Lagniappe (the Sunday post) November 22, 2021
Posted by ajoyfulpractice in Abhyasa, Books, Buddhism, Changing Perspectives, Depression, Food, Gratitude, Life, Loss, Meditation, Music, Philosophy, Suffering, Vairagya, Vipassana, Wisdom, Writing, Yoga.Tags: Blaise Pascal, Bread and Chocolate, Darra Goldstein, François-Marie Arouet, John Camden Hotten, lagniappe, Mark Twain., music, vinyasa, Voltaire
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This is the post for Sunday, November 21st. You can request an audio recording of Sunday’s practice via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.
Check out the “Class Schedules” calendar for upcoming classes.)
“277. The heart has its reasons, which reason doesn’t know;
we know this in a thousand things. I say that the heart—if
it works at it—naturally loves the universal being, and also
naturally loves itself; and it hardens itself against one or the
other as it chooses”
.
– quoted from “Section 4: The routes to belief” in Pensées (Thoughts) by Blaise Pascal*
There’s a moment we probably all experienced at least once or twice as a child – possibly even as an adult. It’s that moment when we lose something we thought or felt we had been promised. I think of it as the “fallen ice cream” moment. You know, that moment when you’re enjoying something – like your favorite ice cream cone on a hot day – and then a good majority of the ice cream falls and goes splat on the ground. Maybe it’s in the middle of an intersection or may there’s a dog that very “helpfully” starts cleaning it up.
Either way, that ice cream is gone.
Sometimes it’s even worse if the bottom falls out and it’s the last bit that you lose. Still, either way, for a moment, you forget all about the ice cream you had and/or have left. For a moment, all you’re thinking about is the loss. What’s even worse is if you were told it would fall if you didn’t stop licking on the one side; or if you were told you had to be careful of the bottom; or if you and your siblings had been told to stop horsing around. It’s worse, because that warning means that someone (usually you) are responsible for the inevitable consequences. So, then there’s some anger, blame, shame, and guilt, mixed in with the grief.
Sure, we can say it’s a kid’s grief over something inconsequential and sure we can say we’re going to get over it – and we do. However, for a moment, we’re only focused on the loss. And even after we finish the ice cream we still had left, we can feel like we missed out on something. There’s a hollowness; that too is grief.
Ever have that experience? Ever consider that that experience – an experience that can ruin your whole day – was all in your head? It’s true. I’m not saying that the thing didn’t happen. Whatever happened absolutely happened. The loss was real. The grief was real. Even the way you physically embodied that experience, the hollowness, was real. But the whole experience was based on the fact that you lost something you valued. In other words, the whole experience was based on the fact that you lost something you appreciated and something to which you had an attachment.
Consider how extreme that feeling can be. Not only that feeling you had as a child; consider that there is something (or someone) you have lost as an adult that left you with that same “if I just had more…” feeling. Wanting, desire, passion – which comes from the Latin word meaning “to suffer” – are part of life. Loss and the physical and emotional sensations associated with it are part of life. Philosophically, part of the Yoga practice is about opposites. So, as you think about that extreme reaction to unexpectedly losing something or someone, consider the opposite.
How do you feel when you unexpectedly receive something you value and appreciate?
“We picked up one excellent word—a word worth travelling to New Orleans to get; a nice limber, expressive, handy word—’lagniappe.’ They pronounce it lanny-yap. It is Spanish—so they said. We discovered it at the head of a column of odds and ends in the Picayune, the first day; heard twenty people use it the second; inquired what it meant the third; adopted it and got facility in swinging it the fourth. It has a restricted meaning, but I think the people spread it out a little when they choose. It is the equivalent of the thirteenth roll in a ‘baker’s dozen.’ It is something thrown in, gratis, for good measure. The custom originated in the Spanish quarter of the city. When a child or a servant buys something in a shop—or even the mayor or the governor, for aught I know—he finishes the operation by saying—’Give me something for lagniappe.’
*
The shopman always responds; gives the child a bit of licorice-root, gives the servant a cheap cigar or a spool of thread, gives the governor—I don’t know what he gives the governor; support, likely.
*
When you are invited to drink, and this does occur now and then in New Orleans—and you say, ‘What, again?—no, I’ve had enough;’ the other party says, ‘But just this one time more—this is for lagniappe.’”
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– quoted from “Chapter XLIV. City Sights” in Life on the Mississippi by Mark Twain
I grew up in and around the Gulf Coast, where you are just as likely to hear someone refer to “lagniappe” as you are to hear them refer to “baker’s dozen.” Lagniappe is a Louisiana French word for that little something extra a customer receives for free when they make a purchase. Think of a free beignet with your café au lait or hot chocolate; a little cookie beside your gelato; or a bundle of peppers from a roadside vegetable stand. Like so much of Louisiana’s culture, the word is a mixture of Spanish, French, and Quechua – an indigenous language found in Peru and parts of Bolivia, Chile, Colombia, and Ecuador. It’s a word, and practice, that you will find in other areas of the world that have been exposed to a similar mixture of cultures.
While lagniappe is often associated with hospitality, “a baker’s dozen” is whole-heartedly connected to commerce. In a modern context we think of it as 13, but at least one source marks it as 14. According to The Oxford Companion to Sugar and Sweets (2015) and other sources, the practice of adding an extra loaf (or two), to an order of a dozen dates back at least to the thirteenth century England. Some attribute the practice to the Assize of Bread and Ale, which regulated the price, weight, and quality of bread and beer. Some say that because homemade bread and rolls varied in size and weight, bakers would add a little extra in order to guarantee they were not selling below the standard. When John Camden Hotten published his 1864 edition of A dictionary of modern slang, cant, and vulgar words, he indicated that the bakers were incentivized to add that little extra because the penalties for underselling goods included fines, destruction of the baker’s oven, and being placed in the stocks (or pillory) and subjected to public humiliation.
However, in The Oxford Companion to Sugar and Sweets, Darra Goldstein notes that the original practice of adding a loaf (or two) to an order of a dozen, may actually be connected to “hucksters.” If you only know the word in a modern context, especially in the United States, then you may associate the word with someone who is out to trick you. However, the etymology of the word can be traced to medieval words meaning “to haggle” and vendors who either sold things door-to-door or from roadside stands. Hucksters of old not only haggle with their customers, they would also be quite loud and showy as they hawked their wares. (Yes, “hawker” is another term that is sometimes applied to this type of peddler.)
Some of these peddlers would water down ale or in other ways deflated the value, which (combined with their showiness) is why the term became a pejorative. However, the original meaning of “huckster” was just someone who was trying to make a living by selling things – a job made harder by stall taxes and things like the the Assize of Bread and Ale, which required hucksters to sell goods for the same price at which they purchased them. The law meant that they only way the hucksters, who were often woman, could make any money was if they had a little extra to sell. The bakers knew that they could sell more of their baked goods with the help of the hucksters and so they would throw in a loaf (or two) to give the hucksters a little advantage. Hence the reason why the extra was sometimes called “in-bread” or the “vantage loaf.” All in all, a mutually beneficial practice that kept the economy flowing.
Speaking of flowing…
For many years, I didn’t teach for about ten days each November because I was in Texas stage managing a production of the ballet The Nutcracker. I would typically have subs while I was gone and most of the people who came to the studio classes were regular attendees who had purchased packages. If you purchased a package of six, ten, or twelve you received a price break – meaning that if you based your calculations on the drop-in rate, you received an extra class or two (depending on the size of the package). So, one could think of the class with the sub as lagniappe. I often think of subs treating people to a little something extra because people get to experience different ways of sequencing; the opportunity to practice something I don’t often cue; and/or a different perspective on some aspect of the practice. All of those are, to me, like an extra donut hole – a sweet nothing!
For the last two or three years, I’ve had these extra days to share the practice with the people with whom I love to share the practice! And, so, the question becomes: What will be the little something extra?
Or, more importantly, what will people appreciate?
Feel free to check out this post related to last year’s practice, if you want a little mo’ about the practice.
I mostly teach vinyāsa practices, which means there’s movement and an inclined series that often involves some variation of a push-up. But, I also teach with a lot alignment and breath cues, not to mention the theme. If you’re someone who is familiar with a “flowing” practice that is not taught with an alignment focus, the alignment cues can be a little something extra. If you are use to an Iyengar Yoga practice, where you may not encounter an inclined series very often, the vinyāsa can be like extra green chilis thrown in your bag. Of course, a lot of people don’t cue the breath unless they notice everyone is out of breath – so that can be the lagniappe. Then too, if you typically practice a seated meditation like vipassanā, where there is heightened focus on the breath and how it feels to breath, all the movement and poses are lagniappe.
Finally, there are my themes, which some people would say are just… extra.
“I don’t know where I am going, but I am on my way.”
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– attributed to Voltaire*
November 21st is the considered the anniversary of the birth of the writer, philosopher, and historian Voltaire (whose nom de plume or “pen name” could be a class all unto its self). Born François-Marie Arouet, in 1694, this prominent figure from the Age of Enlightenment wrote in pretty much every form and about pretty much everything related to life – including science, religion, freedom of speech, love, social standings, and the hardships of life. While he wrote about tolerating others and their beliefs, his views were often couched in racism, anti-Semitism, Islamophobia, and other forms of bigotry. Just to be clear, he was an equal opportunist when it came to his opinions about how others were wrong and could (and did) use his witty to eloquently slam people who were perceived like him just as easily as people who were perceived as different.
His words (as evidenced by the ones I used here and in class) are often thought provoking, which can be a good place to start when putting together a class – if, you know, we leave out all his horrible views and actions and just focus on his words out of context. (But, to be honest, I wasn’t feeling it.) Voltaire had notoriously bad health and an autopsy revealed that had an enlarged prostate – which means he could be the entrée for a Movember theme. (To bad all the images of him are extremely clean shaven.)
In the end, I went back to that feeling of unexpected loss and how so much of what we feel – physically, mentally, emotionally, spiritually, and energetically – is in our heads. One aspect of the Yoga Philosophy is how our thoughts disempower us and how we can use our minds (and the practice) to overcome the obstacles and ailments that arise with the obstacles. Similarly, Buddhism focuses on how we can end our suffering. Ultimately, it all comes down to perspective and how we think about what we are experiencing.
As we head into this week where so many will be giving thanks, take a moment to consider how you experience and express appreciation (sometimes without saying a word). Then consider how often your appreciation, and expression, show up as attachment or aversion – which Patanjali classifies as afflicted/dysfunctional thought patterns that lead to suffering. Finally, take a moment to contemplate how much of your experience is controlled by your thoughts.
“A witty saying proves nothing.”
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– quoted from Le dîner du comte de Boulainvilliers (The Dinner at Count Boulainvillier’s) by Voltaire (pub. 1728)
Today’s playlist is is available on YouTube and Spotify. [Look for “07072021 Bread & Chocolate”]
*Errata: During Sunday’s practice, I misattributed the first quote (see above) and it’s entirely possible that one of the other quotes attributed to Voltaire is actually someone else’s statement. My apologies. Hopefully you didn’t quote me.
*
### “If a picture paints a thousand words, /
Then why can’t I paint you?” ~B&C ###
A Song or 2 For You (the “missing” post) December 2, 2020
Posted by ajoyfulpractice in Books, Buddhism, Hope, Love, Meditation, Music, Philosophy, Suffering, Vipassana, Yoga.Tags: Ann Patchett, Bel canto, J. R. R. Tolkien, Japanese Embassy, Lima Peru, pranayama, pratyahara, Pratyāhāra, Swami J, Swami Jnaneshvara, vinyasa, vinyāsa, Vipassana, Vipassanā
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“The timing of the electrical failure seemed dramatic and perfectly correct, as if the lights had said, “You have no need for sight. Listen.”
– quoted from Bel Canto by Ann Patchett
There was a time, not too long ago really, when I felt like I had a certain amount of control over how I began a practice and, therefore, how I told the story that was the class. Sometimes, in part because of my history in technical theatre, I relished days like today when I could combine my thirst for the practice with my love of literature and of the performing arts. I relished creating a dramatic moment when some of my favorite things converged and collapsed into one moment. But, alas, things change and in rolling with the punches I am reminded of the original intention of the story. No matter the drama, it was always about love and the practice (and love of the practice).
In Yoga and in Buddhism, there are techniques that became so popular they are now seen as styles or traditions. There are people, in both cases, who practice the technique as if it is the whole practice. The classic example in Yoga is vinyasā – which literally means “to place in a special way” and involves sequencing poses that exaggerate the body’s natural tendencies (to expand on the inhale and flex on the exhale). In Buddhism, the classic example is vipassanā – which literally means “to see in a special way” and involves paying attention to the way the body responds to the breath (see above). Notice the common root in the Sanskrit words? Notice also the connection to the breath and the body?
There is more these two things have in common, but the most common thing may be people’s habit of translating them into English words that (sometimes) barely hint at their original meaning. So, vinyasā becomes “flow” and vipassanā becomes “insight.” The English words are true, but also make it easy to miss the point and also to miss two key elements of both practices: breath and sense withdrawal.
“She sang as if she was saving the life of every person in the room.”
– quoted from Bel Canto by Ann Patchett
Imagine singing as if you were saving lives; imagine the breath awareness and control that would take. When they hear the words bel canto, many people outside of classical music think of the novel written by Ann Patchett, who was born today in 1963. The novel is based on the 1996 – 1997 hostage crisis that took place at the Japanese Embassy in Lima Peru (Dec 17th – April 22nd). It details the interactions of the terrorists and their hostages – including a world renowned opera singer. Opera and music are central themes throughout the novel, which is named for the Italian term for “beautiful singing” or “beautiful song.” The thing is; bel canto, like vinyasā and vipassanā, is a technique that became known as a style – and it requires control (and awareness) of the breath.
At one time, “bel canto” was just a term applied to beautiful singing – much like some of the music on today’s playlist – but specifically beautiful Italian singing. During the later 18th and early 19th century, however, people started using it in reference to a very specific type of Italian singing, which emphasized even tone; legato (“tied together” or long) phrasing deliberately juxtaposed to staccato (“detached” or short) phrasing – which sometimes also involved dramatic tempo changes; and vibrato (“vibrating” or pulsating). There was also an emphasis on emphasis (or accent) and how emotion was being conveyed. The technique was sometimes applied (and understood) outside of Italian music, but often with less drama attached to it.
“Love was action. It came to you. It was not a choice.”
– quoted from Bel Canto by Ann Patchett
By the end of the 19th century, people were using the term “bel canto” to specifically distinguish a certain style of opera and classical music (mostly associated with Italian and French composers) from operatic and classical music that was described as “weightier, more powerful… speech-inflicted” (and mostly associated with German composers). Similarly, as we moved into the middle and late 20th century, people started using the term “vinyasā” – and even “vipassanā” – to distinguish one type of practice from other traditional styles of practice.
In the parallels I am drawing, one of the things to note is what gets lost in translation. Sometimes, without awareness of why we move the way we move in vinyasā, people just think it’s about putting poses together and moving as swiftly as one can. In fact, there are people who are drawn to that type of practice for the very same reason it turns some people off. Similarly, some people say that they “only practice vipassanā” as a way to distance themselves from Buddhism (or their understanding of cultural Buddhism). The things is, as I see it, the point of these techniques was to go deeper into the overall practice – and the minute you distance yourself from the intention of the practice is the minute you start spiraling into the “hear be dragons” part of the experience. Sure, it is cool to explore what is considered unchartered territory, but it must always be done (to paraphrase J. R. R. Tolkien) with awareness of the dragons / dangers.
“‘Most of the time, we’re loved for what we can do rather than for who we are. It’s not such a bad thing, being loved for what you can do.’
‘But the other is better,’ Gen said.
Roxane pulled her feet into the chair and hugged her knees to her chest. ‘Better. I hate to say better, but it is. If someone loves you for what you can do then it’s flattering, but why do you love them? If someone loves you for who you are then they have to know you, which means you have to know them.’”
– Roxanne Cross (the soprano) and Gen Watanabe (the translator) in Bel Canto by Ann Patchett
One of the “dangers” of being in close quarters for long periods of time, as people were during the hostage crisis and in the novel (and as we are now), is that people’s best and worst qualities get exaggerated. It becomes harder, sometimes impossible, to avoid conflict and other times it becomes harder (sometimes impossible) to ignore someone’s bad behavior. Similarly, however, we are confronted with people’s good behavior and the heart of people – if we’re paying attention and if we are open to that possibility. Certain situations are opportunities for more trauma and drama – as we have seen during the pandemic. These same situations are opportunities for forgiveness and healing. But because the lines get blurred with such close proximity, it can all happen at the same time and with the same people. And, I find, that these are the times when we need to withdraw a bit.
I know, I know, you’re thinking, “But where would I go? Where can I go when everything is closed and winter is upon us?” Well, I’m glad you asked.
Some people escape inside of books, some inside of music or movies, and some inside of themselves (through practices like meditation, prayer, yoga, Tai Chi, or Qigong). The idea here is not to escape as if you are running away from home. The idea is to take a moment to turn inward, reflect, and remind yourself of what is in your heart. It’s also a way to remind yourself of what you value and of your guiding principles. Sure, it is harder to do these things during the pandemic. However, it’s harder to do these things if you are in prison or in the middle of a hostage situation – and yet, people do!
I mentioned earlier that sense withdrawal is one of the key elements shared by vinyasā and vipassanā. In the Yoga Philosophy, pratyāhāra (“withdrawing the senses”) is the fifth limb of the practice. Swami Jnaneshvara Bharati, of the Himalayan tradition, explains that placement in the philosophy by writing that “The willingness or unwillingness to withdraw attention from sensory experience is a significant dividing line between those who experience true meditation and those who experience only physical relaxation.” In other words, in order to focus, concentrate, and meditate in a single point – to the point that we are completely absorbed into (and merged with) the object our focus – we must let go of everything else.
Pratyāhāra is not, as some people believe, forcefully ignoring something or someone. Instead, this is a gentle releasing of awareness. It is something we already do unconsciously or subconsciously when we are really invested in a project or a person. In those times, we may really enjoy the experience. On the flip side, sometimes, the letting go is neither gentle nor peaceful. Sometimes, it is unexpected and jarring and creates a great deal of stress and strain. On a certain level, over the last few months, we’ve all experienced both kinds of letting go. The question becomes, how have you perceived it (the letting go) and what have you received in turn?
“It was too much work to remember things you might not have again, and so one by one they opened up their hands and let them go.”
– quoted from Bel Canto by Ann Patchett
Please join me today (Wednesday, December 2nd) at 4:30 PM or 7:15 PM for a yoga practice on Zoom. Use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You will need to register for the 7:15 PM class if you have not already done so. Give yourself extra time to log in if you have not upgraded to Zoom 5.0. You can request an audio recording of this practice via a comment below or by emailing myra (at) ajoyfulpractice.com.
Wednesday’s playlist is available on YouTube and Spotify.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)
“But together they moved through the world quite easily, two small halves of courage making a brave whole.”
– quoted from Bel Canto by Ann Patchett
### HOW AWARE ARE YOU THAT YOU’RE BREATHING? ###
Compassion and Peace (with reference to a “separated” time) July 18, 2020
Posted by ajoyfulpractice in Uncategorized.Tags: apartheid, Ashtanga, Buddhism, compassion, compassionate abiding, freedom, hatha yoga, inspiration, Long Walk to Freedom, loving-kindness, Madiba, Nelson Mandela, peace, Pema Chodron, Rabbi Abraham Joshua Heschel, Race, Racism, Raja Yoga, separatedness, South Africa, Swami Vivekananda, The Insecurity of Freedom, vinyasa, yoga philosophy, yoga practice, Yoga Sutra 2.29
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“If one wishes suffering not to happen to people and the earth, it begins with a kind heart.”
– Pema Chödrön
“As I walked out the door toward the gate that would lead to my freedom, I knew if I didn’t leave my bitterness and hatred behind, I’d still be in prison.”
– Nelson Mandela
Can you imagine, just for a moment, living four lives in one lifetime? Imagine (yourself) simultaneously being a member of a royal family, a lawyer, and a second-class citizen of your country. Now, imagine yourself using your personal privilege to fight the injustices that make it impossible for you to live in a free, just, and equitable society. Now, imagine spending over 27 years in prison (some of it in solitary confinement and some of it with the least amount of privileges) – while simultaneously being heralded around the world as a hero. Finally, imagine being a Nobel Peace Prize winner and President of your country. It’s a lot, right? Now, go back and imagine all of it while also being a husband and father, a son and a friend.
Imagine what your physical state would be like at these different times in your life. Now imagine your mental state… your emotional state… your spiritual state. Some of this may be hard to imagine. Even though many people have compared the stay-at-home order to being in prison, the truth is that unless you are quarantined with someone who is physically and mentally abusing you (and preventing you from eating, sleeping, exercising, and reading the news when you want to), the last few months are nothing like prison. So, for some, it’s not only hard to imagine living one of these experiences (let alone all of them), it’s impossible. It’s not only hard to put ourselves in these scenarios, it’s hard to imagine anyone living all of these experiences in one lifetime – and yet this was the life experience of #46664.
Also known as Madiba and “Father of the Nation,” Nelson Mandela was born today in 1918. He was controversial throughout his life – and far from perfect (in fact, he called himself a sinner and asked not to be judged by his failures). However, it is interesting to note all he accomplished and all he overcame. It is interesting to consider, as he did in his autobiography, how each layer of experience (samskara) changed his understanding his own freedom, or “illusion” of freedom, and how his ever-changing level of conscious awareness changed the way he engaged the next experience, which in turn allowed him to achieve all that he achieved. In other words, it is interesting to note how he viewed himself and how his understanding of himself played a part in the way he engaged the world. Mandela was a man who did not let the world define him.
“… that is when the hunger for my own freedom became the greater hunger for my own people. It was this desire for the freedom of my people to live their lives with dignity and self-respect that animated my life, that transformed a frightened young man into a bold one, that drove a law-abiding attorney to become a criminal, that turned a family-loving husband into a man without a home, that forced a life-loving man to live like a monk. I am no more virtuous or self-sacrificing than the next man, but I found that I could not even enjoy the poor land-limited freedoms I was allowed when I knew my people were not free. Freedom is indivisible; the chains on any one of my people were the chains on me.
It was during those long and lonely years that my hunger for the freedom of my own people became a hunger for the freedom of all people, white and black. I knew as well as I knew anything that the oppressor must be liberated just as surely as the oppressed.”
– quoted from Long Walk to Freedom: The Autobiography of Nelson Mandela by Nelson Mandela
“We work on ourselves in order to help others, but also we help others in order to work on ourselves.”
– Pema Chödrön
“As I have said, the first thing is to be honest with yourself. You can never have an impact on society if you have not changed yourself.”
– Nelson Mandela
To be honest with oneself requires a little introspection, a little reflection, and a lot of awareness. One of these things we must be aware of as we contemplate ourselves is that our initial viewpoint is (almost always) skewed by our experiences (samskaras) and that our conscious viewpoint is layered on top of subconscious and unconscious viewpoints. So, to be honest with oneself requires unpacking the layers – which can be tricky even when you live a relatively simple life and even when you use a system of practice. Still, a system gives you a place to start.
Yoga Sūtra 1.1: atha yogānuśāsanam
– “Here, now, at this auspicious moment [having been prepared according to the ancient tradition] the instruction of union begins.”
Just as there are multiple levels of conscious awareness (four, according to Patanjali) there are also multiple levels of practice. For instance, when you are moving through an asana practice, there is a physical-mental level, an emotional-energetic level, and a psychic-symbolic level. As you use your mind to move your physical body and the movement of the body affects the mind, you affect your emotions and your energy, which in turn affect the function of your mind-body, and, ultimately gives you access to your intuition and the powers of your senses. Therefore, whether you realize it or not (and whether you believe it or not), as you practice things are happening on multiple levels: internally and externally. In truth, everything we experience happens on multiple levels, but the practice of yoga is systematic and deliberate in its intention to engage these multiple levels on the inside and the outside.
Both the physical practice of yoga (haţha yoga, regardless of the style or tradition) and the philosophy of yoga have an internal component and an external component; and both can change the way one understands themselves, the world, and how one fits in the world. Again, there are other ways – even other systems and contemplative practices – that allow someone to engage themselves on multiple levels. The practice of “compassionate abiding” for instance, is a way to take a look at one’s self on multiple levels. Remember though, that while this practice (which I’ve mentioned this week) can be a standalone practice, it is the beginning of larger practices (related to shenpa, loving-kindness, and compassion) and it is part of the bigger system that is Buddhism. To understand a single part of the system (and how that one piece fits in the whole system), you need to go deeper into the system. So, let’s go deeper into the yoga system.
Yoga Sütra 1.2: yogaścittavŗttinirodhah
– “Yoga is the mastery of the fluctuations of the mind.”
Yoga Sütra 1.3: tadā draştuh svarūpe’vasthānam
– “[When the fluctuations of the mind are mastered] the Seer abides/rests in their own true nature.”
Yoga Sütra 1.4: vŗttisārūpyamitaratra
– “At other times, the Seer identifies with the fluctuations of the mind.”
Yoga Sutra 1.5: vŗttayah pañcatayyah klişțāklişțāh
– “The tendencies that cause the mind to fluctuate (or rotate) are fivefold, and are either afflicting or non-afflicting.”
Yoga Sutra 2.3: Avidyāmitārāgadveşābhiniveśāh kleśāh
– “Ignorance (or lack of knowledge), false sense of identity, attachment (rooted in pleasure), aversion (attachment rooted in pain), and fear of death or loss are the afflictions.”
Yoga Sūtra 2.28: yogāngāuşţhānādaśuddikşaye jñānadīptirāvivekakhyāteh
– “Unshakeable discernment (or knowledge) comes from the sustained practice of the limbs of yoga, which eliminates/destroys impurities and illuminates knowledge.”
Yoga Sūtra 2.29: “yamaniyamāsanaprānāmapratyāhāradhāraņādhyānasamādhyo’şţāvangāni
– “Restraint, internal observance, seat (or physical posture), control of breath/prana, withdrawal of the senses, concentration, meditation, and the highest meditation/absorption are the eight rungs/limbs of yoga.”
I mentioned last week that sūtra 2.28 could be considered a teaser or an introduction to this week’s sūtra. And, whether you realized it or not, as we moved through the July 11th practice, I walked you through the philosophy of yoga – which is the focus of this week’s sūtra. Swami Vivekananda relayed the instruction to the Western world as Rāja Yoga, meaning “royal union,” to designate it as the highest or most complete form of the practice; however, Patanjali called it aşţāngā yoga, meaning 8-limb or 8-rung yoga. (This is different from the physical practices of “Ashtanga Yoga,” which is a vinyāsa form of haţha yoga and therefore a container in which to practice the 8-limbs). In the philosophy, each rung leads to the next rung, and also (simultaneously) acts as a limb of stability as your practice the other limbs. While some will argue that the system was intended to be practiced in a state of societal renunciation, there are aspects of the practice which make the most sense when they are held up to the light of day and practiced with some social interaction. It is easier, after all, to convince ourselves that we have mastered the fluctuations of our mind when there is nothing and no one around to “distract” us.
Don’t get me wrong, I’m not saying the mind won’t distract us if we are alone for an extended period of time – it absolutely will. However, if we have the luxury of time and space to reach a quiet mind state for an extended period of time, we may find it easier to maintain that state the longer we no longer engage with the world. The true test of our practice, as Rabbi Abraham Joshua Heschel pointed out in The Insecurity of Freedom, “is not how to worship in the catacombs but rather how to remain human in the skyscrapers.”
“For to be free is not merely to cast off one’s chains, but to live in a way that respects and enhances the freedom of others. The true test of our devotion to freedom is just beginning.
I have walked that long road to freedom. I have tried not to falter; I have made missteps along the way. But I have discovered the secret that after climbing a great hill, one only finds that there are many more hills to climb. I have taken a moment here to rest, to steal a view of the glorious vista that surrounds me, to look back on the distance I have come. But I can only rest for a moment, for with freedom come responsibilities, and I dare not linger, for my long walk is not ended.”
– quoted from Long Walk to Freedom: The Autobiography of Nelson Mandela by Nelson Mandela
Please join me for a 90-minute virtual yoga practice on Zoom today (Saturday, July 18th) at 12:00 PM. You can use the link from the “Class Schedules” calendar if you run into any problems checking into the class. Give yourself extra time to log in if you have not upgraded to Zoom 5.0. You can request an audio recording of this practice via a comment below.
Today’s playlist is available on YouTube and Spotify. (This is the playlist dated 07/11/2020.)
[Full disclosure, this will not be my typical Nelson Mandela themed class – and we may or may not do a mandala sequence, as I am still figuring out how to make that work on Zoom.]
“No one is born hating another person because of the color of his skin, or his background, or his religion. People must learn to hate, and if they can learn to hate, they can be taught to love, for love comes more naturally to the human heart than its opposite.”
– quoted from Long Walk to Freedom: The Autobiography of Nelson Mandela by Nelson Mandela
“Few of us seem to realize how insidious, how radical, how universal an evil racism is. Few of us realize that racism is man’s gravest threat to man, the maximum of hatred for a minimum of reason, the maximum of cruelty for a minimum of thinking.
Perhaps this Conference should have been called ‘Religion or Race.’ You cannot worship God and at the same time look at man as if he were a horse.”
– quoted from the “Religion and Race” speech delivered January 14, 1963, and published in The Insecurity of Freedom by Rabbi Abraham Joshua Heschel
Another man who lived 9 lives (and dressed as himself at Comic-Con), Rest in Peace / Rest in Power 1940 – 2020
### SEE YOUR PRACTICE, SEE YOUR LIFE ###
How We Learn To Feel (and what we learn from feeling) May 27, 2020
Posted by ajoyfulpractice in Uncategorized.Tags: asana, beauty, compassion, Edward Bradford Titchener, empathy, Jim Chee, Joe Leaphorn, matter, Nature, Navajo Way, Rachel Carson, Rosalind Dymond Cartwright, Silent Spring, sympathy, Tony Hillerman, vinyasa, Vipassana
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“But it seems reasonable to believe — and I do believe — that the more clearly we can focus our attention on the wonders and realities of the universe about us the less taste we shall have for the destruction of our race. Wonder and humility are wholesome emotions, and they do not exist side by side with a lust for destruction.”
– Rachel Carson accepting the John Burroughs Medal (April 1952) and printed in Lost Woods: The Discovered Writing of Rachel Carson
“It had been Nashibitti who had taught Leaphorn the words and legends of the Blessing Way, taught him what the Holy People had told the Earth Surface People about how to live, taught him the lessons of the Changing Woman – that the only goal for man was beauty, and that beauty was found only in harmony, and that this harmony of nature was a matter of dazzling complexity.”
– from Dance Hall of the Dead (Navajo Mysteries #2) by Tony Hillerman
This week, as we step back and really take a look at “role models,” the roles of our ancestors and elders, and the lessons they’ve taught us about how to live and interact with ourselves and each other, I thought we might take a moment to consider how we’ve learned to live and interact with the planet we call home. Behavioral scientists, and people who are interested in the science of our behaviors, are quick to point to incidences of animal mutilation in childhood whenever someone perpetrates great violence against humanity. There were signs, you see. And, sometimes, we missed the signs or didn’t pay enough attention to the signs.
A recent incident in New York sheds an interesting light on this subject, especially when it is viewed through the lens of everything else that is happening around us. In a situation where one person is committing emotional violence against another person and physical violence against a pet, some people quickly turn their focus on the pet’s distress. Others condemn such a reaction. However, it’s a very real and honest reaction. Rather than condemning how someone else reacts to trauma, I suggest we go deeper.
“‘Don’t think a man don’t care about one goat because he’s got a thousand of ‘em,’ Hosteen Nakai would say. ‘He’s got a thousand because he cares more about goats than he cares about his relatives.’”
– from People of Darkness (Navajo Mysteries #4) by Tony Hillerman
People who react to the pet’s distress (what they can see as well as hear), as opposed to the other person’s distress (what they may not be able to hear or completely understand as they cannot see the person) are still expressing empathy. This is important, because when scientist, writers, and lay people talk about childhood instances of animal mutilation part of their focus is on a lack of empathy. So, first and foremost consider the importance of empathy. While empathy is a natural emotion , we learn lessons throughout our lives about whether or not to trust – let alone engage – emotions like empathy. If we don’t trust our own emotions and intuition, it’s harder – almost impossible – to trust the emotions of others.
EMPATHY [Greek > German] – The action of understanding, being aware of, being sensitive to, and vicariously experiencing the feelings, thoughts, and experience of another…without having the feelings, thoughts, and experiences fully communicated in an objective and explicit manner.
SYMPATHY [Greek >> Latin] – Feelings of pity and sorrow for someone else’s misfortune.
COMPASSION [Latin>> Old French > Middle English] – To suffer with.
There is a difference between empathy, sympathy, and compassion – and the difference is critical. Compassion and sympathy are a much older words than empathy. Compassion refers to our ability to understand another’s pain and suffering, and to simultaneously have the desire that the other’s pain and suffering ends. Sympathy holds multiple meanings, including “having an affinity, association, or relationship between persons or things wherein whatever affects one similarly affects the other” and “a feeling of loyalty; tendency to favor or support.” When we speak in terms of the emotional experience of sympathy, however, there is a layer of pity. That is to say, our feelings of sympathy are more often than not associated with the feeling that someone of something is beneath us: we feel sorry for them. Furthermore, while we may feel sorry for someone, we may not every feel or express the desire that their pain and suffering ends. We may not ever make the connection between what they feel and what we can feel.
Empathy, on the other hand, is the emotion that bridges the gap between what we are feeling and what another is feeling. Coined (from German) by English psychologist Edward Bradford Titchener, the word “empathy” was used in the early 1900’s to describe the process of projecting one’s own emotions (and thoughts) onto another person or object. This emotional projection was considered a kind of animation or emotional play that allowed one to feel kinship (or sympathy) with another. Over time (and thanks in part to the work of experimental psychologist and sleep expert Rosalind Dymond Cartwright, in collaboration with her mentor, sociologist Leonard Cottrell), the word “empathy” became associated with the final experience: feeling the same as another, without experiencing what the other experiences.
“‘I didn’t want to believe it. Too many old friends are dying. I didn’t really think I could learn anything about that diamond out here. I just wanted to see if I could bring back some old memories…. Maybe it would help me get into harmony with living with so many of my friends gone.’”
– from Skeleton Man (Navajo Mysteries #17) by Tony Hillerman
Some of Dr. Cartwright’s research focused on how empathy related to a patient’s “need to change” and ability to progress in therapy. So, there is the even deeper side to the conversation on empathy. The role empathy plays in allowing us to put ourselves in someone else’s shoes may also be the role it plays in our ability to change.
As you consider that, also consider the last time you paused and really considered why you react to what you can see more than what you feel?
Writers and other artists are in the business of creating work that cultivates empathy. It’s why most of us can say, would say, we have never been a dog – but on a certain level we can imagine a dog’s life (as there are plenty of books and movies that have encouraged that viewpoint). Rachel Carson (born today in 1907) started Silent Spring with a parable, in part to elicit empathy for Nature before she started getting into the science. Tony Hillerman (born today in 1925) was a veteran and a journalist who wrote 18 novels about Navajo police officers and their role in protecting the people, the heritage, and the landscape within their keeping. If you miss the fact that Joe Leaphorn and Jim Chee are environmental and cultural gatekeepers, you missed part of what made Hillerman’s work so emotionally compelling.
“‘Everything is connected. The wing of the corn beetle affects the direction of the wind, the way the sand drifts, the way the light reflects into the eye of man beholding his reality. All is part of totality, and in this totality man finds his hozro, his way of walking in harmony, with beauty all around him.’”
– from The Ghostway (Navajo Mysteries #6) by Tony Hillerman
“In these troubled times it is a wholesome and necessary thing for us to turn again to the earth and in the contemplation of her beauties to know the sense of wonder and humility. There is modern truth to the ancient wisdom of the psalmist: `I will lift up mine eyes unto the hills, from whence cometh my help.’”
– from Rachel Carson’s original submission to “Words to Live By” for This Week Magazine (1951)
The question now becomes, when was the last time you put yourself in the shoes of someone you perceive to be different from you? When was the last time you imagined the life of someone whose life experience and life lessons are very different – or may seem very different – from yours? When was the last time you empathized without sympathizing (or pitying) another?
These are tricky questions that lead to a tricky conversation. And, while I say “conversation,” understand that the conversation is mostly an internal dialogue. Discernment, recognizing the movements of one’s own heart, is an internal process. Sure, we can have conversation with one another, but that requires gut-wrenching honesty. In order to have that gut-wrenching honesty with another person, we must first have it with ourselves. And that’s the tricky part: gut-wrenching honesty is gut-wrenching for a reason; it’s painful and pain is one of those things we want to avoid at all costs. So, rather than truly feel another’s pain – rather than truly feel our own pain – we “pity the fool” and go on about our day.
“We stand now where two roads diverge. But unlike the roads in Robert Frost’s familiar poem, they are not equally fair. The road we have long been traveling is deceptively easy, a smooth superhighway on which we progress with great speed, but at its end lies disaster. The other fork of the road — the one less traveled by — offers our last, our only chance to reach a destination that assures the preservation of the earth.”
– from Silent Spring by Rachel Carson
“It was not a Navajo concept, this idea of adjusting nature to human needs. The Navajo adjusted himself to remain in harmony with the universe. When nature withheld the rain, the Navajo sought the pattern of this phenomenon – as he sought the pattern of all things – to find its beauty and live in harmony with it. Now Leaphorn sought the pattern in the conduct of a man who had tried to kill a policemen rather than accepting a speeding ticket.”
– from Listening Woman (Navajo Mysteries #3) by Tony Hillerman
In Coyote Waits (one of my favorite Leaphorn and Chee mysteries), Hillerman wrote, “‘I think from where we stand the rain seems random. If we stand somewhere else, we see the order in it.” The Sanskrit word vinyasa means “to place in a special way” and shares a root with vipassana, which means “to see in a special way.” The practice is all about order, and also about what we think (and see) because of where we stand. It also, gives us an opportunity to stand (and see) in another place/way and to find harmony. Remember, we cannot understand what our minds have not shown us.
Please join me today (Wednesday, May 27th) at 4:30 PM or 7:15 PM for a practice and reflection on what we’ve learned about interacting with harmony and beauty. Use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You will need to register for the 7:15 PM class if you have not already done so.
Wednesday’s playlist is available on YouTube and Spotify.
Don’t forget that you can request an audio recording of any class via a comment below. If you have been thinking about joining us, but haven’t been able to work it out, this is the week to request a class recording. If one of the themes from this week doesn’t immediately resonate, I am happy to offer a suggestion.
“‘Terrible drought, crops dead, sheep dying. Spring dried up. No water. The Hopi, and the Christian, maybe the Moslem, they pray for rain. The Navajo has the proper ceremony done to restore himself to harmony with the drought. You see what I mean. The system is designed to recognize what’s beyond human power to change, and then to change the human’s attitude to be content with the inevitable. ’”
– from Sacred Clowns (Navajo Mysteries #11) by Tony Hillerman
“Those who contemplate the beauty of the earth find reserves of strength that will endure as long as life lasts. There is something infinitely healing in the repeated refrains of nature — the assurance that dawn comes after night, and spring after winter.”
– from Silent Spring by Rachel Carson
If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can call 1-800-273-TALK (8255). You can also call the TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.
### MANY BLESSINGS ###
Let’s See…Where We Go May 23, 2020
Posted by ajoyfulpractice in Uncategorized.Tags: asana, butterfly effect, chaos theory, Edward Norton Lorenz, Lorenz attractor, Philip Merilees, Ramadan, Ray Bradbury, Reba McEntire, strange attractor, vinyasa, vipasana, yoga philosophy, Yoga Sutra, Yoga Sutra 2.21
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(“Ramadān Mubarak, Blessed Ramadān!” to anyone who is observing the month of Ramadan.)
“I stopped explaining myself when I realized other people only understand from their level of perception.”
– Anonymous
“‘Stay on the Path. Don’t go off it. I repeat. Don’t go off. For any reason! If you fall off, there’s a penalty.’”
– from “A Sound of Thunder” by Ray Bradbury
There are some things that once seen (heard, felt), cannot be unseen (unheard, unfelt). Those things – whether we like them or dislike them; whether we truly understand their nature or not – become part of us and part of our world. Those things – whether we recognize/identify them as part of ourselves and/or part of our world – become how we perceive ourselves and the world. Those things – whether they are specific, unspecific, barely describable, or absolutely indescribable – play a part in how we understand ourselves and our world. Those things… are (almost) everything: and everything can lead to fulfillment and freedom.
The statements above are a way to view Yoga Sutras 2.17 – 2.20, which we’ve covered on Saturdays in the last few weeks. (The calendar on the side will link you to posts on any given date if you want to review.) Those statements are also the scaffolding for this week’s sutra (2:21) which gets to the heart of why (to paraphrase the anonymous quote) everyone can only understand from our level of perception – as well as why one person doesn’t automatically “get” what another person “gets.”
Yoga Sutra 2.17: draşțŗdŗśyayoh samyogo heyahetuh
– “The union of the seer and the seeable is the cause of pain (that may be avoidable).”
Yoga Sutra 2.18: prakāśkriyāsthitiśīlam bhūtendriyāmakam bhogāpavargārtham dŗśyam
– “The objective world (what is seen), consisted of a combination of elements and senses, and having a nature of illumination, activity, and stability, has two purposes: fulfillment and freedom.”
Yoga Sutra 2.19: viśeşāviśeşalingamātrālingāni guņaparvāņi
– “The “gunas” fall into four categories: specific/identifiable, unspecific/unidentifiable, barely describable (by signs), and absolutely indescribable (because it is beyond reference).”
Yoga Sutra 2.20: draşțā dŗśimātrah śuddho’pi pratyayānupaśyah
– “The Seer is the pure power of seeing, yet its understanding is through the mind/intellect.”
Yoga Sutra 2.21: tadartha eva dŗśyasyātmā
– “The Seer is the pure power of seeing, yet its understanding is through the mind/intellect.”
One of the reasons I share/teach the things I share/teach is that I understand we (read: our minds) have to be prepared for epiphanies. In other words, we (our minds) have to be prepared to understand what we are seeing. Also, once we have that epiphany – that “aha” moment – where we start to see things in a different way (a special way), we can’t “unsee” that different perception of reality. It’s like the dress or the sound or the picture of the animal or the picture I once shared in the downtown studio.
Some people only ever see/hear/experience things a certain way. It doesn’t matter what the reality is, we can only believe what we understand; and so, you can talk until you are blue (or gold) in the face and some people will never understand anything other than what they first perceived. Their minds have not shown them any other possibility (YS 2.20). On the other hand, some people, when presented with the truth about the reality of the dress, the sound, or either picture will start to perceive the object in a different way. And, once they do, that new perception becomes part of their understanding of reality (YS 2:18 – 19). When presented the object of experience again, they may first still see what they initially perceived, but their mind/intellect will now also present them with the other option(s). Add to this the fact that there are some people who will initially experience both/all options (YS 2:15 – 17). While people in this last category can isolate what others perceive, they will also still understand the ultimate reality: it’s all about perception, baby.
And, our perceptions play a starring role in our actions, our suffering, and our ultimate freedom from suffering.
“We must wholeheartedly believe in free will. If free will is a reality, we shall have made the correct choice. If it is not, we shall have still not made an incorrect choice, because we shall not have made a choice at all, not have a free will to do so.”
– from The Essence of Chaos (1993) by Edward Norton Lorenz
We have reached the end of the month of Ramadān, which can be viewed through the Yoga lens of Kriyā Yoga (a prescription or path to union). Part of the reason I share some of the history, pillars, and articles of faith related to Islam (as well as to Judaism and Christianity) is because if one person gains insight or additional understanding it not only changes their perception, it changes the way they relate to themselves and to the world. Sure, I hold out for the possibility of more than one person, but I also acknowledge that one person can make a big difference… if you know where to look for the change.
“‘A little error here would multiply in sixty million years, all out of proportion. Of course maybe our theory is wrong. Maybe Time can’t be changed by us. Or maybe it can be changed only in little subtle ways. A dead mouse here makes an insect imbalance there, a population disproportion later, a bad harvest further on, a depression, mass starvation, and finally, a change in social temperament in far-flung countries. Something much more subtle, like that. Perhaps only a soft breath, a whisper, a hair, pollen on the air, such a slight, slight change that unless you looked close you wouldn’t see it. Who knows? Who really can say he knows? We don’t know. We’re guessing. But until we do know for certain…we’re being careful. ’”
– from “A Sound of Thunder” (June 28, 1952) by Ray Bradbury
“ Lest I appear frivolous in even posing the title question, let alone suggesting that it might have an affirmative answer, let me try to place it in proper perspective by offering two propositions.
1. If a single flap of a butterfly’s wings can be instrumental in generating a tornado, so also can all the previous and subsequent flaps of its wings, as can the flaps of the wings of millions of other butterflies, not to mention the activities of innumerable more powerful creatures, including our own species.
2. If the flap of a butterfly’s wings can be instrumental in generating a tornado, it can equally well be instrumental in preventing a tornado.
More generally, I am proposing that over the years minuscule disturbances neither increase nor decrease the frequency of occurrence of various weather events such as tornadoes; the most that they may do is to modify the sequence in which these events occur.”
– from initially untitled speech given by Edward Norton Lorenz at the 139th meeting of the American Association for the Advancement of Science, in Washington, D.C, on December 29, 1972
It might seem random that a technical talk to a science organization in 1972 would popularize a theory that dates back as far as 1800. Turns out, however, that it’s not random, it’s chaos (theory) and changing a seagull’s wings to a butterfly’s wings was just the beginning of a ripple of effect with a “strange” legacy. According to Edward Norton Lorenz (born today in 1917), he did not submit a title for his now famous speech (“Does the flap of a butterfly’s wings in Brazil set off a tornado in Texas?”). The title, which came from the session chair, Dr. Philip Merilees, carried “the idea that small changes in initial conditions could result in vast differences in the initial outcomes” beyond mathematics, physics, computer science, and meteorology. It carried it everywhere – even into the social sciences, even into the hearts and minds of people all over the world. (Even though sometimes people don’t actually understand – or even know – the actual theory.)
If you are interested in experiencing some theory and “seeing” where it takes you, please join me for a 90-minute virtual yoga practice on Zoom today (Saturday, May 23rd) at 12:00 PM. We will continue exploring the connection between what we perceive and what we understand, this time using the lens of Ramadan and chaos theory. You can use the link from the “Class Schedules” calendar if you run into any problems checking into the class.
Today’s playlist is available on YouTube and Spotify. (Note: The links are for the “Ramadan 2020 75+ mins” playlist.)
Two quick notes about the music: First, while the most of the musicians featured on the playlists during these final days of Ramadān are Muslim there are some exceptions. One of the notable exceptions – notable, because she is the only female soloist and the only non-Muslim singer on the list – is Reba McEntire. Her song “Pray for Peace” is on the playlist because she released it during the month of Ramadān in 2014 – but not just randomly in the month, the song was released in the last ten days of the month! Second, there are some songs on the playlist that are Nasheeds (meaning they are religiously moral songs) that, in some traditions, are meant to be sung without instrumentation or only with percussion. I have, however, included orchestrated versions of these songs, because this seems to have worked best in an in-studio setting. As far as I know, percussion or voice only recordings of each song are available (if you want to build your own playlist). Alternatively, you can practice without the music (or use this “chaos” music).
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