For Those Who Missed It: The following was originally posted as “The Cagey Truth About Nothing” on September 5, 2020, and reposted in 2021. Today’s class details (and some formatting) have been updated.
“Every moment is an echo of nothing.”
— John Cage
Listen. Do that 90-second thing. Just for a moment, be still and be quiet.
Notice what you hear.
Notice what you see.
Notice what you feel.
Because, as long as you are alive, these things are always happening.
“Everything we do is music.”
“The world is teeming; anything can happen.”
— John Cage
We refer to the absence of something as nothing; but, in actuality, there is always something. Our understanding of nothing or emptiness is based on our perception and awareness of the truth. Zen Buddhism, which John Cage practiced, focuses on self-restraint, meditation, insight into the nature of the mind and the nature of things, and the personal expression of this insight — especially as it benefits others. This, truly, parallels the focus of the yoga philosophy.
It’s tricky, cagey even. However, if we pay attention, we start to notice that the truth about nothing leads to the truth about everything — and Patanjali indicated that being dedicated to to the truth leads to everything.
— “When a yogi is established in truthfulness, actions begin to bear fruit. [Truth is the foundation for fruitful action.]”
Born today in 1912, John Cage was an artist and composer who’s most well-known work is often misinterpreted. Even as musicians — even heavy metal musicians — who understand the piece take it on, there is often a level of interpretation and improvisation that changes the tenure of the piece. Some say Mr. Cage would approve of such things. Others say otherwise, but the truth of the matter is that he was not only a student of art and music. He was also a student of Zen Buddhism, Indian philosophy, chance, and (yes) improvisation.
He turned more towards music than art, because more people commented on his music and, in some ways, music was harder for him. He combined his two art forms by composing music for “prepared piano”, a piano that had been altered with blocks, pins, and other objects — and essentially turned into a percussion instrument. He also collaborated with his partner Merce Cunningham, the choreographer, and spent years composing via the I Ching, a resource for divination.
Divination comes from the Latin word for “to foresee, to foretell, to predict, to prophesy” and, as it is related to the Latin word for “divine”, it can be translated as “to be inspired by God.” It is, like randomly opening a page in the Bible or your favorite book, a way to gain insight into a particular situation. The I Ching or Book of Changes (sometimes translated as Classic of Changes) is an ancient resource for Chinese divination and one of the oldest Chinese classics. It became one of the “Five Classics” in the 2nd Century B.C. and has influenced art, literature, philosophy, and religion around the world since the Western Zhou period (1000 – 750 B. C.).
The text is the primary reference for interpreting a sequence of hexagrams which can be formed with numbers or by throwing coins containing the symbols for “yin” (a broken line) or “yang” (an unbroken line). Just like other users of Chinese divination, John Cage would form a question, throw the coins, and then create a musical interpretation of the resulting hexagon sequence and its corresponding message. While he had previously composed “by chance”, using the I Ching became his standard method of composing music after one of his students gave him a copy of the sacred text in 1951. In a 1957 lecture, he described music as “purposeless play” and “a way of waking up to the very life we’re living.”
“If something is boring after 2 minutes, try it for 4. If still boring, then 8. Then 16. Then 38. Eventually one discovers that it is not boring at all.”
— John Cage
It was also in 1951 that Mr. Cage had two other highly influential experiences. His friend and colleague Robert Rauschenberg produced a series of white paintings which appeared to be “blank” canvases, but which actually changed based on lighting and the shadows of the people viewing them. Around this same time, Mr. Cage spent some time in an anechoic chamber at Harvard University. The chamber was designed so that every part of the room absorbed sound, rather than reflecting it. Since it was meant to be completely silent and externally sound-proof, he expected to hear silence. However, instead of silence, he heard a high pitched sound and a low pitched sound. The engineer in charge of the room told him the high pitch was his nervous system and the low pitch was his blood circulation. Instead of silence, he was treated to the music of his own existence.
“There is no such thing as an empty space or an empty time. There is always something to see, something to hear. In fact, try as we may to make a silence, we cannot.”
— John Cage
Please join me today (Tuesday, September 5th) at 12:00 PM or 7:15 PM for a yoga practice on Zoom. You can use the link from the “Class Schedules”calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email myra(at) ajoyfulpractice.com.
Tuesday’s playlist is available on YouTube and Spotify. [Look for “09052020 The Cagey Truth About Nothing”]
(FAIR WARNING: The volume on these tracks is quite dynamic, more so on the Spotify list. I love this music, however, I know some folks hate it; so, feel free to “randomly” pick another list or…practice in “silence.”)
“Get yourself out of whatever cage you find yourself.”
— John Cage
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)
For Those Who Missed It: This post-practice post for Friday, September 1st, is a revised (and slightly expanded) version of a 2020 post. You can request an audio recording of either practice via a comment below or (for a slightly faster reply) you can email myra(at) ajoyfulpractice.com.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.
“Life’s but a walking shadow, a poor player That struts and frets his hour upon the stage, And then is heard no more. It is a tale Told by an idiot, full of sound and fury, Signifying nothing.”
– Macbeth in Act V, Scene V of Macbeth by William Shakespeare
Philosophies and major religions from all over the world emphasize the importance of being dedicated to the truth. In the Yoga Philosophy, that dedication to the truth, satya, is the second yamā (external “restraint” / universal commandment). Yet, despite that emphasis, there is a lot of disinformation, misinformation, manipulated information, lack of information, and fakery in the world. Sometimes there is so much that it can seem hard to know the truth.
We can spend an extraordinary amount of time sifting and searching through all the disinformation, misinformation, manipulated information, lack of information, and fakery in the world and, in the end, feel like the aforementioned Scottish king and the inspiration for a novel by William Faulkner. It’s so frustrating that we may settle down for a moment and give up. Or, we may rest awhile, only to dive back in. But, really, those are two bad choices.
A third option is the oft overlooked option of being still, being quite, and turning inward instead of outward. Yes, it is often overlooked and yet, every philosophy and major religion in the world emphasizes the idea that we carry the truth with us. The truth is inside of us. So, the key to seeking the truth isn’t turning outward, it is turning inward.
“Be still and know that I am God.”
– quoted from Tehillim – Psalms (46:11, in some Hebrew texts; 46:10 in Christian texts)
“…really pay attention to what’s happening internally…. Meditation is learning how to get so still, and so calm, tranquil, through the directing of the attention, to this present moment, that we begin to see really deeply…. And so we go more and more and more deeply into the nature of things, and when that happens, and reactivity ceases, then responsiveness arises.”
– quoted from the dharma talk and Q&A entitled “Suffering and the End of Suffering” by Gina Sharpe
Guru Nanak was the 15th Century founder of Sikhism and the first of the ten Sikh Gurus. According to Dr. Dharma Singh Khalsa*, Guru Nanak (before he was a guru) “went for his morning bath in a river near his home in northern India. He entered the water and was not seen again for three days. His family feared that he’d drowned. Then he reappeared and began singing the very verses you’ll find within these pages.” Those verses are the Japji Sahib.
Known in English as The Song of the Soul, the Japji Sahib is an ancient Sikh text at the beginning of the Guru Granth Sahib, which is the Adi Granth or primary sacred text / scripture in Sikhism. Originally compiled and printed by Guru Arjan, the fifth Sikh guru, on August 29, 1604, it was placed in the Golden Temple in the city of Amritsar, Punjab, India, today (September 1st) in 1604. Over the years, most of the ten Sikh Gurus have added their commentary and exposition, which is the majority of the Guru Granth Sahib.
Every aspect of this sacred text is part of it’s wisdom. It was originally compiled in Gurmukhī, a script which literally means “from the mouth of the teacher.” The title, the Guru Granth Sahib, indicates that it is the book that “holds” the teacher or “remover of darkness” – and it is considered a living teacher. As indicated by it’s name, the Japji Sahib is intended to be chanted.
“Deeply Listening, Yoga And the hidden systems Of the body Make themselves known.
Deeply Listening, The wisdom Of all sacred scriptures in the world Is revealed.
Oh my soul, Those who surrender themselves in Love To the Divine Continuously blossom and bloom.
Deeply Listening Sorrows And errors Depart.”
– quoted from Japji Sahib: The Song of the Soul by Guru Nanak (Translated by Ek Ong Kaar Kaur Khalsa)
Remember, when we do the 108 Sun Salutations I refer to it as japa-ajapa, which is “repeat and repeat” or “repeat and remember.” Jap also means “understand.” This type of repetition is a form of meditation which is also recommended in the Yoga Sūtra (1.27 – 1.28). It allows the mind to use the repetition as a path and gateway into stillness.
I say “a path and gateway” because there are steps. One doesn’t just mumble a few words a few times and find themselves instantly still and quiet. First, you have to get past the place where your mind is trying to wrap itself around the fact that you are repeating the same thing over and over again. Then, you have to sift through the object that is the word, the meaning of the word, and the fact that you are focused on the object and the meaning of the word. Eventually, you start to internalize the word and let go of some of the outside distractions. Finally, you reach a state of pure cognition where it is possible for you and the word to be absorbed into each other – in other words, you become the word. A dedicated, uninterrupted practice (also recommended by Patanjali) is helpful in this practice; however, the most important element is trusting and listening.
“By trusting What you hear When you listen, The Truth Of your Inner Consciousness Will saturate your psyche With wisdom And deep understanding.
By trusting What you hear When you listen, You shall dwell In all mansions Of learning.”
– quoted from Japji Sahib: The Song of the Soul by Guru Nanak (Translated by Ek Ong Kaar Kaur Khalsa)
This Restorative Yoga practice is accessible and open to all.
Prop wise, we use a small ball (e.g., tennis ball, massage ball, etc.) at the the beginning of the practice. Additionally, this is a kitchen sink practice.You can practice without props or you can use “studio” and/or “householder” props. Example of “Studio” props: 1 – 2 blankets, 2 – 3 blocks, a bolster, a strap, and an eye pillow. Example of “Householder” props: 1 – 2 blankets or bath towels, 2 – 3 books (similar in size), 2 standard pillows (or 1 body pillow), a belt/tie/sash, and a face towel.
You may want extra layers (as your body may cool down during this practice). Having a wall, chair, sofa, or coffee table may be handy.
MUSIC NOTE: You can start with Track #1, #2, #3, or #5. These are instrumental tracks.
*CONTENT NOTE: The translation by Ek Ong Kaar Kaur Khalsa is the foundation for The End of Karma: 10 Days to Perfect Peace, Tranquility, and Joy by Dharma Singh Khalsa, M. D. During the 2023 practice, I quoted chants from Chapters 12, 10, 14, and 39. The one in Chapter 13 is also one of my favorites.
”Yet the little boy did grow up and it is the grown-up little boy who is writing now. And something of what he was by nature and something of what he became as a result of his experience will colour his words.”
– quoted from the “Introduction” in The Enchanted Places by Christopher Milne
Yesterday was the anniversary of the birth of Christopher Robin Milne (b. 8/22/1920), whose book The Enchanted Places bridged the gap between what people know – or think they know – about a boy and his toys and the man that grew up. That bridge is full of “a few precious things / [that] Seem to follow throughout all our lives.” Some of those things are specific, tangible and describable: toys, games, people. Some of those things are unspecific: a feeling created and then remembered. The bridge is also made up of barely describable and absolutely indescribable things.
As Patanjali pointed out in Yoga Sūtras 2.18 – 2.20), everything in the world is made up of these things. So, there is always a bridge and every one of us has a story (or stories) that make up our bridge. Or, we can think of the space between our “yesterdays” and today as a thread. Either way, when we pick up that thread today, we find an author born the day after Mr. Milne and another born fifteen years after that.
“I knew something important had happened to me that day because of Mr. Electrico. I felt changed. He gave me importance, immortality, a mystical gift. My life was turned around completely. It makes me cold all over to think about it, but I went home and within days I started to write. I’ve never stopped.
Seventy-seven years ago, and I’ve remembered it perfectly. I went back and saw him that night. He sat in the chair with his sword, they pulled the switch, and his hair stood up. He reached out with his sword and touched everyone in the front row, boys and girls, men and women, with the electricity that sizzled from the sword. When he came to me, he touched me on the brow, and on the nose, and on the chin, and he said to me, in a whisper, ‘Live forever.’ And I decided to.”
– Ray Bradbury (b. 8/22/1920)
The following excerpt is from a 2020 post:
“Every writer’s work is directly or indirectly the result of everything they’ve experienced, done, seen, thought, and heard. Just like each point in our lives is the direct and indirect experience of everything we’ve experienced, done, seen, thought, and heard. Writing is, after all, just a reflection of life. Sometimes, though, it’s hard to distinguish the seams or pull apart the threads that make up the tapestry. But then you read work by writers like Ray Bradbury and Annie Proulx and it’s as if every word and every page is an instruction manual in how things are put together and how things come apart. It’s as if they are saying, ‘Here, here, pull here.’
Both born today, Bradbury (in 1920) and Proulx (in 1935) were and are writers whose works leave impressions, while simultaneously pointing out the impressions that are being left by the lives we lead. Their works, like Bradbury’s Farenheit 451 and “The Sound of Thunder” and Proulx’s The Shipping News and ‘Brokeback Mountain” illustrate the cause and effect continuum that in yoga philosophy is referred to as karma (act, word, and deed – as well as the result or effect of effort) and samskāra (the mental and energetic impression left by the act, word, and deed). In life, while we are living it, we don’t always see where things begin and end. Reading brings our awareness to the edges, the extremes of the continuum – as does a meditation practice.”
“Almost every book I’ve ever read has left its mark.”
– Annie Proulx (b. 8/22/1935)
Please join me today (Tuesday, August 22nd) at 12:00 PM or 7:15 PM for a yoga practice on Zoom. You can use the link from the “Class Schedules”calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email myra(at) ajoyfulpractice.com.
Tuesday’s playlist is available on YouTube and Spotify. [Look for “08222021 Fire Thread”]
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)
“61. It is owing to the presence of the soul, that the mind developes [sic] itself in the form of the body and all its members; as it is the presence of the light, that makes the room display its contained objects to sight. (The soul is the light of the mind—nous the container of infinite ideas).
62. Think now Ráma, on the relation between the ever unconnected soul and mind, to resemble the irrelation subsisting between the dis-connected earth and sky, and betwixt light and darkness and betwixt the intellect and gross bodies.
63. Those that are ignorant of the soul, view the quiet mind as such, after its motion and fluctuation are stopped by the restraint of respiration—Pránáyáma. (This is the doctrine of the Sánkhya and Buddhist, that view the becalmed and quiescent mind as the soul).
64. But the soul is self-luminous and ever lasting, omnipresent and super-eminent, while the mind is deceptive and egoism. It is situated in the heart with too much of its pride and vanity.
65. You are in reality the all-knowing soul, and not the ignorant and deluded mind; therefore drive afar your delusive mind from the seat of the soul, as they can never meet nor agree together.
66. Ráma! the mind has also like a demon, taken possession of the empty house of the body, and has like an evil spirit, silenced and overpowered upon the intangible soul in it.
67. Whatever thou art, remain but quiet in thyself, by driving away the demon of thy mind from thee; because it robs thee of thy best treasure of patience, and loads all kinds of evils upon thee. (i.e. the impatient mind is the source of all evil).
68. The man that is seized by the voracious yaksha of his own mind, has no change of his release from his grasp, either by the lessons of the sástras or by the advice of his friends, relatives and preceptors. (Greediness devours the greedy that desire to glut all things).
69. The man who has appeased the demon of his mind, is capable of being released from its clutches, by means of the dictates of sástras, and the admonitions of his friends, as it is possible to liberate a deer from a shallow quagmire.”
– quoted from (Book 6) “CHAPTER XXIX. Pantheism. Description of the World as Full with the Supreme Soul.” of The Yoga-Vasishtha Maharamayana of Valmiki (translated from the original Sanskrit by VIHARI-LALA MITRA)
Here’s an excerpt from today’s date-related 2020 post:
“If you look back, you will note that all of the ways I mentioned about friendship involve at least one of the five afflicted or dysfunctional thought patterns; thought patterns that create suffering – and all of those afflicted thought patterns are born out of ignorance. That is not to say that friendship is ignorant. In fact, it is easy to argue that friendship, community, and belonging are wise. There is a definite reason why the Buddha described sangha (“community”) as one of the three jewels. But, when we look at how we become friends with someone, it is almost always based on the outside. How we stay friends, however, is based on the inside.
Granted, sometimes we stay friends with someone, because of that final afflicted thought pattern: fear of loss or death.”
Please join me for a 90-minute virtual yoga practice on Zoom today (Saturday, June 17th) at 12:00 PM.Use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You can request an audio recording of this practice via a comment below or by emailing myra(at) ajoyfulpractice.com.
Saturday’s playlist is available on YouTube andSpotify. [Look for “06172020 The Lady’s Power”]
NOTE: The playlist starts with instrumental music. If your Spotify is on shuffle, you will want your music volume low at the beginning of the practice.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)
This is the “long lost” post related to Sunday, June 5, 2022. It is the third post related to Bill Moyers (and the second one being posted for the first time). Links for the 2021 post are embedded below. You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.
“Joseph Campbell said that all the great myths, the primitive myths, the great stories, have to be regenerated if they’re going to have any impact…. Are you conscious of doing that?”
– Bill Moyers, quoted from the transcript of “The Mythology of Star Wars, with George Lucas”
Let’s talk about heroes, heroines, and great adventures. I love them! I can’t say I was a huge fan of The NeverEnding Story, but I did appreciate the idea and, when I was a kid, I always got a kick out of “choose your own adventure” books. I also loved Star Wars, Star Trek, Italo Calvino’s If on a Winter’s Night a Traveler, and almost any series of books with reoccurring characters who went places I had never gone, had experiences I never had, and met people I had never met. Part of what I loved was that I recognized the places, the experiences, and the people. How could I not? After all, they were all the same – just using different names, and dressed up in different clothes and faces.
I don’t remember exactly when I first heard about Joseph Campbell or Harold Bloom, but their works around literature, mythology, and anthropology (as it intersects literature and mythology) seem to be like long shadows towards the end of the day. They’re always there, you just can’t always see them. Towards the end of college, I took a publishing course and one of the people in my small group ended up working at a major publishing house. A few months later, he sent me a big box full of books. Joseph Campbell’s A Hero with a Thousand Faces was one of those books. I knew about it, but had never read it.
If you watch movies, read comics and/or books, or just like listening to someone weave a good adventure, odds are you fall into one or more of the following categories: (1) you love heroes because you’re always looking for someone to save you; (2) you love adventure and fancy yourself as someone who could save yourself or someone else – given the right means and opportunity; and/or (3) you love the life lessons found within a good story. After all, every good story comes with at least one life lesson. That’s one of the boons of living vicariously through a fictional or historical character.
“LUCAS: I guess it’s more specific in Buddhism, but it is a notion that’s been around before that. When I wrote the first Star Wars, I had to come up with a whole cosmology: What do people believe in? I had to do something that was relevant, something that imitated a belief system that has been around for thousands of years, and that most people on the planet, one way or another, have some kind of connection to. I didn’t want to invent a religion. I wanted to try to explain in a different way [than] the religions that have already existed. I wanted to express it all.
MOYERS: You’re creating a new myth?
LUCAS: I’m telling an old myth in a new way. Each society takes that myth and retells it in a different way, which relates to the particular environment they live in. The motif is the same. It’s just that it gets localized. As it turns out, I’m localizing it for the planet. I guess I’m localizing it for the end of the millennium more than I am for any particular place.”
– quoted from the Time Magazine article “Of Myth and Men” by Bill Moyers; George Lucas (published April 18, 1999; based on “The Mythology of Star Wars, with George Lucas”)
Born on June 5, 1934, in Hugo, Oklahoma (and primarily raised in Marshall, Texas), Bill Moyers is more than a journalist who has spent a lot of time talking to and about heroes. He is even more than a journalist who has also spent a lot of time talking to and about people who create heroes. But, he has done all of that… and more.
In addition to being an ordained minister, he served as the 13th White House Press Secretary (working with both Presidents John F. Kennedy and Lyndon B. Johnson). Along with his wife, Judith Suzanne Davidson Moyers, he has produced a variety of programming, including Joseph Campbell and the Power of Myth (filmed on George Lucas’s Skywalker Ranch, in 1988); The Mythology of Star Wars, with George Lucas (also filmed at Skywalker Ranch, in 1999); Faith and Reason; and Healing and the Mind. He has also produced and facilitated conversations about a wide range of topics, including evil, racism, prayer, democracy, poetry, art, and the experiences of U. S. Supreme Court Associate Justice Ruth Bader Ginsberg. His many books include Listening to America: A Traveler Rediscovers His Country, A World of Ideas : Conversations With Thoughtful Men and Women About American Life Today and the Ideas Shaping Our Future, A World of Ideas II: Public Opinions from Private Citizens, The Language of Life (which is a conversation with poets), Genesis: A Living Conversation, and the book based on the series Healing and the Mind.
More often than not, when I lead a practice on Bill Moyers’s birthday, it centers around Joseph Campbell’s monomyth and references superheroes from comic books and movies. My intention is to highlight how we are all the hero(ine) of our own story – and, additionally, how we can also be someone else’s hero. Sometimes, I even reference a specific historical and/or religious figure. Someone like Moses.
I mentioned Moses, specifically, because sunset on Saturday (June 4, 2022) marked the beginning of Shavuot. Known in English as the “Festival of Weeks,” Shavuot is the anniversary, the celebration, and the commemoration of the Jewish people receiving the Torah at Mount Sinai. It occurs on the 50th day after the 2nd night of Passover – making it a moveable feast – and is the culmination of the counting of the weeks, which is observed by the Counting of the Omer. Since the 49 days of counting make up a spiritual journey of preparation, Shavuot marks the end of one journey and the beginning of a new journey. Or, you could think of it more specifically as the beginning of a new time.
Technically speaking, the Hero’s Journey is always about moving into a new time, a new era, or a new season of life. It’s about coming out of an old season, shedding the old skin, and moving forward with that “Ultimate Boon” – that life lesson that serves the heroine and their community. While I often compare Moses’ hero journey to the hero journey of the Buddha (or Jesus), the parallels do not stop with the beginning of their lives and their “calling” to alleviate the suffering of the people in their community. In fact, an additional parallel is found in what some might consider the end of the journey: a path (i.e., a set of instructions or commandments), which can be seen as their own calling/journey.
“We must be willing to get rid of the life we’ve planned, so as to have the life waiting for us. The old skin has to be shed before the new one can come.”
– quoted from A Joseph Campbell Companion: Reflections on the Art of Living by Joseph Campbell
Every adventure begins in the “Ordinary World.” It’s not a perfect world; it’s just the everyday, mundane world. If everything and everyone were perfect, there would not be a “Call to Adventure.” But there is a call. In real life, individual people have things they are called to do and then there is a philosophical call issued to everyone who is exposed to systems like the the Noble Eightfold Path (in Buddhism); the 8-Limbs of the Yoga Philosophy (as codified in Patanjali’s Yoga Sūtras); the various paths of yoga (as described in the Bhagavad Gita); and/or the teachings in the Torah, the Christian New Testament, and/or the Qur’ān.
Of course, in the monomyth, the hero or heroine initially refuses the call. The “Refusal of Call” happens everyday in modern times and in biblical history – and for the same reasons. It is a refusal to give up the status quo. It is the rejection of a new way of living. Think of Moses (and Joshua) returning from the Mount to find that the newly freed Hebrew people are actively breaking their newly established covenant. According to Shemot – Exodus (32:1), the people were motivated by fear – specifically, fear of the unknown and fear of loss. If we go deep inside ourselves, we may find that similar fears cause each of us to stray from our chosen path. In Buddhism, all clinging leads to suffering. In the Yoga Sūtras, Patanjali described five types of attachment that lead to suffering. The final type, described in Yoga Sūtra 2.9, is fear of loss/death – and getting beyond that is part of the practice and, also, another practice from another year.
“GEORGE LUCAS: What happens is that no matter how you do it, when you sit down to write something all other influences you’ve had in your life come into play. The things that you like, the things that you’ve seen, the things — the observations you’ve made. That’s ultimately what you work with when you’re writing. And you — you are influenced by the things that you like. Designs that you like, characters you like, moments that you remember, that you were moved by. It’s — it’s like trying to compose a — a symphony in a way.”
– George Lucas responding to a question Bill Moyers asked about the creative process, quoted from the transcript of “The Mythology of Star Wars, with George Lucas”
In some ways, every mindfulness-based practice is like sitting down to write: things come up and all of those things, in the moment, become part of the practice. In fact, one of the lojong (“mind-training”) aphorisms in Tibetan Buddhism is “Whatever you meet unexpectedly, join with meditation.” (16) Additionally, the theme is that “localizing” that George Lucas referenced when talking about how Star Wars fit into the rubric. The theme details, the poses and sequences, even the duration of the practice are simply the unique details of the moment. But, every practice is the same journey.
For every mindfulness-based practice, our breath is the “Supernatural Aid” that facilitates our transition from the external to the internal and then back again. Every practice takes us deeper into our own belly – which can also be that metaphorical “Belly of the Whale.” While they may not all be physically challenging, the practice is a “Road of Trials” with the opportunity to experience the deep love and acceptance of the “Goddess” and the “Atonement of the Father.” There is always the “Temptation” to stay in Śavāsana (“Seat of the Corpse” or Dead Man’s Pose); to give up mid-way through the practice; or to just not show up. There is also the temptation to do more simply because it is suggested.
Finally, every practice has that final Śavāsana-moment – and, even if we are not actually in Śavāsana, that moment symbolizes the death of the practice: an “Apostasis.” All the preparation, all the getting ready leads to a moment of meditation that, ultimately, brings an understanding of every plane of existence and freedom from suffering: that’s the “Ultimate Boon” – that is what allows someone to be “Master of Two Worlds.
That mastery or stewardship leads to the ultimate freedom: “Freedom to Live.” The final stage of the journey is partially defined as the freedom to live “in the moment, neither anticipating the future, nor regretting the past” – which is also one of the goals of Eastern philosophies like Yoga and Buddhism, to be fully present in the moment.
“…really pay attention to what’s happening internally…. Meditation is learning how to get so still, and so calm, tranquil, through the directing of the attention, to this present moment, that we begin to see really deeply…. And so we go more and more and more deeply into the nature of things, and when that happens, and reactivity ceases, then responsiveness arises.”
– Gina Sharpe, Suffering and the End of Suffering
The playlist for this practice is available on YouTube and Spotify. [Look for “06052022 Hero(ine)’s Journey”]
GEORGE LUCAS: […] The average human being has much more awareness of the other cultures that exist — co-exist with them on this planet, and that certain things go across cultures, and entertainment is one of them. And film and the stories that I tell cut across all cultures, are seen all around the world.”
– quoted from the transcript of “The Mythology of Star Wars, with George Lucas”
Pardon me as I catch up on some “long lost” posts. It looks like the first Saturday I missed in 2021 was June 5th. So, here is the “long lost” post related to Saturday, June 5th. My apologies for the delay. It is the second of three posts (so far) dedicated to Bill Moyers (and the first of two being posted for the first time). You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com. TRIGGER WARNING: This post is a philosophical exploration of death.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.
“Still; all that close throng Of spirits waiting, as I, For the message. Prompt me, God; But not yet. When I speak, Though it be you who speak Through me, something is lost. The meaning is in the waiting.”
– quoted from the poem “Kneeling” by R. S. Thomas
Most physical practices of yoga conclude with Śavāsana (“Seat of the Corpse” or Dead Man’s Pose). I often refer to it as the final pose, even though it’s more like the penultimate pose – if you don’t count the fact that we usually roll over into a “recovery pose” before we sit up and seal in the practice (in which case it’s the third to last pose). I don’t do them often, but I especially appreciate practices where there is more than one moment to lie down and be still. On the flip side, I know people who say they only come for Śavāsana. Then there are those people who habitually skip Śavāsana (not because they can’t lie down on their backs, but because they don’t like the stillness and the silence). How ever you look at it, though, there is symbolism in the practice and so that moment, lying in stillness, is an important part of the practice for several reasons. Some people say it is THE most important part of the practice. It’s a moment to rest and digest what we’ve done/accomplished. It also marks the “death” of our practice. It’s a moment when we let go of everything we’ve done and everything we could have done. It is also, depending on your beliefs, a moment of waiting.
Waiting… for what comes next.
We can get super metaphysical, religious, and/or spiritual about what comes next. Since the Yoga Philosophy comes to us by way of India, we could even get into the fact that – for someone who believes in reincarnation – Śavāsana marks an ending and a beginning. Or, we can just stick to the simplest reality, which is that what comes next is this present moment, right here and right now, or… no more moments (at least as we know them). Those options are a great starting point for meditation. So, bring your awareness to this present moment and, on another existential level, bring your awareness to how you’re engaging the gift that is this present moment.
ATHA [Sanskrit] – Here or Now, often used at the beginning of a story or sacred text, such as Patanjali’s Yoga Sūtras, to indicate an “auspicious moment” and a beginning that is the culmination of previous trainings, teachings, moments, and/or preparation.
Saying that that we call it the “present” (in English), because it is a gift may be one of those trite, pithy sayings that some people are sick of hearing. But, the statement is also a reminder that this time we have been given is not promised. It’s also a reminder that, once it’s gone, we never get it back. There will never be a moment like this exact moment. Even if you do something more than once, it’s never exactly the same – if for no other reason than that you’ve done it before and that, in and of itself, makes things different: your brain is different, your experiences are different. You are different. So, as trite as the statement may be, it can bring awareness to how we spend our time.
In the Yoga Sūtras, Patanjali spent a lot of time talk about how the mind works and how we can work the mind. His treatise can help us understand the sheer power of the mind/brain, the power of the mind-body-spirit connection, and how we can use all of that power to alleviate three-fold suffering (physical, mental, and spiritual). Of course, to really understand how everything comes together, we have to understand the nature of our suffering. So, just as the Buddha would do, Patanjali sketched out a road map to – and away from – suffering. This road map moves through five afflicted/dysfunctional thought patterns, beginning with avidyā (“ignorance”) and leading straight to abhiniveśaḥ (which is often translated as “fear of death/loss”). In truth, that last afflicted/dysfunctional thought pattern is literally a desire for and attachment to this life we are living, even when/though it is a life of suffering. While avidyā is the bedrock of the thoughts and behaviors that lead to suffering, abhiniveśaḥ is the culmination and the fruit. Or, you can think of it as the end.
– “Fear of death carries its own essence and rides [the consciousness] of even the wise.”
An alternate variation of Yoga Sūtra 2.9: svarasavāhī viduṣo ‘pi samārūḍho ‘bhiniveśaḥ
– “Flowing through its own nature, and established even in the learned, is the clinging to life.”
Ah, yes, Death.
It’s interesting to note that there are (at least) two different variations of this sūtra (in Sanskrit) and that the translations and commentaries from various scholars range from an emphasis on the fear to an emphasis on the clinging/attachment and from an emphasis on death to an emphasis on life. In either case, there are two consistent factors: (1) things change and (2) it is human nature not to like change. The subtext, of course, is that no matter how wise you are; how learned you how are; how rich, powerful, and/or beautiful you are, you have an appointment with Death. We all do. In fact, it doesn’t matter if we have a digital calendar, an analog calendar, or if we just keep events in your head, it is our final appointment.
Ancient philosophers, like Patanjali and the Buddha, are not the only ones who have contemplated this final appointment. Modern philosophers, anthropologists, psychiatrists, and teachers, like those interviewed the 2003 documentary Flight from Death: The Quest for Immortality, have also considered our relationship with this final appointment. In fact, the documentary focused on research showing how the very human fear of death manifests as xenophobic behaviors that mirror the two different translations of Yoga Sūtra 2.9. Even subtle reminders, like this blog post, can cause some people to cling to those they love and cause others to lash out (sometimes violently) at those they perceive as being different from them. Overt, violent, and/or unexpected reminders can produce extreme manifestations of these two types of behavior.
Storytellers from many different cultures have played around with the idea that we can escape (or reschedule) death. Every year during Diwali, I tell the story of the clever wife who saves her husband from Yama (in the guise of a snake) by lighting up the bedroom and singing songs and telling stories all night. It is similar to the story of Scheherazade, who tells the king 1,000 stories over 1,001 nights in order to save her own life. Another very popular variation on this theme is the story of a servant (or sometimes it’s a business person or a rich and powerful person) who tries to escape when their in the marketplace and they see Death making a threatening gesture. Only later, the reader learns, Death was just shopping (or, perhaps, there for someone else) and was simply startled because they didn’t expect to the servant until another time… and in another place.
There’s no escaping it. In fact, from the moment we are born and take our first breath, we are on a journey towards death and our last breath. We just don’t know when it’s going to happen. Would you want to know? Would knowing change the way you handled your other “appointments” or the manner in which you engage other people you encounter?
For some, the answer to the first question is absolutely not. Still, there’s no denying that having a time limit, as it were, will change some behaviors. Just thinking about the possibility causes some people to metaphorically stop living and causes others to live each day as if it is their last – even though, in most cases, they “know” that it is not and so there’s a little cognitive dissonance there. For those, however, who would like to know the date and time of their last appointment, there’s a yoga sūtra for that.
Yoga Sūtra 3.23: sopakramaṃ nirupakramaṃ ca karma tatsaṃyamādaparāntajñānamariṣñebhyo vā
– “Karma is of two kinds — soon to come to fruition and late to come to fruition. By making Samyana on these, or by the signs called Arishta, portents, the Yogis know the exact time of separation from their bodies.”
Remember, karma is a Sanskrit word that means “work,” “effort,” or “action.” It refers to everything we think, say, and do, as well everything we experience. Or, more accurately, it refers to everything we thought, said, did, and experienced. Because, unlike kriya – which is similarly translated into English – karma specifically refers to the effect of work/effort/action completed in the past. Hence, we often think of karma as a seed that has been planted. It can take root, it can blossom, and it can grow – regardless of if it results in a fruit tree, a root vegetable, a shade true, a flower, a bush, or an unsightly weed. The key here is to remember that not everything grows the same way and/or at the same rate. Some things are like the Chinese bamboo tree. Other things are like night-blooming jasmine or cherry blossoms.
If we look at the idea of karma from the perspective of reincarnation, then our actions in this lifetime determine our next lifetime. If we look at it through the lens of some Abrahamic religious traditions, then our actions in this lifetime determine if we go to heaven or “hell” or some form of purgatory. More often than not, I tend to look at karma through a more immediate lens – that is to say, how have our past actions determined this present moment and how do our actions in this present moment inform our future moments? According the Yoga Sūtra 3.16, if we apply samyama – the combined force of focus plus concentration plus meditation – to three kinds of changes, we gain knowledge of the past and the future. By that same token, if we apply samyama to certain signs (related to our actions), we will know the exact moment of our death. Again, you could look at this in relation to past lives and reincarnation; however, it is much easier to grasp Patanjali’s intention when we focus on the here and now, this present moment.
Go deeper still and you will find that the things to which we must pay attention are specifically “warning signs.” The instruction in Yoga Sūtra 3.23 is to focus-concentrate-meditate on signs of something bad, calamitous, distressing, wretched, and even evil. In some ways it’s like the ancient version of “if you see something, say something.” So, in the natural world, we could look at things that don’t grow as expected; scavengers that circle around dying prey; flooding; and/or draught. Patanjali, though, was emphasizing contemplation and introspection that leads to how we show up in the world. It’s “when you see something, do something.” In other words, turn inward and notice how some of your thoughts, words, deeds, and experiences are signs and/or roots of demise, decay, suffering, and destruction. Again, turn inward in order to turn outward.
“I’ve always been interested in the relations of mind and body, growing up as I did in a culture that separated them distinctly. In science class we studied the material world, which we expected would someday be understood and predicted down to the last molecule. In philosophy we studied models of reality, based on the rational mind, that took no notice of conditions male and female, sick and well, rich and poor. And then in church we learned that we would someday take off this body as we might a suit of clothes and live as disembodied souls. Yet every day in this divided world of mind and body, our language betrayed our limitations of our categories.”
– quoted from the “Introduction” of Healing and the Mind by Bill Moyers (Editor, Betty Sue Flowers; Executive Editor, David Grubin; Art Research, Elizabeth Meryman-Brunner)
Ideally, we are all living life in a way that reflects our beliefs. The reality, however, is that we sometimes compromise our beliefs because our actions contradict them and/or because our fear of failure – which can manifest in a lot of different ways – freezes us in limbo. It can happen in the most subtle and insidious ways: We hang around someone who is constantly saying, “I don’t know,” (even when they do); then we get in the habit of saying, “I don’t know,” (even when we do); and suddenly we find we have abdicated our own expertise and given up our opportunities. Somehow, being reminded that we have a limited amount of time in these mind-bodies, flips the script. We start thinking about our legacy and how we will be remembered. We start re-aligning our mind-body-spirit and our thoughts, words, and deeds.
Think about it: What would you do (or not do) if you knew you only had a day, a week, a month, or a year or two? Yes, of course, some time would be spent coming to grips with the change in your circumstances – or, really, the change in your awareness of your circumstances. At some point you would go through all, some, or most of the stages of grief – maybe more than once. But, then what? Does knowing how much (or how little) time we have with our mind-body change the way we engage our mind-body? It must, right? I mean, for most people, that sense of urgency creates a shift in priorities. But, when (or how) does the general awareness of our temporal nature change the way we spend our time? When or how do we live as if we are dying? Do we only cherish our lives when we are confronted with death?
Questions about life and death, faith and reason, and the stories we tell about our lives and our beliefs inevitably come up when people talk to Bill Moyers, who was born in Hugo Oklahoma on June 5, 1934. Primarily raised in Marshall, Texas, Bill Moyers is more than a journalist. He is also an ordained minister who served as the 13th White House Press Secretary (working with both Presidents John F. Kennedy and Lyndon B. Johnson). Along with his wife, Judith Suzanne Davidson Moyers, he has produced a variety of programming, including Joseph Campbell and the Power of Myth (filmed on George Lucas’s Skywalker Ranch, in 1988); The Mythology of Star Wars, with George Lucas (also filmed at Skywalker Ranch, in 1999); Faith and Reason; and Healing and the Mind. He has also produced and facilitated conversations about a wide range of topics, including evil, racism, prayer, democracy, poetry, art, and the experiences of U. S. Supreme Court Associate Justice Ruth Bader Ginsberg. His many books include Listening to America: A Traveler Rediscovers His Country, A World of Ideas : Conversations With Thoughtful Men and Women About American Life Today and the Ideas Shaping Our Future, A World of Ideas II: Public Opinions from Private Citizens, The Language of Life (which is a conversation with poets), Genesis: A Living Conversation, and the book based on the series Healing and the Mind.
Intimacy and vulnerability are two of the beautiful and amazing attributes found in Bill Moyers work. For example, in the introduction to the book Healing and the Mind, he wrote about the seemingly contradictory things he grew up hearing, his brother’s death, the way his father reacted to his brother’s death, and the way he (Bill Moyers) reacted to his father’s reaction. What he shared highlighted the mind-body connection and explained his own fascination with the power of that connection. His observations and insights can be a jumping off point for anyone who wants to explore their own connection to life, death, healing, living, and dying, as well as their connections to other people.
“All my life I’ve prayed the Lord’s Prayer, but I’ve never prayed, ‘Give me this day my daily bread.’ It is always, ‘Give us this day our daily bread.’ Bread and life are shared realities. They do not happen in isolation.”
– from “Pass the Bread,” baccalaureate address at Hamilton College (20 May 2006), as quoted in “Moyers on Democracy” by Bill Moyers
Lots of people have had different views and philosophies about the best way to live (and even the best way to live while dying). The ancient stoics believed in acknowledging what was, in any given moment; accepting their circumstances; and then making the most of the situation. Modern stoicism has interpreted this to mean that one should stuff down and/or ignore their emotions, but that often leads to mental and emotional instability. On the flip side, old-fashioned stoicism emphasized being content, happy, even joyful (depending on what that means to you in this moment) within a given fate. To be “independently happy,” requires philosophical and emotional stability that supports your through anything. It requires a foundation of faith that can be applied to any situation. On a certain level, it requires a story – a certain kind of “healing story,” as Matthew Sanford calls them,” which is a story that makes sense of every situation within which we find ourselves.
As a society, as communities, and as individuals, we all have stories that bring us comfort, especially in challenging and troubling times, and we use those stories to make sense of the world (especially in challenging and troubling times). Our stories explain why we do the things we do or don’t do the things we don’t do. Our stories are the way our brains create certainty where there is uncertainty, reason when there seems to be no reason. Since most people fear the unknown, and fear can be our strongest (and most motivating) emotion, our stories create something known out of the unknown. Philosophy, religion, science are all different ways that we tell these stories. Sometimes, we even have stories about not having stories – or not believing someone else’s stories.
“When my brother died in 1966, my father began a grieving process that lasted almost twenty-five years. For all that time he suffered from chronic, debilitating headaches. I took him to some of the country’s major medical facilities, but no one could cure him of his pain. At one point during that ongoing search for a help, a doctor tried to teach him that his headaches were somehow related to his grief. But my father persisted in treating his pain exclusively as a medical problem, and the headaches continued to torment him.”
– quoted from the “Introduction” of Healing and the Mind by Bill Moyers (Editor, Betty Sue Flowers; Executive Editor, David Grubin; Art Research, Elizabeth Meryman-Brunner)
The details may be different; however, we ultimately have the same story that moves through the same cycle or journey. It’s the hero’s journey that Joseph Campbell outlined in books like The Hero with a Thousand Faces and that Bill Moyers discussed with him and with George Lucas during visits to Skywalker Ranch. Part of that journey is fear of the unknown and grief over what the hero(ine) has lost by leaving the “Ordinary World” and “Crossing the Threshold” (both coming and going). Another part of the of the journey is the “Apotheosis,” which is a moment of death. This can be a physical death and a period of time where the protagonists “lives in spirit” or it can be the death of one’s ego. It is a divine state of being, a moment infused with knowledge, love, compassion, and bliss – which, through the existential philosophy lens, is the exact opposite of the lives we are currently living… the very state of being to which we cling with all of our being.
Moving beyond the “Apotheosis” results in receiving/earning the “Ultimate Boon” and marks the beginning of the end of the journey. Once we reach this point in our story, it is time to return to the “Ordinary World.” Only, when we return, everything is different; we are different. As Patanjali points out in the Yoga Sūtra 2.20-2.26, once we realize certain things, we cannot un-see them; once we reach a certain point in our practice, we achieve great powers (the siddhis) and attain a previously unexperienced freedom. This freedom is freedom from ignorance and freedom from suffering, which means it is also freedom from fear.
How would you spend your time if you were fearless? How would you live your life? What risks would you take? What risks would not make sense? How would you treat your mind-body and the mind-bodies around you?
Note that while there are certain individuals in society who are described as having no conscience – and, therefore, no fear – these individuals are not concerned with moral and/or ethical consequences. They only focus on cause and effect as it relates to “winning” or besting someone. This is not wholesome, skillful, or functional. In fact, it is the exact opposite. Remember, the hero’s “Ultimate Boon” is not only something that serves the individual who achieves/earns it, it is something that serves their whole community.
“Our very lives depend on the ethics of strangers, and most of us are always strangers to other people.”
– Bill Moyers
Saturday’s playlist is available on YouTube and Spotify. [Look for “06052021 The Last Appointment”]
“[At the Institute of Medicine at the National Academy of Sciences] Experts in the field of endocrinology, immunology, neuroscience, psychology, psychiatry, and epidemiology gathered to compare notes, findings, and doubts. Why is it, they wondered, that about 60 percent of the outpatient visits to primary care physicians are related to stress or mind/body interactions? That perhaps one in five primary care visits are attributable ‘to major depressive anxiety disorders’? I read of one such meeting where a notable declared that ‘if this were a medical disorder that wasn’t being diagnosed or treated, the situation would be regarded as scandalous.”
– quoted from the “Introduction” of Healing and the Mind by Bill Moyers (Editor, Betty Sue Flowers; Executive Editor, David Grubin; Art Research, Elizabeth Meryman-Brunner)
### “Your life is now / in this undiscovered moment” ~ JM ###
Many blessings to everyone, and especially to anyone Counting the Omer!
“Thus are Nature and Grace of one accord: for Grace is God, as Nature is God: He is two in manner of working and one in love; and neither of these worketh without other: they be not disparted.”
– quoted from Chapter 63 Revelations of Divine Love (Revelations of Love in 16 Shewings) by Julian of Norwich
As noted below, I get super excited about the wisdom of Julian of Norwich. Even though I am not teaching live on Zoom today, I will send a previously recorded practice (from 2020) to everyone on the Saturday mailing list. You can request an audio recording of this practice via a comment below or by emailing myra(at) ajoyfulpractice.com.
Since we have been exploring the four kinds of grace (“kripa”) this year, and recently started focusing on “shastra kripa,” I want to anchor the anchoress and her work in this context. First, remember that, in some traditions, “shastra” refers to a collection of knowledge or laws of nature that are true, that have “always been and will always be” true, and that can only be communicated directly from the Divine to someone who has done the work to reach a certain state of enlightenment and/or awareness. In other words, the information may be written down at some point – thus becoming sacred text – but, initially, it must be shown (or shewn) to an individual anchored in their practice. While she was not an Indian or Hindu mystic, considering Julian (as well as her revelations and the way they were shared) in this context, may help us go a little deeper into the meaning and importance of shastra kripa.
“And when through God’s mercy and with his help we put ourselves into harmony with nature and grace, we shall truly see that sin is more more vile and painful than hell, without comparison….”
– quoted from Chapter 63 Revelations of Divine Love (Revelations of Love in 16 Shewings) by Julian of Norwich*
For Those Who Missed It: The following was originally posted in May 2020. I have edited it slightly and added a note at the end with additional context the manuscripts quoted in this post. There are no class details since the Zoom class was cancelled.
“We are kept all as securely in Love in woe as in weal, by the Goodness of God.”
“All shall be well, and all shall be well, and (in) all manner of thing(s) shall be well.”
– quoted from Chapters 1 and 27 Revelations of Divine Love (Revelations of Love in 16 Shewings) by Julian of Norwich
Hurray! It’s finally here; one of my favorite days, devoted to one of my favorite people: the Roman Catholic feast day for St. Julian of Norwich. (Her Lutheran feast day is May 8th.) Julian (which may or may not have been her given name) was a 14th century anchoress who is always going to make my Top 10 list of favorite mystics/contemplatives. Scratch that, she always makes my ever-changing Top 5. Let’s be honest; she’s always in the Top 3. And her life and writing are very relevant – and very similar – to what we are experiencing today.
Julian is noteworthy not only because she is the author of the oldest surviving book written in English by a woman, but also because she lived an extraordinary life – most of it in seclusion. As an anchoress (sometimes referred to as anchorite or anchoret) she withdrew from the secular world, for religious reasons, and spent the majority of her life in a tiny cell in the “corner” of a church in the city of Julian. You can think of her as a hermit-in-place. Taking a vow of stability, as anchoresses did, and even being given a symbolic funeral – as anchorites would be considered “dead to the world” – were very common practice in the Middle Ages. Julian’s experience, however, was a little atypical.
While we typically think of anchorites as living in seclusion, with even more isolation than people who retreat into an abbey or convent, Julian lived in the bustling city of Norwich. As a spiritual counselor and model of devout life, she was permitted to engage with the populace through the window of her cell and provide people with what they needed, whether that be clothing for the poor, spiritual advice, and/or prayers. She could also accept alms, food, and other gifts as she served the community. We have it on great authority that not only did the locals take advantage of Julian’s spiritual guidance, but that she also was sought out by mystics and others, like Margery Kempe, who would be remembered in their own right. Additionally, the city of Norwich was full of poverty, famine, social conflict, religious schism, and disease during her lifetime. So, we can conclude that, for a hermit, Julian was quite busy.
“These Revelations were shewed to a simple creature unlettered, the year of our Lord 1373, the Thirteenth day of May. Which creature afore desired three gifts of God. The First was mind of His Passion; the Second was bodily sickness in youth, at thirty years of age; the Third was to have of God’s gift three wounds.”
– quoted from Chapter 2 of Revelations of Divine Love (Revelations of Love in 16 Shewings) by Julian of Norwich
At some point in her life, Julian asked God for three gifts. At 30-and-a-half, Julian became so ill that she believed she was going to die. Her conclusion was based, in part, by the fact that in her short lifetime Norwich had experienced the Black Death three times – the first time when she was 6 years old. At one point, the Black Death resulted in the death of a third of the population. Also, she was very, very sick. She was so sick that she was given last rites on May 8, 1373.
During these very scary and traumatic moments – moments all believed would be her last – Julian received her three gifts from God: (1) to experience the Passion (“suffering”) and love of Christ; (2) to experience personal suffering/illness in youth; and (3) to receive the spiritual wounds of true contrition, genuine compassion, and a sincere longing for God. She received her gifts in the form of 16 “shewings” and, wrote them all down when she recovered.
“He shewed me a little thing, the quantity of an hazel-nut, in the palm of my hand; and it was as round as a ball. I looked thereupon with eye of my understanding, and thought: What may this be? And it was answered generally thus: It is all that is made. I marvelled how it might last, for methought it might suddenly have fallen to naught for little. And I was answered in my understanding: It lasteth, and ever shall for that God loveth it. And so All-thing hath the Being by the love of God.”
“In this Little Thing I saw three properties. The first is that God made it, the second is that God loveth it, the third, that God keepeth it. But what is to me verily the Maker, the Keeper, and the Lover, — I cannot tell; for till I am Substantially oned to Him, I may never have full rest nor very bliss: that is to say, till I be so fastened to Him, that there is right nought that is made betwixt my God and me.”
– quoted from Chapter 5 of Revelations of Divine Love (Revelations of Love in 16 Shewings) by Julian of Norwich
There are two official copies of Julian’s Revelations of Divine Love (A Revelation of Love in 16 Shewings): a short version (“short text”) and a longer version (“long text”). The Short Text is believed to be the one she initially wrote after her recovery and the Long Text is believed to have been written over time, and with some encouragement. Both versions were copied many times, during Julian’s lifetime, and sometimes given as gifts.*
One might expect that Julian’s writings were scary and filled with doom and horror, but they are not. In fact, both versions are full of hope and trust in God’s goodness. Additionally, Julian comes across as intelligent, sensitive, and very much grounded in reality. Even though she includes theological points, like presenting God as Father and Mother, which were not authorized by the Church, Julian was neither sanctioned nor criticized as a heretic. In fact, like Saint Teresa of Ávila – another remarkable Christian mystic who happened to be a woman – Julian was encouraged by the church to write and distribute her work. Both women, within their texts, downplayed their intellect and influence and, yet, they are remembered while some of the religious leaders of their time have been forgotten. Another curious thing to note is that, unlike other scholars and religious authors of the time, Julian wrote in English (not Latin).
“We shall suddenly be taken from all our pain and from all our woe, and of His Goodness we shall come up above, where we shall have our Lord Jesus for our meed and be fulfilled with joy and bliss in Heaven.”
“I saw that God rejoiceth that He is our Father, and God rejoiceth that He is our Mother, and God rejoiceth that He is our Very Spouse and our soul is His loved Wife. And Christ rejoiceth that He is our Brother, and Jesus rejoiceth that He is our Saviour. These are five high joys, as I understand, in which He willeth that we enjoy; Him praising, Him thanking, Him loving, Him endlessly blessing.”
– quoted from Chapters 1 and 52 of Revelations of Divine Love (Revelations of Love in 16 Shewings) by Julian of Norwich
Over the years, my friend Lori and I have discussed Julian and her work, and the circumstances within which she worked her spiritual magic. We have, over the years, craved the ability to retreat while simultaneously still serving a purpose in the world. We have also, over the years, wondered at the mindset and fortitude required to not only ask for the gifts Julian requested, but also to receive them and utilize them as she did. This, to paraphrase the Rev. Dr. Cynthia Bourgeault (a modern day contemplative and mystic), is not for sissies.
Now, here we are, and Lori and I recently discussed – via the wonders of technology – that we are all experiencing some of Julian’s circumstances. The whole world is experiencing some of Julian’s circumstances and, while we may not request or even want her gifts, we can definitely appreciate her lessons and what they have to teach us. Regardless of our spirituality or religiosity, we can definitely benefit from her “shewings” of divine love.
“It is thus logical that God, being our Father, be also our Mother. Our Father desires, our Mother operates and our good Lord the Holy Ghost confirms; we are thus well advised to love our God through whom we have our being, to thank him reverently and to praise him for having created us and to pray fervently to our Mother, so as to obtain mercy and compassion, and to pray to our Lord, the Holy Ghost, to obtain help and grace.
I then saw with complete certainty that God, before creating us, loved us, and His love never lessened and never will. In this love he accomplished all his works, and in this love he oriented all things to our good and in this love our life is eternal.
With creation we started but the love with which he created us was in Him from the very beginning and in this love is our beginning.”
– quoted from Chapter 59 of Revelations of Divine Love (Revelations of Love in 16 Shewings) by Julian of Norwich
Saturday’s playlist is available on YouTube and Spotify. [Look for “05132020 All Will Be Well Wednesday”]
*NOTE: One thing I neglected to mention (in 2020) is that the single surviving copy of the “short text” was copied in the fifteenth century from an original dated 1413 and is located in the British Museum Library. The three surviving copies of the “long text” are later copies and are located in the British Library Museum and the Paris Bibliothèque Nationale. The first quote above is from a copy edited by Grace Warrack, which is also the source of at least one other quote. The second quote is from a Penguin Classics edition translated and edited by Elizabeth Spearing and A. C. Spearing, which is based on a manuscript edited by Barry Windeatt.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)
Many blessings to everyone, and especially to anyone Counting the Omer (Lag B’Omer or Lag LaOmer)!
This is a “missing” post for Tuesday, May 9th.You can request an audio recording of this practice via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.
“Tio, kio malamas vin, ne faru al via ulo. Tio estas la tuta Torao; la resto estas la klarigo. Nun iru studi.”
“That which is hateful to you, do not do to your fellow. That is the whole Torah; the rest is the explanation. Now go and study.”
– quoted from the story of Hillel the Elder “[teaching] the meaning of the whole Torah while standing on one foot,” translated into Esperanto and English by Dr. L. L. Zamenhof
It is not the point of the story – and, in some ways it doesn’t matter – however, today I am wondering “Which foot?”
According to the Talmud a potential convert to Judaism went to two famous rabbis of the 1st century and asked to be taught the whole Torah while standing on one foot.* Rabbi Shammai insulted the man and threw him out. Rabbi Hillel (the Elder) taught a lesson about respect, which some commentators say is also love.
Respect/love that’s the important part of the story. However, today, I am also wondering about which foot. Because, which foot determines which leg and which hip bear the weight of the lesson – and which leg and hip, represents the (symbolic) foundation of the teaching.
“Yes, how my love this moment here is ripe for us Yes, you and I so brave against the years If nothing’s left to live we must find a way There’s reason yet to live There’s something left to give We must find a way There is so much to give”
– quoted from “When Nothing’s Left” by Royal Wood
As I often mention this time of year, Jewish mysticism (Kabbalah) indicates that the Tree of Life has ten sefirot (“emanations,” attributes, or manifestations) of the Divine – seven of which are associated with the body. For instance, the right leg/thigh is associated with the fourth attribute, Netzach, meaning “endurance,” “sustainability,” “victory,” and “persistence.” Meanwhile, the left leg/thigh is associated with Hod, which can be defined as “humility,” “gratitude,” “splendor,” and “glory.” I often reference this in relation to the Counting of the Omer, a 7-week period of prayer and reflection which begins on the second night of Passover. Each night, for 49 days, people count the days of the Omer and reflect on a combination of two of the sefirot.
We’re heading towards the end of the fifth week; and so, the focus is on how each attribute – lovingkindness, strength, balance, endurance, humility, bonding, and stewardship – shows up in relation to Hod. Sunset on Monday marked the beginning of Lag B’Omer (or Lag LaOmer) – Day 33 of (or in) the Omer, which is Hod She’b’Hod. The 33rd day has an extra special significance and is treated differently from the other days. The reason it’s different is related to hope – gained, lost, and regained – and, also, to that first lesson regarding respect/love.
“They said by way of example that Rabbi Akiva had twelve thousand pairs of students in an area of land that stretched from Gevat to Antipatris in Judea, and they all died in one period of time, because they did not treat each other with respect.”
– quoted from Yevamot 62b:9 in The Koren Talmud Bavli Noé (Vol. 14 Yevamot 1), with commentary by Rabbi Adin Even-Israel Steinsaltz and English from The William Davidson digital edition
I often refer to Counting the Omer as a preparation ritual, similar to other observations and celebrations that fit within the rubric of kriya yoga. What I don’t often mention is that the beginning of the 7 weeks is also a period of mourning related to Rabbi Akiva’s 24,000 students and the lost hope that their deaths represent. Obviously, so many people being lost at once would be devastating and heartbreaking. However, the communal hopelessness is also related to the fact that the 24,000 were preparing for the return of the Temple.
Yet, somehow, despite focusing on the scholarly aspects of their faith, they got it wrong.
How? How could so many students of Torah not respect/love one another properly? How could so many students of one of the greatest rabbis not understand a foundational element of their teaching? According to some commentary, they did not love those that had different opinions and perspectives. Rather than learning from one another, they believed they could only respect/love those who shared the same views. So the were struck down by a plague.
Some scholars say the plague that killed them was an actual disease (as it is indicated in the text); others say it was a metaphor for war against the Roman Empire. Either way, Lag B’Omer (or Lag LaOmer) is the anniversary of the day when the plague ended – or when a revolt led by Simon Bar Kokhba achieved a victory against the Roman Empire. It is also the anniversary of the death one of the students from Rabbi Akiva’s second cohort: Rabbi Shimon Bar Yochai, whose life is celebrated as a symbol of hope for the future.
All the activities people put on hold during the period of mourning, resume on the 33rd Day of the Omer. Additionally, some people will make a pilgrimage to sacred sites. In some communities, people build bonfires to symbolize the ways in which people marked the beginning of the holidays and the sabbath in medieval times and the fires Bar Kokhba’s soldiers would have used to communicate. (Similarly, children may use toy boy and arrows to reenact the revolt.) Bonfires and torches are also symbolic of the mystical fire that surrounded Rabbi Shimon Bar Yochai as he shared his wisdom of the Torah on his last day. Finally, the fires symbolize the light of the Torah and the return of that light to the Jewish people.
They are a reminder that Rabbi Akiva didn’t give up – even when all were lost and he hit the proverbial wall.
“And the world was desolate of Torah until Rabbi Akiva came to our Rabbis in the South and taught his Torah to them. This second group of disciples consisted of Rabbi Meir, Rabbi Yehuda, Rabbi Yosei, Rabbi Shimon, and Rabbi Elazar ben Shamua. And these are the very ones who upheld the study of Torah at that time. Although Rabbi Akiva’s earlier students did not survive, his later disciples were able to transmit the Torah to future generations.”
– quoted from Yevamot 62b:10 in The Koren Talmud Bavli Noé (Vol. 14 Yevamot 1), with commentary by Rabbi Adin Even-Israel Steinsaltz and English from The William Davidson digital edition
For Those Who Missed It: The following was originally posted in 2020. One quote was moved. Additionally, the first and third paragraphs have been slightly revised.
“For there is no doubt that the most radical division that it is possible to make of humanity is that which splits it into two classes of creatures: those who make great demands on themselves, piling up difficulties and duties; and those who demand nothing special of themselves, but for whom to live is to be every moment what they already are, without imposing on themselves any effort towards perfection; mere buoys that float on the waves.”
― from The Revolt of the Masses by José Ortega y Gasset
My friend Bob P once told me this joke: “There are two kinds of people in a kayak, the people that just fell out and the people who are about to fall out.” I find his joke is a pretty apropos metaphor for that feeling of “hitting the wall” during [the] pandemic; if you haven’t hit the wall, you’re about to hit the wall. The same can be said for some of life’s greatest heartaches. While it might seem trite to suggest that you can tell a lot about a person by how they get over/under/around/through the wall, it doesn’t change the fact that [what we’ve been through and are going through] is all part of our circumstances and, to paraphrase José Ortega y Gasset, we are (in part) our circumstances.
Born in Spain, today (May 9th) in 1883, Ortega y Gasset was an existential philosopher and writer, as well as a bit of an activist/social reformer, who believed that life was simultaneously fate and freedom, but that freedom could only be experienced within a given fate. In other words, we must play the hand we’re dealt – but, and this is key, we decide what game we’re playing with the hand we’re dealt. In fact, Ortega y Gasset encouraged actively deciding and creating a “project of life” and, in doing so, create meaning not only for one’s self, but also for others.
– “The objective world (what is seen), consisted of a combination of elements and senses, and having a nature of illumination, activity, and stability, has two purposes: fulfillment and freedom.
– The “gunas” fall into four categories: specific/identifiable, unspecific/unidentifiable, barely describable (by signs), and absolutely indescribable (because it is beyond reference)
It may seem strange, even counterintuitive to some, to draw parallels between the work of 20th century existential philosophers and psychologists (or psychoanalysts) and the work of the ancient yogis (and medieval rabbis). Yet, remember, Patanjali, Vyasa, and the authors of the sacred texts like the Upanishads were explaining their life experiences – just like modern day existentialists – and codifying their life philosophies. When you get right down to it, all of this comes down to an understanding of the nature of things and the nature of ourselves. So, once again, we are back to the same two questions: “Who are you?” and “Where does the world come from?”
José Ortega y Gasset was a strong proponent of creating one’s world and being an active creator rather than a passive receiver. The second section/chapter of the yoga sutras (“The Foundation on Practice”) begins by focusing on how we are creating our world and our experiences in the world – sometimes unconsciously.
“Life cannot wait until the sciences may have explained the universe scientifically. We cannot put off living until we are ready. The most salient characteristic of life is its coerciveness: it is always urgent, “here and now” without any possible postponement. Life is fired at us point-blank. And culture, which is but its interpretation, cannot wait any more than can life itself.”
– from Misión de la Universidad (Mission of the University) by José Ortega y Gasset
Tuesday’s playlist is available on YouTube and Spotify. [Look for “05009020 JOyG”]
*NOTE: In most translations of the Talmud, it clearly states that the gentile was the one standing on one foot during the lesson.
“Eid Mubarak, Blessed Festival!” to anyone who is (or was) celebrating. Many blessings to anyone Counting the Omer or celebrating/observing Eastertide / the Octave of Easter! “Happy Riḍván!” to those celebrating “the Most Great Festival.”
This is a “missing” post for Wednesday, April 19th. Scroll to the bottom to find links related to Eid-al Fitr. You can request an audio recording of this practice (or any of the related practices) via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.
“Kuraib reported that Ibn ‘Abbas spent a night in the house of the Messenger of Allah (may peace be upon him) and he said: The Messenger of Allah may peace be upon him) stood near the water-skin and poured water out of that and performed ablution in which he neither used excess of water nor too little of it, and the rest of the hadith is the same, and in this mention is also made (of the fact) that on that night the Messenger of Allah (may peace be upon him) made supplication before Allah in nineteen words. Kuraib reported: I remember twelve words out of these, but have forgotten the rest. The Messenger of Allah said: ‘Place light in my heart, light in my tongue, light in my hearing, light in my sight, light above me, light below me, light on my right, light on my left, light in front of me, light behind me, place light in my soul, and make light abundant for me.’”
– Sahih Muslim 7673 (Book 4, Hadith Muslim 1680)
In some ways, Wednesday’s practice picked up in the middle of the Tuesday practices – with a look at what we do (or what we can do) when we are waiting for something powerful. This time, the focus was on connecting with the power of the elements. Just like so many other teachers (and poets, not to mention health care practitioners), I often recommend connecting with the elements. In fact, I recommend connecting with the elements all around you – as well as the elements (and the way they show up) inside you and in the practice. Light and water (as well as wind), are elements that are often associated with certain physical practices of yoga. For example, in our vinyasa practice, we move (or “flow”) like water to the pace of our breath as we “salute” the sun (or the moon). Light and water (as well as wind) also show up in different religious practices. They show up, um, in their element and they also show up as symbols. They show up in various sacred texts and they also show up in various rituals.
One of the things I find interesting is that just as science uses similar language to explore and investigate all three (e. g. waves), different religions use similar language and context with regard to light and water (as well as wind). I have mentioned before how water is associated with wisdom in Hasidic Jewish traditions and, also, how “the spirit that lives on the water” is a concept that shows up in the Abrahamic religions as well as in indigenous religions, medicine, and philosophy from around the world. In other practices, I have focused on how water takes the shape of its container (or boundaries) and how, when it moves, it is also powerful enough to change the shape of that which contains it. Similarly, I have focused on how water is associated with so many different creation stories – including stories from India, China, Hawaii, and the First Nations – and how rituals and traditions that celebrate those stories rely heavily on water. Sometimes, however, we are missing the context.
Recently, a friend told me about an incredible water-related ritual they experienced in Thailand. After sharing the story, they lamented that we didn’t have such practices here in the United States. To which I responded that of course we do! It’s all about context. Consider the ritual washing of hands and feet in Judaism, as well as practices around the Mikveh (or mikvah). Consider the practice of baptism, winter swimming, and the significance of holy water in Christianity. Consider ritual washing in Islām and how (like in Judaism) there are certain prayers that are said before washing hands and certain that are said after ablutions.
Part of what makes an experience powerful is the connection to the elements. Part of the power, however, comes from the knowledge (and one’s belief in the knowledge).
The highlighted quote above and the following post appeared on the blog as a “renewed” post in April 2022. Some syntax and links have been updated. (NOTE: Some embedded links will take you outside of the blog.)
“‘Remember, dear friend, that I am subtly inherent in everything, everything in the universe! I am the all-illuminating light of the sun, the light in the moon, the brilliance in the fire – all light is Mine. I am even the consciousness of light, and indeed, I am the consciousness of the entire cosmos.’”
– The Bhagavad Gita: A Walkthrough for Westerners (15:12) by Jack Hawley
Yoga Sutra 1.36: viśokā vā jyotişmatī
– “Or [fixing the mind] on the inner state free of sorrow and infused with light, anchors the mind in stability and tranquility.”
In Huffington Post “Ramadān Reflection” in 2012, Imam Khalid Latif mentioned the importance of searching for the Night of Power when it comes to the last days of Ramadān. My understanding is that, regardless of our faith or overall beliefs, we have to actively participate in our fate and in our practices. We have to actively seek in order to find. So, while, I could point out all the different ways in which “light” comes up in different religious and spiritual practices, while I could outline a little comparative analysis between the sacred texts of the Abrahamic religions and songs by Yusuf Islam, Santana and Everlast, Matisyahu, and the Maccabeats, I’m not going to do it. Instead, I’m going to encourage you to seek and see what you find.
True, you can follow the links (above) and maybe find something new (or remember something you had forgotten). However, more than anything, I encourage you to sit with your own history and tradition for a moment and consider what comes up. How does light come up? When and where does light come up? How do your internalized references to light compare to those I’ve mentioned (above and below)? How do you describe those moments when you put your light on and let it shine?
2023: Now ask yourself the same questions about water.
“I used to trust nobody, trusting even less their words, Until I found somebody, there was no one I preferred, My heart was made of stone, my eyes saw only misty grey, Until you came into my life girl, I saw everyone that way. Until I found the one I needed at my side, I think I would have been a sad man all my life.
I think I see the light coming to me, Coming through me giving me a second sight. So shine, shine, shine, Shine, shine, shine, Shine, shine, shine.”
– from “I Think I See the Light” by Cat Stevens/Yusuf Islam
As I recently (and virtually) discussed with two dear friends (as well as in classes), the similarities between the three Abrahamic religions – Judaism, Christianity, and Islam – is no coincidence. These traditions share historical, spiritual, and liturgical roots. How do we explain, however, these same similarities when they come up in non-Abrahamic religions? Yes, yes, the cynical parts of us can say that language and customs were co-opted in order for missionaries to more easily conquer and convert. But, how do we explain that the elemental foundations – the opportunity to co-opt – already existed? How do we explain, for instance, the focus on light other than it is a fundamental and universal experience? We can be cynical for days, but at some point we have to “step into the light, baby.”
“‘O Allah ! place light in my heart, light in my hearing, light in my sight, light on my right, light on my left, light in front of me, light behind me, light above me, light below me, make light for me,’ or he said: ‘Make me light.’”
– Sahih Muslim 7673 (Book 4 Hadith Muslim 1677)
Wednesday playlist is available on YouTube and Spotify.[Look for “Ramadan 2023”]
Two quick notes about the music: First, while the most of the musicians featured on the playlists during these final days of Ramadān are Muslim there are some exceptions. One of the notable exceptions – notable, because she is the only female soloist and the only non-Muslim singer on the list – is Reba McEntire. Her song “Pray for Peace” is on the playlist because she re-released it during the month of Ramadān in 2014 – but not just randomly in the month, the song was released in the last ten days of the month! Second, there are some songs on the playlist that are Nasheeds (meaning they are religiously moral songs) that, in some traditions, are meant to be sung without instrumentation or only with percussion. I have, however, included orchestrated versions of these songs, because this seems to have worked best in an in-studio setting. I mean no disrespect by this choice. As far as I know, percussion or voice only recordings of each song are available (if you want to build your own playlist). Alternatively, you can practice without the music.
“Ramadān Mubarak, Blessed Ramadān!” to anyone observing the holy month of Ramadān. (Keep your eyes open!) Many blessings to anyone Counting the Omer or celebrating/observing Eastertide / the Octave of Easter!
“Kuraib reported that Ibn ‘Abbas spent a night in the house of the Messenger of Allah (may peace be upon him) and he said: The Messenger of Allah may peace be upon him) stood near the water-skin and poured water out of that and performed ablution in which he neither used excess of water nor too little of it, and the rest of the hadith is the same, and in this mention is also made (of the fact) that on that night the Messenger of Allah (may peace be upon him) made supplication before Allah in nineteen words. Kuraib reported: I remember twelve words out of these, but have forgotten the rest. The Messenger of Allah said: ‘Place light in my heart, light in my tongue, light in my hearing, light in my sight, light above me, light below me, light on my right, light on my left, light in front of me, light behind me, place light in my soul, and make light abundant for me.’”
– Sahih Muslim 7673 (Book 4, Hadith Muslim 1680)
Please join me today (Wednesday, April 19th) at 4:30 PM or 7:15 PM for a yoga practice on Zoom. Use the link from the “Class Schedules” calendar if you run into any problems checking into the class. You will need to register for the 7:15 PM class if you have not already done so. You can request an audio recording of this practice via a comment below or by emailing myra (at)ajoyfulpractice.com.
Wednesday playlist is available on YouTube and Spotify.[Look for “Ramadan 2023”]
Two quick notes about the music: First, while the most of the musicians featured on the playlists during these final days of Ramadān are Muslim there are some exceptions. One of the notable exceptions – notable, because she is the only female soloist and the only non-Muslim singer on the list – is Reba McEntire. Her song “Pray for Peace” is on the playlist because she re-released it during the month of Ramadān in 2014 – but not just randomly in the month, the song was released in the last ten days of the month! Second, there are some songs on the playlist that are Nasheeds (meaning they are religiously moral songs) that, in some traditions, are meant to be sung without instrumentation or only with percussion. I have, however, included orchestrated versions of these songs, because this seems to have worked best in an in-studio setting. I mean no disrespect by this choice. As far as I know, percussion or voice only recordings of each song are available (if you want to build your own playlist). Alternatively, you can practice without the music.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)
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A Joyful Practice 