bottom line is to get to a place where the mind is quiet.

Which brings us back to the other time when everything else disappears: love.

Love, nothing else matters — except in tennis.

“Perhaps this is why it is said that great poetry is born in silence. Great music and art are said to arise from the quiet depths of the unconscious, and true expressions of love are said to come from a source which lies beneath words and thoughts. So it is with the greatest efforts in sports; they come when the mind is as still as a glass lake.

Such moments have been called ‘peak experiences’ by the humanistic psychologist Dr. Abraham Maslow.”

— quoted from the “‘Trying Hard’: A Questionable Virtue” section of “3. Quieting Self 1” in The Inner Game of Tennis: The Classic Guide to the Mental Side of Peak Performance by W. Timothy Gallwey

Full disclosure: When I was growing up, I was the only person in my immediate family who didn’t play tennis. So, there are a bunch of things about tennis that just don’t make sense to me. For instance, why does “love” mean “zero” in tennis? There are a lot of different theories about why “love” equals “zero” in tennis. Some of these theories don’t have a lot of supporting evidence; they just seem like old wives tales that may or may not be true. They stick around, however, because they are funny. For instance, there is the idea that English speakers were mispronouncing the French word l’ œuf (“egg”) — so it sounded like they were saying “love” — and that the number zero looks like an egg. This is sometimes paired with the idea that if you make a bunch of mistakes (and score no points) you’ve laid a goose egg. The biggest problem with this theory is that when in France, where tennis was first developed, people simply used the word zéro.

Another prevalent (and possibly more credible) theory about the term, that dates back to the 1700s, is that when you have no score, but you still give it all you’ve got, then you are playing for the love of the game. This is a slightly more credible theory, because, according to the Webster’s 1828 Dictionary, the word “amateur” comes from the Latin words anator (“a lover”) and amo (“to love”), referring to a person who does something for love rather than for money.

Of course, every professional begins as an amateur and one could argue that every professional wants to feel the way they did when they were an amateur — as if nothing else matters, but that moment and the love of the game in that moment. And, this is where things get interesting; because, in tennis, the most prestigious tournaments are “open” to amateurs and professionals. They all play for the same stakes. They all play with love so palpable it can make other people fall in love with the game. Some even play with the kind of passion that can also change the face of the game.

“I always wanted to be somebody. If I made it, it’s half because I was game enough to take a lot of punishment along the way and half because there were a lot of people who cared enough to help me.”

— quoted I Always Wanted to Be Somebody by Althea Gibson, edited by Ed Fitzgerald

Born today in 1927, Althea Gibson was a professional tennis player as well as a professional golfer. In 1949, she was the first Black woman and the second Black athlete (after Dr. Reggie Weir) to play in the National Indoor Championships hosted by the United States Lawn Tennis Association (USLTA, now known as the USTA). While she earned a full athletic scholarship to Florida A&M University (FAMU) and was considered an elite athlete all around the world, her race and ethnicity meant that she was not able to play in some of the most prestigious competitions in the world. To be clear, USTA had anti-discrimination rules in the 1950s; however, to qualify for certain tournaments, a player had to have a certain amount of points. In order to earn those points, a player had to play (and place) at a number of tournaments. Of course, some tournaments were held at clubs that were white-only — which meant that a player like Althea Gibson couldn’t play.

The first crack in that glass ceiling came when American Tennis Association (ATA) officials and 18 time Grand Slam championship-winner Alice Marble very publicly lobbied for Althea Gibson to be the first African-American to receive an invitation to the Nationals. Three days after her 23rd birthday, Ms. Gibson made her debut at Forest Hills and won. The world took notice; even though she ultimately lost the next match (in a delayed round) to Louise Brough, the then three-time defending Wimbledon champion, who also lobbied for inclusion.

Six years later, in 1956, Althea Gibson became the first African-American to win a Grand Slam event when she won the singles crown at the French Championships (now known as the French Open). She and Angela Buxton (from the United Kingdom) also won the doubles. Later that season, she won the championships in Rome, Italy; New Delhi, India; and Ceylon (now Sri Lanka). The following year, and the year after that, she won both Wimbledon and the US Nationals (which preceded the US Open) and was named “Female Athlete of the Year” by the Associated Press. (1957 was also the year she beat Louise Brough, who by then had won 35 major championships.)

“According to [American sculpture Eric] Goulder, each [of the five granite blocks] represents the ‘boxes’ society puts people in. [Althea] Gibson’s image emerges from the highest one, which balances on its corner to emphasize how she transformed the world’s view of African American athletes.

‘Her shoulder is exposed to make clear that those who followed stand on her shoulder,’ said Goulder. The final box, which is aligned differently from the others, is meant to show that the world has changed, but not entirely.

Its inscription reads: ‘I hope that I have accomplished just one thing: that I have been a credit to tennis and my country.’”

— quoted from the August 26, 2019, Reuters article “Trailblazer Althea Gibson honoured with statue at U.S. Open” by Arlyn Gajilan

Overall, Althea Gibson won a total of 11 Grand Slam events — including five singles titles, five doubles titles, and one mixed doubles title. In 1964, she became the first African-American woman to join the Ladies Professional Golf Association (LPGA) tour, where she broke course records and was among the 50 money winners for fives years. She was inducted into the International Tennis Hall of Fame (in 1971); was one of the first six inductees into the International Women’s Sports Hall of Fame (in 1980); and, in 2007, on the 50th anniversary of her first victory at the US National Championships, she was inducted into the US Open Court of Champions.

Althea Gibson was also inducted into the the Florida Sports Hall of Fame, the Black Athletes Hall of Fame, the Sports Hall of Fame of New Jersey, the New Jersey Hall of Fame, the International Scholar-Athlete Hall of Fame, and the National Women’s Hall of Fame. Additionally, she received a Candace Award from the National Coalition of 100 Black Women (in 1988) and was the first woman to receive the National Collegiate Athletic Association’s Theodore Roosevelt Award (in 1991). In 2000, Sports Illustrated placed her at #30 on their “100 Greatest Female Athletes” list. In 2013, the United States Postal Service honored her with a postage stamp and, in 2019, a bust of her was unveiled outside of the USTA Billie Jean King National Tennis Center in Flushing Meadows, where the US Open is now held.

“In a statement Sunday, tennis champion and activist Billie Jean King had this to say: ‘We all know people who influence us and, if we are lucky, we meet a few in our lives who improve us. Althea Gibson improved my life and the lives of countless others. She was the first to break so many barriers, and from the first time I saw her play, when I was 13 years old, she became, and remained, one of my true heroines.

‘It was truly an inspiration for me to watch her overcome adversity. Her road to success was a challenging one, but I never saw her back down. Althea did a lot for people in tennis, but she did even more for people in general.’”

— quoted from the September 29, 2003, Chicago Tribune article “Althea Gibson” (by the Chicago Tribune staff)

Even though Ms. Gibson broke so many color barriers that people compared her to Jackie Robinson, she couldn’t overcame all the obstacles put in her way. Despite winning multiple times at Wimbledon, she and her doubles partner, Angela Buxton, who was Jewish, were denied membership to the All England Club on more than one occasion.1 While many of the competitors that she beat were receiving endorsement deals, similar deals never came her way. That sort of racism and prejudice led her to join the LPGA, but even there she ran into literal barriers to entry. Sometimes she was not allowed to compete. Sometimes she had to change clothes in her car, because the clubs, hotels, and dressing rooms were segregated and no accommodations were available to her. While the highest earners (during the years she played on the tour) averaged, almost $35,000 a year, Althea Gibson’s lifetime golf earnings were under $25,000 (plus or minus a car she won at a Dinah Shore tournament).

Despite the ongoing challenges, Althea Gibson kept persevering. Maybe one of the reasons she never seemed to back down was because she was always fighting to survive. She dropped out of school when she was 13 years old and ran away from home because her father was abusive. At one point she lived in a Catholic shelter for abused children. By that time, she was already a paddle tennis champion in New York City and her neighbors had pooled their resources together to purchase her a junior membership and lessons at the Cosmopolitan Tennis Club in the Sugar Hill section of Harlem. But, young Althea didn’t initially love tennis. It was a means to an end; it was one of her many means of escape.

“‘Being a champ is all well and good,’ I would tell the well-meaning people who asked me about my retirement, ‘but you can’t eat a crown. Nor can you send the Internal Revenue Service a throne clipped to their tax forms. The landlord and grocer and tax collector are funny that way: they like cold cash. I may be the Queen of Tennis right now, but I reign over an empty bank account, and I’m not going to fill it by playing amateur tennis, even if I remain champ from now until Judgement Day.’”

— quoted from “So Much to Live For” in So Much to Live For by Althea Gibson with Richard Curtis

In addition to being an accomplished athlete, Althea Gibson was also a singer, a saxophone player, an actor, a sports analyst, and an author. She turned to all of those mediums in an effort to support herself and pushed the limits of everything she did so that each industry was better than she found it. She even opened for the Harlem Globetrotters by playing exhibition games with Karol Fageros and ran for public office. For much of her adult life, she was also a mentor and coach. She facilitated Pepsi Cola’s national mobile tennis project in underprivileged areas and ran multiple other clinics and tennis outreach programs. She inspired her competitors, as well as players in subsequent generations: like Billie Jean King and Serena and Venus Williams.

The Williams sisters, in particular, sought advice on how to play and how to deal with racism (on and off the court). In fact, Serena Williams won her first (of six) US Open titles in 1999, shortly after faxing a letter and a series of questions to Ms. Gibson. In 2000 and 2001, Venus Williams followed in Althea Gibson’s footsteps by winning back-to-back championships at Wimbledon and the US Open. Like Evonne Goolagong, the Australian Aboriginal (Wiradjuri) athlete who became the second non-White woman to win a Grand Slam championship (in 1971), the Williams Sisters and other African-American athletes experienced a different financial landscape than Althea Gibson, but they still had to deal with racism and prejudice.

“You can’t compare tennis with baseball, basketball, or football. When Jackie Robinson broke the color line in 1947 with the Brooklyn Dodgers, dozens of good baseball players in the Negro leagues were waiting to follow. When Althea Gibson, the first prominent black in tennis, won national grass-court titles at Forest Hills in 1957 and 1958, there was no reservoir of black talent waiting to walk in if the door ever opened. Blacks had no identification the sport — on or off the court.”

— quoted from “3. The Passage” in Off the Court by Arthur Ashe with Neil Amdur

Another person Althea Gibson inspired was Arthur Ashe, who who won the US Amateur Championships today in 1968. A couple of weeks later, on September 9th, the Army lieutenant at West Point, followed in Althea Gibson’s footsteps: winning the first US Open and becoming the first African-American man to win a Grand Slam event. He also became the first person (period) to win the US Amateur and the US Open in the same calendar year. These were not his first, nor his last, groundbreaking achievements in tennis. In 1963, he was the first Black player selected for the US Davis Cup team and, so far, he has been the only Black man to win the singles titles at Wimbledon, the US Open, and the Australian Open.

Up until 1968, the US National Championship events were held at a variety of locations and only open to amateurs. When it became the US Open, it was open to professionals as well as to amateurs — which is what Arthur Ashe was at the time. In fact, he was the underdog, going up against a professional. He was also active duty, during a war — his younger brother Johnnie accepted an extra tour in Vietnam, which allowed him to compete since the United States had a policy against sending brothers into a war zone. First Lieutenant Ashe’s amateur status meant that his prize money went to the runner up.

“‘Money makes me happy.’ Who would make such a crass remark? I did, in my book Portrait in Motion, written with Frank DeFord. But the truth is that I’m glad I have enough money to live comfortably, and I enjoyed adding to my bank account as I earned money on the tennis court and in various business deals when I was a professional. I was not born poor, but my father was hardly rich. I long ago decided that, on the whole, I much prefer having money to not having it. In that sense, it makes me happy.

On the other hand, I also learned a long time ago what money can and cannot do for me. From what we get, we can make a living; what we give, however, makes a life.

— quoted from “6. The Striving and Achieving” in Days of Grace: A Memoir by Arthur Ashe and Arnold Rampersad

Arthur Ashe was inducted into the Virginia Sports Hall of Fame (in 1979), the Intercollegiate Tennis Association (ITA) Hall of Fame (in 1983), and the  International Tennis Hall of Fame (in 1985). In 1975, he received the inaugural Player of the Year Award from the Association of Tennis Professionals (ATP) and was named the BBC Overseas Sports Personality of the Year. In 1977, other players on the ATP-tour awarded him the ATP Sportsmanship Award. In December 1992, just a few months before he died, he received the “Sports Legend” Award from the American Sportscasters Association. In 1993, he was posthumously awarded the Presidential Medal of Freedom by President Bill Clinton, the Congressional Black Caucus Foundation’s George Thomas “Mickey” Leland Award, and ATP’s Arthur Ashe Humanitarian of the Year Award by the ATP. He was also an author and an Emmy Award winner. In 1997, the newly constructed Arthur Ashe Stadium became the largest venue at the USTA Billie Jean King National Tennis Center in Flushing Meadows, home of the US Open. “Soul in Flight,” a statue sculpted by Eric Fishl, was unveiled in 2000 as a memorial to Arthur Ashe and to the spirit of sportsmanship and humanitarianism that he embodied. In 2005, the United States Postal Service issued a commemorative stamp in his honor.

Throughout his career, Arthur Ashe was an activist. He was part of the Civil Rights Movement in the United States and also part of the anti-apartheid movement in South Africa. He also advocated for Haitian refugees and was a campaign chairman for the American Heart Association. In 1983, he contracted HIV after a blood transfusion during heart bypass surgery and, when he announced his diagnosis in April of 1992, he became a very public HIV/AIDS advocate and educator. He also founded the Arthur Ashe Foundation for the Defeat of AIDS and the Arthur Ashe Institute for Urban Health.

“Perhaps my favorite prayer-poem by Howard Thurman is ‘The Threads In My Hand.’ The speaker of the poem says that he holds only one end of a number of threads, which come to him from ‘many ways, linking my life with others.’ Some threads come from the sick and troubled, some from the dreaming and ambitious; still others are knotted beyond the speaker’s  power to understand and unravel. But one thread is different from all others:

One thread is a strange thread—it is my steadying thread;
When I am lost, I pull it hard and find my way.
When I am saddened, I tighten my grip and gladness glides along its quivering path;
When the waste places of my spirit appear in arid confusion,
the thread becomes a channel of newness in life.
One thread is a strange thread—it is my steadying thread.
God’s hand holds the other end…”

— quoted from “10. The Threads in My Hands” in Days of Grace: A Memoir by Arthur Ashe and Arnold Rampersad

In chapter 10 of Days of Grace: A Memoir, Arthur Ashe described himself as “a fortunate, blessed man… [with] no problems” — aside from two really major health problems. Those two health problems were not the one’s most commonly associated with tennis players. In fact, neither Arthur Ashe nor Althea Gibson seemed to have dealt with the one of the health issues most commonly associated with a non-contact sports like tennis: “tennis elbow” — which is a bit of misnomer. While 50% of tennis players report elbow pain — 75% of which is considered true “tennis elbow” — tennis players only make up about 10% of all the cases of nationwide. In other words, you can have “tennis elbow” even if you’ve never played tennis. It’s simply a repetitive stress issue. So, if you do certain movements repeatedly, without stability, you could end up with tendonitis or tendinosis. Tennis, even when done on a table, is very asymmetrical; making unilateral stability a priority.

But, neither of these record-breaking seemed to have a problem with tendonitis or tendinosis. Unfortunately and ironically, Althea Gibson and Arthur Ashe both had cardiovascular issues.

Two cerebral hemorrhages, in the late 1980s, a stroke in 1992, and related medical expenses left Althea Gibson in dire straits. No help was forthcoming when she reached out to various tennis organizations; however, Angela Buxton, her former doubles partner, was able to engage the tennis community and raised nearly $1 million in donations from around the world. In 2003, she suffered a heart attack and then, later that year, died from complications related to respiratory and bladder infections.

Arthur Ashe had a family history of cardiovascular disease and was 36 years old when he suffered his first heart attack in 1979. His heart was in such bad condition, despite his athleticism, that he needed a quadruple bypass. A few months later, he had to delay his return to tennis, because of chest pains. In 1983, he had a second bypass surgery — which is when it is believed he contracted HIV. Paralysis in his right arm led to a battery of tests, exploratory brain surgery, and the HIV diagnosis. Due to the stigma associated with HIV and AIDS, Arthur Ashe and his wife initially decided that the best way to protect their young daughter was by not publicly disclosing his diagnosis. In the fall of 1992, he had a second heart attack and learned that a newspaper was planning to release his diagnosis. A few months later, in 1993, he died from AIDS-related pneumonia.

“By the time you read this letter from me to you for the first time, I may not be around to discuss with you what I have written here. Perhaps I will still be with you and your mother, sharing in your daily lives, in your joys and in your sorrows. However, I may be gone. You would doubtless be sad that I am gone, and remember me clearly for a while. Then I will exist only as a memory already beginning to fade in your mind. Although it is natural for memories to fade, I am writing this letter in the hope that your recollection of me will never fade completely.”

— quoted from “11. My Dear Camera” in Days of Grace: A Memoir by Arthur Ashe and Arnold Rampersad

As I mentioned before, I grew up as the non-playing member of a tennis-loving family. Most of the time I didn’t mind not playing tennis, because I was absorbed in other things. I loved other things. There was one time, however, when I was really grateful that I didn’t play — and so were my parents.

It was during a time when we were living in the Maryland-D.C. area, late 70s or early 80s. If memory serves me2 — and if I go by the 1981 publication date of Off the Court — I was probably have been as old as 12 or 13. Either way, I was small (spoiler alert: I have always been small). Since I wasn’t playing in the tournament, I wasn’t restricted to certain areas the way my brothers were restricted. So, my parents lifted me over the fence with a copy of Arthur Ashe’s autobiography. Being the man that he was, he didn’t hesitate to sign it.

It was a very memorable day that I will never forget, but, to him, it was: “Just another day at the office…”

“…he told the Baltimore Sun’s Jim Caffrey[,] ‘I never get too excited about winning anything; it’s just my philosophy of life.’”

— quoted from the August 13, 2017, Andscape (“#RememberWhensdays”) article, “The day Arthur Ashe became the first black man to win the US Open: Ashe earned the top ranking in the country with the five-set victory” by Rhiannon Walker

Sunday’s playlist is available on YouTube and Spotify. [Look for “08252021 Love from Althea & Arthur”]

NOTES: 1The All England Lawn Tennis and Croquet Club (AELTC), also known as the All England Club, is a private members’ club in Wimbledon, London, England. Established on July 23, 1868, the majority of the nearly 600 members are are Full Members — who, along with Life Members and Honorary Members, make up no more than 500 members. A little over 50 members are Temporary Members of Junior Temporary Members.

To be placed on the waiting list, full and temporary membership candidates must submit an application with formal letters of support from four existing full members, “two of whom must have known the applicant for at least three years.” While some honorary members are occasionally elected by the club’s committee, “past [Wimbledon] Singles Champions, other eminent Lawn Tennis players…” are typically (and automatically) invited to become honorary members. While Black players and Jewish players were theoretically eligible to join the club in 1951 and 1952, respectively, neither Althea Gibson nor her doubles partner Angela Buxton (who retired at the age of 22, because of tenosynovitis) ever made the cut.

2In July 2025, my father randomly texted me about getting Arthur Ashe’s autograph. He remembered it being on a program, which would have made me a lot younger than the age I remembered.

CORRECTION: During the 2024 practice, I referred to Arthur Ashe as a photographer; however, I was confusing him with his wife, the photographer and graphic artist Jeanne Moutoussamy.

Extreme heat can not only make people lethargic and unmotivated, it can also lead to extreme agitation and anxiety-based fear. We may find it hard to think, hard to feel (or process our feelings), and/or hard to control our impulses. If you are struggling in the US, help is available just by dialing 988.

If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can dial 988 (in the US) or call 1-800-273-TALK (8255) for the Suicide and Crisis Lifeline. You can also call this TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.

White Flag is a new app, which I have not yet researched, but which may be helpful if you need peer-to-peer (non-professional) support.

If you are a young person in crisis, feeling suicidal, or in need of a safe and judgement-free place to talk, you can also click here to contact the TrevorLifeline (which is staffed 24/7 with trained counselors).

(### ###)

FTWMI: The Roots of Your Story August 11, 2024

Posted by ajoyfulpractice in Abhyasa, Books, Changing Perspectives, Depression, Dharma, Faith, Gratitude, Healing Stories, Health, Hope, Karma, Life, Loss, Meditation, Men, Movies, Music, One Hoop, Pain, Philosophy, Suffering, Tragedy, Wisdom, Women, Writing, Yoga.
Tags: , , , , , , , , , , , , , , , ,
add a comment

Many blessings to everyone and especially to creating histories of friendship, peace, freedom, and wisdom — especially when it gets hot (inside and outside).

Stay hydrated & be kind, y’all!

For Those Who Missed It: The following is a slightly revised version of a 2021 post. Class details, date-related information, and some formatting have been added or updated. Corrections at the end of the post are specifically related to the 2021 practices and/or post.

“I love short stories because I believe they are the way we live. They are what our friends tell us, in their pain and joy, their passion and rage, their yearning and their cry against injustice. We can sit all night with our friend while he talks about the end of his marriage, and what we finally get is a collection of stories about passion, tenderness, misunderstanding, sorrow, money….”

— quoted from the essay “Marketing” in Part III of Broken Vessels: Essays by Andre Dubus

Maty Ezraty once said, “A good sequence is like a good story. There is a beginning (an introduction), the middle (the heart of the story), and the end (the conclusion).” Life is a little different in that we meet each other in the middle of our stories and simultaneously progress forward and back (as we learn about each other’s back stories). However, regardless of the order in which we receive the information, take a moment to consider that our minds, bodies, and spirits are always telling us stories. The practice just happens to be a great way to process our stories. What remains to be seen, however, is if we paying attention.

Are we paying attention to our own stories? Are we paying attention to the stories of others? What happens when we “listen” to the sensation, which is the information that relates the story? What happens when, no matter how “woo-woo” it may seem, we trust our intuition and what comes up for us during the practice?

What happens when we dig down deep into the roots of the stories we tell ourselves and the stories we tell each other?

“There is fiction in the space between
You and reality
You will do and say anything
To make your everyday life seem less mundane
There is fiction in the space between
You and me”

— quoted from the song “Telling Stories” by Tracy Chapman

“Either you deal with what is the reality, or you can be sure that the reality is going to deal with you.”

— Alex Haley

At the beginning of the practice, as we are getting into the first pose — no matter what pose it is — we spend a little time establishing the roots, the foundation, the seat, the āsana. Then we repeat that process, again and again, as we move through the practice. Sometimes, we establish a foundation that works for a whole sequence, which gives us a different understanding of the root system and how everything stacks up from the base, the seat, the āsana (which is the pose). Sometimes, when we come back to a pose, we may pause for a moment and consider what’s changed, what’s shifted, and whether the original foundation still serves us. Sometimes we may find that, like roots, we need to spread out a little. If we spread out a little, add a prop, and/or bring another part of our body to the floor or a prop, then we are adding to our āsana, our seat, our foundation, our roots.

Adding to our roots, sometimes allows us to go deeper into our stories. The deeper we go, the more stories we find. The more stories we find, the more stories we can share.

“My fondest hope is that Roots may start black, white, brown, red, yellow people digging back for their own roots. Man, that would make me feel 90 feet tall.”

— Alex Haley (in a Playboy interview)

We may not always realize, but we are actually telling a multitude of stories any given time. There is the physical story of who we are and what we’re doing in this moment; which is also the story of what we’ve done in past moments and may tell a little bit about our future moments. Then, consider the mental story — which is inextricably tied to the physical story — and the emotional story, which is also tied to the mind-body story. There’s also, sometimes, a symbolic story based on the stories and attributes associated with the poses. Finally, there is an energetic story.

Actually, I could say that there are energetic stories; because different cultures and sciences have different energetic mapping systems. Yoga and Āyurveda, as they come to us from India, include an energetic mapping system composed of nādis (energy “channels” or “rivers”), marma points or marmāni (“vital” or “vulnerable” points), and chakras (energy “wheels”). The chakras, which are the points where the three primary nādis overlap around the center of the body, correspond with certain parts of the body and certain parts of our lives. In other words, they correspond with certain parts of our stories.

It is not an accident that the parts of our bodies that serve as our primary support (feet, legs, pelvic floor area) are referred to in yoga as our “root chakra” and that it is associated with our foundation in life: our first family, our tribe, our community of birth. Going deeper into these physical roots can give us deeper insight into how we — literally, metaphorically, and energetically — move through the world. Going deeper into these physical roots can give us deeper insight into how we build our lives, how we support ourselves, and (even) how we support our relationships and dreams.

“When you start talking about family, about lineage and ancestry, you are talking about every person on earth.”

Roots is not just a saga of my family. It is the symbolic saga of a people.”

— Alex Haley

I often point out that just as we can be genetically connected to people we have never met and will never meet, we can also be energetically connected to people we have never met and will never meet. Just as someone who is adopted can find it beneficial (but challenging) to discover their birth families medical history, many of us can find that it is beneficial — but challenging — to discover the history of our ancestors: where they came from, what languages they spoke, what food they ate, what experiences informed their society. When we are able to uncover those stories, we gain insight into our own lives.

Nowadays, pretty much anyone and their mother can take a DNA test and discover some information about their family history, their roots. Of course, there will still be some unknowns and, if there’s no paper trail, there may be a lot of unknowns. Go back fifty or sixty years, before such tests were readily available to the public, and most African Americans in the United States had little to no hope of knowing their families’ back stories. Sure, there were family legends and bits and pieces of folklore that had been verbally passed down, but one never really knew how much was fact and how much was fiction. Even if, as is the case in my family, people lived long lives and there were family cemeteries, the legacy of slavery created a multigenerational novel with several chapters ripped out.

Born in Ithaca, New York on August 11, 1921, Alex Haley wanted to recover the ripped out chapters of his family’s story. His father, Simon Alexander Haley, was a professor of agriculture at several southern universities whose parents had been born into slavery (after being fathered by their mother’s slave owners). His mother, Bertha George Haley (née Palmer), was also the descendant of slaves and often told him stories about their ancestors. As was expected by his family, young Alex started college; however, he dropped out and joined the United States Coast Guard. It was during his 20 years in the Coast Guard that Alex Haley started his career as a writer.

Alex Haley is remembered for works like the 1965 Autobiography of Malcolm X and his 1976 book Roots: The Saga of an American Family, as well as Queen: The Story of an American Family (which was completed by David Stevens after Mr. Haley’s death), but he started off by writing love letters on behalf of his fellow sailors. Eventually he wrote short stories and articles for American magazines and, after World War II, he transferred into journalism where he was designated petty officer first-class (in 1949). He earned at least a dozen awards and decorations and the position of Chief Journalist was reportedly created for him. It was a position he held (along with the designation of chief petty officer) until he retired (in 1959).

After he retired, Alex Haley continued to make a name for himself by conducting interviews for Playboy. He was known for interviewing the best and the brightest in the African American community. In addition to his interviews with Malcolm X (which became his first book), he interviewed Muhammad Ali, Miles Davis, Martin Luther King Jr., Sammy Davis Jr., football legend Jim Brown, and even Quincy Jones — who would compose the music for the movies made out of Alex Haley’s books. He also interviewed famous people (who were not Black)  like Johnny Carson and notorious people (who were not Black) like the Neo-Nazi politician George Lincoln Rockwell and Malvin Belli, the attorney who defended Jack Ruby.

When he started tracing his own family roots, Alex Haley interviewed family members and even traveled to Gambia (in West Africa) to interview tribal historians. Of course, there were still holes in the story and whole (cough, cough) passages missing. So, Mr. Haley decided to braid together what he could verify and what he was told with what he could imagine. Since his life experience was so vastly different from that of his ancestors, he decided to book passage on a ship traveling from the West African coast of Liberia to America — and, in order to more fully experience “middle passage,” he slept in the hold of the ship wearing only his underwear. During the 10 years that it took him to complete the novel (which he initially called Before This Anger), Alex Haley supported himself as a public speaker at universities, libraries, and historical societies.

Despite accusations of plagiarism, Mr. Haley’s finished product, Roots: The Saga of an American Family, became a bestselling novel that has been translated into almost 40 languages. It received a Special Citation Pulitzer Prize in 1977, and was adapted into a 12-hour television miniseries that was one of the most watched television events in history. The book ignited an interest in genealogy (particularly for African Americans) and spawned a second mini-series, Roots: The Next Generations, as well as a second book, Queen: The Story of an American Family. Queen, about Alex Haley’s paternal grandmother — who was a mixed child born into slavery — was also made into a much anticipated mini-series. The 1993 series was so anticipated that while I barely remembered that Halle Berry starred as “Queen,” I distinctly remember driving on I-45 between Dallas and Houston on a Sunday night and stopping at a motel because I didn’t want to miss the beginning of the series. I didn’t want to miss any part of the story that could have just as easily been my family’s story.

“Racism is taught in our society, it is not automatic. It is learned behavior toward persons with dissimilar physical characteristics.”

— Alex Haley

In some yoga practices, when we are on our backs with legs crossed, I might call the position “Eagle Legs” or Garudāsana Legs.” However, in some styles and traditions, like in Yin Yoga, the same position would be called “Twisted Roots.” All of us, especially in America, have twisted roots — ways in which we may not realize we are connected, ways in which we may not realize our stories overlap. In the pose, the position of the legs engages the hips — what I often refer to as “the energetic centers of our relationships.” Our hips are energetically and symbolically associated with our second chakra, also known as our “sacral” (and “sacred”) chakra, and the relationships we make outside of our first family, tribe and community of birth. It is here that we, quite literally in Sanskrit, find our “[self] being established.” Again, it is no coincidence that the twisted roots in our lives engage — and bring awareness to — our connections to those we perceive as being different from us.

This is where we start to notice how our stories overlap.

On the surface, it might appear that Alex Haley and Andre Jules Dubus II have very little in common outside of a birthday, a nationality, and a profession. Mr. Dubus was born in Lake Charles, Louisiana on August 11, 1936. While Alex Haley was the oldest child and traced his heritage to African Cherokee, Scottish, and Scottish-Irish ancestors, Andre Dubus II was the youngest born into a Cajun-Irish Catholic family. Literature and writing were emphasized throughout his school and it was only after he graduated from college — with a degree in journalism and English — that, like Mr. Haley, Mr. Dubus enlisted in the military. He served in the United States Marine Corps for six years, earned the designation of captain, and eventually earned an MFA in creative writing.

“Wanting to know absolutely what a story is about, and to be able to say it in a few sentences, is dangerous: it can lead to us wanting to possess a story as we possess a cup. We know the function of a cup, and we drink from it, wash it, put it on a shelf, and it remains a thing we own and can control, unless it slips from our hands into the control of gravity; or unless someone else breaks it, or uses it to give us poisoned tea. A story can always break into pieces while it sits inside a book on a shelf; and, decades after we have read it even twenty times, it can open us up, by cut or caress, to a new truth.”

— quoted from the essay “A Hemingway Story” in Meditations from a Movable Chair: Essays by Andre Dubus

Andre Dubus II spent most of his adult life teaching literature and creative writing, while also earning recognition for his short stories and novellas, as well as at least one novel. He was awarded fellowships from the Guggenheim and MacArthur Foundations, as well as several PEN Awards. His 1979 short story “Killings” was adapted into a screenplay written by Todd Field and Robert Festinger. The movie, In the Bedroom, was nominated for five Academy Awards and three Golden Globe Awards (with Sissy Spacek winning for “Best Actress – Drama”). Other works by Mr. Dubus include the novellas We Don’t Live Here Anymore and Adultery, which were combined and adapted (by Larry Gross) into the movie We Don’t Live Here Anymore. Mr. Dubus also wrote Broken Vessels: Essays; Dancing After Hour: Stories; and Meditations from a Moveable Chair: Essays.

Like Alex Haley, some of Mr. Dubus’s work appeared in Playboy. Additionally, both men were married three times (although Andre Dubus II had twice as many children1). While the works of both men include love and hope overcoming tragedy, challenges, and horrific hardships, the source of their tragedy, challenges, and hardships were very different.

Well, ok, this first part is similar: Like Alex Haley, Andre Dubus II was affected by the rape of a relative. In the latter case, it was one of his own daughters and his daughter’s experience left him traumatized. (Years later, he would hear and retell the story of his sister Kathryn’s rape.) He was plagued with fear and paranoia surrounding the safety of his loved ones. His anxiety was so acute that he carried guns with him so that he was prepared to defend his family and friends against any (perceived) threats. His decision to carry multiple guns wherever he went — combined with his fear and paranoia — almost resulted in a second tragedy when he nearly shot a drunk man who was arguing with his son.

(This next part is symbolically similar to an earlier story, because it involves places the writer had never been and tragedy that occurred when strangers were thrown together.)

Like Alex Haley, Andre Dubus II wanted to go to the places about which he was going to write. He wanted to put himself in the shoes and on the path of his characters. So, he drove to Boston to check out some bars. Driving home that night, Wednesday, July 23, 1986, along I-93 between Boston and his home in Haverhill, Massachusetts, Mr. Dubus saw a couple of stranded motorists: a brother and a sister, Luis and Luz Santiago. None of them knew it at the time, but a motorcyclist had suffered a personal heartbreak, gotten drunk, crashed his bike, and then abandoned it in the middle of the road. Despite his anxiety, paranoia, and fear of strangers, it doesn’t appear that Mr. Dubus hesitated to help the Puerto Rican siblings in need. Neither does it appear that he hesitated (later) to help the drunk motorcyclist.

Tragically, after he stopped to help them move their car off of the highway, someone hit Andre Dubus II and the siblings. Luis Santiago died at the age of 23. Luz Santiago survived — because Andre Dubus II pushed her out of the way.  As for Mr. Dubus, his legs were crushed in a way that initially resulted in his left leg being amputated above the knee and eventually led to the him being unable to use his right leg.2

He attempted to use prosthetics, but infections regulated him to a wheelchair. His medical and physical therapy bills stacked up — as did his anxiety, which was now compounded by clinical depression. His community of fellow writers stepped in to help him financially, and even emotionally. A literary benefit sponsored by Ann Beattie, E.L. Doctorow, John Irving, Gail Godwin, Stephen King, John Updike, Kurt Vonnegut, and Richard Yates yielded $86,00. But, there was more heartbreak: his third wife left him, taking his youngest two daughters.

Still, he kept writing.

“Don’t quit. It’s very easy to quit during the first 10 years. Nobody cares whether you write or not, and it’s very hard to write when nobody cares one way or the other. You can’t get fired if you don’t write, and most of the time you don’t get rewarded if you do. But don’t quit.”

— Andre Dubus II

Broken Vessels: Essays, which was Pulitzer Prize finalist, contains five sections. However, in a September 1991 review in The Baltimore Sun, Garret Condon indicated that the essays can be divided into two sections: Before the accident and After. A similar division can be seen in the whole body of his work as he moved from short stories based on the struggles and victories of the characters he found around him to essays about his own struggles and victories. As Alex Haley did, Mr. Dubus found himself attempting to bridge the gap between what he knew, what he was told, and what he could imagine. Lights of the Long Night braids together the story the 1986 accident as Andre Dubus II remembered it with the memories of the doctor who saved his life and those of Luz Santiago (whose life Mr. Dubus saved). Dancing After Hours: Stories is a collection of short stories full of characters whose lives are marked by a tragic before-and-after. Then there is Meditations from a Moveable Chair: Essays which depicts Andre Dubus’s personal journey through the trauma, loss, disability, and healing.

“It is not hard to live through a day, if you can live through a moment.”

— quoted from the short story entitled “A Father’s Story” by Andre Dubus

“What cracks had he left in their hearts? Did they love less now and settle for less in return, as they held onto parts of themselves they did not want to give and lose again? Or – and he wished this – did they love more fully because they had survived pain, so no longer feared it?”

— quoted from Dancing After Hours: Stories by Andre Dubus

On more than one occasion, I have mentioned my love of stories and storytelling as well as how Maty Ezraty’s perspective shapes my practice. Matthew Sanford is another teacher whose perspective on stories, storytelling, and the practice inspires the way I process through the practice. His story, like Andre Dubus’s story, overlaps life before and after a car accident that left him without mobility in his legs. In the introduction to his first book, Waking: A Memoir of Trauma and Transcendence, the founding teacher of Mind Body Solutions defined “healing stories” as “my term for stories we have come to believe that shape how we think about the world, ourselves, and our place in it.” In recent years, he has co-hosted “Body Mind Story,” a series of writing workshops with Kevin Kling and Patricia Francisco, to help people get in touch with the stories they hold in their mind-bodies.

When I think about our “healing stories” — the stories we tell ourselves and each other — I think about how those stories serve us, how they help us live and love more fully. When I come across someone whose story is different from mine, I question what they take away from their story — and then I question what I take away from mine… especially when our stories overlap. I consider what either one of us knows (and can verify) and how those facts and/or recollections are braided together with what we have been told and what our brains have imagined to fill in the missing gaps. When I question in this way, I sometimes I walk away from a conversation or a meditation and think “That story should be a bestseller.” Other times… Other times I think, “That’s a first draft. It needs more information and a rewrite.”

“Healing stories guide us through good times and bad times; they can be constructive and destructive, and are often in need of change. They come together to create our own personal mythology, the system of beliefs that guide how we interpret our experience. Quite often, they bridge the silence that we carry within us and are essential to how we live.”

— from Waking: A Memoir of Trauma and Transcendence by Matthew Sanford

Please join me for a 65-minute virtual yoga practice on Zoom today (Sunday, August 11th) at 2:30 PM. Use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below or by emailing myra (at) ajoyfulpractice.com.

Sunday’s playlist is available on YouTube and Spotify. [Look for “08112021 The Roots of Your Story”]

“In my writing, as much as I could, I tried to find the good, and praise it.”

— Alex Haley

NOTE: The motorcyclist who got drunk and abandoned his motorcycle on the freeway in 1986 was not (physically) involved or injured in the subsequent accident. He was charged for leaving the scene of the accident and served at least a year. In interviews, Andre Dubus indicated that the man took responsibility for his action and that he (Dubus) spoke on his behalf during the sentencing. The man had gotten drunk after his wife abandoned him and their children — a story that overlaps Mr. Dubus’s own stories of marriage, infidelity, and bad coping mechanisms. While he was able to forgive the motorcyclist, because he took responsibility for his actions, Andre Dubus II was not so forgiving of the person driving the car that hit them. The driver was sober, but (according to Mr. Dubus) never made any attempt to contact him or (as far as he knew) Luz Santiago.

Strong emotions can led to carelessness and negligence. Extreme heat can not only make people lethargic and unmotivated, it can also lead to extreme agitation and anxiety-based fear. We may find it hard to think, hard to feel (or process our feelings), and/or hard to control our impulses. If you are struggling in the US, help is available just by dialing 988.

If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can dial 988 (in the US) or call 1-800-273-TALK (8255) for the Suicide and Crisis Lifeline. You can also call this TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.

White Flag is a new app, which I have not yet researched, but which may be helpful if you need peer-to-peer (non-professional) support.

If you are a young person in crisis, feeling suicidal, or in need of a safe and judgement-free place to talk, you can also click here to contact the TrevorLifeline (which is staffed 24/7 with trained counselors).

In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es).

Donations are tax deductible; class purchases are not necessarily deductible.

Check out the “Class Schedules” calendar for upcoming classes.

2021 CORRECTIONS:
1To avoid confusion, I specifically did not mention the names of Andre Dubus II’s parents. However, despite my best efforts to not confuse the writer/father (Andre Jules Dubus II) with the writer/son (Andre Jules Dubus III), I misspoke during the 4:30 PM practice in 2021 and attributed House of Sand and Fog to the wrong author. The novel was written by the son, Andre Jules Dubus III, and while author and book were awarded and nominated for several prestigious prizes, it was not listed for the Man Booker Prize, which was known as the Booker Prize for Fiction when the novel was published.

2Also (and this is strike three), after reviewing some pictures of Andre Dubus II, I realized that I mixed up his injuries. As indicated above, his left leg was the amputated leg. Please forgive the errors.

### Tell me your story… ###