Many blessings to everyone and especially to anyone observing the Dormition (Theotokos) Fast; and/or working to cultivate friendship, peace, freedom, understanding, and wisdom — especially when it gets hot (inside and outside) — on the International Day Against Intolerance, Discrimination, & Violence Based on Musical Preference.
Stay hydrated & be kind, y’all!
“. . . the great aim of every human being is to understand the meaning of total love. Love is not to be found in someone else, but in ourselves; we simply awaken it. But in order to do that, we need the other person.”
— quoted from Eleven Minutes by Paulo Coelho (b. 1947)
Click on the first excerpt title below to “meet” Sophie Lancaster and the second excerpt title for a mini-post about Paulo Coelho.
“During the long hours at hospital, Sylvia decided that when Sophie was better, they would go into schools and talk to young people about difference, and how it is ok to be who you are and express yourself in your own way. Sadly, Sylvia never got a chance to do this with Sophie.”
— quoted from the “Welcome” page for the Sophie Lancaster Foundation
Please join me today (Saturday, August 17th) at 12:00 PM for a yoga practice on Zoom. You can use the link from the “Class Schedules”calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email myra(at) ajoyfulpractice.com.
Saturday’s playlist available on YouTube and Spotify. [Look for “08242021 A Day for SOPHIE”]
Extreme heat can not only make people lethargic and unmotivated, it can also lead to extreme agitation and anxiety-based fear. We may find it hard to think, hard to feel (or process our feelings), and/or hard to control our impulses. If you are struggling in the US, help is available just by dialing 988.
If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can dial 988 (in the US) or call 1-800-273-TALK (8255)for the Suicide and Crisis Lifeline. You can also call this TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.
White Flag is a new app, which I have not yet researched, but which may be helpful if you need peer-to-peer (non-professional) support.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es).
Donations are tax deductible; class purchases are not necessarily deductible.
Many blessings to everyone and especially to anyone observing the Dormition (Theotokos) Fast (and the Second “Feast of the Saviour” in August) and/or exploring friendship, peace, freedom, and wisdom — especially when it gets hot (inside and outside).
Stay hydrated & be kind, y’all!
This is a post-practice post related to the practice on Monday, August 19th.The 2024 prompt question was, “What is a television show that you previously and/or currently watch that informs (or informed) your world view?” This post contains spoilers (in the last paragraph before the excerpts) related to a 1989 television show.You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email myra(at) ajoyfulpractice.com.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es).
Donations are tax deductible; class purchases are not necessarily deductible.
“Captain’s log, supplemental. We are holding position pending the arrival of Admiral Haftel from Starfleet Research. Commander Data is completing his final neural transfers to the android he has named Lal which I have learned, in the language Hindi, means beloved.”
— quoted from Star Trek Deep: Next Generation, “The Offspring” – (season 3, episode 16, aired March 12, 1990), voiced by Sir Patrick Stewart (OBE) as Captain Jean-Luc Picard
As noted in the posts excerpted at the end of this post, August 19th is the anniversary of the birth of birth Philo T. Farnsworth (b. 1906) and Gene Roddenberry (b. 1901). The former was an American inventor who revolutionized television; the latter revolutionized what we watch on television. In previous years, a couple of obvious thematic elements from the August 18th practice extended into the August 19th practice: the idea of exploring space(s) and the benefits of exploring and encountering different cultures. However, there was an underlying element that I never really emphasized (in either class): languages.
Sure, I often reference the fact that our minds and bodies communicate in the language of sensation and I have been known to joke that, in the absence of a universal translator, we have to study that language of sensation. But, I never really got into the fact that people can’t really “have their say” if they are speaking in a language that is not understood. Nor did I really get into the fact that television exposed more people to more languages and that certain television shows and movies (like those in the Star Trek franchise) exposed more people to the importance of speaking other languages — specifically, the respect that is communicated when we literally and figuratively/physically “Holchaj yIjatlh. (Speak in their language).”
This oversight is super ironic when you consider how much I love languages and how often I talk about shabda (“word”), which is the power “to give a form to sound, assign meaning to each segment of sound, and to store both sound and meaning in memory….[and] the capacity to communicate both sound and its meaning to others. We also have the capacity to give a visual form to each segment of sound and the meaning associated with it.” Furthermore, I often point out that shabda is also the power related to visual words, i. e., written words, symbols, and sign language. However, it wasn’t until I saw the Google Doodle dedicated to Dorothy “Dot” Miles (née Squire) that I started to think about the limitations of universal translators in the Star Trek franchise… and, since we’re being real, in their current day iterations.1
“Her sister Gwenda (Wendy) wrote about her birth…, ‘I remember the day Dorothy was born and I knew exactly how she got there! The Irwin’s van brought her along with the groceries….’”
— quoted from “A Word from the Miles Estate” – provided to the Google site by the Dorothy Miles Estate, written by Liz Deverill (Dorothy’s niece)
Born in Holywell, Flintshire, Wales on August 19, 1931, Dorothy “Dot” Miles (née Squire) was a Welsh poet and activist in the Deaf community. She contracted meningococcal (also known as cerebrospinal) meningitis and lost her hearing when she was 8 years old. Even though she was the youngest of five (surviving children), born in a small market town in Wales, she was able to attend the Royal School for the Deaf (now known as Seashell Trust) in Stockport, Greater Manchester, North West England, and the Mary Hare School in Newbury, Berkshire, England. When she was 25, a British non-profit’s scholarship enabled her to attend Gallaudet College in Washington, D. C. — and it was there that her early love of music, theatre, and words really shined.
In addition to being a member of the Gallaudet’s honor society (as a junior) and being listed in the 1961 edition of “Who’s Who in American Colleges and Universities,” Dot Miles edited student magazines, wrote prize-winning poetry and prose, won prizes for her acting, and got married (and separated). She also wrote Gallaudet’s “Bison Song” and a poem called “Language for the Eye” — which inspired the 2024 Google Doodle illustrated by Korean American storyteller Youmee Lee (who is also deaf). After graduating with her bachelor’s degree and working as a teacher and counselor for deaf adults, Ms. Miles joined the National Theatre of the Deaf (NTD), in 1967, where she worked in wardrobe and as a script translator. She also wrote poetry (for deaf and hearing audiences) and worked with NTD’s Little Theatre of the Deaf, which produced shows for children and teenagers. She eventually attended Connecticut College — where she wrote her Master’s thesis about deaf theatre in the United States — and then (briefly) moved to Los Angeles.
When she returned to the UK, in 1977, Dot Miles started working in television. She worked with Open Door, which was produced by the BBC’s Community Programme Unit, and performed her poem “Language for the Eye” on the May 10, 1979, episode presented by National Union of the Deaf. She also helped develop the BBC’s See Hear series and, along with Terry Ruane (who also lost his hearing due to a childhood bout of some form of meningitis) wrote specials for the series. In addition to her work in the arts, Dot Miles worked with the British Deaf Association (BDA), helped establish the Council for the Advancement of Communication with Deaf People (CACDP) and compiled teaching manuals and a BDA dictionary.
After her death, people near and dear to her formed the Dorothy Miles Cultural Centre, now known as Dot Sign Language, which “continues to bridge the gap between the Deaf and the hearing world…. [and] is dedicated to raising both Deaf awareness and the profile of BSL as a language in its own right.” In honor of Dot Miles and her work, the seaside resort town of Rhyl (in Flintshire) placed a Purple Plaque (Welsh: Placiau Porffor) on the poet’s childhood home (in April 2024), declaring her one of the “Menywod Nodedig Yng Nghymru / Remarkable Women of Wales.”
“…people meet and part. The word becomes the action in this language of the heart.”
— quoted from the English translation of the poem “Language for the Eye” by Dorothy Miles
As far as I can tell, Dot Miles was a polyglot who knew four languages: Welsh, English, British Sign Language (BSL), and American Sign Language (ASL). Since she was interested in languages and theatre — and in sharing her poetry with people who used different languages — it would not surprise me to learn that she knew about the hundreds of other sign languages and dialects (even if she didn’t know them). There are, in fact, about 300 sign languages used around the world. This includes some (but not all) language families, like the French Sign Language Family, and the languages therein — like French Sign Language, Italian Sign Language, Quebec Sign Language, American Sign Language, Irish Sign Language, Russian Sign Language, Dutch Sign Language (NGT), Spanish Sign Language, Mexican Sign Language, Brazilian Sign Language (LIBRAS), Catalan Sign Language, Ukrainian Sign Language, Austrian Sign Language (along with its twin Hungarian Sign Language and its offspring Czech Sign Language) and others. That estimate also includes some (but not all) dialects and some village languages, as well as some Deaf-community and school languages. I am not sure if that estimate includes any speech-taboo languages2; but, suffice to say, there are a lot of sign languages. And, knowing one does not mean that you can use the other; any more than knowing one romance language means you can completely understand another.
And, getting back to my earlier point, the universal translators in Star Trek do not translate sign language.
“WOMAN: Precisely. Our way of communicating has developed over the centuries and its one that I find quite harmonious.
PICARD: Then Riva the mediator —
WOMAN: Is deaf.
PICARD: Deaf?
WOMAN: Born, and hope to die.
PICARD: And the three of you speak for him?
CHORUS: Yes.
SCHOLAR: We serve as translators. We convey not only his thoughts, but his emotional intent as well. I am the Scholar. I represent the intellect, and speak in matters of judgement, philosophy, logic. Also, I am the dreamer, the part that longs to see the beauty beyond the truth which is always the first duty of art. I am the poet who —
ADONIS: Artists, they tend to ramble, neglect the moment. I am passion, the libido. I am the anarchy of lust, the romantic and the lover. I am also the warrior, the perfect line which never wavers.
WOMAN: I am that which binds all the others together. I am harmony, wisdom, balance.
PICARD: Remarkable. And so these —
(Riva steps forward, angry)
SCHOLAR: Speak to me!
PICARD: What?
SCHOLAR: Speak directly to me.
PICARD: The uniqueness of this presentation provoked this inadvertent breach in protocol. No insult was intended.
SCHOLAR: Then none is perceived.”
— quoted from Star Trek Deep: Next Generation, “Loud as a Whisper” – (season 2, episode 5, aired January 9, 1989), conversation between Captain Jean-Luc Picard (played by Sir Patrick Stewart, OBE), Riva (played by Howie Seago), and the Chorus (played by Marnie Mosiman as Woman/That Which Binds Them, Thomas Oglesby as Scholar/Dreamer/Artist, and Leo Damian as Passion/Warrior)
While the universal translators in Star Trek only translate spoken languages — and, even then, only “known” languages — a sign language is a very important plot element in the Star Trek: The Next Generation episode entitled, “Loud as a Whisper.” The episode features Riva, a peace negotiator/ambassador who is deaf and so good at his job that (prior to this episode) the Klingons added a new word to their vocabulary: peacemaker. Riva knows a sign language, however, he travels with his own personal Greek chorus who are connected to him telepathically. They are known as “the scholar, the warrior, and that which binds them [woman].”SPOILER ALERT: When something happens to the Riva’s chorus, someone has to step in to learn the sign language — because, again, the universal translators only work with spoken words.
More importantly, communication needs to be as seamless as possible in order to negotiate peace.
Click on the excerpt titles below for the 2020 post and the 2023 note related to Philo T. Farnsworth and Gene Roddenberry.
“RIKER: So none of the background which we have provided would be helpful in understanding why they continue to fight?
SCHOLAR: The portfolio will indicate that the conflict is over a piece of land, or wealth, or some other tangible asset. But we both know that is not the case.
RIKER: They’ve been at war for so long, it has become personal.
SCHOLAR: Exactly. The basis for peace must also be personal….”
— quoted from Star Trek Deep: Next Generation, “Loud as a Whisper” – (season 2, episode 5, aired January 9, 1989), conversation between First Officer William T. Riker (played by Jonathan Frakes), Riva (played by Howie Seago), and the Chorus (played by Thomas Oglesby as Scholar/Dreamer/Artist, Marnie Mosiman as Woman/That Which Binds Them, and Leo Damian as Passion/Warrior)
There is no playlist for the Common Ground Meditation Center practices.
The “Courage filled” playlist used in previous years is available on YouTube and Spotify. [Look for “08192020 To Boldly Go with Courage”]
1 Google Translate and related apps are the closest things we (currently) have to a universal translator. Obviously, they do not allow us to hear someone else’s words as if they are speaking in the language of our choice; however, they can be voice activated and can play a recording of words typed (or pasted) into the app. There are apps that translate (into and out of) a variety of sign languages — however, they are not standard to (i.e., built into) cell phones like Google Translate and the iPhone’s Translate.
2 According to Wikipedia, speech-taboo languages “are developed by the hearing community and only used secondarily by the deaf.”
Dorothy Miles struggled with her mental health. Sadly, she was not able to receive help when she needed it most. If you are struggling in the US, help is available just by dialing 988.
If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can dial 988 (in the US) or call 1-800-273-TALK (8255)for the Suicide and Crisis Lifeline. You can also call this TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.
White Flag is a new app, which I have not yet researched, but which may be helpful if you need peer-to-peer (non-professional) support.
CORRECTION & 2024 UPDATE: There are currently twelve Star Trek television series, thirteen feature films (with additional ones already in development or production), an extensive collection of books, games, and toys – not to mention college curriculum and language courses.
Happy Pride! Many blessings to everyone and especially to anyone observing the Sunday of the Blind Man and Eastertide; Counting the Omer, and/or working to “misbehaving” in the name of peace, freedom, and fulfillment (inside and outside).
“‘You can never give up because quitting is not an option,’ [Wayman] Tisdale says. ‘No matter how dark it is or how weak you get, until you take that last breath, you must fight.’”
— quoted from the Dec. 3, 2008 ESPN article “Tisdale reaches for his biggest rebound” by Anna K. Clemmons
The first question I asked in a 2020 blog post (see below) was, “Have you ever experienced trauma, loss, and disability?”
During yesterday’s practice, I mentioned how the trajectory of Robert Schumann’s life and career changed when he lost sensation in his right pinky finger. Eventually, he loss the use and dexterity of his whole right hand. The physical trauma, loss, and disability took an emotional toll that eventually landed him in sanatorium. Coincidentally, today is the anniversary of the birth of Cole Porter (b. 1891) and Wayman Tisdale (b. 1964) — two people who shared a lot in common with Robert Schumann, including music, love, and trauma, loss, and disability… again on the right side. However, they dealt with their circumstances in very different ways.
Click on the title of the excerpt below for the entire 2020 post about Cole Porter and Wayman Tisdale.
“Sad times, may follow your tracks Bad times, may bar you from Sak’s At times, when Satan in slacks Breaks down your self control
Maybe, as often it goes Your Abe-y, may tire of his rose So baby, this rule I propose Always have an ace in the hole.”
— quoted from the song “Ace in the Hole” by Cole Porter
Please join me for a 65-minute virtual yoga practice on Zoom today (Sunday, June 9th) at 2:30 PM.Use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below or by emailing myra (at) ajoyfulpractice.com.
Sunday’s playlist is available on YouTube and Spotify. [Look for “06092020 Not So De-Lovely Circumstance(s)”]
If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can dial 988 (in the US) or call 1-800-273-TALK (8255)for the Suicide and Crisis Lifeline. You can also call this TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.
White Flag is a new app, which I have not yet researched, but which may be helpful if you need peer-to-peer (non-professional) support.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es).
Donations are tax deductible; class purchases are not necessarily deductible.
Peace and ease to all during this “Season for Non-violence” and all other seasons! You have to take care of yourself (before you can take care of others)!!
“Everyone deserves music, sweet music”
— quoted from the song “Everyone Deserves Music” by Michael Franti & Spearhead
Yes, everyone deserves music… and friendship. Friendship is one of the six siddhis described as “the powers and privileges unique to humans” in the Yoga and Sankhya (or Sāṁkhya). It is the power to “[cultivate] a good heart; finding friends;” i.e., the power of making connections with others. This is an ability we start learning about as soon as we are aware that there are “other” people and things. Initially, however, geography and general location plays a big part in who becomes our friends. Our proximity to someone, combined with things we have in common — like shared experiences and hobbies — strengths that bond.
For better or for worse, modern modes of travel, media, and the internet have created opportunities for people who are geographically far apart to make really intense connections. However, technology doesn’t change the ties that bind: ties like music, sports, art, and shared history.
“On October 17, 1903, [Branch] Rickey felt the ‘Black Cyclone’s’ full power when he ran their ends dizzy for 20, 25, 35 and 70 yard gains, the last being a touchdown. After that game Rickey praised Follis, calling him ‘a wonder.’ It was the power of his example, his character, and his grace that convinced Rickey, that color could not belie his greatness. The rest is history….”
— quoted from the “Background” section of the Charles Follis Foundation website
Please join me today (Saturday, February 3rd) at 12:00 PM for a yoga practice on Zoom. You can use the link from the “Class Schedules”calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email myra(at) ajoyfulpractice.com.
Saturday playlist is available on YouTube and Spotify. [Look for “02032021 The Day the Music Died”]
NOTE: The YouTube playlist has the Tommy Dee version of “Three Stars” during the practice and the Eddie Cochran version in the before/after music. The Spotify playlist has Cochran’s version during the practice and Charlie Gracie’s song “I’m Alright,” a tribute to Eddie Cochran, in the before/after music.
“For years, [Dr. Mike Miller], a research cardiologist, has been studying the effects of happiness — or things that make people happy — on our hearts. He began his research with laughter, and found watching funny movies and laughing at them could actually open up blood vessels, allowing blood to circulate more freely.
Miller thought, if laughter can do that, why not music? So, he tested the effects of music on the cardiovascular system. ‘Turns out music may be one of the best de-stressors — either by playing or even listening to music,’ said Miller.”
— quoted from a 2009 CNN Health segment entitled, “The power of music: It’s a real heart opener” by Val Willingham, CNN Medical Producer
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)
For Those Who Missed It: This is an expanded version of a post from August 24, 2020. It was originally posted in 2021. Class details and links, as well as some details related to current events, have been added or updated.
Take a moment to imagine an angel.
What’s the first image or idea that comes to mind? What gender do you imagine? What color is their skin and hair – if they even have hair? Does the picture that springs to mind fit the archetype as portrayed in movies or religious art? Do you think of an actual angel here on earth or a do you first think of a guardian angel (or, again, a religious angel)?
Is someone an angel because of what’s on the inside or is your idea of an angel based (largely or in part) on the outside?
If your first thought wasn’t a dark angel, what comes to mind when I bring your awareness to a dark angel? What are your feelings about someone described as a “dark angel” and are they a preconceived notion or based on someone specific?
Meet Sophie Lancaster. She was a dark angel, a goth, a 20-year old who enjoyed heavy metal music and dressed in a way that reflected her love of the genre. She died today in 2007, after a brutal attack left her and her boyfriend, Robert Maltby in comas. They were brutally attacked by a mob on August 11th, in Stubbeylee Park in Bacup, Rossendale, Lancashire because of the way they were dressed. At some point during the attack, Sophie wrapped her body around Robert’s head to protect him. He would eventually wake up from the attack. She would not.
“When I was out on the streets with Sophie, I would hear people’s comments. I would hear them say ‘look at the state of that –’ or ‘what does she look like.’
I remember going into one shop and the look they gave her. After they had spoken to her for five minutes, that went as they realized she was actually quite a lovely little thing, but it was funny to see that. I would always think, how dare you judge somebody on the way they look.”
– Sylvia Lancaster, OBE
Sophie’s family and friends, including her mother, Sylvia, started the Sophie Lancaster Foundation and funds and tributes in Sophie’s name continue to this day. There are Sophie Lancaster stages at goth and heavy metal music festivals (many of which were canceled in 2020, because of the pandemic) and theaters. There are songs, albums, films, documentaries, awards, and books that have been dedicated to her and, in 2010, Sophie’s boyfriend, Robert Maltby, held an exhibition of his own art, which included 15 original paintings inspired by Sophie. The money from the exhibition, like the money raised from other events and the proceeds from t-shirts and wrist bands featuring the S.O.P.H.I.E. stamp, went to the Sophie Lancaster Foundation.
S.O.P.H.I.E. stands for Stamp Out Prejudice, Hatred, and Intolerance Everywhere. The foundation and the fund started by her family and friends aims to “provide an appropriate memorial a lasting legacy to raise awareness of the injustice perpetrated against Sophie Lancaster and to work towards a more tolerant, less violent society.” One of the things the foundation funds is group sessions intended to cultivate respect and understanding by exposing young people to alternative cultures. Remember, as Imam Khalid Latif wrote in a 2013 “Ramadān Reflection,” “It’s harder to stereotype when you actually learn someone’s name.”
It’s also harder to stereotype when you find yourself enjoying and appreciating someone’s favorite food… or music.
“The importance to us is that the awareness is permanent. It still happens in our community. They face violence in the streets, and we hear about it from our fans. It is something we can never stop campaigning about and we will make sure Sophie is never forgotten.”
– Vicky Hungerford, one of the 2017 organizers of the annual Bloodstock Open Air festival
Over the years, I have witnessed a variety of reactions to my observation of today, the “International Day Against Intolerance, Discrimination, & Violence Based on Musical Preference” – also known as Sophie Lancaster Day. In one case, several years ago, someone asked me why I would mention something that happened in England “over a decade ago” – especially since I wasn’t a goth. I explained as best as I could. Then, unfortunately, Elijah Al-Amin was killed in Peoria, Arizona in July 2019. Elijah was a 17-year old black man who enjoyed rap music and, according to the man who killed him, he was attacked because his music made his killer (a 27-year old white man) feel “unsafe.”
In the beginning of the Yoga Sūtras (1.5-11), Patanjali breaks the activity of our minds down into five categories, which can fall under two umbrellas; klişțāklişțāh, which means “afflicted and not afflicted.” You can also think of these two umbrellas as dysfunctional and functional. He goes on to explain that afflicted/dysfunctional cause suffering, pain, and the other obstacles and related hindrances. These afflicted/dysfunctional mental activities sap the power of the mind-body and prevent us from exploring – let alone reaching – our full potential. In the second section of the sūtras (2.3-9), Patanjali describes five types of afflicted/dysfunctional thinking; explains how avidyā (“ignorance”) is the bedrock of (or fertile ground for) the other four patterns, which are a false sense of self-identity, attachment, aversion, and fear of loss/death. He further breaks down avidyā as follows:
Mistaking something temporary as eternal
Believing something is impure is pure
Believing that something that causes suffering causes happiness
Misunderstanding someone’s true nature and essence
You can think of that last one as judging a book by its cover and – as indicated by the second “affliction,” which is a false sense of our own identity/Self – it can be applied to how we see others as well as how we see ourselves.
“I’m not pointing any fingers here at anybody but myself, and I’m asking something very hard of myself. I’m challenging myself to listen without prejudice, to love without limits, and to reverse the hate. So that’s my challenge to me and hopefully you’ll accept this challenge too.”
– Orlando Jones, August 2014
Back in 2014, it seemed like everyone and the sister was doing the ALS Ice Bucket Challenge. People were filming themselves as they dumped ice water over their heads and then challenging someone else to do the same. In a relatively short period of time, the challenge went viral, generated over $115 million in donations, and raised awareness about amyotrophic lateral sclerosis (ALS, often referred to as Lou Gehrig’s disease). The actor and comedian Orlando Jones took note and co-opted the challenge – but rather than pouring ice water on his head, he dumped a bunch of bullets on his head.
Take note, that while I always describe Mr. Jones as an “actor and comedian,” he described himself as “lifetime member of the NRA” and “active member of the great state of Louisiana’s police force.” The difference in perception, as it relates to identity, makes a difference; because, for some, it changes the message. The so-called Bullet Bucket Challenge was intended to raise awareness about the escalating gun violence in the world and, in particular, to highlight what had just happened in Ferguson, Missouri: the shooting of Michael Brown – and, on a certain level, Orlando Jones represented every person (and every side) involved.
For the record, Orlando Jones wasn’t the only celebrity to co-opt the original challenge as a call to action about a crisis that was important to them. But, just like I don’t know anyone else who dumped bullets on their head, I don’t know anyone else – other than Matt Damon – who dumped toilet water on their head to raise awareness about safe drinking water and sanitation.
Still, I think the calls to action are important. Because, at the end of the day,
it doesn’t matter where, how, or why our ignorance exists – only that it does. If, however, we want peace and ease for ourselves and those we love, we have to “stamp out prejudice, hate, and intolerance everywhere.” To do that, we have to acknowledge where the ignorance begins – even when it begins inside of our own minds – and we have to cultivate the opposites. Replace ignorance with knowledge, with understanding, and with respect. We have to remember that Sophie’s name literally means wisdom.
Maybe we also take a page from the Sophie’s family and friends. As a result of the efforts of the Sophie Lancaster Foundation, Greater Manchester Police became the first (but not the last) police department to track and record hate crimes against people from “Alternative Subcultures.” For her personal efforts to reduce hate crimes and promote a more tolerant world, Sylvia Lancaster was awarded an OBE (Order of the British Empire) in 2014. And, today, if you’re practicing with the music, you’ll have the opportunity to “open [your] mind for a different view / And nothing else matters.”
“Give me wisdom and knowledge, that I may lead this people….”
– quoted from King Solomon’s request in 2 Chronicles 1:10 (NIV)
Please join me today (Wednesday, August 24th) at 4:30 PM or 7:15 PM for a yoga practice on Zoom. Use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You will need to register for the 7:15 PM class if you have not already done so. You can request an audio recording of this practice via a comment below or by emailing myra (at) ajoyfulpractice.com.
Wednesday’s playlist is available on YouTube and Spotify. [Look for “08242021 A Day for SOPHIE”]
In the spirit of generosity (“dana”), the Zoom classes, playlists, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations to Common Ground are tax deductible; class purchases and donations directly to me are not necessarily deductible.)
If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can dial 988 (in the U.S.) or call 1-800-273-TALK (8255). You can also call the TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.
This is the “missing” post for Sunday, December 5th.You can request an audio recording of either practice via a comment belowor (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.
“You are so young, so much before all beginning, and I would like to beg you, dear Sir, as well as I can, to have patience with everything unresolved in your heart and to try to love the questions themselves as if they were locked rooms or books written in a very foreign language. Don’t search for the answers, which could not be given to you now, because you would not be able to live them. And the point is, to live everything. Live the questions now. Perhaps then, someday far in the future, you will gradually, without even noticing it, live your way into the answer.”
– quoted from Letter #4 (dated July 16, 1903) addressed to 19-year old officer cadet Franz Xaver Kappus, published in Letters to a Young Poet by Rainer Maria Rilke
During the December “First Friday Night Special,” I mentioned that the light-related questions during this year’s Chanukah classes were prompts to get us thinking about our “field of possibilities” and then, on Saturday and Sunday, I revealed that the questions were partially inspired by Rainer Maria Rilke’s advice to the young office cadet and poet Franz Xaver Kappus. If you’ve followed along with the questions, it would be natural to expect that one of the questions would be, “Do you believe in miracles?” It’s an obvious connection when the connected to something like the Chanukah – which, according to the story is all about miracles.
There’s just one problem. Your answer, regardless of what it is, begs another question: “Why?”
Why? Why? Why?
I could be like a three-year old, because all of your answers could lead to another question (albeit the same question), which all comes down to what you believe. The Chanukah story is full of a series of events that could be described or explained as miracles, serendipity, coincidences, and/or really good plot points. For those who believe in Abraham’s God, it doesn’t matter what you call the events, because “with God all things are possible.” [Matthew 19:26] For those who do not believe in God, well, anything is possible…but there’s probably a reasonable (and scientific) explanation. Either way, what you believe determines the probability of certain possibilities.
To be clear, this is not just about what you believe about miracles. This is also about what you believe about your light. Or, a better way to put it is that this is all about what you believe about yourself. Me asking you about the source of your light is really me asking about the source of your life. And what you believe matters, because what you believe bridges the gap between what you think about doing, achieving, and experience and what you actually do, achieve, and experience.
“What’s the reason we’re alive The reason we’re alive
Bound to stumble and fall But my strength comes not from man at all Bound to stumble and fall But my strength comes not from man at all
Do you believe in miracles Am I hearin’ you? Am I seein’ you? Eight nights, eight lights and these rites keep me right Bless me to the highest heights with your miracle
Eight is the number of infinity One more than what you know how to be”
– quoted from the song “Miracle” by Matisyahu
There’s a moment that happens again and again in professional sports and sometimes in the performing arts. Sometimes it even happens when someone is walking across a stage after receiving their diploma. It’s a moment that happens when someone is doing their job – but it’s their dream job, one that many aspire but few achieve – and everybody’s watching. They’ve made mistakes, but they got up, brushed themselves off, and endeavored to win the game and/or take the audience’s breath away. Then they do! they succeed! And when they do, when they score – especially in a phenomenal way – or they receive a standing ovation, we witness a moment of faith. They’ll point a finger to the heavens or make some other gesture that signifies what they believe.
Whether it is a finger to the sky or prayer hands to the sky, it’s a moment that indicates an individual believes that the source of their life (and their light) is God. We may not witness that exact moment in other arenas, like when someone finishes a big project or lands a plum assignment. There may not be witnesses when a student aces a test or a parent gets their toddler to stop climbing out of bed in the middle of the night, but there may be a similar feeling. It’s that same surge of emotion that makes us do the happy dance (even if it’s just on the inside). It’s a combination of success and a feeling of gratitude.
Of course, part of what I’m describing is a dopamine rush. It’s a feeling of greatness and it’s a heady sensation that we humans crave and chase. Here’s the thing, though: We can get that surge of feel-good brain chemicals without doing something at which we might fail. We can get it without taking any risk at all. In fact, to a certain degree, we can get if from watching other people take risks and win. We can get it from being part of a team… even if we’re the 12th man or 12th player.
So, why do some people take the risk? Why do some people do the things at which they might fail? Why do some people show up and shine (or show up and suck until they shine)? Why do some people give it all they’ve got, while others (just) watch?
It all comes back to what some one believes. Which brings us back to the Chanukah story.
Had some Jewish people not truly believed in the God of Abraham, Isaac, and Jacob it’s possible that they would have started assimilating under Alexander the Great. Had Matīṯyāhū, his sons, and the people that followed them not believed it’s probable that they would have become Hellenic Jews under King Antiochus. Had they not studied Torah or believed in the laws and commandments of God, it is possible that Matīṯyāhū would have broken the commandments and sacrificed to the idol – or maybe he would have just allowed the Hellenic Jew to do so in his stead.
Had the Maccabees not believed their history, their fate, and their destiny, perhaps they would have stayed in the wilderness and not taken on the mighty Greek army. Perhaps there would have been no battle cry. Maybe they would have fought and failed. Then, too, there’s always the possibility that they fought and won – despite the odds – and found that single vial of oil, but never considered using it because it wasn’t enough. Then, too, all these centuries later, if people didn’t believe we wouldn’t still be lighting the candles and telling an “impossible” story.
Take a moment, as we did on Sunday, and practice a little svādyāya (“self-study”). Put yourself in the shoes of the Maccabees. Consider how you might have felt and what you might have done given your current beliefs. How might the story be different simply because your beliefs might be different? Now, consider this week’s questions (see below) in that light. Consider how what is in your heart and mind determines your words, actions, and deeds.
“The Maccabees no doubt knew their options, yet decided to light the menorah in the most preferred way. This was done despite the fact that it entailed exhausting their entire supply of pure olive oil on the first day, leaving them with the probability of not being able to maintain the highest standard they so aspired to reach. But they decided to do their maximum with the resources they had, and let the Almighty take care of the rest.
There is a deep message here for us today. How many worthwhile endeavors are cast along the wayside because we are not guaranteed total success? Yet the result of inaction due to fear of failure, is failure by default. We can learn from the Maccabees that when there is a worthwhile goal to achieve, one should let go of immobilizing perfectionism, and instead capitalize on existing assets and do ones utmost under the circumstances.”
– quoted from the article “Give It All You’ve Got: The Maccabees taught us that immobilizing perfectionism leaves no room for God.” by Aliza Kramer (posted at Aish.com Dec 12, 2006)
Today’s playlist is is available on YouTube and Spotify. [“Look for “Chanukah (Day 7-8) 2021”]
NOTE: All of the YouTube playlists (for Chanukah) contain extra videos after the practice music.
“Even if you’re down there for one hour, man, you’re down there.”
– “Tommy” (Kirk Acevedo) to “Vince” (Mark Wahlberg) in the movie Invincible
In 1985, the United Nations General Assembly designated December 5th is International Volunteer Day. The 2021 theme was “Volunteer Now For Our Common Future. The Chanukah story is about people showing up and shining in a way that changed the future of their people. Remember: You too can make a difference!
### “Let me see [your] light / Give me something to live by” ~ Maccabeats ###
“What’s the reason we’re alive The reason we’re alive
Bound to stumble and fall But my strength comes not from man at all Bound to stumble and fall But my strength comes not from man at all
Do you believe in miracles Am I hearin’ you? Am I seein’ you? Eight nights, eight lights and these rites keep me right Bless me to the highest heights with your miracle
Eight is the number of infinity One more than what you know how to be”
– quoted from the song “Miracle” by Matisyahu
Please join me for a 65-minute virtual yoga practice on Zoom today (Sunday, December 5th) at 2:30 PM. You can use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.
Today’s playlist is is available on YouTube and Spotify. [“Look for “Chanukah (Day 7-8) 2021”]
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)
This is the “missing” post for Sunday, Movember 28th.There are mental health references, but nothing graphic. You can request an audio recording of either practice via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.
“Anyhow, Mr. Coolidge – I am going to tell you about the people over the radio. You can’t talk over the radio and use the same type of stuff that you do on the stage, because you haven’t got that kind of audience. Everybody listening in over the radio wouldn’t laugh like this. A radio audience – and I’m not saying this to flatter you, but everybody, you all wouldn’t have come in if you hadn’t had a sense of humor. There has to be something the matter with you or you wouldn’t have come in. They don’t have that over the radio. I am sure you all had to have a sense of humor; it is certain that sex appeal drew nobody in here, and I’m positive that nobody come in to whet their intellect. No, you come in here to get just a laugh, but over the radio you have people listening in there with no sense of humor at all. Anybody can tune in on that.”
— quoted from The Papers of Will Rogers: From the Broadway Stage to the National Stage, Volume Four, September 1915 – July 1928 by Will Rogers, edited by Steven K. Gragert and M. Jane Johansson
It may have been on his lecture tour, maybe even on April 16, 1928, that Will Rogers said, “There has to be something the matter with you or you wouldn’t have come in.” I think that statement could be applied to yoga — as can the rest of that discussion about having a sense of humor and about the difference between sharing space live and in-person versus sharing virtual or recorded space. There’s no denying that there’s a difference. And while it may also be true that people are not drawn in by the sex appeal or to “whet their intellect”, it doesn’t change the fact yoga can be sexy and intellectual, as well as funny — just like vaudeville.
Vaudeville, an upscale version of your garden variety variety show, was a 19th century French invention that started experienced a great deal of popularity in North America in the 1880’s. A large part of that popularity can be traced to the “Orpheum Circuit”, which was started when the German producer and American immigrant Gustav Walter built the first Orpheum Opera House in San Francisco. With financial backing from another German-American, Morris Meyerfeld Jr (born November 17, 1855 as Moses Meyerfeld), the impresario opened a second and third Orpheum in pre-existing theatres in Los Angeles and Kansas City, Missouri, respectively. All three theatres opened to sold out houses and experienced great success. Part of that success was due to the fact that the duo could book entertainers who went from one house to the other and used the publicity in one city to push ticket sales in the other cities.
Their plan was to expand through the Midwest. However, Gustav Walter died unexpectedly (after suffering with appendicitis for four days) on May 9, 1898, just three months after the Kansas City theatre opened. Morris (née Moses) Meyerfeld became the circuit’s president and, in order to carry out the original plan, paired up with Martin Lehman. After opening five more theatres, the pair joined forces with the Western Circuit of Vaudeville Theaters (WCVT); hired Hungarian immigrant Martin Beck as a booking agent (the same booking agent that would give Harry Houdini his big break); and eventually created the Vaudeville Managers Association (VMA) with leaders of the Eastern Vaudeville Circuit, like Benjamin Franklin Keith and Edward Franklin Albee II.
Eventually, the big circuits merged to form the Keith-Albee-Orpheum (KAO) circuit — which, after more mergers and acquisitions, became Radio-Keith-Orpheum (RKO) and included the movie studio RKO Radio Pictures, Inc. (later known as RKO Pictures). But that’s jumping way ahead in the story. Not to mention the fact that by the time RKO Pictures formed in 1928, Will Rogers had already filmed almost 50 silent films produced by a Polish-American immigrant named Samuel Goldwyn (born August 27, 1882 as Szmuel Gelbfisz, and also known as Samuel Goldfish). So, let’s step back a minute…
According to The Papers of Will Rogers: From Vaudeville to Broadway, Volume Three, September 1908 – 1915, (by Will Rogers, edited by Arthur Frank Wertheim and Barbara Bair), the first Orpheum opened June 20, 1887, and Gustav Walter was booking vaudeville-only bills by 1897. Meaning that, Will Rogers was seven when some of the seeds for his success were first planted and that by the time he was 18 those seeds had taken root.
After working at his family’s ranch (Dog Iron Ranch), spending some time in Argentina and the Pampas, and working at a ranch in South Africa, “Oklahoma’s Favorite Son” started doing his rope tricks in the circus. First, he performed in South Africa with Texas Jack Wild West Circus. Then, he performed in Australia with the Wirth Brothers Circus. He was about twenty-five when he returned to the United States, roping and riding at the Saint Louis World’s Fair, rodeos, and the vaudeville circuits that were just starting to come together. He was twenty-five when his rope “tricks” saved the day at Madison Square Garden and caught the attention of William Hammerstein (see “Will Rogers” link above), who kept him consistently employed, performing on a New York rooftop, for years.
In many ways, however, that rooftop gig was a bit of a fluke and the success that followed was, again, in large part because of the infrastructure that had been established by the vaudeville producers. Those previously mentioned partnerships, collaborations, and organizations connected audiences that previously had been targeted by niche entertainers and created a circuit that relied on entertainers who could appeal to people in urban as well as rural areas. The circuit would eventually guarantee performers anywhere from 20 weeks to several years worth of performances — something that had previously been unheard of for entertainers like the cowboy philosopher or a certain “handcuff king”.
“Will Rogers, billed as the Oklahoma Cowboy, in a rope act is a feature at the Orpheum this week. He does wonders in rope spinning but you get so much interested in his ‘patter’ that you forget to watch the tricks, as he calls them. He is a monolinguist disguised in chaps, and one of the best ever….
PD. Printed in Kansas City Post and Journal, ca. 26 October 1914. Scrapbook 1914, CPpR”
— quoted from The Papers of Will Rogers: From Vaudeville to Broadway: Volume Three, September 1908 – August 1915 by Will Rogers, edited by Arthur Frank Wertheim and Barbara Bair
NOTE: The scrapbook cited above, containing a printed copy of the Kansas City Post and Journal, is part of the collection at the Will Rogers State Historic Park, Pacific Palisades, California (CPpR).
Will Rogers signed a major Orpheum Circuit contract in December 1908, soon after he married Betty Blake (and only days after she saw him perform for the first time). The newlyweds spent the first four months of 1909 traveling the circuit together — something they would continue to do off and on throughout their marriage. By 1910, Will Rogers was so popular that he was being booked by all the major vaudeville producers and even mounted his own “Wild West” show. For many years, including in 1913 and 1914, he spent the end of summer through the beginning of winter on the Orpheum Circuit. In fact, in August 1914, he started in San Francisco (performing five days at the very first Orpheum theatre); then, performed at six California Orpheum theatres plus a non “Orpheum” theatre in California; and eight Orpheum theatres from Salt Lake City, Utah, to Minneapolis (November 8-14) and Duluth (November 16-21). From November 22-28, he performed at the Orpheum Theatre in Winnipeg, Manitoba, Canada. Ten years later, on November 28, 1925, he performed in Washington, D. C. and visited with President Calvin Coolidge.
While I normally reference “the Will Rogers phenomenon” (as it relates to prostate health) at the beginning of Movember, I decided to use that last little bit of trivia to bring awareness to the fact that stage migration also occurs in relation to mental health. Remember, “the Will Rogers phenomenon” is a situation where moving something from one category to another increases the average value of both categories. In medical stage migration, this can occur when awareness, testing, and/or overall medical understanding changes diagnosis so that previously undetected illness is detected — which can increase the average life expectancy of people who are considered “healthy” as well as those who are considered “unhealthy”.
Note, the “Will Rogers” links above all go to the same post about prostate cancer diagnosis, but this situation also holds true for other health issues where early detection is the key to survival. It holds true for different kinds of cancer, and also applies to heart and lung issues, diabetes, and mental health issues.
We all know that the last few years have been rough — on everyone — and the challenges in life include increased physical, mental, and emotional stress. If we consider these akin to the three-fold sorrows, then we (humans) have the power to eliminate this dis-ease. Eliminating our own suffering, however, requires awareness and communication. In the last few years, there has been an increase in people reporting mental health issues. While that can be daunting, consider that people often have a mental health crisis that “no one saw coming”, in part because people didn’t share what they were experience and/or seek help. Some of the discrepancies between men and women’s health, including the fact that 4 in 5 people affected by suicide are men, may come down to socialization.
It sucks that so many people are struggling, but — believe it or not — an increase in reporting is actually good news. The fact that people are sharing their experiences and seeking guidance, even treatment, is actually a good thing. It’s also the smart thing.
“When the Oakies left Oklahoma and moved to California, it raised the I.Q. of both states.”
— Will Rogers
Sunday’s playlist is is available on YouTube and Spotify. [“Look for “Mov 4th & Will Rogers 2020”]
“I realized, over time, that when I actually began to talk about what I was going through, it actually began to heal me.”
— Eric Bigger, quoted on the (US) Movember website
If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can dial 988 (in the US) or call 1-800-273-TALK (8255)for the Suicide and Crisis Lifeline. You can also call this TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.
White Flag is an app, which I have not yet researched, but which may be helpful if you need peer-to-peer (non-professional) support.
Please join me for a 65-minute virtual yoga practice on Zoom today (Sunday, November 28th) at 2:30 PM. You can use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.
Today’s playlist is is available on YouTube and Spotify. [“Look for “Mov 4th & Will Rogers 2020”]
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)
This is the post for Sunday, November 21st.You can request an audio recording of Sunday’s practice via a comment belowor (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.
“277. The heart has its reasons, which reason doesn’t know; we know this in a thousand things. I say that the heart—if it works at it—naturally loves the universal being, and also naturally loves itself; and it hardens itself against one or the other as it chooses”
.
– quoted from “Section 4: The routes to belief” in Pensées (Thoughts) by Blaise Pascal*
There’s a moment we probably all experienced at least once or twice as a child – possibly even as an adult. It’s that moment when we lose something we thought or felt we had been promised. I think of it as the “fallen ice cream” moment. You know, that moment when you’re enjoying something – like your favorite ice cream cone on a hot day – and then a good majority of the ice cream falls and goes splat on the ground. Maybe it’s in the middle of an intersection or may there’s a dog that very “helpfully” starts cleaning it up.
Either way, that ice cream is gone.
Sometimes it’s even worse if the bottom falls out and it’s the last bit that you lose. Still, either way, for a moment, you forget all about the ice cream you had and/or have left. For a moment, all you’re thinking about is the loss. What’s even worse is if you were told it would fall if you didn’t stop licking on the one side; or if you were told you had to be careful of the bottom; or if you and your siblings had been told to stop horsing around. It’s worse, because that warning means that someone (usually you) are responsible for the inevitable consequences. So, then there’s some anger, blame, shame, and guilt, mixed in with the grief.
Sure, we can say it’s a kid’s grief over something inconsequential and sure we can say we’re going to get over it – and we do. However, for a moment, we’re only focused on the loss. And even after we finish the ice cream we still had left, we can feel like we missed out on something. There’s a hollowness; that too is grief.
Ever have that experience? Ever consider that that experience – an experience that can ruin your whole day – was all in your head? It’s true. I’m not saying that the thing didn’t happen. Whatever happened absolutely happened. The loss was real. The grief was real. Even the way you physically embodied that experience, the hollowness, was real. But the whole experience was based on the fact that you lost something you valued. In other words, the whole experience was based on the fact that you lost something you appreciated and something to which you had an attachment.
Consider how extreme that feeling can be. Not only that feeling you had as a child; consider that there is something (or someone) you have lost as an adult that left you with that same “if I just had more…” feeling. Wanting, desire, passion – which comes from the Latin word meaning “to suffer” – are part of life. Loss and the physical and emotional sensations associated with it are part of life. Philosophically, part of the Yoga practice is about opposites. So, as you think about that extreme reaction to unexpectedly losing something or someone, consider the opposite.
How do you feel when you unexpectedly receive something you value and appreciate?
“We picked up one excellent word—a word worth travelling to New Orleans to get; a nice limber, expressive, handy word—’lagniappe.’ They pronounce it lanny-yap. It is Spanish—so they said. We discovered it at the head of a column of odds and ends in the Picayune, the first day; heard twenty people use it the second; inquired what it meant the third; adopted it and got facility in swinging it the fourth. It has a restricted meaning, but I think the people spread it out a little when they choose. It is the equivalent of the thirteenth roll in a ‘baker’s dozen.’ It is something thrown in, gratis, for good measure. The custom originated in the Spanish quarter of the city. When a child or a servant buys something in a shop—or even the mayor or the governor, for aught I know—he finishes the operation by saying—’Give me something for lagniappe.’
*
The shopman always responds; gives the child a bit of licorice-root, gives the servant a cheap cigar or a spool of thread, gives the governor—I don’t know what he gives the governor; support, likely.
*
When you are invited to drink, and this does occur now and then in New Orleans—and you say, ‘What, again?—no, I’ve had enough;’ the other party says, ‘But just this one time more—this is for lagniappe.’”
.
– quoted from “Chapter XLIV. City Sights” in Life on the Mississippi by Mark Twain
I grew up in and around the Gulf Coast, where you are just as likely to hear someone refer to “lagniappe” as you are to hear them refer to “baker’s dozen.” Lagniappe is a Louisiana French word for that little something extra a customer receives for free when they make a purchase. Think of a free beignet with your café au lait or hot chocolate; a little cookie beside your gelato; or a bundle of peppers from a roadside vegetable stand. Like so much of Louisiana’s culture, the word is a mixture of Spanish, French, and Quechua – an indigenous language found in Peru and parts of Bolivia, Chile, Colombia, and Ecuador. It’s a word, and practice, that you will find in other areas of the world that have been exposed to a similar mixture of cultures.
While lagniappe is often associated with hospitality, “a baker’s dozen” is whole-heartedly connected to commerce. In a modern context we think of it as 13, but at least one source marks it as 14. According to The Oxford Companion to Sugar and Sweets (2015) and other sources, the practice of adding an extra loaf (or two), to an order of a dozen dates back at least to the thirteenth century England. Some attribute the practice to the Assize of Bread and Ale, which regulated the price, weight, and quality of bread and beer. Some say that because homemade bread and rolls varied in size and weight, bakers would add a little extra in order to guarantee they were not selling below the standard. When John Camden Hotten published his 1864 edition of A dictionary of modern slang, cant, and vulgar words, he indicated that the bakers were incentivized to add that little extra because the penalties for underselling goods included fines, destruction of the baker’s oven, and being placed in the stocks (or pillory) and subjected to public humiliation.
However, in The Oxford Companion to Sugar and Sweets, Darra Goldstein notes that the original practice of adding a loaf (or two) to an order of a dozen, may actually be connected to “hucksters.” If you only know the word in a modern context, especially in the United States, then you may associate the word with someone who is out to trick you. However, the etymology of the word can be traced to medieval words meaning “to haggle” and vendors who either sold things door-to-door or from roadside stands. Hucksters of old not only haggle with their customers, they would also be quite loud and showy as they hawked their wares. (Yes, “hawker” is another term that is sometimes applied to this type of peddler.)
Some of these peddlers would water down ale or in other ways deflated the value, which (combined with their showiness) is why the term became a pejorative. However, the original meaning of “huckster” was just someone who was trying to make a living by selling things – a job made harder by stall taxes and things like the the Assize of Bread and Ale, which required hucksters to sell goods for the same price at which they purchased them. The law meant that they only way the hucksters, who were often woman, could make any money was if they had a little extra to sell. The bakers knew that they could sell more of their baked goods with the help of the hucksters and so they would throw in a loaf (or two) to give the hucksters a little advantage. Hence the reason why the extra was sometimes called “in-bread” or the “vantage loaf.” All in all, a mutually beneficial practice that kept the economy flowing.
Speaking of flowing…
For many years, I didn’t teach for about ten days each November because I was in Texas stage managing a production of the ballet The Nutcracker. I would typically have subs while I was gone and most of the people who came to the studio classes were regular attendees who had purchased packages. If you purchased a package of six, ten, or twelve you received a price break – meaning that if you based your calculations on the drop-in rate, you received an extra class or two (depending on the size of the package). So, one could think of the class with the sub as lagniappe. I often think of subs treating people to a little something extra because people get to experience different ways of sequencing; the opportunity to practice something I don’t often cue; and/or a different perspective on some aspect of the practice. All of those are, to me, like an extra donut hole – a sweet nothing!
For the last two or three years, I’ve had these extra days to share the practice with the people with whom I love to share the practice! And, so, the question becomes: What will be the little something extra?
Or, more importantly, what will people appreciate?
I mostly teach vinyāsa practices, which means there’s movement and an inclined series that often involves some variation of a push-up. But, I also teach with a lot alignment and breath cues, not to mention the theme. If you’re someone who is familiar with a “flowing” practice that is not taught with an alignment focus, the alignment cues can be a little something extra. If you are use to an Iyengar Yoga practice, where you may not encounter an inclined series very often, the vinyāsa can be like extra green chilis thrown in your bag. Of course, a lot of people don’t cue the breath unless they notice everyone is out of breath – so that can be the lagniappe. Then too, if you typically practice a seated meditation like vipassanā, where there is heightened focus on the breath and how it feels to breath, all the movement and poses are lagniappe.
Finally, there are my themes, which some people would say are just… extra.
“I don’t know where I am going, but I am on my way.”
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– attributed to Voltaire*
November 21st is the considered the anniversary of the birth of the writer, philosopher, and historian Voltaire (whose nom de plume or “pen name” could be a class all unto its self). Born François-Marie Arouet, in 1694, this prominent figure from the Age of Enlightenment wrote in pretty much every form and about pretty much everything related to life – including science, religion, freedom of speech, love, social standings, and the hardships of life. While he wrote about tolerating others and their beliefs, his views were often couched in racism, anti-Semitism, Islamophobia, and other forms of bigotry. Just to be clear, he was an equal opportunist when it came to his opinions about how others were wrong and could (and did) use his witty to eloquently slam people who were perceived like him just as easily as people who were perceived as different.
His words (as evidenced by the ones I used here and in class) are often thought provoking, which can be a good place to start when putting together a class – if, you know, we leave out all his horrible views and actions and just focus on his words out of context. (But, to be honest, I wasn’t feeling it.) Voltaire had notoriously bad health and an autopsy revealed that had an enlarged prostate – which means he could be the entrée for a Movember theme. (To bad all the images of him are extremely clean shaven.)
In the end, I went back to that feeling of unexpected loss and how so much of what we feel – physically, mentally, emotionally, spiritually, and energetically – is in our heads. One aspect of the Yoga Philosophy is how our thoughts disempower us and how we can use our minds (and the practice) to overcome the obstacles and ailments that arise with the obstacles. Similarly, Buddhism focuses on how we can end our suffering. Ultimately, it all comes down to perspective and how we think about what we are experiencing.
As we head into this week where so many will be giving thanks, take a moment to consider how you experience and express appreciation (sometimes without saying a word). Then consider how often your appreciation, and expression, show up as attachment or aversion – which Patanjali classifies as afflicted/dysfunctional thought patterns that lead to suffering. Finally, take a moment to contemplate how much of your experience is controlled by your thoughts.
“A witty saying proves nothing.”
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– quoted from Le dîner du comte de Boulainvilliers (The Dinner at Count Boulainvillier’s) by Voltaire (pub. 1728)
Today’s playlist is is available on YouTube and Spotify. [Look for “07072021 Bread & Chocolate”]
*Errata: During Sunday’s practice, I misattributed the first quote (see above) and it’s entirely possible that one of the other quotes attributed to Voltaire is actually someone else’s statement. My apologies. Hopefully you didn’t quote me.
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### “If a picture paints a thousand words, / Then why can’t I paint you?” ~B&C ###
A Joyful Practice 